mirror of
https://gitlab.silvrtree.co.uk/martind2000/booksnew.git
synced 2025-01-11 18:45:08 +00:00
773 lines
41 KiB
HTML
773 lines
41 KiB
HTML
<?xml version="1.0" encoding="utf-8"?>
|
|
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
|
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
|
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
|
<head>
|
|
<meta name="generator" content=
|
|
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
|
<title>Chapter 20</title>
|
|
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
|
<link rel="stylesheet" type=
|
|
"application/vnd.adobe-page-template+xml" href=
|
|
"page-template.xpgt" />
|
|
</head>
|
|
<body>
|
|
<div id="text">
|
|
<div class="section" id="xhtmldocuments">
|
|
<h2>20</h2>
|
|
<p>They found the body of Annie Eastwood in the morning while Jack
|
|
was taking his nephew to school. He'd had five hours sleep and had
|
|
needed a blistering hot shower to get him completely awake. He'd
|
|
dreamed most of the night, and when he'd awoken with a start when
|
|
the alarm had buzzed, he'd been sitting upright on the bed, arms
|
|
and shoulders goosepimpled, hands curled into tight fists. The
|
|
substance of the dream had broken up when his eyes opened but he'd
|
|
been left with a heavy aftersense of lingering gloom.</p>
|
|
<p>Julia offered him breakfast and when he told her he'd no time,
|
|
she ordered him to wait for two minutes while she put the bacon
|
|
she'd grilled for herself onto two slices of bread, wrapped them in
|
|
tin-foil and jammed them into the pocket of his long coat.</p>
|
|
<p>"You look ghastly," she said, concerned.</p>
|
|
<p>"Thanks a million," he said, unable to keep the smile from his
|
|
face. "You're great for a guy's ego."</p>
|
|
<p>"Look, you don't have to take Davy to school. I can manage."</p>
|
|
<p>"No bother. It makes sure I get out of bed."</p>
|
|
<p>"You need looking after," she said, reaching a hand up to cup
|
|
his cheek with affectionate gentleness.</p>
|
|
<p>"I'm doing fine, but now I've got to go," Jack said quickly,
|
|
breaking the moment, pulling away. Her concern was written all over
|
|
her face, and he backed away from it. He would only begin to feel
|
|
maudlin.</p>
|
|
<p>When he stopped outside the school gate, Davy leaned over from
|
|
the back seat and gave him a kiss. Jack stopped him before he got
|
|
out of the car.</p>
|
|
<p>"Did your mum tell you about staying in school all day?"</p>
|
|
<p>"Yes, uncle Jack," the boy replied gravely.</p>
|
|
<p>"And you wait for her or me to come and get you at home
|
|
time?"</p>
|
|
<p>Davy nodded again.</p>
|
|
<p>"Well you make sure you do," Jack said, keeping his voice low
|
|
and serious.</p>
|
|
<p>"I will. I'll stay in school."</p>
|
|
<p>Jack ruffled his hair and let him go. He watched as the wee boy
|
|
disappeared into a crowd of youngsters milling around in the
|
|
playground. The school had doubled the supervision at intervals and
|
|
lunch breaks. So far all the abductions - all the <em>killings</em>
|
|
-had taken place at night, in the dark. But that did not mean the
|
|
situation wouldn't change.</p>
|
|
<p>There was no problem in identifying Annie Eastwood, at least not
|
|
from the effects she'd had on her person when she died. The
|
|
difficulty in ensuring she was who her credit and library cards
|
|
said she was, lay in the fact that there was nothing left of her
|
|
face, and so much damage to the rest of her body that it wasn't
|
|
easy to determine at first glance that the mess on the rocks at the
|
|
confluence of river and estuary were in fact human.</p>
|
|
<p>Ian Ramage, the full-time custodian of the old monument on top
|
|
of the Castle Rock had been woken in the early hours of the morning
|
|
while it was still dark and damply cold, by the barking of his
|
|
scots terriers. He had the tied house by the entrance gates, one of
|
|
the oldest buildings in Levenford, older even than Cairn House. It
|
|
was said that Mary Queen of Scots had been imprisoned there, as had
|
|
William Wallace, the guerilla leader of the fourteenth century,
|
|
before he was dragged down beyond the border and hung, drawn and
|
|
quartered. The castle ramparts bordered the shoulders of the
|
|
two-hundred foot high basalt rock, which, like Ardmhor Rock further
|
|
down the firth, is the nubbin of a dead volcano, worn down by the
|
|
ice and winds and rain of millions of years.</p>
|
|
<p>The rock towers over the east end of Levenford, black and
|
|
massive, a hunched and looming presence which dominates the flat
|
|
land where the river flowed into the tidal salts.</p>
|
|
<p>The ill-tempered yipping of the terriers roused an equally irate
|
|
keeper from his bed in the upstairs room of the old stone house.
|
|
The dogs were shoulder to shoulder at the window, feet on the sill,
|
|
noses smearing the glass. They were barking furiously, ears
|
|
pointing forward.</p>
|
|
<p>"Right, you two, hush up," Ian snapped. The bitches stopped
|
|
immediately, heads turned round towards him before swinging back to
|
|
stare out of the glass into the dark.</p>
|
|
<p>At this early hour of a freezing morning, it was unlikely that
|
|
any youngster had sneaked in through the gates, but Ian Ramage took
|
|
his job seriously, though with more than a little ill will that
|
|
day. He pulled on trousers and sweater over his thick pyjamas,
|
|
wrapped himself in a worn duffel coat, grabbed his flashlight and
|
|
then snapped his fingers at the dogs. They bounded from the window
|
|
and followed him out onto the flagstone paths, their nails
|
|
scrabbling on the cold slate.</p>
|
|
<p>Ian Ramage went down to the gate at the arched entrance. It was
|
|
ajar, though only by an inch or so. Normally the keeper locked it
|
|
at night, but in the winter, he usually relaxed the rule because so
|
|
few people visited the ancient monument in bad weather. The dogs
|
|
snuffled around the posts, then , moving together, went back
|
|
towards the house, passed by the corner, still shoulder to
|
|
shoulder, and scrambled up the first flight of stairs, yapping
|
|
angrily. The keeper followed on, grumbling all the while.</p>
|
|
<p>There is exactly one stone step cut into the rock for every day
|
|
in the year. It took Ian fifteen minutes to get to the top where
|
|
the basalt rose to a rounded dome topped by a flagpole and four
|
|
ancient cannon facing outwards to the points of the compass. The
|
|
balustrade wall snaked over the shoulder, twenty feet down from the
|
|
summit. The dogs scampered down towards the dyke and simultaneously
|
|
leapt up onto the flat top, each aggressively barking down into the
|
|
dark below. Breathless, Ian followed them down and leaned on the
|
|
wall, his eyes following the direction of their noses. Below him,
|
|
down in the distance, he could hear the gurgle and splash of the
|
|
water on the stones, like far off conversation. He angled the
|
|
powerful torch below the wall, but the beam was diffracted by the
|
|
rising mist. There was nothing to be seen and no point in going all
|
|
the way down to the rocky shoreline in the dark. He went back to
|
|
his bed.</p>
|
|
<p>Four hours later he was explaining to a uniformed policeman what
|
|
had happened.</p>
|
|
<p>The body was discovered by Geordie Buist. Though it was well out
|
|
of season, he'd taken his spinning rod round the dark pathway at
|
|
the base of the rock to haul out a few sea-trout which were
|
|
starting their spawning run up-river. He'd lifted a two pounder
|
|
from the water after his third cast and had scrambled up the rocks
|
|
to hide it in the lea of one of the forty-foot boulders which had
|
|
calved from the cliff. The silver fish, dead from a blow to the
|
|
head, but still shivering and twitching, he stashed in a corner
|
|
where the rock butted up against another. He turned, reached up to
|
|
the stone side for balance, and his searching fingers grasped hold
|
|
of a cold hand.</p>
|
|
<p>The sheer fright sent him staggering backwards to crack his head
|
|
against the basalt with a sickening thud and he landed in a dazed
|
|
heap where he lay for fully five minutes before his head cleared
|
|
enough to let him get to his feet again. Very cautiously he felt
|
|
his way in the dark until he came to the spot where he'd stood
|
|
before. He fished his cigarette lighter out of his pocket, and with
|
|
a shaky hand, flicked it alight and held it up.</p>
|
|
<p>The claw-like hand hooked down from above his head. The yellow
|
|
light reflected back from trails of liquid running down the flat
|
|
side of the stone. Two thick and shiny braids of what looked like
|
|
twisted rope dangled from further up. Geordie held the lighter up
|
|
higher and saw an eye staring at him from a pulpy mass above him.
|
|
At first he thought it was an animal, because he could see a row of
|
|
clenched teeth, more than a human ever showed, stretching back into
|
|
the mass. Then he saw the thin string of pearls around the bloodied
|
|
neck and he realised what he'd found.</p>
|
|
<p>Geordie Buist was a tough young man. He'd had his share of fist
|
|
fights. He could gut and clean a rabbit or a fish or gralloch a
|
|
poached deer with hardly a thought. But when the dead and broken
|
|
face of the woman, her one impossibly protruding eye glaring from
|
|
the red mess registered on his consciousness, Geordie got such a
|
|
fright that his bladder simply opened and hot piss gushed down the
|
|
inside of his thigh. He stood there, frozen, hand up-raised, for
|
|
several stunned minutes, unaware of the warm flow down his jeans,
|
|
until an eddy of wind snuffed out the flame of the lighter. The
|
|
darkness which descended was complete. Geordie gave a gasp of
|
|
alarm. The thought of being stuck in the dark with the grotesque,
|
|
broken thing, was too much for him to cope with. Whimpering all the
|
|
way, he bolted out of the space between the big rocks, scrambled up
|
|
to the path, and ran, non stop round the track at the base of the
|
|
cliff until he came to the road. It took him twenty minutes to get
|
|
to the police station and a further fifteen before the desk
|
|
sergeant could get him to calm down enough to piece together
|
|
sufficient information from the incoherent, almost hysterical
|
|
babbling to realise what the ashen-faced young man was trying to
|
|
say.</p>
|
|
<p>The police patrol who were sent to investigate found Geordie's
|
|
rod and line along with the poached sea-trout, but they were too
|
|
busy that night to do more than give him a verbal warning. The
|
|
following day, Sergeant Bobby Thomson enjoyed the fish grilled and
|
|
smothered in a fine hollandaise sauce. One of the policemen at the
|
|
scene was Gordon Pirie, the young recruit who had made tea for Jack
|
|
Fallon the night before. When he'd shone his beam on what lay on
|
|
the rocks, he staggered back, slipped on the rocks and retched so
|
|
violently and painfully that he thought he was going to pass out,
|
|
and once he'd finished, he began to cry like a baby and couldn't
|
|
stop.</p>
|
|
<p>Annie Eastwood was formally identified by Dr Bell, her own
|
|
general practitioner who recognised her appendectomy and
|
|
hysterectomy scars and the small port-wine birthmark close to her
|
|
hip.</p>
|
|
<p>But for these distinguishing marks, identification could have
|
|
taken several days, because the fall from the castle ramparts,
|
|
almost two hundred feet straight down, had broken almost every bone
|
|
in the woman's body. The left side of her face had been stoved
|
|
right in, crushing both cheek-bone and jaw. On the right, all of
|
|
the skin and muscle had been torn back to the ear, giving the face
|
|
a dog-like gape. As she'd bounced from one rock to another, her
|
|
scalp had been torn off from forehead to crown and flung, like a
|
|
bloody wig, ten feet from where the body sprawled upside down.
|
|
Robbie Cattanach found four fractures of the spine and three
|
|
compounded breaks in the left thigh alone. Her pelvis had sheared
|
|
off three inches in from the hip-joint and a sharp edge of rock had
|
|
opened her belly like a zip fastener and spilled everything in
|
|
glistening ropes down into the void between the two huge
|
|
stones.</p>
|
|
<p>One eye was missing and was never found. Somebody surmised that
|
|
one of the rats that inhabited the nooks and crannies and fed on
|
|
carrion from the shoreline must have eaten it. Two fingers and a
|
|
thumb of the dead woman's left hand were later found further up on
|
|
the rock, jammed in a small crevice, ripped off in the violence of
|
|
her passing. One of them bore a ring set with amethyst stones.</p>
|
|
<p>The missing fingers were collected and used for prints. Later in
|
|
the afternoon, Jack Fallon learned that Annie Eastwood had also
|
|
been in Cairn House on the night that Marta Herkik had died.</p>
|
|
<p>Elsa Quinn, the only one of the women in the distillery who
|
|
remembered seeing a stranger in the building the night before, was
|
|
questioned again. The vague description of the woman's green coat
|
|
was helpful. When shown a picture taken from Annie Eastwood's
|
|
house, it jogged Elsa's memory just enough.</p>
|
|
<p>"That's who it was," she told John McColl. "I never recognised
|
|
her at the time. It's Angie Eastwood's mother. Angie used to work
|
|
on the same line as me. But she died. It was a car crash about a
|
|
year ago. It was terrible. We all went to the funeral, and that's
|
|
where I saw her mother."</p>
|
|
<p>"You're sure?"</p>
|
|
<p>"I am now. I had a terrible headache last night, so I didn't
|
|
really look. I remembered thinking there was something familiar
|
|
about her, but I couldn't place the face."</p>
|
|
<p>"And where was she standing?"</p>
|
|
<p>"Beside the lift on the fourth floor," Elsa said.</p>
|
|
<p>Jack brought John McColl and Ralph Slater into his office and
|
|
closed the door.</p>
|
|
<p>"I want her house turned over," he said when they were both
|
|
seated. "This is the first real tie-in we have to everything."</p>
|
|
<p>"You don't think she killed the girl?" John asked.</p>
|
|
<p>"Christ knows!" Jack said sharply. "No. Probably not. But she
|
|
was there at the same time, and she was in the Herkik place. She's
|
|
topped herself, or been thrown off the top of the castle. One way
|
|
or another, she's in the middle of the whole mess. Get round there
|
|
and give her place a spin, and send a squad round to Janet
|
|
Robinson's place. I'm looking for anything at all. Books, diaries,
|
|
letters, the lot. We have to know why she was at Cairn House and
|
|
what was going on there. That's the crux of the matter."</p>
|
|
<p>"Anything else?"</p>
|
|
<p>"Yes. Have you found this O'Day yet?"</p>
|
|
<p>"No. He's been gone for the last few days, according to his
|
|
landlady."</p>
|
|
<p>"Keep looking. Get a warrant and turn him over as well. I'm fed
|
|
up pussyfooting about."</p>
|
|
<p>John went out and Jack turned to Ralph.</p>
|
|
<p>"This is getting out of hand. What can you tell me?"</p>
|
|
<p>"Nothing you don't already know. Looks like Eastwood jumped. She
|
|
could have been pushed. According to the keeper there was some
|
|
disturbance between four and five this morning. His dogs started
|
|
barking. He had a check around, but didn't see a thing. If she'd
|
|
been taken up there and thrown off, there would probably have been
|
|
a lot of noise. Ramage says he didn't hear anything."</p>
|
|
<p>Jack brought his hands up and ran his fingers backwards through
|
|
his hair.</p>
|
|
<p>"I just don't understand it. You get a killing or an abduction -
|
|
and these kids are dead believe me - and then a suicide. Everybody
|
|
so far, except Jock Toner, was at the seance in Herkik's room."</p>
|
|
<p>"You reckon that's what it was?"</p>
|
|
<p>"Sure. I've got it on good authority. The Eastwood woman is the
|
|
only one we can definitely place at the scene of one snatch when it
|
|
happened. We don't know who she was with, if she was with anybody,
|
|
but I don't think she could have taken that girl out of the lift on
|
|
her own and hauled her up the shaft. No. We're looking for a strong
|
|
bastard. A <em>crazy</em> strong bastard."</p>
|
|
<p>"So we've got a tie-in Jack. But I don't see where that gets us.
|
|
We still haven't found any of the bodies yet. Not any of the
|
|
kids."</p>
|
|
<p>"We will."</p>
|
|
<p>There were too many things to do at once. Around noon, Jack was
|
|
tempted to capitulate and call in for some extra help, despite his
|
|
superior's objections. He couldn't put off reporting to
|
|
Superintendent Cowie.</p>
|
|
<p>"I've had the press baying at my heels all morning," his
|
|
superior barked as soon as Jack opened the office door. Cowie was
|
|
sitting back in a high-backed swivel chair, both hands drumming on
|
|
his empty blotter.</p>
|
|
<p>Jack held up a thick folder. "I've got everything so far. So far
|
|
all the suicides can be traced to the Herkik killing. I believe
|
|
they are also involved in the abductions."</p>
|
|
<p>"Nonsense," Cowie snorted. "You think this is some sort of
|
|
kidnap ring? In Levenford?"</p>
|
|
<p>"Stranger things have happened. Everything is pointing that
|
|
way."</p>
|
|
<p>"Why?"</p>
|
|
<p>"Because they're all involved in some kind of devil
|
|
worship."</p>
|
|
<p>Cowie's eyebrows almost disappeared over the top of his thinning
|
|
scalp.</p>
|
|
<p>"And you want me to announce that to the press?"</p>
|
|
<p>"Not necessarily, but they're going to want something."</p>
|
|
<p>"I have to tell you, Chief Inspector, this is not looking good
|
|
and I'm losing patience."</p>
|
|
<p>Jack said nothing.</p>
|
|
<p>"So what do you intend to do about it? I don't see any real
|
|
progress. You're making us look like fools"</p>
|
|
<p>"Actually I'm hoping to pick up someone who may be
|
|
involved."</p>
|
|
<p>"Oh?"</p>
|
|
<p>"Yes. His name is Michael O'Day. You'll have heard of him."</p>
|
|
<p>Cowie shook his head.</p>
|
|
<p>"That's a surprise. An informant of mine said he gave you the
|
|
information four days ago. O'Day was seen leaving Cairn House at
|
|
the estimated time of Marta Herkik's death."</p>
|
|
<p>The superintendent gave another small shake of his head. His
|
|
face was beginning to colour.</p>
|
|
<p>"Yes. He's been missing from his home for two days. Shame. Maybe
|
|
we could have wrapped this up before wee Carol Howard was
|
|
killed."</p>
|
|
<p>"What are you trying to suggest?"</p>
|
|
<p>"I'm not trying to suggest anything. I'm just pointing out that
|
|
I'm not making anybody look a fool," Jack said, unable to keep the
|
|
weary contempt from his tone. "Now, if you'll excuse me, I've got a
|
|
murder investigation to run."</p>
|
|
<p>He stood up and left, closing the door behind him before the
|
|
superintendent burst a blood vessel.</p>
|
|
<p>Just as he got to his office, the phone gave a single ring. Jack
|
|
lifted the receiver, listened for a moment, then answered
|
|
briefly.</p>
|
|
<p>He went down the two flights of stairs to the front office. As
|
|
soon as he got there, the waiting pressmen pounced. He held up his
|
|
hands and told them to back off for a second while he spoke to the
|
|
desk sergeant. Andy Toye was sitting in the waiting room. Jack told
|
|
one of the uniformed men to take him upstairs. Just as he did so,
|
|
Lorna Breck came walking in through the front door, between a woman
|
|
and a man in uniform.</p>
|
|
<p>"Damn," Jack said under his breath. He leaned across to the desk
|
|
sergeant and told him to get the girl into the interview room as
|
|
quickly and as quietly as possible. He turned back to the gaggle of
|
|
reporters, using his hands to usher them away from the desk. The
|
|
police officers walked right past them, and nobody seemed to notice
|
|
the girl. Out of the corner of his eye, Jack got a brief impression
|
|
of Lorna Breck's pale face turned towards him and then she was
|
|
gone.</p>
|
|
<p>"Come on Chief," the thin man from the Express entreated. "We've
|
|
had nothing since this morning." Somebody flashed a camera and Jack
|
|
pointed a finger at the photographer.</p>
|
|
<p>"If that thing goes off once more in here, you're all out. No
|
|
kidding."</p>
|
|
<p>The cameraman shrugged apologetically.</p>
|
|
<p>"Okay, follow me," he said, resignedly. He led them through a
|
|
corridor and into one of the larger rooms near the cells which was
|
|
used for briefings. There were a few plastic chairs set in uneven
|
|
rows. The group of pressmen jostled for a seat. Jack stood with his
|
|
back against the wall and took out a notebook.</p>
|
|
<p>"Statement first. Questions next," he announced brusquely, then
|
|
checked his notes before beginning.</p>
|
|
<p>"We are investigating the disappearance of a teenage girl. It
|
|
happened late last night in Castlebank Distillery. Witnesses say
|
|
she became trapped in an elevator. By the time rescue services
|
|
arrived, she could not be found. We are treating the case as
|
|
abduction, possibly murder."</p>
|
|
<p>"That's the fourth in two weeks," somebody bawled from the
|
|
back.</p>
|
|
<p>"I'm afraid it is. Our investigations are continuing."</p>
|
|
<p>"Is there a link."</p>
|
|
<p>Jack paused. "That's a possibility we are looking into. I can't
|
|
say anything further than that."</p>
|
|
<p>"And you've got another suicide today?" the same voice
|
|
asked.</p>
|
|
<p>"Possible suicide. The body of a middle aged woman was
|
|
discovered on the rocks on the west side of the castle in the early
|
|
hours of the morning. She had injuries consistent with a fall. A
|
|
post mortem is taking place at the moment. A report will be made to
|
|
the fiscal and there's a possibility of a fatal accident inquiry
|
|
later. We should have more details sometime today."</p>
|
|
<p>"So what's happening here?"</p>
|
|
<p>"What's happening is that we are very concerned at recent
|
|
events." Jack did not enjoy using bland public relations speech,
|
|
but he knew that one wrong word would catch the headlines. What was
|
|
happening in Levenford was hitting the front pages of the national
|
|
press too often. "If I can use this opportunity to re-issue our
|
|
earlier warnings to parents to ensure that their children are not
|
|
left unaccompanied after dark. I would also recommend that for the
|
|
time being, no woman should be out on her own."</p>
|
|
<p>Blair Bryden from the Gazette was sitting quietly close to the
|
|
wall, writing in his notebook. Beside him another reporter piped
|
|
up.</p>
|
|
<p>"None of the abductees have been found. All of them so far have
|
|
been children, if you include the girl. Looks like there's some
|
|
sort of pattern, wouldn't you agree?"</p>
|
|
<p>"We are investigating the possibility," Jack said. A pattern was
|
|
building up inside Jack's mind, It was becoming clearer - and yet
|
|
also more confused - by the minute.</p>
|
|
<p>"You mean a serial killer?"</p>
|
|
<p>Jack paused and took a breath. He could see the headlines
|
|
already.</p>
|
|
<p>"You know we don't like to speculate. I'm sure you will draw
|
|
your own conclusions, but yes, that is one line of inquiry."</p>
|
|
<p>He swept his eyes across the group of reporters. The
|
|
photographer at the back flashed his camera blindingly. Jack
|
|
blinked.</p>
|
|
<p>"Right, that's it," he snapped.</p>
|
|
<p>"Sorry chief. It was an accident," The cameraman piped up.</p>
|
|
<p>"Apology accepted. Press statement over," Jack said bluntly.
|
|
Somebody protested, but Jack turned towards the door. Most of the
|
|
gang followed him out, still firing off questions, but he ignored
|
|
them. He turned right, went through the swing doors and headed
|
|
along the corridor when a voice came from behind him.</p>
|
|
<p>"Thanks for the call Jack."</p>
|
|
<p>He turned. Blair Bryden, a slim figure in a long raincoat, had
|
|
followed him through. Every policeman in the station knew the local
|
|
editor. He was the only one who would have got beyond the door.</p>
|
|
<p>"Oh, damn," Jack breathed. He stopped and leaned against the
|
|
wall."</p>
|
|
<p>"Sorry Blair. I forgot, pure and simple. I didn't get finished
|
|
'til very late, or very early. I can't even remember what time it
|
|
was. My eyes were falling out."</p>
|
|
<p>Blair shrugged.</p>
|
|
<p>"No problem. I managed to get plenty last night. Local knowledge
|
|
helps. But there are one or two things that stick in my mind,
|
|
thanks to my local knowledge."</p>
|
|
<p>Jack raised his eyebrows.</p>
|
|
<p>"Like why you've hauled a spey-wife in on the act?"</p>
|
|
<p>"Eh?" Jack asked blankly.</p>
|
|
<p>"Lorna Breck. Two of your uniforms brought her in. You had her
|
|
hustled away before anybody could see her. You must have forgotten
|
|
I did a story on her only three weeks ago. The fire on Murroch
|
|
Road, remember?"</p>
|
|
<p>"Oh. Right."</p>
|
|
<p>"And Professor Toye was sitting out there this morning."</p>
|
|
<p>"You know him?"</p>
|
|
<p>"Sure I know him. He was involved in the Linnvale affair. I'm
|
|
just surprised that none of the others did."</p>
|
|
<p>"Well, that gives me a problem, Blair. I can't tell you at the
|
|
moment."</p>
|
|
<p>"But I can make a couple of guesses on my own."</p>
|
|
<p>"Go ahead."</p>
|
|
<p>"Andrew Toye is head of paranormal studies. That's the tie in to
|
|
old Marta Herkik. She was some sort of psychic, which everybody
|
|
knows. It's the professor's line of work."</p>
|
|
<p>"Go on."</p>
|
|
<p>"Lorna Breck. Five or six people heard her make some sort of
|
|
prediction on the night of the fire. And it turned out she was bang
|
|
on the money. So my guess is that she's been called in because you
|
|
haven't a clue."</p>
|
|
<p>"It's not quite that," Jack said. "I'd prefer if you kept this
|
|
to yourself, at least for the moment."</p>
|
|
<p>"You know you'll have to do better than that," Blair said.
|
|
"They're both fair game, because I saw them, and as you said, we
|
|
can draw our own conclusions. Furthermore, I don't think anything I
|
|
could write about either of them would jeopardise the
|
|
investigation."</p>
|
|
<p>"But it could be wrong," Jack stated.</p>
|
|
<p>Blair laughed.</p>
|
|
<p>"There's always that possibility. Now you, on the other hand,
|
|
could put me right."</p>
|
|
<p>Jack let out a long sigh. Blair was still smiling agreeably, and
|
|
Jack couldn't help but return it.</p>
|
|
<p>"Alright. You want a deal."</p>
|
|
<p>"That I do, chief."</p>
|
|
<p>"Fine. I'll give you a couple of things right now, which you can
|
|
feed to the nationals. You keep the professor and Lorna Breck out
|
|
of print until Friday, and then you get first refusal on anything I
|
|
can tell you."</p>
|
|
<p>Blair cocked his head to the side, weighing the options. There
|
|
were no options. He could write a speculative piece and wire it up
|
|
to the daily papers and have nothing but hear-say on Friday when
|
|
the Gazette hit the streets.</p>
|
|
<p>"Done," he said quickly.</p>
|
|
<p>Jack hauled his notebook out again.</p>
|
|
<p>"Names," he said briskly. "I'll have them confirmed later today,
|
|
so don't send them out until then. Ann Eastwood. You'll have
|
|
something on her already. Her daughter was killed in that accident
|
|
up on the Corran Shore Road about a year back."</p>
|
|
<p>Blair nodded, filing it away. He'd written that story as
|
|
well.</p>
|
|
<p>Jack gave her address. He threw in Edward Tomlin. There was
|
|
nothing to lose.</p>
|
|
<p>"So what's the connection?"</p>
|
|
<p>"Consider the fact that Tomlin poisoned himself last Friday. Now
|
|
look at the dates of recent suicides and then check out what else
|
|
has been happening on or around those dates."</p>
|
|
<p>Blair closed his eyes for a few moments, then the smile came
|
|
back to his face.</p>
|
|
<p>"You mean they're tied in to this?"</p>
|
|
<p>"That's a possibility we are considering at the moment," Jack
|
|
said, using the same tone he'd had at the press call. Blair laughed
|
|
out loud.</p>
|
|
<p>"And you think there might be a connection then to Marta
|
|
Herkik."</p>
|
|
<p>"This is under investigation," Jack responded blandly.</p>
|
|
<p>"That's why you've got Andy Toye. What the hell's going on here?
|
|
Blood sacrifice?"</p>
|
|
<p>Blair was surprisingly quick on the uptake.</p>
|
|
<p>"No comment. And I don't want to read a word of speculation
|
|
about that, or the deal's off."</p>
|
|
<p>"Don't worry," Blair promised. He scribbled something in his
|
|
notebook, then looked up at Jack. "Jesus," he breathed.</p>
|
|
<p>Blair Bryden must have spent the whole day bobbing and weaving
|
|
around Levenford that day. Every paper from broadsheet to tabloid
|
|
splashed his story on the front pages on the following morning.</p>
|
|
<p>The operations room was empty when Jack brought Andy Toye along.
|
|
The professor, a slight figure in glasses looked around the walls
|
|
which were plastered with blow-up street maps of the town and
|
|
cross-hatched diagrams with names handwritten in bold capitals
|
|
beside photographs of the deceased.</p>
|
|
<p>"This is where it all happens?" Andrew asked.</p>
|
|
<p>"All, or nothing. We do a lot of talking in here. The rest of
|
|
the time is spent knocking doors, or knocking our heads against
|
|
brick walls."</p>
|
|
<p>"I'm not sure I can really help you," Andy admitted. He'd
|
|
managed to find a cup of coffee from somewhere and had brought it
|
|
along from the side room where he'd waited. He sipped it
|
|
noisily.</p>
|
|
<p>"Neither me," Jack agreed, "But we'll never know until we try.
|
|
John McColl will take you round to the Herkik place. It'll still be
|
|
in a bit of a mess, but there might me something you'll notice that
|
|
we've overlooked. I'm going on the assumption that there was a
|
|
group of people there that night and they've got themselves
|
|
involved in something. I don't know what it is, but if we can find
|
|
out, then it'll be a great help."</p>
|
|
<p>He looked down at Andy, who was finishing the last of his
|
|
coffee. "At least, that's what I hope."</p>
|
|
<p>The professor walked across to a wall chart and scanned the
|
|
names and dates.</p>
|
|
<p>"The first child went missing almost a week after this alleged
|
|
seance. Then the minister commits suicide. After that, the other
|
|
baby is taken and his mother killed, followed by the attempted
|
|
suicide of Mr Tomlin."</p>
|
|
<p>"Actual suicide now. He's dead."</p>
|
|
<p>"Then the boy goes missing, followed immediately by the woman in
|
|
the river. Almost immediately, you have the girl taken from the
|
|
distillery and another suicide within hours."</p>
|
|
<p>"All of them connected to the Herkik incident, according to
|
|
forensics."</p>
|
|
<p>"For the life of me I can't see what's been going on. There's no
|
|
occult sect I know of who've been involved in serial killings. Not
|
|
in this country anyway."</p>
|
|
<p>"All I want is for you to have a look around. We've found tarot
|
|
cards in the possession of all the suicides so far. They match the
|
|
ones in Cairn House. That can't be a coincidence."</p>
|
|
<p>"No, but the abductions could be. Close involvement with the
|
|
occult has been known to cause psychotic or schizophrenic symptoms
|
|
in clearly documented cases. It's possible there was some sort of
|
|
mass hysteria that is not linked to any of the abductions."</p>
|
|
<p>"But Janet Robinson's bag was found at the place we believe Neil
|
|
Kennedy went missing, and Ann Eastwood was seen, as near as we can
|
|
tell, in Castlebank Distillery only minutes before Carol Howard was
|
|
taken. That's no coincidence."</p>
|
|
<p>Andy nodded in agreement.</p>
|
|
<p>"Well, I don't mind having a look, as long as you don't expect
|
|
too much. He pulled out a small leather-bound pad and began to copy
|
|
some of the information from the chart. Just then, John McColl came
|
|
into the operations room.</p>
|
|
<p>"We can stroll round now, if you like," he said. Andy snapped
|
|
the book closed. He gave Jack a little smile and went off with the
|
|
sergeant.</p>
|
|
<p>Jack had called Ralph Slater in for the interview with Lorna
|
|
Breck. She was sitting in the bare room, pale and slight, hands
|
|
gripped on her black bag. A woman constable who was with her rose
|
|
when the two men went in and closed the door behind her when she
|
|
left.</p>
|
|
<p>The girl's eyes widened in recognition when Jack sat in front of
|
|
her.</p>
|
|
<p>"I don't know why I've been brought here," she blurted out.</p>
|
|
<p>"We'll try to make it as quick as possible," Jack said. He had
|
|
told Ralph nothing in detail about the girl. "We just want to ask a
|
|
few questions. Some of the things you told me yesterday are a bit
|
|
puzzling."</p>
|
|
<p>"Am I under arrest?"</p>
|
|
<p>"No. Not at all," Jack replied, as lightly as he could. To
|
|
himself he thought that she very well might be later on, depending
|
|
on how the interview went.</p>
|
|
<p>He slotted a cartridge into the recorder, gave his, Ralph's and
|
|
Lorna's name, stated the time, and left it running.</p>
|
|
<p>"What's that for?" she asked.</p>
|
|
<p>"Just to make sure we don't miss anything," Ralph said,
|
|
following Jack's lead.</p>
|
|
<p>"Right. Just relax," Jack told her. "I'll ask one or two
|
|
questions, and you answer them as fully as possible."</p>
|
|
<p>"What do you know about Marta Herkik?"</p>
|
|
<p>"Who?"</p>
|
|
<p>"You don't know her?"</p>
|
|
<p>"I hardly know anybody," the girl said, eyes wide, slightly
|
|
puzzled. "I've only lived here since August."</p>
|
|
<p>"And you've never met her?"</p>
|
|
<p>"No," she said. "I don't know who she is."</p>
|
|
<p>"Don't you read the local papers?" Ralph interrupted.</p>
|
|
<p>"Sometimes, but it's not my town yet. I don't know who's who,
|
|
and Levenford's a lot bigger than what I'm used to."</p>
|
|
<p>"Do any of these names mean anything to you? Jack ran down his
|
|
mental list, reeling off the names of the four suicides. The girl
|
|
reacted to Simpson's name. She'd heard it or read it, then she
|
|
recalled the story about the minister's bizarre hanging.</p>
|
|
<p>"But you never met him. Never spoke to him?"</p>
|
|
<p>"No."</p>
|
|
<p>He gave her the names of the three children and the teenager who
|
|
had gone missing. She recognised the first three, having read of
|
|
them and heard their names on television. The fourth drew a
|
|
blank.</p>
|
|
<p>"Now you told me that you <em>see</em> things."</p>
|
|
<p>"That's right. I don't know why, and it's making me ill. I saw
|
|
those babies and the wee boy, but I didn't know who they were until
|
|
I heard their names on the news."</p>
|
|
<p>Can you tell me when this first happened?"</p>
|
|
<p>"It was the night of the fire, I think,"she said in a small
|
|
voice "though I'd been getting bad dreams before that." Clearly
|
|
even thinking about it caused her some distress. Her big grey eyes
|
|
opened wide, and both men could see she was putting herself back,
|
|
remembering what had happened. She ran through the whole story for
|
|
them.</p>
|
|
<p>"And this was the first time?" Ralph asked. The girl nodded, but
|
|
then she stopped.</p>
|
|
<p>"Yes. No." Her brow creased into a frown. "It was the first time
|
|
when I was <em>awake</em>. But before that, I told you, I'd been
|
|
having terrible nightmares."</p>
|
|
<p>Jack didn't really want to know about nightmares. He'd had
|
|
plenty of his own. They were not the kind of things people wanted
|
|
to share, but he decided to go along with it in the hope that she
|
|
might let something slip.</p>
|
|
<p>"Before the fire, I kept waking up. I didn't think about it
|
|
until now." She closed her eyes and the could see her trying to
|
|
concentrate.</p>
|
|
<p>"They started before the fire. I couldn't understand them. I
|
|
just felt there was something after me all the time. I couldn't
|
|
really see it, but it was always there."</p>
|
|
<p>She opened her eyes.</p>
|
|
<p>"And there was another one. Weeks ago. I don't know what it was.
|
|
But there was a room of people, all sitting round a table. I
|
|
couldn't hear what they were saying, but then the room went dark
|
|
and there was a lot of screaming, people running, chairs being
|
|
knocked over. I don't know what was happening, but it felt as if
|
|
something awful was there in the room. The old woman was lifted
|
|
into the air and then she was smashed down onto the floor. There
|
|
was a terrible smell. I've smelt it again."</p>
|
|
<p>Jack recalled the throat-catching stench on the inside of the
|
|
lift shaft.</p>
|
|
<p>"Smell?"</p>
|
|
<p>"Yes, like something rotten," she said, mouth turned down in
|
|
distaste. "Like sickness. Just awful, I think."</p>
|
|
<p>Jack eased her away from the dreams. They were getting them
|
|
nowhere, and Ralph was fidgeting, wondering what this was all
|
|
about.</p>
|
|
<p>"Now you told me you'd <em>seen</em> something when I first met
|
|
you on River Street."</p>
|
|
<p>"Yes. I don't know what happened. I looked into the shop window
|
|
and everything went hazy. I saw the thing coming out of the dark.
|
|
You can't see it properly. It moves too fast and the light doesn't
|
|
show it. It came down and hit the woman and stole her baby."</p>
|
|
<p>"And that was definitely on the day in River Street?" Jack asked
|
|
carefully.</p>
|
|
<p>"Yes. It was dreadful."</p>
|
|
<p>"That causes me a problem," Jack said. "Because that happened on
|
|
the Tuesday afternoon."</p>
|
|
<p>Lorna looked at him, puzzled.</p>
|
|
<p>"And the abduction of Kelly Campbell didn't take place until the
|
|
following day."</p>
|
|
<p>"I know that," Lorna said, suddenly quite definite, almost
|
|
defiant.</p>
|
|
<p>"That's what I've been trying to tell you, but you won't
|
|
listen."</p>
|
|
<p>She looked straight at Jack. "I don't know if I see the things
|
|
<em>before</em> they happen or afterwards."</p>
|
|
<p>"And last night, when you phoned?"</p>
|
|
<p>"It was happening <em>then</em>. I could feel it. The thing came
|
|
down from the dark. It was banging on the roof and then it was
|
|
inside and she couldn't see it, but she could sense it, and then
|
|
the smell came and it scared her. Then it reached down and took her
|
|
by the hair and pulled her up. It had her by the shoulder and there
|
|
was blood coming down. The pain was terrible. She couldn't bear
|
|
it." The girl's voice got higher and louder as she went on at
|
|
speed.</p>
|
|
<p>"How do you know she couldn't bear it?"</p>
|
|
<p>"Because when I see it, I'm in two places at once. I can see it
|
|
happening, but I can see it from <em>inside</em> too. When it was
|
|
happening to the girl. It was happening to <em>me</em>."</p>
|
|
<p>She shrugged her shoulder quickly, letting the edge of her coat
|
|
slide off. Underneath she was wearing a woollen sweater with a neat
|
|
turtle neck. She pulled it down to the left, exposing a pale
|
|
shoulder.</p>
|
|
<p>"Jesus," Ralph mouthed.</p>
|
|
<p>There was no mistaking the bruises on the back and front. It
|
|
looked as if the girl had been grabbed violently and squeezed
|
|
brutally.</p>
|
|
<p>"Who did that to you?" Ralph asked.</p>
|
|
<p>"It's not a who. It's something I don't know. But if it doesn't
|
|
stop, I think it's going to kill me." When she said that, Lorna
|
|
looked once again straight into Jack's eyes. There was no mistaking
|
|
that what she was saying, as far as she was concerned, was the real
|
|
truth.</p>
|
|
<p>It took the two policemen another hour to get the rest of the
|
|
story. On each of the nights in question, Lorna had not been alone.
|
|
She had a small diary in her bag which she brought out and referred
|
|
to. Twice she'd been out with a friend from the library. Jack asked
|
|
her where she'd been the night before and she told them she'd been
|
|
baby-sitting for her cousin Gemma. He didn't bother taking notes.
|
|
It was all on tape. He's check out her alibis as a matter of course
|
|
but something told him they'd stand up.</p>
|
|
<p>Ralph arranged a car to take the girl home and when she'd gone,
|
|
both men went back to the operations room.</p>
|
|
<p>"We should have brought her in here," Ralph said. "If she's
|
|
telling the truth, she should be running this show. We could do
|
|
with a psychic on this one."</p>
|
|
<p>Andy Toye was still in the flat in Cairn House when Jack got
|
|
there. He'd pulled up a chair and was hunched over the round table
|
|
which was still scarred and still scabbed with dried blood. In
|
|
front of him was a large book with dull leather bindings. Beside it
|
|
was the little notebook he'd used at the station.</p>
|
|
<p>He looked up when Jack came in and pointed to a seat, without
|
|
saying a word. Jack sat beside him.</p>
|
|
<p>"This is the Goetia. Crowley's publication," he said.
|
|
"Fascinating stuff."</p>
|
|
<p>"I'll take your word for it. That was lying on the floor beside
|
|
the kerb. Some of the pages were torn out.."</p>
|
|
<p>"Yes. I saw them." Andy shoved his glasses up on top of his head
|
|
and rubbed his eyes with his knuckles.</p>
|
|
<p>"I don't think they were trying to raise ghosts," he said. "The
|
|
<em>Goetia</em> is quite well known. I've spent the last hour
|
|
trying to find a match for the names on the wall." He looked up and
|
|
pointed with his pen. The blood had dried to a brown ochre, the
|
|
letters smeared on the old plaster.</p>
|
|
<p>"I was told they could have two meanings."</p>
|
|
<p>"Yes," Andy said. "Heteros from the Greek. It means an other, or
|
|
the other. And Etheros suggests ethereal, or intangible. Or it
|
|
could mean something else. I only noticed it a moment ago when I
|
|
was looking at my notes. It could simply be the initials of the
|
|
people who've been involved."</p>
|
|
<p>He went down the list, reading them off. "Herkik. Simpson.
|
|
Tomlin. Robinson. Eastwood. If that's the case, there are two
|
|
missing."</p>
|
|
<p>"We're looking for somebody called O'Day. He was seen in the
|
|
vicinity on the night."</p>
|
|
<p>Andy grinned. "Then all you need is someone whose name begins
|
|
with an <em>E</em>."</p>
|
|
<p>"You reckon?"</p>
|
|
<p>The professor shrugged. "I don't know. It's only an idea, and it
|
|
could be completely wrong. On the other hand, anything could be
|
|
possible. I really don't know what was happening here. From the
|
|
tarot cards and the ouija board, it could simply have been a
|
|
fortune-telling session, but it may be that they went beyond that.
|
|
The <em>Goetia</em> gives detailed instructions on how to raise
|
|
spirits. It could have been some half-baked idea like that, and it
|
|
could have gone wrong."</p>
|
|
<p>"Like how?"</p>
|
|
<p>"Like mass hysteria. Psychosis. Something like that."</p>
|
|
<p>"And the spirit angle?"</p>
|
|
<p>"Crowley believed it. Plenty of others have believed it too. But
|
|
there's no real up-to-date documentation."</p>
|
|
<p>"And what do you think?"</p>
|
|
<p>"In this world, anything's possible."</p>
|
|
<p>Jack shook his head. " I'd rather it was ghosts than some
|
|
human."</p>
|
|
<p>"Easier to catch a human," Andy ventured. He snapped the book
|
|
shut, and rose from the table.</p>
|
|
<p>"Where next?"</p>
|
|
<p>"There's a girl I'd like you to meet."</p>
|
|
<p>Lorna Breck showed the bruises. She was sitting in the small
|
|
front room of her house on Clydeshore Avenue. The road had been
|
|
slick with ice on the way and Andy had held, white-knuckled, to the
|
|
dashboard as the car slithered and waltzed down the hill.</p>
|
|
<p>"It happened before," she said in her soft voice. "When I saw
|
|
the boy. They faded next day, but I remembered the pain."</p>
|
|
<p>"And this happens when you're asleep?" Andy was examining the
|
|
dull marks on the girl's skin.</p>
|
|
<p>"Sometimes. But also during the day. I can't tell whether it's
|
|
before or after."</p>
|
|
<p>"Has this ever happened before?:"</p>
|
|
<p>She shook her head. "Never. I used to read tea-leaves, but just
|
|
for fun. Sometimes I would get a feeling about somebody. Just a
|
|
tingly sensation. But then, on the night of the fire, I could
|
|
<em>see</em> it happen. It was terrible."</p>
|
|
<p>She pulled her sweater back over her bare shoulder. To Jack, she
|
|
looked even younger than she had when he'd met her at the chemist's
|
|
shop. It had come as a surprise when she'd told him she was twenty
|
|
seven years old.</p>
|
|
<p>"I've seen pictures of <em>stigmata</em> before," Andy said.
|
|
"It's believed to happen in cases of trauma, mind over matter, if
|
|
you like. The power of the mind is sufficiently strong to create
|
|
the haematoma marks on the skin."</p>
|
|
<p>"But I don't want any of this," the girl said, eyes wide and
|
|
suddenly glistening. "I just want it to stop."</p>
|
|
</div>
|
|
</div>
|
|
</body>
|
|
</html>
|