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# https://git-scm.com/docs/gitignore
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# https://help.github.com/articles/ignoring-files
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# Example .gitignore files: https://github.com/github/gitignore
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/bower_components/
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/node_modules/
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Dark Ways2.doc
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<?xml version="1.0"?>
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||||
<container version="1.0" xmlns="urn:oasis:names:tc:opendocument:xmlns:container">
|
||||
<rootfiles>
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||||
<rootfile full-path="OEBPS/content.opf" media-type="application/oebps-package+xml"/>
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||||
</rootfiles>
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||||
</container>
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build/Full Proof/OEBPS/bio.xhtml
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||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
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||||
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
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||||
<html xmlns="http://www.w3.org/1999/xhtml">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>Dedication</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
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||||
<h3>About the author</h3>
|
||||
|
||||
<p>Joe Donnelly was born in Glasgow, in Scotland, close to the
|
||||
River Clyde, but at a very young age he came to live in Dumbarton,
|
||||
which is some miles from the city and close to Loch Lomond, Ben
|
||||
Lomond and the Scottish Highlands.</p>
|
||||
|
||||
<p>At the age of 18, he decided to become a journalist and found a
|
||||
job in the Helensburgh Advertiser, a local paper in a neighbouring
|
||||
town where he learned the first essential of writing: how to type.
|
||||
Quickly.</p>
|
||||
|
||||
<p>A few years later, at the age of 22, he became editor of his
|
||||
local newspaper, the Lennox Herald in Dumbarton, before moving to
|
||||
the Evening Times and then the Sunday mail in Glasgow where he
|
||||
became an investigative journalist.</p>
|
||||
|
||||
<p>During his career he won several awards for newspaper work
|
||||
including Reporter of the Year, Campaigning Journalist and Consumer
|
||||
Journalist.</p>
|
||||
|
||||
<p>It was while working in newspapers that he wrote his first
|
||||
novel, <em>Bane</em>, an adult chiller, which was followed by eight
|
||||
other novels, mostly set in and around the West of Scotland and
|
||||
loosely based on Celtic Mythology.</p>
|
||||
|
||||
<p>This was followed by <em>Stone</em>, <em>The Shee</em>,
|
||||
<em>Shrike</em>, <em>Still Life</em>, <em>Havock Junction</em>,
|
||||
<em>Incubus</em> and <em>Dark Valley</em>.</p>
|
||||
|
||||
<p>Recently he decided to write for children, although he says his
|
||||
books are aimed at "young people of all ages, those with some
|
||||
adventure in their soul."</p>
|
||||
|
||||
<p>The <em>Jack Flint Trilogy</em> is his first venture at telling
|
||||
stories for the young at heart.</p>
|
||||
|
||||
<p>Joe is now working on two novels: A chiller for adults, and
|
||||
another rollicking adventure for young people, based on Nordic
|
||||
mythology.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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build/Full Proof/OEBPS/blurb.xhtml
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||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
|
||||
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org"/>
|
||||
<title>Full Proof</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt"/>
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h3>Full Proof</h3>
|
||||
|
||||
<p>The town is on its knees. The jobs have gone. The companies have shut or sold out.</p>
|
||||
|
||||
<p>The only distillery is about to close just after the last batch of high-octane vintage scotch is bottled and
|
||||
shipped.</p>
|
||||
|
||||
<p>But that batch is 250,000 gallons of full-proof whisky. It’s worth MILLIONS.</p>
|
||||
|
||||
<p>And it’s there for the taking.</p>
|
||||
|
||||
<p>All it takes is somebody with an idea, and some friends willing to take a big risk.</p>
|
||||
|
||||
<p>It’s the only thing that can turn a ghost town into a boom-town.</p>
|
||||
|
||||
<p>As long as you can outwit the cops. And the customs men. And the hoods who want it all.</p>
|
||||
|
||||
<p>It’s a tall order, but somebody has to do it. A man with a masterplan, and some crazy friends.</p>
|
||||
|
||||
<p>And nobody said you can’t have fun when you set out to save a town from the scrap-heap!</p>
|
||||
|
||||
<p>Joe Donnelly’s Full Proof is a roistering thriller, as high-octane as the scotch.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
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build/Full Proof/OEBPS/ch01.xhtml
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||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<title>1</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt"/>
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>1</h1>
|
||||
|
||||
<p>IT WAS Gus Ferguson's heavies who started the whole thing off. What they did to Donny Watson, that was well out of
|
||||
order and they deserved a real comeuppance for it. </p>
|
||||
|
||||
<p>It was them, and the spilt whisky, and the fact that right then everything was loaded against the bunch of friends.
|
||||
To tell the truth, everything was going wrong and there seemed no end to it. </p>
|
||||
|
||||
<p>That whisky. That and the hot summer sun, and those arseholes at the golf club. And then there was Alistair Sproat
|
||||
who thought he ran the town and now he was bailing out to the highest bidder. Selling out, selling everybody
|
||||
out. </p>
|
||||
|
||||
<p>It was all of these things, these people. The sell-out, the whisky, the arseholes, Donny Watson getting kicked black
|
||||
and blue and bloody, on his way home. They all made it happen, one way and another, because sometimes you get to the
|
||||
end of the rope and you've no choices left. But that's just the hindsight talking. If you're going to hear this
|
||||
story, you might as well hear it from the start. </p>
|
||||
|
||||
<p>Five of them, two cans of cold lager and a skinny greyhound with serious personal problems, playing a four-ball from
|
||||
the tenth to seventeenth. No medal, no handicap except the usual. </p>
|
||||
|
||||
<p>Jed Coogan had his cart and the old set of clubs his uncle had left him in his will. He'd pawned the shoes because
|
||||
the last time they'd caused big blisters that he burst with a needle until the water came out. Six of them, hunkered
|
||||
and sprawled down in the gorse and broom, waiting for a foursome of Ralph Lauren shirts and big check trousers to
|
||||
make their way to the twelfth, then a pair of loud women with wide round backsides in even louder checks, these daft
|
||||
gamblers' visors they wear these days and snooty Kelvinside accents that could grind glass to a bevel finish. Half
|
||||
way along the straight they looked round and saw the guys passing the cold lager back and forth and gave reproving
|
||||
sniffs and tut-tutted loud enough to hear. Everybody laughed. Just two minutes before, one of them had stuck her
|
||||
hand down and hauled the seam of her pants out of the crack of her arse. Ladylike it wasn't. </p>
|
||||
|
||||
<p>"That one's younger than your girlfriend," Donny said. </p>
|
||||
|
||||
<p>"Jealous git," Jed said. He was sturdy and dark, that Irish kind of way, and he was up to all kinds of stuff with the
|
||||
ex-wife of one of the town councillors who'd done the dirty with a young secretary from the council office. She was
|
||||
getting her own back and everything else from Jed several nights a week and some more at weekends. Truth to tell,
|
||||
Margery Burns might have been on the far side of forty five and getting some of the blonde out of a bottle to shade
|
||||
the fade but there wasn't one of them there, except maybe Jack Lorne, who wouldn't have jumped at the chance of a
|
||||
weekend indoors with Mrs B. </p>
|
||||
|
||||
<p>"You just can't get away from her," says Donny. " 'cause old women run faster. They only wear sensible shoes."</p>
|
||||
|
||||
<p>"And big loose cotton knickers."</p>
|
||||
|
||||
<p>"She doesn't wear knickers," Jed threw back. "Not when I'm there. And she never wakes me up after it and asks what
|
||||
I'm thinking. Not like your bunch of bimbettes." He went into falsetto: "Do you love me Donald, I mean
|
||||
<em>really</em> love me? Honestly?"</p>
|
||||
|
||||
<p>He reached into the bag and rummaged for the second can. Two between six was hardly a boozy afternoon, but it was
|
||||
still cold and on a day like this, you couldn't have gone nine holes without a refreshment. It was hot as anybody
|
||||
could remember..</p>
|
||||
|
||||
<p>"Oh, Mrs Robinson, you're trying to seduce me. Aren't you?" Neil was good with the accents.</p>
|
||||
|
||||
<p>"You couldn't get a scabby sheep to seduce you, Big Stuff."</p>
|
||||
|
||||
<p>Neil had a tight grip on the greyhound's leash. Every now and again she'd let out a little soulful whine and rub her
|
||||
backside along the grass..</p>
|
||||
|
||||
<p>"You couldn't even pull Fannieboz, here, and she's hot for anything."</p>
|
||||
|
||||
<p>Levenford Golf course is flat as a salt pan. On the north side there's some scrubby gorse and broom and straggly
|
||||
hawthorn butting up against Aitkenbar Distillery and its old storage sheds, bonded warehouses that give off a sweet
|
||||
heady smell some days when the wind is right. Then there's the big inlet, what they call Bruce's Harbour, where they
|
||||
used to load the whisky on to barrels and down the river to the big ships moored at the castle rock. They say King
|
||||
Robert himself used to stash his warship here, back when they didn't just talk hot air and politics in Edinburgh,
|
||||
but who knows? It was a while ago.</p>
|
||||
|
||||
<p>Along by the twelfth and thirteenth, the curve of the river shoves up against the big levee bulwark that's the only
|
||||
thing keeping the water out and the golfers in. You have to be a member on this course, which costs some fancy money
|
||||
and cash was something none of them had to waste, not this summer anyway.</p>
|
||||
|
||||
<p>This day the heat made the air twist and dance and shimmer way along the fairway, like half-seen ghosts in the grass.
|
||||
You could see pools of water sparkling along the flat in the distance and when you got up to them, they'd be gone.
|
||||
All illusion. </p>
|
||||
|
||||
<p>Three weeks of solid rain and then two of a sunshine heatwave that left cracks where the shallow mud had been and the
|
||||
straight along by the built-up riverbank was lush and green, tangled with willow herb and that creepy wild rhubarb
|
||||
that grows in the damp, crawling with centipedes and earywigs. It was all alive. Warblers warbled non-stop and the
|
||||
drone of bees up in the high elms could put you to sleep if you sat down under them. The gorse and broom pods popped
|
||||
open with little crackles that made it sound like the bushes were on fire. Three small boys paddled about barefoot
|
||||
up to their thighs in the rough marsh, feeling for lost golf balls with their toes and feeding them into a big
|
||||
plastic bucket. </p>
|
||||
|
||||
<p>The four-ball took their time and one of them hooked a fast curver straight into the marsh. The nearest boy marked
|
||||
where it went and then looked the other way. There was no chance that pringle man in the while flat cap and the
|
||||
Payne Stewart knickerbockers was going to risk his spikes in the deep marsh. Every footstep set off a jacuzzi of
|
||||
nitrates and methane that smelt worse than old cow farts. </p>
|
||||
|
||||
<p>"Have you seen the ball, sonny?"</p>
|
||||
|
||||
<p>"No mister." A blatant lie. It had missed him by only three yards. "But I've got some spares. Sell you half a
|
||||
dozen."</p>
|
||||
|
||||
<p>Swift negotiation, and to the boys out there, it was a seller's market, always had been. Jed Cooper and Jack Lorne
|
||||
had done that job plenty of years before and had bought good bikes with the proceeds. Then they got a paper round
|
||||
and sold the golf franchise to two other boys from down the street and passed on the tradition. Good days. </p>
|
||||
|
||||
<p>"Supply and demand," Jack said. He always came out with these things. "Nothing changes."</p>
|
||||
|
||||
<p>Pringle man did his deal, keeping his black and white brogues away from the gassy muck and they sauntered on, rotund
|
||||
rotarian senior partners killing time. The fat-arsed women came by, hacking pretty wildly, and a stray ball smacked
|
||||
into the gorse nearby, sending up a thick, somehow exotic scent of coconut oil. </p>
|
||||
|
||||
<p>"Stupid cow," Neil said. "That could have brained me."</p>
|
||||
|
||||
<p>"You'd have ended up with more brains than you were born with."</p>
|
||||
|
||||
<p>Donny pulled a long black tube from the cart. It came out like a blunt sword. </p>
|
||||
|
||||
<p>"This is the piece of the resistance." He murdered a French accent. </p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"A golf ball holder. Got it in a sale for two quid."</p>
|
||||
|
||||
<p>"Total waste of money," Jed said. </p>
|
||||
|
||||
<p>"Watch this." Donny thumbed off the plastic lid and put the top of the tube to his mouth. They heard the glug as the
|
||||
liquid went down. </p>
|
||||
|
||||
<p>"What the hell's that?"</p>
|
||||
|
||||
<p>"The angels share." Donny wiped the back of his hand across his mouth. "Want some?"</p>
|
||||
|
||||
<p>"But what the hell is it?" Neil wanted to know.</p>
|
||||
|
||||
<p>"Only the finest twenty-five-year-old Glen Murroch. Made before you were even a glint. It'll set you back fifty notes
|
||||
a bottle, maybe more."</p>
|
||||
|
||||
<p>"You ripped it off?"</p>
|
||||
|
||||
<p>"They're ripping <em>me</em> off," Donny came back. He smacked his lips. "That's what I call a drink. Take it while
|
||||
it's going, for it won't be going long."</p>
|
||||
|
||||
<p>That was true enough. The sun might have been high and the bees doing the sleepy thing up on the leaves, but it had
|
||||
not been the best of times, and from the looks of it, it was going to get a whole lot worse come the autumn.</p>
|
||||
|
||||
<p>Jack had summed it up. "You get screwed, and then they really fuck you." Jack wasn't really that given to swearing
|
||||
either, but he hit it right on the head. </p>
|
||||
|
||||
<p>Donny was screwed, one way or the other. He'd only been told two weeks back that he was on short time working and the
|
||||
distillery was going to shut for good. Him and another two hundred would be out to scrap, and then Alistair Sproat
|
||||
would make a fortune selling off the land for a useless shopping centre that was going to try to sell lots of things
|
||||
to people with bags of no money. It was worse for Donny Watson. He'd just been made up to chargehand, in the
|
||||
cooperage where they made the barrels, and there sure wasn't going to be a big demand for his services around here
|
||||
any more, not with Sproat aiming to get into the designer moonshine market that didn't need any years in oak
|
||||
conditioning doing nothing but getting smooth. It was much the same for the rest of them, even Jack, who everybody
|
||||
had said was the one most likely to make something of himself, but here he was, down in the gorse with the rest of
|
||||
them, Saturday afternoon and nothing much else to do. Soon they'd be able to play midweek, for the same reason.</p>
|
||||
|
||||
<p>He passed the tube untouched to Jed who lifted it up like he was playing a trombone and poured some down his own
|
||||
throat. His face went red and he started to cough and somebody thumped him on the back. "Lordy lordy, that's the
|
||||
real stuff. Smooth as silk."</p>
|
||||
|
||||
<p>"They'll be doing a last bottling sometime soon," Donny said. "Clearing all the old barrels out of stock. Sproat
|
||||
wants a special blend before the doors shut."</p>
|
||||
|
||||
<p>"Scraping the bottom of the barrel."</p>
|
||||
|
||||
<p>"No, this is real good stuff. It's been there for years. It was made for some boat, the Queen Elizabeth probably, and
|
||||
then it just got locked down in customs bond. The buyer went bust, years ago, so there's tons of it, all over-proof
|
||||
as well."</p>
|
||||
|
||||
<p>"And then you're out on your ear."</p>
|
||||
|
||||
<p>"Then we're all out," Donny agreed. "Life's a pure bitch." He grabbed the whisky and took another slug at it. Neil
|
||||
had a mouthful, then Jed and then Tam Bowie who hadn't said much because he was still working, at least until they
|
||||
finished the houses out on the east end of the town. It came back to Jack. </p>
|
||||
|
||||
<p>"Life is a box of chocolates," Jed said. "You end up getting left with all the hard ones that break your teeth."</p>
|
||||
|
||||
<p> "Look at this place," Jack said. "We got a river, and a castle and the best pubs in the west. Fishing and climbing
|
||||
and everything else, wall-to-wall women and then the arseholes come along and totally screw it up."</p>
|
||||
|
||||
<p>"You'll be okay when you finish your college stuff," Jed said. </p>
|
||||
|
||||
<p>"Sure, I'll be rich as sin. I don't think. If I even get to finish, now."</p>
|
||||
|
||||
<p>Everybody knew Jack was paying his way through, working his way to some degree in business or management, studying
|
||||
after his morning shift in the dairy. Nobody really knew exactly what it was for and he never said much about it. He
|
||||
was up at four in the morning delivering milk, and then half the day cleaning out the tankers at the dairy and God
|
||||
alone knew when he had the time to study, but they all had to hand it to him. He was trying to pull himself up by
|
||||
the bootstraps, make something of himself like his grandad always said, and since his old man had died, it had been
|
||||
no easy garden stroll. </p>
|
||||
|
||||
<p>Now the dairy was teetering on the edge and Andy Kerr was staring disaster in the face. The two hundred grand he'd
|
||||
invested in new tankers had proved a bad bet after the big supermarket chain he'd been supplying for ten years
|
||||
pulled the rug and left him flat. They'd been trying to drive the wholesale price down to where even the dairy
|
||||
farmers would operate at a loss. Now Andy Kerr and the farmers, and everybody who worked for them were all going to
|
||||
lose.</p>
|
||||
|
||||
<p>On top of that, the Town Council had doubled the rent on the dairy site, and Jack said he was sure some of the
|
||||
councillors were on the take. You get Andy out and you've got five prime acres to build on and Asda and Safeway and
|
||||
Sainsbury's are biting each other's backs to get flat land to trade on. That was a sellers market. So the
|
||||
supermarkets won whichever way.</p>
|
||||
|
||||
<p>Eighteen prime acres when you threw in Bruce Harbour, where Sproat planned to bulldoze all the old distillery
|
||||
buildings and warehouses. Another piece of town history gone forever, but that was nothing new. What could you
|
||||
do?</p>
|
||||
|
||||
<p>"Bastards," Donny said, and everybody agreed with the sentiment. He had Irish red hair and freckles and his face was
|
||||
scarlet from the sun. </p>
|
||||
|
||||
<p>"Sure they are," Jack said. "They're tearing the heart out of the place. It's going to be like a ghost town. Five
|
||||
hundred out of work, and worse to come."</p>
|
||||
|
||||
<p>"How d'you figure that out? It's only two hundred at the distillery."</p>
|
||||
|
||||
<p>"<em>Only</em> two hundred," Jed butted in. "Get real!"</p>
|
||||
|
||||
<p>"Okay," Jack said. "You got the two hundred from Sproat's. Another forty from the creamery. That's the start. Plenty
|
||||
of people not earning, and not spending. That's going to hit the shops and the bars, and when they get hit, they lay
|
||||
off. So there's less rake-in to the council. So they start cutting services and jobs."</p>
|
||||
|
||||
<p>He shook his head. "Look what's happened after the banks crashed. Thousands of jobs wiped out. Less taxes for the
|
||||
government. So they start cutting costs. More jobs down the drain. Less taxes. It's a vicious circle."</p>
|
||||
|
||||
<p>"Bastard!" Donny repeated. "Somebody should do something about it."</p>
|
||||
|
||||
<p>Jack just nodded. </p>
|
||||
|
||||
<p>Jed got to his feet.</p>
|
||||
|
||||
<p>"Enough of this dismal crap. Come on and finish the game."</p>
|
||||
|
||||
<p> "Hey mister, you want some balls?" One of the boys held up a plastic bag.</p>
|
||||
|
||||
<p>"His granny's got them," Tam chipped in and everybody fell about. </p>
|
||||
|
||||
<p>"What's it like with her teeth out?"</p>
|
||||
|
||||
<p>"You'll never know. What's it like being a dildo?"</p>
|
||||
|
||||
<p> Tam lined up. He had the six iron and the wedge. Jed had the three and a big old wood. Everybody else had two clubs
|
||||
apiece. Tam hit a scorcher that went straight down the middle and nearly hit the woman who had pulled the gusset
|
||||
lining from her cheeks and she turned round to glare. </p>
|
||||
|
||||
<p>"Fore. . . . " he bawled. </p>
|
||||
|
||||
<p>"<em>Sixty </em>bloody four."</p>
|
||||
|
||||
<p>"That would be the only bang she'd get," Neil said. </p>
|
||||
|
||||
<p>"Not unless Jed catches her up."</p>
|
||||
|
||||
<p>"Shit upon you, gentlemen" Jed said, very agreeably. "Don't knock it until you've tried it, not that you're going to
|
||||
get the chance. The mature lady, she don't yell, she don't tell and she be grateful as all hell."</p>
|
||||
|
||||
<p>Jack hit a grass cutter that glanced off a handy rise and took off, almost catching up with Tam's ball on the middle.
|
||||
Neil managed all of twenty yards and scooped a two-foot gouge. Jed topped it hard and the ball dug in to a knoll,
|
||||
under the roots of a tree. Donny hit his a smack and his did a fast curve to the left. The greyhound whined and
|
||||
rubbed her backside along the grass again.</p>
|
||||
|
||||
<p>"Sliced and diced," somebody said. </p>
|
||||
|
||||
<p>"No. It was hooked."</p>
|
||||
|
||||
<p>The ball kept curving past the willow stumps and came down into the march, not far from the furthest swamp kid. Donny
|
||||
swore. </p>
|
||||
|
||||
<p>"Anybody got another ball?"</p>
|
||||
|
||||
<p>"There was some in the bag."</p>
|
||||
|
||||
<p>"No," Jed said. "I took them out for the lager."</p>
|
||||
|
||||
<p>"Oh, brilliant! That's me out the game."</p>
|
||||
|
||||
<p>"Want a ball mister? Ten for five. Brand new, no totties."</p>
|
||||
|
||||
<p>"How much for one?"</p>
|
||||
|
||||
<p>"Got to buy bulk, mister. Ten balls, five notes."</p>
|
||||
|
||||
<p>"That's bloody robbery. I'll wrap this six iron round your ear."</p>
|
||||
|
||||
<p>The boy shrugged. He was safe, up to his thighs in clinging mud. No club member would get near to him out there.</p>
|
||||
|
||||
<p>But Donny was no member. </p>
|
||||
|
||||
<p>"Screw it," he said, and maybe it was the whisky, or just the way Donny was. Once he got hold of an idea, there was
|
||||
no stopping him. His cargo pants were down at his ankles before anybody could say a thing. </p>
|
||||
|
||||
<p>"Just leave it," Jed said. "We can take shots each."</p>
|
||||
|
||||
<p>"It's only a bit of mud." He heel-toed out of his trainers and stood there in tee shirt and jockeys, surveying the
|
||||
scene. His ball had landed thirty feet out, close to a lone squat bush. </p>
|
||||
|
||||
<p>"It's too deep. You'll soak your pants."</p>
|
||||
|
||||
<p>"To hell with the pants." He pushed them down too and stepped out. His backside was pallid furred with golden hairs
|
||||
which contrasted with the dark tee shirt. He pulled the edge down to cover his balls and tried to wedge it between
|
||||
his thighs. </p>
|
||||
|
||||
<p>"Let it swing, Donny boy."</p>
|
||||
|
||||
<p>"There's piranhas in there. They go for worms."</p>
|
||||
|
||||
<p>Jack cupped his hands to his mouth and bawled to the women golfers who were just turning the bend at the end of the
|
||||
straight. </p>
|
||||
|
||||
<p>"You don't know what you're missing here, ladies."</p>
|
||||
|
||||
<p>Everybody laughed, even Donny. He scratched his backside and then started wading until the mud came up to his thighs.
|
||||
Every step made a gloopy sucking sound and set up and gobble of bubbles and sighed when they reached the
|
||||
surface. </p>
|
||||
|
||||
<p>"What a smell, man. That would knock you out flat."</p>
|
||||
|
||||
<p>"Let's make it a four ball," Neil said. "I'm not playing with him when he comes out."</p>
|
||||
|
||||
<p>Donny was bending down now, arms deep in the mud, white backside catching the sun, nose close to the surface. </p>
|
||||
|
||||
<p>"Use your feet," Jack shouted. </p>
|
||||
|
||||
<p>Donny stood up and held his hand up in triumph. His arm was black from fingers to shoulder. </p>
|
||||
|
||||
<p>"Got it," he called back, floundering to catch his balance, and then laboriously turned to make the long sticky walk
|
||||
back to the hard ground. </p>
|
||||
|
||||
<p>"Shit," Jed said. "That's what it smells like. That is rank rotten."</p>
|
||||
|
||||
<p> Neil laughed. "Momma always said, stupid is as stupid does."</p>
|
||||
|
||||
<p>Donny stood there and the black greasy ooze slowly slid down his thighs. The tip of his penis bore a black dot of
|
||||
mud.</p>
|
||||
|
||||
<p>Fannieboz strained at the leash and shoved her nose into his crotch.</p>
|
||||
|
||||
<p>Donny stumbled backwards. "Jeez, Neil. You got to get that bitch fixed."</p>
|
||||
|
||||
<p>"It's her hormones. Something wrong with her glands. She can't help it."</p>
|
||||
|
||||
<p>The greyhound mewled and rolled her eyes at Donny.</p>
|
||||
|
||||
<p>"That's one seriously screwed pooch," he said.</p>
|
||||
|
||||
<p>"Hey, mud man, you have to get cleaned up." Jed held his nose. "That's bog awful."</p>
|
||||
|
||||
<p>"Along here," Jack said. "If there's any water in the steam you can wipe it off."</p>
|
||||
|
||||
<p>They all sauntered off, taking shots when they came across the balls, Donny leaving black and smelly footprints on
|
||||
the green grass, until they reached the little runnel that crossed the fairway. There was about a foot of water,
|
||||
flowing slowly, with a thick candyfloss of algae on either side. Some water skaters skimmed the surface and a family
|
||||
of whirligig beetles madly made themselves dizzy. </p>
|
||||
|
||||
<p>Donny slid down the bank and into the water and immediately a trail of ooze washed downstream in slow whorls. He bent
|
||||
and started wiping the mud off.</p>
|
||||
|
||||
<p>"What's that smell?" Tam asked, sniffing the still air. </p>
|
||||
|
||||
<p>"It's the dog."</p>
|
||||
|
||||
<p>"No it's the ginger loony from the black lagoon," somebody said. </p>
|
||||
|
||||
<p>"Not that. I smell more drink."</p>
|
||||
|
||||
<p>Jack sniffed. "Me too."</p>
|
||||
|
||||
<p>"Look," Jed said. "Where did these fish come from?"</p>
|
||||
|
||||
<p>They all peered into the clear water upstream of where Donny stood. A half a dozen small fish, maybe brown trout,
|
||||
floated in a little pool that was blocked off by a fallen branch. They were pale and bloodless, floating belly
|
||||
up.</p>
|
||||
|
||||
<p>"It's whisky," Jed said. </p>
|
||||
|
||||
<p>"No. That's just because you're drinking the stuff."</p>
|
||||
|
||||
<p>"No, he's right," Donny said. "This must be where it came out. Man, the shit really hit. It was just last Friday,
|
||||
before a big decant. Somebody must have moved the wedges on the barrel stack and three of them rolled. They hit the
|
||||
concrete like bombs."</p>
|
||||
|
||||
<p>He laughed. "Sproat went berserk, but it's his fault for not making sure the barrels were checked. Some of the hoops
|
||||
had rusted in store, and when they hit, they just broke away. You ever see a hogshead explode?"</p>
|
||||
|
||||
<p>Nobody had.</p>
|
||||
|
||||
<p>"Malt whisky fountain, that's what you get. The decant tank drain valve was still open and all the spillage went
|
||||
straight into the pipe."</p>
|
||||
|
||||
<p>Donny stood up, cupping water in his hand to loosen the mud on his caked arm. </p>
|
||||
|
||||
<p>"It all went down the drain and that was that. Couple of hundred gallons. And believe me they get worked up if you
|
||||
take a half bottle for medicinable purposes."</p>
|
||||
|
||||
<p>"Sure, like you've got a dangerous case of being sober?"</p>
|
||||
|
||||
<p>"Imagine their faces when all that went down the swanney. You can still smell it down here."</p>
|
||||
|
||||
<p>"Must have killed the fish. They'd have been swimming in it."</p>
|
||||
|
||||
<p>"What a way to go. Suberb. That's how I want it."</p>
|
||||
|
||||
<p>Jack stood at the edge and looked upstream. "So it all went down a drain and into this?"</p>
|
||||
|
||||
<p>"They tried to hush it up. Sproat got them to block it off. He's scared he'd get done for polluting the place. But if
|
||||
it got to the environmental people, I never heard."</p>
|
||||
|
||||
<p>"So three barrels, how much is that worth?" Jack had that look in his eye. </p>
|
||||
|
||||
<p>"Depends," Donny said. He was bending down again, now winning the battle. His legs were becoming paler as the muck
|
||||
washed off. "Depends on how old, what blend and whether the duty's been paid. That's about eighty percent."</p>
|
||||
|
||||
<p>"Eighty percent?" Jed said. "That's what they take? That's robbery with violence."</p>
|
||||
|
||||
<p>"Too true," Donny agreed. "Anyway, three barrels is about a hundred and fifty gallons."</p>
|
||||
|
||||
<p>"Six bottles to a gallon," Jack said. He was quick.</p>
|
||||
|
||||
<p>"And what's that over-proof thing?" Jed asked. </p>
|
||||
|
||||
<p>Jack stepped in. He was always good at pub quizzes, knew all the obscure stuff that wasn't music and football. "They
|
||||
used to test whisky with gunpowder to see if it was strong enough. If it exploded, it was. That was it proved."</p>
|
||||
|
||||
<p> "Yeah," Donny said. "A hundred proof is about sixty percent. The raw stuff they make in there is about a hundred and
|
||||
thirty, so that's eighty percent pure alcohol, twice as strong as normal, so you have to water it down."</p>
|
||||
|
||||
<p> "That would blow your head off."</p>
|
||||
|
||||
<p> Jack was still picking at it. "So that's like three hundred gallons, eighteen hundred bottles, all down the drain.
|
||||
No wonder they were pissed off."</p>
|
||||
|
||||
<p>"It was just the angels share," Donny said, almost clean. "You can still smell it down here."</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"Cooper's trade secret."</p>
|
||||
|
||||
<p>"Ex-cooper soon," Tam said, and that was true enough. </p>
|
||||
|
||||
<p>"Okay. Your barrels are made of oak, right? Whisky has to be stored in oak for three years minimum, to be real
|
||||
scotch. And some of it evaporates through the pores in the wood. They call it the Angels Share. </p>
|
||||
|
||||
<p>"Can't you make barrels with no holes?"</p>
|
||||
|
||||
<p>"No," Donny said, not bothering to explain. He hauled himself up to the bank. </p>
|
||||
|
||||
<p>"You forgot to wash your dick," Tam pointed out. </p>
|
||||
|
||||
<p>"Shouldn't have been looking, sweetheart." Everybody laughed. Donny started climbing back into his shorts and when he
|
||||
straightened he reached for the black tube, popped the top and took a big one. He gasped and wiped his mouth again,
|
||||
unaware that he left a wide grey streak from one cheek to the other. Nobody bothered to tell him. </p>
|
||||
|
||||
<p>"And this is the angels share too. Everybody gets a share."</p>
|
||||
|
||||
<p>"Like Catch 22," Jack said. </p>
|
||||
|
||||
<p>Everybody looked at him and none of them knew what he was talking about. </p>
|
||||
|
||||
<p>Donny pulled on the cargo pants and slipped his feet back in the trainers. </p>
|
||||
|
||||
<p>"Where's that ball?" </p>
|
||||
<hr/>
|
||||
<p>"Hey, you there! Are you members?"</p>
|
||||
|
||||
<p>It came from off to the left, back the way they had come. Tam was hacking away in the rough, not far in, close to a
|
||||
thin birch and he'd taken about ten fruitless swipes, cursing after every one of them, but the ball was still stuck
|
||||
in the long grass.</p>
|
||||
|
||||
<p>Another designer shirt came striding up, dragging a big red bag of Ping clubs with little woolly hats to keep them
|
||||
warm, even in this heat. </p>
|
||||
|
||||
<p>Donny was taking another drink of the amber stuff and Jed had the can of lager in his hand. They all turned. </p>
|
||||
|
||||
<p>"On you go," Donny said, waving them forward when he put the tube down. "You can play on through. We're not in any
|
||||
rush."</p>
|
||||
|
||||
<p>"I asked if you are members," the man asked. He had thin grey hair and a thick stubbly presbyterian moustache.</p>
|
||||
|
||||
<p>"Yes, we are. Of course." Tam hiccupped at the end of that and Jed giggled. It had been that kind of day so far. </p>
|
||||
|
||||
<p>"Oh really. And what is this, a five ball? And where are your clubs?"</p>
|
||||
|
||||
<p>Donny held up a driver and a wedge. The bag stood alone on its little wheels with only a black tube protruding from
|
||||
the top. </p>
|
||||
|
||||
<p>"You know the rules."</p>
|
||||
|
||||
<p>"What rules?"</p>
|
||||
|
||||
<p>"Or you would if you were members, which you clearly are not." He looked Tam up and down, taking in the jeans and the
|
||||
old Jesus sandals. "No denim, only golf spikes, and definitely no, repeat no low-life vagrants."</p>
|
||||
|
||||
<p>Jack knew the face. Jamieson Bell, one of the big-wigs on the council. Every one of them were in Alistair Sproat's
|
||||
pocket as far as he could tell.</p>
|
||||
|
||||
<p>"Who are you calling a low-life?" Jed stepped forward and stuck his chin out. </p>
|
||||
|
||||
<p>"What's the problem Jamieson?"</p>
|
||||
|
||||
<p>Jack recognised the voice and spun round. Gus Ferguson hove into view, bright in a yellow polo shirt and sky blue
|
||||
trews. He was stocky, with thick lifter's arms covered in black curly hair.</p>
|
||||
|
||||
<p>"No problem Fergus. These people were just leaving."</p>
|
||||
|
||||
<p>"Look, we said you could play on through. Just you go ahead. We're not bothering anybody."</p>
|
||||
|
||||
<p>"You're bothering <em>me</em>," Bell said. Donny had recognised him too even though Bell wouldn't have known him from
|
||||
Adam. </p>
|
||||
|
||||
<p>"Yeah. Get lost," Ferguson said. "You're cluttering the place up."</p>
|
||||
|
||||
<p>"Get yourself lost," Tam came back. "We're just having a game."</p>
|
||||
|
||||
<p>Ferguson came right up to them, passing Bell. He leaned in on them, bull-like and broad. He had some sort of share in
|
||||
the big scrap yard out beyond the railway bridge where Jed and Neil rummaged for parts for the stock-car bust-ups.
|
||||
He did a bit of car trading from a yard on the east side, and they were the only things he did that were anywhere
|
||||
close to being legit. Everybody knew he was into every mucky scam going.</p>
|
||||
|
||||
<p>"Listen, you low-life bunch of shite, get yourselves off this fairway or I'll fucking kick you off myself."</p>
|
||||
|
||||
<p>"You and whose army?" Donny demanded. Jack clapped a warning hand on his shoulder, but Donny was up for it. His
|
||||
freckles stood out like ink-blots on his skin, the way they did when he was losing it just a bit. </p>
|
||||
|
||||
<p>Ferguson leaned in further. "Do I know you? I do, don't I?"</p>
|
||||
|
||||
<p>"So what?"</p>
|
||||
|
||||
<p>"You're Skid Watson's boy, that right? Like father like son. Last of the great unwashed."</p>
|
||||
|
||||
<p>"You keep my dad out of it, you slimy bastard." Donny's old man had never been an outstanding success at anything,
|
||||
apart from football, when he had been noted for a vicious sliding tackle, but now he had bad arthritis that curled
|
||||
his fingers into claws and welded his knee bones into knots and was in a lot of pain a lot of the time. </p>
|
||||
|
||||
<p>"You'll amount to the same thing, Ginger boy. Nothing."</p>
|
||||
|
||||
<p>Neil Cleary broke in and Ferguson rounded on him, slab-faced, grizzle haired. </p>
|
||||
|
||||
<p>"You too, beef lard. See me after you've been to weightwatchers and got rid of the flab"</p>
|
||||
|
||||
<p>"Come on," Jack said. "We don't need this."</p>
|
||||
|
||||
<p>"Yeah. Take the rest of the dead-end kids and get to fuck out of my club."</p>
|
||||
|
||||
<p>That was enough for Donny. </p>
|
||||
|
||||
<p>"You're club? What club would have you? You're nothing but a fucking low-life, slimy, tuppeny-ha'penny dope dealing
|
||||
fuckin' shark. People like you give fuckin' criminals a bad name."</p>
|
||||
|
||||
<p>Ferguson whipped round to see how far off Jamieson Bell was. Maybe they had just been pitched together in the medal,
|
||||
and maybe Bell was too far up the social scale to know just who and what Ferguson was, but Donny had touched the
|
||||
spot all right. Gus Ferguson had built up his racket in the seventies and eighties when all the big Yank firms had
|
||||
pulled out to chase the dollar in the Pacific rim sweats, and after Thatcher yanked the plug on everybody else, when
|
||||
every other home in the schemes needed the tide-over loans the banks never dished out as low as the council house
|
||||
strata. Everybody knew Ferguson turned a dishonest buck here and there besides and under the Lacrosse polo shirt
|
||||
there would be enough dope rope to hitch a coach and four. </p>
|
||||
|
||||
<p>He leant in further and lowered his voice. </p>
|
||||
|
||||
<p>"You got a fast mouth ginger nuts. I'll remember you said that. And I'll remember the next time your Aunty Jean comes
|
||||
looking for a leg-up, like she does every other week. Her rate just went up. She gets a leg up when I get a leg-over
|
||||
her skanky arse, <em>capice.</em>"</p>
|
||||
|
||||
<p>"Go fuck yourself and the horse you rode in on, you wide-boy skag."</p>
|
||||
|
||||
<p>"Aye, get lost Ferguson," Neil Cleary butted in. He was still stung by the fat boy remark. "That's well out of
|
||||
order."</p>
|
||||
|
||||
<p> Ferguson smiled that way hard men do, letting it even reach his eyes, like he was really having a laugh, but you
|
||||
know it's just the poison in them. He never took them off Donny. </p>
|
||||
|
||||
<p>He was right up against his ear and nobody else heard it except Jack Lorne. </p>
|
||||
|
||||
<p>"And <em>you</em>, you get to follow the old man. You're in a fuckin wheelchair, got me?"</p>
|
||||
|
||||
<p>Jack bit his lip, but Donny was too far gone with the insult. </p>
|
||||
|
||||
<p>"Fuck yourself on a sharp stick, arsehole."</p>
|
||||
|
||||
<p>Down at the edge of the rough, Jamieson Bell called up. </p>
|
||||
|
||||
<p>"Just leave them Angus. They're not worth the trouble. I'll call the greenkeeper."</p>
|
||||
|
||||
<p>He pulled out a little Ericson job the size of a penguin biscuit and flipped its lid. They heard the beep of
|
||||
dialling. He started talking loudly into it. </p>
|
||||
|
||||
<p>Tam Bowie pulled at Donny's arm. "Come on you. Ignore it. Just walk away."</p>
|
||||
|
||||
<p>Donny shrugged him off, ready to get waded in again, but Ferguson was walking away and all the fun had gone out of
|
||||
the game. Donny stood there, face still smeared in grey, whisky on his breath and his hands were shaking. He never
|
||||
did anything in half measures, drunk or sober. </p>
|
||||
|
||||
<p>"That slimy <em>cunt</em>. I could fucking have him."</p>
|
||||
|
||||
<p>"You and whose army?" Tam mimicked, all sarcastic. "You want to stay well clear of that bastard. He's a total loony
|
||||
and he's got a bunch of crazies backing him up."</p>
|
||||
|
||||
<p>Jack nodded. "Come on. They're just a pair of wankers."</p>
|
||||
|
||||
<p>Ferguson didn't even look at them as they pulled away to the side. Donny and Neil still wanted to go on with the
|
||||
game, and Donny looked as if he wanted to have a real go with the sand wedge, but the others pulled them back. The
|
||||
game was a bogey, as the kids say here. The ball was on the slates. They went back up to the gorse-covered hillock
|
||||
and sat in the sun, drinking the rest of the lager and the whisky and Tam threw a six iron at a pheasant that
|
||||
wandered out of cover and got the fright of its life. He missed by a hand span. </p>
|
||||
|
||||
<p>"Sliced it again," he said and everybody laughed and then they all got up, emptied the water out of the bag, stuck
|
||||
the clubs back in and started sauntering home along by the old distillery. Apart from Ferguson and that creepy
|
||||
Jamieson Bell, it hadn't been such a bad afternoon when there was nothing better to do. </p>
|
||||
|
||||
<p>Kerr Thomson, the customs man at the big distillery gate nodded to Donny as they passed and he waved back.</p>
|
||||
|
||||
<p>Jack turned to Donny. "What did they do when they spilled the whisky?"</p>
|
||||
|
||||
<p>"Nothing they can do. They had to write it off."</p>
|
||||
|
||||
<p>"Just like that?"</p>
|
||||
|
||||
<p>"Sure. It happens all the time. Sometimes a barrel will split a hoop and you lose the lot. You don't pay tax on what
|
||||
you haven't got. When it's in customs bond, it's like a duty-free zone, know what I mean?"</p>
|
||||
|
||||
<p>Tam and Neill headed off up to Overburn which looked out over the rest of the town down on the flatland, and the
|
||||
other three trundled on towards Drymains, on the other side of the main road, past the row of bonded warehouses and
|
||||
Levenford Dairy where the clanking of the bottles on the racks told them they were getting filled for the next day.
|
||||
Jed peeled away and the other two strolled down to the turn. </p>
|
||||
|
||||
<p>"Catch you in Mac's tonight."</p>
|
||||
|
||||
<p>"Not tonight," Jack said. "I got to hit the books. See you Friday."</p>
|
||||
|
||||
<p>Donny hitched the cart behind him and its wheels juddered over the rough road and then bumped back up onto the
|
||||
pavement. The sun had turned the back of his neck bright red, that raw Celtic way that needs factor forty on shady
|
||||
days and still hurts like hell the next morning.</p>
|
||||
|
||||
<p>Jack sauntered down the street, hands in his pockets, deep in thought. The sun was in his eyes as it began its slide
|
||||
down the slope of the Cardross Hills, getting more red-fevered as it sank, and Jack never really noticed the big Jag
|
||||
as it cruised past. He was vaguely aware of somebody turned to face him, but then it was gone. Only the low squeal
|
||||
of tires as it picked up speed at the far corner made him turn and take a glance. He turned back, hands in his
|
||||
pockets, thinking of the dead fish in the little stream and trying to work out the value of those lost bottles of
|
||||
whisky in his head, doubling up for dilution, charging at shop prices. It was one of those things that always
|
||||
snagged his brain, the way a tune will go through your head and you can't get rid of it. Jack always had a head for
|
||||
figures and if he hadn't left school early to get a job after his dad had died, he'd have got through college a
|
||||
whole lot sooner. He was converting gallons to seventy cubic-centilitre bottles in his head when he suddenly stopped
|
||||
dead. </p>
|
||||
|
||||
<p>He turned round fast again, looking up in the direction the Jaguar had gone. </p>
|
||||
|
||||
<p>Somebody had turned round to look at him and the sun had been in his eyes and he'd been doing mental arithmetic. </p>
|
||||
|
||||
<p>Somebody had turned. . . . . </p>
|
||||
|
||||
<p>Gus Ferguson's face spun right into sharp focus. </p>
|
||||
|
||||
<p><em>Jesus!</em> Gus Ferguson. What was he doing here . . . . ? </p>
|
||||
|
||||
<p>Jack was running even before he completed the thought. The sun was at his back, sending a long shadow ahead. Two
|
||||
small boys on bikes scattered out of his way as he reached the corner, got a hand to the <em>children crossing</em>
|
||||
post and spun himself round it. Up at Crosswell Street the road took a bend as it narrowed, on the short cut through
|
||||
to the Orlett houses where Donny lived. There was a narrow stretch here, bounded on both sides by a hawthorn hedge,
|
||||
and a small field that used to be a paddock back when this had been farmland. </p>
|
||||
|
||||
<p>There was no sign of anybody. But the Jag had definitely turned up here. That meant it was up the lane. Jack was
|
||||
breathing fast, and he speeded up, trainers slapping the tarmac. <em>Jesus</em>. </p>
|
||||
|
||||
<p>"Donny," he bawled. "Watch your back." A woman at an upstairs window leaned out curiously as he passed and followed
|
||||
his run up the street. He got to the narrow part and just as he was turning, saw the back end of the Jag angled out
|
||||
of the gateway to the field. Off in the distance some boys were playing football. Two dogs were barking at each
|
||||
other. A blackbird bulleted out of the hedge with that daft alarm call they all have and clattered away into the
|
||||
bush at the far side. </p>
|
||||
|
||||
<p>Donny's golf bag was lying at the side. </p>
|
||||
|
||||
<p>On the other side of the thick hedge, somebody was taking a real kicking. </p>
|
||||
|
||||
<p>Jack skidded to a halt. Even from here he could hear the blows land, solid and meaty and of a sudden his heart was
|
||||
somewhere up in his throat. </p>
|
||||
|
||||
<p><em>Fuck!</em> He couldn't think straight. The wheels on the little trolley were still spinning lazily. The tube was
|
||||
out of the bag and a few of the clubs had shot from the mouth to scatter on the track. </p>
|
||||
|
||||
<p>Donny called out and it didn't really sound like him at all. It was all froth and gulping. </p>
|
||||
|
||||
<p><em>Fuck! </em> Jack was suddenly scared in so many directions his fear was three-dimensional. He was scared to go
|
||||
round that corner and face what was happening, scared that Ferguson would mark him out. But what scared him most was
|
||||
that if he didn't go round the corner, then Donny would end up like Ferguson had said, and that vicious bastard was
|
||||
mad enough to make it happen. </p>
|
||||
|
||||
<p><em>Wheelchair. . . wheelchair. </em></p>
|
||||
|
||||
<p>Just what right did Ferguson have to think he had the power? </p>
|
||||
|
||||
<p><em>Fuck!</em> That thought punched through the fear and Jack bent down and snatched up the heavy sand wedge. </p>
|
||||
|
||||
<p>Jesus, they had only gone for a couple of cans and a swing at the ball. Just passing the time.</p>
|
||||
|
||||
<p>Behind the hedge Donny coughed again and it wasn't really a cough. Jack swung the iron and went through the gate
|
||||
fast. Somebody was in the driver's seat and he felt like taking a smash at him, but all he could think of was
|
||||
getting to Donny. Christ, hadn't they backed each other since they were four years old? </p>
|
||||
|
||||
<p><em>What fucking right. . . . . ?</em></p>
|
||||
|
||||
<p>There were two of them and they were kicking the shit out of him. One of them had an old baseball bat and he was
|
||||
swinging like a slugger, every one connecting in a dull meaty thud. Donny was down on his knees and he was coughing
|
||||
again. It sounded like an underwater sob. </p>
|
||||
|
||||
<p>He recognised the nearest man. Seggs Cullen, medium height, stocky, head shaved, thick as shit, but he was hard
|
||||
enough. Seggs waded in and put the boot in under Donny's ribs and some blood and snot sneezed out onto the dry
|
||||
flattened grass. </p>
|
||||
|
||||
<p>Jack heard a singing in his ears, a juicy little mosquito hum as if his blood pressure was building too fast and
|
||||
suddenly he was up on that high dry plane where everything is stark and clear and all motion seems to go
|
||||
treacle-slow. The fear shrank under the cool anger.</p>
|
||||
|
||||
<p>"Okay gentlemen, it's showtime. What's the par for this course?"</p>
|
||||
|
||||
<p>Seggs Cullen froze half way through a swing, taken completely by surprise. Jack stepped past Donny, aware on another
|
||||
level that the blood mixed with the grass turned it a sticky brown.</p>
|
||||
|
||||
<p>"Do I hook or do I slice?"</p>
|
||||
|
||||
<p>Jack swung the club up and took Seggs on the side of the cheek, just on the turn. It hit with the most satisfying
|
||||
crunch Jack could ever remember in his life. <em>Jesus!</em> No slice, no hook, just on the sweet spot. Seggs did a
|
||||
backward flip and sent up a cloud of dust when he hit. Jack swung, way beyond the fear now, riding on the anger and
|
||||
the sudden savage joy that had bloomed when he connected with the sand wedge. </p>
|
||||
|
||||
<p>The other man was turning, ready to swing again and Jack spun on his right foot, like a hammer thrower. Donny was on
|
||||
the ground, on hands and knees, dribbling blood all over the place, and a matt of it darkening his red hair. He made
|
||||
a horrible, scary little noise, the kind of noise you hear down in the slaughterhouse when they put the pin in the
|
||||
brain of a black Angus and then it paws and dribbles, not yet aware that it's gone forever. </p>
|
||||
|
||||
<p><em>". . . . oh. .</em> " Donny just made that little bewildered noise and then a big gout of blood came out along
|
||||
with the beer and the whisky. </p>
|
||||
|
||||
<p>Jack swung like a clansman, pivoting fast to take the other guy straight on the chin. He put the weight on his left
|
||||
foot and stepped in the beer and snot, slipped sideways and the wedge missed by a mere inch. It slammed into the
|
||||
man's upper arm just as he was about to land another killer on Donny's kidneys. He let out a blurt of pain and the
|
||||
slugger went flying off into the hedge. </p>
|
||||
|
||||
<p>"What the fuck. . . .? "</p>
|
||||
|
||||
<p>Jack was still on the curve of the adrenaline roller, with that odd singing in his ears and everything was going in
|
||||
backlit slow motion like in one of those old Jap samurai films. He regained his balance, used the spin to follow
|
||||
through, turned, and sunk a fast boot into the man's groin. The thug doubled up and made an odd, gasping growl of
|
||||
sound. Jack brought the sand-wedge up and whipped it down as the guy bent over and the heavy face connected with his
|
||||
left buttock in a wondrous meaty whack.</p>
|
||||
|
||||
<p>The man roared like a bear.</p>
|
||||
|
||||
<p>"You get to fuck and take that garbage with you," Jack said, hearing his words come out in a snarl that didn't sound
|
||||
like him at all. </p>
|
||||
|
||||
<p>Donny was down again, unable to take his weight on his hands, snuffling like a pig in the dirt and all of a sudden a
|
||||
huge and overwhelming fury swamped Jack Lorne and he swung out again with the wedge, taking the other man on the
|
||||
ribs so hard that it doubled him over. Seggs Cullen was on his feet, holding his mouth, dribbling the same kind of
|
||||
blood and snotters and yelling in a mush behind his fingers. The second man gasped for breath, caught it and came
|
||||
forward, reaching for the club. Jack swung again, fast left and right and managed to catch a knuckle with a sound
|
||||
like stone on stone.</p>
|
||||
|
||||
<p>Up at the Jaguar somebody was bawling and Jack couldn't make out the words. The man with the sore knuckles and arm
|
||||
and balls backed off, growling and cursing incoherently and making sure he would recognise Jack Lorne if he ever saw
|
||||
him again and then they were up at the Jag and the doors were shut and it sizzled away, sending up dry earth and
|
||||
grass and a pall of blue exhaust. </p>
|
||||
|
||||
<p>Donny pushed himself up again and crawled around blind on his hands and knees, making a complete, confused little
|
||||
circle, and Jack caught him just before his arms gave way again. </p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
649
build/Full Proof/OEBPS/ch02.xhtml
Normal file
649
build/Full Proof/OEBPS/ch02.xhtml
Normal file
@ -0,0 +1,649 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>2</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>2</h1>
|
||||
|
||||
<p>Friday night and Mac’s Bar was all noise and laughing. The juke box competed with MTV and the karaoke was setting up.
|
||||
A couple of kids were over at the bandit, thumbing
|
||||
coins and staring at the flashing lights, going for the full epileptic. The joint would be juddering by
|
||||
midnight. </p>
|
||||
|
||||
<p>"Who said this place was dead?" Jed straightened up from the pool table to watch two slender blonde girls doing the
|
||||
dance they must have been practising in their bedrooms, metronome perfect. Behind the bar it was all bustle and
|
||||
hustle, Frank and the girls weaving their own dance in the tight space; in front of it, three deep in the shallows,
|
||||
getting to six near the door. </p>
|
||||
|
||||
<p>"Of all da gin joints in all the towns in all the woild, they has ta walk into mine." Neil did GBH to old Bogey..</p>
|
||||
|
||||
<p>"They see you and walk back out again, fast."</p>
|
||||
|
||||
<p>They were up at the held territory of the far corner, squeezed in by the press of new arrivals, close to ten at night
|
||||
and it was still warm. Here in the confined space, the moving of bodies added another ten degrees. The heatwave had
|
||||
stretched to three weeks and while the puddles of the summer deluge had finally drained and dried to cracked china,
|
||||
it was still lush, getting to the hot and sticky stage that's still a rarity in these parts, even with the global
|
||||
warming coming on apace. </p>
|
||||
|
||||
<p>Jed had trails of sweat rambling down his cheeks. Neil took a shot, potted and ended up right on line to make another
|
||||
drop.</p>
|
||||
|
||||
<p> "Fat man, you shoot a great game of pool." They were a good double act.</p>
|
||||
|
||||
<p>Neil started to laugh just as he was about to take the pot and he sliced the white. It skittered away without
|
||||
doing any damage.</p>
|
||||
|
||||
<p> "Cheating rat, you put me off." He turned and held the queue up in both hands. "You don't understand! I could've had
|
||||
class. I coulda been a <em>contender</em>. I coulda <em>been</em> somebody, instead of a bum which is what I am."
|
||||
</p>
|
||||
|
||||
<p>"Exactly."</p>
|
||||
|
||||
<p>"Yeah, but for a pint, who said it?"</p>
|
||||
|
||||
<p>"Marlon Apocalypse Captain Kurtz Brando. On Da Watafront."</p>
|
||||
|
||||
<p> "Every one a winner. You get the pint." Neil called the barman. "You want another, Jack? Put a smile on your torn
|
||||
face?"</p>
|
||||
|
||||
<p>They'd been hunched at the bar, waiting for the pool table to free up, and Jack hadn't been his usual self. Friday
|
||||
night was fun night, always had been, but Jack Lorne had a deep side to him that sometimes showed through to make up
|
||||
for the mischief. You never could tell just when it would.</p>
|
||||
|
||||
<p>"The town's dead on its feet," Jack was saying. "This is just the nerves jumping. You watch, rigor mortis will set in
|
||||
quick as a blink."</p>
|
||||
|
||||
<p>"You're nothing but a pessimist." Jed always got optimistic on Smirnoff Ice. "If it's just the nerves, this place is
|
||||
jumping pretty good. Alive and kicking."</p>
|
||||
|
||||
<p>"Pessimist? <em>You're </em>facing ninety days notice. The dairy is about to fold. Donny and Neil are just waiting
|
||||
for the axe."</p>
|
||||
|
||||
<p>It was Friday night and he knew he should have shrugged it off, followed the Friday night current and just gone for
|
||||
the fun, but it was hard to get the chuckle engine started tonight. Donny had got out of casualty strapped up and
|
||||
stiff and nobody believed he had fallen down a flight of stairs, but there was no way he'd finger Ferguson or his
|
||||
team of pit-bulls. You just wouldn't win, because it was two of them against three, and then Ferguson would start
|
||||
leaning on people. He threw a bit of tonnage in this town and you could walk down River Street and get a sore face
|
||||
and cracked ribs from a stranger anytime he said so. Most of the hurt was bruising and some internal stuff that was
|
||||
healing slow and sore and every time Jack thought about it he got a hot clench in the middle of his belly while his
|
||||
nails dug hard into the palms of his hands and he knew it was just impotence. There was nothing he could do, and
|
||||
that was the worst of it. The story of their lives.</p>
|
||||
|
||||
<p>He kept picturing Donny, red hair matted and blood dripping to the grass, turning round in that stupid little circle
|
||||
on his hands and knees and moaning like a dying bullock. God, that had been scary. He closed his eyes and flicked
|
||||
the picture away. Donny had managed to get to his feet and the pupil of one eye was shrunk down to a pinhole. He had
|
||||
started gurgling up the blood he'd swallowed and half of it went over Jack's tee shirt. It had taken them twenty
|
||||
minutes to get round to Jed's and a miraculous eight minutes of crazy driving in that souped up little stock-car to
|
||||
get to casualty. Jed could wheel it like nobody's business. The doc said Donny was dead lucky he still had his
|
||||
kidneys and any brains left, but it didn't seem lucky to either of them. The nurse gave him a jab and rubbed alcohol
|
||||
on the dirt and then the young houseman had started in with the needlepoint where they'd shaved the hair. He made a
|
||||
good job of it. </p>
|
||||
|
||||
<p>Jack was on ice cold Guinness, taking it slow. It had been a long day and it was taking him a while to shake it
|
||||
off.</p>
|
||||
|
||||
<p>"I'll get another job no bother," Jed was saying. "Everybody needs drivers." </p>
|
||||
|
||||
<p>"I sincerely hope do. That means you can start buying drink."</p>
|
||||
|
||||
<p>Tam pushed his way through the crowd and shoehorned into the corner. He had slicked his hair back behind his big red
|
||||
ears that glowed with the heat they picked up during the day. Neil was leaking, carrying a couple of stones more
|
||||
than a heatwave made comfortable.</p>
|
||||
|
||||
<p>"What's happening?" Tam was up for mischief.</p>
|
||||
|
||||
<p>"Couple of parties ongoing, or we could cut about River Street. The town's one big Mardi Gras tonight, wall-to-wall
|
||||
women. Some of them not too sore on the eyeball."</p>
|
||||
|
||||
<p>Jed looked at Jack. "Told you, didn't I?"</p>
|
||||
|
||||
<p>"You just don't know when you're down and out."</p>
|
||||
|
||||
<p> "You okay Jake?" Tam was holding out a ten-spot for the next round and one of the girls behind the bar was volleying
|
||||
verbals with him. </p>
|
||||
|
||||
<p>"Sure. Just tired. Got to get my second wind. "</p>
|
||||
|
||||
<p>"You'll be glad to get a lie-in these mornings," Tam said and as soon as he did he realised that might not have been
|
||||
the diplomatic thing. </p>
|
||||
|
||||
<p>"Sure, sleep it off. It's time I checked out Australia House. The outback's got to be better than this."</p>
|
||||
|
||||
<p> "Come on you guys," Neil said, barrelling in against them. "It's Friday night and we've got the whole weekend ahead.
|
||||
I mean like, hol'on, consarnit, golly-darnit. I'll be a horn-swaggeled bushwackin' side-windin' saddled horn...
|
||||
rivvid, ravvid, ravvid...You going to the party?"</p>
|
||||
|
||||
<p>"Maybe," Jack said. "I told Robert we'd show up sometime."</p>
|
||||
|
||||
<p>"You Jed? You coming with the boys or going for a leg under with her indoors. Mrs Round the Block Many Times?"</p>
|
||||
|
||||
<p>Jed aimed hard fingers at Neil's belly, dug in and squeezed hard. Neil yelped.</p>
|
||||
|
||||
<p>"She's not been around. She's a previously enjoyed companion. Who will be enjoyed some more, given half a
|
||||
chance."</p>
|
||||
|
||||
<p>"And you're not a sex machine, you're just hormonally automated."</p>
|
||||
|
||||
<p>Jed laughed. Everybody knew he would peel away some time late on and head up to Margery Burns' place for a night on
|
||||
the springs. </p>
|
||||
|
||||
<p>"Come on Jed," Tam wanted to know. "Is it the grey hair or what?"</p>
|
||||
|
||||
<p>"None of your business. Do I ask you about the chicks you shag?"</p>
|
||||
|
||||
<p>"All the time!"</p>
|
||||
|
||||
<p>"What chicks?" Neil pumped his fist. "He only knows Pamela. Gets by with a little help from his friends."</p>
|
||||
|
||||
<p>"That's very true," the bar girl agreed, and that broke the mood for Jack. They all cracked up again and handed over
|
||||
their empty glasses to start on the next round. </p>
|
||||
|
||||
<p>"Listen," Jed said. "Don't knock it until you try it. Tell you one thing, she's taught me plenty. Swear to god, even
|
||||
the neighbours need a smoke afterwards."</p>
|
||||
|
||||
<p>They all fell about.</p>
|
||||
|
||||
<p>"Has she got a daughter?" Jack asked.</p>
|
||||
|
||||
<p>Somebody called for order and Frank the barman bulled round through the crowd and slung an arm round one of the
|
||||
dancing girls and the karaoke started with his Friday night version of Meatloaf getting up to naughty by the
|
||||
dashboard light. The noise cranked up until it drowned MTV. </p>
|
||||
|
||||
<p>Over by the door a small commotion started and none of them noticed until Donny eased his way in beside them, his
|
||||
normally red face a whiter shade of grey. He let out an involuntary grunt when an inadvertent elbow brushed against
|
||||
his ribs. Jack could see him grinding his teeth. </p>
|
||||
|
||||
<p>"Jesus, Don. What are you doing out?"</p>
|
||||
|
||||
<p>Donny had taken the bandage off his head and sometime between the golfing disaster and tonight he'd managed to shave
|
||||
the rest of his hair down to stubble. His scalp was just as white as his face, and the stitches just to the left of
|
||||
his crown looked like a patch of spiky thorns. </p>
|
||||
|
||||
<p>Somebody got one of the stools and shoved it under his backside. Tam shouted up another lager. </p>
|
||||
|
||||
<p>"Stay in on a Friday night? Goes against my religion."</p>
|
||||
|
||||
<p>"You should have stayed in your <em>bed </em>Don. Look at the state of you. You're having a right bad head day."</p>
|
||||
|
||||
<p>He shook it, regretted it. "My ma keeps asking me what happened. She's driving me up the wall. I'm scared I'll crack
|
||||
and tell her Ferguson's going to pull the plug on Aunty Jean. And then she'll call the cops and the shit will hit.
|
||||
Anyway, I need help, you guys. I haven't had a stiffy for days. It's got me worried."</p>
|
||||
|
||||
<p>"What do you expect? You've just had your ribs caved in, got concussed, and nearly lost a kidney. You have to give
|
||||
yourself time to heal."</p>
|
||||
|
||||
<p>"But I wake up hard every morning," Donny said. "What if that's me for life? I mean, I'm only twenty four."</p>
|
||||
|
||||
<p>"And that's six years past your prime. It's all downhill from here on."</p>
|
||||
|
||||
<p>"It's not funny. You know where I can get viagra?"</p>
|
||||
|
||||
<p>"Stick to lager. It'll do you better."</p>
|
||||
|
||||
<p>Over in the other corner, a tableful of girls from the Starlight stage group were out on the town, up on their feet
|
||||
murdering Gloria Gaynor, all of them promising that they would survive, though half of them didn't look as if they'd
|
||||
see the night out still awake or still standing. One of them was blowing kisses at Jack and he blew one back just
|
||||
for the hell of it. </p>
|
||||
|
||||
<p>"Does Kate know you're out?" Jack's sister Linda was amongst the crowd.</p>
|
||||
|
||||
<p>"Kiss my ass, little mother."</p>
|
||||
|
||||
<p>Linda had her arm around Neil's sister Joanne and another girl called Donna Bryce who worked with them in the
|
||||
hairdressers. All of them were ready for the karaoke to do the number they'd been practising for the past five
|
||||
weeks. The kiss blower pushed her way across.</p>
|
||||
|
||||
<p> "Jack Lorne. Haven't seen you in years. Here, give us a real kiss."</p>
|
||||
|
||||
<p>There was no preamble. She just lunged at him and there was nothing he could do. All the other girls started hooting
|
||||
and he held up two fingers to them all. </p>
|
||||
|
||||
<p>"Put him down," Linda ordered. "I know where he's been."</p>
|
||||
|
||||
<p> "Look at that girl go," Neil broke in. "She's eating him alive."</p>
|
||||
|
||||
<p>"That should cheer up his miserable face," Tam said agreeably. </p>
|
||||
|
||||
<p>Jack finally managed to break away. He wiped a hand over his mouth to clear the lipstick. </p>
|
||||
|
||||
<p>"Are you going to Clare Jamieson's party?" the girl asked. </p>
|
||||
|
||||
<p>"Sure," he said. </p>
|
||||
|
||||
<p>"See you there," she said with drink, hope and promise chasing each other in her eyes, gave him a squeeze and went
|
||||
back to the group. </p>
|
||||
|
||||
<p>"So we're going to Robert's, for definite," Jack said. "She'll cook my rabbits."</p>
|
||||
|
||||
<p>Neil got to the mike and gathered up Linda and Donna Bryce and Joanne, who sang the doo-wah backing vocals in the
|
||||
Starlight show. Neil had a terrific baritone voice that he loved to show off and as soon as the music kicked in,
|
||||
they were belting out one of the stage numbers, all in close harmony, making the walls shudder.</p>
|
||||
|
||||
<p>Tam called Frank over and the boys chipped in the kitty money for their party drink. Frank filled two big plastic
|
||||
bags and they were just about to leave for Robert's place when there was another commotion at the far door as a new
|
||||
group of people pushed their way in. In a crowded bar, you can always tell when the atmosphere changes. It's
|
||||
something in the tone of the noise that just alters and gets the nerves on full alert. Even the air seems to turn
|
||||
brittle. Jack felt it and looked up. </p>
|
||||
|
||||
<p>Over at the microphone, Neil broke off the song and the girls backing stumbled to a fade.</p>
|
||||
|
||||
<p>"They're he-eeeere." He announced in a high girlish voice.</p>
|
||||
|
||||
<p>Jack turned, aware of the change.</p>
|
||||
|
||||
<p>"The boys are back in town," Neil sang right out against the music, looking at Jack but pointing down the far end.
|
||||
Jack followed the direction. He stopped still. A man stared right at him down the length of the bar. Frank the
|
||||
barman caught the look and did a double take. </p>
|
||||
|
||||
<p>"Dear oh dear oh dear," Jack said. </p>
|
||||
|
||||
<p>"What's up?" Tam turned and saw the man lift a hand. Beside him another man, squat and shaven headed was looking
|
||||
around, obviously searching the faces. He had a big plum-coloured bruise right across his cheek and his lips were
|
||||
scabbed and raw. </p>
|
||||
|
||||
<p>The first man jabbed a finger straight at Jack. Donny looked up and saw Seggs Cullen first. </p>
|
||||
|
||||
<p>"Aw, holy fuck!"</p>
|
||||
|
||||
<p>"Is that them?" Tam wanted to know. "Jeez Jake, that's Wiggy Foley. He's just got out of Barlinnie jail. He did six
|
||||
for armed robbery. Full stretch for bad behaviour."</p>
|
||||
|
||||
<p>He turned to Jack. "You never hit that psycho with a club, did you?"</p>
|
||||
|
||||
<p>Jack nodded, feeling less heroic than he had when his anger was hot and high. They were stuck here right at the end
|
||||
of the bar, on the opposite side from the door. </p>
|
||||
|
||||
<p>"You should have made sure that nutter stayed down."</p>
|
||||
|
||||
<p>Down there, somebody shouted in protest. At the corner of the bar, Donna Bryce's boyfriend, a fellow they knew called
|
||||
Ed Kane leant in towards them.</p>
|
||||
|
||||
<p>"Do you guys need a hand?" Ed was dark and wiry. He and Tam sometimes kicked about together. It was a good offer
|
||||
under the circs.</p>
|
||||
|
||||
<p>"Thanks Ed." Jack said. "Best not get involved. It's a grudge thing."</p>
|
||||
|
||||
<p>"Any time," Ed said. "You give me a shout." Even in the tension of the moment, Jack thought that was a fine thing to
|
||||
say.</p>
|
||||
|
||||
<p>"Nick out the back, Jack," Neil was pushing towards them, microphone still in his hand, still keeping a tune. "Make a
|
||||
new plan, Tam."</p>
|
||||
|
||||
<p> "Outamaway... !" It was just an angry growl. Wiggy Foley had recognised Jack all right, just as his eyes had
|
||||
promised back there on the sunlit field. They could see people push back as the two hard men shouldered their way
|
||||
through and the atmosphere suddenly crystallised. </p>
|
||||
|
||||
<p>"Hey what the fu... ?"</p>
|
||||
|
||||
<p>"He spilled my drink... "</p>
|
||||
|
||||
<p>"Watch it you... "</p>
|
||||
|
||||
<p>Tam grabbed Jack by the collar. "That was really clever, <em>Die Hard</em>. Him of all people."</p>
|
||||
|
||||
<p>He pulled Jack back away from the corner. "Grab these bags, quick."</p>
|
||||
|
||||
<p>For once Jack let himself be led. He hoisted the bags, even though logic and survival instinct told him to dump them,
|
||||
but it was Friday night, and some instincts are even more deeply rooted. Tam raised a foot against the bar of the
|
||||
door that nobody ever used and kicked it in a downward stamp, proving once and for all that the Tae Kwan Do lessons
|
||||
had not been all a waste of time. The door punched outwards and cool night air sucked in. </p>
|
||||
|
||||
<p>"Get going." </p>
|
||||
|
||||
<p>"What about Donny?"</p>
|
||||
|
||||
<p>Donny was moving slowly, as if he was encased in plaster and hurting all over, which was probably true. Neil helped
|
||||
him out and down the little alley behind the bar. Tam turned and pushed the door closed again. Foley and Cullen were
|
||||
halfway to the corner, shoving people out of the way. They could hear the shouts from halfway down the alley. Tam
|
||||
kicked again and the door clammed. He swivelled to the left while Jack went to the right, hoisted two aluminium kegs
|
||||
and jammed them in against the door. If there was a fire inside, everybody would burn to carbon, but that didn't
|
||||
seem likely the way the beer was flowing. Jack grabbed a wooden pallet and pushed it hard against the casks,
|
||||
managing to force a corner against the brick wall to hold it in place. As soon as it locked, something hard hit the
|
||||
door on the inside and somebody was bawling incoherently and it was perm any one from two. Cullen or Foley. </p>
|
||||
|
||||
<p>"Right let's <em>getty-fuh</em>," Tam said. Jack picked up the remaining bag, trusting that Jed had the other and
|
||||
they scooted down the alley towards the river, knowing they only had a minute before the two pit-bulls got
|
||||
themselves back through the crowd and out the front door. He was thinking of Donny, who might make two miles an hour
|
||||
if he worked hard at it and picked up speed. </p>
|
||||
|
||||
<p>They turned the corner and caught up with them. </p>
|
||||
|
||||
<p>"You come with me," Tam said, taking Donny by the arm. Across the street Tam's Yamaha Dragstar was canted over on its
|
||||
strut, shiny in the summer night light. </p>
|
||||
|
||||
<p>"Can you get a leg over it?"</p>
|
||||
|
||||
<p>"I'm like Jed. I'll get a leg over anything."</p>
|
||||
|
||||
<p>Tam helped him on and the other three disappeared round the corner to where Jed had parked the old Skoda shell with
|
||||
the big V6 Saab engine under the hood. They jumped in and the engine growled like a beast. </p>
|
||||
|
||||
<p> Jed grinned. "Fasten your seatbelts kids, it's going to be a bumpy ride."
|
||||
<em> </em>"Pop-eyed Betty Davis," Neil guessed correctly.</p>
|
||||
|
||||
<p> "If you gentlemen could tear yourselves away from Hollywood quiz night, I really think we should be in transit."</p>
|
||||
|
||||
<p>Round the corner the bike snorted, purred smoothly and Tam and Donny came cruising past them, just as Foley and
|
||||
Cullen came barrelling round the corner in pursuit.</p>
|
||||
|
||||
<p>"Watch this thing shift," Jed said. He slipped on his sunglasses, hit the throttle and Jack was thrown right back
|
||||
into the seat. They were across the old bridge and gone in five bare seconds</p>
|
||||
|
||||
<p>Robert Wardell might have been an air steward and as camp as a girl guides jamboree, but he was a mate and he never
|
||||
threw a bad party. </p>
|
||||
|
||||
<p>The place was heaving when they got there and Robert </p>
|
||||
|
||||
<p> never Bob, or Rab, always Robert </p>
|
||||
|
||||
<p> had as usual, stored away his collection of china from his long haul stopovers, and lifted the zebra skin that he'd
|
||||
smuggled from Kenya. He loved a party and hated a mess.</p>
|
||||
|
||||
<p>"Jack, Thomas! Come away in boys. I though you were never turning up."</p>
|
||||
|
||||
<p>Robert was effusive in his welcome. He bought duty free exotic drink on long hauls and his parties just never ran
|
||||
out. Nevertheless, it was always bad form here to turn up empty handed. </p>
|
||||
|
||||
<p>"Just dump it anywhere," he insisted, taking the two of them by the arm, knowing he was the only non-female who would
|
||||
get away with it. He was a mate. In primary school he'd always held the jackets when the rest of them were tumbling
|
||||
in the mud and they'd always taken care of trouble for him when it showed up. </p>
|
||||
|
||||
<p>"Listen. I've brought a couple of friends I want you to meet."</p>
|
||||
|
||||
<p>"If they're like the usual, forget it," Jack said, completely inoffensively. </p>
|
||||
|
||||
<p>"No, not at all. You think I'd waste them on the likes of you phobic barbarians?"</p>
|
||||
|
||||
<p>He raised a hand and beckoned across the room. Tam and Jack looked at each other, taking in Robert's silk hipsters
|
||||
that were just a shade too tight and a lot too purple. He was a dead ringer for Rock Hudson in the old Doris Day
|
||||
movies and women always wanted to reform him, with remarkably little success. Or none at all.</p>
|
||||
|
||||
<p>"Ilse and Ingrid, come and meet Jack and Thomas."</p>
|
||||
|
||||
<p>He leaned in to Jack. "You don't see too many of these walking down River Street."</p>
|
||||
|
||||
<p>Jack turned. </p>
|
||||
|
||||
<p>She was one of the most stunning women he had ever seen, and the one next to her was nothing less than a blonde
|
||||
vision. </p>
|
||||
|
||||
<p>"Be still my beating heart," Tam said. </p>
|
||||
|
||||
<p>"Be still your hormones," Robert said.</p>
|
||||
|
||||
<p>"Hello," Ilse said, holding out a perfect hand. Jack shook it and forgot to let go. She smiled as if this was nothing
|
||||
less than expected. </p>
|
||||
|
||||
<p>"We're from Sweden," she said, totally unnecessarily. You never got skin and hair and teeth and everything else in
|
||||
packages like this anywhere else in the world with the exception of Estonia and that was just a hop-skip away.
|
||||
Robert had got the boys a free flight there a couple of years back for a stag night and they all wondered why he
|
||||
still swung the funny way. </p>
|
||||
|
||||
<p>"And what brings you here?"</p>
|
||||
|
||||
<p>"Robert did. We work with the airline in Stockholm. Our uncle is the captain of a ship here, so we come to see
|
||||
him."</p>
|
||||
|
||||
<p>"That's awfully nice. Would you like a drink?"</p>
|
||||
|
||||
<p>"Of course. That's the other reason we are here."</p>
|
||||
|
||||
<p>Ilse took him by the arm and led him towards the kitchen. Ingrid took the other arm and Tam was left standing with
|
||||
Robert, making goldfish faces.</p>
|
||||
|
||||
<p>"Don't worry," Robert said. "I've some free flights coming up. There's a million just like them where they come from.
|
||||
And the boys are world class."</p>
|
||||
|
||||
<p> Donny was on the leather settee, propped up in a couple of cushions, spinning some yarn about fighting for a girl's
|
||||
honour that got more preposterous by the minute, but he had a sympathetic audience and the sympathy vote was better
|
||||
than nothing. With his head shaved and stitched and his face swollen out like a fed hamster, it was all he was going
|
||||
to get. They kept the drink coming and minded his bruises and he seemed okay. Jack ended up on a double-seater with
|
||||
Ingrid on one side and Ilse on the other and a big bottle of Bailey's Irish cream between them. He was drinking
|
||||
double handed, alternating Guinness with sips from their liqueur glasses.. </p>
|
||||
|
||||
<p>"Poof's drink," Neil said, flicking through the discs, then he remembered where he was. "No offence Robert."</p>
|
||||
|
||||
<p>"None taken, Big Stuff. I got a crate of the stuff in Gibraltar for next to nothing."</p>
|
||||
|
||||
<p>"It's a total rip off," Jack said. "That's nearly fifteen notes a bottle and most of it's milk."</p>
|
||||
|
||||
<p>"But beautiful," Ilse said. Her hair was short and spiky and so fair it was like fibre-optic. The Irish cream left a
|
||||
pale rim round her mouth. "We do not taste this in Sweden, you know. Much too much <em>kroner</em>. Too much money."
|
||||
</p>
|
||||
|
||||
<p>"I'll send you some," Jack said. "Just leave your address and phone number."</p>
|
||||
|
||||
<p>"But the customs men, the Duane, you call it? You know what I mean? They catch it and ask for even more money. My
|
||||
father, he make his own drink, with sugar and water and blueberry." She screwed her mouth into distaste. "Not nice
|
||||
like this."</p>
|
||||
|
||||
<p>"So why can't you buy it?"</p>
|
||||
|
||||
<p>"Too much money. Your whisky, it costs... " She closed her eyes and did a mental conversion. "Fifty of your pounds
|
||||
for a litre. All is taxed you know. They say everybody would just be drunk all the winter."</p>
|
||||
|
||||
<p>A short-dark haired girl came up and gave the two Swedes the measuring eye. </p>
|
||||
|
||||
<p>"Is Kate not coming tonight Jack?" she asked him, but directed the question at them. </p>
|
||||
|
||||
<p>"Sure. She'll be here."</p>
|
||||
|
||||
<p>"Well you better not let her catch you then."</p>
|
||||
|
||||
<p>He shrugged, all innocence. "International relations Jeanette. You got to be diplomatic."</p>
|
||||
|
||||
<p>Ilse leaned over him. "Kate? Is this a friend of yours?"</p>
|
||||
|
||||
<p>He was about to answer when the old Stealers Wheel number came belting out of the surround-a-sound and Neil was up at
|
||||
the microphone. His big voice suited his frame. </p>
|
||||
|
||||
<p><em>"Don't know why I came here tonight, I got the feeling something ain't right."</em></p>
|
||||
|
||||
<p>He was pointing at Jake as he sang. Tam picked it up and shoved himself in towards the mike. </p>
|
||||
|
||||
<p><em>"Clowns to the left of me, jokers to the right."</em></p>
|
||||
|
||||
<p>They stuck their fingers straight at Jack.</p>
|
||||
|
||||
<p><em>"Here I am stuck in the middle with you"</em></p>
|
||||
|
||||
<p>He woke early, too early, with a minor hangover, glad it was Saturday, and that somebody else was filling in on the
|
||||
round. He heard the float trundle past, and the rattle and clank of the crates, wondering just how long he'd be
|
||||
hearing that noise in the mornings. Outside the thrushes were competing with the blackbirds, belting it out at the
|
||||
top of their voices. He always pictured them, like the boys on a Friday night, trying to get the double message
|
||||
across. </p>
|
||||
|
||||
<p><em>Hey you arseholes, stay off my patch... hey you girls, come and get it. </em></p>
|
||||
|
||||
<p>A lone robin pitched in, off key, high and shrill. It had hung about the garden since winter, feeding on whatever he
|
||||
threw out. It took on all comers, no matter the size or species. </p>
|
||||
|
||||
<p>He lay still, letting himself come to, piecing together the remnants of the night after they had run out the back of
|
||||
Mac's bar. </p>
|
||||
|
||||
<p>That had been a hairy moment, and just as well Tam had his Yamaha out in the street and not stuck up in his garage,
|
||||
otherwise they'd have been caught down the alley trying to get Donny free and clear. </p>
|
||||
|
||||
<p>Close. Too close. And all for what? He'd felt a buzz of sudden adrenaline when the two of them had come in and stared
|
||||
him right in the eye, but not the way he had when he had a six iron in his hand and Donny was down in the dirt.
|
||||
Foley was a crazy horse, just out of the jail, and god knows what he'd been carrying. If they'd got stuck in that
|
||||
corner with no way out, there could have been yellow tape round the front door by midnight. Tam had been thinking on
|
||||
his feet. He was a good man to have at your back. Now he'd have to stay clear of those psychos for a bit, and not
|
||||
for the first time he wished Donny had kept his big mouth well shut. Even as he said it he knew that was the wrong
|
||||
way to think.</p>
|
||||
|
||||
<p>Why the hell should they sit still for it?</p>
|
||||
|
||||
<p><em>Jesus.</em> That's what they spent their lives doing; sitting still and taking what they handed out. In school,
|
||||
it was Lorne, Watson, Coogan, Bowie, Cleary. Present and correct. Not Jack or Don or Tom or whatever. It was like
|
||||
you were there on their sufferance. The big American firms came in and acted like lady bountiful and thought they
|
||||
owned the place and then they found some Korean kids could do the work for half the wage and the yanks were gone in
|
||||
a puff of smoke, <em>sorry Jock, but business is business</em>. Got to supply the demand. Keep the shareholders
|
||||
satisfied.</p>
|
||||
|
||||
<p>He stared at the ceiling, knowing it would be two hours before the house slowly came awake and wondering how he could
|
||||
do it on four hours sleep at night. Saturday morning, hung over or not, he still woke at the same time and lay there
|
||||
just thinking, chewing over the week, planning the next, solving the problems of the world and resolving nothing at
|
||||
all. </p>
|
||||
|
||||
<p>You get through a lot of thoughts from five until seven. More if you wake at four, and sometimes Jack wished he could
|
||||
do what Donny did at the weekends, sleep until eleven, back down the pub, up to the match, back into the pub, kill a
|
||||
whole Saturday and be as carefree as a kid. </p>
|
||||
|
||||
<p>Close horizons, that's what it was. Donny was taking what they handed down. In less than two months he'd be on the
|
||||
scrap and with three hundred more chasing every opening. Chances were he'd still be signing on for benefits a year
|
||||
from now. Neil was the same, on ninety days notice. Tam was okay, and as long as they were still building houses on
|
||||
every vacant space, he'd still be okay, but when the jobs went, the money went and everything slowed down. Supply
|
||||
and demand again. It slowed down and Tam could well be looking for homers and weekend casual stuff, fitted kitchens
|
||||
and bathrooms on the grip and the lump, no questions, no tax, no national insurance. No future.</p>
|
||||
|
||||
<p>He shook his head, trying to get his mind on to another tack, but at this time in the morning, minds have a mind of
|
||||
their own and he couldn't jump the track to a mellower tune. He wondered if he was turning into a depressive.</p>
|
||||
|
||||
<p>Andy Kerr had taken him into the office and laid it on the line. He was going round the banks like the last man on a
|
||||
Saturday night, when all the girls have put their coats on and the DJ is packing up the lights. The two new
|
||||
stainless steel tank-trucks would have been a good investment, except for the fact that the supermarket that sucked
|
||||
up most of the dairy products around here had put the squeeze on, and hard. It was a take-it-or leave it deal. Andy
|
||||
had to take their price or go out of business. And if he took their price he couldn't make a profit. A lose-lose
|
||||
situation all round.</p>
|
||||
|
||||
<p>Jack had gone over the books with Andy. There was no way he could keep his head above water. The dairy was on its
|
||||
knees and its days were numbered.</p>
|
||||
|
||||
<p>Up at four in the morning wasn't much of a job, but it brought in a wage and it would help put Mike through Uni and
|
||||
gave him a chance to haul himself up and get his chin over the bar. Up at four and that gave you time in the
|
||||
afternoon to hit the books and watch the tapes and in two years time he might get the chance to put on the swanky
|
||||
hat and bat-cape and see his mother in a good suit and a tear in her eye when he graduated. </p>
|
||||
|
||||
<p>Business. You got nowhere unless you understood business and until you did that you were dancing to somebody else's
|
||||
tune. Andy Kerr, he was a grafter, but he only understood the milk trade, that was all, and look where it was
|
||||
getting him: right into bankrupt court and receivership unless a miracle happened. </p>
|
||||
|
||||
<p>Jack turned over and thumped his pillow into a better shape, thinking about the night before..</p>
|
||||
|
||||
<p>Ingrid had pressed svelte curves up against him he knew every guy in the place had wanted to trade seats with him.
|
||||
Ilse had waylaid him in the kitchen with a more than affectionate lingering kiss, while both his hands were occupied
|
||||
with two full pints. </p>
|
||||
|
||||
<p><em>Clowns to the left ... Jokers to the right. </em></p>
|
||||
|
||||
<p>And a fool in the middle, that was for sure. He closed his eyes and remembered the suction of the kiss and he knew if
|
||||
he'd stayed he'd have tried to get the two of them upstairs for a smorgasbord sandwich. And that would have blown
|
||||
everything. Kate would not have been amused. </p>
|
||||
|
||||
<p>Just as well Lars Hanssen had turned up. Uncle Lars. <em>Jeez. </em>When he'd come in from the front room the place
|
||||
had darkened. He was built like a bulldozer and looked like Thor Sledgehammer or whoever the crazy Viking was that
|
||||
used to cut people's hearts out in AD 2000 or some other adventure magazine. He had wheat-fair hair like his nieces,
|
||||
but long and shaggy and a big thick moustache, and man, could he shift drink. <em> </em>He had brought a couple of
|
||||
bottles of Absolut blue label and seemed determined they would never see the light of day. He was half Finnish and
|
||||
half Swede and claimed he was half Laplander as well and nobody except Jack knew the distinction. </p>
|
||||
|
||||
<p>"<em>Holigen-goligen</em>!" A big clap on the back and another shot was down his throat. He said it meant the same as
|
||||
<em>Skol</em> in the Lapp language and at the end of the night everybody was saying it.</p>
|
||||
|
||||
<p>"I go back in three weeks when I have a good screw," he told Jack, and the rest of the guys laughed at that until
|
||||
Jack explained the screw was the propeller. "It got twisted on the rocks at Harris."</p>
|
||||
|
||||
<p>It came out <em>tvisted on de rooks at Horace,</em> but everybody knew what he meant and Jed, he got mischievous and
|
||||
started looking out old tracks and belting them out, like <em>Tvisting der Noot Avay</em>, and <em>Tvist and
|
||||
Shoot</em> and big Uncle Lars never caught on to the fact he was having the piss ripped out of him. </p>
|
||||
|
||||
<p>"<em>Anyvay</em>," he said. "I have another three weeks and then back to Oslo first and then Stockholm. I have twenty
|
||||
things to take and some pipes and I stay a week and be back on Skye in another week. Never stop, back and here,
|
||||
there and back, all the times, until you get dizzy."</p>
|
||||
|
||||
<p>He lifted up his glass. "But it is nice to visit with my sister's babies, no? They worry all the time about old Uncle
|
||||
Lars."</p>
|
||||
|
||||
<p>Ingrid lifted a balloon glass half filled with ice and Irish cream. Lars took it and gulped half of it and then he
|
||||
pulled a face. </p>
|
||||
|
||||
<p>"What is this? Are you sick?"</p>
|
||||
|
||||
<p>Jack laughed. </p>
|
||||
|
||||
<p>"Like medicine it is!"</p>
|
||||
|
||||
<p>Jed laughed louder. "He talks like Yoda. Drunk he is!"</p>
|
||||
|
||||
<p>"Daft you are!"</p>
|
||||
|
||||
<p>"Uncle Yoda, another drink you want?" Everybody fell about. </p>
|
||||
|
||||
<p>"Always another drink," he bellowed, treating Jed to a one-armed bear hug that could have cracked ribs. "And what is
|
||||
this <em>Yoda</em>?"</p>
|
||||
|
||||
<p>It all got a bit foggy after that and Jack remembered Jed sneaking off to finish the night and start the morning with
|
||||
Margery Burns; helping Donny into a taxi and wondering what would have happened if he'd stayed. Ingrid being sick in
|
||||
the back garden and Ilse leaving her to it and slinging her arms around Jack's neck again, all pliant and boneless
|
||||
after a night on the Baileys. Uncle Yoda discovering a taste for the stuff after claiming it was a drink for
|
||||
girly-boys, followed by an embarrassed silence that was finally broken by Robert's quick camp: "Suits me sir!"</p>
|
||||
|
||||
<p><em>.... I feel I'm going to fall off my chair.... and I'm wondering how I'll get down the stair..... </em></p>
|
||||
|
||||
<p>Gerry Rafferty's nasal voice kept coming back to him, as if there was a tape loop stuck in his head, but that's the
|
||||
way it had got later on and Uncle Lars had got to the singing stage and in between times he was doing a deal with
|
||||
Robert to take some of the Irish Cream home for his <em>vife</em>. </p>
|
||||
|
||||
<p>.... <em>You started off with nothing and you're proud that you're a self-made man... </em></p>
|
||||
|
||||
<p>Chance would be fine. Self-made milkman. He closed his eyes listening to the robin song merge with the lyrics in his
|
||||
head. </p>
|
||||
|
||||
<p>Self made? He'd taken too long going about that and now he could be stuck half way through a degree and nothing to
|
||||
show and no money either. He knew he should have bit on the bullet when he was just out of school, but his old man
|
||||
had only been gone three years and his mother had still been wading through a swamp of grief, struggling to get to
|
||||
the other side and able to cope only with that and there had been nothing for it but Jack to take charge. <em>Self
|
||||
made</em>. He could be running his own business by now, or half way up some corporate ladder. Everybody had
|
||||
expected him to make it. <em>Jeez</em>, he had expected that himself, and here he was, a soon-to-be-out-of-work
|
||||
milkman with a special aptitude for hosing out the trail tankers. </p>
|
||||
|
||||
<p>Self made? Or self deluded. Over there on his desk he had a rack of books and a second-hand computer that was
|
||||
dinosaur slow and he could rhyme off all the theory, Galbraith, Keynes, carried interest, value addition, double
|
||||
entry, equity, bonds, the lot. </p>
|
||||
|
||||
<p>And still he was stuck here well below the middle line and the chances of breaking through were further and further
|
||||
away. </p>
|
||||
|
||||
<p><em>Yet.... </em></p>
|
||||
|
||||
<p>There was something. It had snagged him on the golf course when Donny had been down in the gully, washing the crap
|
||||
off his legs and there had been an oddly sweet scent in the air mixing headily with the coconut oil of the gorse
|
||||
bloom, and those dead little trout belly up in the stream. </p>
|
||||
|
||||
<p><em>The angel's share. </em></p>
|
||||
|
||||
<p>Donny still had the mud stuck to the end of his dick and Tam had been laughing and pointing, but Jack's mind had done
|
||||
the usual and shot off on a different tack. </p>
|
||||
|
||||
<p>"We're screwed. First they screw you and then they really fuck you."</p>
|
||||
|
||||
<p>Tam turning round, the only one with a safe job and a decent set of wheels, unless you counted Jed's V6 that needed a
|
||||
different scrapyard bodyshell every time he and Neil hammered it round the stock circuit. Tam said: "God helps them
|
||||
that helps themselves."</p>
|
||||
|
||||
<p>His grammar had left some to be desired, but that was true. They were all at the mercy, taking what was handed down,
|
||||
and Jack knew he'd never get on that corporate ladder because unless you were at the very top, you were still taking
|
||||
what they handed down. </p>
|
||||
|
||||
<p><em>God helps those.... </em>He closed his eyes, chasing the thought, and a picture of the stunning Ingrid came
|
||||
suddenly into his mind. </p>
|
||||
|
||||
<p>"You come to Sweden," she had said in a flawless accent, and if it had been a year ago he'd have been on the next
|
||||
plane. </p>
|
||||
|
||||
<p>But there was something else she had said that really snagged him. </p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
465
build/Full Proof/OEBPS/ch03.xhtml
Normal file
465
build/Full Proof/OEBPS/ch03.xhtml
Normal file
@ -0,0 +1,465 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>3</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>3</h1>
|
||||
|
||||
<p>The pigeons clattered round the chimneys, white wings exploding on the rise to catch the morning sun, fantails and
|
||||
blues in tight formation. He watched them circle and wheel. A lone snow feather cradled its way to the grass.</p>
|
||||
|
||||
<p>"Is that you Jack? Come in, <em>hombre</em>."</p>
|
||||
|
||||
<p>Jack waited a minute or two, admiring the way the birds stayed tight and drilled, turning or gliding, all in
|
||||
unison, perfect teamwork. </p>
|
||||
|
||||
<p>He pushed between the pigeon loft and his uncle's big old motorbike, opened the door and almost fell over a
|
||||
thigh-high black plastic bin. He sniffed thick musty air.</p>
|
||||
|
||||
<p>"What's that stench? It would knock you flat."</p>
|
||||
|
||||
<p>Sandy Bruce laughed. "You get used to it."</p>
|
||||
|
||||
<p>"Man, you'll <em>never</em> get used to that. What the hell is it?"</p>
|
||||
|
||||
<p>Sandy came out of the kitchen into the hall. He wore a sixties-style string vest under his boiler suit, a
|
||||
pair of fifties style octagonal glasses and a quarter inch of silvery stubble from two days before. He must
|
||||
have been busy with the pigeons or the boat boys who hung about down on the river. </p>
|
||||
|
||||
<p>Sandy pointed to each of the three plastic bins, counting off in turn. "Irish stout, heavy and lager. Pilsner
|
||||
lager, the kind you young fellas like. <em>Bueno cerveza.</em>" Sandy had picked up a few languages from his
|
||||
sailing days. Tomorrow it might be Italian. Today it was something like Mexican bandido.</p>
|
||||
|
||||
<p>"Are you sure? It smells like dead bodies. "</p>
|
||||
|
||||
<p>"Sure I'm sure. That's just the mash fermenting. Once it stops, it's okay." </p>
|
||||
|
||||
<p>"How much are you making?"</p>
|
||||
|
||||
<p>"Sixty gallons this time. It's the club's AGM in two weeks and you probably heard that tosser Tim Farmer's
|
||||
done a bunk with the kitty. Being entertainments convener, it's up to me to make sure we've got a decent
|
||||
purvey."</p>
|
||||
|
||||
<p>He was using a broom handle to stir the contents of the bin nearest him, sending up a blister of bubbles that
|
||||
stank as badly as the marshes out on the golf flats and looked even more poisonous. Jack held his nose. </p>
|
||||
|
||||
<p>"I really don't think it's worth it."</p>
|
||||
|
||||
<p>"Sure it is. You get to pension age and see how much beer you can buy. The price of it's just an absolute
|
||||
scandal and every year the tax goes through the roof. Hell, it's the only pleasure a man's got left, that
|
||||
and the birds."</p>
|
||||
|
||||
<p>"So you say. You're up to every scam going."</p>
|
||||
|
||||
<p>"You know what it's like Jake. The older I get, I stand for more and fall for less."</p>
|
||||
|
||||
<p>"I thought you were racing the birds today."</p>
|
||||
|
||||
<p>Sandy shook his head and kept stirring and Jack kept his hands clamped on his nose. The thick malty smell
|
||||
caught him in the back of the throat and he wished he hadn't had so much to drink the previous night."</p>
|
||||
|
||||
<p>"Have you got a license for this?"</p>
|
||||
|
||||
<p>"Don't need one, seeing it's just home brew. Me and Willie McIver chipped in for the sugar and stuff and what
|
||||
we'll do is charge entrance money, so we can't get done for selling."</p>
|
||||
|
||||
<p>"You're a twenty carat scoundrel, Sandy."</p>
|
||||
|
||||
<p>"Takes one to know one. Tell you what, if I had a still, I could turn this into whisky, and then we'd really
|
||||
be in business."</p>
|
||||
|
||||
<p>"And then I'd be bailing you out of jail."</p>
|
||||
|
||||
<p>"My old grandfather, he had a still himself, him and my uncles, up the back of beyond some place near the
|
||||
Cardross Hills. Made it out of an old copper boiler. That was back in the twenties, a whole long time ago.
|
||||
That stuff they made would have lifted paint and raised blisters but they got a taste for it. All you do is
|
||||
make beer and then steam it off."</p>
|
||||
|
||||
<p>"And you end up going blind."</p>
|
||||
|
||||
<p>Sandy laughed and stirred and the bubbles farted about on the surface as if the mash was alive. </p>
|
||||
|
||||
<p>"You got to take the opportunity. Like what you're always telling me about supply and demand. I've got the
|
||||
supply, and the boys in the club, well, they'll be doing the demanding, and me and Willie can make enough to
|
||||
get another batch going and make a bit of profit besides."</p>
|
||||
|
||||
<p>"But it stinks. I mean, it would make you boke. You should let him do it in his place."</p>
|
||||
|
||||
<p>"He's <em>doing</em> it in his place. That way we end up with a hunner' and twenty gallons. There's a bowling
|
||||
club smoker coming up as well and we're catering for that as all. Then the Boat Club bash. Next thing you
|
||||
know, we'll be bigger than Interbrew."</p>
|
||||
|
||||
<p>Sandy laughed again and scratched his stubble. "Wish I'd thought of this years ago. I could have been big.
|
||||
<em>Muy grande.</em> Here. . . " he made a beckoning motion. "Bring that siphon across. I have to decant the
|
||||
first batch."</p>
|
||||
|
||||
<p>He opened the little cupboard beyond the kitchen door and Jack stood, open mouthed. From floor to ceiling it
|
||||
had five deep shelves and each one of them was jammed to the edge with bottles of all kinds. Lemonade, Iron
|
||||
Brew, Lucozade, a few dry sherry bottles and a couple of big whisky optics that had obviously made their way
|
||||
from some bar.</p>
|
||||
|
||||
<p>"Been all over the place this week, collecting them. Me and Willie. You wouldn't imagine how much good glass
|
||||
people throw away."</p>
|
||||
|
||||
<p>"Oh, come on, Sandy, you can't go feeding people moonshine in old chuckaway bottles. You never know who's
|
||||
pee'd in them. You could poison all of the old biddies."</p>
|
||||
|
||||
<p>"Less of the old. And don't you worry boy, they're clean as a whistle. We got your Mam to go into Boots and
|
||||
buy us some of that stuff she used to clean your baby bottles. If it's good for babies, then it's good for
|
||||
the pigeon men. You think my head buttons up the back?"</p>
|
||||
|
||||
<p>"I'm not so sure."</p>
|
||||
|
||||
<p>Jack handed him a corrugated tube that looked like a windpipe with some plastic attachment that Sandy jammed
|
||||
onto the third bin and the beer started to flow. Jack had to admit that the finished article smelt a whole
|
||||
lot better than the fresh stuff and he was surprised that it actually looked like beer when it began to fill
|
||||
the bottles. He did a mental calculation on how many bottles would be needed for twenty gallons and worked
|
||||
it out that they could be siphoning the brew for an hour and a half. He turned out to be off by only twenty
|
||||
minutes. </p>
|
||||
|
||||
<p>"You want a beer?"</p>
|
||||
|
||||
<p>"At this time of day? Give me a break. Your kidneys must be like saddlebags."</p>
|
||||
|
||||
<p>"Don't get smart. Put the kettle on then and I'll get the board."</p>
|
||||
|
||||
<p>It was a tradition between them and had been since Jack had been only seven or eight and they'd started
|
||||
playing draughts before progressing to chess. Sandy sometimes managed to con him into a game of shoot
|
||||
pontoon and always took a few notes off him and Jack never saw how he palmed the royals but he knew his
|
||||
Uncle was fast as a snake when he wanted to be, a throwback to his old days on tramp steamers up and down
|
||||
the Americas. He'd been a wild man, so the stories went, and Sandy embellished just a few of them. Jack made
|
||||
tea thick as tar and got a pair of penguin biscuits from his jacket pocket. Sandy dunked them until the
|
||||
chocolate spread out on the surface and then slurped them between his teeth. Nothing changed. </p>
|
||||
|
||||
<p>"Here," he said. "You have to try this stuff."</p>
|
||||
|
||||
<p>He went into the hall and came back with a big demi-jon that held a gallon of opaque liquid.</p>
|
||||
|
||||
<p>"What is it?"</p>
|
||||
|
||||
<p>"Try it first and you tell me." He poured some into a small glass. Jack raised it, sniffed, recognised a
|
||||
familiar scent and tasted.</p>
|
||||
|
||||
<p>It was smooth as silk with a full, warm aftertaste. For a moment he thought it was the stuff he and the
|
||||
Swedish twins had been drinking at Robert's party. He drank again, and Sandy grinned.</p>
|
||||
|
||||
<p>"Not bad, eh?"</p>
|
||||
|
||||
<p>"What is it?"</p>
|
||||
|
||||
<p>"I met this widow woman in Ireland last year, when we were across for the Connaught race. Me and her, we sort
|
||||
of..."</p>
|
||||
|
||||
<p>"I know what you sort of, you old skank chancer. I swear to god, when you go, you'll be the last of the
|
||||
diehards. They'll never get the lid down."</p>
|
||||
|
||||
<p>Sandy cuffed him light on the back of the head.</p>
|
||||
|
||||
<p>"Some respect young man. Anyway, she had the recipe for some woman's drink from the place she worked. She
|
||||
made a batch, just some whisky and bits and bobs. It loosened the laces on her inhibitions right
|
||||
enough."</p>
|
||||
|
||||
<p>"And you loosened the rest. Heard it already."</p>
|
||||
|
||||
<p>"Anyway, I watched her and picked up the gist of it. Then I added a few things of my own. The old biddies,
|
||||
they can't get enough of it. The bowling night's going to be a hoolie. Want some more?"</p>
|
||||
|
||||
<p>"Another time," Jack said. It was good, but not with a fading hangover. He took a sip of tea to kill the
|
||||
alcohol taste, Sandy moved a pawn and they were off, sitting in the kitchen, surrounded by bottles of every
|
||||
variety, in a fug of beer and Sandy's Virginia flake roll-up, stout tea and chocolate biscuits and apart
|
||||
from the beer and the creamy liqueur, that's how it went most early Saturday mornings. </p>
|
||||
|
||||
<p>"It's not looking too clever at the dairy." Pawn up two squares. </p>
|
||||
|
||||
<p>"I heard that too." Knight two up, freeing the bishop. "I also hear Andy Kerr's facing a whole heap of
|
||||
trouble."</p>
|
||||
|
||||
<p>"Looks like. His cousin Billy's been at some sort of scam. I'll get the details on Monday."</p>
|
||||
|
||||
<p>"Billy was always sticky fingered. Had too much too easy. I hear he's done a bunk with some bimbo, just like
|
||||
that daft old git Tim Farmer. He's nicked off with a secretary from the distillery, just half his age."</p>
|
||||
|
||||
<p>"Tim's about seventy, is he not?"</p>
|
||||
|
||||
<p>"Aye, and she's about forty. Far too young for him. Once the money's gone he'll be back with his tail between
|
||||
his legs and his willy shrivelled to a peanut." Bishop out and hunting. </p>
|
||||
|
||||
<p>Sandy looked at him over the cup, judging his next move and his next remark. </p>
|
||||
|
||||
<p>"Billy Kerr was keeping two sets of books and working one for himself. He was supposed to pay the VAT and
|
||||
your national insurance, is what I heard, and none of it's been paid, and that means you could be in a wee
|
||||
pile of hot manure."</p>
|
||||
|
||||
<p>"I heard that as well. You don't miss much."</p>
|
||||
|
||||
<p>Sandy winked, while Jack contemplated the defence of his queen. </p>
|
||||
|
||||
<p>"But what are you going to do?"</p>
|
||||
|
||||
<p>"I'm going to take your queen's knight."</p>
|
||||
|
||||
<p>"Don't get smart." King's knight out on a flanker, threatening the queen.</p>
|
||||
|
||||
<p>"Watch the board." Jack looked up. Sandy was still gauging him. "It looks like I'll get to sleep late in the
|
||||
mornings."</p>
|
||||
|
||||
<p>"Billy Kerr will take a fall as well. Once a chancer, always a chancer. Makes you wonder Jake, does nobody do
|
||||
a decent job around here without their hands in the till or stealing off somebody else? Look at Tim Farmer.
|
||||
Off with two grand of our money that was set aside for the big Christmas party and all the prizes. Brains in
|
||||
his balls and head up his arse. Everybody stealing from everybody else. Used to be a time when people were
|
||||
honest. Honest enough anyway. Nowadays it's the done thing to rip people off. That's the way business is, am
|
||||
I right? Dog eat bloody dog and to hell with the hard-working folk."</p>
|
||||
|
||||
<p>He watched as Jack moved his queen deep infield and tut-tutted disapproval like the old women on the golf
|
||||
course. </p>
|
||||
|
||||
<p>"And what are you going to do?"</p>
|
||||
|
||||
<p>"I don't know, Gramps. Tell you the truth, I'm really fed up getting up at daft o'clock and delivering other
|
||||
folk's milk. Fed up bursting my arse."</p>
|
||||
|
||||
<p>"Watch your fucking language, boy."</p>
|
||||
|
||||
<p>Jack laughed. His Sandy always said that.</p>
|
||||
|
||||
<p>"And don't call me Gramps. You make me feel old."</p>
|
||||
|
||||
<p>"You are old."</p>
|
||||
|
||||
<p>"Not too old to cuff your ear. Watch your queen."</p>
|
||||
|
||||
<p>"Don't make me laugh. Watch your king. Check." The games were always fast. </p>
|
||||
|
||||
<p> Sandy castled, got the king right out of there. </p>
|
||||
|
||||
<p>"You don't steal off people, that was always the rule. Maybe lift a length of two by four, or a bag of coal
|
||||
from the railyard. Lead off a roof, or some whisky from the distillery, but you didn't steal off
|
||||
<em>real </em>folk. Maybe net a salmon or two out of the river, but not steal folk's money." He shook his
|
||||
head and rubbed his chin, a gesture of scratchy disgust. Jack ignored it. He always did that to distract
|
||||
him. </p>
|
||||
|
||||
<p>"Ever tell you about the time your Granddad stole a bull?"</p>
|
||||
|
||||
<p>That got Jack's attention. He finished the biscuit and washed it down with thick tea. </p>
|
||||
|
||||
<p>"That would be when you rode the trail in the wild west, I suppose. Rustlin' Sandy Bruce rides the
|
||||
range."</p>
|
||||
|
||||
<p>"Don't mock boy, I got around when I was your age. Went right round the world with the marines and then on
|
||||
the boats. And watch your queen." </p>
|
||||
|
||||
<p>Jack had seen it coming and took the other knight, quick as a blink. Sandy sat back and kept on scratching
|
||||
his chin. He was under pressure. </p>
|
||||
|
||||
<p>"Was back in the fifties. Fifty two I reckon, just after the big TB epidemic that took your aunty Janet.
|
||||
Rationing was still on and we were all built like whippets, skin and gristle. I'd be about three or four. My
|
||||
old Grandpa, he was still alive at the time and stayed with us, down in the old house beside the river
|
||||
before they cleared all the tenements away. He was a tough old coot, I can tell you."</p>
|
||||
|
||||
<p>The stories always started with a preamble. Sandy had been plenty of places and seen things in his service
|
||||
days and always had a yarn and some of them were undoubtedly true. Jack couldn't always tell which ones
|
||||
were. </p>
|
||||
|
||||
<p>"Anyway, the old man was knocking on, and he hated the rationing. He used to take me up the hill, snaring
|
||||
rabbits, and once he caught a sheep that had its horns caught in some bushes and before you knew it the skin
|
||||
was off and buried under a pile of rocks and the whole street was eating mutton. It was tough as old boots,
|
||||
but with the rationing you'd have eaten old boots and the insoles, laces, hob-seggs and all. Everybody stuck
|
||||
together and nobody said a thing. We took about forty salmon out of the river that spring and Jimmy
|
||||
Crawford, who was foreman at the shipyard wood store gave us all the oak sawdust we wanted and we cured them
|
||||
in Malky Dunnet's rail shack and then the whole street was like royalty, eating smoked salmon for weeks. You
|
||||
did what you could, know what I mean?" </p>
|
||||
|
||||
<p>Sandy moved a bishop up in a new threat. Jack pulled his king back, on the run, waiting for the rest of the
|
||||
story. </p>
|
||||
|
||||
<p>"But beef? You couldn't get beef, or chicken either. The old fella had worked the railroads in the states
|
||||
back in the twenties when my dad was a boy, and he used to talk about steaks the size of washing boards. Two
|
||||
inches thick. I tell you Jake, sometimes I was drooling at the mouth just listening to him, sitting at the
|
||||
fire, just thinking about big beefy steaks. Anyway, your granddad and Willie McIver and a couple of others,
|
||||
yon ginger boy's grandfather, Davie Watson, dead now, bless him. They were on a trip up by Linnvale and
|
||||
there were fields full of cattle, every one fatter than the next, and with udders like blown up bagpipes.
|
||||
The guys were droolin' just to look at them, because there were no cows around here. All the farms were
|
||||
growing turnips and potatoes. But up there it was all the Colquhoun land and the laird, whatever pull he
|
||||
had, he had one of the best dairy herds in the country, all of them feeding all day and getting fat as
|
||||
lard."</p>
|
||||
|
||||
<p>Sandy laughed, thinking back, and Jack knew this would be a true one. </p>
|
||||
|
||||
<p>"They hatched this idea, and a mate of theirs, he was in the army, doing national service but he was in the
|
||||
transport corps and he got the loan of a five tonner. They went up, all of them in old uniforms so they
|
||||
could say we were on exercise if they got caught, and they went into this shed at night and got a rope
|
||||
around this big cow. It never said a word and they walked it up the back ramp in pitch dark and freewheeled
|
||||
it down the track for half a mile without the engine on and back home. Big Peter McFarlane, the butcher's
|
||||
apprentice, was all set to cut the thing up and they had worked out who was going to get what, and
|
||||
somebody's mother could make sausages for everybody. It wasn't until they got it round the back of Malky
|
||||
Dunnet's old yard and into his shed that they saw it wasn't a cow at all. Even I could tell that. It had a
|
||||
pair of <em>cojones</em> like melons, scraping and bouncing off the ground they were, and something else
|
||||
they never noticed in the middle of the night. It had a big brass ring stuck through its nose."</p>
|
||||
|
||||
<p>"That would be better than a cow," Jack said. "Better beef."</p>
|
||||
|
||||
<p>"Aye, so you'd think. But what they never knew that the <em>merdo</em> had hit the fan in a big way. Somebody
|
||||
had seen an army truck out in the middle of the night and there was a general alert out and the laird, he
|
||||
was spitting bullets and going to sue the ministry of defence."</p>
|
||||
|
||||
<p>"For a bull?"</p>
|
||||
|
||||
<p>"For <em>his </em>bull. He had the best milk herd in the west, and that was because he had the biggest bloody
|
||||
prize bull you ever saw. Even then it was worth five hundred guineas. It was more famous than <em>him</em>
|
||||
even. It's picture had been in all the papers. My dad was only earning seven pounds a week back then, so It
|
||||
was like ten years spending money, all of it stamping about on the hoof."</p>
|
||||
|
||||
<p>"So what happened?"</p>
|
||||
|
||||
<p>"Pete McFarlane, he took cold feet and said he couldn't cut the beast and Mickey Dougan, he was shitting
|
||||
himself because he had nicked the van for the night. That turned out okay, because it was never signed out
|
||||
and nobody was the wiser. So there they were, with a fortune on legs and nobody knew what to do, and all of
|
||||
them facing the jail. Yon old chinless wonder would have hanged them for rustling, without a second
|
||||
thought,"</p>
|
||||
|
||||
<p>The old man chuckled again, scratched his chin and moved a pawn to free the bishop's line of sight, making it
|
||||
look casual. </p>
|
||||
|
||||
<p>"Somebody came up with the idea of taking it back, and they decided just to dump it along the Linnvale Road,
|
||||
make it look like it had just gone a-wandering, and maybe later on go after one of the cows. But when they
|
||||
were getting the thing into the back of the truck to take it back, it started kicking and hauling and it
|
||||
butted Willie right in the chuckies and he went down like a sack. There was only your Grandad and Mickey
|
||||
holding it and that wasn't enough and the bull took off with them dragging behind it. I swear to god it was
|
||||
like a rhino, must have weighed a ton. Off it goes, slipping and sliding in its own shite and it knocked the
|
||||
yard door off its hinges and out in to the street. You should have heard the screaming then. There was a
|
||||
bunch of women all gabbing together and when this thing came out, snorting and pawing they all started
|
||||
yelling and running about like headless chickens. Mickey grabbed the rope and it tossed its head and he went
|
||||
flying arse over tit and then it was off. It went down the alley by Thomson's bakers, and across the greens,
|
||||
dragging all then washing with it, and straight through the hedge at the dairy as if it wasn't there. It
|
||||
came out the other side and hit a car straight on and knocked it into a wall. It went bombing up Gooseholm
|
||||
Street, ploughed up all the allotments and out the other side, doing about forty, balls swinging like a
|
||||
sporran and it clattered straight through the big fence on the far side and onto the flat."</p>
|
||||
|
||||
<p>Sandy chuckled again. "What a mess!"</p>
|
||||
|
||||
<p>"What happened?"</p>
|
||||
|
||||
<p>"It ran straight on to the railway line and the big morning freight from Oban smacked its head clean off its
|
||||
shoulders."</p>
|
||||
|
||||
<p>He shook his head, grinning. </p>
|
||||
|
||||
<p>"There wasn't much anybody could do then, and everybody was up on the line before the cops arrived. There was
|
||||
no mobile phones then, and they only needed half an hour. Pete McFarlane had his bone saw and a set of
|
||||
butchers knives and somebody brought a big two-handed bandsaw and in no time at all there was nothing left
|
||||
but a puddle of stinky grass that had been in its belly. Everybody got a share and that night we threw the
|
||||
biggest street party we ever had. My grandfather had a T-bone a yard wide and we were all eating beef for a
|
||||
fortnight. The Laird, he could do nothing about it, even after the cops identified the hide they found
|
||||
hanging on the railway fence. It was just an act of God, so they said. It was finders keepers, and nobody
|
||||
ever said a thing. It was the best kept secret ever. But like I said, that's the way it was."</p>
|
||||
|
||||
<p>He reached out and moved the bishop. <em>Check. </em></p>
|
||||
|
||||
<p>Jack pulled the king back and the rook moved to block. <em>Check. </em></p>
|
||||
|
||||
<p>He ran back, using his queen as a shield. His grandfather took her by automatic reflex and Jack used the
|
||||
vacant space to free his second bishop and move six diagonals until he was two in front of the white
|
||||
king. </p>
|
||||
|
||||
<p>"You're screwed."</p>
|
||||
|
||||
<p>Sandy paused, scanned the deck and blew out from puffed cheeks. </p>
|
||||
|
||||
<p>"Sucked me in, Jake, so you did. Best of three?"</p>
|
||||
|
||||
<p>He shook his head. "I've got to sort a few things out."</p>
|
||||
|
||||
<p>"Like Gus Ferguson?"</p>
|
||||
|
||||
<p>Jack was pushing his chair back and he came to a sudden stop. </p>
|
||||
|
||||
<p>"How did you know about that?"</p>
|
||||
|
||||
<p>"I'm an old soldier. Knowledge is power. What you don't know sneaks up and bites your arse. I hear that
|
||||
polecat's well pissed off at you."</p>
|
||||
|
||||
<p>Jack shrugged. There wasn't much he could say.</p>
|
||||
|
||||
<p>"I heard what you did, and that was pretty good. Yon Cullen's got brains in his arse, but he's an animal. I
|
||||
heard you hit Wiggy Foley with a six iron."</p>
|
||||
|
||||
<p>"It was a sand wedge."</p>
|
||||
|
||||
<p>"Even better. That would give you lift." Sandy chuckled at his joke, but not for long. </p>
|
||||
|
||||
<p>"Both of them are worth the watching, but Ferguson, he's loony tunes, so you keep an eye on your flanks Jake,
|
||||
and have somebody watch your back."</p>
|
||||
|
||||
<p>"They were kicking him half to death."</p>
|
||||
|
||||
<p>"I saw the boy last night. He's carrying the tattoo marks. Your pal's a good lad, but he can't put a brake on
|
||||
his mouth. It'll get him into worse trouble some day, you wait. Anyway, Ferguson, he's a stoat, and I don't
|
||||
want to have to look out the old Italian shooter, know what I mean?"</p>
|
||||
|
||||
<p>Sandy fixed him with hard eyes behind the glasses. Jack knew he was tough as nails and had been things and
|
||||
seen places too. The looted gun was their secret from way back. </p>
|
||||
|
||||
<p>"Ferguson," Sandy let the look fade. "I grew up with his old man, and he couldn't punch his way out of a wet
|
||||
hankie. But big Rosie, she was something else, a mean big bitch if ever there was one and that boy took
|
||||
after his mother. I remember the dancing down at the Burgh Hall, me in brothel creepers and a velvet jacket,
|
||||
doing the palais glide. She was only sixteen, but big with it. Hands like hams. Anyway, this wee fellow
|
||||
dances her and asks her up again and when he walks off he claps a hand to her backside. Man, he was very
|
||||
brave or really stupid. Next thing he's up on his tiptoes and she's got his goolies in a grip of steel,
|
||||
giving them a twist. I never saw the blood drain out of anybody's face just as fast. She walked him straight
|
||||
across the floor and out the door, slammed him into a wall. Told him never to embarrass her like that in
|
||||
public again. She made him walk her home all the way to Corrieside and <em>then</em> she made him give her a
|
||||
standy-up in the washing shed, and by Christ, he had to do the business right or she'd have torn them off."
|
||||
</p>
|
||||
|
||||
<p>He looked over at Jack.</p>
|
||||
|
||||
<p>"You watch that Ferguson, <em>compadre</em>. Okay?"</p>
|
||||
|
||||
<p>Jack nodded. He didn't need to be told. </p>
|
||||
|
||||
<p>"And I'm sorry about the job. It doesn't look too promising. You keep at the books and make something of
|
||||
yourself. It's a good wee town for them with no ambition, but there's nothing here for a man with your
|
||||
brains, so you got to grasp the opportunity and run with it, know what I mean? Screw the opposition. You
|
||||
supply the brains and they'll demand it. Start your own business and make something of yourself before it's
|
||||
too late. You don't want these tossers to be ruling your life, do you? Get to my age and you have to brew
|
||||
your own beer in a bin? Get cuffed at chess by a bloody milkman?"</p>
|
||||
|
||||
<p>Jack laughed, but he knew the old guy was serious now, trying to make it light. </p>
|
||||
|
||||
<p>"You have to remember who you are."</p>
|
||||
|
||||
<p>He knew what was coming, but he sat still for it. </p>
|
||||
|
||||
<p>"Told you before, You're a Lorne on your father's side, god rest him, and a Bruce on your mother's. Go back
|
||||
far enough and the Lornes were the kings of the islands, and Bruce, I don't have to tell you about him. You
|
||||
come from good stock boy, and you've got a good head on your shoulders. Don't let these creeps rule you. You
|
||||
get out and take what's yours."</p>
|
||||
|
||||
<p>"Sure."</p>
|
||||
|
||||
<p>"Remember the story of Bruce in the cave? Before Bannockburn?"</p>
|
||||
|
||||
<p>"Sure I do."</p>
|
||||
|
||||
<p>"That spider tried six times and failed, and then succeeded on the seventh. If at first you don't succeed. .
|
||||
. Then you know what happened?"</p>
|
||||
|
||||
<p>Jack waited for it.</p>
|
||||
|
||||
<p>"Robert the Bruce picked it up in his royal mailed fist and smacked it flat with the other. Splat! He hated
|
||||
those crawly fuckers."</p>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
646
build/Full Proof/OEBPS/ch04.xhtml
Normal file
646
build/Full Proof/OEBPS/ch04.xhtml
Normal file
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>4</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
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|
||||
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|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>4</h1>
|
||||
|
||||
<p>Kate Delaney had a slash of green paint running from her eye to the curve of her chin, and a clown dab of red on
|
||||
her cheek as though she had deliberately drawn it there. Her hair was pulled back and tied in a casual knot,
|
||||
copper bronze gleaming in the afternoon glow. Fast confident brush-strokes streaked the white wall, making the
|
||||
picture come alive like a slow fade-in. He watched her from the other side of the street, hands jammed in his
|
||||
pockets, shoulder against a lamppost. </p>
|
||||
|
||||
<p>Bend and dip, raise and stroke. She was lithe in faded, paint-spattered pants with big pockets on the thighs and
|
||||
an old shirt tied in an old-style sixties knot, showing a five inch band of silky summer tan. </p>
|
||||
|
||||
<p>She was halfway along the hundred yards of old brick railway wall whose crumbling surface had been patched up and
|
||||
whitewashed bright. The bunch of kids were doing their own thing, talent from the primary schools, daubing and
|
||||
spattering as the sun quick-dried the paint.. </p>
|
||||
|
||||
<p>Kate felt his look on her back and turned, backhanded her brow and put the pot down on the crusted sheet. He
|
||||
waited until she came across the street, leaving the youngsters and the other teacher to get on with the slap
|
||||
and dash. </p>
|
||||
|
||||
<p>"It's coming along," he said. She leaned into him and slipped a thumb over his belt. The sun gave her hair the
|
||||
sheen of new-stripped copper. </p>
|
||||
|
||||
<p>"Art for arts sake, money for god's sake."</p>
|
||||
|
||||
<p>"You've been listening to too much of that old stuff."</p>
|
||||
|
||||
<p>"We've the same taste, retro man" she said. Her eyes swept the wall scene, east to west. "You get a perspective
|
||||
from here. Up close it's just paint and you have to imagine it. But you're right, it <em>is</em> coming along."
|
||||
</p>
|
||||
|
||||
<p>The Heritage Wall. The project had fought off dozens of other contenders for Millennium money from the arts
|
||||
council and then it had been forced to wait all this time to get the cash and the permissions needed to take a
|
||||
bunch of kids and some pots of paint to cover a decaying eyesore and put some colour on it. </p>
|
||||
|
||||
<p>"When will you finish it?"</p>
|
||||
|
||||
<p>She laughed, cocking her head to lean it light on the side of his arm. "By the next millennium probably. It'll be
|
||||
like Stonehenge."</p>
|
||||
|
||||
<p>He could admire it from here, the whole town spread in a foreshortened panorama with an almost medievally
|
||||
distorted perspective that gave the highlights an arbitrary prominence. The castle on the big basalt rock that
|
||||
sat at the mouth of the river overshadowed the whole scene, as it did the whole town, black and green and grey,
|
||||
all angles and planes of fissured and fallen stone and ancient battlement. The silver meander of the river
|
||||
snaked between the tall buildings, each one an unmistakeable landmark, the old Ballantyne's distillery and its
|
||||
high retort tower, the old tenements on River Street, the big gasometer. All of the old companies had their
|
||||
names and insignia neatly done in exaggerated emphasis. The Latta shipyard, closed in the fifties. Carden's
|
||||
engineering, down in the sixties. McMillan's forge, a late survivor that finally fell its length in the
|
||||
eighties. The old glass factory that still stood but nobody living remembered bustling. The dye works that had
|
||||
used the soft river water for global success before synthetics knocked it on the head. All of them remembered on
|
||||
the heritage wall. A history of boom-times past.</p>
|
||||
|
||||
<p>"It's good."</p>
|
||||
|
||||
<p>"Sure it's good," she agreed. "It's a history lesson, but that's what they wanted. I argued that we should be
|
||||
looking to the future. Put in a couple of heliports. A rocket pad. A touch of pizzazz, inject some damned <em>ambition</em>."
|
||||
</p>
|
||||
|
||||
<p>"Or you could put in the call centre, the supermarket, Ferguson's scrap yard and the Corrieside team shooting up
|
||||
and drinking superlager and buckfast tonic wine."</p>
|
||||
|
||||
<p>"Oh, we are a true cynic this sunny day." She gave him a quick squeeze, more friendly than anything else. "What's
|
||||
up?"</p>
|
||||
|
||||
<p>"I've got to go in later on. Andy Kerr wants to talk to us."</p>
|
||||
|
||||
<p>"Is this the big crunch?" She pulled back and looked up at him, shading her eyes from the sun. </p>
|
||||
|
||||
<p>"Same for Don and Jed. Sproat's called a mass meeting at the distillery, no surprise."</p>
|
||||
|
||||
<p>She pointed to the long street-art mural. "I'll have to red ring the distillery and the dairy now, how our town
|
||||
<em>used </em>to work. In the good old days. What do you plan to do?"</p>
|
||||
|
||||
<p>"Let's wait and see what Andy says. We might have some time left. After that, well I've got a couple of ideas
|
||||
that I'm still kicking around in my head."</p>
|
||||
|
||||
<p>He couldn't tell her any of them. Nor anyone, yet.</p>
|
||||
|
||||
<p>"I hope they still include getting your degree."</p>
|
||||
|
||||
<p>He gave a short laugh. "Don't nag. Sure, I'll go for it, but it's time I branched out. I'm thinking of setting up
|
||||
on my own."</p>
|
||||
|
||||
<p>"Doing what?"</p>
|
||||
|
||||
<p>"Observing the two golden rules for success."</p>
|
||||
|
||||
<p>"And they are?"</p>
|
||||
|
||||
<p>"Don't tell people everything you know."</p>
|
||||
|
||||
<p>"What's the second one?"</p>
|
||||
|
||||
<p>He clapped an arm round her shoulder and put a finger to his lips. For a second she wondered what he meant and
|
||||
then the penny dropped and she elbowed him in the rib.</p>
|
||||
|
||||
<p>"Oh, big secrets now? Well, things don't look as if they could get much worse."</p>
|
||||
|
||||
<p>A couple of the kids across the street turned round to watch them and she moved herself out of his grasp, almost
|
||||
imperceptibly, making it casual. The children were dressed, despite the sun, in coveralls and rubber boots, and
|
||||
the multi-coloured splashes showed this had been a well thought precaution. </p>
|
||||
|
||||
<p>"Like you say. We're living on history and nostalgia, hanging on to the past when we should be fixing things for
|
||||
the future. Our Mike should breeze his highers and there's enough on place to see him to his honours if he wants
|
||||
to go the distance, so that lightens the load a bit. I can do whatever I want."</p>
|
||||
|
||||
<p>"I agree, Jack Lorne. You can do <em>absolutely</em> anything you want. I've told you that before."</p>
|
||||
|
||||
<p>"Ye of plenty faith. No, what I meant is that this might be the best thing that's happened to me. Sometimes you
|
||||
need a kick in the backside."</p>
|
||||
|
||||
<p>"Or you need to hit bedrock."</p>
|
||||
|
||||
<p>"That too. Look at this place." He pointed at the heritage wall, whitewash bright, brilliant with acrylic colour
|
||||
that was somehow too day-glow to be a true depiction of the old town, as if an alien sun gave it a chromatic
|
||||
boost. He moved his finger up and down, shooting off at the old company signs. "Closed. Closed. Shut. Bust. Gone
|
||||
away. Receivership. Closed. Shut."</p>
|
||||
|
||||
<p>"My my, Mr Lorne, we <em>are </em>pessimistic."</p>
|
||||
|
||||
<p>"No, just realistic, and just waking up to it. We have to turn this around or we'll be living in a ghost town.
|
||||
You're lucky there's a wall still standing for you to paint on."</p>
|
||||
|
||||
<p>"That was touch and go. They were set to rip this down before we got the grant."</p>
|
||||
|
||||
<p>"Anyway, I'm working something out."</p>
|
||||
|
||||
<p>"Ah, ze <em>beeg</em> secret." She elbowed him in the ribs. "And I hear you've got more secrets. I hear you made
|
||||
it big with two blonde bimbos."</p>
|
||||
|
||||
<p>"You hear wrong." He felt his face redden. The guys knew he had a thing for Kate. He just hadn't pushed it, not
|
||||
while he was still delivering milk in the mornings. Maybe it was pride.</p>
|
||||
|
||||
<p>"Not wrong. My sources are impeccable. Astrid and Britt, something like that?"</p>
|
||||
|
||||
<p>"Ilse and Ingrid," he said and she laughed again. She had suckered him so easily. </p>
|
||||
|
||||
<p>"Big tits, long legs, <em>sveedish</em> accents, helium brains. And two of them? A bit ambitious, Jack the lad,
|
||||
or are you ambidextrous?"</p>
|
||||
|
||||
<p>"Tempted, but I didn't go the distance."</p>
|
||||
|
||||
<p>"Oh, you <em>vonted to be alone?</em>"</p>
|
||||
|
||||
<p>"I needed some time to myself. Give me a break."</p>
|
||||
|
||||
<p>"You think Gus Ferguson will give you a break?" She kept her hands over her eyes and fixed on him, suddenly
|
||||
serious. "You have to watch yourself."</p>
|
||||
|
||||
<p>"Jesus! Does everybody in the whole town know about that? I was just helping a mate."</p>
|
||||
|
||||
<p>"I know you were. Come on Jack, it's not New York. You're better known than you think. Everybody knows what they
|
||||
did to Donny, and what Don Watson knows, everybody knows. He's a mobile phone on feet. He should carry a bell
|
||||
and shout <em>oyez</em>."</p>
|
||||
|
||||
<p>She was still holding his eyes with her own. "I do mean it though. You watch yourself."</p>
|
||||
|
||||
<p>"My uncle told me that already."</p>
|
||||
|
||||
<p>"Well listen to him. You don't get to that old fox's age without having some brains." She slipped a hand round
|
||||
and gave him a quick and surreptitious hug, maybe a gesture of solidarity, but it felt like more. She smelt of
|
||||
paint and turpentine; faint flowers and hot woman sweat and if the kids hadn't been watching he might just have
|
||||
tried a response, tried a try, but it was still the middle of the day. She patted his backside, squeezed a
|
||||
tease. </p>
|
||||
|
||||
<p>"Back to work, some of us have to. You go find out whether you're on the dole or operating secret plan number
|
||||
one."</p>
|
||||
|
||||
<p>She started to cross the road and was half-way to the kerb when she turned. "Come down to the corner at five and
|
||||
I'll treat you to a coffee. Deal?"</p>
|
||||
|
||||
<p>"Wish I could, but we'll have some things to chew over, me and the boys. But I was thinking of going to Stirling
|
||||
tomorrow to watch Jed on the stock circuit. Want to come?"</p>
|
||||
|
||||
<p>"And watch macho loonies smash metal?"</p>
|
||||
|
||||
<p>"If you want to go up by Creggan way, I'll buy you an ice cream."</p>
|
||||
|
||||
<p>"You know the way to a woman's heart, you smoothie." She laughed and added more light to the day's aggregate.
|
||||
"You're on."</p>
|
||||
|
||||
<p>He held up a thumb and waited until she picked up the brush again and slashed another clear green line, no
|
||||
hesitation, no pondering, as if she had the complete picture all in her head. He knew she most likely did. </p>
|
||||
|
||||
<p>He wished <em>he</em> had.</p>
|
||||
<hr />
|
||||
<p>Andy Kerr had a face like granite, grey and rough, matching his hair. It was amazing what a couple of months on
|
||||
the edge could do for a man. Whether his cousin Billy had been a chancer or a thief, it made no difference. The
|
||||
walls were closing in on all sides. </p>
|
||||
|
||||
<p>"I won't lie to you guys," he said. The stress made him hoarse. "It's not looking too clever."</p>
|
||||
|
||||
<p>"Is our national insurance paid?" The demand came from the back for the group. Jack turned to look. It was a
|
||||
legitimate question, sure enough, but a bit early in the day. </p>
|
||||
|
||||
<p>"Hear the man out first," he said. </p>
|
||||
|
||||
<p>"No, Jake, that's fair enough. You've all got a right to know. You're right. We discovered a discrepancy in the
|
||||
national insurance contributions," He nodded to Jake who had helped him go through all the books in the past
|
||||
couple of weeks. "but I've been on to the Inland Revenue and that's all been taken care of. So no matter what
|
||||
happens here, you are all up to date. That's a personal guarantee from me."</p>
|
||||
|
||||
<p>"I was just saying...." the man at the back piped up, embarrassed now. Andy was known to be straight, no
|
||||
matter what folk thought of his slimy cousin Billy. The rest of the guys shooshed him to silence. </p>
|
||||
|
||||
<p>"Right, let's get down to business, so much as it is. I have to raise a hundred thousand minimum in six weeks,
|
||||
pure and simple as that. Sproat wants me off the ground so he can sell it and the lease is up for renewal. I
|
||||
still have the option, but everybody knows he wants the ground and it's a big hike, so for the next little
|
||||
while, I'll be trying to get some backing, and Jim McGuire will be running the show on a day to day basis."</p>
|
||||
|
||||
<p>Andy wiped his face with a dry hand, flattening out wrinkles on his brow that seemed to have sneaked up and dug
|
||||
furrows overnight. </p>
|
||||
|
||||
<p>"But we still have the problem of the contracts. They're cutting the price to the bone and the farmers can't
|
||||
operate at that level. My guess is that if we can't squeeze a couple of points, some of them will go over to
|
||||
barley and potatoes and cull the herds. Under the circs, it's a real bastard, so I'm not going to bullshit you.
|
||||
Things are <em>not</em> looking hunky dory. Not good at all."</p>
|
||||
|
||||
<p>"Tell us straight Andy, are we in a job or out?"</p>
|
||||
|
||||
<p>"You're in for six weeks, but not all of you. I've got a choice to go on short time, or short staff, and short
|
||||
time just won't work. I have to lose half of you as of now."</p>
|
||||
|
||||
<p>"That's twenty men."</p>
|
||||
|
||||
<p>"Men <em>and </em>women," one of the girls chipped in, making the point, as if it mattered.</p>
|
||||
|
||||
<p>"Twenty. For the time being. If we survive this and pick up, then I'll do my best to bring you back. If we don't,
|
||||
then there's no point in talking about it."</p>
|
||||
|
||||
<p>"Who's the twenty?" Big Trevor Hannah wanted to know now. Everybody was angry and worried and some were scared
|
||||
more than a little. </p>
|
||||
|
||||
<p>"I could do last in-first out, but I won't. I need Jim, Fergus McCann on the bottling, Sally on the phones and
|
||||
paperwork. George and Bill on the tankers, but only for two weeks or so because we're giving them up and I'll
|
||||
get a lease deal on old stock. I need two deliverymen door-to-door and two bulk. A couple of others. What I've
|
||||
done is put the names in a hat, for apart from the key people, I'm not going to say who's out and who stays.
|
||||
It's only fair."</p>
|
||||
|
||||
<p>Jack had no quarrel with that and hoped nobody else had. He'd find something to pay the bills and hit the books
|
||||
hard. And in his mind he was out of here, on to the next plan. On to the first real plan in his life. </p>
|
||||
|
||||
<p>He made it to the bank just before it closed, trying to shake off the hollow sensation of disquiet that had
|
||||
transmitted itself from the rest of the dairy people. He could only empathise, soak up their anger and
|
||||
apprehension. Most of them had worked nowhere else but the dairy, and all of them would have a hard time getting
|
||||
something new. It had always been a job for life. Dairies and distilleries, they never closed, did they? You
|
||||
left school, you got a job when one was going, and you stuck to it and it saw you through. That was the way it
|
||||
was. <em>Used</em> to be.</p>
|
||||
|
||||
<p>Now, it was all changed.</p>
|
||||
|
||||
<p>He had the passbooks with him, jammed in the back pocket of his chinos, and he had decided not to waste any time.
|
||||
He'd seen all this coming and he had to pick himself up, move right along. No time to lose.</p>
|
||||
|
||||
<p>Janey Cooper, Jed's cousin was behind the counter in the bright building society, all glass and wood and red
|
||||
corporate blazers. She gave him her usual big smile and he handed over a wad of notes and the book. Getting the
|
||||
money out of the bank had been a matter of moments. In, out, and years of savings were wedged into his front
|
||||
pocket. When you thought about it, it didn't amount to a hell of a lot, but then again, he'd had other things to
|
||||
do with his cash. </p>
|
||||
|
||||
<p>"I want to make this a joint account," he told Janey. </p>
|
||||
|
||||
<p>"Oh really? Is there something I should know?"</p>
|
||||
|
||||
<p>"Yeah. I've met a really nice boy and we're moving in."</p>
|
||||
|
||||
<p>Her eyes widened in disbelief, saw he was kidding and went along with it.</p>
|
||||
|
||||
<p>He handed over the little form he'd filed in and she changed the passbook without demur. He was well enough known
|
||||
on River Street.</p>
|
||||
|
||||
<p>He could have gone back along through the town, but word would be out by now and he didn't want to face all the
|
||||
people who would clap him on the back and condole.</p>
|
||||
|
||||
<p><em>Your friends all come running, clap you on the back and say....</em></p>
|
||||
|
||||
<p>Not please. Not this time. They say sorry mate, something will turn up. Tough break.</p>
|
||||
|
||||
<p>He went down by the river and strolled along by the railing, watching the flow of the deep black water, swirling
|
||||
down under the low bridge. Across and downstream, the old boatyard still stood, but there were damn few Rinkers
|
||||
and Bayliners there. A couple of sea trout broached the surface and snatched at flies, and a pair of diving
|
||||
birds surfaced and scattered them and the old river went rolling right on down to the castle and to empty itself
|
||||
out into the Clyde.</p>
|
||||
|
||||
<p>You could go with the flow. You could let the flow just catch you, like Franky Hennigan and Tig Graham over by
|
||||
the water edge, side by side on a bench drinking cheap rotgut wine, lost in the current, unable to stand against
|
||||
it.</p>
|
||||
|
||||
<p>Or you could maybe find a way of going against the current, moving under your own power, haul out somewhere and
|
||||
find your feet.</p>
|
||||
|
||||
<p>Maybe, <em>maybe</em>.</p>
|
||||
|
||||
<p>He went home and his mother had heard the news. She gave him a tight hug that said it all and asked him what he
|
||||
was going to do. He said he had some things to think about. Sheena came down and told him she would light a
|
||||
candle for him and say a prayer, which was what Sheena always did in times of crisis and every other time
|
||||
besides. He ruffled her hair and then went up to the room he shared with Mike. His brother was still down in the
|
||||
supermarket, stacking shelves until he went to Uni in the autumn. Jack sat on the bed and brought out the second
|
||||
thick wad of cash.</p>
|
||||
|
||||
<p>Very methodically, he took them note by note and crumpled them up, until he had a thick, unruly ball of money. He
|
||||
jammed it in an old syrup tin he'd used as a kid to keep loose change.</p>
|
||||
|
||||
<p>At Aitkenbar Distillery, a fair crowd had formed around the gatehouse, muttering the way they do when they're not
|
||||
happy and unsure of what to do next. Disorganised dismay. </p>
|
||||
|
||||
<p>Alistair Sproat was less blunt than Andy Kerr had been, but everybody knew he hadn't been just as honest. He
|
||||
flanked himself with a couple of the suits from the offices and James Gilveray who headed the customs post,
|
||||
while the rest of them faced him in the canteen, stacked in rows on plastic chairs. Everybody was there,
|
||||
coopers, bottlers, the maltmen and distillers, three forklift drivers and the barrel rollers who did everything
|
||||
from that to slungeing out the mash bins and scaring the seagulls from the roof. </p>
|
||||
|
||||
<p>Donny Watson sat listening to the Sproat drone on, watching Gilveray survey them all as if he expected them all
|
||||
to be leaving with a dozen bottles down the legs of their overalls, which, considering the state of things,
|
||||
wasn't so far fetched. Gilveray would be just fine and dandy, because come what may, he was just a civil servant
|
||||
and they'd squeeze him in somewhere else. He treated every drop of whisky as if it was from his own personal
|
||||
hoard and like every boss in a uniform he could be a mean-minded bastard. </p>
|
||||
|
||||
<p>"We're gathered here today," Sproat had started and some of the coopers had laughed at that, even though there
|
||||
was nothing much to laugh at. "Because there are great changes in the air, and it's best for me to tell you
|
||||
about them personally. It's a great opportunity for Aitkenbar to progress and diversify, and frankly, it will be
|
||||
a great wrench to me in a personal way, having grown up in this business, here in Levenford."</p>
|
||||
|
||||
<p>There was plenty more of the same and the upshot was that Sproat was moving on and up, investing his money in
|
||||
designer drinks and to finance that, well Aitkenbar and Dunvegan distilleries had to go. A team of the maltmen
|
||||
had come down from the little distillery on the far edge of the Isle of Skye, a handful of angry workers who had
|
||||
travelled two hundred miles to be told it wasn't worth their while going back up north again. Their shop
|
||||
steward, Donald Munro stood with his shoulders hunched and his arms folded, glowering like the Cuillin Ridge on
|
||||
a November day and muttering under his breath. He'd have to take the word back up to Skye that two hundred years
|
||||
of history was washed up and washed out with this tide. </p>
|
||||
|
||||
<p>Mac's bar was full at five, full of long faces and wall-to-wall resentment, but the beer was going down fast
|
||||
enough, faster than it ever did at this time in the afternoon. </p>
|
||||
|
||||
<p>"Jack Lorne, meet Donald Munro," Donny did the introductions. </p>
|
||||
|
||||
<p>"Too many Donalds here," the big islander said. "You call me DJ."</p>
|
||||
|
||||
<p>He was drinking dark single malt and that figured, seeing he had grown up with the stuff up there on Skye where
|
||||
the water ran though miles of peat and turned the whisky a rich tawny dark. Jack wasn't in the mood for a big
|
||||
drink, but solidarity was a great primer and, well, it seemed the thing to do under the circumstances. </p>
|
||||
|
||||
<p>Now he knew he should be drinking coffee, but it was still hot in Mac's and he thought he'd keep an eye on Donny
|
||||
who was making a short-term career of getting drunk. Ed Kane matched him drink for drink and while he was a good
|
||||
couple of stone lighter, he could hold it a whole lot better. Jack remembered he'd offered to give them a hand
|
||||
against Cullen and Foley. He'd a steady look in his eye then and now. Tough. A good man at your back.</p>
|
||||
|
||||
<p>"Me? I'll get a job somewhere. They always need people to roll barrels and drive a fork-lift."</p>
|
||||
|
||||
<p>"That's very good for you," DJ said solemnly. His full black beard made him look ten years older than thirty.
|
||||
"But up at Dunvegan, there's nothing at all, at all. "</p>
|
||||
|
||||
<p>"I heard about the cheese plant," Jack put in. "That was a shame. It's happening all over, especially with
|
||||
ScotMilk taking everything over."</p>
|
||||
|
||||
<p>"That was the problem. It's my cousin's place and he's facing a hard wall, I can tell you. They said it was too
|
||||
far to collect the milk and cancelled the contract and now he's left with a herd of five hundred pure jersey
|
||||
milkers he'll have to put to market if something doesn't come up. The cheese market's never big enough to use it
|
||||
all."</p>
|
||||
|
||||
<p>DJ lifted his whisky and looked at the lights though the dark amber.</p>
|
||||
|
||||
<p>"It's like the highland clearances all over again. It's true what they say. Human beings are worth less than
|
||||
damned sheep."</p>
|
||||
|
||||
<p> "You're right," Ed Kane came in. "What Sproat's doing to this town is a pure crime. Flattening the place and
|
||||
making a shopping centre car park. That'll be forty shelf stacking jobs paying peanuts."</p>
|
||||
|
||||
<p>Jack hadn't been there, but he'd heard the gist of it. Sproat had told them the new closing date was in two
|
||||
months time, but they would all be getting a special presentation bottle of the last historic blend of the
|
||||
finest whiskies made at both distilleries, a one-off bottling that would be a historic occasion.</p>
|
||||
|
||||
<p>"I think we should strike," DJ said in his measured island tones, "and fuck the smarmy bastard. It's well seen
|
||||
what he's up to. Same thing happened at Corrievreckan when it closed. They took every barrel from the warehouse,
|
||||
almost all of it twenty years old and they made a special presentation box. There was a huge demand for it from
|
||||
collectors all over the world, because it was the last whisky ever to come out of there. I heard they were
|
||||
selling it for a hundred a bottle."</p>
|
||||
|
||||
<p>"They must be crazy paying that," Ed said, but that was understandable, because most of the boys at Aitkenbar
|
||||
came out almost every night with a thin sauce bottle of the finest blends and malts stuffed down the legs of
|
||||
their overalls and they never paid a penny for it. The Angels' share.</p>
|
||||
|
||||
<p>"Well, I say we shouldn't let him away with that. We should get everybody on strike and picket the place."</p>
|
||||
|
||||
<p>"What good would that do?" Donny's face was red with the heat and the drink. His bruises were healing well.
|
||||
"There's too many women on the lines anyway. They never strike."</p>
|
||||
|
||||
<p>"It's time we did something," Jack said. "He's screwing you lot and killing the dairy. That's too much power in
|
||||
one man's hands."</p>
|
||||
|
||||
<p>"Did something," Donny demanded truculently. "Like what?"</p>
|
||||
|
||||
<p>"It's time we went into business for ourselves."</p>
|
||||
|
||||
<p>"And what business would that be?"</p>
|
||||
|
||||
<p>"The success business."</p>
|
||||
|
||||
<p>She picked him up at two in the little red Volks. He had waited in the corner caf\u0061, going over the stories
|
||||
in the Levenford Gazette. Blair Bryden, who ran the paper had got the stories right, and he'd made a good, if
|
||||
subtle attempt in his leader column.</p>
|
||||
|
||||
<div class='block'>It is time to call a halt to the old decline and the new rush to destroy the past.</div>
|
||||
|
||||
<div class='block'>The only thing we learn from history is that we do <span class='noital'>not</span> learn from
|
||||
history. The
|
||||
closure of two vital facets of the community will have a devastating effect.
|
||||
</div>
|
||||
|
||||
<div class='block'>It is also time for men of good will, of good standing, to look upon their responsibilities and seek
|
||||
to
|
||||
repay the loyalty and the profits they have received in abundance from this town and its people.
|
||||
</div>
|
||||
|
||||
<div class='block'>As for our civic leaders, it is in their hands to help prevent such a catastrophe in a town already
|
||||
hit by a
|
||||
succession of closures. In the interests of the young, they should examine what powers they can bring to bear to
|
||||
do right by the people who vote them to office. And then they should use those powers for the good of all.
|
||||
</div>
|
||||
|
||||
<div class='block'>In destroying the past, we jeopardise the present, and we endanger the future.</div>
|
||||
<p>Jack had smiled. It was easy to read between those lines, but it was a triumph of hope over experience to expect
|
||||
Jamieson Bell or any of his snout-in-the-trough burghers to go against Sproat and his old money. Jack remembered the
|
||||
old saying. A good politician stays bought, and that lot were right in the cash-bag with the draw-string tight.</p>
|
||||
|
||||
<p>It was good of Blair to give it a try, stand up and be counted, rather than taking the free whisky Sproat sent out to
|
||||
anybody he thought he could hook. It was good, but it was only words. What they needed was some action.</p>
|
||||
|
||||
<p>Kate pumped the horn and got his attention. He crossed and got in the passenger side. They talked of a few things on
|
||||
the way north, with the sun flashing stabs of pure light through the tall sycamores that lined the shore road
|
||||
towards Arden, and then they were on the high road that curved inland and then came out at Creggan, a small village
|
||||
at the end of the picturesquely rugged peninsula that jutted down into the sunlit estuary.</p>
|
||||
|
||||
<p>She pulled in at Julio's caf\u0061 and they had a fine Italian coffee, watching the waves lap the smooth rocks. She
|
||||
bought
|
||||
him a piece of millionaire's shortcake and the irony of that made him laugh. It was rich and sweet. He might not be
|
||||
getting too much of that in the near future.</p>
|
||||
|
||||
<p>"Not good news then?" She had finely tuned antennae. He shrugged. He'd been thinking all the way down the line. </p>
|
||||
|
||||
<p>"Some people got upset. They've been there longer than me and they'll be on the dole a long time, them and the
|
||||
Aitkenbar crowd. It's really a shame."</p>
|
||||
|
||||
<p>"So what's your plan?"</p>
|
||||
|
||||
<p>"A big Swedish guy says I can come and work on his boat any time."</p>
|
||||
|
||||
<p>"<em>That's</em> the big plan?"</p>
|
||||
|
||||
<p>"I'll speak to him anyway. It could be something new."</p>
|
||||
|
||||
<p>"And what about your degree?"</p>
|
||||
|
||||
<p>He shrugged again. There were some things he couldn't say. Kate shook her head. "So really, what will you do?"</p>
|
||||
|
||||
<p>"I'm going to develop anti-gravity, so I can pull myself up by the bootlaces. That's the trick. Everybody can do it.
|
||||
All you need is an idea, create a demand, find a supply, screw the competition, beat the tax-man."</p>
|
||||
|
||||
<p>"And you can do all of this on a boat?"</p>
|
||||
|
||||
<p>He laughed aloud and the old biddies having their afternoon tea turned round, curious. </p>
|
||||
|
||||
<p>"You never know."</p>
|
||||
|
||||
<p>She slapped his arm and told him to get serious, but he didn't want to talk about it any more. He steered the
|
||||
conversation away. </p>
|
||||
|
||||
<p>The ice-cream was the best Kate had tasted, so she asserted.</p>
|
||||
|
||||
<p>"You are a super smoothie," she said as she licked a circle round it, savouring it right down to the wafer. They had
|
||||
taken a walk on the south side of Creggan strolling along the path on the high red cliffs that overlooked the sunlit
|
||||
reach, and he'd already decided to give the stock-racing a miss. He wouldn't dare tell Jed, or Neil who was a
|
||||
mechanical magician, but today, this was better than watching the boys. He needed the quiet, to think and
|
||||
reflect.</p>
|
||||
|
||||
<p>They sat for a while, watching the gannets wheel and dive, folding their wings back into cruciform shapes to spear
|
||||
into the water, graceful lances. Out on the firth, a few sleek yachts caught the breeze and billowed their
|
||||
spinnakers, puffed with pride and money. Over close to the Creggan pier wall, a couple of the usual suspects on
|
||||
jet-skis buzzed the shore, irritating wasps.</p>
|
||||
|
||||
<p>The air was clean and fresh, with that tang of bladderwrack and kelp and everything else that makes the sea. He sat
|
||||
at the edge, peering down the straight hundred feet to the rocks below, while she warned him to beware, concerned
|
||||
he'd be too careless.</p>
|
||||
|
||||
<p>"That's what I want," he said. She eased closer, nervous of the height. He slipped an arm round her shoulder and she
|
||||
went along with it, leant a little closer. Down below, half inside the natural harbour formed by the jutting red
|
||||
sandstone wedges, a big Moody forty-footer lay at anchor, sail furled, streamlined, like a fast fish that could
|
||||
suddenly flick and be gone in a surge. A couple of people sunbathed on deck.</p>
|
||||
|
||||
<p>"You want a boat?"</p>
|
||||
|
||||
<p>"If you can afford that boat, you've got the freedom to do what you want. That thing will take you round the world.
|
||||
You could keep going forever and never have to stop."</p>
|
||||
|
||||
<p>"Sounds like you want to escape."</p>
|
||||
|
||||
<p>"Don't you?"</p>
|
||||
|
||||
<p>She turned to face him and the sun lit emeralds in her eyes.</p>
|
||||
|
||||
<p>"Travel maybe, keep on going if you like, but not escape."</p>
|
||||
|
||||
<p>"I suppose you're right. Escape isn't the answer."</p>
|
||||
|
||||
<p>"What is?"</p>
|
||||
|
||||
<p>He tapped his temple. "You have to escape in here. Free yourself up."</p>
|
||||
|
||||
<p>She smiled, slipped a hand round his waist, just a gentle touch, but it made him feel okay.</p>
|
||||
|
||||
<p>"You're free to do what you want, Jack Lorne. I told you that before. There's nothing you can't do if you put your
|
||||
mind to it. I'm a good judge of character."</p>
|
||||
|
||||
<p>"I'd take that as a compliment, if I had a character to judge." He eased her to her feet, pulled her back from the
|
||||
edge. "I just have to get out of the way of thinking that other people control my life. Once I do that, it's
|
||||
anti-gravity. Only one way, and that's up."</p>
|
||||
|
||||
<p>Further along, a narrow trail led an easy way down to the sea level. She held his hand all the way, trying not to
|
||||
slip on the dry earth, and when they reached the bottom, he walked along by the water, skipping the flat stones,
|
||||
while she hunted for pieces of shells and water-smoothed rocks. She had an artist's eye.</p>
|
||||
|
||||
<p>Ahead of them, the tall spar of the big yacht pendulumed slowly in the rising tide, the hull hidden by the big line
|
||||
of house-sized rocks that pushed out into the firth. He made his way up onto the boulders and followed the line
|
||||
out.</p>
|
||||
|
||||
<p>She had razor shells and a big gannet feather when she joined him out at the edge. A hundred yards out, somebody in a
|
||||
wet-suit was diving down in the clear green depths, sending up a shoal of bubbles. The drone of the jet-skis got
|
||||
louder as the riders scooted out from Creggan. </p>
|
||||
|
||||
<p>"If you had a boat, where would you go?"</p>
|
||||
|
||||
<p>"Out to sea," he said. She punched his shoulder.</p>
|
||||
|
||||
<p>"Don't get smart, smartass. Anyway, I can't join you. I've got things to do."</p>
|
||||
|
||||
<p>He raised an eyebrow, waiting.</p>
|
||||
|
||||
<p>"We're trying to set up an organisation to protect the harbour. I spoke to a few friends and we have a constitution
|
||||
going. Charter 1315, we'll call it."</p>
|
||||
|
||||
<p>"Catchy name."</p>
|
||||
|
||||
<p>"You think? That's the year after Bannockburn, when Bruce gave us the Royal Charter, made the town a real Burgh, and
|
||||
gave the river and everything on it to the people."</p>
|
||||
|
||||
<p>"Sure, I remember. I went to school too. Don't let the unemployment fool you."</p>
|
||||
|
||||
<p>She punched again, gentler now.</p>
|
||||
|
||||
<p>"Sproat wants to dump those old buildings in the harbour inlet and reclaim land, which is sheer vandalism. It's going
|
||||
to destroy our heritage."</p>
|
||||
|
||||
<p>"It will get him another three prime acres and make him a couple of million. That way he gets to build his new spirit
|
||||
distillery and wipe out Donny and Ed, kill off Andy Kerr's business and screw up a lot of good honest working
|
||||
people."</p>
|
||||
|
||||
<p>"But if we can show that the harbour really belongs to the people, we could try to stop him filling it in. And then
|
||||
the mall developers won't see it as such a good proposition."</p>
|
||||
|
||||
<p>"Sounds like a plan," Jack conceded. "But you won't be able to take Sproat on, not without money. A whole lot of
|
||||
money. It's the only language these days."</p>
|
||||
|
||||
<p>"And I thought you were a scrapper, Jack Lorne. We plan some fund raisers to...."</p>
|
||||
|
||||
<p>Jack was suddenly on his feet. "What the hell are they doing?"</p>
|
||||
|
||||
<p>She was stopped in mid sentence. He stepped forward on the big rock, looking out at the water. The two jet-skis left
|
||||
froth trails behind them, each weaving past the other, both skittering fast on the surface. The engines whined like
|
||||
hornets.</p>
|
||||
|
||||
<p>"Jesus!" Jack was waving his arms now. He bawled out a warning.</p>
|
||||
|
||||
<p>Out there where the shore sloped away into the depths, the line of bubbles showed where the diver was getting close
|
||||
to the surface.</p>
|
||||
|
||||
<p>"Fucking idiots," Jack said, almost snarling. Kate had never heard him swear. She was up beside him, shading her eyes
|
||||
against the glare.</p>
|
||||
|
||||
<p>Whatever prescience he had, Jack saw it before she did, saw it before it happened. The nearest speeder came in close
|
||||
to the jutting point, hopping across the troughs. The kid on the back was howling arrogance. His pal tried to catch
|
||||
up.</p>
|
||||
|
||||
<p>Jack was moving, running across the uneven rock.</p>
|
||||
|
||||
<p>The jet ski hit the surfacing diver with such a thump they heard it twice when the echo threw it right back from the
|
||||
high cliff.</p>
|
||||
|
||||
<p>"Oh my god," she blurted.</p>
|
||||
|
||||
<p>He was off, sprinting for the edge. She followed, keeping to the flat sandstone, watching him move, shirt pulling out
|
||||
from his jeans, feet thudding on stone. The jet skis veered away, seemingly unaware of what had happened, though the
|
||||
boy couldn't have failed to notice. He didn't even look back. A patch of pink tinged the water out from the
|
||||
point.</p>
|
||||
|
||||
<p>Jack dived, no change of pace, no hesitation, a long, low arc, out and down and he was under. She saw the splash and
|
||||
hurried to the edge. The diver was just a dark shape in the water, not moving. Jack reached him in twenty seconds,
|
||||
got an elbow round the swimmer's chin, hauled for the low shore on the lee of the rocks. It took him ten minutes of
|
||||
hard struggle to drag both of them to the shingle and he stopped just on the waterline, shoulders heaving, lungs
|
||||
hauling.</p>
|
||||
|
||||
<p>She ran for them and got down beside the diver, flipping off the mask.</p>
|
||||
|
||||
<p>A bright stain of blood pulsed from a gash high on the crown, blurted through the wet fair hair. He was only a boy,
|
||||
sixteen maybe, not much younger than Michael, deadly pale. His eyes were rolled up, showing whites. The breather
|
||||
mask hung uselessly where it had been torn free.</p>
|
||||
|
||||
<p>Jack got himself to his elbows and knees and flipped the boy on to his side while she loosened the suit. He pushed
|
||||
him onto his face and started to press his weight under the shoulderblades. Water trickled from pallid lips.</p>
|
||||
|
||||
<p>"Come on, son. Come <em>on.</em> Give it a go."</p>
|
||||
|
||||
<p>He pushed again, harder this time, got no response and flipped the sagging youngster back over, grabbed his nose and
|
||||
breathed into him.</p>
|
||||
|
||||
<p>He felt the reaction and pulled back. The boy spasmed, every muscle trembling like a taut wire, coughed hard and a
|
||||
gout of seawater just missed Jack's face.</p>
|
||||
|
||||
<p>Over by the rocks people were shouting. Jack rolled the youngster back on his face and pushed on the ribs, forcing
|
||||
him to lie still, helping ease the rest of the water out. The eyes were still wide and blank, but at least the kid
|
||||
was breathing again.</p>
|
||||
|
||||
<p>A man with iron grey hair came pounding up.</p>
|
||||
|
||||
<p>"Jason. Dear God, <em>Jason</em>." They could hear the dread in his voice. A woman was not far behind, screaming her
|
||||
son's name.</p>
|
||||
|
||||
<p>The boy was suddenly violently sick, just as his parents scrambled down on the shingle to get their hands to him.</p>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
734
build/Full Proof/OEBPS/ch05.xhtml
Normal file
734
build/Full Proof/OEBPS/ch05.xhtml
Normal file
@ -0,0 +1,734 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>5</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>5</h1>
|
||||
|
||||
<p>Alice Lorne asked the same question Kate had. Jack shrugged and told his mother he had some plans, but he was in no
|
||||
big rush.</p>
|
||||
|
||||
<p>The new building society passbook lay open on the table between them, both their names on the inside cover, and they
|
||||
had the kitchen to themselves.</p>
|
||||
|
||||
<p>They faced each other, drinking sweet, strong coffee. Sheena was upstairs playing bimbo music on her CD and Michael
|
||||
was stacking shelves at Safeway. </p>
|
||||
|
||||
<p>"Are you sure about this?" Alice held up the booklet and the bright plastic card. </p>
|
||||
|
||||
<p>"Sure I'm sure. I have to get a few things sorted out, and Mike, well, one of the Lornes has to end up a job that
|
||||
needs a suit."</p>
|
||||
|
||||
<p>"It's a lot of money."</p>
|
||||
|
||||
<p>"Yeah, so it is and that's what it takes. That's why I put it in joint names. You can use the card to take it out,
|
||||
and keep that pin secret, okay? It's better you have it than me, because I'll just piss it away when I'm skint."</p>
|
||||
|
||||
<p>She gave him a quick flick of reproach for his language, cuffing his ear with the back of her hand, but she was
|
||||
laughing as well. She was dark, same as he was, with thick, heavy hair cut in a short bob that took years off her
|
||||
and some tiredness under her eyes that could have been age creeping up or maybe just lying awake at night worrying
|
||||
for one or all of them.</p>
|
||||
|
||||
<p>"Anyway, with what he gets at Safeway this summer, that should get him through and then he's got a chance. He can buy
|
||||
me a Bentley when he's stinking rich."</p>
|
||||
|
||||
<p>"And what will you do?"</p>
|
||||
|
||||
<p>"This and that." She'd be the last to know, he'd make sure of that.</p>
|
||||
|
||||
<p>"But you'll finish your course?" Everybody seemed to ask that these days. Too many people were pinning their hopes on
|
||||
a damned business course.</p>
|
||||
|
||||
<p>"Sure I will," he said, not sure that he meant it. This was not a time for absolute truths, no time for serious
|
||||
promises. It all depended on how things went over the next couple of weeks, and how many of the boys would come in
|
||||
on the deal that was still growing in his head.</p>
|
||||
|
||||
<p>She put a hand on his arm and he felt the warmth of her, the way he always had and she gave him a mother's look that
|
||||
didn't require too many words for what she wanted to say. He shot her a wink and clamped his hand down on her
|
||||
fingers, gave them a squeeze and that was all that needed to be said. </p>
|
||||
|
||||
<p>"I'll be here and there," he said, trading her a reassuring smile. "I have some people to see, fix a few things
|
||||
up."</p>
|
||||
|
||||
<p>Some of that was true, but he'd been fixing things up already. He'd scraped down to the bone to get things for Mike
|
||||
sorted out and he had to meet the rest of the guys later, see what they could pull together. There was some cash
|
||||
left, enough, hopefully, for what he needed. He'd beg, borrow or bully for the rest, and he'd get the boys to chip
|
||||
in to the kitty, once he brought them in. But the truth was, he'd got himself down to the essential and that was the
|
||||
best. He was stripped for action and that was the way to be for what he had planned on the long walks along the
|
||||
Creggan Cliffs and up on the crags that overlooked the town. He'd have no need of extras in the next couple of
|
||||
weeks, and maybe none in the time after that. </p>
|
||||
|
||||
<p><em>Seatbelt on when the devil's at the wheel.,</em> his grandfather had been fond of saying. </p>
|
||||
|
||||
<p>But the Stealer's Wheel song kept coming back to him: <em>You started off with nothing and you're proud that you're a
|
||||
self-made man.</em></p>
|
||||
|
||||
<p>One out of two so far. He was starting out with nothing, very nearly. </p>
|
||||
|
||||
<p>Glasgow had been sweltering hot and every now and then the thermals spiralling over the city would raise little
|
||||
whirlwinds of papers and road dust. Mothers heaved foot-dragging children, girls in tight tee-shirts wilted and
|
||||
couples drank cold beers at pavement tables and soaked it all up. Buskers baked, bakers burned.</p>
|
||||
|
||||
<p>He had been up to the city centre, dodging between the commercial offices and lawyers' branches, then along the west
|
||||
end, checking out some of the old tenement properties before doubling back down to Argyle Street to the bank and
|
||||
then up to the bus station at Buchanan Street where it cost him fifteen notes for a season ticket to somewhere he'd
|
||||
never been before. He puffed out his cheeks and bit on his bottom lip as he waited for the camera in the booth to
|
||||
click and flash and then another three minutes for the column of pictures to slide out, smelling of fix. The girl at
|
||||
the counter took the photo without looking at it and pressed it down between two sheets of plastic. </p>
|
||||
|
||||
<p>"Just show this when you want to renew," she said. </p>
|
||||
|
||||
<p>He looked at the photograph. It was just like any passport picture. It looked nothing like him. </p>
|
||||
|
||||
<p>Down on St Vincent Street the bank tellers were suffering as the air conditioning tried to cope and failed valiantly.
|
||||
The big ornate doors were wide open, wasting the cool air, and heavy women fanned themselves while perspiration laid
|
||||
flood-trails in their make-up. </p>
|
||||
|
||||
<p>"Any identification?"</p>
|
||||
|
||||
<p>"What do you need?"</p>
|
||||
|
||||
<p>"A driver's license? A passport?"</p>
|
||||
|
||||
<p>"I don't drive, and I've never been abroad," Jack said. He fumbled artlessly in his pockets. "But I have to get one
|
||||
soon. Here. All I've got is a bus pass, but it's me all right. See?"</p>
|
||||
|
||||
<p>She checked the picture and the address. "Looks nothing like you."</p>
|
||||
|
||||
<p>"I don't take a good picture," he conceded. "Camera doesn't like me."</p>
|
||||
|
||||
<p>She allowed him a smile. "Normally we need a passport, but this will be fine, I suppose. Do you want to make a
|
||||
deposit today?"</p>
|
||||
|
||||
<p>"Sure," he said. "I shouldn't keep this in a coffee jar, should I?"</p>
|
||||
|
||||
<p>The girl flashed him a bigger smile. "Heavens no, that's <em>far </em>too much." All the notes were crumpled into a
|
||||
wasp-nest wad and she separated them before flattening them out under her hand. The crumple made him look
|
||||
disarmingly na\u00EFve, and that's just how he wanted it. She started to count, still smiling and throwing him the
|
||||
occasional look that told him she didn't much care what his picture looked like.</p>
|
||||
|
||||
<p> "Look, I could get one of our advisers to have a chat about investments. This money hasn't been earning if it's been
|
||||
stuck away in a tin."</p>
|
||||
|
||||
<p>"Maybe another time," he said agreeably. "I just have to get used to the idea of somebody else holding on to it."</p>
|
||||
|
||||
<p>"Oh, we'll look after it for you. The papers will arrive with your card in five working days. And be very careful
|
||||
with the pin, won't you."</p>
|
||||
|
||||
<p>"In case I jag myself?" He made it sound truly gauche and got the expected chuckle. </p>
|
||||
|
||||
<p>"No, it's a security number. It's <em>your </em>secret."</p>
|
||||
|
||||
<p>This time he did the smiling. He had a few of those already.</p>
|
||||
|
||||
<p>The post office had been even hotter, the still dry air filled with paper dust and burlap haze. Sweating men hoisted
|
||||
big sacks non-stop, dripping down shoulderblade and armpit. The man at the hatch never looked up as he gave his
|
||||
details and signed a name he'd practiced from a receipt he and Jed had got in a car-dealer yard. The form redirected
|
||||
the mail he expected to arrive soon. All of this took three hours and he made his way slowly up towards Sauchiehall
|
||||
Street and the MacLellan Galleries, taking his time as he passed the tailors shops on Renfield Street, thinking
|
||||
about the right kinds of clothes to wear, thinking about all the other things he had to do, and wanting to be down
|
||||
in Kelvingrove Park in the sun with the fast river at his feet watching the kingfisher dive for minnows and Kate
|
||||
Delaney soaking the sun.</p>
|
||||
|
||||
<p>She had dropped him off down at the graving dock on the other side of the Clyde before the sun rose high and began to
|
||||
heat the city. It was Thursday, six days after they'd all been given the long awaited bad news and it seemed to need
|
||||
some time to sink right in. The Levenford Gazette carried a picture of angry men self-consciously glowering at the
|
||||
camera outside the distillery gates, and that was just a repetition of front page pictures from decades past. Even
|
||||
the headlines were familiar by now. It was no shock and no horror. The drama might start building up in a couple of
|
||||
months when everybody was ducking and diving for the same handful of low-pay jobs. </p>
|
||||
|
||||
<p>Kate had looked up dubiously at the ship in dry-dock, more of a boat than a ship, short, stubby and built neither for
|
||||
comfort nor speed. Nothing at all like the big Moody sailboat he'd wanted to cruise away in.</p>
|
||||
|
||||
<p>"<em>This</em> is your great idea?"</p>
|
||||
|
||||
<p>"Got to start somewhere," he said. Men were working on the propeller down there in the depths and a hot electric blue
|
||||
sizzle of an arc-welder's torch punctuated the grey below the red lead. The air smelt of oil and burning metal and
|
||||
stale brackwater. </p>
|
||||
|
||||
<p>"You'll be back in a week," she retorted with some certainty. "You can't even think about giving up the degree for
|
||||
this. I thought you wanted a real boat, not a rust-bucket."</p>
|
||||
|
||||
<p>She was on her way to the gallery where three of her oils were among a hundred new works by young local artists. He'd
|
||||
taken advantage of the fact she was heading for the city, and he told her he'd join her there after he'd spoken to
|
||||
Uncle Lars. </p>
|
||||
|
||||
<p>"A week's a long time. I might be back a lot sooner than that," he allowed. "And don't you worry about me."</p>
|
||||
|
||||
<p>She was about to respond when a figure blocked the light on the passenger side and the door yanked open. Lars Hanssen
|
||||
leaned in. </p>
|
||||
|
||||
<p>"<em>Yack!</em>" he bawled, beaming through the hair and the beard. "You feeling brave, hey?" He sounded exactly like
|
||||
a cartoon Swede should. </p>
|
||||
|
||||
<p>Kate's fingers were engulfed by the massive hand and her arm wobbled up to the shoulder joint. He was bull-broad and
|
||||
had a battered face that could have stood in for big Jimmy Cosmo in a gritty Glasgow movie. Jack was not small but
|
||||
he looked slight and boyish beside this bear of a man. </p>
|
||||
|
||||
<p>"Come and I show you my <em>Valkyrie.</em>"</p>
|
||||
|
||||
<p>"I suppose that's another blonde?" He knew she was just being arch. The name stood out clear against the black of the
|
||||
hull, and she knew her mythology too. </p>
|
||||
|
||||
<p>"You want to come on board too?" </p>
|
||||
|
||||
<p>Kate shook her head. "Another time perhaps."</p>
|
||||
|
||||
<p>The boat was well used, plate-dented and paint-chipped and strung with cables and hoists and between the bow and the
|
||||
wheelhouse was an empty well that yawned to the sky, all hatches flat back. She couldn't see a space where anybody
|
||||
could possibly sleep, unless it was down in a hold. </p>
|
||||
|
||||
<p>Jack looked down and she touched a finger to her temple, letting him know exactly what she thought of all this, then
|
||||
smiled sweetly before swinging the car back to the gates. </p>
|
||||
|
||||
<p>"You come up now and see what we can do for you," Lars said.</p>
|
||||
|
||||
<p>A few hours later, she saw him come walking down the length of the wide upstairs gallery. Here it was cool, lit from
|
||||
up on high so that fine dust motes cascaded in slow gold shimmer slides down the beams.</p>
|
||||
|
||||
<p>"My fan club of one," she said. </p>
|
||||
|
||||
<p>"Wait until they see your stuff."</p>
|
||||
|
||||
<p>"They have done. Got a couple of compliments, but that's all so far. I don't need a sale, just a show of my own."</p>
|
||||
|
||||
<p>Jack had scanned some of the rival frames on the way to the far end where the light was from the north and gave the
|
||||
best. He stopped dead when they reached the corner where her three oils huddled close together and now it was her
|
||||
turn to laugh. </p>
|
||||
|
||||
<p>"Close that mouth or the wind might change." She hooked an arm round his and leaned in, patting his shoulder. </p>
|
||||
|
||||
<p>"What do you think?"</p>
|
||||
|
||||
<p>She'd caught him three quarters on, deep in shadow, looking down from the window, a faint wash between the painter
|
||||
and subject, like dust or clouds, just easing the features out of focus, making the whole scene grainy and not quite
|
||||
distinct. The light was stolen from Rembrandt's <em>Man in Armour</em>, and the haze from Keir's <em>Ballet
|
||||
Practise</em>. </p>
|
||||
|
||||
<p>"You never told me," he finally said. She'd only sketched him one time, fast crayon on black card, strong lines, soft
|
||||
fill. </p>
|
||||
|
||||
<p>"You never asked. And anyway you'd have said no, wouldn't you?"</p>
|
||||
|
||||
<p>He nodded, leaning in. A small oblong card read: <em>Not Quite</em>, oils on canvas. Kate Delaney. </p>
|
||||
|
||||
<p>"Not quite? What's that supposed to mean?"</p>
|
||||
|
||||
<p>"Too many things to explain right now. It's you, isn't it? I like it. Close and far away, Jack Lorne. You want to buy
|
||||
it?"</p>
|
||||
|
||||
<p>"When I've got some money, sure. Then nobody gets to see it."</p>
|
||||
|
||||
<p>Neil Cleary's brother got him a mobile phone and a modem that took Jack and his brother two hours to slot into the
|
||||
old computer and rig up to the internet. Paddy Cleary could get you anything, anytime, given enough notice. Cloned
|
||||
phones, digital receivers, chipped DVD's, whatever technology you wanted, he knew somebody that could figure out how
|
||||
to make it work and by-pass the usual encumbrances, like rental or call charges. The black economy never had it so
|
||||
good. Jack put in an order for some more equipment they'd need in the next little while, confident that Paddy could
|
||||
deliver.</p>
|
||||
|
||||
<p>Jack knew his way around the web and knew what he wanted. Once Mike had gone out, he checked the little notebook he'd
|
||||
been filling in for the past week and called up a couple of sites for firms that could set up a new company on
|
||||
demand. He gave the details asked for, name, address, credit card, and after that he had seven days to wait. Time
|
||||
was moving fast in some directions and slow in others, as if he was caught in a deep event horizon round some
|
||||
gravity well that was sucking him in while he looked out. He had to work to keep a tight rein on it. The plan had
|
||||
now almost crystallised in his mind.</p>
|
||||
|
||||
<p>He went on a visit to Aitkenbar Distillery and Ed Kane recognised him right away.</p>
|
||||
|
||||
<p>Ed did a comical double-take and Jack put a finger to his lips and gave an almost imperceptible shake of his head. It
|
||||
had surprised him, but Ed was sharp enough and Jack knew he'd have to haul him right in on the game. He stood with
|
||||
his arms folded and said nothing and Jack hoped it would stay that way until he could get a hold of him and he
|
||||
wondered why he hadn't thought of him in the first place. He could have saved himself all this bother and used the
|
||||
time to better purpose. </p>
|
||||
|
||||
<p>The guide had that kind of determinedly cheerful voice that made you wonder how she could keep it up day after day.
|
||||
The crowd was from Newcastle, up on a trip to the Trossachs on a bus, doing a tour of the distilleries and the
|
||||
tartan tat outlets that sell hairy jackets and frilly shirts and effete velvet waistcoats with the kind of buttons
|
||||
clan chiefs would never be seen dead in outside a Walter Scott fantasy. Most of the tourists were old and grey and
|
||||
slow-moving as cattle but there were a handful of young couples who looked as if they'd got on the wrong coach and
|
||||
Jack was glad of them, otherwise he'd have stuck out like a sore thumb. He'd had to go through to Edinburgh and pick
|
||||
up the bus and he'd slicked his hair back with gel and borrowed Mike's glasses and still Ed Kane saw through it. He
|
||||
realised he'd have to do a whole lot better next time. </p>
|
||||
|
||||
<p><em>Good enough never is!</em> Rule number three in the ten top tips for success. It went through his head like a
|
||||
mantra and he knew he should have thought this out a little better. One wrong word and he'd be back to square one,
|
||||
or out in the North Sea with the same rank as the ship's cat, down in the bowels covered in oil and shit and
|
||||
bilgewater. </p>
|
||||
|
||||
<p><em>If better is possible, good is never enough</em>. That was the rule. Better <em>was</em>
|
||||
possible. He was running out of time and the mail still hadn't arrived. </p>
|
||||
|
||||
<p> The guide was talking away, with that cheery smile surgically on planted. </p>
|
||||
|
||||
<p> "Whisky. The name is an English corruption of the ancient name for spirits - water of life - which in Scottish and
|
||||
Irish Gaelic is <em>uisge beatha</em> and sounded to the English ear like whisky."</p>
|
||||
|
||||
<p> It was straight out of the hundred things you ever wanted to know about Scotch handbook, but the Geordies never knew
|
||||
that. They hoovered it all up in that slow, bovine-hungry senior-citizen way that needs to be fed new but pointless
|
||||
facts by tour guides, to ponderously chew, swallow and digest. </p>
|
||||
|
||||
<p> "Scotch means simply that the whisky was distilled and matured in Scotland. Whiskies are made in other countries,
|
||||
notably Ireland and Japan but whiskies they may be, and good ones even, but Scotch they are not. Scotch comes from
|
||||
Scotland."</p>
|
||||
|
||||
<p> Indeed it does, he thought. They were coming through the first long, high building and the smell of malt was
|
||||
overwhelming, like sweat-soaked towels from the team gym drying out over hot pipes. The men turning the barley with
|
||||
long flat paddles kept on, ignoring the herd as they slowly passed to the walkway above the malt kiln where the
|
||||
sprouting shoots were killed off in the slow heat and where the air clogged like treacle in the throat. </p>
|
||||
|
||||
<p>"Malt is essentially barley which has been allowed to germinate by soaking in water then has been dried by the
|
||||
application of heat." He knew she was reading this off a page in her head and it came out almost sing-song, like a
|
||||
kid repeating the nine times table. Nobody spoke in sentences like that.</p>
|
||||
|
||||
<p>"The malting process converts the stored starch into soluble compounds such as the sugar maltose and by so doing
|
||||
makes fermentation possible. Drying the malt over a furnace stops the germinating process and lacing the furnace
|
||||
with peat imparts a peaty aroma to the malt."</p>
|
||||
|
||||
<p> The English folk were fascinated. He wanted to hurry them along, with sharp sticks if necessary. The guide had it
|
||||
timed and took plenty of it, earning her money. He forced himself to be patient. This part of the plant was old,
|
||||
maybe two hundred years and more and it had no interest for him. He'd lived with the malt smell hovering over the
|
||||
town like a friend's flatulence, familiar, but still very unappealing. This process here had no interest either.
|
||||
Production would stop in a couple of weeks time and whatever came from this malting would end up in somebody else's
|
||||
warehouse, waiting to be mixed with a good smooth gain and blended for the supermarket trade. </p>
|
||||
|
||||
<p> "This indicates that the raw material is barley malt, by itself fermented with yeast and distilled in a pot still,"
|
||||
she was off and running again. The oldsters listened, sheep eyes wide and docile. "This produces a far superior
|
||||
whisky to the common grain whisky found in blends. Note however that just occasionally quality single grain whiskies
|
||||
<em>can </em>be found."</p>
|
||||
|
||||
<p> The distillation hall was different. Two massive copper stills squatted, belly broad and tapering up to the high
|
||||
ceiling. At the far end of the big hall, a modern stainless-steel contraption made the old malt stills look even
|
||||
more primitive. The flat stench had faded out when they had come through the doors and up the stairs, like
|
||||
submariners escaping through an air lock, and here the sharply sweet smell of alcohol was thick enough to tickle the
|
||||
back of the throat. </p>
|
||||
|
||||
<p> "Newly distilled malt whisky is generally a hundred and twenty degrees proof, but we double distil here and it can
|
||||
be up to a hundred and forty. That's about eighty percent by volume of alcohol which is <em>much</em> too strong to
|
||||
drink."</p>
|
||||
|
||||
<p> Jack remembered Donny Watson down at the golf course. That just about matched with what he said. He suddenly got the
|
||||
premonition that she would tell the gunpowder story and sure enough, as soon as the thought sparked in his head, she
|
||||
was fascinating the southerners with the tale. </p>
|
||||
|
||||
<p> The stillmen in white coats looked like scientists at retorts and apart from a faint hiss of steam and a steady
|
||||
bubbling from deep inside the casks, there was little action. </p>
|
||||
|
||||
<p>"The size of the batch depends on many different factors, but each distillation can be up to ten thousand
|
||||
gallons."</p>
|
||||
|
||||
<p>Somebody whistled, impressed. </p>
|
||||
|
||||
<p>"But then, of course, it's not real Scotch until it has lain in barrels for three years, and that's the minimum. All
|
||||
over Scotland, there are millions of gallons of whisky, just getting older, and better, just like fine wine and good
|
||||
women.</p>
|
||||
|
||||
<p>Another round of obedient laughter.</p>
|
||||
|
||||
<p>"And then, of course, there is the second tax on whisky. While in storage, whisky evaporates at the rate of two
|
||||
percent every year, so for a fine old malt of twenty five years, that's a lot of evaporation. But we don't grudge
|
||||
it, of course, because that's what we call the Angels Share, and what the angels take only improves the whisky."</p>
|
||||
|
||||
<p> Jack went from foot to foot, impatient to be at the far side, working out his bearings inside the distillery by
|
||||
comparison to the outside walls. He recognised several of the faces here and kept his head down, but nobody looked
|
||||
their way. They were used to having the herds shunted through here twice a day and they pretended not to notice, or
|
||||
perhaps simply didn't see them.</p>
|
||||
|
||||
<p>Finally they were through, past the filling bay where a constant stream off clear liquid was siphoned into a rack of
|
||||
barrels that came rolling along a trough, one by one, watched by two uniform customs men who took careful notes of
|
||||
the amount each barrel held before making sure the beech bung was hammered home and the barrel stamped and
|
||||
stencilled. </p>
|
||||
|
||||
<p>The bottling hall was as familiar as the dairy, miniature roller coasters where racks of bottles shunted along onto
|
||||
the shiny machines that spat golden liquid and screwed on corks, all automated apart from the labelling down at the
|
||||
far end. He kept to the back of the crowd, because Linda had some friends who worked the lines here and would
|
||||
recognise him too, but the guide hustled them through, glancing at her watch, to the decant room where the barrels
|
||||
were emptied prior to the final blend and bottle operation. </p>
|
||||
|
||||
<p>It was all steel and brass here, twisting pipes and valves in a wide room dominated by a massive central tank that
|
||||
sank below the steel-grate floor. Down below he could see the pipes lead off in parallel lines, twisting round stout
|
||||
pillars. This was what he had come to see. </p>
|
||||
|
||||
<p>"The tank holds up to fifty thousand gallons, but most blends are under thirty, especially at this time of the year."
|
||||
The guide was tiring now, and the travelogue seemed to be more hackneyed. She explained how the barrels of malt and
|
||||
grain were decanted into the tank and stirred for up to a day before being filtered and pumped out and up to the
|
||||
lines. </p>
|
||||
|
||||
<p>"And that is the end of a journey that could have taken a quarter of a century," she declared. "And the final journey
|
||||
will be in four weeks time, when the very last special bottling of Glen Murroch will be made, a sincere tribute to
|
||||
all the men down the years who have helped create something truly Scottish and truly special."</p>
|
||||
|
||||
<p>She gave them all a big grin that looked forced. Jack realised that she too would be out of work, and felt a pang of
|
||||
regret at his disparaging thoughts. </p>
|
||||
|
||||
<p>"And if you want to discover if it was all worth while, follow me to the distillery shop, where you can sample some
|
||||
of the whisky that the angels left behind."</p>
|
||||
|
||||
<p>She did a little bow and got a patter of applause and they all followed through for their sip of whisky and wedge of
|
||||
shortbread and Jack had to wait for them to make up their minds over which special blend they would scrape up the
|
||||
money for before he got out into the sunlight. He picked a ten year old in an elaborate presentation box and tucked
|
||||
it under his arm. </p>
|
||||
|
||||
<p>He stopped the coach a mile outside the town and got off, leaving the driver to wonder where he'd gone. </p>
|
||||
|
||||
<p>His uncle was delighted with the bottle. </p>
|
||||
<hr />
|
||||
<p>"What are you up to?" Ed Kane stopped him down at Gooseholm on the way to the dog-track, taking Jack by surprise
|
||||
because he'd spent the past hour looking for Ed. </p>
|
||||
|
||||
<p>"I thought it was Clark Kent when I saw you. Made you look a real four-eyed geek. So what's the score?"</p>
|
||||
|
||||
<p>"Anybody else see me?"</p>
|
||||
|
||||
<p>Ed shrugged. He was slim and wiry with knotty muscles on his arms and despite his featherweight frame, he could
|
||||
handle himself well and he never missed a trick. "How should I know?"</p>
|
||||
|
||||
<p>"Did you tell anybody?"</p>
|
||||
|
||||
<p>"Tell them what? Jake Lorne wears horn rims and brylcreem? What's the deal?"</p>
|
||||
|
||||
<p>"I mean did you. . . "</p>
|
||||
|
||||
<p>"No, man, I never told anybody. Why should I? I thought you'd get round to it. Sneaking about with the grannies, I
|
||||
had to hear it straight. Are you shagging old birds?"</p>
|
||||
|
||||
<p>"I'm meeting some of the guys tonight."</p>
|
||||
|
||||
<p>"Mac's?"</p>
|
||||
|
||||
<p>He nodded. "Me, Donny Watson, a couple of the lads."</p>
|
||||
|
||||
<p>"What for?"</p>
|
||||
|
||||
<p>"I'll tell you when we're there."</p>
|
||||
|
||||
<p>"Okay." He seemed to accept it. Jack liked that.</p>
|
||||
|
||||
<p>Neil and Jed were coming down Gooseholm Street, hands in their pockets, heads down against the lowering red glare of
|
||||
the sinking sun. Woodsmoke and grass smoke billowed down from the Cardross Hills where a bunch of wild youngsters
|
||||
had torched the gorse and heather in the seasonal burn-off, rolling a grey pall over the river flood-plain. Off in
|
||||
the distance, a fire engine siren whined its song.</p>
|
||||
|
||||
<p>They all sauntered along the path, following the line of trees and crossed over the bridge, pausing only to stop and
|
||||
lean on the railings to watch the water flow, much as they had done as kids when they came down to guddle trout from
|
||||
under the rocks or spear flounders under the deep banks. The field on the south side of the river was long and
|
||||
narrow and bounded by thick hawthorn hedges that shielded it from the road. The smell of fresh cowshit mixed in with
|
||||
the smoke and wild rose and broom flourish, oddly heady and somehow wild and primitive. </p>
|
||||
|
||||
<p>Tam and Donny were there already, mixing with the crowd in the corner. The dog-men had set up their traps and right
|
||||
off at the far end a little diesel motor chuntered slowly, feeding power to a small wheel. Two men came down the
|
||||
field, dead in centre, hauling the hare, just an old skin stuffed with straw, sorry and ragged. The greyhounds
|
||||
whined and snarled in the traps, pin-faced and anorexic, wanting to run. </p>
|
||||
|
||||
<p>Dan McGraw, who had a predictable nickname, was taking bets on the dogs, stuffing notes into a wad that could have
|
||||
served as a doorstop. A couple of runners passed from group to group doing the same thing. Gus Ferguson and his
|
||||
scrapyard crew were in a huddle around a big black dog that he kept in the yard cages and doubled up as a
|
||||
guard. </p>
|
||||
|
||||
<p>A few of the bottle men who'd been laid off along with Jack and Neil nodded condolences and came up to part with the
|
||||
cash they could little afford, but that's the way it is in these parts. Jack would have forked out five on a hungry
|
||||
black dog with unblinking eyes in trap two, because he knew Mick Haggerty the owner and he'd seen the Dozy Ray take
|
||||
a hare right up on the Longcrag straight, moving like a cheetah and snapping it clean before it had a chance to
|
||||
jink. But not today.</p>
|
||||
|
||||
<p>Tam was keeping an eye on the odds. Ferguson's beast was favourite so far, but dog races, particularly illegal ones
|
||||
like this are too easy to fix. Some egg white smeared on the balls could slow a runner down, human of canine. A long
|
||||
walk on rough ground, or a heavy meal of oats and sausage would do the same thing. You had to really look at the
|
||||
animals and see how they squared.</p>
|
||||
|
||||
<p>They had wandered around, all placing small bets with each of the bookies on a runt of a bitch that had no chance
|
||||
against the bigger dogs. Good long odds.</p>
|
||||
|
||||
<p>Jack scanned the field and eventually caught sight of Neil Cleary hunkered down beside his old van at the far corner,
|
||||
hidden behind a hawthorn bush. The bitch was draped in a hand-made coat that came down to her ankles. Jack wet a
|
||||
finger and tested the wind direction. He grinned to himself. Tam winked.</p>
|
||||
|
||||
<p>The greyhounds were buzzed, waiting for the start. Down the far end, somebody raised a white handkerchief. Out of the
|
||||
corner of his eye, Jack saw Neil whip the coat off Fanny.</p>
|
||||
|
||||
<p>Five seconds later, the breeze carried her overladen scent to the traps and the dogs started howling and twisting
|
||||
around in their cages.</p>
|
||||
|
||||
<p>The marker dropped his hand and the little petrol motor dragged the old hare, bumping and scraping across the uneven
|
||||
ground and for a moment you'd have sworn it was the real animal. The gates swung up and the dogs exploded out.</p>
|
||||
|
||||
<p>The hare streaked away in a straight line.</p>
|
||||
|
||||
<p>All the dogs veered to the right, howling, and heading for the hawthorn bush. Jack saw Neil bundle Fanny into the
|
||||
back of the van and then take off down the lane, with five snarling dogs in raunchy pursuit.</p>
|
||||
|
||||
<p>The little runt bitch, totally unaffected by whatever was carried in the wind, went straight after the hare, running
|
||||
at forty to one, and crossed the line in a grey streak.</p>
|
||||
|
||||
<p>"What the <em>fuck</em>?" Gus Ferguson's bellow came from down the field. His big black brute was leading the field,
|
||||
as he probably would have but for Fanny's compelling scent. They hit the scrubby hawthorn in a mass of yelps and
|
||||
snarls. Tam chuckled beside Jack. Neil had tied an old rag to one of the branches, but before that he's assiduously
|
||||
rubbed the rag on Fanny's, well, fanny. The sex crazed dogs just followed their noses. </p>
|
||||
|
||||
<p>By the time the handlers reached the hedge, two of them were at each other's throats, trying to win the rag of their
|
||||
desires. And Gus Ferguson's big black champion was busily trying to hump one of the runners who seemed to take great
|
||||
exception to having a dog's sharp business end rammed up its sphincter.</p>
|
||||
|
||||
<p>Ferguson's minders waded in and tried to separate them, grabbing each dog by the scroff of the neck. The one under
|
||||
Ferguson's dog came willingly, but the big beast arched its neck and sunk its canines into Seggs Cullen's palm.</p>
|
||||
|
||||
<p>He bawled in pain. Instinctively his meaty free hand came down in a swift arc and caught the dig on the side of the
|
||||
jaw. It gave a muted help and went down like a sack, teeth still clamped on Cullen's hand. He clubbed it again and
|
||||
was about to get its head under his boot to drag his hand free when Gus Ferguson grabbed his arm, swung a roundhouse
|
||||
that caught Cullen on <em>his</em> jaw and sent him sprawling on the grass, still attached to the dazed greyhound.
|
||||
</p>
|
||||
|
||||
<p>"You don't <em>ever</em> hit my fucking dog, you fucking mutt!"</p>
|
||||
<hr />
|
||||
<p>The steward's inquiry was impromptu and prompt.</p>
|
||||
|
||||
<p>Jack and the boys had spread small bets around on the little bitch. At forty to one it would be playing money for a
|
||||
while, and the bookies were happy to pay out, chiefly because their losses were minimal.</p>
|
||||
|
||||
<p>"It was a fuckin' fix." That was the general impression, but nobody could work out why the pack had veered in the
|
||||
opposite direction to the prey.</p>
|
||||
|
||||
<p>"No race!" somebody demanded. "I demand a re-start."</p>
|
||||
|
||||
<p>Dangerous Dan McGraw held a hand up, the other protecting the big wad in his pocket. Most of the bets had been with
|
||||
the two favourites and he wasn't prepared to part easily with the cash.</p>
|
||||
|
||||
<p>"It would be void," he agreed, "If they had all gone off the track. But they didn't, not all of them, did they?"</p>
|
||||
|
||||
<p>He pointed to the little brown bitch. "And we have a clear winner."</p>
|
||||
|
||||
<p>Gus Ferguson glowered at him, but there was nothing he could do, at least not in public. The other bookies closed
|
||||
ranks, keeping their fists tight on their money. Over in the corner, Seggs Cullen was wrapping his hand in a dirty
|
||||
handkerchief and looked as if he was ready to fight anybody who looked at him the wrong way. He turned and saw Jack
|
||||
and the others. Jack saw he still had bruises around his mouth and cheeks where the six iron had hit the sweet
|
||||
spot.</p>
|
||||
<hr />
|
||||
<p>As an ambush it lacked the all-important ingredient of surprise. Cullen and Wiggy Foley stopped them on the towpath,
|
||||
as they walked alongside the river but Jack was ready for it and he knew just where they'd be, behind the old wall
|
||||
of the dyeworks, just round the corner where the path narrowed, out of sight in both directions. </p>
|
||||
|
||||
<p>Jack had all his antennae out and working, aware of how it was likely to turn out and he had watched the pair of them
|
||||
saunter off, taking sneak backwards glances, unconsciously telegraphing every intention.</p>
|
||||
|
||||
<p>He was walking with Donny, just the pair of them, when Cullen and Foley came out from the gap. Cullen had picked up a
|
||||
heavy branch and held it waist high in both hands. </p>
|
||||
|
||||
<p>"Hey you."</p>
|
||||
|
||||
<p>They turned, as if surprised. Jack could sense Donny's tension. </p>
|
||||
|
||||
<p>"Payback time for you bastards."</p>
|
||||
|
||||
<p>Jack stepped in front of Donny. "Payback for what?"</p>
|
||||
|
||||
<p>"You know what the fuck <em>what</em>."</p>
|
||||
|
||||
<p>"I don't think so," Jack said. Donny held his ground, but Jack could hear his breathing come in short intakes. He'd
|
||||
taken a real beating last time and while he'd always been quick in the mouth, he was never fast with his fists. He
|
||||
was no scrapper. </p>
|
||||
|
||||
<p>Cullen took a step forward, with Foley at his shoulder. Foley was a bull of a man, with a nose that had come off
|
||||
second best a couple of times, and a dark red toupee that was just a shade too red for the thick natural hairs that
|
||||
sprouted behind his ears. He was muscle, pure and simple, one of Ferguson's stick-men.</p>
|
||||
|
||||
<p>"Can we help you gentlemen?"</p>
|
||||
|
||||
<p>Cullen and Foley whipped round.</p>
|
||||
|
||||
<p>Tam Bowie stood behind the pair of them, flanked by Neil and Jed. They had come through the hawthorn and climbed over
|
||||
the old wall to come in the back way. A simple ambush on the ambush.</p>
|
||||
|
||||
<p>Cullen spun back, towards Jack, completely taken by surprise. Tam had a four foot piece of scaffolding tube in his
|
||||
hands.</p>
|
||||
|
||||
<p>Behind him Ed Kane sauntered into view. Ed hadn't even been involved before, but he walked right up to stand beside
|
||||
Tam, with a pugnacious look to him. He held an old length of two by two. Neil hefted a half brick. </p>
|
||||
|
||||
<p>Jack stuck his hands in his pockets. "Come on guys. Time to call it a day, eh?"</p>
|
||||
|
||||
<p>"No fuckin' chance, Lorne." Cullen's eyes screwed up to slits. One of the scabs on his lips had cracked and dribbled
|
||||
a little red. "You're a fuckin' dead man."</p>
|
||||
|
||||
<p>Jack shrugged, wondering what the hell he was going to do about these two. He needed no distractions now. </p>
|
||||
|
||||
<p>"Well, what do you think then? You want to pitch it here?"</p>
|
||||
|
||||
<p>"Six against two?"</p>
|
||||
|
||||
<p>"It was two against one last time," Donny piped up. "With a baseball bat, you gutless skags."</p>
|
||||
|
||||
<p>Kate had been right. Donny just couldn't button it. Tam tapped the scaffolding iron on a rock and the other two
|
||||
backed in against the wall. Jack pulled back, giving them space. If they got down to it here, there could be broken
|
||||
arms and heads and they didn't have the time to wait for bones to knit. Time was sucking him down.. </p>
|
||||
|
||||
<p>Some deep and feral part of him still wanted Cullen and McFall to make a move and for him and Tam to take a swipe,
|
||||
but he forced himself back another step, giving them a way out. Old Sandy had always told him: <em>Never back a man
|
||||
into a corner, because there's only one way out, and that's through </em>you<em>.</em></p>
|
||||
|
||||
<p>Cullen dropped the branch and hauled Foley by the arm. </p>
|
||||
|
||||
<p>"Next time, Lorne. Just you and me."</p>
|
||||
|
||||
<p>"And whose fuckin army?" Donny bawled. Jack slapped him backwards with an impatient hand against his chest. That's
|
||||
what had got them into trouble in the first place. </p>
|
||||
<hr />
|
||||
<p>The big grey limousine cruised slowly along Crosswell Street and turned down into the narrow avenue, windows darkly
|
||||
opaque, engine almost silent. It finally stopped at the house and two dark shapes behind the glass paused, checking
|
||||
the number on the door.</p>
|
||||
|
||||
<p>"Sandy. Are you expecting somebody?"</p>
|
||||
|
||||
<p>Sandy looked up from the board. He had his old motorbike carburettor in pieces on the table. The chess-board was on a
|
||||
space between them and a couple of beers stood in amongst the oily tools. </p>
|
||||
|
||||
<p>"You're up to something, Jackie-boy," he'd said. "I can tell."</p>
|
||||
|
||||
<p>"What makes you think that?" Jack had changed his mind about the beer. Despite the foul smell in the making, it had
|
||||
mellowed to the taste. Sandy had another forty gallons on the go, but they were out in the little greenhouse next to
|
||||
the pigeon hut, covered in big black bin-liners to soak up the heat. It made it ferment quicker and kept the smell
|
||||
out of the house.</p>
|
||||
|
||||
<p>"You always had that look about you when you were up to some mischief. I'd recognise it across the street, <em>Muchacho</em>.
|
||||
You can't change your spots."</p>
|
||||
|
||||
<p>"You can talk. You were the biggest chancer in Levenford, from what I heard."</p>
|
||||
|
||||
<p>Sandy laughed. "That's what the army does for you. And the merchant marine. It taught me to swear in three languages,
|
||||
how to change money and how not to get caught. Anyway, you want to tell me what's the moves?"</p>
|
||||
|
||||
<p>"Nothing fixed yet."</p>
|
||||
|
||||
<p>"I heard you had another showdown with Ferguson's muscle."</p>
|
||||
|
||||
<p>"What are you? A spymaster?"</p>
|
||||
|
||||
<p>"I told you, knowledge is power. I heard it from one of the boat club boys. So what's the score with these
|
||||
gorillas?"</p>
|
||||
|
||||
<p>"They want a return bout for Donny."</p>
|
||||
|
||||
<p>"You better stay here for a couple of days, out of the way. You can't appeal to Ferguson's better nature, because he
|
||||
never had one to start with. And he's ambidextrous; that polecat can steal from your right pocket as easy as your
|
||||
left."</p>
|
||||
|
||||
<p>Jack agreed with that. It wouldn't be too easy in a town the size of Levenford, but he'd really have to try to stay
|
||||
out of Ferguson's way for the next couple of weeks.</p>
|
||||
|
||||
<p>Sandy poured himself a short one from the presentation bottle and sipped appreciatively. He reached behind him and
|
||||
hefted a big padded envelope, drew out a thick sheaf of papers.</p>
|
||||
|
||||
<p>"I might have something here," he said. "Me and Willie and the boat boys were checking out old navigation tidal
|
||||
charts for the river and we came across some good stuff from the Charter."</p>
|
||||
|
||||
<p>"The Bruce Charter?"</p>
|
||||
|
||||
<p>"That and some later papers. It's all down in the archives that aren't open to the public, but Willie's nephew works
|
||||
down there and we can get what we want. I think you could have some fun with that skunk Sproat."</p>
|
||||
|
||||
<p>Sandy wiped his hand on a cloth, opened the wad of papers and photocopies of old documents and drew them out onto the
|
||||
table.</p>
|
||||
|
||||
<p>"Amazing what you can find out when you've got time on your hands." He stopped at a page and turned it round so Jack
|
||||
could read it.</p>
|
||||
|
||||
<p>"It turns out that the Charter was never repealed in all these years, and we've got old maps, going back five hundred
|
||||
years that shows the harbour inlet was there long before Sproat's family were heard of. It was the mouth of a
|
||||
stream, so it was a natural inlet. That means it's part of the river, and all of the river was put in trust for the
|
||||
people of the town. That means he can't just fill it in any time he likes."</p>
|
||||
|
||||
<p>Sandy sounded pleased with himself.</p>
|
||||
|
||||
<p>" He needs the two bits of land together for it to be worth the real big bucks. <em>Contiguous. </em> I looked that
|
||||
up. Tell you another thing, if he knocks down the distillery, it's going to cost him nearly forty notes a ton in
|
||||
landfill tax to dump it anywhere else, so I reckon his whole deal depends on getting the go ahead to dump in the
|
||||
harbour and reclaim the land."</p>
|
||||
|
||||
<p>"There might have been some transfer deal way back in the past," Jack played devil's advocate.</p>
|
||||
|
||||
<p>"Might have been, but if there was, we can't find it. All we were looking for was something that gave us mooring
|
||||
rights, and this is what we turned up. Even if there was a transfer, we don't think he can dump in the river anyway.
|
||||
Because we found the old Harbour Act as well, and that says it's a crime to throw anything in the water. If the
|
||||
council let him do it, <em>they</em> could get sued."</p>
|
||||
|
||||
<p>Jack bent forward and started to flick through the sheaf.</p>
|
||||
|
||||
<p>"Do you mind if I take this away and have a look at it?"</p>
|
||||
|
||||
<p>"No problem. I was going to get the boat club interested, just to have a go at Sproat after what he'd doing. People
|
||||
like that have no sense of responsibility. Putting people out of work just to make a few extra bucks is exactly the
|
||||
same as stealing, and like I said, stealing from ordinary people is a right dirty business."</p>
|
||||
|
||||
<p>Jack smiled at the logic of it. He stuffed the papers back into the envelope, determined to read them carefully over
|
||||
the weekend. Something in what Sandy said had given him an idea.</p>
|
||||
|
||||
<p>Sandy sipped again.</p>
|
||||
|
||||
<p>"Have you any idea of what you're going to do?"</p>
|
||||
|
||||
<p>"I'm still thinking about it."</p>
|
||||
|
||||
<p>"There's nothing for you here, Jake. You should get out and see what the rest of the world has to offer. I got the
|
||||
chance when I was younger than you, in the army, then on the boats. Gave me a chance to see a bit of the world as
|
||||
well. You got a good brain on you, and you could make something of yourself."</p>
|
||||
|
||||
<p>"That's what everybody seems to think," Jack said.</p>
|
||||
|
||||
<p>"So you might start believing them. You've got your whole life ahead of you. Your Mam told me what you've done for
|
||||
your Michael, and that's a big thing. But you can't live your life for the boy. He'll find his own feet."</p>
|
||||
|
||||
<p>"He needs a chance. Too many people in this town don't get one."</p>
|
||||
|
||||
<p>"You could have had the chance yourself."</p>
|
||||
|
||||
<p>"Sure, maybe I could. I got the chance now."</p>
|
||||
|
||||
<p>"To do what?"</p>
|
||||
|
||||
<p>"Watch this space."</p>
|
||||
|
||||
<p>Jack caught the movement through the kitchen window. He pulled back behind the curtain just as a tall man in
|
||||
impenetrable sunglasses got out of the car. He was wide as a shack, solid and square and had a no-nonsense chin that
|
||||
jutted like rock.</p>
|
||||
|
||||
<p>"Hell," Jack muttered.</p>
|
||||
|
||||
<p>"What's the matter?" Sandy looked out from the edge of the curtain.</p>
|
||||
|
||||
<p>"You know them?"</p>
|
||||
|
||||
<p>Another man got out of the car, hidden from view by the rowan tree that Sandy had let Jack plant from a berry years
|
||||
ago when he was just a kid.</p>
|
||||
|
||||
<p>"You sit here son. I'll take care of this."</p>
|
||||
|
||||
<p>Sandy picked up a ballpeen hammer from the toolbox and hefted a big stilson wrench in the other hand. The back of his
|
||||
hands were oil-streaked and the overalls stained. He would look just like a man working with car parts. No need to
|
||||
look tough or stupid, just handy.</p>
|
||||
|
||||
<p>The bell did its sing song. Sandy had been standing just behind it and he opened it very fast, taking whoever stood
|
||||
there by surprise. A tall, well dressed man stood on the doorstep, flanked by the big slab in the chauffeur's
|
||||
suit.</p>
|
||||
|
||||
<p>"I'm looking for Jack Lorne," a man's voice said. Jack was close behind his grandfather, just out of sight, but
|
||||
ready.</p>
|
||||
|
||||
<p>"Oh yeah, and who wants him?"</p>
|
||||
|
||||
<p>"My name is Hammond Hall. Mr Lorne did me a great service. He saved my boy's life."</p>
|
||||
|
||||
<p>Sandy looked him up and down, weighing him. After a while he nodded.</p>
|
||||
|
||||
<p>"Maybe you'd better come in and speak to him yourself."</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
588
build/Full Proof/OEBPS/ch06.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>6</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
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|
||||
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|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>6</h1>
|
||||
|
||||
<p>They all gaped at Jack Lorne and if he’d had the camera with him he’d have taken a picture, every one of them caught
|
||||
with their mouths slack open.</p>
|
||||
|
||||
<p>"You have to be totally fucking kidding," was all Tam Bowie could finally say. </p>
|
||||
|
||||
<p>A long silence stretched out as what he had told them began to sink in.</p>
|
||||
|
||||
<p>Mac's Bar had been fairly quiet when they got there, still pumped from the nearness of the action with Ferguson's
|
||||
gorillas. Jack thumbed a few coins into the box and Tam and Jed groaned when the music started and the heavy Hendrix
|
||||
base came thumping out. It was good music for a slow come-down.</p>
|
||||
|
||||
<p>"Where do you get your taste retro-man?" </p>
|
||||
|
||||
<p>"What, you prefer the spice bimbos? Lady Gaga? These old guys could play."</p>
|
||||
|
||||
<p>Old dead Jimi came out with it. ...<em>everything just don't seem the same.</em> Jack let an ice cold sip trickle
|
||||
down his throat. Nothing was the same, nor would it be from here on in, win or lose.</p>
|
||||
|
||||
<p><em>Acting funny but I don't know why.</em></p>
|
||||
|
||||
<p>Neil leant in, faking a tight guitar, put a smacker right on Jed's cheek.</p>
|
||||
|
||||
<p>" 'Scuse me while I kiss this guy."</p>
|
||||
|
||||
<p>"Bugger off you. I told you a million times, it's <em>kiss the sky.</em>"</p>
|
||||
|
||||
<p>Everybody laughed, and it eased the tension. Jack asked Frank behind the bar if they could use the upstairs room, but
|
||||
it turned out the domino team had it for the night.</p>
|
||||
|
||||
<p> "Jimmy Gillespie's boat's up on the stacks," Tam said. "He's away on holiday and he wants us to keep an eye on
|
||||
it."</p>
|
||||
|
||||
<p>They trooped out into the mellow evening sunlight and followed the river towpath downstream. Franky Hennigan and Tig
|
||||
Graham sat on their usual bench and when they passed by, Franky got up and did a drunken little shuffle-dance,
|
||||
snapping his fingers.</p>
|
||||
|
||||
<p>"Well boys, you wouldn't have any loose change, would you?" Franky and Tig had both worked in Aitkenbar and gone the
|
||||
way of so many who'd got a big taste for what they had rolled in barrels.</p>
|
||||
|
||||
<p> Tam dug into his pocket. Jack and Ed managed a handful of coins between them and gave it to Tam.</p>
|
||||
|
||||
<p> "But you have to promise me, you're not going to waste this on anything stupid like food."</p>
|
||||
|
||||
<p> "No problemo senors," Franky drawled a fake Mexican accent. He threw a pantomime salute. "You have the word of an
|
||||
officer and a gentleman."</p>
|
||||
|
||||
<p> Gillespie's boat had seen plenty of better summers, and it would take another year to get it back into the water,
|
||||
but it was big and spacious, up on the blocks right at the end of the sandy point opposite the towering castle rock
|
||||
where the river fed into the Clyde. It was better inside than out, and the six of them were round the table. Neil
|
||||
fanned out the cards for shoot pontoon and they'd rattled the money down, watching it change from hand to hand, as
|
||||
the sun sank lower to turn the slow waters of the incoming tide deep red on the estuary.</p>
|
||||
|
||||
<p>Jack had known Cullen and Foley would come at them again and if they didn't, Ferguson would send somebody else and
|
||||
despite himself he muttered a curse at Donny letting his mouth do the thinking, even though he knew it had always
|
||||
been the same since the pair of them had started school. Donny's mouth spoke for somebody two foot taller and a
|
||||
whole lot tougher. It was like a half-developed tourette syndrome, shooting off when they needed it holstered.
|
||||
Ferguson might have forgotten the slight, even though that was unlikely, but he couldn't let a couple of boys from
|
||||
Drymains give his minders a doing. That was definitely something he didn't want spread around in the gossip, and if
|
||||
it had gained currency, then he'd have to convert it back, with commission.</p>
|
||||
|
||||
<p>Jack was ahead on the five he'd slapped on the table, but he kept the fifty still in his hip pocket, knowing it had
|
||||
been money earned by stealth, no luck or insider knowledge required A part of his mind was on Cullen and Foley and
|
||||
Ferguson, wondering where they would turn up next, knowing they would, and if it had been any other time, he'd have
|
||||
watched his back, waited for the hit and taken it with a fight, but the time was all wrong and the last thing he
|
||||
needed was a mess of bruises on his face. The walk along the towpath from Mac's bar had been full of talk of
|
||||
might-have-been and could-have-done, though Tam said little and Ed Kane even less. Tam had got his black belt in Tae
|
||||
Kwon Do and could have given them a run if he'd really wanted to, but it was better to scare them off than get down
|
||||
to it. Two could become six too easily and you could start a street war that would bring all the nutters from
|
||||
Corriehill down on River Street and have a real rammy that would do nobody any good. </p>
|
||||
|
||||
<p>Donny was all pumped up, his face matching his ginger hair, talking big and they all slapped him down for it. Ed Kane
|
||||
had heard about the first set-to and Jack was glad he'd been right solid with them. Since the first night in Mac's
|
||||
bar he'd realised just how handy Ed could be. He had that calm sort of understated toughness that doesn't need a lot
|
||||
of talk.</p>
|
||||
|
||||
<p>Jack tapped and got a three and ran it all through to a five card trick, took two notes from Tam and on the next hand
|
||||
turned up an ace and a face. Tam handed over the pack. Jack began dealing and taking the bets, getting a run of high
|
||||
cards as the notes piled up at his corner, but he was working on automatic. Pontoon takes no brain. Working the odds
|
||||
was just maths. His mind was elsewhere. </p>
|
||||
|
||||
<p>Ed Kane said nothing about seeing him in the distillery and that was a plus point too. He'd been a class behind them
|
||||
in primary and his girlfriend Donna worked in the hairdressers down on Castle Street. She sometimes cut about with
|
||||
Linda, and the pair of them sang in the Starlights chorus. </p>
|
||||
|
||||
<p>"So what's the next move?" Jed Coogan asked. "I hear you're jumping a ship."</p>
|
||||
|
||||
<p>"I'm still thinking about it." Big Lars had welcomed him aboard and shown him round, while a crane had lifted the big
|
||||
propeller from the water. The shipwrights at Scotts yard would straighten out a big crumple on the vane. He'd half
|
||||
expected to see Ilse and Ingrid and had quickly looked over his shoulder to make sure Kate had driven off. The
|
||||
prospect of being out in the dirty little supply ship in a howling and heaving North Sea did nothing at all for him.
|
||||
It was no prospect. </p>
|
||||
|
||||
<p>But they'd sat down and got talking and big Lars had finally got the <em>Absolut</em> from his cabinet and they'd
|
||||
chewed the fat for a couple of hours and then arranged another meeting to get things really sorted. He had a couple
|
||||
of days to get things going, but he had to broach it here and now. This dry dock was the first port.</p>
|
||||
|
||||
<p>"I've been to the Australia office," Neil said. "The chance of finding something around here's less than damn
|
||||
all."</p>
|
||||
|
||||
<p>"Somebody should shoot that prick Sproat," Jed said, and they all nodded. "He's selling every one of us down the
|
||||
river. It's all the same with those rich bastards. They come up on daddy's money and never get their hands dirty and
|
||||
think they can just buy and sell folk."</p>
|
||||
|
||||
<p>"I'd like to see him signing on the dole. Trying to get money out of those snooty bitches."</p>
|
||||
|
||||
<p>"Hey, my cousin works in the Jobcentre," Donny protested. </p>
|
||||
|
||||
<p>"Yeah, and she's the snootiest of them all, spawney-eyed bitch."</p>
|
||||
|
||||
<p>Donny shrugged. "You've got a point, right enough."</p>
|
||||
|
||||
<p>"You're right Jed," Jack stepped in to the little silence. "Sproat needs a come-uppance. I heard what he told you all
|
||||
at the meeting. It was thanks for all your hard graft and now get lost and let me make more money."</p>
|
||||
|
||||
<p>"That was about the size of it." </p>
|
||||
|
||||
<p>"He's a fucking charmer, that Sproat," Donny observed. "A regular Don Coyote."</p>
|
||||
|
||||
<p>Jack turned for a second look, decided it wasn't worth the correction. </p>
|
||||
|
||||
<p>Tam got out a little nut of hash and rolled one long doobie. The air thickened into a sweet mist. Jack took a couple
|
||||
of deep draws, because he could still think clearly on hash, while his mouth and his brain got completely out of
|
||||
step on beer. </p>
|
||||
|
||||
<p>"So what are you going to do about it?" he asked nobody in particular.</p>
|
||||
|
||||
<p>"What can we do?"</p>
|
||||
|
||||
<p>"You could help yourselves and really screw Sproat, that's what you could do."</p>
|
||||
|
||||
<p> He let that float with the smoke. </p>
|
||||
|
||||
<p>"Aye, brilliant. What do we do? Let the tyres down on his Beamer?"</p>
|
||||
|
||||
<p>"Everybody's got a weakness. You just have to find out what it is. It's not that hard to find out what Sproat's
|
||||
weakness is."</p>
|
||||
|
||||
<p>"Listen to mister open-bloody-university here. Is that the kind of stuff they teach you in business management?"</p>
|
||||
|
||||
<p>"Business is just like anything else. You find out what people need. You find a way of giving it to them, or keeping
|
||||
it from them. It's all about knowing what to do and when."</p>
|
||||
|
||||
<p>He looked round the table. "I'll tell you what business really is. It's a way of stealing money from people without
|
||||
having to beat them up. It's just legalised robbery."</p>
|
||||
|
||||
<p> "Thanks for the lesson, Jake. But is there a point in there somewhere?" Tam drew on the joint and held it in. </p>
|
||||
|
||||
<p>"First of all you have to realise what the score is," Jack said. He deliberately slowed the dealing down to a stop.
|
||||
"And the score is, we've all been screwed arsewards, all except Tam, and he'd enjoy that anyway. Look at the unions,
|
||||
talking about setting up pickets and begging the MP for some help. He's in Sproat's pocket anyway. So what will they
|
||||
achieve?"</p>
|
||||
|
||||
<p>"Nothing," Ed said flatly. </p>
|
||||
|
||||
<p>"Exactly. Sproat called you in and kicked your stupid and everybody said <em>yes boss,</em> Same as ever. It's in the
|
||||
blood. People here all work for somebody else and they take what's going. It's about time we did something for
|
||||
ourselves."</p>
|
||||
|
||||
<p>"Like what, set up in business?"</p>
|
||||
|
||||
<p>"Something like that. No. <em>Exactly</em> that."</p>
|
||||
|
||||
<p>"With what?" Donny asked. "I've got damn all.<em> </em>I'm between a rock and the deep blue sea." </p>
|
||||
|
||||
<p>"Look," Jack said, putting the cards down on the table, face up. He had a king and an ace and nobody could beat him.
|
||||
Good symbolism. He let them all see them and then quickly scooped up the dead hands. </p>
|
||||
|
||||
<p>"Two hundred years. That's how long the distillery's been going and in all that time folk have been busting their
|
||||
balls for Sproat's people. They do all the work, and he gets all the cash and he's the only one living up Kirkhill
|
||||
and driving a big shiny car. He's got a boat you could sail the world on. Holidays in Hawaii. What's he done for it?
|
||||
He was <em>born</em>, that's what. But that's the old way. Now he's selling up to make more money, because there's
|
||||
just not enough in a wee malt and grain business that's too labour intensive, not when you pay eighty percent in
|
||||
excise. I got on the internet and had a look. It's easy. Aitkenbar's been run down for the past three years. Sproat
|
||||
hasn't been out searching the markets because he's a total airhead. But he's smart enough to sell when the builders
|
||||
are killing each other for empty land. They're paying twenty three pounds a square foot, and he'll make enough to
|
||||
clear himself and put up a kitty and with the last big blend he's free and clear and we're all in the shit. He's
|
||||
crippling Andy Kerr because he needs that land, and that puts another forty on the dole and the whole town goes down
|
||||
the stank. And don't forget those poor boys up at Dunvegan. They're all back to cutting peats and eating porridge
|
||||
and shagging mountain sheep."</p>
|
||||
|
||||
<p>Jack stopped for breath. Tam was curious.</p>
|
||||
|
||||
<p>"You can find that all out on your computer?"</p>
|
||||
|
||||
<p>Jack nodded. "If you know where to look, except for the sheep thing. Anyway, that's business, they're all at it. It's
|
||||
business, and it's the way it works."</p>
|
||||
|
||||
<p>"They're all a bunch of crooks."</p>
|
||||
|
||||
<p>"Sure they are, but it's all <em>legal</em>. You see that wall Kate Delaney and the kids are painting? All those
|
||||
firms that just pulled out of the town and set up in Taiwan or Korea. <em>That's</em> business. Money talks, and
|
||||
everybody else gets their marching orders. "</p>
|
||||
|
||||
<p>"So what are you saying?" Ed Kane eyed Jack through the smoke. </p>
|
||||
|
||||
<p>"It's time to take a stand. Make something of ourselves."</p>
|
||||
|
||||
<p> "Yeah," Neil went into grizzly old cowboy mode<em>. </em>"I was born here, an I was raised here, and <em>dad gum
|
||||
it</em>, I am gonna die here, an' no sidewindin bushwackin, hornswaglin, cracker croaker is gonna ruin me bison
|
||||
cutter."</p>
|
||||
|
||||
<p> "Fat man," Jed said, "You're purely talking out of your ass."</p>
|
||||
|
||||
<p> "No," Jack contradicted. "He's got a point. We were all born and raised here, and some prick is ruining it for
|
||||
everybody. So it's about time we took back our bison cutter."</p>
|
||||
|
||||
<p> "How? Go on strike?" Donny asked a stupid question. </p>
|
||||
|
||||
<p>"Get real. That's what the Dunvegan boys want, and it'll do no good. You can't strike at a moving target, and Sproat
|
||||
is moving. You can only hit him if he sits still. So what you have to do is stop him dead in his tracks"</p>
|
||||
|
||||
<p>"How?" Ed leaned forward. He knew a moment was coming. Jack recognised that in him.</p>
|
||||
|
||||
<p>"I've been doing some checking. This big last batch is something special. Sproat wants to market it all over the
|
||||
world, and it's worth a fortune. My Uncle Sandy says God helps those who helps themselves, and it's time we helped
|
||||
ourselves."</p>
|
||||
|
||||
<p>"Helped ourselves to what?" Ed was staying with it. Donny scratched his head, waiting for Jack to get right to the
|
||||
point. </p>
|
||||
|
||||
<p>"See that last batch of whisky? It's a quarter of a century old. Just think about that. Our grandfathers made it. Our
|
||||
fathers and uncles stacked the barrels, turned the barley, did all the sweating. There's near enough thirty thousand
|
||||
gallons of it, all sitting there in the bond and in a couple of weeks time, they're going to roll it out, mix it up
|
||||
and bottle it and after that it'll be gone."</p>
|
||||
|
||||
<p>"Yeah, we know that," Neil said. His broad cheeks turned concave as he sucked in on the joint. "What's that got to do
|
||||
with us?"</p>
|
||||
|
||||
<p>"Our families made the stuff. I reckon we've as good a claim to it as anybody."</p>
|
||||
|
||||
<p>"You won't buy much with what you get in redundo," Jed said. </p>
|
||||
|
||||
<p>"I told you. God helps those who help themselves, and we should help ourselves."</p>
|
||||
|
||||
<p>"To what?"</p>
|
||||
|
||||
<p>"I reckon we can take those thirty thousand gallons right from under Sproat's nose. I got a plan."</p>
|
||||
|
||||
<p>He reached into his cotton jacket and drew out a sheaf of blue paper. </p>
|
||||
|
||||
<p>"I got all the plans."</p>
|
||||
<hr />
|
||||
<p>The silence stretched as if time had expanded. For a long time, nobody spoke, and Jack just waited until what he had
|
||||
said percolated through. </p>
|
||||
|
||||
<p>"You have to be totally fucking kidding." Tam finally said.</p>
|
||||
|
||||
<p>"Fuck me gently," Jed agreed. </p>
|
||||
|
||||
<p>Jack shuffled the cards and dealt another round. Neil, who had held his breath for more than thirty seconds let it
|
||||
all out slowly. Ed Kane said nothing at all. He just waited. </p>
|
||||
|
||||
<p>"Are you serious?" Tam Bowie ran his fingers through his hair. </p>
|
||||
|
||||
<p>"Sure I'm serious."</p>
|
||||
|
||||
<p>"That's why you were done up like Clark Kent?"</p>
|
||||
|
||||
<p>Jack nodded. Ed got it in one. Nobody picked up the cards now. They just lay unturned.. </p>
|
||||
|
||||
<p>"I need another joint," Jed said. </p>
|
||||
|
||||
<p>"I need a drink," Donny said. </p>
|
||||
|
||||
<p>"I'm agog."</p>
|
||||
|
||||
<p>"I'm even agogger than you," Jed told Neil.</p>
|
||||
|
||||
<p>"See you? You always have to be the agoggest," Neil came back.</p>
|
||||
|
||||
<p>Jack paused, mouth open, did a sharp double take at Neil and then just exploded with laughter. It broke the
|
||||
moment.</p>
|
||||
|
||||
<p>"So you're serious then?" Tam said.</p>
|
||||
|
||||
<p>"You think you can really heist a whole decant?" Ed steered them right back to it, needing to hear it again. Jack
|
||||
could almost hear his brain working. </p>
|
||||
|
||||
<p>"It's possible."</p>
|
||||
|
||||
<p>"How are you going to do that?</p>
|
||||
|
||||
<p>"With some serious planning, a bit of hard graft, and split second timing. But I think it <em>can</em> be done.
|
||||
Supply and demand. This time they've got the supply and we've got the demand."</p>
|
||||
|
||||
<p>"Then what?" Tam finished rolling the third and passed it to Jed who sucked it like a condemned man facing
|
||||
rifles. </p>
|
||||
|
||||
<p>"You work it out. You get thirty thousand gallons. Multiply by six and you get bottles."</p>
|
||||
|
||||
<p>"How many is that?" Donny asked. </p>
|
||||
|
||||
<p>"More than a hundred thou," Ed Kane broke in. Jack nodded approval. </p>
|
||||
|
||||
<p>"Hundred and eighty. But then it's double strength, so when you dilute it, water it down, you get three sixty." He
|
||||
paused for effect. "<em>Thousand</em> bottles. Nearly half a mil." </p>
|
||||
|
||||
<p>"Jeez."</p>
|
||||
|
||||
<p>"Supply and demand. You get the right market and you can flog them at a five-spot apiece."</p>
|
||||
|
||||
<p>"That's more than a million." Ed was faster than any of them.</p>
|
||||
|
||||
<p>"One point eight."</p>
|
||||
|
||||
<p>"<em>Jeez</em>!"</p>
|
||||
|
||||
<p>"Million?" Donny's face was a picture of incredulity. </p>
|
||||
|
||||
<p> "Million. One million, eight hundred thousand. Minimum. Sterling. All profit. No tax."</p>
|
||||
|
||||
<p>"You're going to walk in there and lift thirty thousand gallons of hooch?"</p>
|
||||
|
||||
<p>"That's the plan."</p>
|
||||
|
||||
<p>"And then what?"</p>
|
||||
|
||||
<p>"Then we get rich."</p>
|
||||
|
||||
<p>"Jesus holy fucking <em>Christ</em>. You're serious, right?" Tam gave a little disbelieving laugh. </p>
|
||||
|
||||
<p>"Sure I'm serious." Jack held up the translucent blueprint. "I can't say where I got these. But this is the plan we
|
||||
need. All it needs is some nerve and organisation and we can pull it off."</p>
|
||||
|
||||
<p>"Don't be daft man," Donny came in. "The customs would be all over you like a rash. And the cops along with them.
|
||||
Thirty thousand gallons? Where would you put it?"</p>
|
||||
|
||||
<p>"You came out with the stuff in a tube, didn't you? When we went golfing?"</p>
|
||||
|
||||
<p>"Sure, stuck down my leg."</p>
|
||||
|
||||
<p>Jed came in: "You get thirty K gallons and you'll need the biggest colostomy bag in the history of the universe."</p>
|
||||
|
||||
<p>Everybody laughed. </p>
|
||||
|
||||
<p>"Or the biggest pair of incontinence pants."</p>
|
||||
|
||||
<p>"Ye of little faith," Jack said. He knew he had their attention now. Everybody was thinking, despite the hash. "If
|
||||
you can conceive it and believe it, you can achieve it."</p>
|
||||
|
||||
<p>"Big words for a milkman. They teach you that in business?"</p>
|
||||
|
||||
<p> He nodded. "Plenty more where that came from. I've read all the greats. Graham Bell, Ford. Hammer. Edison. One thing
|
||||
they tell you is that if you don't do it for yourself, nobody's going to do it for you.<em> </em>We can look for
|
||||
four leaf clovers trying to get lucky and miss a big chance""</p>
|
||||
|
||||
<p>"<em>Carpy Dime</em>," Tam said. Jack patted him on the shoulder.</p>
|
||||
|
||||
<p>"Dead right, Thomas. Seize the moment. And the harder you work at it, the luckier you get." </p>
|
||||
|
||||
<p>"That would be a real sickener for Sproat," Jed put in. </p>
|
||||
|
||||
<p>"Believe it. I've spent a while working it out. He needs the big batch for cash flow, and he'll be wrapping it in
|
||||
cling film and ribbon and selling bottles at a bullseye a throw. You take off excise and the overhead he's still
|
||||
talking about three mil, all skimmed. But he has to dump the distillery in the harbour to reclaim the land or pay
|
||||
another three mil in landfill tax, so there might be a way to screw that plan."</p>
|
||||
|
||||
<p> "Anything to put it to that bastard."</p>
|
||||
|
||||
<p>Everybody agreed with that sentiment. </p>
|
||||
|
||||
<p>Ed leant forward, wiping the cards away with his bare arms. The lowering sun beamed in the little porthole, making
|
||||
the dust sparkle across the cabin in a translucent tube. </p>
|
||||
|
||||
<p>"Thirty thou is a whole lot of hooch. So how are you going to do it?"</p>
|
||||
|
||||
<p>"What's this <em>you,</em> white man? I told you I got a plan. What I need to know first is, are we all in? It has to
|
||||
be all of us or none of us, and you have to think of what you can lose. Especially you Tam, seeing as you're in
|
||||
work."</p>
|
||||
|
||||
<p>"Screw that. The site's going to be worked out by September and then it's back on the scratch again. Anyway, I'm a
|
||||
plumber and that's like a doctor. Everybody shits and gets sick. I'll pick up bits and pieces. But that's all."</p>
|
||||
|
||||
<p>"You do house calls Tam? I think I'm going to fart."</p>
|
||||
|
||||
<p>"Jesus, Donny, not another one." Neil slipped the catch on the port and swung it inward, bringing with it a warm
|
||||
smell of cut grass and drying seaweed from the estuary. Gulls mewed in the distant still air.</p>
|
||||
|
||||
<p> "It's six or none," Jack said, pressing it. "That's the way it has to be, and we have to keep it really tight. First
|
||||
rule of good business: A closed mouth gathers no feet. </p>
|
||||
|
||||
<p>"I can't see how you'd get away with it." Jed was shaking his head. </p>
|
||||
|
||||
<p>"How <em>we'd</em> get away with it, man. You remember what Donny said down at the golf course before he gave
|
||||
Ferguson the verbals? When he was washing the crap off in the ditch? How much was it went into the stream Don?"</p>
|
||||
|
||||
<p>"Three barrels, so Billy Butler said."</p>
|
||||
|
||||
<p>Ed agreed. "Three hogsheads broke open, about two hundred gallons. A drop in a bucket compared to what you're
|
||||
thinking about. . . "</p>
|
||||
|
||||
<p>Jack held his hand up. Ed went silent. </p>
|
||||
|
||||
<p>"Six bottles to the gallon, double strength, Say twelve bottles at forty percent. Times two hundred," Jack was
|
||||
motoring now.</p>
|
||||
|
||||
<p>"At least a thousand," Donny said, screwing his eyes in concentration.</p>
|
||||
|
||||
<p> "There's three kinds of people," Tam said. "Those who can count, and those who can't."</p>
|
||||
|
||||
<p> Donny sat for a moment, working that one out. Everybody laughed again and Jack waded on.</p>
|
||||
|
||||
<p> "It's nearly two and a half, and we're talking quality stuff, not your average blend. Say twenty a bottle, with tax.
|
||||
Fifty grand down the Swanee and what did they do about it?"</p>
|
||||
|
||||
<p>"Damn all."</p>
|
||||
|
||||
<p>"That's right. It was an accident, so nobody got fired. Sproat was worried he'd have the environment people down his
|
||||
throat and crawling all over the place because it went into the burn and probably right into the river. Christ knows
|
||||
how many salmon parr died of drink. And what did they do?"</p>
|
||||
|
||||
<p>"Fuck all," Ed said. </p>
|
||||
|
||||
<p>"Dead right. And there must be a reason for that. Okay, customs have to wear it, because it's still in bond, and they
|
||||
lose eighty percent, but Sproat's still down what, fifteen grand? And still not a dicky bird. They just let it go.
|
||||
Sproat hushed it up. Why?" He looked at Donny. </p>
|
||||
|
||||
<p>"How should I know?"</p>
|
||||
|
||||
<p>"Either he doesn't want people poking around the place, or he doesn't want anything to queer the big deal."</p>
|
||||
|
||||
<p>"No way he'd going to sit still for thirty thousand gallons taking a walk," Ed said. "A couple of barrels, okay. But
|
||||
not a whole bottling decant getting nicked."</p>
|
||||
|
||||
<p>"What makes you think it'll be nicked?" Jack smiled for the first time that night. He'd been concentrating the whole
|
||||
while, happy enough to see them getting brave on hash just for the moment, needing to win them across. </p>
|
||||
|
||||
<p>"Anyway, I have to know if you're in, simple as that." </p>
|
||||
|
||||
<p>"I'm game," said Tam. "A million notes? Jeez, I can quit doing the lottery."</p>
|
||||
|
||||
<p>"It's no game. We do this, we do it right, and we stick to the plan. It's going to take a lot of work and a bit of
|
||||
risk, but I reckon if we do it right, we'll get away with it. Like I said, our people have worked for it all down
|
||||
the years and Sproat's selling the town out and taking the dairy with it. Nobody's got that sort of right."</p>
|
||||
|
||||
<p>He was pressing triggers now and he knew it. </p>
|
||||
|
||||
<p>"Too true," Donny said. "You got a plan Jack, I'm up for it."</p>
|
||||
|
||||
<p>"Me too," said Jed. "I got bugger all else to lose."</p>
|
||||
|
||||
<p>"Investments can go down as well as up," Jack said, now serious. "You can lose your shirt on this if we screw it.
|
||||
More than your shirt. "</p>
|
||||
|
||||
<p>Neil scratched his head. "Christ knows how you're going to do it."</p>
|
||||
|
||||
<p>"One point eight million," Ed said. "You're talking big numbers. How can you work that?"</p>
|
||||
|
||||
<p>"I can't say until we're all in, and then it's hands to the pumps. It's six or nothing, and if we don't have
|
||||
everybody, then I'll go do my own thing, go my own way. I just think it's time we did something for ourselves and to
|
||||
hell with the rest of them. Where are we going to get jobs with four hundred guys chasing every opening? You want to
|
||||
stack shelves at whatever they build on Aitkenbar once it's cleared?"</p>
|
||||
|
||||
<p>He was thinking of his Uncle talking after he cuffed the old guy at chess. </p>
|
||||
|
||||
<p><em>You're a Lorne on your father's side, a Bruce on your mother's. Don't let these creeps rule you. You get
|
||||
out and take what's yours.</em></p>
|
||||
|
||||
<p>"Fuckit," Ed Kane said. "I can't be rolling barrels all my life. You really think it can be done?"</p>
|
||||
|
||||
<p>"No. I'm just pissing into the wind. Listen, why do you think I bust my arse trying to get these plans? They guy who
|
||||
had them's dead and nobody knows I've got a copy. That's our key to a million eight."</p>
|
||||
|
||||
<p>"Okay." Ed stretched out his hand. Jack gave it a grip. "I'll come along for the ride."</p>
|
||||
|
||||
<p>"Some ride," Tam said. "So what do we do now?"</p>
|
||||
|
||||
<p>"First of all, nothing gets beyond here," Jack gestured to the walls. "Not one word. This stays between us all. I
|
||||
reckon I can make it work, but one word outside and we're all screwed, and I'm talking banged up in the Bar-L. They
|
||||
don't like rip offs and especially they don't take ripping off her majesty's customs and excise too well. They've
|
||||
got more power than the cops and nobody asks questions about what they do."</p>
|
||||
|
||||
<p>"Dead right. The cops can't shove a finger up your bum."</p>
|
||||
|
||||
<p>"Ain't that a shame," Neil half sang.</p>
|
||||
|
||||
<p>"Customs can do what they want, so we have to make them look the other way. I don't want to get into it all, but I've
|
||||
thought it all out. That's why we need six. And I need some money, so you all have to chip in."</p>
|
||||
|
||||
<p>"I knew there would be a catch," Donny said, all sarcastic. "How much?"</p>
|
||||
|
||||
<p>"A ton apiece, for starters."</p>
|
||||
|
||||
<p>"A hundred? You kidding?"</p>
|
||||
|
||||
<p>"It's a drop in the ocean. Look on it as an investment."</p>
|
||||
|
||||
<p>Donny was still mulish. "That's a whack."</p>
|
||||
|
||||
<p>"Come on, you took sixty from Dangerous Dan on the first race. And all it cost was a tin of Chum for Fannyboz. Look,
|
||||
if we do this we do it right and we do it prepared. You can't just walk in and take it and then wonder what you're
|
||||
going to do with it. We need cover and that's why I need to buy some stuff."</p>
|
||||
|
||||
<p>"Like what?"</p>
|
||||
|
||||
<p>"Paper. Cards. I need a whole set of mobiles. Your brother can fix us up Neil, right"</p>
|
||||
|
||||
<p>Neil shrugged agreement. "Depends how soon." </p>
|
||||
|
||||
<p>"Five days, no more. I need a printer for the computer, full colour - they're cheap and we might as well buy new. I
|
||||
might need a good suit, and a coat, for a touch of class. A briefcase. We have to get a van, nothing big. Borrow if
|
||||
we can, buy if we must. And Tam, we need your bike."</p>
|
||||
|
||||
<p>"You can borrow it, but not for keeps."</p>
|
||||
|
||||
<p>"I don't want to borrow it. I want you <em>on</em> it."</p>
|
||||
|
||||
<p>Tam furrowed his brows. It was all going pretty fast and he didn't quite understand it all yet. </p>
|
||||
|
||||
<p>"I need to get into somebody's house."</p>
|
||||
|
||||
<p>"Come on," Jed said. "I'm not stealing from <em>people</em>."</p>
|
||||
|
||||
<p>Jack grinned, remembering his grandfather again. Stealing might be acceptable if it was from the big boys, but not
|
||||
from the common man. </p>
|
||||
|
||||
<p>"I'm not stealing. I just have to get in. Don't worry, there's nobody home. It's just for a drop."</p>
|
||||
|
||||
<p>"I'll get you in," Ed said quietly. "Once I've seen the locks."</p>
|
||||
|
||||
<p>"Good man. What else? Jed. I might need to speak to your bird. We'll tell her it's union stuff."</p>
|
||||
|
||||
<p>"Jees. We can't bring her into it."</p>
|
||||
|
||||
<p>"She won't know. Anyway, she's out of a job as well in six weeks. We'll pay her if we have to. She works in Sproat's
|
||||
office, am I right?"</p>
|
||||
|
||||
<p>Jed agreed, but he still looked uncomfortable about it. </p>
|
||||
|
||||
<p>"That's about it for now. Donny and Jed, I need you to whip up the union men, get them to start a protest, bring the
|
||||
Dunvegan men into it. Me, I have to get some art-work done, but I think I can get that for nothing."</p>
|
||||
|
||||
<p>"What's that for?" Donny looked as puzzled as the rest. They were itching to know the details, but Jack knew he had
|
||||
to play it tight. </p>
|
||||
|
||||
<p>"Two rules of good business. Don't tell everything you know."</p>
|
||||
|
||||
<p>"What's the second?"</p>
|
||||
|
||||
<p>Jack tapped his nose. Ed Kane got it right away and laughed. </p>
|
||||
|
||||
<p>"But what's the second rule," Donny wanted to know and this time everybody laughed. </p>
|
||||
|
||||
<p>"When do you need the cash?"</p>
|
||||
|
||||
<p>"Yesterday would be good."</p>
|
||||
|
||||
<p>"Can I pay it up?"</p>
|
||||
|
||||
<p>"Piss off, Neil. Friday at the latest."</p>
|
||||
|
||||
<p>"Christ, you sound just like Ferguson."</p>
|
||||
|
||||
<p>"Yeah, that's another thing. Keep an eye out for him and his muscle. You especially Donny. That loony could screw the
|
||||
whole thing up. We don't want any broken bones and I don't want anybody in jail for breach. They'll come back for
|
||||
another go, so don't wander down any dark alleys, right?"</p>
|
||||
|
||||
<p>He sat back, knowing he had their full and undivided attention. </p>
|
||||
|
||||
<p>"You know all that stuff that's been lying in barrels since we were kids? It loses two percent year on year. That's
|
||||
it half gone in twenty five, and they don't even miss it. So we're just taking the other half."</p>
|
||||
|
||||
<p>He couldn't keep the smile off his face. </p>
|
||||
|
||||
<p>"The angels have had their share. It's high time we had ours."</p>
|
||||
|
||||
<p>That was how it all started.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
580
build/Full Proof/OEBPS/ch07.xhtml
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580
build/Full Proof/OEBPS/ch07.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>7</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>7</h1>
|
||||
|
||||
<p>"You’re up to something <em>Muchacho</em>. I told you I can always tell. You've got mischief and mayhem written all
|
||||
over you."</p>
|
||||
|
||||
<p>Uncle Sandy's eyes challenged him from across the table. Against one wall of the kitchen, crates of home brew beer
|
||||
stood one atop the other, almost to the ceiling. Sandy had been cleaning out his pigeon hut when Jack came round,
|
||||
head encased in an old biker's balaclava that covered his nose, and eyes protected from the feather dust by an
|
||||
ancient pair of bikers goggles that made him look like an old air ace. He stripped them off and put the kettle
|
||||
on. </p>
|
||||
|
||||
<p>"Like what?"</p>
|
||||
|
||||
<p>"If I knew I wouldn't ask."</p>
|
||||
|
||||
<p>"You didn't ask. You made a statement."</p>
|
||||
|
||||
<p>"Don't get smart with me."</p>
|
||||
|
||||
<p>"I'm already <em>too</em> smart for you. Check." Jack's queen was dangerously close. "I hear you got the whole pigeon
|
||||
club rat-arsed. What strength is that beer?"</p>
|
||||
|
||||
<p>Sandy sacrificed a knight, trying to con Jack into taking it with the queen. No sale. </p>
|
||||
|
||||
<p>"About ten percent, higher if you put more sugar in. They're all developing a taste for it."</p>
|
||||
|
||||
<p>"It takes dedication. Your liver must be like portland cement. Some of the club, they're about seventy. You could
|
||||
kill them."</p>
|
||||
|
||||
<p>"It's probably keeping them alive. Anyway, I'm over sixty and I'm fitter than you." Jack looked at him and grinned.
|
||||
They were about the same size and build, despite the difference in years. He hoped he looked as fit when he was that
|
||||
age.</p>
|
||||
|
||||
<p> "Yeah, right. How about Tim Farmer? Any sign of the money?"</p>
|
||||
|
||||
<p>"Not a hide nor hair. And nobody's seen him either, daft old bugger. I heard he's in Majorca. He'll come back with a
|
||||
bad sunburn and a sore dick."</p>
|
||||
|
||||
<p>"What will you do, call the cops?"</p>
|
||||
|
||||
<p>"What's the point in that? <em>Check</em>. Concentrate on the game, will you? No, that would just be too much hassle.
|
||||
What we did, we got a bunch of us round to his place and took all of his birds. We'll have an auction next week and
|
||||
raise about a grand, maybe more. He's a daft thieving bastard, but a good bird man."</p>
|
||||
|
||||
<p>"And then what, will he get expelled?"</p>
|
||||
|
||||
<p>"Are you kidding? If he's had a month in Majorca with Meg McLaren, he's not getting away that easy. No, he can start
|
||||
at the bottom and buy back his own birds, and then he's going to have to tell us the whole story, every pant and
|
||||
grunt and heave. That should keep us going till Christmas, and me and Willie McIver should have enough stock here to
|
||||
keep us and the bowling club <em>and</em> the boat men going right through the new year. We never had it so good."
|
||||
</p>
|
||||
|
||||
<p>"And you think <em>I'm</em> up to something."</p>
|
||||
|
||||
<p>"I don't think, son. I <em>know.</em> You never were good at hiding it."</p>
|
||||
|
||||
<p><em>I bloody better be,</em> Jack thought. </p>
|
||||
|
||||
<p>It had been a couple of days since Hammond Hall had come to the door, taking Jack by surprise. He hadn't known the
|
||||
kid in the water had been diving off the big Moody yacht in the inlet, and it hadn't mattered at the time. After it
|
||||
he had just walked away barefoot, dripping water, and Kate holding tight to his hand.</p>
|
||||
|
||||
<p>"I got your name from Miss Delaney," the man had. The driver had gone back to the car and Sandy had cleared a space
|
||||
at the table, shifting some of the machine parts. Hall's shirt and slacks looked like a month's wages with overtime
|
||||
thrown in, but he never seemed to notice the oil. He took a glance down at the board, gave a tight smile.</p>
|
||||
|
||||
<p>"Mate in three." Jack wondered vaguely how the man had got Kate's name in the first place.</p>
|
||||
|
||||
<p>"You like a beer?" Sandy broke the ice. Jack felt a little uncomfortable. What did you say on these occasions. <em>Don't
|
||||
mention it</em>? </p>
|
||||
|
||||
<p>Hall took the beer, drinking from the bottle and smacked his lips. "I don't often get the chance. My wife, Jason's
|
||||
mother, she's got me on a killer diet."</p>
|
||||
|
||||
<p>The man had smacked his lips and then he'd thanked Jack very much and then he'd just let it all pour out, how close
|
||||
he'd been to losing his boy.</p>
|
||||
|
||||
<p>"You never told me, Jake," Sandy chided.</p>
|
||||
|
||||
<p>He shrugged. He hadn't told anybody. It wasn't the done thing.</p>
|
||||
|
||||
<p>Hammond took another beer and Sandy told him about the home brew and then they all had another and Hammond Hall
|
||||
seemed to relax. He rolled his sleeves up and started playing with the pieces of carburettor. Sandy hauled out the
|
||||
big demi-jon of liqueur and they started in on that and by midnight the pair of them were swapping army and navy
|
||||
stories and Sandy was telling them about some mischief he'd got up to with some NATO buddies in Italy when they were
|
||||
running trucks of red wine to Dusseldorf.</p>
|
||||
|
||||
<p>It was close to one in the morning when Hall insisted that he could only have one more liqueur and no more beer.</p>
|
||||
|
||||
<p>"You make this yourself?" He was more than half drunk, but still clear.</p>
|
||||
|
||||
<p>"Sure. It's the best in the whole street," Sandy said. "This side of it anyway."</p>
|
||||
|
||||
<p>"Good enough for me," Hall said, just slightly slurred. "She'll kill me when I get home."</p>
|
||||
|
||||
<p>He turned to Jack and formally shook his hand.</p>
|
||||
|
||||
<p>"From Mrs Hall and myself, we just want to say thank you for what you did for Jason. And if you ever want to come
|
||||
aboard the Valkyrie, you will be more than welcome."</p>
|
||||
|
||||
<p>Jack smiled. The difference between the two <em>Valkyries</em> could not be greater.</p>
|
||||
|
||||
<p>"And if there's any way we can repay you."</p>
|
||||
|
||||
<p>Jack took in the expensive slacks and the designer shirt. The man wore a Rolex oyster.</p>
|
||||
|
||||
<p>"There is one thing," he said.</p>
|
||||
|
||||
<p>"Name it, young man."</p>
|
||||
|
||||
<p>"I lost one of my shoes in the water. A good Nike trainer."</p>
|
||||
|
||||
<p>"You want a new pair?"</p>
|
||||
|
||||
<p>"No, but if your Jason goes diving up at Creggan again, see if he can pick it up for me. I had them just broken in
|
||||
just right."</p>
|
||||
<hr />
|
||||
<p>Michael came stumbling through the front door, face caked with dirt and blood streaming from both nostrils. One eye
|
||||
was hidden under a big soft bruise.</p>
|
||||
|
||||
<p>"Holy mother of God, what's happened to you?"</p>
|
||||
|
||||
<p>Alice Lorne was out of her seat, overturning a teacup and scalding Jack's bare arm. Michael had tears running down
|
||||
his face. </p>
|
||||
|
||||
<p>They had grabbed him on his way home, taking a shortcut through the allotments just after he finished stacking in
|
||||
Safeway. He was walking the centre path, hands in his pockets, sun on his back when Seggs Cullen came up behind him
|
||||
and clamped a beefy arm round his neck. </p>
|
||||
|
||||
<p>Michael struggled, unable to shout, but Cullen outweighed him two to one. Foley was leaning against the van. Cullen
|
||||
let go and shoved Michael forward to stumble against the other man. </p>
|
||||
|
||||
<p>Foley brought him up sharp, two hands twisting his shirt tight, forcing his chin upwards. </p>
|
||||
|
||||
<p>"Leave me alone," Michael managed to gasp. The knuckles under his throat made it almost impossible to draw a
|
||||
breath. </p>
|
||||
|
||||
<p>"This the brainy one?"</p>
|
||||
|
||||
<p>Cullen nodded, keeping the pressure on. </p>
|
||||
|
||||
<p>"You go to college, arsehole?" Foley loosened the grip just a little. </p>
|
||||
|
||||
<p>"What's it got to do with you?" Michael knew who they were and he was scared. </p>
|
||||
|
||||
<p>"Don't give me any shite." He shoved Michael backwards. Cullen caught him and put him in a full nelson, bending his
|
||||
head right down towards the ground. Michael grunted with the pain. </p>
|
||||
|
||||
<p>"You go to college?" Foley asked again. </p>
|
||||
|
||||
<p>"What if I do? What's it to you?"</p>
|
||||
|
||||
<p>"So you've got brains, right?"</p>
|
||||
|
||||
<p>Michael tried to straighten up. </p>
|
||||
|
||||
<p>"If you've got brains, then you can take a message to that brother of yours."</p>
|
||||
|
||||
<p>Cullen loosened his grip and let Michael get vertical, while still keeping the lock on, forcing his arms above his
|
||||
head. </p>
|
||||
|
||||
<p>"What message?"</p>
|
||||
|
||||
<p>"This."</p>
|
||||
|
||||
<p>Foley leaned in and drove a short, fast punch, putting his weight behind it. It took Michael just below the eye with
|
||||
a watery crunch. Little sparks fizzled and danced and for a second his knees began to buckle. Cullen let go the grip
|
||||
and Michael sank towards the ground. He could smell blood somewhere and couldn't tell if it was from his eye or
|
||||
nose. He landed on his knees, hands up, protecting his eyes. Cullen kicked him hard on the back of his thigh and the
|
||||
force of it threw Michael forward onto his face. The dirt and dust clogged his throat when he hauled for air. </p>
|
||||
|
||||
<p>"Make sure he gets it," Cullen said. "He'll know who it's from."</p>
|
||||
|
||||
<p>His eye was closed by the time he got home, drizzling tears through the dust on his cheek. he bruise was purpling
|
||||
fast and blood was running freely from his nose and dripping from his chin. </p>
|
||||
|
||||
<p>"I fell," Michael said. </p>
|
||||
|
||||
<p>"Like hell you did," Jack said. His arm would be up in a blister later, but he was totally unaware of the scald. He
|
||||
had seen many a scrap before, been in many a scrap before. Alice Lorne was getting ice from the fridge and wrapping
|
||||
the chunks in a cloth. Sheena was fussing around, gushing a litany of Holy Mothers and Jesus-Mary-and-Joseph's. </p>
|
||||
|
||||
<p>Jack pulled him up. </p>
|
||||
|
||||
<p>"Who did that to you?" he could feel his hands bunch into fists. "Come on Mike, spit it."</p>
|
||||
|
||||
<p>"You leave the boy alone Jack Lorne," Sheena scolded. "Can't you see he's hurt?"</p>
|
||||
|
||||
<p>"I'm okay," Mike protested. He wasn't crying, but near to it. The tears were from the sting in his eyes. He knew if
|
||||
he said, Jack would be out there and it was two of them to one. </p>
|
||||
|
||||
<p>"I fell."</p>
|
||||
|
||||
<p>Alice looked at Jack.</p>
|
||||
|
||||
<p>"Is this something to do with you?" She pulled Michael in and dabbed at his eye, making him draw sharp breath, then
|
||||
forcing the cold cloth down onto the plummy bruise. Michael grunted and squirmed, trying to get away. </p>
|
||||
|
||||
<p>"Fell? My arse!"</p>
|
||||
|
||||
<p>"Jack, you watch your language!"</p>
|
||||
|
||||
<p>"Somebody took a poke at him. Right Mike? You been scrapping?"</p>
|
||||
|
||||
<p>He shook his head, trying to pull out of his mother's grip, but Alice was no stripling. </p>
|
||||
|
||||
<p>"Hold still and hold your wheesht." It came out sharp, an order, but she was smoothing his hair with her other
|
||||
hand.</p>
|
||||
|
||||
<p>"You bullshit me and I'll do the other eye," Jack said. </p>
|
||||
|
||||
<p>"Don't you dare, you big bully." Sheena turned on him. "What a terrible thing to say."</p>
|
||||
|
||||
<p>"Somebody gave him a doing and he's too scared to say." Jack pulled away and snatched his jacket from the hook. Real
|
||||
anger was clenching at his belly. </p>
|
||||
|
||||
<p>"Get back here.... " The door slammed on his mother's words.</p>
|
||||
|
||||
<p>They were waiting for him on the other side of the common. Jack could figure out what had happened, for if Mike was
|
||||
too scared to say it was only because he knew Jack would go and do something about it, so it couldn't have been a
|
||||
scrap with somebody his own size and weight. It was time to get this sorted out once and for all, get it over
|
||||
with. </p>
|
||||
|
||||
<p>The white van's engine was still running and he recognised it in the haze of exhaust, down by the boat yard. Jack
|
||||
just followed Michael's route home. It was not difficult to figure it out. The van reversed in through the big
|
||||
wooden slat-gate. </p>
|
||||
|
||||
<p>Foley kicked it shut as soon as he walked in. </p>
|
||||
|
||||
<p>"Tough nut, Lorne." Cullen's scabs were healing and peeling. "Your poofy brother must have brains after all."</p>
|
||||
|
||||
<p>Jack was in for it, in for a doing, but there was nothing for it if they were going to pick on his brother. This had
|
||||
to finish. Anger and apprehension wrestled inside his belly. Anger won the first round and adrenaline took
|
||||
over. </p>
|
||||
|
||||
<p>He swung in fast and punched Cullen on the eye. No pause, no hesitation, and it took Seggs completely by
|
||||
surprise. </p>
|
||||
|
||||
<p>"Bastard!" Cullen swung at him. Jack jinked back, still angry and wary, but taking great satisfaction in the feel of
|
||||
knuckles against cheek, then something slammed into his pelvis with such force the pain seemed to sing in a high
|
||||
clear note. He went down sideways. Foley raised the spar again and put all his weight into it, brought it down
|
||||
across his shoulders. Jack felt the leather of his bomber jacket rip as he twisted, vaguely aware that it gave him
|
||||
some protection. </p>
|
||||
|
||||
<p>Cullen swung a boot and he turned away, grabbing at it, kicking out with both feet to keep Foley away while he tried
|
||||
to roll out of range. He got to a knee, twisting Cullen's foot back, then levered up, throwing the other man off
|
||||
balance. Foley came in again and swung hard, just as Jack pivoted in his foot, twisting Cullen round. Seggs took the
|
||||
two-by-two across his shoulder and bawled. Jack pulled back and Foley swung again. This time he connected and Jack
|
||||
was down in the oil and the dust and the pair of them came in with the boot, kicking and stamping, forcing him into
|
||||
a corner. Jack swivelled right and left, arms up to protect his face, taking most of it in his belly and his back,
|
||||
rolling with it as much as he could, lashing out all the time to keep the punishment to a minimum. </p>
|
||||
|
||||
<p>"Kill the cunt," Foley snarled. "Kick his fucking head in."</p>
|
||||
|
||||
<p>Jack was squeezed up between two old oil drums, and the rust dust was in his eyes. Blood streamed down from a cut in
|
||||
his scalp and he tried to wipe it away. Foley peeled off while Cullen kept up the kicks, missing more than he
|
||||
connected, but connecting enough to make it matter, and then Foley swiped down at him from the low sun side and Jack
|
||||
just caught the movement in time to jerk away. </p>
|
||||
|
||||
<p>The metal bar hit the drum with such force it left a straight dented valley two inches deep. </p>
|
||||
|
||||
<p>Jack realised he was in big trouble. </p>
|
||||
|
||||
<p><em>"Hit him</em>," Cullen bawled. </p>
|
||||
|
||||
<p>Jack rolled scrabbling half blind, trying to find anything to lift and use. </p>
|
||||
|
||||
<p>"Do it," Cullen grated. Jack saw Foley lift and swing. </p>
|
||||
|
||||
<p>The sudden gunshot blasted everything to frozen silence.</p>
|
||||
|
||||
<p>Cullen visibly jerked back. Foley was half way through the swing and the noise broke his aim. The heavy bar slammed
|
||||
into the ground, missing Jack by a scant inch. </p>
|
||||
|
||||
<p>For a second Jack was blinded by the rolling dust. He scrabbled backwards, heels in the dirt, until he fetched up
|
||||
against the drums. </p>
|
||||
|
||||
<p>"What the fu..... ?"</p>
|
||||
|
||||
<p>The big gun bucked again, a fast crack of noise that spanged and echoed off the high corrugated iron fence. </p>
|
||||
|
||||
<p>"Drop it."</p>
|
||||
|
||||
<p>The barrel was up against Foley's head. Jack was struggling to his feet. </p>
|
||||
|
||||
<p>"Drop it or the next one's in your fucking skull."</p>
|
||||
|
||||
<p>"Jesus man don't... " Foley's voice was high and tight and all the roughness gone. </p>
|
||||
|
||||
<p>Cullen was frozen in the act of kicking. His eyes were fixed on the man with the gun. Foley tried to turn up to face
|
||||
him, but the barrel poked him down.</p>
|
||||
|
||||
<p>"Go on, <em>amigo, </em>make my day."</p>
|
||||
|
||||
<p>Foley still held the bar. </p>
|
||||
|
||||
<p>"Who the fuck are you?"</p>
|
||||
|
||||
<p>"I'm your worst fuckin' nightmare, fat boy."</p>
|
||||
|
||||
<p>"Fuck."</p>
|
||||
|
||||
<p>Jack felt a bubble hysteria try to force its way up and out over the sharp pain in his sides. His uncle's voice
|
||||
sounded rough and ragged, and he had put on a crazy Clint Eastwood accent. The balaclava almost completely hid his
|
||||
face, and the old goggles did the rest. The overalls were stained with oil and pigeon shit and the whole get-up made
|
||||
him look like a crazy Monte Carlo racing driver from the thirties. </p>
|
||||
|
||||
<p>The old Italian Beretta was jammed up against the back of Foley's head, forcing the woolly hat, and the coarse nylon
|
||||
wig to slip over one eye. </p>
|
||||
|
||||
<p>"Do you feel lucky, punk? Well, do ya?"</p>
|
||||
|
||||
<p>"Don't shoot man."</p>
|
||||
|
||||
<p>Sandy grabbed his collar and jammed the barrel in under his ear. </p>
|
||||
|
||||
<p>"You fuck with us, you make a big mistake."</p>
|
||||
|
||||
<p>Jack almost laughed out loud. The accent had changed to something from Goodfellas. He peeled away, hustling between
|
||||
the two of them. Sandy jerked his head towards the gate and then slammed Foley forward, fast and unexpected. The man
|
||||
lurched, fell against Cullen, and they both went tumbling into the drums which scattered underneath them. Sandy
|
||||
grabbed Jack and pulled him away through the gate and slammed it shut again. </p>
|
||||
|
||||
<p>"Daft bugger. Don't you ever do <em>that</em> again."</p>
|
||||
|
||||
<p>The old Honda engine was running and they were on and gone before Cullen and Foley could get to their feet
|
||||
again. </p>
|
||||
|
||||
<p>"Who the fuck was that?"</p>
|
||||
|
||||
<p>"He scared the shite out of me," Foley said. He was searching about amongst the scattered drums for his hat and his
|
||||
wig, all the blood sapped from his face. </p>
|
||||
|
||||
<p>"Don't you ever do that again," Sandy repeated. "You could get yourself killed."</p>
|
||||
|
||||
<p>"They beat Michael up."</p>
|
||||
|
||||
<p>"No. They hit him a punch so they could get you out, and you fell for it."</p>
|
||||
|
||||
<p>"I never fell for it. I wanted to finish it. I don't need the hassle right now."</p>
|
||||
|
||||
<p>"But you need your head caved in?" Sandy was angry with him, and scared for him. </p>
|
||||
|
||||
<p>"So now they'll come back again."</p>
|
||||
|
||||
<p>"And if they do, you wait and pick your chance. You don't go walking in somewhere with two loonies on your tail. Not
|
||||
when they can shut the door behind them and do it all out of sight. You go get your friends. Or your family."</p>
|
||||
|
||||
<p>"I never wanted you in it."</p>
|
||||
|
||||
<p>"We <em>are </em>in it. Listen Jake, I've been in more scraps than you've had your nookie. I saw Michael going up the
|
||||
road with one eye shut and his nose dripping red snotters. It wasn't hard to work it out, and you should have done
|
||||
the same."</p>
|
||||
|
||||
<p>"I did. I thought I'd take a couple and call it quits."</p>
|
||||
|
||||
<p>"You could have ended in the hospital, or worse. You take on somebody like Ferguson, you have to use your brains, if
|
||||
you have any. You never walk in and let them close a door on you. You never go in anywhere without a way out. Jesus
|
||||
boy, I should get you signed for the Paras and teach you some sense."</p>
|
||||
|
||||
<p>Jack had to concede the point. The pain under his ribs was nagging like an angry wife and a dull ache moaned in his
|
||||
thighs where he had taken some damage on the big muscles, not enough to cripple, but he knew it would be worse by
|
||||
the morning. </p>
|
||||
|
||||
<p>"Right okay, okay. I just got pissed when they came for Mike."</p>
|
||||
|
||||
<p>Sandy was stripping off the balaclava and his white hair was sticking up in unruly corkscrews. It just made him look
|
||||
like an old tough nut. Jack recalled the sudden crack of the gun. </p>
|
||||
|
||||
<p>"I thought you were going to pull the trigger."</p>
|
||||
|
||||
<p>"Then we'd both have been in the shit," Sandy said, and his face suddenly creased into a big grin that made his
|
||||
two-day beard stand on end. He could have doubled for the old gold prospector in the Treasure of Sierra Madre. He
|
||||
cracked a bottle and poured one for each of them, letting the home brew froth up to the rim. Jack drank it,
|
||||
surprised at how quickly it took the dust from his throat. It tasted great. </p>
|
||||
|
||||
<p>"How do you mean?"</p>
|
||||
|
||||
<p>Sandy jammed a hand into the bib pocket of his overalls and drew out the mean-looking big gun. He raised it and
|
||||
pointed it straight at Jack's chest, pulled the trigger and Jack jerked back on reflex at the sudden explosion. It
|
||||
made the window pane shudder and rattle. </p>
|
||||
|
||||
<p>"What... ?" His ears were ringing. </p>
|
||||
|
||||
<p>"Caps," Sandy said. "You wanted a gun like my old Italian job after you went rummaging up the loft. Christ, boy, your
|
||||
mother nearly ate my face off when that happened, for you could have put a hole through the wall, or through
|
||||
yourself. So I got you a replica. Cost me a fortune, by the way, but she said it looked too real. I was going to
|
||||
give it for your birthday when you were nine, but she kyboshed that idea. You don't fight with our Alice, not
|
||||
twice."</p>
|
||||
|
||||
<p>He grinned again and pulled the trigger five times in succession and now that he knew, Jack could hear the difference
|
||||
between explosive caps and real gunfire. Down in the scrapyard it had sounded all too real. </p>
|
||||
|
||||
<p>"You old bloody con-man," he said. </p>
|
||||
|
||||
<p>"Takes one to know one." Sandy raised his glass and Jack began to laugh. "But as Al Capone said, you can get more
|
||||
with a kind word and a gun than you can with a kind word alone, and I wasn't in the mood for kind words."</p>
|
||||
|
||||
<p>He jabbed a finger at Jack's chest. "Now are you going to tell me what you're up to?"</p>
|
||||
<hr />
|
||||
<p>The geese turned out to be a major problem. They were noisy and they were ill-tempered and they had little beady eyes
|
||||
that missed nothing at all. </p>
|
||||
|
||||
<p> Neil stared at them through the chain link and they stared back, with that half-sneer-half-snarl that big geese seem
|
||||
to be able to express while still only wearing beaks. They craned up, necks at full tilt, hissing like
|
||||
rattlers. </p>
|
||||
|
||||
<p>"They're worse than dobermen," Neil said, with some conviction. He pulled back from the fence and one of the geese
|
||||
stood up straight and flapped its wings so hard the air sang a set of low whoops. It honked its irritation,
|
||||
eloquently conveying the need to see these intruders off. </p>
|
||||
|
||||
<p>"And they've got dogs as well," Jed said. "Once the picket went up, they hired a team of security guards."</p>
|
||||
|
||||
<p>"That's all we need." Jack took out a small notebook and wrote something down in it, before tucking it into his
|
||||
inside pocket. He had a big bruise just north of his knuckles, an angry looking cleat mark that disappeared up his
|
||||
sleeve. Under his chin, another one was fading quickly and his swollen nose was less inflated than it had been
|
||||
yesterday. He walked stiffly, favouring the bruise-seized muscles in his thighs, but he'd managed to keep his face
|
||||
from getting broken. </p>
|
||||
|
||||
<p>"What will we do about these?"</p>
|
||||
|
||||
<p>"You'll have to make friends with them," Jack said. "Just pretend they're chicks at Mac's."</p>
|
||||
|
||||
<p>"He always gets a knock-back from the chicks," Jed said. "He's the last man standing at the end of the dancing."</p>
|
||||
|
||||
<p>"But he tries hard. These birds have got as much brains as the ones he goes for anyway, and with a bit of luck he'll
|
||||
get a gobble."</p>
|
||||
|
||||
<p>"That's turkeys, smartarse. Geese honk."</p>
|
||||
|
||||
<p>"And so do you, pal. Anyway, get down to Ryan's pet shop and get a load of pigeon feed."</p>
|
||||
|
||||
<p>"What's that like?"</p>
|
||||
|
||||
<p>"It's like sweetcorn, only hard as rock. But that's what birds eat. Stick it in a pan with some butter and you get
|
||||
loads of the stuff."</p>
|
||||
|
||||
<p>"Okay. And then what?"</p>
|
||||
|
||||
<p>The geese were still giving them the hostile beady eye. Hereabouts they were famous, like the big white King Geese at
|
||||
Ballantines distillery, and Alistair Sproat had pinched the idea from them. They were mean and hard and missed
|
||||
nothing. Bunched together in a gang they'd have a go at anything on two feet or four, and apart from the crazy noise
|
||||
they set up that could be heard halfway across town, they never came off second best.</p>
|
||||
|
||||
<p>"Then you start feeding them. Every night, same time, same place. You'll have to work on them, but as long as they
|
||||
get used to getting their dinner right round the corner, we have a chance. But you have to make a career out of it.
|
||||
Ever heard of Pavlov's dogs?"</p>
|
||||
|
||||
<p>"What, is he a breeder?" </p>
|
||||
|
||||
<p>Jack shook his head in disbelief. Jed just looked blank. </p>
|
||||
|
||||
<p>The dogs were another problem. Jack wrote another note in his book as Neil was asking for some money from the kitty
|
||||
for the bird feed. The security men were new, not from around here. They had two big black and tan panting dogs that
|
||||
hauled them around on short leads, patrolling back and forth behind the gates. </p>
|
||||
|
||||
<p>"Sproat's worried they'll torch the place."</p>
|
||||
|
||||
<p>"Just as long as they wait until after we're done," Jack said, "Then they can do what they like. In fact, that might
|
||||
not be a bad idea at the end of the day. I'll have to think."</p>
|
||||
|
||||
<p>Neil looked at him in shock.</p>
|
||||
|
||||
<p>"Only kidding."</p>
|
||||
|
||||
<p>He had come from the dairy with his last wages tucked in his hip and a P45 in his inside pocket and despite it all,
|
||||
he felt more sorry for Andy Kerr who had done his level best. </p>
|
||||
<hr />
|
||||
<p>It had been a glorious morning, the best Jack could remember for years, up at four, washed and out, with the sun
|
||||
hidden behind the rise of Longcrag Hill, lancing its beams upwards to touch the high haze a sweet rose pink. The
|
||||
robin had been bursting its guts from its stance on the garden fork and the blackbirds gave it everything they had.
|
||||
The air had that July scent that told you the sun would stay high and the air stay dry. Far-off in the sky, three
|
||||
wild ducks whirred down from Loch Humphrey up in the hills to feed on the estuary. Early pigeons purred from the big
|
||||
weeping ash in his mother's back garden that his grandfather had planted before Jack was born. </p>
|
||||
|
||||
<p>Michael had been snoring, curled up on himself, with that bruise like a blue hammock under his eye. The odd punch
|
||||
never did a youngster any harm, but Jack still felt the clench at the thought of Cullen and his sidekick having a go
|
||||
at a boy half their size. Mike was the baby of the family, the one with brains. He'd no part in any of this. </p>
|
||||
|
||||
<p>Jack wrapped his sandwiches, slung them in the haversack, and closed the door quietly on the way out. It took ten
|
||||
minutes to get down to the dairy, walking in the pre-day light, smelling the scent of hawthorn and the river. Jed
|
||||
Coogan was slowly backing the big tanker up against the loading bay. </p>
|
||||
|
||||
<p>Andy Kerr rolled up the shutters and gave Jack a slow wave that said a lot. It had been a while since he'd been up
|
||||
with the deliverymen and the dawn, but it was Friday and Jack knew he was there to make it personal. Poor bugger,
|
||||
he'd tried hard and done his best. </p>
|
||||
|
||||
<p>It was the usual run, Drymains, Overburn, out to the east of the town and back along by the castle and finished by
|
||||
six, aware of the sun rising over the crags, lancing through the pines on the crest of Drumbuie Hill and turning the
|
||||
Clyde into a molten silver snake on its way up to the city. </p>
|
||||
|
||||
<p>"I never meant for this to happen," Andy said. He had a bit of colour back in his face, from the exertions of the
|
||||
morning, but his hair looked even greyer. Jack had been helping hose down the big tanker, shielding his eyes from
|
||||
the reflected light from the stainless steel bulkhead when Andy came out onto the step and whistled through the hiss
|
||||
of the hose. He beckoned a come-on and Jack turned the water off. </p>
|
||||
|
||||
<p>"I know that," Jack said. "It's been hard going."</p>
|
||||
|
||||
<p>"Believe that, it's been a ballbreaker." Andy fished in his desk drawer and drew out an envelope. "Holiday pay, two
|
||||
weeks money, and redundo. I've done my best on that, Jack, so you're not on the minimum. You've done me good and I
|
||||
appreciate that. For what it's worth, if things had worked out, you were to be off the run in a couple of months and
|
||||
in here with me. If we'd been able to expand I'd have made you up. I know you're halfway through your course and I
|
||||
can use somebody with a bit of savvy. It would have been good for us both."</p>
|
||||
|
||||
<p>"I appreciate that," Jack said, feeling awkward, but knowing Andy wasn't just saying that to hear his own voice. He
|
||||
took the envelope and stuck it in his pocket, sight unseen. </p>
|
||||
|
||||
<p>"You'll be glad to get a long lie."</p>
|
||||
|
||||
<p>"I'd rather this place wasn't going down."</p>
|
||||
|
||||
<p>"You and me both," Andy said, forcing a smile. "My great grandfather started this place. I never thought I'd be the
|
||||
one to see it shut, but everything came at once."</p>
|
||||
|
||||
<p>"What about Billy?"</p>
|
||||
|
||||
<p>"Billy is just part of it. You know the score anyway, so I might as well tell you. He pocketed the national insurance
|
||||
and the tax and he had a couple of deals going with the hotels. A big discount. A big backhander to you and me. It
|
||||
was all going into his back pocket and the bastard looked me straight in the eye day after day. The bank bailed me
|
||||
out, but that was just robbing Peter to pay Paul."</p>
|
||||
|
||||
<p>"So what next?"</p>
|
||||
|
||||
<p>"I pull in my belt until my eyes pop. Sproat's given me two months and then he wants vacant possession. There's
|
||||
nothing I can do unless I come up with the money, which is as likely as the Pope turning protestant. Sproat's got me
|
||||
by the shorts and he knows it."</p>
|
||||
|
||||
<p>"He's a prick," Jack said, feeling the clench of anger again, anger at Sproat's arrogance.</p>
|
||||
|
||||
<p>"That's business Jack, never forget that's what happens. You should never be in business if you can't stand with the
|
||||
big boys. I could take on Scot-Milk and make a living, and I could maybe take on Sproat, but both of them and
|
||||
Bastard Billy all at the same time? Six in the morning and I feel punch drunk already."</p>
|
||||
|
||||
<p>He looked over at Jack. "I feel the way you look."</p>
|
||||
|
||||
<p>"Just a couple of slaps. Boy stuff." Jack looked back. "I was talking to the Dunvegan lads. They're really screwed up
|
||||
on Skye. The whole plant is closing."</p>
|
||||
|
||||
<p>"Yeah, I heard."</p>
|
||||
|
||||
<p>"There's a cheese plant up there that's hit the skids. ScotMilk pulled out and left them high and dry. They've got a
|
||||
dairy farm with a big surplus. Maybe it's something you should think about."</p>
|
||||
|
||||
<p>Andy rubbed his chin. </p>
|
||||
|
||||
<p>"Skye? That's a bit of a distance. No, it's a hell of a distance. The milk would be butter by the time I got down
|
||||
here."</p>
|
||||
|
||||
<p>"It's a herd of jerseys, real prime, so I'm told. Five hundred head and averaging five gallons a beast every day.
|
||||
You're talking top quality cream content. And it would be a good source."</p>
|
||||
|
||||
<p>"I'd have to find a market, Jack, and I'm up to my eyes looking for second hand tankers. These big Freuhaufs have to
|
||||
go back."</p>
|
||||
|
||||
<p>Andy looked as if his eyes were going to fill up. The tankers had come at almost a hundred grand a piece, state of
|
||||
the art twelve wheelers that had been an extravagance maybe. No, <em>definitely</em>, but that had been before Billy
|
||||
had done a runner and before ScotMilk's muscle had come in undercutting every contract. </p>
|
||||
|
||||
<p>"When to they go?"</p>
|
||||
|
||||
<p>"I'm clear to the first day of the month, then they're gone."</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
815
build/Full Proof/OEBPS/ch08.xhtml
Normal file
815
build/Full Proof/OEBPS/ch08.xhtml
Normal file
@ -0,0 +1,815 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>8</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>8</h1>
|
||||
|
||||
<p>Tam Bowie jumped like a startled rabbit when Jack climbed over the sumps and surprised him. He was down and out of
|
||||
sight in a natural niche surrounded by the big yellow polyurethane tanks that would eventually be sunk with the
|
||||
drains on the building site. The sun was high overhead and Tam’s overalls were stripped off his shoulders as he sat
|
||||
slumped against the side, soaking up the rays, eyes closed. A tattered Knave magazine had flopped to the side,
|
||||
opened at the centrefold and displaying a dark haired girl with impossible gravity-defying breasts, her spine
|
||||
contorted into a pouting position that would have made a gynaecologist’s job a dawdle.</p>
|
||||
|
||||
<p>Jack thudded his hand hard against the side of the tank, making it boom like a deep bass drum and Tam came awake with
|
||||
a start. </p>
|
||||
|
||||
<p>"Whah?"</p>
|
||||
|
||||
<p>"Lazy shirking skiver. Haven't you got work to do?" </p>
|
||||
|
||||
<p>"Lazy nothing." He rubbed his eyes. "I've been grafting all day, not like you, finished by twelve o'clock, half-day
|
||||
merchant."</p>
|
||||
|
||||
<p>"P-forty five by twelve," Jack said without rancour but deliberately embarrassing Tam. "I just got my jotters. Give
|
||||
us a job."</p>
|
||||
|
||||
<p>"Oh, hell man, did you get the bullet today?"</p>
|
||||
|
||||
<p>"It's worse than that," Jack said. "We're in a spot of trouble." He picked up the Knave and thumbed through it,
|
||||
holding a centrefold wide. "I thought you got a <em>D</em> in biology."</p>
|
||||
|
||||
<p>"I've studied it a lot since then. What's the problem?"</p>
|
||||
|
||||
<p>"We might have to go early. At least start early. Andy Kerr's getting rid of the trucks at the end of the month.
|
||||
They're coming to take them away."</p>
|
||||
|
||||
<p>"So?"</p>
|
||||
|
||||
<p>"So we haven't got a date for the decant. I'm going to have to get some inside knowledge. If we don't get a date
|
||||
we're slaughtered before this thing gets off the ground."</p>
|
||||
|
||||
<p>He sat down in the sun, feeling the heat reflect of the big plastic tanks. </p>
|
||||
|
||||
<p>"What are these things?"</p>
|
||||
|
||||
<p>"Drain sumps. This place is too near the river and if there's a lot of rain, you have to hold it somewhere when the
|
||||
tide's in. Then it drains away later."</p>
|
||||
|
||||
<p>"Big, aren't they?"</p>
|
||||
|
||||
<p>"This whole site needs ten of them, just to be on the safe side. They take a hell of a lot of rain."</p>
|
||||
|
||||
<p>"Do you fit them?"</p>
|
||||
|
||||
<p>"Come on man, I'm a plumber, not a navvy. They just dig a big hole and slot them in. I do the delicate work. I'm a
|
||||
<em>craftsman</em>."</p>
|
||||
|
||||
<p>"Well get yourself along to Neil's place tonight. We've got to work out just what you <em>can</em> do."</p>
|
||||
<hr />
|
||||
<p>Neil Cleary had searched the old cellars at the back of the tenement gardens and found the biggest jam pan any of
|
||||
them had ever seen. It sat on the hot gas ring while he poured a stack of corn kernels into it. </p>
|
||||
|
||||
<p>"What the hell's that?" Jed wanted to know. </p>
|
||||
|
||||
<p>"Bird feed."</p>
|
||||
|
||||
<p>Ed Kane looked up, eyebrows raised, face all questions. </p>
|
||||
|
||||
<p>"It's a long story," Jack said. He bent to the plans that were spread out over the table. </p>
|
||||
|
||||
<p>"How long have we got?"</p>
|
||||
|
||||
<p>"At least a fortnight," Neil said.</p>
|
||||
|
||||
<p>"No, I mean tonight."</p>
|
||||
|
||||
<p>"A couple of hours, my mother won't be back until after ten when the bingo comes out, but we have to disappear by
|
||||
then."</p>
|
||||
|
||||
<p>"Doesn't she like you having your mates in?" Ed asked. Neil, like Jack, still stayed at home. </p>
|
||||
|
||||
<p>"No, she doesn't give a toss. But she'll be bringing my aunts with her and they'll all have a wee Carlsberg and a
|
||||
vodka. That's their Friday night treat. Then they all start talking at once, non stop, total marathon earache. You
|
||||
can stay for that if you want, but I'm telling you man, it's like Chinese water torture. It would drive you
|
||||
demented."</p>
|
||||
|
||||
<p>Neil turned to the pan. "How much of this stuff do you put in?"</p>
|
||||
|
||||
<p>"Who knows?" Jack said. "My Grandad feeds it to the pigeons and they don't care. Just make sure you've got plenty.
|
||||
We've got two hours, so let's get down to it." Jack flattened out the blueprint creases and Ed and Tam leant
|
||||
over. </p>
|
||||
|
||||
<p>"That's the bottling hall," Ed said. Jack recognised the plan from his visit. His eye traced the white lines of the
|
||||
filling rack where the bottles shunted round on a circular gantry to have the whisky force-injected down their
|
||||
necks. "Which part do you want?"</p>
|
||||
|
||||
<p>"You tell me. I'm guessing here, but it's that big steel tank that holds all the whisky, isn't it?"</p>
|
||||
|
||||
<p>Ed agreed. "That's where it's going to be, sure. But it takes three days to get it from the barrels in there. I know,
|
||||
because I'll be the one rolling them up the ramp and hooking the bungs out. You're talking five hundred barrels,
|
||||
give or take. Less if they use butts or hogsheads, but it's all got to come out the bunghole."</p>
|
||||
|
||||
<p>"Tam should know. He's good at biology."</p>
|
||||
|
||||
<p>"Go take a flying f...."</p>
|
||||
|
||||
<p>"Anyway, you'll never get it out of there, not if it takes three days to put it in."</p>
|
||||
|
||||
<p>"How long does it take to bottle all that lot?"</p>
|
||||
|
||||
<p>"Another three. You can only go as fast as they can stick the labels on, but it's all automatic. They've got pressure
|
||||
pumps, the lot."</p>
|
||||
|
||||
<p>Jack sat still for a minute, head in his hands, thinking hard. He turned the blueprint over, closing his eyes to
|
||||
recall the scene in the decant hall. The next level down from the metal platform they'd stood on was on the next
|
||||
sheet. He unfurled it and flattened it out, keeping the first one at the side, so they could have a ready
|
||||
reference. </p>
|
||||
|
||||
<p>"This is the important part. That's where Tam comes in."</p>
|
||||
|
||||
<p>The tracery of pipes showed up white against the blue. </p>
|
||||
|
||||
<p>"You're the expert, you can tell us what's what"</p>
|
||||
|
||||
<p>Tam angled his head so he could read the blueprint. </p>
|
||||
|
||||
<p>"You got to be joking. I'm a plumber, not a rocket scientist."</p>
|
||||
|
||||
<p>Jack sat back, brows down. "Come on, man. You put in central heating, I've seen it. This is just the same thing,
|
||||
isn't it?"</p>
|
||||
|
||||
<p>"Yeah, right." Two positives made a flat negative. "Central heating is ten radiators and a circuit of ten mil copper.
|
||||
What the hell is this?"</p>
|
||||
|
||||
<p>Ed broke in. "You got coolers, drains, blend feeds, washers."</p>
|
||||
|
||||
<p>"So which ones are which?"</p>
|
||||
|
||||
<p>"Don't you know?"</p>
|
||||
|
||||
<p>"How the hell should I know? They're just a lot of squiggly lines."</p>
|
||||
|
||||
<p>Jack put his face in his hands. "Get with the program, Tam! What's the point in being a plumber if you don't know
|
||||
what pipes are for?"</p>
|
||||
|
||||
<p>"Where does it say what these bloody pipes are for?" Tam demanded. </p>
|
||||
|
||||
<p>Jack patiently tapped the bottom of the blueprint, where a schematic of varying lines matched up with a list. He
|
||||
looked at Tam: "Great achievements involve the co-operation of many minds - Alexander Graham Bell. First
|
||||
ensure mind is clear. Then put it in gear. Release the clutch slowly. Proceed with caution."</p>
|
||||
|
||||
<p>"Sarcastic prick," Tam said sheepishly. "Right. What have we got?"</p>
|
||||
|
||||
<p>"Donny, that last lot of whisky that went down the drain. It came out the south side, right?"</p>
|
||||
|
||||
<p>Donny screwed his eyes up, made a left and right signal while he worked out east and west. </p>
|
||||
|
||||
<p>"Sure. It came right down the pipe and into the golf course drain, remember? Billy Butler was as mad as a wet
|
||||
blanket."</p>
|
||||
|
||||
<p>"Here, look at these." Jack handed him a set of colour prints that zoomed in to the base of the distillery wall about
|
||||
fifty yards inside the perimeter fence. </p>
|
||||
|
||||
<p>"You never got these done in Boots, did you?"</p>
|
||||
|
||||
<p>"It's digital.. Take a look and tell me where the stuff came out."</p>
|
||||
|
||||
<p>Donny held the prints up, scanning them one by one. The fourth showed three low down entrances on the wall, each
|
||||
protected by a small metal grate that was fixed with a padlock. In front of the three little gates was a wide
|
||||
concrete depression which fed into a drainage grille. </p>
|
||||
|
||||
<p>"One of them, but I don't know which one. Does it matter?"</p>
|
||||
|
||||
<p>"Sure it matters, and we have to find out. That's not too far from the cooperage, you reckon you could take a swing
|
||||
past and sniff around."</p>
|
||||
|
||||
<p>"Better I do it," Ed said emphatically. "I'll be moving the barrels that way anyway."</p>
|
||||
|
||||
<p>"We need those doors off, so it'll take a pair of cutters. We can replace the padlocks. I'm guessing they never get
|
||||
opened one month to the next."</p>
|
||||
|
||||
<p>Ed shrugged and they turned back. </p>
|
||||
|
||||
<p>"Does this stuff need sugar or salt?" Neil was getting the kernels ready. </p>
|
||||
|
||||
<p>Tam traced the lines with his finger, leaning close to the print. </p>
|
||||
|
||||
<p>"That's the big wash drain," Ed said. But you got the floor system as well. Everything gets hosed and then
|
||||
chlorinated. There's a third one for the washroom."</p>
|
||||
|
||||
<p>"How do they get the whisky out for bottling?"</p>
|
||||
|
||||
<p>Tam sat up. "There. That's a big pipe. Is it copper or brass?"</p>
|
||||
|
||||
<p>Ed shrugged again. "Beats me. I can try and check."</p>
|
||||
|
||||
<p>"Good man," said Jack. "We need the specs and then we have to do a divert. That's a whole mess of pipes down there,
|
||||
so we have to get something in there so they won't notice. We need to get the stuff out of the tank and through that
|
||||
wall."</p>
|
||||
|
||||
<p>"And how are you going to manage that," Tam asked. "It's not just a matter of turning a tap. You'd have to connect
|
||||
this," he jabbed a finger straight down, "to this. Not easy."</p>
|
||||
|
||||
<p>"But you'll manage it, right?"</p>
|
||||
|
||||
<p>"How do you mean <em>I'll</em> manage it?"</p>
|
||||
|
||||
<p>"You're the technician. We're going to get you in there."</p>
|
||||
|
||||
<p>Tam sat up straight, jaw agape. </p>
|
||||
|
||||
<p>"You have to be jokin'. "</p>
|
||||
|
||||
<p>Ed laughed. "Hey, you know him better than me, and <em>I </em>know he's not joking."</p>
|
||||
|
||||
<p>"You trying to get me the jail?"</p>
|
||||
|
||||
<p>This time they all laughed, even Neil.</p>
|
||||
|
||||
<p>"Tam, if we screw up in this, we'll all end up in jail. I told you, you could lose your shirt. But there's nearly two
|
||||
million in high tension hooch there, just waiting for somebody smart enough. We can't get it out if we can't get you
|
||||
in, <em>kapeesh</em>? You know pipes, so you're the man. <em>Plumbermeister</em>."</p>
|
||||
|
||||
<p>"Jesus. The last central heating job I did I flooded a woman out. That's nothing compared to this. And where are you
|
||||
going to be?"</p>
|
||||
|
||||
<p>"I'm the man with the plan. I know bugger all about pipes and drains."</p>
|
||||
|
||||
<p>"You're bloody cold-hearted crazy Keyser Soze. And just how the hell are you going to get me in there?"</p>
|
||||
|
||||
<p>"That's the interesting part," Jack said. "You're really going to love it."</p>
|
||||
<hr />
|
||||
<p>Gus Ferguson was up in the far corner of the bar in the Capstan, down near the river quay, well away from the front
|
||||
door. The Capstan had been an old riverman's bar in the old days, when the barges and puffers brought in coal and
|
||||
steel for the shipbuilding and herring from Loch Fyne way back before the war, and it still has that kind of
|
||||
atmosphere; rough and ready, sometimes as rough, as they say hereabouts, as a badger's arse. The wood around the
|
||||
gantry was blackened by more than a century of plug tobacco smoke. A back door led onto Barley Cobble and any number
|
||||
of old narrow alleys, so if trouble came in the front, that was the exit for the wanted, the wary, and a variety of
|
||||
stolen goods.</p>
|
||||
|
||||
<p> "What sort of gun was it?"</p>
|
||||
|
||||
<p>"How should I know? It went off right next to my ear. What you think? I'm going to ask the make and model?"</p>
|
||||
|
||||
<p>"Don't get smart. What did it look like, a revolver? A rifle? Was it a fuckin' shotgun?"</p>
|
||||
|
||||
<p>"No. It was one of those James Bond things. Shit, man, I don't know."</p>
|
||||
|
||||
<p>"And the shooter, what was he like?"</p>
|
||||
|
||||
<p>"He was done up like the bloody IRA, man. Had a fucking balaclava and big biker goggles and he sounded Irish as
|
||||
well. </p>
|
||||
|
||||
<p>"Irish American," Foley chipped in. "a right hard nut an all. You could tell."</p>
|
||||
|
||||
<p>"Brilliant. You two tossers were supposed to slap that ginger prick around, give him a sore face and swollen balls
|
||||
and what happens? You get tanked. Twice. <em>Jesus</em>."</p>
|
||||
|
||||
<p>He lifted his whisky. </p>
|
||||
|
||||
<p>"That milkman. Jake Lorne. Where's he getting IRA men to fight his battles? Is he connected? I never even knew he was
|
||||
a Tim."</p>
|
||||
|
||||
<p>Cullen shrugged. "We were doin' him. No contest."</p>
|
||||
|
||||
<p>"Aye, right, so you were. You got another one in the eye. You don't look like you were getting first prize. What a
|
||||
pair of tits."</p>
|
||||
|
||||
<p>"No, honest. He was down and taking it. We were getting tore in, and then this nutter comes in and pulls out a
|
||||
shooter and nearly takes my head off with it. He had that barrel jammed in my neck. If he'd have fired it my brains
|
||||
would have been all over the place"</p>
|
||||
|
||||
<p>"What brains? He'd have to be a fucking sharpshooter to hit your fucking brain at point blank."</p>
|
||||
|
||||
<p>"Swear to Christ Gus, he wasn't kidding. Then the two of them fuck off on a bike. That's definitely IRA style, innit?
|
||||
That's how they topped that Irish bird from the paper. You don't mess with these loonies."</p>
|
||||
|
||||
<p>"Could have been UDA," Foley observed. "I think Lorne's a proddy."</p>
|
||||
|
||||
<p>"He's a fuckin' <em>milkman</em>, for christ's sake," Ferguson was beginning to lose it just a little. Some of the
|
||||
guys down the far end of the bar looked up. Charlie Neeson started clearing tumblers off the deck, just in case some
|
||||
hooking and jabbing ensued. A true professional, he got the big towel ready to protect his face from shrapnel.</p>
|
||||
|
||||
<p>"A mouth and a milkman, and they've made twats out of you two. And that means they've made one out of me an'all. You
|
||||
get slapped around, what are folk going to think? You pummel his wee brother, a boy just out of school, couldn't
|
||||
punch his way out of a wet poke. Very good. Real big hard men."</p>
|
||||
|
||||
<p>"It got Lorne going," Cullen said, beginning to laugh. </p>
|
||||
|
||||
<p>Ferguson snaked a thick forearm out and his beefy hand grabbed Cullen by the shirt collar. The smile died a
|
||||
death. </p>
|
||||
|
||||
<p>"Aye, that's just what I need, eh? You want folk to think I go around slapping wee boys and getting tanked by their
|
||||
big brothers? Jesus, I should slice you where you stand, loony tunes. That would fucking show them, and you as well.
|
||||
You're the talk of the street, the pair of you. You walked into Mac's and they dodged out the back and left you
|
||||
hanging like limp dicks."</p>
|
||||
|
||||
<p> He punctuated his words with hard dunts of his calloused knuckles against Cullen's chin. Cullen's face went bright
|
||||
red, but he just took it, no chance of him coming against Ferguson. Foley stepped back just in case it all developed
|
||||
into some serious hitting. He'd put on a clean pair of jeans just that night. </p>
|
||||
|
||||
<p>"Daft bastard. What were you going to do in front of a hundred witnesses? You were going straight to the Bar-L in
|
||||
cuffs, that's what. I ask you do to a job, a bit of slap and tickle, and the pair of you come back like the walking
|
||||
wounded, like you've been hit by a fuckin' truck."</p>
|
||||
|
||||
<p>He shoved Cullen one more time and let go, sending the other man stumbling back into the cigarette machine. It
|
||||
rattled hard, and for a second Charlie Neeson thought it was going to come off the wall. It wouldn't have been the
|
||||
first time. He stayed down the far end, polishing a clean glass, seeing nothing at all. </p>
|
||||
|
||||
<p>"Right. Stay clear of the pair of them. <em>I'll </em>find out who's who in the fuckin' zoo. Got that?"</p>
|
||||
|
||||
<p>Foley nodded. Cullen had barged into him on the way and his wig was slightly askew again. </p>
|
||||
|
||||
<p>"I want to know who the shooter was. If it was any of the Corrieside team, then I'll have the fucker. And once I've
|
||||
found out, I'll sort Lorne out myself. No milkman's going to make a fanny out of me, right?"</p>
|
||||
|
||||
<p>Cullen nodded, ready to agree to anything.. </p>
|
||||
|
||||
<p>"You stay well away. From here on, you're collecting and delivering, okay?"</p>
|
||||
|
||||
<p>They both nodded. </p>
|
||||
|
||||
<p>"And if that delivery boy is going to bring hardware against me, he'll wish he'd never been born, IRA or no
|
||||
<em>IR</em> fucking <em>A</em>." </p>
|
||||
<hr />
|
||||
<p>"All we have to do is find out when the decant is," Jack said. "We got three days from the start, maybe four, right
|
||||
Ed?"</p>
|
||||
|
||||
<p>Ed was okay with that. </p>
|
||||
|
||||
<p>"Donny, we're going to need some barrels."</p>
|
||||
|
||||
<p>"Sure, I can fix you up. Sproat's going to have to sell the stock anyway."</p>
|
||||
|
||||
<p>"How will you get them?"</p>
|
||||
|
||||
<p>"Same as last year. Remember the river burst its banks? Half the used stock went floating down to the Clyde. Took
|
||||
weeks to get them back."</p>
|
||||
|
||||
<p>"That's okay for you guys," Tam said. "But I still don't know how I'm going to get in there. There's security cameras
|
||||
and dogs and those loony geese and damn customs men crawling all over the place."</p>
|
||||
|
||||
<p>Jack tapped his nose again. "Need to know. But take your tools. And by the way, it's no names after tonight. Neil,
|
||||
any further forward with the mobiles?"</p>
|
||||
|
||||
<p>"Thursday. Friday latest. Paddy says no problem."</p>
|
||||
|
||||
<p>"Chargers as well. I don't want the thing going dead on us at the crucial. And I need hands-free stuff as well. Can
|
||||
Paddy do that?"</p>
|
||||
|
||||
<p>"Sure he can. What do you mean no names?" Neil was peering over the pot. An ominous smell of burning fat heated the
|
||||
air in the kitchen. </p>
|
||||
|
||||
<p>"Like Reservoir Dogs. Mr Pink, that's you."</p>
|
||||
|
||||
<p>"I'm not bloody Mister Pink."</p>
|
||||
|
||||
<p>"And Donny's Ginger minge." Tam burst out laughing. </p>
|
||||
|
||||
<p>"And you're Mr Banker."</p>
|
||||
|
||||
<p>Tam stopped laughing. "What's that mean?"</p>
|
||||
|
||||
<p>"Total wanker," Jack said. The rest of them hoo-hawed. </p>
|
||||
|
||||
<p>"No, seriously. Once we get the gear, we need a code. And we have to have some rules."</p>
|
||||
|
||||
<p>Neil turned from the big pan, went to Brad Pitt mode<em>: "</em>The first rule of fight club is, you don't talk about
|
||||
fight club. The second rule of fight club is, you don't talk about fight club."</p>
|
||||
|
||||
<p>"Got it in one. We don't mention Aitkenbar, we don't talk about whisky, and if something goes wrong, we don't talk
|
||||
about <em>anything</em>. First thing the cops do is divide and conquer, pretend your mates have grassed you up.
|
||||
Don't believe them because if you do, then we're all going down. Everybody must have total amnesia."</p>
|
||||
|
||||
<p>"Who said that?" Jed said, going for the laugh.</p>
|
||||
|
||||
<p>Jack pulled out his little notebook. He looked at Tam: "You're Harley. Neil, you can be Elvis."</p>
|
||||
|
||||
<p>"Uh huh-huh."</p>
|
||||
|
||||
<p>Jed waited expectantly. "Bullitt."</p>
|
||||
|
||||
<p>"Suits me, boss."</p>
|
||||
|
||||
<p>"Donny, you can be Tarzan."</p>
|
||||
|
||||
<p>He did the expected yell, beat his chest.</p>
|
||||
|
||||
<p>"And what about you?" Tam asked.</p>
|
||||
|
||||
<p>"I let my music speak for me. You can call me Retro."</p>
|
||||
|
||||
<p>Tam was about to respond when a key rattled at the front door and bustling noises came down the narrow lobby. </p>
|
||||
|
||||
<p>"What's that smell?" A woman's voice, throaty with cigarette smoke. "Something's burning in here. <em>Neil!</em>"</p>
|
||||
|
||||
<p>"Is your Neil cooking?"</p>
|
||||
|
||||
<p>"That'll be the first time. He can't make corn-flakes without burning them." Women's laughter echoed up the hallway
|
||||
and the door opened. </p>
|
||||
|
||||
<p>"Oh hullo boys. Dear me, it's a full house tonight. Are you having a wee party? And Neil, son, what on earth is that
|
||||
awful smell?"</p>
|
||||
|
||||
<p>"Hi Ma, did you win?"</p>
|
||||
|
||||
<p>"No son, no luck tonight. Never even got a line. What are you doing, making jam?"</p>
|
||||
|
||||
<p>"No. I thought I'd made the boys some sweet corn," Neil said. </p>
|
||||
|
||||
<p>"Pop corn," Jack corrected. "Hullo Mrs Cleary. He's practising for Masterchef. We're the judges."</p>
|
||||
|
||||
<p>"But it's not working."</p>
|
||||
|
||||
<p>The second woman bustled in. "That's awfully nice, cooking for your pals, Neil."</p>
|
||||
|
||||
<p>Neil was leaning over the pan and the smoke was beginning to pool around the ceiling light in darker billows. The
|
||||
smell of burning spread out. </p>
|
||||
|
||||
<p>"Neil, are you sure you know.... "</p>
|
||||
|
||||
<p>Something exploded in the pan and he jerked back as a white missile whirled over his shoulder. </p>
|
||||
|
||||
<p>His mother squealed. </p>
|
||||
|
||||
<p>"What in the name of the wee man... ?" The second aunt let out a little yelp and barked her shin on a chair. </p>
|
||||
|
||||
<p>Suddenly the whole pan seemed to leap off the stove and the corn simply blasted out in a fountain that crackled like
|
||||
fireworks. A piece fell into the blue gas flame and flared alight. Neil jerked back in alarm, covering his face and
|
||||
volcano of popcorn erupted outwards, hitting the ceiling and walls, bouncing off the work surface, and cascading to
|
||||
the floor. In a few seconds it was almost ankle deep. </p>
|
||||
|
||||
<p>Jack and the rest of them ran for the door and left Neil to explain to the squealing women, while the corn torrent
|
||||
began to pile up on every surface and ricocheted off the walls. </p>
|
||||
<hr />
|
||||
<p>Alistair J. Sproat slapped the paper down on the long mahogany desk that had been polished by the fine wool and tweed
|
||||
elbows of his ancestors for almost two centuries.</p>
|
||||
|
||||
<p>"They want have the whole plant listed?"</p>
|
||||
|
||||
<p>"No," Jamieson Bell said. "Not the bottling hall and the warehouses."</p>
|
||||
|
||||
<p>"But all of the distillery? The malt house, the still-room?"</p>
|
||||
|
||||
<p>"And the pot stills themselves. They're a hundred and fifty years old." Jamieson Bell might be the council leader,
|
||||
but old habits died hard hereabouts. The ship owners and distillerymen always had a finger in the works and though
|
||||
the shipping was long gone, the Sproats still wielded some power in this town. </p>
|
||||
|
||||
<p>"Scottish Heritage could get involved. Almost certainly they <em>will</em> get involved. We've had a request to apply
|
||||
for listing."</p>
|
||||
|
||||
<p>"Which you will no doubt file until this deal is done?"</p>
|
||||
|
||||
<p>"If I can. It might not be just as easy."</p>
|
||||
|
||||
<p>"I don't understand this, Jamieson. You run the council and you make the decisions. What else is there to know?"</p>
|
||||
|
||||
<p>"If it were just a case of getting a request, we could keep it going long enough, but they've gone to the press, and
|
||||
they've got some muscle."</p>
|
||||
|
||||
<p>"Who are <em>they?</em>"</p>
|
||||
|
||||
<p>"Charter 1315" Bell said. "A bunch of teachers and academics. Tree huggers and friends of the earth, but they're a
|
||||
loud bunch of agitators. They took us on a couple of years back over the river rights, and we don't want to go down
|
||||
that road again if we can help it. They could cause us a lot of trouble in an election year."</p>
|
||||
|
||||
<p>"I've forked out for every damned election you've ever faced," Sproat said, finger poking the air in short stabs for
|
||||
emphasis. </p>
|
||||
|
||||
<p>"I know you have." Bell tried placation, "And don't think it's not appreciated, Alistair."</p>
|
||||
|
||||
<p>Sproat stared him down, scenting a sell-out. </p>
|
||||
|
||||
<p>"The problem is, some people have been researching the Bruce Decree. It could be these Charter people."</p>
|
||||
|
||||
<p>"And that's supposed to mean something to me?"</p>
|
||||
|
||||
<p>"I'm afraid it could mean a lot. To both of us. You've got your unions set to picket because of the jobs loss, and
|
||||
Charter 1315 are fighting to have the buildings listed. But the Bruce Decree, that could blow you out of the water."
|
||||
He raised his drink. "Literally and figuratively."</p>
|
||||
|
||||
<p>"I'm all ears," Sproat said. </p>
|
||||
|
||||
<p>"Your plan to demolish the distillery and infill in the old harbour basin, that's the real problem."</p>
|
||||
|
||||
<p>"Filling that in saves me three million in landfill tax and gains me another three acres, nearly four. What's the
|
||||
problem?"</p>
|
||||
|
||||
<p>"According the decree, after the battle of Bannockburn, Bruce moored his warship in the river basin. As a reward, he
|
||||
made a royal decree and granted the river and the basin to the people of the town in perpetuity. Allegedly the Bruce
|
||||
Decree has never been repealed."</p>
|
||||
|
||||
<p>"For God's sake. That was seven hundred years ago."</p>
|
||||
|
||||
<p>"The chief librarian tells me some people managed to get into the archives. I'm trying to find out how, but they've
|
||||
got a copy of the old decree charter. Apparently it says the river belongs to the people, and that would include the
|
||||
harbour."</p>
|
||||
|
||||
<p>"And?"</p>
|
||||
|
||||
<p>"And unless we find a way of proving that the inlet is not the one Robert the Bruce used, they could have a good
|
||||
chance of wiping the floor with us. They could hold everything up for years."</p>
|
||||
|
||||
<p>"Trust me," Sproat said. "That is <em>not</em> going to happen. This deal goes through in six weeks or we forget it,
|
||||
and when I say <em>we, </em>I mean <em>us. </em>You included. And I'm telling you, this land has been part of my
|
||||
family's estate for two hundred years and it still is. My great whatever-times grandfather had them dig the inlet
|
||||
out to float barrels downstream for export."</p>
|
||||
|
||||
<p>"Not according to the archives."</p>
|
||||
|
||||
<p>"I don't give a damn about the archives. You make this go away and it will be very much worth your while. Once this
|
||||
deal is done, I'll be in a very generous mood. What's it going to take?"</p>
|
||||
|
||||
<p>"Well, I suppose nothing's impossible, if you've got the will."</p>
|
||||
|
||||
<p>"And the incentive," Sproat added, dripping sarcasm. </p>
|
||||
<hr />
|
||||
<p>Kate Delaney was still high after the Charter 1315 meeting in the town hall, and he took advantage of it to ask for a
|
||||
favour. She'd caught up with Jack on his way home with a pile of mail in a haversack slung over a shoulder and
|
||||
surprised him at the corner of Drymains Street. </p>
|
||||
|
||||
<p>"We'll beat them," she said, without preamble. "We've got a team of people working on architectural research. If we
|
||||
can get the buildings listed, Sproat can't demolish them, and that could halt the whole development."</p>
|
||||
|
||||
<p>"As long as you can hold him off for a while anyway."</p>
|
||||
|
||||
<p>"But you're off to sea aren't you? Shovelling coal on a lugger."</p>
|
||||
|
||||
<p>"It's diesel."</p>
|
||||
|
||||
<p>"Never mind what it is. If we can stop the sale of the land, Sproat could be forced to re-think, and that could at
|
||||
least save the dairy. We've got to try."</p>
|
||||
|
||||
<p>He had the bag held tight under his arm and normally he'd be pleased to dawdle up the road with her and maybe
|
||||
persuade her to invite him in for a coffee or a nightcap. The last time he'd done that she'd got her sketch book out
|
||||
and done him in pastel and that had ended up in oils the MacLellan Galleries, but now he wanted to get home and get
|
||||
through the stuff they'd managed to snatch from Tim Farmer's house. He had all the research he needed from the river
|
||||
boatmen.</p>
|
||||
|
||||
<p>It had been dark and the pigeon loft was empty, thanks to the Pigeon Club sense of justice. </p>
|
||||
|
||||
<p>"Whose house is this?"</p>
|
||||
|
||||
<p>"Doesn't matter. Some old geezer ran away with a woman. He'll be gone for some time."</p>
|
||||
|
||||
<p>"You sure?" Ed kept his voice low. </p>
|
||||
|
||||
<p>"Maybe he'll peg out on the job. He's pushing seventy."</p>
|
||||
|
||||
<p>"Hope I'm still going when I'm that age."</p>
|
||||
|
||||
<p>"Hope I'm still going when I'm half that."</p>
|
||||
|
||||
<p>"I thought you were already."</p>
|
||||
|
||||
<p>"Very funny, Eddy."</p>
|
||||
|
||||
<p>Ed searched the bird-hut first, going by feel in the shadows over the door lintel and checking under a couple of
|
||||
feeder trays. </p>
|
||||
|
||||
<p>"People leave their keys in the garden hut most times," he explained. </p>
|
||||
|
||||
<p>"How do you know?"</p>
|
||||
|
||||
<p>"My cousin was an expert. He got me into a whole heap of shit when I was a kid."</p>
|
||||
|
||||
<p>Ed checked a couple of flower pots, but old Tim Farmer had been more careful then than he was now. The house was
|
||||
secure. </p>
|
||||
|
||||
<p>"What now?"</p>
|
||||
|
||||
<p>"Shhh... I'm concentrating." Ed had his fingers through the letterbox on the back door, eyes tight closed. Something
|
||||
knocked against the inside panel. </p>
|
||||
|
||||
<p>"Typical," he said. "He must have skinny hands."</p>
|
||||
|
||||
<p>"What is it?"</p>
|
||||
|
||||
<p>"Letterbox at the back. Nobody gets mail in the back door." Jack's eyes had accustomed themselves to the dark and he
|
||||
could see Ed smiling in the faint moonlight from a thin crescent in a cobalt sky. He drew his hand out slowly, along
|
||||
with the braided twine. Metal jangled softly and a mortise key dangled between them.</p>
|
||||
|
||||
<p>"Bingo."</p>
|
||||
|
||||
<p>The door opened with hardly a creak and they were inside. The kitchen was cold and the still air held a flat scent of
|
||||
mouldy carrots. They eased through towards the front of the house. Jack flicked on a little maglight, casting a pool
|
||||
of illumination on the floor at the front door. </p>
|
||||
|
||||
<p>"What do you want?" Ed whispered. </p>
|
||||
|
||||
<p>"This." Jack was down on his knees, sifting through the pile of mail behind the door. </p>
|
||||
|
||||
<p>"Is that all?" Ed stood at the other end of the hallway, peering into the small living room. A row of trophies
|
||||
glinted along the length of a shelf above the fireplace. "He's got some silver."</p>
|
||||
|
||||
<p>"Sure. All of it with his name on it. Let's try and stay out of jail for a while yet. "</p>
|
||||
|
||||
<p>Jack was separating the spam from the rest, rejecting all the book offers, the take-away flyers and the pigeon
|
||||
magazines. </p>
|
||||
|
||||
<p>"Here," he said. Ed came down and hunkered beside him, the pair of them kneeling in the faint glow. Jack lifted up a
|
||||
large manila envelope and focused the flashlight on the address. A post office sticker showed it had been
|
||||
redirected. </p>
|
||||
|
||||
<p>"Sparta D'Angeli? Who are they?"</p>
|
||||
|
||||
<p>"The key to our fortune. Ever wanted to be a company director?"</p>
|
||||
|
||||
<p>"Sure, wear a suit, fart about all day. And I want to win the lottery an' all."</p>
|
||||
|
||||
<p>"Now's your chance. You've just been appointed to the board as director, special projects."</p>
|
||||
|
||||
<p>"What do I have to do?"</p>
|
||||
|
||||
<p>"More of this." Jack started sorting the mail, moving fast, weeding out Tim Farmer's mail from the envelopes from the
|
||||
banks in different names. He just watched for the redirect mark and started to build up a small bundle, whispering
|
||||
to himself as his hands moved. </p>
|
||||
|
||||
<p>"What's it for?"</p>
|
||||
|
||||
<p>"The only way to get ahead is to set up for your self. Nobody takes you seriously unless you look the part and talk
|
||||
the talk, know what I mean? <em> </em>And I need this to make Sproat an offer he won't understand. First rule of
|
||||
business. Get an image and some credibility."</p>
|
||||
|
||||
<p>"Just the same as conning folk."</p>
|
||||
|
||||
<p>"What's the difference?"</p>
|
||||
|
||||
<p>"What offer are you going to make?" Ed's voice was just a whisper. </p>
|
||||
|
||||
<p>"I can't tell you yet. I've still got some detail to work out, but you have to think of every eventuality, and I just
|
||||
want to keep ahead of the game<em>.</em>"</p>
|
||||
|
||||
<p>"You really think we can pull this off?"</p>
|
||||
|
||||
<p>"It's gone okay so far. You got us in here, didn't you? Anyway as long as we pull most of it off. <em> </em>Then you
|
||||
have to work out what you do if you don't, and even more important than that, what we do if we <em>do</em>."</p>
|
||||
|
||||
<p>"And what will <em>you</em> do?" It was a serious question. Jack experienced a little unreality flip. Here they were,
|
||||
kneeling behind somebody else's letterbox in the middle of the night, calmly discussing the proceeds of a robbery.
|
||||
"You say there's a million eight." </p>
|
||||
|
||||
<p>"You work it out yourself. No income tax, no VAT. No money back, no guarantee."</p>
|
||||
|
||||
<p> "Just like Del Boy. And what about selling it? You going to have to bottle it? "</p>
|
||||
|
||||
<p>Jack grinned in the dark. "You think we should use the dairy? That might be an idea!"</p>
|
||||
|
||||
<p>"It'll take a long time to shift a zillion bottles." </p>
|
||||
|
||||
<p>"Lateral thinking. We have to cut the time down, and I have a plan. But first, it's supply and demand. We have the
|
||||
supply, we create a demand, and there's always a demand for good scotch. Look what happened during prohibition.
|
||||
Everybody wanted booze. We have to get ourselves a real- life prohibition scenario."</p>
|
||||
|
||||
<p>"Okay, but you'll have the customs on your tail."</p>
|
||||
|
||||
<p>"Not me. <em>We</em>. If we don't do this right they'll be all over us like a bad suit. Trick is to think of ways to
|
||||
do it right. Make them look the other way."</p>
|
||||
|
||||
<p>"So now what?"</p>
|
||||
|
||||
<p>"We have to start a diversion. So we're going to start a shipping business." Jack turned back to the bundle of mail.
|
||||
"You have to speculate."</p>
|
||||
|
||||
<p>"Hey," he said, lifting up a small brown envelope into the cone of light. "What's this?"</p>
|
||||
|
||||
<p>"What's what?"</p>
|
||||
|
||||
<p>"A present from Uncle Ernie. Sandy won the premium bonds last month. Fifty notes. This old bugger's won something as
|
||||
well." He grinned in the dark and stuffed the envelope into his inside pocket. "Finders keepers. I'll say this was
|
||||
delivered by mistake."</p>
|
||||
|
||||
<p>He was just turning to pick up the first bundle when something slammed into the door only inches away from his
|
||||
head. </p>
|
||||
|
||||
<p>"Jesus!" His heart vaulted into his throat and sat there shivering. </p>
|
||||
|
||||
<p>"Come out you old bastard," a man's voice bellowed. "I know you're in there."</p>
|
||||
|
||||
<p>"Shit! Who's that?" Ed's voice was a harsh shaky whisper, and Jack could almost hear the sudden pulse beat in his
|
||||
temples. </p>
|
||||
|
||||
<p>The door slammed again, making the letterbox flap open and close with a snap. Dust flew. </p>
|
||||
|
||||
<p>"Get out here and take what's coming, you geriatric lecher."</p>
|
||||
|
||||
<p>"Who the hell is that?"</p>
|
||||
|
||||
<p>A heavy boot crashed hard into the bottom panel, sending little splinters spinning into the circle of light. </p>
|
||||
|
||||
<p>"Turn it off, for Christ sake."</p>
|
||||
|
||||
<p>Jack hit the button and the faint light died. </p>
|
||||
|
||||
<p>"I saw you," the voice came again, angry and petulant at the same time. </p>
|
||||
|
||||
<p>"It's Gordon McLaren," Jack said. "He's well pissed."</p>
|
||||
|
||||
<p>"What does he want?"</p>
|
||||
|
||||
<p>"Old Farmer ran away with his missus. He's not happy."</p>
|
||||
|
||||
<p>"I know her. She's a torn-faced old slag," Ed whispered. "Who would want her back?"</p>
|
||||
|
||||
<p>"No accounting for taste."</p>
|
||||
|
||||
<p>The boot hit the door again and threw off more paint splinters. Jack scrabbled back in case the bottom panel came
|
||||
spinning off. </p>
|
||||
|
||||
<p>"He'll have the whole street up."</p>
|
||||
|
||||
<p>"That's what I was thinking." He started moving slowly up the hallway. </p>
|
||||
|
||||
<p>Two more crashes shivered the door and there was more bawling and shouting, then, outside, a winking blue lit up the
|
||||
frosted glass at the top of the door. </p>
|
||||
|
||||
<p>"Bloody hell," Ed whispered. "It's the busies."</p>
|
||||
|
||||
<p>"Get your skanky arse out here and take what's coming," Gordy McLaren sounded as if he was going to burst in to
|
||||
drunken tears. </p>
|
||||
|
||||
<p>"What seems to be the problem here?" The voice was firm, a policeman's tones. </p>
|
||||
|
||||
<p>"That old bastard won't come out. "</p>
|
||||
|
||||
<p>"Which particular old bastard would that be sir?" PC Douglas Travers came up the path.</p>
|
||||
|
||||
<p>"The dirty old shite's been shagging my wife."</p>
|
||||
|
||||
<p>"Oh dear sir. That would be a disappointment."</p>
|
||||
|
||||
<p>"I want him out here to sort it out. Sort <em>him</em> out."</p>
|
||||
|
||||
<p>Jack and Ed sat dead still on the bottom stair. </p>
|
||||
|
||||
<p>"Not a good idea sir." A powerful flashlight beamed through the living room window, sending silver highlight
|
||||
reflections from the line of pigeon club trophies. "And there seems to be nobody home."</p>
|
||||
|
||||
<p>"There is. I saw a light behind the door. The old bastard's hiding."</p>
|
||||
|
||||
<p>Footsteps thudded on the outside and then the knocker rapped four times in quick succession. </p>
|
||||
|
||||
<p>"It's the police, Mr Farmer. You're quite safe."</p>
|
||||
|
||||
<p>The flashlight pierced the darkness of the hallway and they jerked to the side, in against a couple of coats hanging
|
||||
from hooks. </p>
|
||||
|
||||
<p>"Jesus!" Ed's whisper was just like a prayer. </p>
|
||||
|
||||
<p>The knocker rapped again and then a two-tone tubular bell chimed only inches from Jack's left ear. He jumped like a
|
||||
cat. </p>
|
||||
|
||||
<p>"Sit quiet man!" Ed's stayed still as stone. </p>
|
||||
|
||||
<p>"The old man's away abroad." A woman's voice broke in.</p>
|
||||
|
||||
<p>"Is he hell. The old shite's in there with my wife."</p>
|
||||
|
||||
<p>"Come on sir. Let's go down the station and get this sorted out."</p>
|
||||
|
||||
<p>"Are you arresting me?" the voices were fainter now, down at the end off the path. </p>
|
||||
|
||||
<p>"No sir."</p>
|
||||
|
||||
<p>"Well go fuck yourself then." The footsteps thudded up the path again and then a weight hit the door with such a
|
||||
clatter that it almost came right off its hinges. </p>
|
||||
|
||||
<p>"Right, get him."</p>
|
||||
|
||||
<p>"He'll knock the door in," Ed said. "We'd better shift."</p>
|
||||
|
||||
<p>Outside, the shouting got louder. The pair of them got off the stair and into the kitchen, closing the door behind
|
||||
them. </p>
|
||||
|
||||
<p>"They'll come round here any minute," Jack said. He opened the back door. Round the front, somebody was bawling at
|
||||
the top of his voice and they assumed it was Gordon McLaren. Another weight hit the front door again and Jack said a
|
||||
silent prayer that the glass would stay intact. He had more mail to collect.</p>
|
||||
|
||||
<p>They came out into the dark of the back garden while round the front, the men's voices were getting louder and a
|
||||
woman's had joined in. There was no way they could get to the front gate again, and lights were now coming on in the
|
||||
neighbouring houses. </p>
|
||||
|
||||
<p>"Which way?"</p>
|
||||
|
||||
<p>"There," Jack pointed. A big lattice fence stretched from the pigeon hut to the neighbouring garden. It was six feet
|
||||
high and in front of it, some dark shrubs huddled together. Jack slung the mail in his haversack and clipped the
|
||||
flap shut and then the two of them took a run at the fence. Ed hit it with one foot raised, intending to clamber
|
||||
over the top, but his other foot got caught in the thorns of the shrubs and he fell forward. His weight careered him
|
||||
over the shrubs, slammed him into the thin lattice and the whole fence buckled and cracked from top to bottom with a
|
||||
sound like a gunshot. Ed slipped, hit the dirt. Round the front the noises suddenly stopped. </p>
|
||||
|
||||
<p>"Damn!" Jack was up and half-way over the swaying fence. The flashlight flickered round the side and sent a bright
|
||||
beam up the path. </p>
|
||||
|
||||
<p>"Come on!" he was balanced there, swaying, but he managed to reach down, get a hand to Ed's collar, and hauled him
|
||||
over. Ed scrabbled up, tumbled over to the other side, falling heavily and a big bamboo cane jammed right up the
|
||||
crack of his backside. He let out a little squeak of surprise and pain and then the two of them were over, through
|
||||
the withered chrysanthemums and hollyhock, out the gate at the far side and running hell for leather down Swanson
|
||||
Street. </p>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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build/Full Proof/OEBPS/ch09.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>9</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>9</h1>
|
||||
|
||||
<p>They stowed Tam Bowie in a big oak barrel. It was the only way to get him inside Aitkenbar Distillery, and he was not
|
||||
at all happy..</p>
|
||||
|
||||
<p>Things had happened so fast it all seemed to go in a blur of urgency and motion. Kate had stopped Jack on his way
|
||||
home with the mail from Tim Farmer's house just after Ed peeled away, and his heart was still thudding hard from the
|
||||
adrenaline hit of near miss. </p>
|
||||
|
||||
<p>"You should come in with us," she said. "If we stop Sproat, then it can maybe save the dairy, and you'll have a job
|
||||
again."</p>
|
||||
|
||||
<p>"I quit," he said. "For good. No more running around for somebody else, working before anybody's awake. It's time for
|
||||
me to move on and up."</p>
|
||||
|
||||
<p>"In the hold of a lugger?"</p>
|
||||
|
||||
<p>"It's a supply ship. There's big business out on the north sea. It's the last frontier."</p>
|
||||
|
||||
<p>"It's the last place you want to boldly go." Her expression couldn't hide the disappointment. "So what about Charter
|
||||
group? Are you not interested in helping the town?"</p>
|
||||
|
||||
<p>He laughed out loud and she looked up at him, a little hurt, more annoyed. </p>
|
||||
|
||||
<p>"What's so funny?"</p>
|
||||
|
||||
<p>"This town just puts its head under its wing and goes to sleep. You said it yourself. That Millennium Wall just shows
|
||||
that this town hasn't got the bottle or the stamina and it just doesn't care. People like Sproat have the council in
|
||||
their pockets and they do what they want. To hell with the rest of us."</p>
|
||||
|
||||
<p>"That's why it's important to stop them now!"</p>
|
||||
|
||||
<p>"You think you have a chance?" She didn't know about the conversations he'd had with his Uncle Sandy.</p>
|
||||
|
||||
<p>"Yes, I do, really I do. And only because some people are getting off their backsides to do something, rather than
|
||||
just accept what's been done to them."</p>
|
||||
|
||||
<p>He stopped and leant against a lamp post. She folded her arms and looked up at him, hair glinting like hot metal in
|
||||
the helium glow. </p>
|
||||
|
||||
<p>"I'm not doing nothing," he said.</p>
|
||||
|
||||
<p>"Sure. You've got a <em>plan</em>."</p>
|
||||
|
||||
<p>"I'm working from the other end." He had to tell her something. "These boys from Dunvegan, they're bringing down a
|
||||
bunch of pickets from Skye. They've called the press and I said I'd help them out, them and Donny and Ed Kane."</p>
|
||||
|
||||
<p>"I don't know why you spend so much time with that wild bunch," she said, changing tack. "They'll hold you back."</p>
|
||||
|
||||
<p>"Elitist," he said, but he kept it light.</p>
|
||||
|
||||
<p>"Great phrase for a milkman." She was angering a little, exasperated. "You've got a chance to improve your lot, show
|
||||
them what you're really made of, and you plan to throw it away."</p>
|
||||
|
||||
<p>"What's it to you?" He was riling her and she knew it.</p>
|
||||
|
||||
<p>"I'd rather see you fly than see you sink. Of all the people I know, you could do it Jack. You really could. You were
|
||||
wasted in that dairy and you'll be ruined on a lugger."</p>
|
||||
|
||||
<p>She reached up and knuckled his forehead. "There's a good brain in there. Don't waste it Jack. Honestly, you could be
|
||||
whatever you want."</p>
|
||||
|
||||
<p>"And I still will. Anyway, I know all about the Bruce Decree. My uncle and his pals in the boat club did some
|
||||
research at the library. If anybody can stop Sproat, these old boys can."</p>
|
||||
|
||||
<p>She pulled back, surprised. "You never told me that."</p>
|
||||
|
||||
<p>"You never asked. Anyway, I need a favour. I want to hire your talent."</p>
|
||||
|
||||
<p>"What makes you think it's for hire?"</p>
|
||||
|
||||
<p>"Art for arts sake, you said. Money for god's sake."</p>
|
||||
|
||||
<p>This time she laughed and he knew he had diverted her. He wasn't in the mood for an argument, even though he admired
|
||||
the way she was so quick to burn hot. </p>
|
||||
|
||||
<p>"What makes you think you can afford the likes of me, Mr Lorne?"</p>
|
||||
|
||||
<p>"I'll make you an offer you can't refuse. I need some artwork."</p>
|
||||
|
||||
<p>"What's it for?"</p>
|
||||
|
||||
<p>"To have a go at Sproat."</p>
|
||||
|
||||
<p>"Well, if you'd said. I'm very reasonable."</p>
|
||||
|
||||
<p>"Who ever told you that?" He pushed away from the lamp post. "Come on. I'll walk you home and show you what I
|
||||
need."</p>
|
||||
|
||||
<p>He turned around and she slinked a hand round his arm and it made him feel good, even though he hadn't exactly told
|
||||
the truth. </p>
|
||||
<hr />
|
||||
<p>Donny Watson had fixed the hogshead. He might have been half daft, according to Kate Delaney, but he could work wood
|
||||
and he worked it good. It was solid oak and built up from spare staves from old Amontillado sherry casks that had
|
||||
been dismantled and re-cut, bound with new iron hoops and end-panel flats. </p>
|
||||
|
||||
<p>The cooperage was the weak link in Aitkenbar Distillery's security. Jack had sat up on the knoll on the day after
|
||||
Andy Kerr had drawn his short straw, watching the proceedings through the old field binoculars, taking zoom shots
|
||||
with the little Minolta camera Neil's brother had sold him. Here, close by the river, busy flocks of goldfinch
|
||||
fluttered and argued in the hazels and a lone wren, tiny and perfect, whirred back and forth on blurred wings to a
|
||||
moss nest woven into the upturned roots of an alder. It had been difficult to concentrate on the job in hand, but he
|
||||
forced himself to it.</p>
|
||||
|
||||
<p>The barrel store was closer to the harbour basin than the rest of the distillery, on the flat low ground bordering
|
||||
the inlet that filled up to the slate flagstones at high tide, even through it was almost a mile up from the river
|
||||
mouth. The bottling plant was to the west and Jack could identify the various sections from the shape of the roofs.
|
||||
His notebook lay open on his knee, with the little sketch plan of the bottling hall and the stillroom and the big
|
||||
decant tank, roughed out in pencil, with prison-garb arrows to indicate what was where. </p>
|
||||
|
||||
<p>The tank filling hall was furthest from the river, built on higher ground where the land rose close to the railway
|
||||
line that once delivered the grain directly along the spur, crossing the dip in the road that swooped under the iron
|
||||
bridge. From there the whole plant was cut off from the rest of the world, not like the cooperage which was bounded
|
||||
on two sides by a chain link fence, but by a solid iron affair with triple top-spikes to discourage the reckless.
|
||||
The geese marched up and down the grass behind the fence, honking at anything that moved within vision, or pausing
|
||||
to feed on the scattered grain. Jack took a picture of the fence around the cooperage where the dark barrels were
|
||||
stacked in rows five high. A couple of men shunted around on fork-lifts. At lunch-time, a group came out for a
|
||||
kick-about and two men ambled over to the fence where it was shaded by the trees, surreptitiously drew dark bottles
|
||||
from their overalls and pushed them through a hole into the undergrowth beyond. </p>
|
||||
|
||||
<p>They got Tam in at the lunch break, through the same hole a week later. Jed widened it with a big pair of bolt
|
||||
cutters, snipping the links right down at the bramble level, just enough for Tam and his toolbox to slither through.
|
||||
It was overcast now, threatening a summer downpour and Tam's face was as grey as the sky. </p>
|
||||
|
||||
<p>"I'm losing a day's wages," he complained, but that wasn't what bothered him. This was the first big risk. This was
|
||||
the start.</p>
|
||||
|
||||
<p>"You have to speculate to accumulate," Jack told him. "Check the phone."</p>
|
||||
|
||||
<p>Paddy Cleary had come up with the goods just the night before and they had to move fast because they had to get in
|
||||
and get things sorted before the decant. If they missed that, they missed everything. Jack heard it first from
|
||||
Margery Burns and he hoped nobody else found out about that or he'd be dead in the water in so many ways. </p>
|
||||
|
||||
<p>She'd been at the bar in the Castle Bowling Club and the beer had gone down a treat. The boatmen had stagged the
|
||||
function room and then once the drink had started flowing, they'd opened it up to women members, using Sandy's cream
|
||||
liqueur as an enticement and some of the old duffers were three sheets to the wind by half past nine. Jack had
|
||||
helped load Willie McIver's van with the crates of Irish stout and lager in bottles of every shape and size and when
|
||||
they were uncorked, the place really did smell like a brewery. Sandy insisted he had a beer and he took a stout that
|
||||
had sat in Willie's cooler in the garage for the weekend and Jack couldn't believe how much it had improved with
|
||||
age. </p>
|
||||
|
||||
<p>He had promised to go down and see Neil and the girls in the Starlight show where they were trying an ambitious
|
||||
version of Shop of Horrors, but it was only Wednesday and he'd some things to work out and needed the time to
|
||||
himself. If he turned up there, Kate would nab him and take him backstage where she had designed and painted all the
|
||||
flats and then she'd give him more earache about going to sea with big Lars Hanssen. </p>
|
||||
|
||||
<p>As it turned out, Margery Burns was worth her weight in gold and he didn't even have to push it. She had short,
|
||||
shiny-blonde hair that looked as if it had only minor assistance from a bottle and very good legs that she took no
|
||||
precautions to hide. She must have been going on forty five, but could have traded at a good handful less than that.
|
||||
Jack had pulled away from the boat club gang when the speakers had started belting out the fifties rock and jive and
|
||||
the old biddies started to believe they could still throw themselves about the way they used to. </p>
|
||||
|
||||
<p>He moved up to the bar and Harry Conroy who had the license for the place gave him the nod. </p>
|
||||
|
||||
<p>"Bad news at the dairy." </p>
|
||||
|
||||
<p>"Bad news all round," Jack said. "This'll be like the saloon in Deadwood."</p>
|
||||
|
||||
<p>Harry laughed. The club didn't take passing trade, so business would go on.</p>
|
||||
|
||||
<p>"Better that than competing against your Uncle," Harry said. "That devil's brew could wipe us all out."</p>
|
||||
|
||||
<p>The woman at the end of the bar spoke up. </p>
|
||||
|
||||
<p>"You work in the dairy?"</p>
|
||||
|
||||
<p>"Until Friday," Jack said. He hadn't seen her, but as soon as he looked up he recognised her. She'd been married to
|
||||
councillor Ronnie Burns, still was, despite the fact that he'd moved in with one of the council secretaries. Jack
|
||||
wondered how Jed Cooper had managed to pull her. </p>
|
||||
|
||||
<p>"So you'll be another victim of the great A.J. Sproat master plan."</p>
|
||||
|
||||
<p>"One of many," Jack said. Harry turned away and began pouring for somebody else and Jack moved along a little. </p>
|
||||
|
||||
<p>"And you work in the distillery, right?"</p>
|
||||
|
||||
<p>"For the next six weeks," she said. "Then we're all expendable, even his PA."</p>
|
||||
|
||||
<p>"I thought you office staff had a chance of new work."</p>
|
||||
|
||||
<p>"So you'd have thought. That's not part of the plan."</p>
|
||||
|
||||
<p>She was about to go on when a mobile phone rang inside her bag and she fished it out. Jack pretended not to listen.
|
||||
She spoke quickly, short sentences and then disappointment registered clearly on her face. </p>
|
||||
|
||||
<p>"Damn," she said. "I've just been stood up. And by a woman." Jack had guessed that already. </p>
|
||||
|
||||
<p>"It's happened to me millions of times," he said, making light, and gave Harry a signal to give him another beer and
|
||||
a gin and tonic for the lady. They segued into a conversation about what a bastard Sproat was and how he had let
|
||||
down the whole town and how it would be nice to get a come-uppance. He offered her another drink and she told him
|
||||
she was driving and was about to lift her handbag when she paused. </p>
|
||||
|
||||
<p>"Listen. I was having dinner with my sister and she'd had to cancel. I've still got a table booked. You want to have
|
||||
a bite and have a moan about the bastards of this world?"</p>
|
||||
|
||||
<p>It was as easy as that. He paused just enough then shrugged and then they were gone before his uncle came out. It was
|
||||
just a small restaurant at Barloan Harbour where the old canal tipped itself through the lock and into the Clyde,
|
||||
nothing fancy and not expensive. They had pasta. </p>
|
||||
|
||||
<p>"You're Sandy Bruce's nephew," she said. "You're like him."</p>
|
||||
|
||||
<p>"But younger."</p>
|
||||
|
||||
<p>"That's a plus. He had a thing for my mother, so I'm told, or vice versa."</p>
|
||||
|
||||
<p>"She wouldn't have been the only one, so I'm told. Does that make us related?"</p>
|
||||
|
||||
<p>"God, I hope not," she said and she laughed out loud and it took another five years off her in a split second. </p>
|
||||
|
||||
<p>Jack had steered the conversation round to the Charter group and the plan to stymie Sproat's pull-out and she said
|
||||
she'd contribute to the cause any time. </p>
|
||||
|
||||
<p>"Men. They think they own the world." It came out in a bitter snap. </p>
|
||||
|
||||
<p>"Some of them do," he said. "Glad I'm just a boy."</p>
|
||||
|
||||
<p>She raised her eyebrows and gave him a look. </p>
|
||||
|
||||
<p>"I'm just waiting for the third thing to happen. Life can be shit when you get dumped twice in the one year."</p>
|
||||
|
||||
<p>"Twice?" he tried to look innocent. She saw through it. </p>
|
||||
|
||||
<p>"You know what I mean. But I need that job and that little chinless shit couldn't give a damn. Once the big
|
||||
bottling's done on the sixth, the place will be closed in eight weeks."</p>
|
||||
|
||||
<p>"The sixth?" Jack's brain did a very fast calculation. His forkful of pasta was poised half-way and stayed
|
||||
there. </p>
|
||||
|
||||
<p>"You look surprised."</p>
|
||||
|
||||
<p>"I thought it was earlier."</p>
|
||||
|
||||
<p>"They have to get the last shipment from Dunvegan and they're gone. <em>We're</em> gone. After fifteen years that's a
|
||||
real slap in the face."</p>
|
||||
|
||||
<p>"I know a few guys who want to have a go at Sproat."</p>
|
||||
|
||||
<p>She raised her eyes. "How are they going to do that?"</p>
|
||||
|
||||
<p>"They're working on something. To do with the old charter. They're well pissed off at what he's doing."</p>
|
||||
|
||||
<p>"They're not the only ones. Fifteen years I worked for him. Where am I going to get a job?"</p>
|
||||
|
||||
<p>"There could be a job in it at the end of the day. . . " Jack just let that dangle.</p>
|
||||
|
||||
<p>"What would I have to do?"</p>
|
||||
|
||||
<p>"Nothing much. Just keep an eye on a couple of things. It would be very worth while."</p>
|
||||
|
||||
<p>She looked at him straight in the eye and then slowly reached a hand across the table and placed it gently on
|
||||
his. </p>
|
||||
|
||||
<p>"And you think you could make it worth my while?"</p>
|
||||
|
||||
<p>She squeezed his fingers, still holding his eyes level with hers. Her touch was smooth and warm. Jack gulped. His
|
||||
throat was suddenly dry.</p>
|
||||
|
||||
<p>"I can be very helpful," she said, letting a lazy smile spread. It spelled mischief. "When I want to be. Why don't
|
||||
you get us another gin and see if we can work something out?" </p>
|
||||
<hr />
|
||||
<p>The phone chirruped a high warbling note. A starling in a high elm mimicked a passable repetition before Jack
|
||||
answered. </p>
|
||||
|
||||
<p>"Hello?" He was only ten feet from Tam but despite the closeness the phone crackled in his ear. Neil had only managed
|
||||
to get the mobiles that morning and swore blind he'd had them on charge since breakfast. </p>
|
||||
|
||||
<p>"These things better work," Jack said. "Hello?"</p>
|
||||
|
||||
<p>"I can hear you," Tam said. He was wearing a set of green overalls that made him look just like any of the other
|
||||
warehousemen at Aitkenbar. All of his tools were wrapped in an old blanket - to deaden the sound - and stuffed into
|
||||
a huge hold-all. </p>
|
||||
|
||||
<p>"Okay, smartarse. Speak through the damn phone." Jack squeezed down on the tension. This was the only chance they
|
||||
would get at this and if they blew it today, they might as well all troop down and sign on the dole. </p>
|
||||
|
||||
<p>Tam laughed, high and girlish, and they all knew he was nervous as hell. Ed gave them a quick hand-signal from the
|
||||
far side of the fence, way over at the corner of the bottling block. Donny was out of sight, but well primed. </p>
|
||||
|
||||
<p>"Hello, hello, who's your lady friend?" He sang it. </p>
|
||||
|
||||
<p>"<em>Jesus</em>, keep it down!" Jack could hear him in the earpiece, but the static was like sand shifting on a flat
|
||||
shore. "Okay, it's not great, but you're on. You got the number?"</p>
|
||||
|
||||
<p>"I pasted it on the back," Neil said. </p>
|
||||
|
||||
<p>"Okay." He clasped his hands together, cupping them into a hollow and blew into the space between his thumbs. It made
|
||||
a summer sound of woodpigeons in the trees. Right away a woodpigeon above them called back and Tam laughed again,
|
||||
tight with apprehension. Ed lifted a hand and came away from the corner, tapping a plastic football with his toe. A
|
||||
hundred yards away, a group of workers were kicking another ball about, interested only in running themselves ragged
|
||||
for the scant hour. Jed got the bolt cutters and worked them fast, scissoring through the wire links, unzipping them
|
||||
from the ground up. Neil bent to it and forced the edges apart. </p>
|
||||
|
||||
<p>"Right. Showtime." Jack clapped Tam on the back. "You up for this?"</p>
|
||||
|
||||
<p>"Can I back down?"</p>
|
||||
|
||||
<p>"Can you hell. Stay cool and this will go like clockwork."</p>
|
||||
|
||||
<p>Ed kicked the ball. He was halfway from the corner, dribbling it as he walked, and when he got to the grass verge, he
|
||||
swung hard and lofted it into the air. They all watched it sail up. Ed's face was a picture. He was supposed to tap
|
||||
the ball in at the corner of the fence, where the elm hung over the triple barbed line, but the miss-kick sent it
|
||||
right over the fence and into the trees. </p>
|
||||
|
||||
<p>"Shit!" They all heard it from the shadows of the undergrowth. Above them two woodpigeons exploded into flight and
|
||||
went clattering away. </p>
|
||||
|
||||
<p>"Where it is?" They were all craning their necks. </p>
|
||||
|
||||
<p>"What a duffer," Tam said. Jack groaned a string of curses. The ball was wedged in a fork ten feet above their
|
||||
heads. </p>
|
||||
|
||||
<p>"What do I do now?" Tam looked as if he'd won a reprieve. The plan was for him to come out from the shadow, kicking
|
||||
the ball, looking nonchalant. Jed didn't wait. He dropped the cutters, started shinning up the tree and managed to
|
||||
get along to the fork. The ball looked like a big white egg. Jed knuckled it out of its wedge and it came tumbling
|
||||
through the thin branches. Tam grabbed it. His hands were shaking. </p>
|
||||
|
||||
<p>"Stay cool," Jack told him, clapped a hand to his shoulder, turned him round, and shoved him towards the gap. As soon
|
||||
as he was through, Neil and Jed started stitching the hole up with thin wire so that the cut ends wouldn't show, and
|
||||
then pushed some thick bramble runners around it to discourage closer inspection. </p>
|
||||
|
||||
<p>Tam crawled through, got to his feet, slung the green bag over his shoulder on the opposite side from the playing
|
||||
men, then tapped the ball out. </p>
|
||||
|
||||
<p>"Sorry about that," Ed said. </p>
|
||||
|
||||
<p>"You'll never get off the subs bench." He kicked the ball to Ed and they went across to the corner, just as Donny
|
||||
came rolling the hogshead round from the cooperage. That part worked just like clockwork. Jack breathed out a long
|
||||
slow breath. It had all started now and the clockwork was ticking. There was nothing for it but to wait and
|
||||
watch. </p>
|
||||
<hr />
|
||||
<p>Jed Cooper got in through the back toilet window at the dairy. It was filled with echoes and shadows and very
|
||||
different from the bustle of the early morning when the vans were loaded, or the afternoon when the bottling
|
||||
operation made the place shake, rattle and roll. It was still and hollow and somehow haunted. He shivered. He
|
||||
thought he could walk this place blindfold, but in the dark of night it was all different. </p>
|
||||
|
||||
<p>He closed the window behind him, just in case, and wished Jack had come with him instead of sitting in the little
|
||||
tent on the far side of the knoll. It was all in Jack's head, the whole plan, or most of it anyway, so everybody had
|
||||
things to do. Jed was the only one skinny enough to get through the little vent window and that was fair enough. He
|
||||
still wished Jack or one of the others had come with him, instead of just handing him a copy of the key that he'd
|
||||
picked up from christ knew where. Jack was playing it pretty close to his chest. Jed knew he'd been wasted on the
|
||||
milk round, but Jack always did it his way. Now they were <em>all</em> doing it Jack's way, and Jack <em>still</em>
|
||||
played it close to his chest. </p>
|
||||
|
||||
<p>The washroom door squealed in protest when he eased it open and the high sudden sound made his heart kick like a
|
||||
scared rabbit. </p>
|
||||
|
||||
<p>"Fuck this," he muttered aloud and his echo hissed back at him. It was creepy, somehow damp and the smell of chlorine
|
||||
from the floor wash hung in the air. Strange that out on the stock track Jed was scared of nothing at all, doing
|
||||
eighty in a souped-up Skoda shell, ramping around the dirt with tons of old rolling stock trying to mow him down,
|
||||
while here, on his own in the dark, the unfamiliarity of the daytime familiar made him nervous as a cat. </p>
|
||||
|
||||
<p>Andy Kerr's office was at the other side of the bottling hall and Jed made his way past the gantry that shuttled the
|
||||
bottles down to the filler. In the night it was like the inside of the <em>Nostromo</em> in Alien, all angles and
|
||||
points of faint brightness where the metal edges picked up moonbeams through the skylight. Jed cut across, going
|
||||
more by memory than sight, alert for any sound. </p>
|
||||
|
||||
<p>The office door was locked and when he tried it, the key protested and stuck and it took him a deal of manoeuvring
|
||||
and jiggling to get it to turn. Inside it smelt of Andy's thick plug tobacco. A coat hung from a hook behind the
|
||||
desk and for a moment it looked like a floating entity. Jed pulled back before his eyes adjusted to this dark and
|
||||
realised what it was. He cursed again and made his way to the big filing cabinet, using Jack's tiny maglight to
|
||||
search for what he wanted. </p>
|
||||
|
||||
<p>Ten minutes later he was on his way out again, creeping past the lines towards the far door. He was halfway through
|
||||
the loading bay when a faint noise stopped him in mid stride and he turned, holding his breath, eyes wide for any
|
||||
movement, wondering if he'd been seen climbing in the half-light. He held still until a pulse started pounding in
|
||||
his temples and he realised his breath was still backed up and he had to let it all out. He turned quickly in the
|
||||
dark, too quickly and crashed straight into a pile of crates stacked at the doorway. Little stars swirled and a
|
||||
balloon of pain swelled where his nose had hit the corner of the crate. For a second the column swayed back and
|
||||
forth and his breath backed up again. He stumbled forward, eyes watering, and his shoulder hit the stack just on the
|
||||
out-sway. Jed stumbled to the left and the column of crates continued to the right. He grabbed for it and snatched
|
||||
only air and the top crate flipped off, throwing the empty bottles outwards. </p>
|
||||
|
||||
<p>They hit the floor in a crash of exploding glass that rose to a sudden crescendo in the hollow of the loading bay.
|
||||
. </p>
|
||||
|
||||
<p>"Fuck!" The expletive was drowned out by a deafening crash that reverberated from wall to wall. Glass shattered and
|
||||
scattered all across the floor. A thick shard flipped through the air and caught his ankle and he felt a strange
|
||||
cold trickle into his shoe. </p>
|
||||
|
||||
<p>The wave of sudden sound flared and then faded into a musical tinkling. By this time Jed's hands were shaking so
|
||||
badly he wasn't sure he'd be able to climb out of the window. He got to the washroom and hauled himself up onto the
|
||||
line of washbasins and forced the half-light open again, listening out for any hint that the crashing of broken
|
||||
glass had been heard, fully expecting the wail of a siren approaching from across town. He was half-way out when he
|
||||
remembered what he'd forgotten and cursed non stop for a minute with hardly a repetition, before easing himself down
|
||||
again and back through the whole route to Andy's office. He unshipped two keys from the dozen on the hook board,
|
||||
replaced them with a pair he had in the pocket of his jeans and then had to make his way back through one more time.
|
||||
They needed those keys just in case.</p>
|
||||
|
||||
<p>By the time he got out into the fresh air again, a faint summer rain had begun to fall and dawn was slicking the low
|
||||
east sky. </p>
|
||||
<hr />
|
||||
<p>Tam Bowie never even got to see the dawn. </p>
|
||||
|
||||
<p>He kicked the ball to Ed and tried to look casual as they walked across the grass towards the corner of the decant
|
||||
hall. Jack watched them go, knowing it all depended on Tam now. And Donny and Ed. Damn, it depended on every one of
|
||||
them and if Jed found out he'd come sneaking out of Margery Burns' house at the time he'd normally be getting up to
|
||||
deliver milk, it could get down to some serious hooking and dodging, even if nothing had happened. And if Kate found
|
||||
out, then that would be the and of any ambition in that direction, and he really needed Kate Delaney as much as he
|
||||
needed Margery Burns in the big plan. He shucked those thoughts away, knowing Jed had to get in and get what he
|
||||
needed from the creamery because since Saturday and his final pay-packet, the doors and the high sliding gates were
|
||||
closed to himself. </p>
|
||||
|
||||
<p>They sat still while the men played football and Tam and Ed reached the corner and the timing came together
|
||||
perfectly. It just couldn't have been better. Donny came up from the cooperage, rolling the big hogshead on its
|
||||
convex curve, one-handed with ease of practise, and flipped it through a gap between the stacks of barrels, close to
|
||||
where one of the red fork-lifts stood idle. Jack watched through the binoculars, thinking of all the things that
|
||||
could have gone wrong, like Ed kicking the ball out of sight, or one of the other men lofting their ball into the
|
||||
same patch of scrub and them all having to scramble for cover. That hadn't happened and Tam and his tools were
|
||||
across there and now they were out of sight. He breathed out and opened his little notebook. </p>
|
||||
|
||||
<p>"Okay, so far so good. I just hope he's half the plumber he cracks himself up to be."</p>
|
||||
|
||||
<p>He jammed the mobile into his pocket and they all pulled back from the fence once the edges had been zipped together
|
||||
and waited under the trees, not far from the inlet on the river that would soon be filled up and sold, if Alistair
|
||||
Sproat had his way. </p>
|
||||
|
||||
<p>Donny left the big hogshead on its side until the pair of them came round to the lee of the wall, and into the little
|
||||
hollow passage between stacks. </p>
|
||||
|
||||
<p>"Is this it?" Tam looked at the barrel with a measuring eye. </p>
|
||||
|
||||
<p>"No, it's one I just found a minute ago."</p>
|
||||
|
||||
<p>"Don't get sarcastic."</p>
|
||||
|
||||
<p>"Don't get stupid. It's taken me three days to get this right."</p>
|
||||
|
||||
<p>"Right guys," Ed said. "We can stand here and argue or we can get on with this before the whistle blows."</p>
|
||||
|
||||
<p> Donny pulled out a small monkey wrench and stuck the shaft end into a shallow depression in the end panel. Ed kept
|
||||
watch, but at this time of the day, there was nobody around, and all the security cameras were up at the front of
|
||||
the building. Donny pushed anti-clockwise and the whole panel turned quite easily before it gave a little pop and
|
||||
sprung upwards. He pulled it clear and they all looked inside."</p>
|
||||
|
||||
<p>"Neat," Ed said. Donny had worked a screw thread right round the edge of the barrel. The inside plate had a
|
||||
two-handed bar that could be used to twist the plate open or closed. </p>
|
||||
|
||||
<p>"There's two holes for air, and that's plenty," Donny said. "They look just like knots in the wood. And look, I built
|
||||
you a bench seat. All home comforts. "</p>
|
||||
|
||||
<p>"There's not much room in there," Tam said. </p>
|
||||
|
||||
<p>"Think yourself lucky they're using hogsheads. Barrels would be a real tight fit. Come on, we've not got much time.
|
||||
Get in."</p>
|
||||
|
||||
<p> Tam got a leg over the rim while Ed put his hands together to form a stirrup to help him up and in two seconds Tam
|
||||
was standing inside. </p>
|
||||
|
||||
<p>"Still not much room," he complained. Ed handed him the bag of tools and pushed down on his shoulders, making him sit
|
||||
on the little shelf bench. It left very little room to manoeuvre.</p>
|
||||
|
||||
<p>"Check the time," Ed said and Tam did, making sure the face lit up when he pressed the button. "It's okay." Donny
|
||||
lifted the lid and Ed forced Tam's head down and then the end panel was screwing down. In another two minutes, it
|
||||
just looked like a normal sixty-gallon keg.</p>
|
||||
|
||||
<p>"Check the handle," Donny said. </p>
|
||||
|
||||
<p>"Jesus. I can't move." Tam's voice was muffled and indistinct, but too still far too loud. </p>
|
||||
|
||||
<p>"Shoosh man. What's the problem?"</p>
|
||||
|
||||
<p>"It's too tight. I can't breathe."</p>
|
||||
|
||||
<p>"What's wrong with him?" Ed asked. </p>
|
||||
|
||||
<p>"I'm claustrophobic!" The word came clear enough through the little breathing hole. They could hear Tam sucking hard
|
||||
for air. </p>
|
||||
|
||||
<p>"Why the hell didn't you tell us?"</p>
|
||||
|
||||
<p>"I never bloody knew. Jees man. I got a cramp in my leg. I'm going to suffocate in here."</p>
|
||||
|
||||
<p>"No you won't. Just take deep breaths."</p>
|
||||
|
||||
<p>"Deep breaths of what?"</p>
|
||||
|
||||
<p>"What a panic merchant!" Donny looked around. Tam was still sucking air through the hole. Donny grinned, turned to Ed
|
||||
and then learned back against the barrel and let out a watery fart right on the level with the airhole. Ed doubled
|
||||
up in silent laughter. </p>
|
||||
|
||||
<p>"You ginger prick." Tam's claustrophobia seemed to vanish. "When I get out of this I'm going to wring your neck."</p>
|
||||
|
||||
<p>The pair of them erupted while Tam banged on the inside and Donny kept the monkey wrench in the slot to make sure he
|
||||
didn't try an early exit. Finally the noise subsided. </p>
|
||||
|
||||
<p>"Are you going to behave, or do you want more of the same?"</p>
|
||||
|
||||
<p>"Okay, okay. Just keep that arse's arse away."</p>
|
||||
|
||||
<p>Ed went for the fork-lift and Donny tipped the keg up. The tines went underneath and Ed backed out of the bay. He
|
||||
swivelled, winked at Donny and then hustled for the big blue shutter door. Donny followed round, keeping the truck
|
||||
between him and the footballers and Ed paused it just beside the three little hatches on the wall. Donny took the
|
||||
spare cutters and snipped the padlocks one by one and replaced them with new matching brass ones, before peeling
|
||||
away and back round to the cooperage. </p>
|
||||
|
||||
<p>It was now up to Tam and Ed.</p>
|
||||
|
||||
<p> The whine of the engine in the forklift truck sent a sympathetic vibration through the keg, enough to rattle Tam's
|
||||
teeth together and the shiver made the tight wad of tools jangle, despite the deadening insulation. </p>
|
||||
|
||||
<p>It was pitch black and only seconds after the lid screwed down, the air got hot and thick. Tam jammed his face up
|
||||
against the little hole and sucked. It was so tight in here that he couldn't move his hands, and the big bag of
|
||||
tools clamped into his lap prevented any movement at all. It gave him the trapped sensation he always felt when he
|
||||
woke up after a good drink, lacquered with sweat and knotted in damp clinging sheets. </p>
|
||||
|
||||
<p>"<em>What am I doing here</em>?" The question popped into the front of his mind and stayed there. </p>
|
||||
|
||||
<p>Just what the hell <em>was</em> he doing here?</p>
|
||||
|
||||
<p>It was okay for Donny Watson and Ed. They worked in the place. But if he was caught inside Aitkenbar, that was
|
||||
breaking and entering. Conspiracy. Worse even. And he <em>had</em> a job to lose. </p>
|
||||
|
||||
<p>The air thickened and got clammier and Tam braced himself against the sides of the barrel while he slipped a hand
|
||||
inside the toolkit and rummaged for a piece of plastic piping. He drew out a two foot length and felt in the dark
|
||||
for the air-hole and forced the end into it. Cool air flowed in. </p>
|
||||
|
||||
<p>The fork-lift trundled round the corner, straightened and rolled on over the old cobbles, vibrating hard enough to
|
||||
make his molars clash. </p>
|
||||
|
||||
<p>"Slow it up, Ed," he called out, but the trundling rumble drowned him out.</p>
|
||||
|
||||
<p>Finally the motion stopped. Tam took two breaths, listening for the motor to start up again. </p>
|
||||
|
||||
<p>"Where are you going with that?" It came faintly, but he heard it clear enough through the other air-hole. </p>
|
||||
|
||||
<p>"They sent it round from the cooperage," Ed explained to the unseen voice. "They said they needed another
|
||||
hoggie."</p>
|
||||
|
||||
<p>"Get it later Ed. Take the truck round and pick up half a dozen pallets for the bottling hall. "</p>
|
||||
|
||||
<p>Tam held his breath and listened intently. Suddenly the was a fierce bump and the whole barrel rocked violently. </p>
|
||||
|
||||
<p>"Shit!"</p>
|
||||
|
||||
<p>"Keep quiet," Ed grated from close in. "I'll be back in a minute."</p>
|
||||
|
||||
<p>"What's happening?"</p>
|
||||
|
||||
<p>"Shut up and stay still."</p>
|
||||
|
||||
<p>The barrel rocked again and the lower lip cracked against the ground, but it was still upright. </p>
|
||||
|
||||
<p>"What's going on? Ed?. . . . ED?"</p>
|
||||
|
||||
<p>There was no reply. </p>
|
||||
|
||||
<p>From over by the scrub behind the fence, they could see the carefully prepared plan was all going catastrophically
|
||||
wrong. </p>
|
||||
|
||||
<p>"Who's that?" Jed craned to see through the brambles. </p>
|
||||
|
||||
<p>"Billy Butler," Jack said, almost a whisper. "The plant manager. What the hell does he want?"</p>
|
||||
|
||||
<p>They watched as Ed clambered off and tilted the barrel on the tines of the lifter and then eased it, still upright,
|
||||
onto the ground. Jack clenched his teeth and discovered his nails were pressing into the palms of his hands. </p>
|
||||
|
||||
<p><em>Stay cool. </em>That's what he'd told Tam. He had to do the same himself. <em>Stay cool and hope for the best and
|
||||
pray that it's not all over before it's even begun. </em></p>
|
||||
|
||||
<p>Ed reversed the lifter and then trundled away towards the corner leaving the barrel on its end just at the big blue
|
||||
shutter door. Billy Butler made a pantomime of checking his watch and then gave a whistle to the men on the sloping
|
||||
grass. </p>
|
||||
|
||||
<p>"You men want to play football for the rest of the day?"</p>
|
||||
|
||||
<p>One of them shrugged and even at this distance you could read plenty in the body language. They had six weeks left to
|
||||
work and they were all on protective redundancy notice. A couple of minutes here and there would make no difference
|
||||
at all. You could even see in Billy's posture that he was going through the motions. He wasn't bad as gaffers
|
||||
went. </p>
|
||||
|
||||
<p>"Come on men, we might as well just get on with it. Shift that hoggie for me. Put it in the stack with the rest of
|
||||
them."</p>
|
||||
|
||||
<p>Two of the men in green overalls got their hands to the keg just as Ed came round the corner with a stack of wooden
|
||||
pallets balanced on the forks. He came round doing thirty, just about the top speed the little truck could make, and
|
||||
a whole lot faster than anybody ever travelled here at Aitkenbar. The pile of pallets swayed alarmingly as Ed tried
|
||||
to get back to Tam before the rest of them started to pull and haul. </p>
|
||||
|
||||
<p>He tried his best, but in his haste to reach the hogshead first, the speed was just a little too much and as he
|
||||
turned in at the shutter, the angle was so tight that Billy Butler had to jump back or lose his toes. Over at the
|
||||
fence they heard him bawl. </p>
|
||||
|
||||
<p>"Slow that thing down. You think you're Michael bloody Schumacher?"</p>
|
||||
|
||||
<p>Ed jammed on the brake right on the turn and if the pallets had been secured, everything would have been fine, but
|
||||
they weren't and when he stopped, they kept on travelling. </p>
|
||||
|
||||
<p>"Fuck sake Ed!" Billy bawled, and then the rest of them were scattering as the pile slipped forward in a slow
|
||||
avalanche and clattered to the cobbles. </p>
|
||||
|
||||
<p>The phone rang just as Jack clapped a hand to his brow, unable to believe the farce that was unravelling his plan
|
||||
only forty yards away. For a couple of seconds, the mobile chirruped its little bird-like call and it took that time
|
||||
for them to realise it was actually ringing. Jack finally connected and snatched the thing out of his pocket. </p>
|
||||
|
||||
<p>"Who the hell. . . . hello?"</p>
|
||||
|
||||
<p>"What's going on? Is that you Jack?"</p>
|
||||
|
||||
<p>"Who is this?"</p>
|
||||
|
||||
<p>"It's Tam, you bam. What in the name of Christ is happening, man?"</p>
|
||||
|
||||
<p>"Jesus Tam, would you just sit still? I said we had to have radio silence." </p>
|
||||
|
||||
<p>"He's gone and dumped me."</p>
|
||||
|
||||
<p>"Well they're coming back right now. Over and out."</p>
|
||||
|
||||
<p>Jack switched off. Jed looked at him, chuckling. "Over and out? What is this, Memphis Belle? Roger wilco Ginger!
|
||||
What's your vector Victor?"</p>
|
||||
|
||||
<p>"Piss off." Jack was back up at the fence, peering through. </p>
|
||||
|
||||
<p>Tam heard the clatter of pallets and some shouting and then the silence as the phone went dead. He took another
|
||||
breath through the tube and then the whole world just flipped over and his head hit hard against the hard oak staves
|
||||
and a sharp pain flared in the dark. </p>
|
||||
|
||||
<p>"What was that?"</p>
|
||||
|
||||
<p>"What was what?"</p>
|
||||
|
||||
<p>He was on his back and the big bag of tools thudded right down onto his stomach, knocking all the wind out. </p>
|
||||
|
||||
<p>"Just get that inside and a stack it. Ed, what are you playing at?"</p>
|
||||
|
||||
<p>"Sorry Billy. Something was in my eye. Here, I'll get that."</p>
|
||||
|
||||
<p>"Never mind. It's just an empty. Get them stacked up and over to the loading bay."</p>
|
||||
|
||||
<p>Tam listened, gasping for breath. His head was jammed up against the end panel, twisting his neck to the right. A
|
||||
cramp pain was starting in the muscle at his shoulder. For a moment everything was dead still and then without
|
||||
warning he was spinning and rattling as the big keg rolled over the uneven cobbles. </p>
|
||||
|
||||
<p>Jack watched in dismay as the two workers put their backs into it and wheeled the hogshead out of sight. </p>
|
||||
|
||||
<p>"He'll be sick as a parrot," Jed observed. </p>
|
||||
|
||||
<p>The nightmare seemed to last forever, even if it was only for fifty yards and Jed almost had it right. The barrel was
|
||||
rolling and Tam was rolling with it, face down and then face up and every motion cracked the back of his head
|
||||
against hard oak or thudded the heavy bag down onto his belly and for a second or two it was touch and go. He gulped
|
||||
against the reflex and kept his breakfast inside, screwing his face against the hot acid heartburn. </p>
|
||||
|
||||
<p>"Where do you want it?"</p>
|
||||
|
||||
<p>"With the rest. Just dump it and get back to the bottling hall."</p>
|
||||
|
||||
<p>Tam was rolling again and the nausea came rolling with it, looping up in his throat and then the world flipped
|
||||
violently and he was heels over head and crumpled in the bottom of the barrel. </p>
|
||||
|
||||
<p>"What the fu. . . . ?" His neck was stretched as his whole weight pressed down on his cheek and a grind of pain
|
||||
knuckled in on his temple. He shifted, succeeded only in jarring his ear against something grainy and hard and then
|
||||
the phone rang, right in his ear. </p>
|
||||
|
||||
<p>"What was that?"</p>
|
||||
|
||||
<p>"What was what?"</p>
|
||||
|
||||
<p>"I heard something again."</p>
|
||||
|
||||
<p>The phone bleeped insistently and Tam couldn't get his hand to it. He tried to twist and found himself jammed under
|
||||
the weight of the tools. </p>
|
||||
|
||||
<p>"You hear that?"</p>
|
||||
|
||||
<p>"It's a phone. Have you got a phone?"</p>
|
||||
|
||||
<p>"What would I be doing with a phone?"</p>
|
||||
|
||||
<p>Tam twisted again and his neck squealed a protest. The mobile was loud in the tight confines and he knew it would
|
||||
give everything away and there was not a chance that he'd come anywhere near to thinking up a plausible excuse for
|
||||
being inside an empty hogshead in Aitkenbar distillery. </p>
|
||||
|
||||
<p>"It's over there."</p>
|
||||
|
||||
<p>Footsteps came closer. Somebody bumped into the barrel. Tam grunted. The phone cheeped a cheery tune. </p>
|
||||
|
||||
<p>"It's somewhere here."</p>
|
||||
|
||||
<p>"No that's just an echo." The voice faded then came back stronger. "Hey Billy, did you leave a mobile somewhere?"</p>
|
||||
|
||||
<p>Tam found it jammed inside his shirt and he forced his thumb down on the face, hitting as many buttons as he could to
|
||||
silence the thing. It took five hits before the ringing stopped and he shoved it up against his ear. </p>
|
||||
|
||||
<p>"Jake, for Christ's sake," his voice was suddenly hoarse. "I'm upside fucking down."</p>
|
||||
|
||||
<p>"Can I have a taxi for Castlebank?"</p>
|
||||
|
||||
<p>"What?"</p>
|
||||
|
||||
<p>"Twenty Four Bruce Street, Castlebank. The name's McMenamin."</p>
|
||||
|
||||
<p>"Jake, what the hell are you playing at?"</p>
|
||||
|
||||
<p>"What?"</p>
|
||||
|
||||
<p>A sizzle of static fuzzed out the word and then another woman's voice came on. </p>
|
||||
|
||||
<p>"Taxi for Castlebank." She sounded unbelievably bored. "Taxi for Castlebank. Any takers?"</p>
|
||||
|
||||
<p>"Hello?"</p>
|
||||
|
||||
<p>"Jake, quit screwing about!"</p>
|
||||
|
||||
<p>"Where are you going dear?"</p>
|
||||
|
||||
<p>"Just down to the town centre."</p>
|
||||
|
||||
<p>"Taxi for Castlebank. Red six, come in Jimmy. Town centre drop."</p>
|
||||
|
||||
<p>Outside the barrel the voices came again. </p>
|
||||
|
||||
<p>"Did you hear that?"</p>
|
||||
|
||||
<p>"Hear what?"</p>
|
||||
|
||||
<p>"There's people over there."</p>
|
||||
|
||||
<p>"Don't be daft."</p>
|
||||
|
||||
<p>"I'm telling you. I can hear people talking."</p>
|
||||
|
||||
<p>"You better lay off the sauce, man. You're hearing things."</p>
|
||||
|
||||
<p>Tam hissed into the phone, frantically trying to find the off button. "Get off this line."</p>
|
||||
|
||||
<p>"I want a taxi to the town centre."</p>
|
||||
|
||||
<p>"We don't have any bloody taxis."</p>
|
||||
|
||||
<p>"There's no call for that language, you. I'm a paying customer."</p>
|
||||
|
||||
<p>Outside, a man's voice came from close in. </p>
|
||||
|
||||
<p>"There. I heard it again. There's people in here. I can hear them talking."</p>
|
||||
|
||||
<p>"You've definitely loony-tunes, you are."</p>
|
||||
|
||||
<p>"Shhhhh. . . . can't you hear it? In amongst the barrels. There's people in there."</p>
|
||||
|
||||
<p>"You better go see a doctor. You've scooped too many free samples. Maybe you should go and lie down for a
|
||||
minute."</p>
|
||||
|
||||
<p>Billy Butler called from much further away. "What's the matter with him?"</p>
|
||||
|
||||
<p>"Nothing much. He just thinks this place is haunted. Isn't that right Wullie? He says he can hear voices."</p>
|
||||
|
||||
<p>"He'll hear my voice in a minute if he doesn't get moving. Come on you lot, we haven't got all day to hang
|
||||
around."</p>
|
||||
|
||||
<p>"I'm telling you," the first man insisted, audible through the breathing holes. "There was people talking right over
|
||||
there. Swear to God."</p>
|
||||
|
||||
<p>The voice faded away, leaving Tam still upside down, with a dreadful crick in his neck and an even worse sensation
|
||||
that the walls were closing in on him. His hand finally found the off button and the angry voice in his ear
|
||||
died. </p>
|
||||
|
||||
<p>Jack called Margery Burns because there was nothing else for it and the whole radio silence routine went straight out
|
||||
the window. </p>
|
||||
|
||||
<p>Ed managed to get to the payphone on the far side of the bottling hall. </p>
|
||||
|
||||
<p>"He's stuck in the loading bay."</p>
|
||||
|
||||
<p>"Can he get out?"</p>
|
||||
|
||||
<p>"God knows. I don't even know where they put him."</p>
|
||||
|
||||
<p>Jack scratched his head. </p>
|
||||
|
||||
<p>"You'll have to go in and find out."</p>
|
||||
|
||||
<p>Ed came back round the corner, this time on foot, and he looked right and left before ducking into the bay and out of
|
||||
sight. They waited in silence until he came back out again five minutes later, did the right and left again and his
|
||||
eyes found the old ball at the corner. He reached for it and booted it hard in their direction. This time his aim
|
||||
was much improved. He came across to the shadows under the overhanging tree. </p>
|
||||
|
||||
<p>"Jake, all this plan's gone to pot."</p>
|
||||
|
||||
<p>"What's up?"</p>
|
||||
|
||||
<p>"He's stuck in a pile of barrels. I can't get near them just now."</p>
|
||||
|
||||
<p>"You'll have to try later."</p>
|
||||
|
||||
<p>"Aye, but there's a problem. He'll never get out of there on his own. They've turned him upside down. He's
|
||||
stuck."</p>
|
||||
|
||||
<p>"Holy mother." Jack slapped his own forehead. "This should have gone like the cat-sat-on-the- mat, no bother at all."
|
||||
He paused and chewed on his knuckle. The whole plan in his head was complex enough without it turning into the
|
||||
keystone cops. "Right. There's nothing for it, but you'll have to stick with him."</p>
|
||||
|
||||
<p>"Until when?"</p>
|
||||
|
||||
<p>"Until you can get him out. There's none of us can get in there and do it."</p>
|
||||
|
||||
<p>"I could be there all night."</p>
|
||||
|
||||
<p>"If that's what it takes, <em>Eduardo</em>. Donny and Jed have a job to do themselves tonight."</p>
|
||||
|
||||
<p>"And what are you going to do?"</p>
|
||||
|
||||
<p>"I got plans. You stick with him."</p>
|
||||
|
||||
<p>"Okay, but I'll need clocked out at five. Otherwise the customs will come looking for me."</p>
|
||||
|
||||
<p>Jack leaned back against a tree, thinking fast. He looked at Jed, already feeling guilty. </p>
|
||||
|
||||
<p>"Okay. Leave it with me. I'll get that fixed. You stay with Tam and make sure he gets out. We have to get this sorted
|
||||
by tonight."</p>
|
||||
|
||||
<p>Ed looked dubious about the whole thing, but they were all in, for good or bad, and Jack had told them they might
|
||||
lose their shirts. He'd do what he could to save his, even if it meant taking more of a risk. Finally he
|
||||
nodded. </p>
|
||||
|
||||
<p>"If they catch me in there, it's all blown to hell."</p>
|
||||
|
||||
<p>"We're sunk if we don't," Jack said. "Just tell them you fell and cracked your head." Ed walked back towards the big
|
||||
blue door and Jack turned away. </p>
|
||||
|
||||
<p>"Give me a minute, Jed. I have to make a private phone call."</p>
|
||||
|
||||
<p>He wandered to the edge of the scrub and it took three attempts before he got through to Margery Burns. </p>
|
||||
|
||||
<p>"Hello stranger," she said. "I never expected you back so soon."</p>
|
||||
|
||||
<p>"I need a favour," he said. "Can you clock somebody out?"</p>
|
||||
|
||||
<p>"What for?"</p>
|
||||
|
||||
<p>"It's a 'need to know' kind of thing," he said. "But it's important."</p>
|
||||
|
||||
<p>"Oh, we're Mr Mysterious today. All I need to know is, what's it worth? I do you a favour, you do me one."</p>
|
||||
|
||||
<p>"Right."</p>
|
||||
|
||||
<p>Jack thumbed the off button. Yet another fix he'd have to get out of.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
543
build/Full Proof/OEBPS/ch10.xhtml
Normal file
543
build/Full Proof/OEBPS/ch10.xhtml
Normal file
@ -0,0 +1,543 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>10</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>10</h1>
|
||||
|
||||
<p>At ten minutes past five Margery Burns made an excuse to get out of the office and took the back corridor
|
||||
down to the loading bay where she waited for two minutes before selecting Ed Kane’s card from the slot and
|
||||
feeding it into the time-stamp.</p>
|
||||
|
||||
<p>Ed was only sixty yards away and twenty feet higher, reading an old Hello magazine he'd found in the
|
||||
washroom, out of sight, mostly in shadow, but with just enough fluorescent light to read by. It was
|
||||
comfortable here in the barrel store and the smell of oak and old sherry thickened the dusty air to a mellow
|
||||
fug. He had sneaked out to the washroom and from there taken a side door to the big load store where the
|
||||
barrels were stacked lengthways in a great pyramid that reached almost to the high ceiling. It had taken him
|
||||
only seconds, using the big kegs as steps, to get up almost to the roof and then along the stack just below
|
||||
the skylight. Nobody could see him here, but the position gave him a view through to the loading bay and to
|
||||
the bottling hall beyond. </p>
|
||||
|
||||
<p>There was no night shift, not this close to the end run, and in any case Sproat was saving as much as he
|
||||
could before having to pay out the statutory redundancy, so at the back of five, everything started shutting
|
||||
down. Ed watched Kerr Thomson, the fat customs man begin his round of checks before locking each
|
||||
self-contained sector. In the distance, the other guards rattled their keys like jailors. Gradually
|
||||
Aitkenbar Distillery was battened down for the night. Ed listened as the other sections shut down, the
|
||||
clanging noises getting fainter with the distance, and then the place grew quiet. Muffled sounds told him
|
||||
the cars were moving out of the car-park and finally the big front gate rumbled shut on its rollers. </p>
|
||||
|
||||
<p>Madonna grinned gat-toothed from the front cover, hugging some guy she'd married up in the highlands a while
|
||||
back (and divorced later) and Buffy the Slayer pouted doe-eyed down the page. It was an old magazine. He
|
||||
read the banal captions, forcing himself to wait until it was all dead quiet and then eased himself along
|
||||
the top of the barrel stack. </p>
|
||||
|
||||
<p>Tam punched him a right hook that caught him on the cheek right under his eye, and if Tam hadn't been knotted
|
||||
with cramp after six hours in a hogshead, it would have raised a hell of a lump. </p>
|
||||
|
||||
<p>Donny had marked the keg in big yellow stencil letters and that made it stand out from the rest of them,
|
||||
which was just as well, with more than a hundred of them, all virtually identical, in the loading bay. It
|
||||
was jammed in between two others, still on its end. A very faint grunting sound told him Tam was still
|
||||
trying vainly to turn the handles to unscrew the lid, but he was getting precisely nowhere at all. </p>
|
||||
|
||||
<p>Ed rapped a knuckle on the base which was now the top panel. </p>
|
||||
|
||||
<p>"Tam. It's me."</p>
|
||||
|
||||
<p>"Where the hell have you been?"</p>
|
||||
|
||||
<p>"Never mind that. I'm going to get you out. Hold still will you?"</p>
|
||||
|
||||
<p>Ed put a foot to the base and hauled on the top, just giving it enough to cant the keg off balance. He stood
|
||||
back and let it drop onto its side, rocking violently, spinning slowly at the same time. Something inside
|
||||
clunked hard on wood. He hoped it was the tools. </p>
|
||||
|
||||
<p>"What in the name of Christ..... ?" Ed steadied the hogshead with a foot and jammed a big screwdriver into
|
||||
the slot, heaved anti-clockwise and the panel suddenly popped out and rolled away on its edge. </p>
|
||||
|
||||
<p>Tam Bowie fell out onto the concrete floor, rolled, groaned, tried to get up and only managed to a knee. His
|
||||
head was still bent over to the side and his shoulder hitched up almost to his ear. In the dim light of the
|
||||
big bay he looked like some twisted, cursing goblin. </p>
|
||||
|
||||
<p>"Bastard," he repeated. "Left me upside fucking down."</p>
|
||||
|
||||
<p>He scuttered across, still unable to straighten his legs, and aimed a quick one at Ed who didn't expect it
|
||||
and took it on the cheek, but there was no force behind it. </p>
|
||||
|
||||
<p>"It wasn't my fault."</p>
|
||||
|
||||
<p>"You put me upside fucking down," Tam said again, trying to straighten knotted muscles. "Look at the state of
|
||||
me. I nearly died in there."</p>
|
||||
|
||||
<p>He hobbled forward quickly and aimed another one. Ed jinked back and Tam punched air. </p>
|
||||
|
||||
<p>"Come on Tam. It wasn't me."</p>
|
||||
|
||||
<p>"Six bloody hours in there. You could have killed me. Jesus, look at the state of me. There's no two bits of
|
||||
me hanging together the right way."</p>
|
||||
|
||||
<p> He came lunging at Ed again, like a skinny bat-eared <em>Quasimodo</em> and Ed began to giggle. </p>
|
||||
|
||||
<p>"Come on, you twisted loony, give it a break."</p>
|
||||
|
||||
<p>"Give it a break? I'll give you a bloody break. Break your bloody neck. How would you like it, stuck upside
|
||||
down in a barrel all day?"</p>
|
||||
|
||||
<p>"It was just the afternoon," Ed said, dancing away like a boxer. Tam swung and missed. Ed jinked in and
|
||||
tapped him playfully on the chin. "Prince Naseem you ain't. Float like a bumble bee, sting like a flea."</p>
|
||||
|
||||
<p>"Bastard," Tam spat, all froth and temper now. "And when I get that ginger farty nutcase, I'll put a
|
||||
blowtorch up his arse."</p>
|
||||
|
||||
<p>He came for Ed and managed to grab him and the pair wrestled each other for five minutes before Tam ran out
|
||||
of steam and temper and Ed was unable to move for laughing and finally they collapsed in a heap. </p>
|
||||
|
||||
<p>"Are you all done now?"</p>
|
||||
|
||||
<p>Ed looked over at Tam. His neck was still twisted stiffly to the left and his arms still hugged in tight to
|
||||
his body and Ed started to laugh again. </p>
|
||||
|
||||
<p>"Yeah, go on, laugh," Tam said. "I suppose you think this is funny."</p>
|
||||
|
||||
<p>Ed burst into another fit of the giggles and despite himself, Tam began to laugh and for a couple of minutes,
|
||||
neither of them could move as the sound of it echoed all over the bay. </p>
|
||||
|
||||
<p>They hauled the toolbag through to the decant hall. There was a small ventilation and access hatch high on
|
||||
the wall that they could reach from the barrel stack and then, once through, two parallel pipes only a foot
|
||||
from the roof led round the perimeter. Ed slung the strap over his shoulder and the pair of them inched
|
||||
their way along the pipe for thirty yards, almost twenty five feet off the ground, until they got to an
|
||||
upright H-beam that let them shin down to ground level. They waited for five minutes to catch a breath. </p>
|
||||
|
||||
<p>"Where now?"</p>
|
||||
|
||||
<p>Ed pointed at the big tank lip. They were close to the half landing that would let them down to the maze of
|
||||
pipes and connections below. Ed shouldered the bag and Tam followed him down into the dark. </p>
|
||||
|
||||
<p>The tank was fifteen feet across and its stainless steel sides gleamed in the faint light from the high
|
||||
hatch. An intricate maze of pipes ran this way and that. </p>
|
||||
|
||||
<p>"Looks like a plumber's nightmare," Ed conceded. </p>
|
||||
|
||||
<p>"Not just looks like," Tam said. "I'm hoping I wake up soon." He opened the bag, drew out the blueprint copy
|
||||
and spread it on the ground. Ed flipped on the flashlight and stood it on its side, so that light pooled
|
||||
between them. </p>
|
||||
|
||||
<p>"Do you know what's what?"</p>
|
||||
|
||||
<p>"Not yet, but I'm working on it. You'll have to show me around." Tam was suddenly glad Ed was with him now.
|
||||
He didn't fancy working here alone in the middle of the night, even if it was summer. From the looks of
|
||||
things, it could take until dawn, and no matter what he'd told Jack Lorne, he wasn't entirely sure he'd be
|
||||
able to do this at all. </p>
|
||||
|
||||
<p>"Right," he said twisting his shoulders to ease the ache. "Talk me through it."</p>
|
||||
|
||||
<p>"I thought you knew all this."</p>
|
||||
|
||||
<p>"You work here. Save me time."</p>
|
||||
|
||||
<p>Ed got to his feet, scratched his head. </p>
|
||||
|
||||
<p>"Okay," he strolled across and lay a hand on a manifold of pipes snaking round the tank. "These are coolers,
|
||||
they come from the refrigeration unit. They help prevent evaporation. Here," another tap on a thick steel
|
||||
pipe. "this is the wash drain. One of these will empty the tank after cleaning. This one will fill it with
|
||||
cold, and this one with hot."</p>
|
||||
|
||||
<p> He marked them all off. Tam watched him and kept bending down, following them with his finger on the
|
||||
blueprint. </p>
|
||||
|
||||
<p>Finally he stood up and brought the flashlight with him. Ed watched him angle across to the wall, following a
|
||||
set of brass pipes. </p>
|
||||
|
||||
<p>"Where do these go?"</p>
|
||||
|
||||
<p>Ed shrugged. "I dunno."</p>
|
||||
|
||||
<p>Tam tapped the pipe with a wrench and the harsh metal clang echoed right across the hall and came back in a
|
||||
jangle of sound. </p>
|
||||
|
||||
<p>Ed jumped. "Quit that. They'll hear it all through the building."</p>
|
||||
|
||||
<p>"You said it was shut."</p>
|
||||
|
||||
<p>"Yeah. But there's a security team and night customs."</p>
|
||||
|
||||
<p>They'll think it's a rat," Tam said. He moved back to the tank and crawled into the space underneath where it
|
||||
was supported on a series of short concrete pillars. </p>
|
||||
|
||||
<p>"Is this a drain?"</p>
|
||||
|
||||
<p>Ed nodded. That's for when it gets cleaned out."</p>
|
||||
|
||||
<p>"So it's a gravity feed?"</p>
|
||||
|
||||
<p>"Sure, I suppose."</p>
|
||||
|
||||
<p>"Right. I got the picture. He put his hand on a two-inch steel pipe. "This here feeds the bottling lines, am
|
||||
I right?"</p>
|
||||
|
||||
<p>"I think that's the one."</p>
|
||||
|
||||
<p>"Sure it is." Tam was into it now. "Okay. I need to see the valves."</p>
|
||||
|
||||
<p>"Over here." Ed hunkered down. "They're all marked."</p>
|
||||
|
||||
<p>"So we have to join the fill to the drain." He started unloading the tool-bag. "If we have to rely on gravity
|
||||
it's the only way."</p>
|
||||
|
||||
<p>He pointed to the small hatch in the outside wall. "That's an ingress for a fire hydrant. I thought it was an
|
||||
outlet pipe, but it lets water in."</p>
|
||||
|
||||
<p>"Is that a problem?"</p>
|
||||
|
||||
<p>"Not unless there's a fire. If I can get a connection to that, then we're cooking."</p>
|
||||
|
||||
<p>"And what if there's a fire?"</p>
|
||||
|
||||
<p>"They're going to flatten the place anyway, aren't they? But if all we have is gravity, then this is the only
|
||||
way out, and we have to get to somewhere lower than that tap out there."</p>
|
||||
|
||||
<p>"There's only one place lower," Ed said. "Under the railway bridge."</p>
|
||||
|
||||
<p>"I hope that fits in with Jack's plan," Tam said, "Because it's the only way we're going to do this, and
|
||||
we'll still need a pump."</p>
|
||||
|
||||
<p>He rummaged around and brought out a big tap wrench. </p>
|
||||
|
||||
<p>"Right, I need to find a two inch bore that nobody plans to use in the next two weeks." He went back to the
|
||||
plans, spent five minutes tracing lines again with his finger. "Got it. Now watch the master at work."</p>
|
||||
|
||||
<p>He rummaged in the bag again and brought out a hacksaw. He bent to the pipe. </p>
|
||||
|
||||
<p>He was half-way through the pipe, building up a sweat when the phone rang. The pair of them jumped like
|
||||
startled cats. </p>
|
||||
|
||||
<p>"Tam? Ed?"</p>
|
||||
|
||||
<p>"Ed. What is it?"</p>
|
||||
|
||||
<p>"Are you both in?"</p>
|
||||
|
||||
<p>"We must be in, or you wouldn't be speaking to us."</p>
|
||||
|
||||
<p>"Don't get lippy. Where the hell are you? And what the hell's that noise?"</p>
|
||||
|
||||
<p>Ed turned to Tam and held his hand up for his to stop sawing at the pipe. </p>
|
||||
|
||||
<p>"It's El Capitan," he said. "Hold it a minute."</p>
|
||||
|
||||
<p>Tam pulled back. </p>
|
||||
|
||||
<p>"Ed. Somebody's on their way in. A couple of cars pulled up."</p>
|
||||
|
||||
<p>"Great, that's all we need."</p>
|
||||
|
||||
<p>"Better find some cover. I'll give you a shout when it's clear. But tell Tam to stop that racket. You can
|
||||
nearly hear it out here."</p>
|
||||
<hr />
|
||||
<p>Alistair Sproat came in through the security doorway at the side of the big storage hall. It was dark now,
|
||||
with only the small winking light from the heat detectors on the roof giving a faint illumination. Sproat
|
||||
could walk round this place blindfold. </p>
|
||||
|
||||
<p>"Who's that with him?" Ed had his eye up against the security slot in the door that separated the decant hall
|
||||
from storage. When the rattling of keys echoed through the empty space they'd frozen in sudden fright. </p>
|
||||
|
||||
<p>"Cops?" Tam's face had gone pale. Ed shrugged, face blank. Tam pulled back from the pipe and gentle levered
|
||||
the hacksaw from the groove it had cut. It made a creaking scrape of sound that set the hairs on the back of
|
||||
his head standing on end, then finally it worked free. Ed was already wrapping up the rest of the tools in
|
||||
the big blanket. </p>
|
||||
|
||||
<p>A second door opened and they heard footsteps. Ed stashed the toolbag right underneath the decant tank and
|
||||
the pair of them tiptoed to the far door. Tam eased the slot back and peered through. </p>
|
||||
|
||||
<p>"Two of them. It <em>is</em> the cops."</p>
|
||||
|
||||
<p>"Let me see." Ed shouldered him out and got his eye to the hole. "No. It's Sproat and Kerr Thomson. He's one
|
||||
of the customs men. What are they doing in here at this time of night?"</p>
|
||||
|
||||
<p>Tam breathed a long and eloquent breath. </p>
|
||||
|
||||
<p>"You think they heard something?"</p>
|
||||
|
||||
<p>Ed paused for a moment, watching Kerr Thomson turn to re-lock the door they had just come through. That was
|
||||
odd enough. Thomson was still in black uniform, a dumpy figure with badly pocked skin that he tried to hide
|
||||
with a sparse beard, and an arrogant manner that came with the customs and excise uniform.</p>
|
||||
|
||||
<p>Sproat stopped ten yards from the door and waited for Thomson to catch up. He had a clipboard under his arm
|
||||
and a thick file folder. The pair of them walked down the side of the hall and stopped at the first rank of
|
||||
barrels. </p>
|
||||
|
||||
<p>"What's he doing here?" Ed asked in a whisper. "Nobody's supposed to be inside after lockup."</p>
|
||||
|
||||
<p>"As long as they're not after us, I couldn't care less."</p>
|
||||
|
||||
<p>"Thomson's a scumbag. He'll shop anybody unless he gets a cut."</p>
|
||||
|
||||
<p>Sproat and the customs man walked towards the stack and the distillery owner opened the file. He was just ten
|
||||
yards from where Ed peered through the hole. Thomson flicked on a fluorescent flashlight and set it on top
|
||||
of a barrel, casting a blue light over the first rack. </p>
|
||||
|
||||
<p>Sproat's voice came clear in the hollow. </p>
|
||||
|
||||
<p>"Let's start with the eighty six blend." He flipped the first page of the file and brought out a pen and
|
||||
pointed to the rack. The light caught the stencil number. Sproat read it out. </p>
|
||||
|
||||
<p>"Fifty six gallons."</p>
|
||||
|
||||
<p>"Make it forty five. You can match this with the whisky safe records?"</p>
|
||||
|
||||
<p>Ed pulled back from the hole. </p>
|
||||
|
||||
<p>"Sproat's at the fiddle," he whispered. "That's the stock he's clearing out. He's changing the tallies before
|
||||
it goes to the brokers."</p>
|
||||
|
||||
<p>"What good does that do him?"</p>
|
||||
|
||||
<p>"He'll declare a loss, and sell the rest off and pay only a fraction of the duty. That's neat. You need the
|
||||
customs to back you up. Thomson must have a way into the back records. All the gear that comes out of the
|
||||
still is counted up in the whisky safe. They must be fiddling them."</p>
|
||||
|
||||
<p>"But how can he say there's less whisky in the barrel?" the voices on the other side of the door were
|
||||
checking off the tally. </p>
|
||||
|
||||
<p>"Easy. He'll just say there was extra evaporation. The customs can't do anything about the Angels Share. If
|
||||
it's in the book, it stays in the book. Devious bastard."</p>
|
||||
|
||||
<p>"I don't care what he does," Tam said. "As long as he gets it over with before the morning and we can get
|
||||
done and out of here."</p>
|
||||
|
||||
<p>"We better let Jack know," Ed said, grinning. "It's nice to have something on that smarmy bastard. And
|
||||
Thomson? He's a snake. I'd like to see him fixed."</p>
|
||||
|
||||
<p>It was close to midnight and the tank hall was dark by the time Sproat and Thomson finished checking off the
|
||||
barrels in store. Sproat finally flipped the folder closed and the pair made their way out by the steel
|
||||
door. Ed and Tam listened silently as the successive gates clanged shut and the locks shot home and then
|
||||
waited another ten minutes before they called Jack Lorne. </p>
|
||||
|
||||
<p>"They're gone now, whoever they were," Jack said. "I thought it was the cops."</p>
|
||||
|
||||
<p>"So did we. Tam nearly filled his pants. It was Sproat the stoat, and that spawney-faced Kerr Thomson, you
|
||||
know him? The customs man?"</p>
|
||||
|
||||
<p>"Not personally."</p>
|
||||
|
||||
<p>"They were fixing the totals in storage. They never knew we were watching."</p>
|
||||
|
||||
<p>Jack listened silently as Ed talked him through what they'd seen and he was silent for a little while
|
||||
longer. </p>
|
||||
|
||||
<p>"Can you get the barrel numbers?" he finally asked. </p>
|
||||
|
||||
<p>"What for?"</p>
|
||||
|
||||
<p>"Knowledge is power. You never know when we'll need it."</p>
|
||||
|
||||
<p>"I'll see what I can do."</p>
|
||||
|
||||
<p>"Roger," Jack said. Ed just laughed. </p>
|
||||
|
||||
<p>Tam sawed through the pipe in less than half an hour and it was tough going. He had to change the blade close
|
||||
to the end before he could remove a whole section that was maybe ten feet long, and then he used the monkey
|
||||
wrench to screw on two pressure ends that were half hidden behind other pipes. Unless somebody knew the
|
||||
layout intimately, no-one would see that a length of steel pipe had vanished from the maze. </p>
|
||||
|
||||
<p>Ed watched him use a length of steel spring to bend the pipe, bracing it against the concrete pillars, into
|
||||
right angles and curves until it was twisted all out of shape. </p>
|
||||
|
||||
<p>"This is the piece of the resistance, mon ami." He manoeuvred the misshapen pipe up against the wall,
|
||||
threaded it behind the others until the one cut end was in line with a steel piece of exactly the same
|
||||
width. The far end, ten feet away and kinked at an angle where it met the corner of the wall, came to rest
|
||||
against the fire hydrant inlet. </p>
|
||||
|
||||
<p>"Perfect." Ed had to admire his skill. </p>
|
||||
|
||||
<p>"Now what?"</p>
|
||||
|
||||
<p>"Now we join them all up." He fished in the toolbag again and brought out a big butane blowtorch. </p>
|
||||
|
||||
<p>"Some solder and flux and then we can get out of here."</p>
|
||||
|
||||
<p>Ed looked at him. "You can't use that here."</p>
|
||||
|
||||
<p>"Why not?"</p>
|
||||
|
||||
<p>Ed pointed up at the winking blue lights. "No naked flames, no matches, no smoking. They're heat sensors.
|
||||
They decant double strength whisky in here. The whole bloody lot could blow."</p>
|
||||
|
||||
<p>"I thought they just worked on smoke."</p>
|
||||
|
||||
<p>Ed looked at him. "No. You set of that torch and we'll have everybody down on us."</p>
|
||||
|
||||
<p>Tam leaned against the pillar. His big ears reflected, even more magnified, on the polished curve of the
|
||||
massive steel tank. </p>
|
||||
|
||||
<p>"Okay then, I can fix that. Lift that blanket and bring it over."</p>
|
||||
|
||||
<p>Ed did as he was told and Tam rummaged in the box again and drew out the powered drill bit. "Just as well I
|
||||
charged this up."</p>
|
||||
|
||||
<p>He reached up amongst the tangle of pipes on the wall, touching each one in succession and finally chose one
|
||||
which came down vertically from the ceiling. He got Ed to use the blanket to form a sound shield around him
|
||||
and triggered the drill. It bit into the metal with a high-pitched scream. </p>
|
||||
|
||||
<p>"What's this for?"</p>
|
||||
|
||||
<p>"You'll see in a minute," Tam, said, grinning. </p>
|
||||
|
||||
<p>The drill screeched again and little whorls of silvery metal peeled away from the hole. </p>
|
||||
|
||||
<p>"Come in closer," Tam said, moving to allow more space close to the pipe. Ed moved in. Tam kept up the
|
||||
pressure and then, as the bit began to shudder in the hole, he motioned Ed even closer. </p>
|
||||
|
||||
<p>"Look at this."</p>
|
||||
|
||||
<p>Ed craned in. Tam squeezed the trigger, put his weight to it and then suddenly pulled back. Something hissed,
|
||||
loud as a snake, and he snatched the drill-bit out of the narrow hole. </p>
|
||||
|
||||
<p>A hard jet of well-chilled water belted out of the tiny perforation under high pressure and hit Ed in the
|
||||
eye. He yelped and fell backwards, slipping onto his backside while the thin stream expanded into a thick
|
||||
spray that drenched him from head to foot. </p>
|
||||
|
||||
<p>"It's freezing.... " he finally said, catching his breath, crawling away from the misting spray hissing from
|
||||
the cooling pipe. </p>
|
||||
|
||||
<p>"That's what we need. Get the blanket."</p>
|
||||
|
||||
<p>Ed shivered violently. The spray was condensing on his dark hair in silvery beads and the whole front of his
|
||||
overalls was soaked from chin to crotch, but he reached for the blanket that had served as a sound dampener.
|
||||
Tam made him hold it up to catch the cold water and waited until it had absorbed enough to start dripping to
|
||||
the ground. </p>
|
||||
|
||||
<p>"Right Ed, you'll have to spread it round me, so keep it in the jet." Ed moved closer, holding the thing at
|
||||
arm's length, but it didn't provide enough cover. </p>
|
||||
|
||||
<p>"Huddle round me," Tam told him. </p>
|
||||
|
||||
<p>"But that means I'll get soaked again. It's freezing."</p>
|
||||
|
||||
<p>"We need it freezing. Come on Ed, I'll be quick as I can, but if I can spend six hours upside down in a
|
||||
barrel you can spend a couple of minutes in the damp." Tam grinned and Ed glared at him. "If somebody had
|
||||
told us about the heat sensors, then I'd have thought of something else. But nobody told us and that's a
|
||||
shame really, isn't it?"</p>
|
||||
|
||||
<p>"You're just getting your own back, aren't you?"</p>
|
||||
|
||||
<p>"Would I do a thing like that?" Tam nudged him with his elbow. "That's it. Stand right inside there." Ed's
|
||||
teeth began to chatter and he held the blanket round him like a cloak. Tam sparked his lighter and the
|
||||
blowtorch flame suddenly growled, a sharp blue dagger of heat. </p>
|
||||
|
||||
<p>"Nice and easy Ed, keep us all covered." Tam bent to the pipe and began to apply heat and solder to the
|
||||
two-inch yorkie ring that could join the ends of the pipes. He worked carefully, making sure he wouldn't
|
||||
have to go back over the job, and every now and again he leant back out of the protection of the damp
|
||||
blanket to make sure the blue heat warning lights were still flashing at one per second. </p>
|
||||
|
||||
<p>"Come on," Ed said, hardly able to articulate the words. "I hate the bloody cold. I can't hold this much
|
||||
longer."</p>
|
||||
|
||||
<p>"Another ten minutes," Tam said, trying not to smile. This revenge was worth spinning out.</p>
|
||||
|
||||
<p>Ed swore a shuddery curse. Even Tam could feel the cool of the spray water. Ed had the blanket across his
|
||||
shoulders, taking the whole jet on his back and letting the fabric absorb all of the chill. </p>
|
||||
|
||||
<p>"What's a bit of water anyway?" Tam asked. </p>
|
||||
|
||||
<p>"It's bloody f... f...... "</p>
|
||||
|
||||
<p>"Cool?"</p>
|
||||
|
||||
<p>"Fuckin' freezing."</p>
|
||||
|
||||
<p>"All the better then." Tam carefully ran the flame over the join, watching the flux carry the gleaming solder
|
||||
away. </p>
|
||||
|
||||
<p>"I'm getting a cramp."</p>
|
||||
|
||||
<p>"Nothing like the cramp I got stuck in that barrel." Tam's grin was pasted on. Ed squirmed away from the
|
||||
jet. </p>
|
||||
|
||||
<p>"Back in," Tam insisted. "You don't want to blow it now."</p>
|
||||
|
||||
<p>"This is giving me an ice-cream headache."</p>
|
||||
|
||||
<p>Tam turned away, unable to keep from laughing. </p>
|
||||
|
||||
<p>"Only another five minutes, he managed to say. </p>
|
||||
|
||||
<p>"B.... b..... b..... arsehole."</p>
|
||||
<hr />
|
||||
<p>Kate Delaney brought him the artwork and it was perfect. She was backstage at the Starlight show in the
|
||||
little theatre where she was up to her elbows in paint and grease, hair pulled back in a rich copper
|
||||
twist. </p>
|
||||
|
||||
<p>Jack stood in the corner as the cast prepared for the final curtain and he winked at Neil Cleary as his
|
||||
sister dragged him on for the line-up. </p>
|
||||
|
||||
<p>"I thought you'd be all at sea by now," Kate whispered. The sound of applause from the front of the house was
|
||||
muted beyond the heavy curtain. </p>
|
||||
|
||||
<p>"First things first." He still wasn't giving anything away. </p>
|
||||
|
||||
<p>"Good. You can make the final night party then, and make sure I don't get up to anything."</p>
|
||||
|
||||
<p>He was killing several birds with the one visit tonight. Joanne Cleary was a friend of his sister and he
|
||||
needed a favour from her and Ed's girl-friend Donna Bryce, who was in the Starlight chorus and doubled as
|
||||
make-up artist. Kate's flats were as vibrant as the paintings on the heritage wall, characteristic bold
|
||||
strokes and contrasting shadows. </p>
|
||||
|
||||
<p>"Did you do the banners too?"</p>
|
||||
|
||||
<p>"You can't rush good art." She left him hanging and he had to wait. "What I don't understand is why you want
|
||||
one of the council's sewage section. They're not going out of business."</p>
|
||||
|
||||
<p>"The committee asked for it," Jack said, knowing he was lying, hoping she didn't notice, not entirely sure
|
||||
she hadn't. He'd have to get a whole lot better at this. "We have to show what a bunch of shits they
|
||||
are." </p>
|
||||
|
||||
<p>"Oh, you're organised now? That makes a change for you."</p>
|
||||
|
||||
<p>"Yes mother."</p>
|
||||
|
||||
<p>This time she laughed. "You're up to something, Jack Lorne."</p>
|
||||
|
||||
<p>"That's what Uncle Sandy says."</p>
|
||||
|
||||
<p>"He's not so old he's addled. Come on, what's going on? What are these things for?"</p>
|
||||
|
||||
<p>She held up a big art folder and opened it up. She had done them just the way he'd asked, all in sections, on
|
||||
clear plastic, the lettering perfect. Just what he needed. </p>
|
||||
|
||||
<p>"It's amazing what you can do with computers," she said. "I did some of these myself, and some of the class
|
||||
did them on the CAD program. It's them you have to thank."</p>
|
||||
|
||||
<p>He lifted one of the sheets up and held it to the light. The letters were clearly visible, done in brown in
|
||||
an old Victorian script, edged with gold. One quarter of an old pot still could be seen in the corner.</p>
|
||||
|
||||
<p>"They're terrific," he said.</p>
|
||||
|
||||
<p> "Want to tell me what they're really for?"</p>
|
||||
|
||||
<p>"The workers' revolution. We're taking over the world." </p>
|
||||
|
||||
<p>"You and daft Donny Watson? I don't think so."</p>
|
||||
|
||||
<p>She handed the artwork over with more questions in her eyes, but he just thanked her and said he'd reveal all
|
||||
sometime soon.</p>
|
||||
<hr />
|
||||
<p>Jack looked at his watch. Ed and Tam were still inside Aitkenbar and neither of them had phoned, which meant
|
||||
they were still working, but there was nothing he could do to help them now. Donny had complained at being
|
||||
left as a lookout with the spare phone, but he had the geese to feed for Neil anyway, and Jack had other
|
||||
things to do. As long as Tam Bowie knew his stuff, they were on their way. One step at a time, that was the
|
||||
way. But this was a big step. </p>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
498
build/Full Proof/OEBPS/ch11.xhtml
Normal file
498
build/Full Proof/OEBPS/ch11.xhtml
Normal file
@ -0,0 +1,498 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>11</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>11</h1>
|
||||
|
||||
<p>The geese fell in love with Neil Cleary, and the fish, well they caused a hell of a stink in more ways than one. That
|
||||
was after Tam and Ed got out of Aitkenbar Distillery and after Jack Lorne had his hair dyed an odd shade.</p>
|
||||
|
||||
<p>Tam could hear the birds through the ventilation gap as dawn broke in the east, honking in that aggressive
|
||||
territorial tone geese adopt. It had taken him two hours to finally get the connections made and he was
|
||||
confident enough that whatever he had done couldn't be easily discovered. The maze of pipes still did what
|
||||
they were supposed to do, for the time being at least. The final job had been to tighten a little grub screw
|
||||
into the tiny hole in the coolant pipe and seal it. The freezing spray simply shut off. By that time Ed was
|
||||
blue with the cold. </p>
|
||||
|
||||
<p>"God, I'm f... f... chilled to the bone." He could hardly speak for the chattering of his teeth and Tam
|
||||
couldn't help grinning. Ed glared at him. </p>
|
||||
|
||||
<p>"You did that on purpose." It took him almost a minute to get the accusation out. The blanket was down on the
|
||||
concrete and cold water pooled out from the fabric. Ed was scrambling to get out of his overalls. "Look at
|
||||
me. I'll get pneumonia."</p>
|
||||
|
||||
<p>"It's only a bit of water. Us plumbers get wet all the time." Tam's neck was still sore from the cramp of the
|
||||
barrel, and Ed just happened to be the nearest and easiest to take revenge on.</p>
|
||||
|
||||
<p>"If I snuff it, it's down to you." The overalls were off and Ed was trying to unbutton his shirt with stiff
|
||||
numb fingers. Above him the heat sensor winked its blue metronome. He got the shirt off and stood there
|
||||
shivering in his boxers, skin roughed and puckered with gooseflesh. He glared again at Tam. </p>
|
||||
|
||||
<p>"This had better work."</p>
|
||||
|
||||
<p>"Sure it'll work. Here, do you want something to heat you up?"</p>
|
||||
|
||||
<p>"Give me your shirt."</p>
|
||||
|
||||
<p>"Bugger off. I'm the tradesman here. You're just the hired help."</p>
|
||||
|
||||
<p>"Thanks pal." Ed stomped off, swinging his arms out and then around himself, trying to get the circulation
|
||||
back. His jockeys dripped down his legs and left a trail on the floor. If it had been winter he'd have been
|
||||
in serious trouble. Tam heard footsteps on the metal stairs and then a door open on the far side of the big
|
||||
tank. A few minutes later Ed came back, wet feet slapping on the floor. He was buttoning a white lab coat
|
||||
that built for someone several stone wider. Tam burst into a gale of laughter. </p>
|
||||
|
||||
<p>"What <em>do </em>you look like?"</p>
|
||||
|
||||
<p>Ed stopped and looked down at himself, hairy white legs poking down beneath the hem, and then he started to
|
||||
laugh too. </p>
|
||||
|
||||
<p>"Here," Tam said. "This is the second Easter miracle." He held up a tin mug that was chipped with long rough
|
||||
use. Ed took it, smelt it and his face lit up. </p>
|
||||
|
||||
<p>"Where did you get this?"</p>
|
||||
|
||||
<p>"Trust me, I'm a genius. You just have to know where all the pipes go, and a shifting spanner comes in fine
|
||||
and dandy."</p>
|
||||
|
||||
<p>Ed took a big swallow of the overproof whisky and then coughed as it hit the spot. Colour came back into his
|
||||
cheeks. </p>
|
||||
|
||||
<p>"Man, that goes down a treat."</p>
|
||||
|
||||
<p>Tam started dragging the toolbag away from the wall towards the shelter under the big tank, out of the direct
|
||||
line of the heat sensor. He sat down with his back to a pillar and Ed joined him. He passed the mug back and
|
||||
Tam took a fine swallow. </p>
|
||||
|
||||
<p>"Here's the good bit," he said. "If we have to wait for the morning, we might as well sit back and enjoy
|
||||
this."</p>
|
||||
|
||||
<p>He dig into the bag and pulled out a long jointing compound tin, hut when he opened it, Ed saw a stack of fat
|
||||
roll-ups. </p>
|
||||
|
||||
<p>"Finest Leb red," Tam said, handing one across. He lit up, sucked in and held it until his vision began to
|
||||
waver. </p>
|
||||
|
||||
<p>"You're forgiven man, that's the business."</p>
|
||||
|
||||
<p>Sometime in the morning, after Marjory Burns had stamped Ed's card again, the pair of them hid behind the
|
||||
barrels until Donny gave them the all clear, and Tam staggered out into the light of day, wove his way
|
||||
across the grass, and stumbled face-first into the chain-link fence. The boys had to haul him and his
|
||||
toolbag through the hole in the wire and drag him through the brambles. He was still singing an hour later
|
||||
before he fell asleep in the sun. Ed was sent home sick. </p>
|
||||
|
||||
<p>The geese watchdogs had taken to the popcorn and somehow they had imprinted on Neil and now he couldn't get
|
||||
rid of them. It had been a good idea that for a while had worked just a treat but now it had developed
|
||||
unexpected complications. They had got used to coming to the fence for a feed, marching up and down, beaks
|
||||
pointing at the sky, honking anticipation. Then he had weaned them away from the front, scattering mounds of
|
||||
the stuff further and further way, until they became accustomed to gorging only a few yards from the
|
||||
cooperage at the back of the building, well away from the decant hall. </p>
|
||||
|
||||
<p>"They can smell me half a mile away," he told Donny . "Either that or they're telepathic."</p>
|
||||
|
||||
<p>The pair of them had lugged another couple of plastic bags of corn feed through the new-worn track in the
|
||||
bushes and far in the distance, the geese had already begun their cacophony.</p>
|
||||
|
||||
<p>"Listen to them," Neil said. "They love this stuff, but as soon as I get anywhere near the place they start
|
||||
up that racket. It'll screw us for sure."</p>
|
||||
|
||||
<p>"You think we should shoot them?" Donny asked. "I've still got my old slug gun."</p>
|
||||
|
||||
<p>"Sure, great. Shoot the fuckers. Don't you think it might give the game away when they find dead bodies all
|
||||
over the place?"</p>
|
||||
|
||||
<p>"If they keep that up they'll give the game away anyway. It's back to the drawing board."</p>
|
||||
|
||||
<p>Neil had been taken completely by surprise by the amount of popcorn that erupted from just a small pack of
|
||||
kernels on that first night. His mother and his aunts had screeched like scalded cats when the stove had
|
||||
turned itself into a fountain of the stuff and the kitchen ended up ankle deep after the boys had made a
|
||||
fast exit. The women soon calmed down when he shovelled it up into a bin liner, but they were still finding
|
||||
pieces of corn in all sorts of corners. It was more than a week since he had first turned up to wean them
|
||||
away from the gatehouse and the first day they had set up such a commotion that the security men had come to
|
||||
investigate and he'd had to sneak away through the undergrowth. Now the problem was even worse. </p>
|
||||
|
||||
<p>They reached the fence and two dozen big geese were strutting their stuff right up against the wire, ready
|
||||
for a feeding frenzy. They had long white necks and strong beaks and little beady eyes that had a mean look
|
||||
about them, but as soon as Neil started shovelling the popcorn through the wire they attacked it as if they
|
||||
were starving. The noise of their bickering could have been heard across the other side of the river, and it
|
||||
was just as well the birds were at the back end of the cooperage, where the high warehouse wall deflected
|
||||
most of the sound. </p>
|
||||
|
||||
<p>"They're getting fatter as well," Neil said. "They must have put on a stone at least."</p>
|
||||
|
||||
<p>Donny watched in amazement as the birds fought and squabbled amongst themselves, scraping up against the wire
|
||||
and flapping their wings with such force that the bushes rocked in the wind. White and grey feathers
|
||||
spiralled into the summer air. </p>
|
||||
|
||||
<p>"What a commotion," Donny said. "You better tell Jack we got a problem."</p>
|
||||
|
||||
<p>"He just said keep them away from the front."</p>
|
||||
|
||||
<p>"But he never said you had to wake up the whole town."</p>
|
||||
|
||||
<p>Donny had problems of his own to worry about. He'd been detailed to get the decoys and that meant recruiting
|
||||
his young brother and some of his pals to get themselves down the Kilmalid Burn with fishing nets made out
|
||||
of old onion bags, trying to catch as many minnows and sticklebacks as they could find. </p>
|
||||
|
||||
<p>"What do you want them for?" Kevin Watson needed to know. </p>
|
||||
|
||||
<p>"I'm going to breed them," Donny said. "What's it to you? Just get down there and catch me a couple of
|
||||
hundred."</p>
|
||||
|
||||
<p>"What's the catch?"</p>
|
||||
|
||||
<p>"No catch. I'll pay you"</p>
|
||||
|
||||
<p>"How? You'll be on the dole in a couple of weeks."</p>
|
||||
|
||||
<p>Donny grabbed Kevin by the collar and the boy's pal Danny Kane pulled back in case he got some too. Kevin was
|
||||
just as red-headed as Donny was, that fine, bright, corkscrewed electric shock sort of ginger that's never
|
||||
ever going to be in style until it's shaved right to the wood and maybe not even then. Kevin had been an
|
||||
afterthought child, if indeed any thought had been put into his conception at all by his parents. He was
|
||||
sixteen years younger than Donny, but you'd still know they were brothers. </p>
|
||||
|
||||
<p>"Listen, you cheeky wee bugger. I got money."</p>
|
||||
|
||||
<p>"How much?" Danny Kane had an eye to the main chance. He was Ed's nephew and every bit as smart on the
|
||||
uptake. </p>
|
||||
|
||||
<p>"How much what?"</p>
|
||||
|
||||
<p>"How much for a fish?"</p>
|
||||
|
||||
<p>"Ten pence."</p>
|
||||
|
||||
<p>"Get lost, cheapskate." Donny still had Kevin by the lapels. His brother's voice sounded strangled, which was
|
||||
not unreasonable under the circumstances. </p>
|
||||
|
||||
<p>"What do you mean get lost? That's a good deal."</p>
|
||||
|
||||
<p>"That's only a pound for ten. How much do you need?"</p>
|
||||
|
||||
<p>"About a hundred."</p>
|
||||
|
||||
<p>"A hundred my bum. It'll take us days to catch that many. A tenner for all that? No way."</p>
|
||||
|
||||
<p>Danny Kane piped up. "Tell you what, make it a pound and you got a deal."</p>
|
||||
|
||||
<p>"A pound?" Donny 's voice raised an octave. "A pound. For a stickleback? We used to catch them by the ton
|
||||
when I was your age."</p>
|
||||
|
||||
<p>"Aye, well, you can go and catch your own ton then," Kevin said, "seeing you're such a big hot shot
|
||||
expert."</p>
|
||||
|
||||
<p>"Look, I'll give you twenty pence a fish."</p>
|
||||
|
||||
<p>"Eighty," Danny said, grinning, and everybody could see where this would end up.</p>
|
||||
|
||||
<p>Donny let go when it got balanced out at fifty pence and hit Kevin a perfunctory slap on the back of his head
|
||||
just for the hell of it. He'd have to ask Jack for a decent hit at the petty cash fund and he hoped there
|
||||
would be no problem there. There was no chance he'd come back and lose face with Kevin and that sly little
|
||||
Danny Kane by admitting he couldn't cough up. </p>
|
||||
|
||||
<p>What he didn't realise was that Danny Kane was every bit as smart as his uncle and despite the fact that
|
||||
there was nothing better for twelve-year-olds to do in the high summer than spend a couple of afternoons
|
||||
down at the Kilmalid stream hooking out brown trout and little tidal flounders, he had, even at this age, a
|
||||
good estimation of time and motion and value for money. It was he who directed Kevin to build two lines of
|
||||
stones in a downstream pointing chevron and drive two stakes into the steam bed with the onion mesh bag
|
||||
stretched between them. After that the pair of them went fifty yards upstream, cut two straight ash saplings
|
||||
with a thick crown of leaves and used them to sweep right down the little stream, driving every little fish
|
||||
with the flow and into the bag. In less than half an hour they were trundling homewards pushing a wooden
|
||||
bogey with ten big sweet jars filched from the back of Thornton's shop, each filled with an assortment of
|
||||
gasping freshwater fish.</p>
|
||||
|
||||
<p> If it hadn't been for Danny Kane's ingenuity, then things might not have turned out the way they did, and
|
||||
Donny Watson might not have ended up with an awful sore face and worse, but like the poem says, for the want
|
||||
of a nail, the shoe was lost, and so on right up to the end where that one nail ends up closing the coffin
|
||||
lid. But that's for later. </p>
|
||||
|
||||
<p>On the day Neil took Donny down with him to feed the geese, the boys made it back home with the fish gulping
|
||||
for oxygen, and tipped them into the big plastic rain-butt behind the greenhouse that served as an ad-hoc
|
||||
watering can during the height of the summer. Fortunately for the fish, the tub was full of mosquito larvae,
|
||||
letting them gorge for a while until there were none left. Unfortunately for the little sticklebacks and
|
||||
minnows, there was a hairline fracture in the base of the butt, that let out a fine trickle of water which,
|
||||
as it was out of direct sight, nobody noticed. Even more unfortunate was the fact that the container sat at
|
||||
the corner of the house, and for half the day it got the direct rays of the sun in the hottest summer
|
||||
anybody could remember for a long time. Almost immediately the water began to heat up as its level lowered.
|
||||
Donny treated the captives to a huge handful of goldfish food from Ryan's pet shop and left them to get on
|
||||
with it, confident that they'd have enough to keep them going for the next couple of days. </p>
|
||||
|
||||
<p>It came as a great surprise to him when he next inspected the tank to find it half empty, filled with a
|
||||
thick, foetid liquid, and giving off such a stench that he almost lost his lunch of pies and beans. And by
|
||||
that time things had moved on. It was too late to send the boys out on another fishing expedition and Donny
|
||||
had to think of another plan and that's what got him a really sore face and testicles and put the whole
|
||||
operation in serious jeopardy. </p>
|
||||
<hr />
|
||||
<p>Jack's brother Michael was a natural when it came to computers. Jack and their mother had scraped together
|
||||
six years before and bought him an old Toshiba at Christmas. Mike had learned to programme by hacking in to
|
||||
his games to gain more lives and become the envy of the gamers in street. It had seemed natural for him to
|
||||
progress through school and now be applying for a place in a degree course on programming. He was eight
|
||||
years younger than his brother and that gap was a huge chasm when it came to electronics. Jack could work
|
||||
the phone and the stereo and managed to laboriously type his course reports on the old Dell, but Mike seemed
|
||||
to be able to work the things telepathically. </p>
|
||||
|
||||
<p>"You want me to scan it or copy it?"</p>
|
||||
|
||||
<p>"What's the difference?" They were up in the loft that the pair of them had converted into men's territory,
|
||||
with Jack's desk jammed in at a gable corner and Mike's study area festooned with wires and hardware. Mike
|
||||
gave him a suffering look. </p>
|
||||
|
||||
<p>"If I scan it, I use the scanner. It has word recognition of a sort and will convert it into type. Or I can
|
||||
copy the whole thing and jiggle it around to get the font right."</p>
|
||||
|
||||
<p>"Don't you get technical on me," Jack said. Mike was more slender, but dark like himself. "Jiggle it around.
|
||||
Is that in the manual?"</p>
|
||||
|
||||
<p>Mike laughed. "It's quicker to scan. I got a program here that will do a great imitation."</p>
|
||||
|
||||
<p>"Then that's the one I want. I need it to look like the real thing."</p>
|
||||
|
||||
<p>He handed over the papers that Jed had sneaked out of the dairy. </p>
|
||||
|
||||
<p>"I need this and this," he said, spreading the sheets. He took out another paper unfolded it. "And can you do
|
||||
me something like this?"</p>
|
||||
|
||||
<p>"Carson Convoy? Who are they?"</p>
|
||||
|
||||
<p>"Can you do it?"</p>
|
||||
|
||||
<p>"Does the pope wear a pointy hat?" Mike glanced up from the sheet of paper. "This is a lease document. What's
|
||||
it for?"</p>
|
||||
|
||||
<p>"Trust me, Mikey boy, you don't want to know. Anybody asks, you know nothing, right?"</p>
|
||||
|
||||
<p>"What are you up to, Jack? Anything to do with those guys that duffed us up?"</p>
|
||||
|
||||
<p>Jack ruffled his bother's hair and Mike dodged out of the way. He'd always hated that. "Yes and no. I'm
|
||||
trying to get a few things sorted out. And get a few people sorted out while I'm at it."</p>
|
||||
|
||||
<p>"But this is a hire agreement for trucks. You fake them and you're in deep shit."</p>
|
||||
|
||||
<p>"Look kiddo, we copy these and print them out, making them look like the real McCoy, and then you forget
|
||||
about it, or I make you eat the damn things. Got the picture?"</p>
|
||||
|
||||
<p>"Don't get shirty, shorty."</p>
|
||||
|
||||
<p>Mike pulled back and looked Jack in the eye. "Listen Jake, you sure you're okay? I mean, if you're up to
|
||||
something that could get you the nick, I mean.... "</p>
|
||||
|
||||
<p>"Nothing like that, egg-head. You're the brains of the family. I'm the brawn. You get this fixed for me and
|
||||
I'll see you're fixed okay. Trust me, I'm your brother."</p>
|
||||
|
||||
<p>"That never made any difference before now," Mike said, but he was smiling now. </p>
|
||||
|
||||
<p>"Trust me or I'll kick the shit out of you."</p>
|
||||
|
||||
<p>"That's more like it."</p>
|
||||
|
||||
<p>"And we need a web site of our own," Jack said.</p>
|
||||
|
||||
<p>"Who's we?"</p>
|
||||
|
||||
<p>"Need to know," Jack said. He thought he should just engrave that phrase on his forehead. "And you definitely
|
||||
don't."</p>
|
||||
|
||||
<p>"You have to start telling me something sometime. I can fix up a website, but I have to know what you want in
|
||||
it."</p>
|
||||
|
||||
<p>"A whole lot of lies," Jack admitted.</p>
|
||||
<hr />
|
||||
<p>Kate never recognised him at all. Joanne Cleary was an expert and Ed's girlfriend Donna Bryce had teamed up
|
||||
with her to put fifteen years on him. He had done the deal backstage at the Starlight show, when the rest of
|
||||
the cast were swilling beer and cheap white wine after the final curtain on the last night, air-kissing and
|
||||
signing programmes and pretending to be real actors. Kate had given him the big posters he needed and after
|
||||
the party he had gone home and sat up half the night, working a few things out.</p>
|
||||
|
||||
<p>Donna spread newspapers on the kitchen floor, slipped an old tablecloth around his neck and began to cut his
|
||||
hair, starting with the hank that fell down over his eyes. She worked fast, talking all the time, while Neil
|
||||
and Jed watched. Joanne was the direct opposite of her brother, fine featured and dark, with eyes that were
|
||||
almost jet black and an olive complexion that contrasted with his freckles. She took after their mother in
|
||||
looks and temperament and her three years at the Royal Scottish Academy of Music and drama were paying off
|
||||
here. She sat at the kitchen table, preparing her make-up box while Donna began the bleaching process and
|
||||
then added the colour that converted the former black into a steely grey. She blew dried Jack's hair into a
|
||||
short slashback style and stripped off the tablecloth. When he turned round, even Joanne was amazed. The
|
||||
change in style and colour had added ten years to him. It was up to her to do the rest with the collection
|
||||
of brushes and skin tones and latex.</p>
|
||||
|
||||
<p> When they had gone, he put on his grandfather's old brown tweed suit and when he looked in the mirror, he
|
||||
almost stepped back in real amazement. A stranger stared back at him over the top of grandad's rimless
|
||||
glasses, a stranger who looked remarkably like the photograph of the wold man that stood on his mum's
|
||||
dresser.</p>
|
||||
|
||||
<p>Jack's eyes were the same blue they'd always been, and his brows still dark and thick, but it was the face of
|
||||
a forty-year-old who bent forward to examine him. He had one thumb hooked in the belly pocket of the
|
||||
waistcoat, faint crows feet around the eyes and a sharper nose. He smiled and the brackets on either side of
|
||||
his mouth appeared deeper and darker. </p>
|
||||
|
||||
<p>"Now would you look at that?"</p>
|
||||
|
||||
<p>The Irish accent came out of the blue, unplanned and spontaneous, but it fit with the image. He had the right
|
||||
colouring and the right suit. "Top of the morning to you, and bottom of the afternoon as well, begod."</p>
|
||||
|
||||
<p>He grinned at himself and knew he could pull this off. Jack walked back into the hallway and began to strip
|
||||
the jacket off when the door suddenly opened.</p>
|
||||
|
||||
<p>"What it the name of christ...." His uncle took one look and for a man on the other side of sixty he was on
|
||||
him faster than even Jack himself would have believed. The old man flung a straight punch which caught him
|
||||
right on the cheek with a meaty thud. Jack was standing with the jacket peeled off, his arms still jammed in
|
||||
the sleeves, defenceless. The punch was hard enough to rock his head to the side. Two quick belly blows
|
||||
doubled him up as he struggled to free himself and knocked the wind from him before he could get a word
|
||||
out.</p>
|
||||
|
||||
<p>"Scumbag," Sandy grunted. Jack got his arm out of a sleeve, trying to shake the old man off, still unable to
|
||||
catch his breath. "I'll teach you to break in on me."</p>
|
||||
|
||||
<p>He'd always been strong, Jack knew that, but he was still surprisingly fast. Jack squirmed out of the
|
||||
head-lock, managed to push himself to his feet, grab a breath.</p>
|
||||
|
||||
<p>"Stop it, Sandy . You're killing me."</p>
|
||||
|
||||
<p>Sandy Bruce raised a gnarled fist to catch him another one on the eye and Jack blocked it with his left,
|
||||
grabbed the wrist and hung on tight.</p>
|
||||
|
||||
<p>"Honest. I give in."</p>
|
||||
|
||||
<p>"Jack?" Sandy pulled back, startled. "What the hell.....?"</p>
|
||||
|
||||
<p>"Yeah, it's me. I never expected you back for ages."</p>
|
||||
|
||||
<p>"For heaven's sake, boy. What in the name's happened to you?"</p>
|
||||
|
||||
<p>Jack held on to the wrist, just in case. Sandy leant forward.</p>
|
||||
|
||||
<p>"Is that my glasses?"</p>
|
||||
|
||||
<p>"No, it's grandad's old pair."</p>
|
||||
|
||||
<p>"And what's happened to your hair, man. You look like you've seen a ghost." He pulled back further. "Just
|
||||
what are you up to?"</p>
|
||||
|
||||
<p>Jack eased himself upright, and pulled Sandy up to his feet. He sat down while his uncle got his own breath
|
||||
back.</p>
|
||||
|
||||
<p>"Put the kettle on. I suppose I'd better tell you the score before you kick the living shit out of me."</p>
|
||||
|
||||
<p>Sandy made a cup of tea and then he broke the first of the two rules of business. He told his uncle
|
||||
everything.</p>
|
||||
|
||||
<p>They welcomed him at Dunvegan distillery and insisted he took a dram of the finest malt that was even older
|
||||
than he was. It had taken two hours and twenty minutes to get from Levenford to the bridge across the sound
|
||||
to Skye, and then another hour to cross the whole island to get to the little distillery nested in a narrow
|
||||
little glen, huddled in from the big winds and storms that swept in from the other side of the Atlantic. The
|
||||
time factor bothered him and his backside was numb and sore. Tam was used to travelling about on the big
|
||||
Dragstar and maybe his skin was calloused by now, but three hours on the rough roads north wasn't merciful
|
||||
on the tailbone and Jack needed a hot bath to soak the stiffness out. He glanced at himself in the mirror of
|
||||
the hotel bedroom, and realised he felt the way he looked. Tam stayed out of sight when he called for a
|
||||
local cab to take him up to the distillery and none of the Dunvegan union men who had been down protesting
|
||||
at the closure gave him a second glance. He got a tour of the premises and the stock, and Alistair Sproat
|
||||
called from Aitkenbar just to make sure everything was going to plan. Jack didn't even have to concentrate
|
||||
on the accent. The very fact of wearing his grandfather's good tweed suit just brought out whatever Celt was
|
||||
in him. His cheek still hurt, but Neil's sister had smoothed over the abrasions with some thick cream and
|
||||
managed to get it to match the other one.</p>
|
||||
|
||||
<p> "Mr Gabriel," Sproat had shaken his hand, strong and surprisingly firm when Jack had expected it to be weak
|
||||
and sweaty.</p>
|
||||
|
||||
<p><em>Never make assumptions, they just make an ass out of u and me. </em>Was that from one of the business
|
||||
course chapters, or had he heard it in a movie? Jack shucked the thought away, needing to concentrate. This
|
||||
was the difficult part. The rest of it was just down to timing and organisation and making sure everybody
|
||||
did their bit.</p>
|
||||
|
||||
<p>Margery Burns had given him the eye when he sat down in the neat reception area with the big coffee table
|
||||
books that showed the basics of how whisky was made at Aitkenbar. She brought him a coffee and looked him up
|
||||
and down, taking in the good handmade suit cut in a classic style, and the thick grey hair. Jack nodded, not
|
||||
risking a smile just in case any of the latex peeled away from his nose.</p>
|
||||
|
||||
<p>"You're from Ireland?"</p>
|
||||
|
||||
<p>He nodded again, wishing she would go away. She'd made sure her fingers touched his when she passed the
|
||||
coffee and he wondered if Jed knew he wasn't the exclusive stable jockey. Maybe he didn't care.</p>
|
||||
|
||||
<p>"And are you staying here today?"</p>
|
||||
|
||||
<p>He shook his head, lowered his voice and the Ulster accent didn't let him down.</p>
|
||||
|
||||
<p>"I'll be flying back tonight."</p>
|
||||
|
||||
<p>"That's a shame," she said, and smiled, letting him know that if he changed his mind, accommodation would not
|
||||
be a problem. She was either making up for lost time or really going for revenge. Whatever way, she was
|
||||
doing a fine job.</p>
|
||||
|
||||
<p>Sproat saw him in to the board room, narrow and panelled, with a big mahogany table from the golden days of
|
||||
the past before the big conglomerates began to squeeze everybody and before designer drinks took the wind
|
||||
out of the old whisky sails. Jack concentrated on his manner, glad that he'd spent the night going over
|
||||
everything, predicting any questions. If Margery Burns hadn't recognised him, nobody would. The octagonal
|
||||
rimless glasses gave him an air of aloofness, and that was no bad thing.<em> We never get a second chance to
|
||||
make a good first impression.</em> Another rule. He was well primed.</p>
|
||||
|
||||
<p>"A client of mine understands you have a fine supply of whiskies that you might be looking to move on," Jack
|
||||
said. </p>
|
||||
|
||||
<p>"There's always a possibility of business," Sproat said urbanely.</p>
|
||||
|
||||
<p>Jack had seen the books. Margery was truly helpful, if extremely insistent. It had not been an easy thing to
|
||||
keep out of the grasp of those red nails.</p>
|
||||
|
||||
<p>"We'd be interested in an initial tranche of a hundred barrels of eight-year-old. You have that, plus another
|
||||
hundred of five and a considerable bulk of under-age that's going to take a bit of moving. There's a
|
||||
possibility we could be talking about a fairly sizeable order."</p>
|
||||
|
||||
<p>"I have to say you're very well informed, Mr Gabriel." Sproat was smiling as he crossed to the ornate
|
||||
tantalus that caged three exquisite decanters.</p>
|
||||
|
||||
<p>"Call me Michael," Jack said. "Everybody else does. Sure, it's best to do the homework first, so you can
|
||||
enjoy yourself afterwards."</p>
|
||||
|
||||
<p>"I've done some homework myself. Your brokerage is fairly new."</p>
|
||||
|
||||
<p>"Brand spanking new. It's a branch-out, some young heads and some old money. It's just a change of market. We
|
||||
were mostly in the Balkans until the market fell away, if you understand. Now there's better business in the
|
||||
Baltic. They're fed up with the Vodka and like a taste of the ould stuff, even if it's costing an arm and a
|
||||
leg."</p>
|
||||
|
||||
<p>"Yes, I saw that on the web-site." Sproat poured two manly glasses. </p>
|
||||
|
||||
<p>"If we don't take care of the customer, somebody else will. My clients believe in that philosophy and if
|
||||
you're interested, you can get a better deal than from any of the big boys. There's a lot of new money over
|
||||
there looking for a place to come in out of the cold, if you take my meaning. Good quality Scotch is in big
|
||||
demand, and over there, quality remains long after the price is forgotten."</p>
|
||||
|
||||
<p>"Over here too," Sproat beamed. Jack had done his homework and he knew just how keen Sproat was to empty the
|
||||
warehouses now that the deal was almost complete with the developers. Everybody knew he'd be doing a stock
|
||||
clearance and the buyers would be waiting to the last minute to scoop low at auction. Anything that upped
|
||||
the price and achieved a quick sale would have the gleam of gold over it.</p>
|
||||
|
||||
<p>"Tell me Michael, do you play golf?"</p>
|
||||
|
||||
<p>"Indeed I do. You'll be looking for a challenge would you?"</p>
|
||||
|
||||
<p>"I'll fix up a game at the club," Sproat said.</p>
|
||||
|
||||
<p>"Good. You do that." Jack was well into it.</p>
|
||||
|
||||
<p>"Now, we also understand that your place on Skye, well, that's just going to be empty warehousing now."</p>
|
||||
|
||||
<p>"There's interest from the tourist board," Sproat said. Dunvegan was tiny, not a major part of the set-up.
|
||||
"They've applied to enterprise for money to turn it into an attraction."</p>
|
||||
|
||||
<p>"Shame to see it change business," Jack said. "Now, we would be needing somewhere to store and mature."</p>
|
||||
|
||||
<p>He could see the money signs light up in Sproat's eyes. Jack lifted his glass and allowed himself to drain
|
||||
it. It was the smoothest whisky he had ever tasted in his life. He wondered where he could get a bottle for
|
||||
Sandy.</p>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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|
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<?xml version="1.0" encoding="utf-8"?>
|
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"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>12</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
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<link rel="stylesheet" type=
|
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"application/vnd.adobe-page-template+xml" href=
|
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|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>12</h1>
|
||||
|
||||
<p>Tam walked straight in through the front door of the dairy and slapped the papers down on Jim McGuire’s desk.</p>
|
||||
|
||||
<p> Everything was speeding up, moving in a blur, and now they had too few days to do too many things. Marjory Burns had
|
||||
done her job and intercepted the outgoing mail at Aitkenbar and Jed had kept his ear to the ground in the dairy. He
|
||||
phoned Jack from the call box round the corner.</p>
|
||||
|
||||
<p>"They're coming on Tuesday."</p>
|
||||
|
||||
<p>"Too soon. That just gives us two days."</p>
|
||||
|
||||
<p>"How are we going to do this?"</p>
|
||||
|
||||
<p>Jack paused. "I'll have to think of something quick."</p>
|
||||
|
||||
<p>"Andy Kerr's going to be away tomorrow. We might get a chance then."</p>
|
||||
|
||||
<p>It was only two days since he'd come back down from Skye, butt-sore from the long ride. Kate had passed him in the
|
||||
street and taken a second glance and then walked on, and instead of going round to his mother's house, he had passed
|
||||
straight to Sandy's. He'd already gone through all this with his uncle and didn't feel like making up any more
|
||||
stories. Now the big Fruehauf dairy tankers were going back to the dealer and the window of opportunity was closing.
|
||||
He called Tam and sent him round to Donna Bryce for a new identity.</p>
|
||||
|
||||
<p>The red hair and beard looked ridiculous to anybody who knew him, and just about everybody did, but with a pair of
|
||||
aviator sunglasses it changed Tam's appearance just enough. So long as nobody examined him too closely, they might
|
||||
get away with it. Jack hooked out an old flying jacket and pulled on a couple of sweaters to bulk him out and by the
|
||||
time they got to the dairy he was drenched in sweat, from the heat and from the tension. Everybody here had known
|
||||
him for years and he had to stay out of sight as much as he could. Jed had the spare mobile and he managed to sneak
|
||||
away from the delivery bay and get into Jim McGuire's office when Jim was out organising the next day's deliveries.
|
||||
All he had to do was steal his reading glasses and hope for the best. He waited at the end of the corridor when Tam
|
||||
went inside.</p>
|
||||
|
||||
<p>Tam carried it off almost perfectly.</p>
|
||||
|
||||
<p>"You have to wait and see Mr Kerr." Jim searched around the top of the desk for his glasses. "He'll be back
|
||||
tomorrow."</p>
|
||||
|
||||
<p>"No can do, my man." Tam's east coast accent was atrocious. He had found an old seventies car-coat and put on a
|
||||
battered trilby hat from Oxfam and looked a total mess, but it was enough to get past the manager.</p>
|
||||
|
||||
<p>"There it is. Date stamped and all."</p>
|
||||
|
||||
<p>"I'll have to call the boss."</p>
|
||||
|
||||
<p>"You do that." Tam half-turned and when McGuire called to Jessie in the front office for Andy Kerr's mobile number,
|
||||
he gave Jed a thumb's up.<em> </em>Jessie called out the digits and the manager dialled. Jed bent down and hooked
|
||||
the little electrical field generator on to the phone cable in the hallway. Tam could hear the sudden burst of
|
||||
crackle in the receiver. Jim jerked it away from his ear and looked at it as if it was a snake.</p>
|
||||
|
||||
<p>"Damn thing, half deafened me." He hung up. "Must be in a tunnel."</p>
|
||||
|
||||
<p>"Aye, well. Here you are. I have to get a signature."</p>
|
||||
|
||||
<p>The documents would probably have passed a perfunctory scrutiny in any case, but Jack had not been prepared to take
|
||||
that chance. Jim called to Jessie again and got her to bring in the file and he opened it on the desk, leaning
|
||||
forward to peer at the text.</p>
|
||||
|
||||
<p>"Damn and blast. Jessie, have you seen my specs?"</p>
|
||||
|
||||
<p>"It's just a standard repo agreement," Tam put in. "Mr Kerr knows all about it, y'ken? It's all fixed. I can leave it
|
||||
with you, but they trucks have to go today, like."</p>
|
||||
|
||||
<p>Jim hesitated, wondering what to do.</p>
|
||||
|
||||
<p>"Bugger it," he finally said. A day wouldn't make any difference. He signed the sheet and Tam made a production of
|
||||
peeling a back copy away. Jim stuck it in the file.</p>
|
||||
|
||||
<p>"You got the keys?" After Jed's night foray they already had spares, just in case this whole thing went wrong and
|
||||
they had to come back at midnight, but he had to go through the motions.</p>
|
||||
|
||||
<p>"On the board. They're marked with the numbers."</p>
|
||||
|
||||
<p>"Aye, right." Tam reached for them, snatched and got himself out of there. Jed stayed at the back door, making sure
|
||||
no-one was about, then motioned them forward. Jack sneaked in, got in the cab and started up the big diesel. Jim
|
||||
McGuire watched as the silver tankers pulled out, with Jack taking the lead, as Tam had never driven anything that
|
||||
size before. Jed ducked back in and palmed the static gadget and by the time he got back to the bottling hall, the
|
||||
big shutter doors were closed again and the tankers were gone.</p>
|
||||
|
||||
<p>They got to the burgh boundary and Jack slowed to a crawl near the Drymains roundabout and took a side track that led
|
||||
down by the old castle access road that was banked on either side by the tall walls that used to hem in the
|
||||
shipyards. They stopped here and Donny pulled up in Willie McIver's van.</p>
|
||||
|
||||
<p>They began hauling the blue tarpaulins out from the back. The rest of the boys worked quickly, dragging the tarps
|
||||
over the big silver cylinders and tying them onto the stanchions, while Tam used the electric drill to screw on the
|
||||
fake plates. The whole operation took fifteen minutes and then they were off again. They headed out past Drymains
|
||||
towards Barloan Harbour, then took a left up to the old Overburn estate grounds and when they reached the height,
|
||||
they had a tricky turn up to the big forestry commission spruce plantation. Donny opened the gate and the tankers
|
||||
eased through, taking the forest track for half a mile and then backing into an even narrower track. Tam only killed
|
||||
one spruce sapling and that was good going for him.</p>
|
||||
|
||||
<p>"You better hope there isn't a forest fire," Donny said.</p>
|
||||
|
||||
<p>"We'll chance it for two days," Jack assured him.</p>
|
||||
|
||||
<p>The next day, the police were swarming all over the dairy, and Andy Kerr was really in the thick of it. Of all the
|
||||
crazy things they did that summer, that was the one that gave Jack Lorne the most guilt.</p>
|
||||
|
||||
<p>But if they were going to do everything he planned, they had to have Andy's big tankers.</p>
|
||||
|
||||
<p>It hadn't been hard to figure out what Sproat had been up to with Kerr Thomson on the night Tam and Ed fixed the
|
||||
pipes in Aitkenbar Distillery. The three of them had sat round the kitchen table late in the afternoon when
|
||||
everybody else was out, and they'd gone through what the pair of them had seen. Jack had questioned them closely and
|
||||
had modified his plan just a little, realising Sproat would fall heavily for the chance of some extra cash and
|
||||
knowing he had made himself vulnerable. The following day he was back on the web again and set up yet another
|
||||
company, digging in to the dwindling petty cash. Once again he got a re-direct on the mail and made sure Margery
|
||||
Burns was well briefed. She was a demanding woman, but so well placed that her importance was strategic, and Jack
|
||||
decided that all was fair in love, war and business, and just so long as Jed and Kate never found out, well he could
|
||||
handle it. He hoped.</p>
|
||||
|
||||
<p> The faxes came in from Aitkenbar in the next few days and Jack took two calls direct from Sproat, calls that were
|
||||
diverted from the land-line to his mobile, and Sproat never knew the difference, especially when Margery Burns was
|
||||
handling the link.</p>
|
||||
|
||||
<p> "Michael, good to speak to you again. I think we can accommodate that request."</p>
|
||||
|
||||
<p> Jack punched the air, then held his hand up for total silence, Tam and Ed held still. </p>
|
||||
|
||||
<p>"That's terrific. My people will be well pleased at that. How soon do you want to get this done, for I know time's
|
||||
pressing for us both."</p>
|
||||
|
||||
<p>"You come down here on Wednesday and I think we can do business. Maybe we could take in a quick nine holes if the
|
||||
weather holds."</p>
|
||||
|
||||
<p>"Sure, that would be fine. Maybe we can make it interesting, Alistair. Perhaps a pound a hole."</p>
|
||||
|
||||
<p>"I'm sure we can do better than that Michael."</p>
|
||||
|
||||
<p>Jack hung up. "He's going for it. He'll probably go for more, greedy little reptile."</p>
|
||||
|
||||
<p>Tam looked at Jack's new hair colour. "You look just like your Dad, God rest him."</p>
|
||||
|
||||
<p>"I know. That's why I'm scared to go home. It would freak my mother. You, on the other hand, look like a child
|
||||
molester. You think maybe you could take that daft beard off?"</p>
|
||||
|
||||
<p>Jed got a dose of the jitters because the following day the agent came down from the dealership to collect the
|
||||
tankers and found them gone. At almost a hundred grand each, the theft was a very big deal in a small town like
|
||||
this. Chief Inspector Angus Baxter handled this one personally and he took it personally too. He had Andy Kerr in
|
||||
for a full day of querstions, and Jim McGuire for longer than that, dragging them through the details.</p>
|
||||
|
||||
<p>"It's clearly a fake," Baxter said. He had that slow island way with him, speaking the way DJ from Dunvegan did, as
|
||||
if he was translating from the Gaelic into English every time he opened his mouth. That made him sound slow, but he
|
||||
was sharp as a tack. "It's a forgery." He pronounced it <em>four-cherry</em>.</p>
|
||||
|
||||
<p>"I know that," Kerr said. "Unless Carson Convoy are at it."</p>
|
||||
|
||||
<p>"Do you think they are?"</p>
|
||||
|
||||
<p>Andy shook his head. "I don't know what to think. All I know is I was waiting for them to come down and take the damn
|
||||
things back and now they're gone."</p>
|
||||
|
||||
<p>"And who else knew?"</p>
|
||||
|
||||
<p>"Everybody knew. It wasn't any big secret they were going. I don't think anybody knew when, though. I had to lay off
|
||||
some people and the tankers were too big an oncost."</p>
|
||||
|
||||
<p>"Yes, I understand you have had cash flow problems. And these tankers, they'd be worth a lot of money?"</p>
|
||||
|
||||
<p>"Nearly a quarter of a mil.....what do you mean?" Andy's face was getting greyer by the minute. "Are you suggesting I
|
||||
had anything to do with this."</p>
|
||||
|
||||
<p>"I'm never <em>suchesting</em> anything at all," Baxter said. "I'm chust inquiring."</p>
|
||||
|
||||
<p>Jim McGuire had it just as bad.</p>
|
||||
|
||||
<p>"And where were your glasses then?"</p>
|
||||
|
||||
<p>"On my desk."</p>
|
||||
|
||||
<p>"And you couldn't find them when you signed this <em>fourcherry</em>?"</p>
|
||||
|
||||
<p>"No, I couldn't. This chap with a Newcastle accent showed me the thing and said it was all okay. How was I to
|
||||
know?"</p>
|
||||
|
||||
<p>It went on like that all day, with the rep from Carson Convoy relaying the details back to his head office and the
|
||||
messages coming back that Andy Kerr was in the deepest shit imaginable and he'd better have a good lawyer. The whole
|
||||
thing just spiralled down to a real mess.</p>
|
||||
|
||||
<p>"I feel really rotten about this," Jed said. "I mean, he's done his level best and we've gone and landed him well in
|
||||
the shit."</p>
|
||||
|
||||
<p>Jack felt the same way, and he'd always known he would. That had been the difficult part, knowing the cost and still
|
||||
going ahead with it.</p>
|
||||
|
||||
<p>"We'll make it up to him," he said, hoping he was right.</p>
|
||||
|
||||
<p>"How? Visit him in the Bar-L? He looks as if he's been hit by a truck. I really don't know if I can do this to
|
||||
him."</p>
|
||||
|
||||
<p>Jack rounded on him. "Sure Jed. You want to pull out now? Maybe go talk to Baxter. What are you going to say?"</p>
|
||||
|
||||
<p>"I only said..."</p>
|
||||
|
||||
<p>"Only losing your nerve. Come on Jed. You back out now and we're all in the shit along with Andy with absolutely
|
||||
nothing to show for it. We all go down for stealing the trucks that were going back to the dealers and we haven't
|
||||
even had a chance yet."</p>
|
||||
|
||||
<p>He breathed out through pursed lips, as if he was letting off pressure. <em>Casualties of war. You keep them to a
|
||||
minimum. </em>He clapped his hands to Jed's shoulders. The others watched silently. </p>
|
||||
|
||||
<p>"Come on man. You have to hold on. I told you could lose your shirt, but not if I can help it. And as for Andy, well
|
||||
the business is going down the stank anyway, so if it comes sooner, then it makes hardly a splash, does it? If I can
|
||||
help him, I will, but we have to get this thing done first. You have to trust me, right? It'll all come good."</p>
|
||||
|
||||
<p>Jed bit his lip. There was no bad in him. Everybody waited. They all felt guilt for Andy Kerr.</p>
|
||||
|
||||
<p>"Aye, sure," he finally said, head down. Jack felt a wrench in his belly. It was another hurdle he didn't need.
|
||||
Another burden.</p>
|
||||
|
||||
<p>They were back in Gillespie's boat down at the sandy point where the river joined the Clyde. The first meeting was
|
||||
only weeks past, and it seemed a whole lot further away than that. Tam had got rid of the hair and the beard, but
|
||||
Jack was still wearing the grey and keeping out of sight. </p>
|
||||
|
||||
<p>Margery Burns had been determined to find out what was really going on, when she brought him the news.</p>
|
||||
|
||||
<p>"You're face is melting," she had hissed at him, taking him completely by surprise and his heart seemed to leap up
|
||||
and lodge under his chin. "Into the bathroom, quick!"</p>
|
||||
|
||||
<p>She dumped the coffee, grabbed him by the elbow and hustled him into the ladies toilet round the corner from Sproat's
|
||||
office.</p>
|
||||
|
||||
<p>"What a mess," she hissed again. "Was that you on Thursday?"</p>
|
||||
|
||||
<p>He nodded, trying to peer over her shoulder past the tampon machine. She leaned in.</p>
|
||||
|
||||
<p>"Just what are you up to, Mr fake-face Lorne?"</p>
|
||||
|
||||
<p>"No time," he managed to get out.</p>
|
||||
|
||||
<p>"Plenty of time. He's just taken a call from Trading Estates, those mall developers. He's never less than twenty
|
||||
minutes. This is more than just a union thing, isn't it."</p>
|
||||
|
||||
<p>He managed to see himself in the mirror. A piece of latex was peeling away from his nose, like flaking skin. <em>Jesus,
|
||||
I don't need this</em>, he thought.</p>
|
||||
|
||||
<p>"And it's not just the Charter protest either. You have me intercepting phone calls and outgoing mail and then you
|
||||
turn up in a disguise like Val Kilmer in The Saint."</p>
|
||||
|
||||
<p>She reached up and smoothed the latex a little, leaning in close. "Tell you what though, you suit the distinguished
|
||||
look."</p>
|
||||
|
||||
<p>Margery reached down to her bag and rummaged inside. "Here," She brought out a small sticking plaster. "It's the best
|
||||
I can think of, unless you want to tell him you've got leprosy."</p>
|
||||
|
||||
<p>"Thanks Marge, you're a lifesaver."</p>
|
||||
|
||||
<p>"And you can dispense with that phoney accent with me. You sound like a thick Ulster oaf. Like my dear and very
|
||||
soon-to-be-<em>ex</em>-husband."</p>
|
||||
|
||||
<p>"Is it working?"</p>
|
||||
|
||||
<p>"Passable," she said. "But tonight you're coming round to my place and you're going to tell me everything."</p>
|
||||
|
||||
<p>"What about Jed?"</p>
|
||||
|
||||
<p>"Don't you worry about Gerard," she said. "What's for him won't go past him, and after being stuck with that
|
||||
dead-head of mine for twenty five years, I'm wasting no time. Life's for living. He can enjoy it while he lasts. And
|
||||
so, young Mr Lorne, can you."</p>
|
||||
|
||||
<p>His heart was slowing down. She had him by the shorts and there was no getting round it. He wondered if she'd have
|
||||
the bottle to know it all. It was bad enough bringing his uncle into it, but a woman? This woman? </p>
|
||||
|
||||
<p>"You're playing golf today?"</p>
|
||||
|
||||
<p>He nodded.</p>
|
||||
|
||||
<p>"Right. He hooks, so you'll get him on the ninth, thirteenth and fifteenth at least. And he cheats, so you can take a
|
||||
few extra balls in your pocket, for he certainly will. And he's under a lot of pressure from these Charter people
|
||||
who want the place listed, so take him for plenty."</p>
|
||||
|
||||
<p>She leant in even closer and nipped his bottom lip in a slow, sensuous, woman's bite and when she pulled back she was
|
||||
wearing the most mischievous grin he had ever seen on a human, with the possible exception of Uncle Sandy. Maybe he
|
||||
should fix the two of them up.She drew a hand down underneath his jacket.</p>
|
||||
|
||||
<p>"Just don't lose all your balls," she said. The quick squeeze almost doubled him up.</p>
|
||||
|
||||
<p>Sproat cheated shamelessly. It amazed Jack that he thought nobody noticed him, but then again, Jack told himself, if
|
||||
Marge hadn't mentioned, maybe he never would have picked it up. He was a bad-tempered player and Jack could see why
|
||||
he hooked the ball. He was all tight and tense on the left side, lowering his shoulder just on the strike. Jack took
|
||||
a fiver on the three holes Margery had said and another four in succession. By the time they got to the thirteenth,
|
||||
he was twenty notes up and Sproat was fuming, but that's the way he wanted it. He needed Sproat to get reckless.</p>
|
||||
|
||||
<p> "What if we double it for the final three," the other man said. He reminded Jack of the snooty members in pringle
|
||||
jumpers and Ben Sherman polos who had chased them on that blistering savannah day. "Give me a chance to win
|
||||
back."</p>
|
||||
|
||||
<p>"Sure," Jack said, easily, putting on the accent now he was sure it was working, hoping the latex wouldn't peel
|
||||
further. "Whatever you think."</p>
|
||||
|
||||
<p>He deliberately sliced the tee shot out into the swamp and ignored the shouted offers from the three mud boys.</p>
|
||||
|
||||
<p>"Good that we could get this thing moving. My clients are delighted. Not at your tax though. Eighty percent? That's a
|
||||
huge amount."</p>
|
||||
|
||||
<p>Sproat hit well down the middle. "It's killing us. That's why we're better off in the designer drinks market. It's
|
||||
expanding when everything else is tightening up, takes less alcohol, and doesn't need to age for half a
|
||||
century."</p>
|
||||
|
||||
<p>"Eighty percent tax. It's like prohibition. You look at America, what it was like back in the twenties. And Sweden,
|
||||
that's even worse, you know. You wouldn't believe what they're paying for in spirits. It's got so bad they've
|
||||
developed this new home brew yeast that gives them twenty percent alcohol. It keeps them comatose through the dark
|
||||
winter nights. Instant hibernation."</p>
|
||||
|
||||
<p>"Each to their own," Sproat said. "The Customs and Excise, it's always been a law unto itself. The Scotch Whisky
|
||||
Association has been banging its head on the front door of Downing Street for decades, but they're farting against
|
||||
thunder."</p>
|
||||
|
||||
<p>Jack laughed at the mix of metaphor. Sproat just didn't realise that.</p>
|
||||
|
||||
<p>"Just think the profits you could make if you could push some untaxed onto the continent. Eighty percent! It would be
|
||||
like a windfall would it not?"</p>
|
||||
|
||||
<p>Sproat nodded. Jack let it sink in. The other man lined up to the ball and was just on the backswing when Jack looked
|
||||
away.</p>
|
||||
|
||||
<p>"Here, while we're talking I know some folk who might be interested in taking that wee distillery on Skye right off
|
||||
your hands."</p>
|
||||
|
||||
<p>Sproat hooked so far into the marsh that he had to drop another ball.</p>
|
||||
|
||||
<p>The meeting had to be set up as a matter of urgency. Margery Burns slipped the note into his pocket when she helped
|
||||
him on with his jacket.</p>
|
||||
|
||||
<p>"Face still intact," she whispered. Sproat looked up but she had turned away again. Jack took a glance at her legs
|
||||
and thought she really still had it for a woman of her age. Just as well, he told himself. Sproat caught the glance
|
||||
and smirked.</p>
|
||||
|
||||
<p>"I could maybe fix you up."</p>
|
||||
|
||||
<p>"Very nice thought, Alistair, but I've taken forty quid and I feel bad enough already." Jack grinned. If she knew
|
||||
Sproat had said that, she'd personally strangle the little prick with one of her expensive sheer stockings.</p>
|
||||
|
||||
<p>She met him that night, after he and Sproat had chewed a few things over and got close to the heads of agreement.
|
||||
When he'd heard there was interest in the Dunvegan distillery, Sproat's tongue had almost been hanging out, and that
|
||||
had been enough to chivvy him into the first deal. He was in the bag. Mike had already printed out the contract on
|
||||
his computer system. Apart from the numbers, it was word for word identical to the blanks Margery had managed to get
|
||||
from the files. All Sproat could see were dollar signs.</p>
|
||||
|
||||
<p>Here on Gillespie's dry-landed boat they listened while he ran through the plan.</p>
|
||||
|
||||
<p>"Just as well we got those trucks," he said. "The decant has been switched again."</p>
|
||||
|
||||
<p>He didn't tell them that the change in timing was because Sproat thought he was clearing out one of the storage sheds
|
||||
and wanted to get this out the way as quickly as possible. The rules of business still applied and the less people
|
||||
knew, the less they could tell. And the fewer people who did know, the fewer you had to trust.</p>
|
||||
|
||||
<p>"To when?"</p>
|
||||
|
||||
<p>"Wednesday."</p>
|
||||
|
||||
<p>"Nobody told us," Ed said. "Are you sure?"</p>
|
||||
|
||||
<p>"Got it from as near the horse's mouth to smell the breath." Nobody knew about his deal.</p>
|
||||
|
||||
<p>Jed gave him an odd look. </p>
|
||||
|
||||
<p>"So now we have to get things moving. I need another ton from everybody, no cheques, no plastic and no IOU's. Just
|
||||
cash."</p>
|
||||
|
||||
<p>"What for?"</p>
|
||||
|
||||
<p>"Diesel for a start. These tankers don't run on air. We have to hire a pump, so get a good Dewalt one Ed, something
|
||||
that can do five thousand gallons an hour, and that's minimum. See what they've got and how heavy. Try Harcourt
|
||||
Plant and if they haven't got what we need, we'll borrow one from Direct Works."</p>
|
||||
|
||||
<p>"The council don't hire plant," Tam said. "They're as tight as crab's arses."</p>
|
||||
|
||||
<p>"I said borrow from them," Jack said. "Big Shug Cannon will get us anything we want for two bottles of hooch. If it
|
||||
comes down to it, we'll use drain pumps."</p>
|
||||
|
||||
<p>Everybody agreed with that, so there was no problem either way, but they had to move fast.</p>
|
||||
|
||||
<p>"Any problems?"</p>
|
||||
|
||||
<p>There was a silent pause. Neil looked at Donny and gave him a go-ahead sign, trying to make it look as if he hadn't,
|
||||
but Jack caught it. It was all so close now that everything seemed picked out in a strange clarity, the edges
|
||||
sharply defined, the colours clear and separate, as if all senses were up and working at max. He felt completely
|
||||
alive.</p>
|
||||
|
||||
<p>"What's up Donzo?"</p>
|
||||
|
||||
<p>Donny's face tried to match his hair. He squirmed a bit and shuffled like a schoolboy trying to sneak his first
|
||||
kiss.</p>
|
||||
|
||||
<p>"It's them fish you wanted."</p>
|
||||
|
||||
<p>"Yeah? You told me you'd got hundreds of them."</p>
|
||||
|
||||
<p>"Sure, I did."</p>
|
||||
|
||||
<p>"Good, they cost me fifty. That's our venture capital. A big investment."</p>
|
||||
|
||||
<p>"And then they died," Donny admitted and his face turned pure scarlet. "I had them in a tank, but it must have got
|
||||
too hot in the sun, so they all cooked. I only discovered it today."</p>
|
||||
|
||||
<p>"That's okay. We don't need them alive."</p>
|
||||
|
||||
<p>"No, you don't understand. They <em>cooked</em>, man. I've got a tankful of mush, know what I mean? It's like
|
||||
stickleback chowder and it smells to high heaven. It would make you puke."</p>
|
||||
|
||||
<p>"Great," Tam said. He looked at Jack. "What the hell did you need fish for?"</p>
|
||||
|
||||
<p>Jack didn't even respond to that. He rounded on Donny.</p>
|
||||
|
||||
<p>"Well, I paid fifty and I want fish. Just go and get some more."</p>
|
||||
|
||||
<p>"My wee brother's gone to scout camp," Donny said helplessly.</p>
|
||||
|
||||
<p>"I don't care if you have to go down the burn and hook them out with your teeth. But if we don't have a decoy,
|
||||
everybody will know what's happened once we move. Just make sure you get them, right? That's your job, and we don't
|
||||
have time."</p>
|
||||
|
||||
<p>"I might need some more dough."</p>
|
||||
|
||||
<p>Jack looked at Ed. "Give him a bullseye from the kitty." Ed opened the tin and flicked out the two tens and a five.
|
||||
Donny took it sheepishly.</p>
|
||||
|
||||
<p>Jack breathed out. "Anybody else?"</p>
|
||||
|
||||
<p>This time Neil did the sand-dancing. It was hot in the boat and he had big damp patches under his armpits.</p>
|
||||
|
||||
<p>"Okay Neil man, you got the floor. Hit me now."</p>
|
||||
|
||||
<p>"Listen Jake, I did my best, honest."</p>
|
||||
|
||||
<p>"You only had to feed the birds Neil, what's the but?"</p>
|
||||
|
||||
<p>"They think I'm their mother, that's the but. I did like you said and it worked just like clockwork. I've got them
|
||||
coming right round the back of Aitkenbar. But now if I get inside half a mile of the place they go berserk. You were
|
||||
right about the popcorn, they're hooked on the stuff. But they go totally crazy for it. And they follow me all over
|
||||
the place, but the noise would wake the dead, man."</p>
|
||||
|
||||
<p>Jack put his head in his hands, elbows on the little formica table. Sunlight streamed in the brass porthole and he
|
||||
felt a little bubble of hysteria build up. All of a sudden it just burst out and a fit of uncontrollable giggles
|
||||
shook him.</p>
|
||||
|
||||
<p>"Jesus," he gasped when he could finally get a breath. "Donny screws the fish, and geese fancy Neil. What the hell
|
||||
are we doing?"</p>
|
||||
|
||||
<p>Ed let him go until the laughter finally subsided.</p>
|
||||
|
||||
<p>"And then there's these rottweillers," he said. "They've brought in new security guards."</p>
|
||||
|
||||
<p>Jack sat back, clamping down on the laughter.</p>
|
||||
|
||||
<p>"Dogs now? We'll just have to get a gun and shoot them."</p>
|
||||
|
||||
<p>"Shoot them? Jesus Jake, are you crazy?"</p>
|
||||
|
||||
<p>He held his hands up. "Probably, bringing you shmucks in on anything. Christ, you can't even catch a few fish and
|
||||
feed a few geese? Right. Okay. We'll do it Chaucer's way again."</p>
|
||||
|
||||
<p>"What way is that?"</p>
|
||||
|
||||
<p>"Tam, don't you ever read anything without a staple in its belly? You ever read Canterbury Tales?"</p>
|
||||
|
||||
<p>"Listen to the mental milkman!"</p>
|
||||
|
||||
<p>"You have to learn, chance fights ever on the side of the prudent."</p>
|
||||
|
||||
<p>"Okay, who said that one?"</p>
|
||||
|
||||
<p>"Euripides.</p>
|
||||
|
||||
<p>"You rippa dese pants," Neil came in. "I kicka your balls."</p>
|
||||
|
||||
<p> "Jeez. I'm chief whip to a bunch of ignoramuses. Okay, forget the culture, just stick to the plan."</p>
|
||||
|
||||
<p>Sandy was blunt about it.</p>
|
||||
|
||||
<p>"It's far too complex," he said. "The best plans are really simple."</p>
|
||||
|
||||
<p>"This has to be complex if we're going to get away with it</p>
|
||||
|
||||
<p>"You're taking on too much. Listen Jack, you've got six of you involved in it, and that's six places for a tin can to
|
||||
leak like a sieve."</p>
|
||||
|
||||
<p>"Eight now," he said. "Including yourself."</p>
|
||||
|
||||
<p>"Who's the other one?"</p>
|
||||
|
||||
<p>"You don't want to know."</p>
|
||||
|
||||
<p>"It's not that nice artist girl, is it? Pretty one with red hair and all the brains?"</p>
|
||||
|
||||
<p>Jack shook his head. "No. She's well out of it."</p>
|
||||
|
||||
<p>"I wish I was too. It's okay brewing a bit of beer and making that fancy woman's stuff for the club nights. But hell
|
||||
and shite, Jack, this is in a different league."</p>
|
||||
|
||||
<p>"You're not <em>in</em> this. Not this part of it anyway. You tell Willie we'll give him a ton for the van for one
|
||||
night. Any comeback and he says it's been nicked. And all we have to do is put on the dog for Sproat, and that's
|
||||
legit anyway. He's got his tongue hanging out and he's not thinking straight."</p>
|
||||
|
||||
<p>"Just you make sure you don't get too smart, my boy. Big Angus Baxter's all over the town like a coat of cheap paint,
|
||||
and he's nobody's mug. Your mother would kill you."</p>
|
||||
|
||||
<p>"So don't tell her."</p>
|
||||
|
||||
<p>"You think I'd cut my own throat?" His uncle grinned at him, but there was concern in it. Jack caught sight of them
|
||||
both in the hallway mirror and, with the grey still in his hair, he was astonished at how similar they were. Margery
|
||||
Burns was right. It did make him look distinguished. For a fleeting moment he wondered if he should keep it this
|
||||
way.</p>
|
||||
|
||||
<p>Kate had been round at the house on the pretext of asking for Jack's help in the next Starlight production, but
|
||||
nobody was fooled.</p>
|
||||
|
||||
<p> "I haven't seen him for days," Alice Lorne said. She poured them a cup of tea. "You know what he's like sometimes.
|
||||
Just goes off on his own for a while. He's got a few plans."</p>
|
||||
|
||||
<p>"I know," Kate said. "He told me. I said I thought it was a complete waste of time."</p>
|
||||
|
||||
<p>"What was that, love?"</p>
|
||||
|
||||
<p>"Going out on the North Sea on a supply boat. It's just manual labour with no future."</p>
|
||||
|
||||
<p>"Out on a boat? He never told me anything about that. It would surprise me though, for our Jack, he gets awfully
|
||||
seasick, always has since he was small. Are you sure that's what he told you?"</p>
|
||||
|
||||
<p> She asked Jed and Neil when she met them in the street, stopped at the traffic lights on River Street in the souped
|
||||
up Skoda that Jed was still working on for the stock racing. It sounded like a hog with a sore throat and looked
|
||||
like it was held together with string and duct tape. They were about to pull away when she climbed in the back and
|
||||
leant on the roll-bar,</p>
|
||||
|
||||
<p> "Where are you guys off to?"</p>
|
||||
|
||||
<p>They were heading down to Gillespie's boat for the meet. Neil and Jed exchanged fast glances and she caught that
|
||||
right away.</p>
|
||||
|
||||
<p>"A big secret then, is it? Just for the boys?"</p>
|
||||
|
||||
<p>"No!" They both replied at once.</p>
|
||||
|
||||
<p>"Oh really. And of course I believe you. Anybody seen Jack?"</p>
|
||||
|
||||
<p>They looked at each other again.</p>
|
||||
|
||||
<p>"Haven't you?" Neil asked.</p>
|
||||
|
||||
<p>"Now would I be asking if I had?" She leaned forward between them. "What's going on, boys? I hear Jack got a neat
|
||||
haircut, and a wee birdie tells me he's gone and had it coloured."</p>
|
||||
|
||||
<p>"Who told you that?"</p>
|
||||
|
||||
<p>She laughed out loud, hanging on to the roll-bar. They were transparent to her.</p>
|
||||
|
||||
<p>"More secrets? I think I've stumbled into the masons."</p>
|
||||
|
||||
<p>"No, honest, Kate. I haven't seen him for days. He's got a job on a boat somewhere."</p>
|
||||
|
||||
<p>"And he hasn't told his mother?"</p>
|
||||
|
||||
<p>"It's just a try-out," Jed put in too quickly. "To see if he likes it."</p>
|
||||
|
||||
<p>She sat back, thinking. Jed slowed down at the bridge, hoping she'd take the hint, worried in case Jack came round
|
||||
the corner.</p>
|
||||
|
||||
<p>"You sure he's not getting all tarted up for a couple of Swedish bimbettes?"</p>
|
||||
|
||||
<p>"Come on Kate. That was just a one night," Jed said.</p>
|
||||
|
||||
<p>"And he never put a hand on them," Neil interjected quickly. "Honest."</p>
|
||||
|
||||
<p>"So he's gone to sea, has he?"</p>
|
||||
|
||||
<p>"Far as we know," Tam said, trying to keep his face straight. They dropped her at the corner and she was still none
|
||||
the wiser. But later in the afternoon she met Michael, and he was no match for her at all.</p>
|
||||
|
||||
<p>Gus Ferguson was also looking for Jack Lorne. He'd put the word around the Corrieside boys, who would always exchange
|
||||
a tip for a bottle of Buckfast wine, but in the past couple of days, nobody had seen him or heard a thing.</p>
|
||||
|
||||
<p>The Irish connection had him beat, and he'd even made a couple of tentative inquiries up the city, just in case. You
|
||||
never knew, with all these nutters out of the Maze and lots of time on their hands and here on the Clydeside, the
|
||||
sectarian thing was still in the blood. You never knew who was related to who back in the old country. Wiggy Foley
|
||||
had hit it on the head when he said he didn't know whether Lorne was a Tim or a Prod and at the end of the day
|
||||
Ferguson still didn't know either. He'd found out Lorne's father had been Catholic, and his mother protestant, so he
|
||||
was a half-caste in these parts. He could jump any way at all.</p>
|
||||
|
||||
<p>Guns: They put a different slant on things. Cullen and Foley, they were never the most reliable at the best of times,
|
||||
solid muscle from ear to ear, and generally handy enough for a bit of shoving and shaking, although in recent days
|
||||
he'd had to revise his estimate of their worth. Who knows what had happened in Whitehead's scrap yard. Somebody had
|
||||
pulled a gun and almost singed Wiggy's ear, and that changed the situation. So far he hadn't heard the story
|
||||
repeated on the jungle drums, and that was a good thing, because it meant he still had some face, but it would
|
||||
eventually get out and he'd have to take some swift action to put that right, once he'd found out who and what he
|
||||
was up against.</p>
|
||||
|
||||
<p>Lorne, on the other hand, seemed to have done a runner. Nobody had seen him anywhere and that could be a plus
|
||||
depending on how you looked at it. Maybe Seggs and Wiggy had given him a tanking, despite the evidence to the
|
||||
contrary, and maybe Lorne had buzzed off to lick his wounds. It could be that, but Ferguson didn't think so. Maybe
|
||||
he was just lying low. He certainly had no team to back him up, not in this town.</p>
|
||||
|
||||
<p>But who was that masked man? It wasn't the Lone Ranger and it wasn't Batman either, Ferguson told himself. And the
|
||||
stranger spoke with an Irish accent.</p>
|
||||
|
||||
<p>Which part of Ireland? North or South? Belfast or Dublin? No-one knew.</p>
|
||||
|
||||
<p>What Ferguson did not know was that he had passed Jack twice in the past two days, and once was on the golf course.
|
||||
Alistair Sproat had waved him through when his ball had disappeared into the scrub and had given him the nod. The
|
||||
big fellow with him had tipped his cap, but he'd been wearing mirror sunglasses and Ferguson couldn't tell where
|
||||
he'd been looking.</p>
|
||||
|
||||
<p>The second time was when he was collecting personally from that mouth Watson's aunt Jean Bailey, standing on the
|
||||
front doorstep to let all the neighbours know. She was a thin woman with hair dyed the colour she was sure she
|
||||
remembered having some years back and it made her look like a Swan Vesta match. No matter what he'd said to Watson,
|
||||
there was no chance in hell he'd put it to this skanky bitch.</p>
|
||||
|
||||
<p>"Haven't seen your Donny in a while."</p>
|
||||
|
||||
<p>"Me neither," she said, keeping her voice flat. She needed the dough week on week, just like the pawnshop, so she
|
||||
wouldn't offend him if she could help it. Times were hard.</p>
|
||||
|
||||
<p>"That's a shame. I was hoping we could have a chat."</p>
|
||||
|
||||
<p>"I thought yon Cullen already spoke to him."</p>
|
||||
|
||||
<p>"Don't you worry, Ginger. It's not him I'm looking for. But I hear he's in with a bad crowd. Somebody should just
|
||||
point him in the right direction, maybe give him good advice."</p>
|
||||
|
||||
<p>"Oh yes. You?"</p>
|
||||
|
||||
<p>"Has to come from somebody, Jean. You let him know it could be worth his while. And I tell you what, honey. I'll make
|
||||
it worth your while too. I never forget a favour, know what I'm saying?"</p>
|
||||
|
||||
<p>"Okay. I'll let him know then."</p>
|
||||
|
||||
<p>He squeezed her just above the hip, one handed, like he was copping a quick feel.</p>
|
||||
|
||||
<p>"Good. See you next week then and see what we've got."</p>
|
||||
|
||||
<p>He drove away in the Jag, through Drymains and close to where Lorne had turned up to see the boys off. He slowed down
|
||||
when he passed the Lorne house, just in case, and speeded up again, round the corner and along the straight. At the
|
||||
far side of Drymains, close to where it gets to Gooselade, he passed Sandy Bruce's house. The old man was in the
|
||||
front garden, talking to some other fellow. The man turned, saw him and kept on turning as if nothing had happened,
|
||||
but Ferguson was long in the tooth and he had eyes on the back of his head. He knew he had been clocked.</p>
|
||||
|
||||
<p>Was that the Irishman? He had to find out.</p>
|
||||
|
||||
<p>Margery Burns followed the note up with the call and he dropped in just after he and Ed sneaked back in to Tim
|
||||
Farmer's to pick up the mail. There was more behind the door this time and fortunately, no nonsense in front of it
|
||||
and no police around. They were probably all out looking for the two tankers.</p>
|
||||
|
||||
<p>"Just what are you up to, Jack Lorne?" It was the third time she'd asked it, and about the tenth time he'd heard
|
||||
it.</p>
|
||||
|
||||
<p>She was standing behind him, as he sat at the kitchen table, hands on his shoulders, squeezing them gently and trying
|
||||
to be seductive, but it just helped ease the tension out of his shoulders. </p>
|
||||
|
||||
<p>"Just trying to give Sproat a taste of his own."</p>
|
||||
|
||||
<p>"Sure you are. But it's got nothing to do with the closure, that's for sure, nor the unions. They've accepted the
|
||||
deal, damned weaklings."</p>
|
||||
|
||||
<p>"Best you don't know."</p>
|
||||
|
||||
<p>"So you're up to something illegal."</p>
|
||||
|
||||
<p>"I wouldn't say that," he lied.</p>
|
||||
|
||||
<p>"Then it's got something to do with that stack of barrels of three-year-old you're trying to con out of Sproat."</p>
|
||||
|
||||
<p>"How did you know about...?"</p>
|
||||
|
||||
<p>"Don't be daft. I'm the original eyes and ears. Knowledge is power, that's what you say, isn't it?" She chuckled.
|
||||
"So, are you going to let me in on it?"</p>
|
||||
|
||||
<p>"Honest Marge, it really isn't a good idea. You can always say you never knew a thing."</p>
|
||||
|
||||
<p>"Oh, I'll say that anyway, don't worry your head about that. But so far I've snaffled the outgoing mail you wanted,
|
||||
and I've diverted phone calls, and I've looked up some paperwork I shouldn't, so I'm in it, whatever <em>it</em> is,
|
||||
no matter what. And I'm thinking I'd better know what to do when whatever it is that I'm not supposed to know about
|
||||
takes place and various solid things hit the air conditioning."</p>
|
||||
|
||||
<p>He closed his eyes, enjoying the back rub, but thinking about Kate and Jed and feeling guilty. She ploughed into the
|
||||
silence.</p>
|
||||
|
||||
<p>"Now, remember you wanted me to clock somebody out. Eddie Kane, wasn't it? And he got sent home the next day, first
|
||||
thing in the morning just after I clocked him in again."</p>
|
||||
|
||||
<p>Jack stiffened and she slapped the back of his head, almost motherly. "Sit still. I don't do this for everybody, you
|
||||
know."</p>
|
||||
|
||||
<p>She chuckled again. "So he got sent home an hour after I clocked him into the building. What I'm wondering is, where
|
||||
was he all night? And if I put two and two together, I'd say he was inside Aitkenbar all night."</p>
|
||||
|
||||
<p>God, she was sharp as cut glass. Jack wouldn't want to be her soon-to-be-ex by the time she was finished with
|
||||
him.</p>
|
||||
|
||||
<p>"Then I'd be wondering <em>what </em>he was doing all night," she said, still kneading, enjoying this now. So was he.
|
||||
He had to admire her. "I know what <em>you </em> were doing for some of it."</p>
|
||||
|
||||
<p>He couldn't strangle the sudden smile.</p>
|
||||
|
||||
<p>"So here we have you trying to look like Al Pacino." She bent forward and pecked his cheek. "But a whole lot better
|
||||
looking than that scrawny wee Italian. You get anxious when I tell you the next decant has been put on hold. You get
|
||||
me to clock your friend in and out."</p>
|
||||
|
||||
<p>She paused. She had him. "Am I getting anywhere?"</p>
|
||||
|
||||
<p>"Maybe." If she could work it out this far, maybe anybody else could.</p>
|
||||
|
||||
<p>"So now I'm wondering, should I tell you that the decant date has been shifted again?"</p>
|
||||
|
||||
<p>He froze.</p>
|
||||
|
||||
<p>"Gotcha."</p>
|
||||
|
||||
<p>There was nothing for it but to bring her in.</p>
|
||||
|
||||
<p>Sometime later, when it was almost dark, she leaned over and cupped the back of his head, pulling him a little
|
||||
closer.</p>
|
||||
|
||||
<p> "You think I can get a BMW roadster out of this operation, young man?"</p>
|
||||
|
||||
<p>She chuckled mirthfully in the shadows.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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build/Full Proof/OEBPS/ch13.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>14</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>14</h1>
|
||||
|
||||
<p>It took ten minutes before anybody realised the tank was empty. </p>
|
||||
|
||||
<p> The shift was just starting and the bottling hall was primed and ready. Billy Butler and the filling-line charge
|
||||
hand were over in the glasshouse going through the paperwork when somebody knocked on the door. Billy looked up.</p>
|
||||
|
||||
<p>"You better come and see this." One of the operators stood there, rubbing his jaw.</p>
|
||||
|
||||
<p>"We're just about to start. Give us ten minutes."</p>
|
||||
|
||||
<p>"No, I think you <em>really</em> should come and see this."</p>
|
||||
|
||||
<p>Billy stuck a pen into his top pocket and came walking out, white coat flapping.</p>
|
||||
|
||||
<p>"What's the problem?"</p>
|
||||
|
||||
<p>"Best you see for yourself."</p>
|
||||
|
||||
<p>The man walked along the gantry and stopped at the balcony. From there, the big tank was almost directly underneath,
|
||||
its sectional hinged lids thrown wide like stainless steel petals. The inside walls gleamed in the overhead
|
||||
light.</p>
|
||||
|
||||
<p>"Oh, holy <em>fuck</em>," Billy's face went slack. </p>
|
||||
|
||||
<p>"That's what I though too."</p>
|
||||
|
||||
<p>It had been simple for Ed to get in quickly, turn the key to close off the bottling line feed and then throw the
|
||||
handle that would drain the tank after a sterile wash. It took him eighteen seconds in all and he was back in the
|
||||
washroom before anyone even knew he was gone. Jack had insisted on that last move, even though Tam had said it
|
||||
wouldn't be needed.</p>
|
||||
|
||||
<p>Good enough, <em>never is</em>, Jack had said. Or conversely: <em>there is absolutely no substitute for a genuine
|
||||
lack of preparation. </em>Another of his throwaway lines, but Ed had gone along with it. Jack Lorne had it all
|
||||
together. One mistake, he said, and we're all in the shit.</p>
|
||||
|
||||
<p>Out of the corner of his eye Ed saw Billy Butler take two steps back and come to a halt against the banister. His
|
||||
face seemed to turn the colour of old putty and he looked as if he was having a heart attack.</p>
|
||||
|
||||
<p>"Are you all right?" Jim McCabe, the charge hand was starting up from the bottom stair.</p>
|
||||
|
||||
<p>Billy Butler was far from all right. He came down the stairs, went straight to the glasshouse and picked up the
|
||||
phone.</p>
|
||||
|
||||
<p>"Get me Alistair Sproat."</p>
|
||||
|
||||
<p>"He's tied up at the moment Mr Butler," a woman's voice answered.</p>
|
||||
|
||||
<p>"Fucking untie him and get him down here," he said. "And I mean <em>pronto</em>."</p>
|
||||
|
||||
<p>Alistair Sproat had not seen Billy Butler's shock, but he made a very passable imitation when the manager took him to
|
||||
the tank rim. He clutched a hand to his chest and almost doubled up.</p>
|
||||
|
||||
<p>"What's happened?"</p>
|
||||
|
||||
<p>"It's gone."</p>
|
||||
|
||||
<p>"Oh my god. Oh my <em>god</em>!" Sproat held on to the rail. "Where's my Glen Murroch?"</p>
|
||||
|
||||
<p>"Damned if I know," Billy said. "We left it to settle out last night after we emptied the last barrel. It was ready
|
||||
for the bottling filter."</p>
|
||||
|
||||
<p>"So where is it, man? You had twenty five thousand gallons."</p>
|
||||
|
||||
<p>"I know that Alistair."</p>
|
||||
|
||||
<p>"So where in the name of god is my whisky?" He couldn't assimilate this yet.</p>
|
||||
|
||||
<p>Billy shrugged helplessly. The tank was completely empty. It had been six feet deep in fine malt twenty four hours
|
||||
ago.</p>
|
||||
|
||||
<p>"I'm buggered if I know. The Glen Murroch's gone. Disappeared. Vanished. Vamoosed."</p>
|
||||
|
||||
<p>"That's three million pounds Billy. The bottling line's waiting to go. We've spent a fortune on presentation boxes.
|
||||
For heaven's sake, Billy. It's Murroch <em>twenty-five-year-old</em>."</p>
|
||||
|
||||
<p>"I know that Alistair. But it's not there now."</p>
|
||||
|
||||
<p>Sproat was backed against the rail, still holding on, white knuckled.</p>
|
||||
|
||||
<p>"Billy." Sproat sounded as if he was choking. He looked as if he'd been hit with a bung-mallet. "<em>Billy.</em>
|
||||
Don't bugger me about now. Just tell me what's happened."</p>
|
||||
|
||||
<p>"We've lost a whole decant."</p>
|
||||
|
||||
<p>"Well, you'd better damn well find it, or we're both in extremely deep manure."</p>
|
||||
|
||||
<p>The whole town knew all about it by mid morning. Sproat was besieged in his office and the customs men were crawling
|
||||
all over the place.</p>
|
||||
|
||||
<p> "It was there yesterday", Jim Gilveray, the excise chief said to Angus Baxter. The big inspector had his pipe jammed
|
||||
in the corner of his mouth. Powerful blue smoke billowed from his nostrils. "I saw it myself. Here's the
|
||||
paperwork."</p>
|
||||
|
||||
<p> Gilveray pushed a thick file across the table. "It's an excise matter anyway. The material has not left customs bond
|
||||
yet."</p>
|
||||
|
||||
<p>"So we would hope," Angus said. It wasn't a police matter, not yet, but Alistair Sproat had been in such a panic he'd
|
||||
put a call through to headquarters before he sat down to think, so for now, at least, there was police interest.
|
||||
"Such a shame to think somebody has misplaced all that whisky. It would be criminal negligence, is my view. An
|
||||
affront to our Scottish heritage."</p>
|
||||
|
||||
<p>Kerr Thomson shifted from foot to foot. The big detective had given him a weighing look when he'd come in to
|
||||
reception and for a moment Thomson thought he was about to say something. He hadn't had a wink of sleep all night,
|
||||
thinking of that patrolman and his flashlight. Had he gone straight back to the station and told everybody?</p>
|
||||
|
||||
<p>"I've had to call in the investigation unit," Gilveray said. "Just in case."</p>
|
||||
|
||||
<p>He was looking Sproat straight in the eye. </p>
|
||||
|
||||
<p>"Just in case of what?"</p>
|
||||
|
||||
<p>"Just to protect Her Majesty's interest." All of the brass sat around the boardroom table. "They'll be here by
|
||||
lunchtime."</p>
|
||||
|
||||
<p>"I don't think that's going to be necessary," Billy Butler said. He had just arrived up from the decant hall with one
|
||||
of the maintenance men.</p>
|
||||
|
||||
<p>"Why is that?"</p>
|
||||
|
||||
<p>"We've found the problem." Billy started to unfold a schematic that was almost an exact replica of the one Jack Lorne
|
||||
had spread on Neil Cleary's kitchen table. He bent over it and everybody crowded round. He jabbed a finger at a
|
||||
junction where lines converged. "Somebody opened the cleaning cock."</p>
|
||||
|
||||
<p>"What would that do?" Angus Baxter.</p>
|
||||
|
||||
<p>"Very similar to the bottling valve here," Billy said, indicating a small detail. "Except that instead of pumping the
|
||||
whisky to the lines, it just vents the tank. We use it after a steam clean."</p>
|
||||
|
||||
<p>"And what would that do?" Baxter insisted.</p>
|
||||
|
||||
<p>"What it <em>did</em> do," Billy corrected. His face was still ghastly pale. "I just don't know how anybody could
|
||||
have made that mistake."</p>
|
||||
|
||||
<p>"You <em>vented</em> the decant?" Gilveray demanded. "Twenty five thousand gallons?"</p>
|
||||
|
||||
<p>"I don't know who threw the cleaning cock. But somebody has pulled the wrong lever."</p>
|
||||
|
||||
<p>"How many barrels would that be, now?" Baxter was curious.</p>
|
||||
|
||||
<p>"Four hundred and fifty hogsheads. They're bigger than barrels. Take about fifty five gallons apiece. We emptied them
|
||||
over the past two days. It's a big operation."</p>
|
||||
|
||||
<p>"It was the <em>last</em> big operation," Sproat said, voice hollow and weak. "It's priceless."</p>
|
||||
|
||||
<p>"So where does it vent to?" Baxter seemed to take charge now.</p>
|
||||
|
||||
<p>"Here." Billy jabbed a finger at the schematic. They could see his hand was shaking. "It just goes down the drain and
|
||||
out."</p>
|
||||
|
||||
<p>"Out where?"</p>
|
||||
|
||||
<p>"Into the river."</p>
|
||||
|
||||
<p>In five minutes they were all at the chain link fence and the smell of whisky was heavy on the wet air. The
|
||||
thunderstorm had passed by in the early morning, leaving the ground sodden and soft, and beyond the fence, the golf
|
||||
course was punctuated with big puddles in the fairway dips. A light smirr of rain fell out of low clouds.</p>
|
||||
|
||||
<p>They had paused by the little hatches where Billy Butler indicated the different pipes.</p>
|
||||
|
||||
<p>"Two inlets for fire hydrants. The third is a freezer valve." He moved between them. "This here is the vent for the
|
||||
tank. He hunkered down close to the wall where a pipe curved down into a drain sump. "From there it discharges into
|
||||
the runnel beyond the fence."</p>
|
||||
|
||||
<p>"I think that's confirmation enough," Baxter said, sniffing the air. His face was a picture of disgust. "It seems you
|
||||
have a few problems, Mr Sproat."</p>
|
||||
|
||||
<p>Everybody turned to him. </p>
|
||||
|
||||
<p>"That's a lot of whisky to lose. We'll have to see what damage has been done."</p>
|
||||
|
||||
<p>"Damage?"</p>
|
||||
|
||||
<p>"Pollution. That much whisky can't have been good for the environment. The protection agency will have to be
|
||||
informed."</p>
|
||||
|
||||
<p>He tapped his pipe out on a concrete stanchion. "And anybody who flushes away twenty five thousand gallons of good
|
||||
Scotch whisky." He started filling the bowl again. "It's a personal thing, mind you, but in my opinion, that should
|
||||
surely be a hanging offence."</p>
|
||||
|
||||
<p>Sproat looked as if he might faint. His face was drained of all colour and now matched the grey of this suit.
|
||||
Everybody could see the mental calculations going on.</p>
|
||||
|
||||
<p>"This can't get out," he said.</p>
|
||||
|
||||
<p>"It already did," Gilveray said. "We'll have to find out how. And who is responsible."</p>
|
||||
|
||||
<p>"No. This has to remain confidential. Completely confidential, That's imperative, is that clear?" Sproat was
|
||||
frantically thinking of how he would make up the shortfall. The three million was crucial for his development plan.
|
||||
Without it he could be in serious trouble.</p>
|
||||
|
||||
<p>What he <em>thought</em> was, that without it he was totally fucked.</p>
|
||||
|
||||
<p>"I'm swearing you all to secrecy."</p>
|
||||
|
||||
<p>The big policeman took a step back, hunched over his pipe, straining to get it lit again. His eyes twinkled with arid
|
||||
humour.</p>
|
||||
|
||||
<p>"Oh yes, I'm sure I remember the very mention of the secrecy clause in the police operational handbook."</p>
|
||||
|
||||
<p>Sproat looked at him, anger chasing shock.</p>
|
||||
|
||||
<p>"Just how secret do you think this can be?" Baxter asked him. "You've twenty workers in there who saw your empty
|
||||
tank. It's going to be all over the town in ten minutes."</p>
|
||||
|
||||
<p>In less than an hour, the phone calls were coming in.</p>
|
||||
|
||||
<p>They had hid the tankers in plain sight, right at the back stretch of the container park on the east end of the town.
|
||||
It was enough out of the way, and the fake tarpaulins on the makeshift brackets were sufficient camouflage amongst
|
||||
the scatter of other trucks and trailers. They unhitched the drive units and left the big tanks up on their
|
||||
brace-legs and parked the cabins on the other side. Anybody hunting for Andy Kerr's vehicles would be looking for
|
||||
complete tankers. </p>
|
||||
|
||||
<p>"Nobody else is to know where they are," Jack said after he and Jed eased them into position. "Just let them think
|
||||
they're back up on the plantation."</p>
|
||||
|
||||
<p>"You mean don't tell the lads?"</p>
|
||||
|
||||
<p>"I mean that exactly." Rain had been pouring down Jack's face and he slicked it away with the back of his hand.</p>
|
||||
|
||||
<p>"I thought we were <em>all</em> in this," Jed protested.</p>
|
||||
|
||||
<p>"Sure we are. But from now on it's going to get hairy. The customs men will be all over the place like flies on a
|
||||
cowshit. The less people know, the less they can tell, even accidentally."</p>
|
||||
|
||||
<p>"You mean Donny?"</p>
|
||||
|
||||
<p>"I mean we just play it safe. Just you and me know where it is. That's enough for now."</p>
|
||||
|
||||
<p>They met at Gillespie's boat late in the afternoon after Donny and Ed clocked out. The pair of them looked as if they
|
||||
could use some sleep.</p>
|
||||
|
||||
<p>"They bought it," Ed said. "The shit really hit. Every one of us got hauled in. You should have seen Sproat's face.
|
||||
He looked like he'd swallowed a dead rat."</p>
|
||||
|
||||
<p>"They brought in the council and a whole team of big shots from the Customs and Excise." Donny was animated. "They
|
||||
could get done for polluting the river."</p>
|
||||
|
||||
<p>"Did you leave the red herrings?"</p>
|
||||
|
||||
<p>Donny gave him a blank look.</p>
|
||||
|
||||
<p>"The fish, Donzo. Are the fish in the stream?"</p>
|
||||
|
||||
<p>"Sure they are. They can't miss them."</p>
|
||||
|
||||
<p>He had got up before dawn, unable to sleep, and taken the river towpath shortcut while the rain was still pounding
|
||||
down. By the time he got to the little runnel, the smell of whisky was thick and powerful. He followed the streamlet
|
||||
up to the bushes, counting off the pale bodies of the fish in the shallow water and then he plunged into the sodden
|
||||
undergrowth until he reached the drainpipe. The big plastic container was full to the brim. He hauled it out,
|
||||
grunting with exertion as he managed it onto his shoulder, and then bulled back out onto the path. In half an hour
|
||||
he was back home again, and the five gallons of whisky hidden behind the old outhouse at the bottom of the
|
||||
garden.</p>
|
||||
|
||||
<p>"What now?" Tam wanted to know.</p>
|
||||
|
||||
<p>"Now we sit and wait for the heat to die down."</p>
|
||||
|
||||
<p>"How long will that be?"</p>
|
||||
|
||||
<p>"We have to be careful," Jack said. Jed caught his eye, but said nothing. "As long as they think that stuff's gone
|
||||
into the river, they won't come looking. But we have to make sure."</p>
|
||||
|
||||
<p>"How are we going to get rid of it?" Donny asked.</p>
|
||||
|
||||
<p>"Good question," Jack said, grinning. Some of the grey had washed out of his hair in the thunderstorm, leaving it
|
||||
dark and metallic. He'd need more work. "Next question."</p>
|
||||
|
||||
<p>"No, really," Donny said. "It's a hell of a lot to start hawking." Neil backed him up.</p>
|
||||
|
||||
<p>"You all said you'd trust me, didn't you?" Jack was amazed that Donny hadn't asked the obvious question before.</p>
|
||||
|
||||
<p>Donny nodded.</p>
|
||||
|
||||
<p>"Right. Trust me some more. We just sit still until the time is right, and we'll know very soon. Be patient and don't
|
||||
get greedy."</p>
|
||||
|
||||
<p> "Greedy? We're in this for the money," Neil said. He flipped his accent into Michael Douglas<em>: </em>"Greed is
|
||||
good. Greed is right. Greed works. Greed clarifies, cuts through, and captures the essence of the evolutionary
|
||||
spirit."</p>
|
||||
|
||||
<p> He held both hands theatrically wide. "Greed, in <em>all </em>of its forms."</p>
|
||||
|
||||
<p>"Greed just gets you caught," Ed said quietly.</p>
|
||||
|
||||
<p>"But are we going to have to fill up lemonade bottles or what?" Donny wanted to know. "That would take forever."</p>
|
||||
|
||||
<p>Jack laughed. "You fancy selling this door to door?"</p>
|
||||
|
||||
<p>This time Ed caught his eye and held it. He was cool.</p>
|
||||
|
||||
<p>"You've sold it already, haven't you? You've done a deal."</p>
|
||||
|
||||
<p>Jack winked, but he said nothing. Since first thing in the morning he'd been up and all over Glasgow, working on the
|
||||
next leg of the plan. He hadn't had any sleep and he was now so tired he could drop.</p>
|
||||
<hr />
|
||||
<p>Big Lars Hanssen crushed his hand in a big double-handed grip. "<em>Yack!</em>" He boomed like a foghorn, hauled Jack
|
||||
up the Valkyrie's gangplank and guided him past the wide open hold.</p>
|
||||
|
||||
<p>He'd been standing up at the boat prow, leaning in a proud pose over the dry dock. A radio somewhere was playing the
|
||||
theme from Titanic. Jack hoped it wasn't an omen.</p>
|
||||
|
||||
<p>"Nearly ready to roll and rock," Lars said. "You do good business?"</p>
|
||||
|
||||
<p>"Good enough," Jack said. Lars closed the door on the foredeck and sat on the swivel seat.</p>
|
||||
|
||||
<p>"You want a vodka?"</p>
|
||||
|
||||
<p>"No. Here, try this." He pulled a bottle from the backpack and held it up.</p>
|
||||
|
||||
<p>"Is this it? Lagavullin?"</p>
|
||||
|
||||
<p>"That's just the bottle. What's inside is much better."</p>
|
||||
|
||||
<p>"We'll see." Lars unshipped the top and took a big swig. He held it in his mouth then swirled it around like a real
|
||||
wine-taster. But instead of spitting it out, he closed his eyes and let it drain down his throat. He breathed out
|
||||
through his nose and Jack got a whiff of strong whisky.</p>
|
||||
|
||||
<p>"<em>Holigan-goligan</em>. This is the business, no?"</p>
|
||||
|
||||
<p>"I think so."</p>
|
||||
|
||||
<p>"How much you got now?"</p>
|
||||
|
||||
<p>"Twenty thousand gallons plus. Double proof. Lets say forty thou at forty percent. Let's say a quarter of a million
|
||||
standard bottles."</p>
|
||||
|
||||
<p>"That's one big hell of a lot of whisky, you know." It came out <em>viskie.</em></p>
|
||||
|
||||
<p>"What would that cost in Norway?"</p>
|
||||
|
||||
<p>"A king's ransom, Yack. In Sweden, even more than that, and Finland, you must go see the bank manager for a big loan.
|
||||
With tax, at least sixty a bottle, your money. Some more maybe."</p>
|
||||
|
||||
<p>Jack had done his research. That came out about right. </p>
|
||||
|
||||
<p>"And a premium for prime twenty five year old."</p>
|
||||
|
||||
<p>"Not as much as you would think, ya? With the tax so high, those Swedes, they drink any old cows piss out of a rusty
|
||||
bucket and like it, true? But still, maybe half the same again.</p>
|
||||
|
||||
<p>"So even at a big drop, taking it down to five apiece, we're still on for one and a quarter."</p>
|
||||
|
||||
<p>"Easy. In the winter when it gets dark, there is nothing else to do. Drink and women, this is all. The whole of
|
||||
Scandinavia, it needs to cheer up and stay warm in the cold weather."</p>
|
||||
|
||||
<p>"Good. It'll have to be a quick turnaround. Now we have to talk business. I've fixed up for a marine assessor to come
|
||||
round today. Some time in the afternoon. Is that okay with you?"</p>
|
||||
|
||||
<p>"Why would you want to do something like that?"</p>
|
||||
|
||||
<p>"To find out what your boat is worth."</p>
|
||||
|
||||
<p>Lars took his massive arms off the table. </p>
|
||||
|
||||
<p>"I know what my boat is worth." His voice had a sudden hard edge.</p>
|
||||
|
||||
<p>"Sure you do," Jack said. He had to handle this fast and steady. "But I don't know the first thing about boats."</p>
|
||||
|
||||
<p>"But why do you want to send someone to my boat to find that out?" Lars' brow was creased into a heavy frown. His
|
||||
blue eyes glared across the table.</p>
|
||||
|
||||
<p>Jack sat back. It was always going to be a game of chess, but he'd already drawn Lars out.</p>
|
||||
|
||||
<p>"Simple. I need a guarantee, and the best way to get that is for you to give me a carried interest in the Valkyrie's
|
||||
operation."</p>
|
||||
|
||||
<p>"I think you better explain this. I thought we did a deal."</p>
|
||||
|
||||
<p>"So we did, and it's a good deal."</p>
|
||||
|
||||
<p>"We shook hands on it."</p>
|
||||
|
||||
<p>"That's true. We did. You nearly broke my knuckles. And now we move to the next stage. I've got the whisky, twenty
|
||||
thousand gallons of it, and you've got the boat. Now I've got something you want, and vice versa."</p>
|
||||
|
||||
<p>"I don't think I like this way of doing business," Lars said.</p>
|
||||
|
||||
<p>"It's the only way, Lars." Jack put his hands down on the surface, palms up, showing he was hiding nothing. "Cards on
|
||||
the table, okay?"</p>
|
||||
|
||||
<p>Lars shrugged, as if it didn't matter what Jack could say. </p>
|
||||
|
||||
<p>"Right. You can get in and out of Norway and Sweden. You've got a thousand miles of fjords and a customs set up
|
||||
that's full of holes. You can get the stuff in."</p>
|
||||
|
||||
<p>"Sure I can. Nobody searches the Valkyrie, especially on the waste disposal."</p>
|
||||
|
||||
<p>"And you've got a market for the stuff?"</p>
|
||||
|
||||
<p>"For sure I have."</p>
|
||||
|
||||
<p>"So all you have to do is load up, pull out, and make a million plus, no tax."</p>
|
||||
|
||||
<p>Lars shrugged again. "Easy."</p>
|
||||
|
||||
<p>Jack knew he'd make a lot more than that.</p>
|
||||
|
||||
<p>"So we've done all the work, taken all the risk, and now you have to take a little risk for me."</p>
|
||||
|
||||
<p>He leant over the table, holding Lars with his eyes.</p>
|
||||
|
||||
<p>"Listen, big man. You <em>know</em> I don't want your boat. I don't know the first thing about sailing. I'd ram it
|
||||
into the other side of the dock if you put me up at the wheel. What I do need is for you to give me half the boat,
|
||||
half the operation, as a loan. That's what a carried interest is. Equity. And this way none of us can lose. You sign
|
||||
half the boat to my company, all above board and legal. We get a paper drawn up so you're still the operator and
|
||||
senior partner. But I have a share."</p>
|
||||
|
||||
<p>"So why do you need to do this?"</p>
|
||||
|
||||
<p>"Simple. I need an asset, and it's only temporary, like an advance. A deposit against future profits. Carried
|
||||
interest gives us a share that we give back to you when we divvy up."</p>
|
||||
|
||||
<p>"Divvy up?"</p>
|
||||
|
||||
<p>"Redistribute the spoils."</p>
|
||||
|
||||
<p>Lars still held that frown and Jack knew he's have to work on this a bit more, or the deal would go down the pan. His
|
||||
big weapon was the fact that Lars Hanssen had a whiff of big money. He'd just have to be convinced to take another
|
||||
risk for it.</p>
|
||||
|
||||
<p>"Look at it this way. Your boat's been on the stocks for what, four?"</p>
|
||||
|
||||
<p>"About that."</p>
|
||||
|
||||
<p>"A month of good summer weather. I did my homework and I know the North Sea has never had it so good. Must be
|
||||
something to do with global warming. Anyway, four weeks laid up with no money coming in. A big boat like this? That
|
||||
should have been working every day, so your profits are down the swannee. And the repairs, okay, that's probably
|
||||
insurance, assuming you have some."</p>
|
||||
|
||||
<p>"I have insurance."</p>
|
||||
|
||||
<p>"But you're off hire. You're not trading, so you're in a loss situation that's getting deeper every day, and that
|
||||
means you're spending your own hard-earned cash or spending the bank's money. If that's the case, you're on
|
||||
short-money interest, and that's making your eyes water."</p>
|
||||
|
||||
<p>"How do you know all this."</p>
|
||||
|
||||
<p>"Trust me, I'm a smartarse. I'm doing a course. Anyway, now you have a chance to make a million, maybe one and a
|
||||
half. Higher than that if I know you. That'll give you a chance to buy another boat and start your own fleet, double
|
||||
your profits, or just retire to some tropical island. I don't know."</p>
|
||||
|
||||
<p>Lars watched him, truculent, like a bear in a corner, but didn't answer.</p>
|
||||
|
||||
<p>"It's a big chance for both of us. So we each have to take some of the risk. For you, it's not that much, and you
|
||||
have to speculate to accumulate. Anyway, you could take the stuff in legit, pay the tax, and still make a fortune,
|
||||
except that it's stolen and you'd have to find a supplier to back you up. You give us the carried interest for,
|
||||
let's say, two months, three at the outside, at which time you have the option to buy it back at a fixed price
|
||||
agreed between us. I've got a good contract lawyer set up to draw up the deal, but you can pick one of your own if
|
||||
you want. Anyway, that gives me the security I need, and you keep your option."</p>
|
||||
|
||||
<p>"You want to hold my Valkyrie hostage?"</p>
|
||||
|
||||
<p>"You're the Viking, Lars. I just see it as a good deal. It's security."</p>
|
||||
|
||||
<p>He wasn't being exactly honest in this, but he told no lies. Lars didn't have to know everything he had up his
|
||||
sleeve. Nobody did.</p>
|
||||
|
||||
<p>The big man scraped his nails across his beard. It sounded like wire wool. Jack kept talking.</p>
|
||||
|
||||
<p>"And as soon as you do your deal across the water and weigh in with the cash, I have to sign it back to you."</p>
|
||||
|
||||
<p>"What if something goes wrong?"</p>
|
||||
|
||||
<p>"You make sure it doesn't. Something goes wrong between now and delivery, I'm facing five years. If it goes wrong at
|
||||
your end, then we're both sunk. Customs and Excise is just the same here as it is there. I checked. They'll impound
|
||||
your boat and we both lose everything. They call this a pendulum deal. It's win or lose, no in-between. But when we
|
||||
win, we win big. Lose and we drown together."</p>
|
||||
|
||||
<p>Lars bent forward, looming right up to Jack. "My father, he was a whaleboat captain. He bought the Valkyrie when they
|
||||
stopped the whaling. He's one tough ol' man, you know. If I lose his boat, he'll put a harpoon in me."</p>
|
||||
|
||||
<p>"Families," Jack said. "You just can't pick them, can you?"</p>
|
||||
|
||||
<p>He raised his eyebrows, and smiled at the big boatman.</p>
|
||||
|
||||
<p>"What do you say?"</p>
|
||||
|
||||
<p>"I keep the option to buy back?"</p>
|
||||
|
||||
<p>"Of course you do, what do I want with an old rust bucket like this."</p>
|
||||
|
||||
<p>Lars pulled back. His eyebrows shot up and then he suddenly burst into a gale of laughter.</p>
|
||||
|
||||
<p>"You got the nerve Jack, I say this much for you."</p>
|
||||
|
||||
<p>He reached and clapped a vast hand on Jack's shoulder. It almost cracked with the impact.</p>
|
||||
|
||||
<p>"Okay, we sink or we swim together. That's fair enough."</p>
|
||||
|
||||
<p>Jack opened the bottle and poured Lars another shot. "But try to stay afloat, okay?"</p>
|
||||
|
||||
<p>"What you think I been doing all this time? Okay, we got a deal again. I can tell you what the Valkyrie is
|
||||
worth."</p>
|
||||
|
||||
<p>"Sure you can, but I need it official."</p>
|
||||
|
||||
<p>"You don't take my word another time?"</p>
|
||||
|
||||
<p>"Let's not go down that road again. The man's coming at three and he'll do a rush job. He thinks we're going to
|
||||
change the insurance policy. We'll get the paperwork tomorrow and then we get the agreement drawn up. Couple of
|
||||
months down the line, you get to tear it up and sail into the sunset, or the northern lights or <em>Val</em>-bloody-<em>halla</em>.
|
||||
Wherever."</p>
|
||||
|
||||
<p>"And you, Jack? What will you do?"</p>
|
||||
|
||||
<p>"I'm sure I'll think of something," Jack said. "Oh, and there's one more thing."</p>
|
||||
|
||||
<p>"Another thing, he says now."</p>
|
||||
|
||||
<p>"This one's easy. I don't want paid in notes. A simple cash transfer will do. I'll give you a number when the time is
|
||||
right."</p>
|
||||
<hr />
|
||||
<p>Jack spent the rest of the day criss-crossing the city, making a round of calls and he got back just in time to meet
|
||||
the boys on the boat. By the time they got finished it was after eight and they were all hungry and tired and just a
|
||||
little deflated after the excitement of the night. Jack arrived at his uncle's house just in time to catch the nine
|
||||
o clock news.</p>
|
||||
|
||||
<p>The disappearing whisky made the headlines.</p>
|
||||
|
||||
<p>Blair Bryden at the Levenford Gazette had been onto the story like a bloodhound and by two in the afternoon he had
|
||||
syndicated it to every tabloid in the country, TV and radio as well. It was a silly-season certainty. The cameras
|
||||
panned across the front of Aitkenbar Distillery and then flicked to an ashen-faced Sproat who stammered his way
|
||||
though an interview. </p>
|
||||
|
||||
<p>Jack listened to the reporter who could hardly keep from laughing.</p>
|
||||
|
||||
<p>"Apparently somebody turned the wrong tap, and enough prime Scotch whisky to fill a swimming pool simply flushed down
|
||||
the drain."</p>
|
||||
|
||||
<p>The scene shifted to the end of the fence where the geese were up and honking at the intrusion.</p>
|
||||
|
||||
<p>"The famous geese guards may be upset, and they're not the only ones. The thousands of gallons of famous Glen Murroch
|
||||
had been maturing for a quarter of a century and was about to be bottled in special souvenir packs. It was the final
|
||||
operation in the two hundred year old distillery which is being sold to make way for a new retail centre and leisure
|
||||
complex."</p>
|
||||
|
||||
<p>The camera zoomed through the chain-link fence and got a good close up of an angry, mean-eyed goose, then panned
|
||||
again, round towards the golf course.</p>
|
||||
|
||||
<p>"It is believed that the missing whisky ended up in the River. And the evidence?"</p>
|
||||
|
||||
<p>The reporter gave a lop-sided grin, turned his head, and the lens followed his downward gaze.</p>
|
||||
|
||||
<p>"A stream full of dead fish. Some might even say, <em>dead drunk.</em>"</p>
|
||||
|
||||
<p>Jack had been only half awake on the couch, eyelids too heavy to keep open.</p>
|
||||
|
||||
<p>He snapped completely awake as the camera brought the scene in the little runnel right into sharp focus.</p>
|
||||
|
||||
<p>The pale bodies of the dead fish floated in a small pool, all belly-up.</p>
|
||||
|
||||
<p>Jack covered his eyes with his hands, unable to believe what the television showed him.</p>
|
||||
|
||||
<p>"Oh brilliant," he breathed. "Donny, you stupid, stupid <em>bastard.</em>"</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
544
build/Full Proof/OEBPS/ch15.xhtml
Normal file
544
build/Full Proof/OEBPS/ch15.xhtml
Normal file
@ -0,0 +1,544 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>15</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>15</h1>
|
||||
|
||||
<p>Sandy Bruce shook his shoulder and woke him out of a deep sleep. He surfaced from a dream where pale, bloated fish
|
||||
swam lazily in an amber stream and he tried desperately to hook them out with his hands, but they slipped easily out
|
||||
of his grasp. The more he tried to catch them, the murkier and deeper the water became and he could feel the mud
|
||||
sucking at his feet, trying to drag him down.</p>
|
||||
|
||||
<p>"Wake up Jack," Sandy shook him and the dream shattered into fragments, leaving him with nothing but confusing
|
||||
afterimages and a deep sense of unease.</p>
|
||||
|
||||
<p>"Have you not been home yet?"</p>
|
||||
|
||||
<p>He shook his head, rubbing sore eyes.</p>
|
||||
|
||||
<p>"Your mother thinks you've been run over by a bus. From the looks of you, she's not far wrong. Better show up
|
||||
sometime before she starts to worry."</p>
|
||||
|
||||
<p>He sat up, yawning. "What time is it?"</p>
|
||||
|
||||
<p>"After twelve. The club was late finishing. Did you see the news?"</p>
|
||||
|
||||
<p>"Yeah."</p>
|
||||
|
||||
<p>"So you daft buggers really went and did it."</p>
|
||||
|
||||
<p>"I told you we would."</p>
|
||||
|
||||
<p>"I never really believed it until I saw it for real."</p>
|
||||
|
||||
<p>"You told me to take the bull by the horns, make something of myself."</p>
|
||||
|
||||
<p>Sandy gave him a sidelong look.</p>
|
||||
|
||||
<p>"Don't you go putting the blame on me. There's a fine line between courage and foolishness and it's a damn shame it's
|
||||
not a high wall. You want a cup of tea?"</p>
|
||||
|
||||
<p>"Sure. It's been a long day and a night."</p>
|
||||
|
||||
<p>"So what's the next move?"</p>
|
||||
|
||||
<p>"We have to wait until big Lars can get his act in gear. I'm back up town tomorrow, doing a bit of business. A few
|
||||
more days and then it's gone."</p>
|
||||
|
||||
<p>"And after that?"</p>
|
||||
|
||||
<p>"Not what people think. I need to speak to the boys up on Skye. Then we'll all have to wait for the heat to die
|
||||
down."</p>
|
||||
|
||||
<p>He kept seeing the after-images of the fish in the stream, pale eyed, slipping out of his grasp, and the images
|
||||
somehow superimposed themselves on the memory of the camera shot on the news. The feeling of unease stayed with him,
|
||||
stale and greasy.</p>
|
||||
|
||||
<p>"They all think it went straight down the drain. That's what it said on the news. The whole town's having a
|
||||
laugh."</p>
|
||||
|
||||
<p>"That's the plan. As long as they keep on believing they pulled their own plug, then we're home and dry."</p>
|
||||
|
||||
<p>"Dry, with a zillion gallons of whisky? Sure you are. Where is it now?"</p>
|
||||
|
||||
<p>Jack tapped the side of his nose. "Need to know, Sandy. No offence, okay? I have to see a lawyer and a banker and a
|
||||
bunch of would-be tycoons."</p>
|
||||
|
||||
<p>"Just you watch yourself. I told you there's too many people in on this. I said to keep it simple as possible."</p>
|
||||
|
||||
<p>"Smash and grab is simple. I have to make sure they all look the other way."</p>
|
||||
|
||||
<p>"You think it's a game of chess."</p>
|
||||
|
||||
<p>"It <em>is</em> a game of chess. You have to keep four or five moves ahead. With this much moonshine, there's going
|
||||
to be a hell of a lot of interest, and that customs man Gilveray, he's not entirely daft."</p>
|
||||
|
||||
<p>"He's a jobsworth, Jake, just a civil serpent. He's well up his own arse. He's not the one I'd be wary around. Yon
|
||||
big highlander, Baxter, that's one who doesn't miss anything. I saw him along there at the bonded warehouse. He acts
|
||||
like a half daft big hick, but he's pin sharp."</p>
|
||||
|
||||
<p>"There was always a chance they'd call in CID. I hoped it would stay in-house."</p>
|
||||
|
||||
<p>"Now you're beginning to talk like one of the suits."</p>
|
||||
|
||||
<p>"We better get used to that."</p>
|
||||
|
||||
<p>"So what's the next move?"</p>
|
||||
|
||||
<p>Jack knew he was going to be asked that a lot in the next couple of days. His job was to keep a lid on the rest of
|
||||
them, make sure they stayed quiet, make sure they stayed tight.</p>
|
||||
|
||||
<p>"Hopefully the diversion worked. We just wait and see how the wind blows."</p>
|
||||
|
||||
<p>The image of the dream came back to him and he shoved it away. In any plan as complex as this, you had to allow for a
|
||||
few things going wrong, or some people doing stupid things. He'd a big bone to pick with Donny Watson.</p>
|
||||
|
||||
<p>"You just take care then."</p>
|
||||
|
||||
<p>"I will. Oh, by the way, your popcorn idea worked a treat. That and your beer mash."</p>
|
||||
|
||||
<p>"I'm glad I was some help. I just hope I haven't helped land you in the jail."</p>
|
||||
|
||||
<p>"There's something else I'm hoping you can do for me." Jack knew he should keep this for the cold light of morning.
|
||||
Waves of tiredness were washing over him in a tide.</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"I want you to become chairman."</p>
|
||||
|
||||
<p>"Chairman of what?"</p>
|
||||
|
||||
<p>"I'll tell you in the morning. And it will be legit. One thing though, how's your Italian?"</p>
|
||||
|
||||
<p>"A bit rusty. I haven't needed it since my Nato days when we were running bootleg wine up to Germany, but I watch all
|
||||
the gangster movies. They're my refresher course. Why do you ask?"</p>
|
||||
|
||||
<p>"I'll get you a tape. And I think we'll have to spruce you up in a good suit. Any preference?"</p>
|
||||
|
||||
<p>"Remember what old Thoreau said." Sandy had eclectic reading tastes. "Distrust any enterprise that requires new
|
||||
clothes. So what's all this about?" </p>
|
||||
|
||||
<p>"Our Mr Sproat wants to meet the client. I need somebody respectable."</p>
|
||||
|
||||
<p>"Thanks very much." Sandy shot his grandson a questioning look.</p>
|
||||
|
||||
<p>"But I suppose I'll just have to settle for you."</p>
|
||||
|
||||
<p>Kate called him in the morning and woke him out of a dreamless sleep. The sun was high, but hidden by low cloud and
|
||||
the air, eddying through the open window, had a fresh, cleansed scent of blossom and dug earth.</p>
|
||||
|
||||
<p>"What time is it?"</p>
|
||||
|
||||
<p>"That depends on where you are."</p>
|
||||
|
||||
<p>"Oh, it's you. Hi. What's happening?"</p>
|
||||
|
||||
<p>"That's what I phoned you to ask. That was a bit of a brush-off the other night."</p>
|
||||
|
||||
<p>"Yeah. Listen I'm sorry about that." He was coming awake now, grasping at reality. "I was kind of in the middle of
|
||||
things, you know?"</p>
|
||||
|
||||
<p>"Middle of what, the North Sea?"</p>
|
||||
|
||||
<p>"No," he fumbled for an answer. "There's been a hold up on that. The boat's not ready."</p>
|
||||
|
||||
<p>"So I still have some time to talk you into seeing sense."</p>
|
||||
|
||||
<p>He didn't have much time for anything. Everything was moving at light speed and he when he finally located his watch,
|
||||
he realised he had already wasted too many good hours of daylight. He stretched with one arm, getting the blood back
|
||||
into his muscles. At least he was rested.</p>
|
||||
|
||||
<p>"When's the big demonstration. I want to be there. A gesture of solidarity."</p>
|
||||
|
||||
<p>"What demonstration?"</p>
|
||||
|
||||
<p>A hollow silence developed on the line. Finally she came back.</p>
|
||||
|
||||
<p>"What do you mean <em>what demo</em>?"</p>
|
||||
|
||||
<p>Damn! He could hear him talking himself into a corner. And who had given her the number?</p>
|
||||
|
||||
<p>She over-rode the thought. "The one you wanted the posters for. I presume you still have some sort of social
|
||||
conscience, or did I just waste my time?"</p>
|
||||
|
||||
<p>"No, not at all. The posters are brilliant. Absolutely perfect. I'll be talking to the Dunvegan boys later today."
|
||||
That much was true, if nothing else was, and nothing else <em>was</em>. He would have to get used to the deceit, but
|
||||
this was not the same game as chess. Lies were different from bluff. He didn't like lying to Kate, and if she ever
|
||||
found out about Margery Burns, well he'd be dead in the water with her, that was for sure.</p>
|
||||
|
||||
<p>"Good. Maybe you can do me a favour."</p>
|
||||
|
||||
<p>"Sure I will."</p>
|
||||
|
||||
<p>"You haven't heard it yet."</p>
|
||||
|
||||
<p>"You wouldn't ask if I couldn't do it."</p>
|
||||
|
||||
<p>"That's very sweet of you to say. Okay, I need some money."</p>
|
||||
|
||||
<p>His heart sank. He had been spending it like tomorrow was wiped off the calendar, and there was more spending, big
|
||||
spending to come. He knew he would have to drain the kitty dry over the next couple of days and squeeze the boys for
|
||||
more.</p>
|
||||
|
||||
<p>"How much?"</p>
|
||||
|
||||
<p>"About five grand to start with."</p>
|
||||
|
||||
<p>He hesitated and she heard it. She laughed.</p>
|
||||
|
||||
<p>"Oh don't worry, I'm not after your redundancy. I'm just collecting, and you can pass the hat round as well. We
|
||||
finally got the Charter group moving, and we got some free advice. The next stage won't be free."</p>
|
||||
|
||||
<p>"What next stage?"</p>
|
||||
|
||||
<p>"We have to raise a lot of money to slap an interdict on Sproat. Him <em>and</em> the council. We got a rough legal
|
||||
opinion at the citizen's advice office. They think we've got a case to interdict the distillery, which prevents them
|
||||
filling in Bruce's harbour. After that, we would have to argue it in court, and that will take plenty."</p>
|
||||
|
||||
<p>This time Jack smiled. His uncle and the boatmen had all the free time in the world, when he wasn't making beer and
|
||||
hooch and racing his pigeons. They had trawled through all the old records in the library and Jack had seen what
|
||||
they had turned up even before Charter 1315 had been anywhere near it. It had convinced him.</p>
|
||||
|
||||
<p>"So if we raise the cash, we can get the buildings listed and stop Sproat. We prevent the council from giving him
|
||||
permission to demolish and dump. Just as long as we can fund it before they send the bulldozers in. It takes time,
|
||||
but an interdict could hold everything up long enough. If the developers think they're going to have a fight on
|
||||
their hands, it could make them back away."</p>
|
||||
|
||||
<p>She was sharp. He'd already realised that. If Trading Estates realised there was any smell at all, they would pull
|
||||
out. Any whiff of fish about the deal, the money would dry up. Jack came fully awake. Another plan took root in his
|
||||
mind.</p>
|
||||
|
||||
<p>"How can I help?"</p>
|
||||
|
||||
<p>"We're having a fund-raiser. The Starlight Company are putting on a show. You can come and help backstage, move the
|
||||
flats."</p>
|
||||
|
||||
<p>That was one promise he couldn't make. </p>
|
||||
|
||||
<p>"Maybe," he extemporised. "When is it?"</p>
|
||||
|
||||
<p>"Two weeks."</p>
|
||||
|
||||
<p>It was well out of the question. "I'll see what I can do."</p>
|
||||
|
||||
<p>She sensed his hesitation. "Sound enthusiastic, won't you? If we stop the demolition, we keep the distillery. Maybe
|
||||
we can find a buyer. And the dairy might be able to keep its lease. Jack, we're trying to do some good for the
|
||||
town."</p>
|
||||
|
||||
<p>"Yeah." He closed his eyes. This was a no win, not with Kate. </p>
|
||||
|
||||
<p>"Where are you?" She took him by surprise.</p>
|
||||
|
||||
<p>"Out of town." He lied.</p>
|
||||
|
||||
<p>"Can't say, or won't say? You're being evasive, Jack Lorne, and you're not very good at it."</p>
|
||||
|
||||
<p>"No. I'm not really. I'm just kind of tied up at the moment."</p>
|
||||
|
||||
<p>"Are you avoiding me?"</p>
|
||||
|
||||
<p>"No, not at all."</p>
|
||||
|
||||
<p>"Doesn't sound like it. Doesn't matter anyway, does it? It's not like we're joined at the hip. I just thought we were
|
||||
friends, that's all. You know, thick and thin?"</p>
|
||||
|
||||
<p>"Of course we are." She was better at this than he was. He wondered how much of that she really meant, or if she was
|
||||
just pressing the right buttons. She was <em>good.</em></p>
|
||||
|
||||
<p>"Doesn't sound as if you really mean that, but suit yourself. So, are you hooked up with Captain Lars and the <em>sveedish</em>
|
||||
bimbettes?"</p>
|
||||
|
||||
<p>"He's agreed to take me on," Jack said, and that was true enough in its fashion.</p>
|
||||
|
||||
<p>"So you're going through with this?" The disappointment took the strength out of her voice.</p>
|
||||
|
||||
<p>"It's the only way."</p>
|
||||
|
||||
<p>"When?"</p>
|
||||
|
||||
<p>"Soon." He could tell her nothing. He couldn't speak to her, not because he didn't want to, but because he didn't
|
||||
trust himself to stop once he got started, and there were so many things he needed to get done.</p>
|
||||
<hr />
|
||||
<p>Angus Baxter stood back from the rest. The environmental experts were taking samples of the water from the runnel,
|
||||
using plastic bottles as scoops. A couple of golfers had stopped by to watch the proceedings, sniffing the air as
|
||||
they slowed. Here the smell of malt whisky was thick on it. Jim Gilveray had already been down with his own scoop
|
||||
and ascertained that a substantial quantity of Her Majesty's excisable liquor had indeed disappeared down the
|
||||
drain.</p>
|
||||
|
||||
<p>Two small boys paused in their treasure hunt in the marsh, legs black with mud. The big policeman lit up his pipe and
|
||||
blew out a plume of strong fumes. The health men finished their work, capped off the jars and stowed them in the
|
||||
boxes.</p>
|
||||
|
||||
<p>"What about the fish?" Baxter asked.</p>
|
||||
|
||||
<p>"First things first," the lead man said. He shouldered the bag and started off with his colleague.</p>
|
||||
|
||||
<p>Baxter stood for a while, looking down into the runnel.</p>
|
||||
|
||||
<p>"Funny that," he said.</p>
|
||||
|
||||
<p>"What's that?" Gilveray saw his presence as an intrusion on his patch. Baxter didn't give a damn what he thought. He
|
||||
knew Gilveray was just a turnkey in a warehouse.</p>
|
||||
|
||||
<p>"The fish," the policeman said, no elaboration.</p>
|
||||
|
||||
<p>"Alcoholic poisoning probably."</p>
|
||||
|
||||
<p>"No. I don't think that was it."</p>
|
||||
|
||||
<p>Blair Bryden from the Gazette had a photographer with him. He and Baxter knew each other well. "How do you mean?"</p>
|
||||
|
||||
<p>"In fact I know for certain it wasn't alcohol poisoning."</p>
|
||||
|
||||
<p>"Ethyl contamination," Gilveray said. "We're wasting our time here. My samples show high levels of ethyl compounds
|
||||
here. We're satisfied that it was a spill. I'm only interested in explaining the loss of revenue. I don't know about
|
||||
the environmental damage."</p>
|
||||
|
||||
<p>"So what's the next move?"</p>
|
||||
|
||||
<p>"A customs tribunal will decide if there is any duty payable and by whom. I imagine Sproat's insurance will cover his
|
||||
loss."</p>
|
||||
|
||||
<p>"You would hope so," Baxter said, agreeably. "Such an awful waste, though."</p>
|
||||
|
||||
<p>He turned away and called to the boys in the bog. "You there. Is that a fishing net?"</p>
|
||||
|
||||
<p>One boy held up a small net on a pole.</p>
|
||||
|
||||
<p>"Aye."</p>
|
||||
|
||||
<p>"Bring it here then."</p>
|
||||
|
||||
<p>"Get lost."</p>
|
||||
|
||||
<p>Baxter walked across the narrow fairway and stood at the brink. "If I have to come in and get that net, the pair of
|
||||
you will spend the weekend in the jail for trespassing and stealing golf club property." He reached in his pocket
|
||||
and drew out a shiny pair of handcuffs and held them up. He grinned widely.</p>
|
||||
|
||||
<p>"I never knew you were the polis, mister."</p>
|
||||
|
||||
<p>"Just bring the net and we'll say no more about it."</p>
|
||||
|
||||
<p>He wiped the muddy cane with a tissue and went back to the runnel. Gilveray and Blair Bryden watched him get as close
|
||||
as possible, lean forward, and dig the net under the clear surface. A trail of muddy brown swirled down with the
|
||||
current.</p>
|
||||
|
||||
<p>"I was an expert at this as a boy. You never forget." He jerked his arm, scooped and brought it out of the water.
|
||||
Gilveray expected him to bring up one of the bigger fish that were caught where the streamlet narrowed. Instead,
|
||||
when the policeman turned, they saw he had two tiny silver fish wriggling slowly in the net.</p>
|
||||
|
||||
<p>He beamed. "Still got the knack, eh? Once a fisherman, always a fisherman."</p>
|
||||
|
||||
<p>"And what's the point of that?"</p>
|
||||
|
||||
<p>"You'll observe that these fish are very much alive. Lethargic, maybe, but still going."</p>
|
||||
|
||||
<p>Gilveray raised his eyebrows. "So what?"</p>
|
||||
|
||||
<p>"So there's a noticeable discrepancy between these and the deceased down there."</p>
|
||||
|
||||
<p>He winked at Bryden. "Maybe your man will want a picture of this?"</p>
|
||||
|
||||
<p>The newspaper man nodded the go-ahead and Brian Deacon shot a couple of frames.</p>
|
||||
|
||||
<p>"Maybe they're a bit wobbly. Might even have an awful hangover, who can say? But they're definitely not dead." He
|
||||
pointed down with the net. "Now why do you think that is?"</p>
|
||||
|
||||
<p>"Maybe whisky affects some fish more than others," Bryden ventured.</p>
|
||||
|
||||
<p>"Not at all. They all breathe in through their gills, all sorts of stour in that water." Baxter flicked his wrist and
|
||||
the two little fish shimmered through the air to make tiny splashes in the pool. He scooped up one of the dead
|
||||
floaters and brought it round for them all to see.</p>
|
||||
|
||||
<p>"The big difference is that these fish were deceased before they got into the water."</p>
|
||||
|
||||
<p>"That's amazing." Bryden was well impressed. "How can you tell?"</p>
|
||||
|
||||
<p>"Elementary." Baxter's blue eyes twinkled mischievously. The sun was poking out through the evaporating clouds and
|
||||
the fish were going off as the temperature rose. "These fish are the wrong species." He turned to Gilveray. "You
|
||||
should take up the fishing. It's good for the mind and calms the soul."</p>
|
||||
|
||||
<p> Bryden could tell he was relishing this, spinning it pout.</p>
|
||||
|
||||
<p>"It gives you time to reflect on the perfection of nature and the folly of jumping to conclusions. Now," he brought
|
||||
the net down and emptied it onto the short grass, "speaking of reflections, you'll notice how this fish throws back
|
||||
the sunlight. I'd call that iridescence, hm? All the colours of the rainbow."</p>
|
||||
|
||||
<p>"Okay," Gilveray conceded. "You've got a bright shiny fish."</p>
|
||||
|
||||
<p>"All those colours tell you that this fish is not native to these waters. It's not a brown trout, which is the best
|
||||
you could expect. In fact, there's only three places that you'll see a fish like this."</p>
|
||||
|
||||
<p>"That really is amazing," the photographer whispered to Bryden. "He's like Cracker. He must really know his
|
||||
stuff."</p>
|
||||
|
||||
<p>"So where would you find them?" Gilveray suckered himself.</p>
|
||||
|
||||
<p>"The lakes of Canada for one. Marvellous fighters they are, rainbow trout. I went there fishing the lakes with a
|
||||
cousin of mine, and they were simply jumping out of the water and into the boat, there was that many of them."</p>
|
||||
|
||||
<p>He turned and winked at Bryden again.</p>
|
||||
|
||||
<p>"And the other places?"</p>
|
||||
|
||||
<p>"You get them in fish farms these days. And then again you might look on the slab in Gallagher's fish shop window.
|
||||
They're six pounds a kilo. One thing's for sure."</p>
|
||||
|
||||
<p>He held them all while he fished out his pipe again and got it stoked up.</p>
|
||||
|
||||
<p>"Somebody planted these fish in the steam so they'd be found. They left them here to make folk think there had been a
|
||||
leak."</p>
|
||||
|
||||
<p>"But there <em>was</em> a leak," Gilveray said. "The air's full of it, man."</p>
|
||||
|
||||
<p>"I smell something. I'd even concede that it was whisky an' all."</p>
|
||||
|
||||
<p>He blew out a long breath. </p>
|
||||
|
||||
<p>"But if there had been twenty five thousand gallons down that trickle of water, then I'm sure even the wee fish would
|
||||
have died happy. So now, I'm afraid, this is a police investigation. Either somebody has taken off with a lot of the
|
||||
amber nectar, or some poor soul has the mother of all hangovers today."</p>
|
||||
|
||||
<p>Baxter beamed, and the photographer caught it for the news.</p>
|
||||
<hr />
|
||||
<p>Sproat took his call right away. Margery Burns transferred him through and Jack could hear the strain in the other
|
||||
man's voice.</p>
|
||||
|
||||
<p>"I hear you had a bit of a setback," he said.</p>
|
||||
|
||||
<p>"Just an accident," Sproat said, trying to make it light. "It's a damned nuisance."</p>
|
||||
|
||||
<p> "Four hundred barrels is more than a nuisance." He tempted Sproat out.</p>
|
||||
|
||||
<p>"How did you know how much it was?"</p>
|
||||
|
||||
<p>"You have to keep your ear to the ground," Jack said. "I hope you're well covered. I hear that the presentation packs
|
||||
would have brought you in three million. That's good cash flow."</p>
|
||||
|
||||
<p>"We're in talks today."</p>
|
||||
|
||||
<p>"And my principals hope you've some stocks left."</p>
|
||||
|
||||
<p>"Don't worry about that," Sproat said, too anxious. "We're sorting that out now."</p>
|
||||
|
||||
<p>"Good. We can refine figures and times, if you're still on."</p>
|
||||
|
||||
<p>"Of course we are."</p>
|
||||
|
||||
<p>"Okay, my principal is keen to do a deal."</p>
|
||||
|
||||
<p>"Sooner the better," Sproat tried to keep his voice flat. </p>
|
||||
|
||||
<p>"Oh, and we'll probably need to borrow transport." Jack threw it in casually.</p>
|
||||
|
||||
<p>"That's not a problem."</p>
|
||||
|
||||
<p>Sproat put the phone down and let out a sight of relief. A quick deal with Michael Gabriel's group could turn this
|
||||
around while the insurers argued over who was to blame for what and how much they would pay out. He'd have that
|
||||
jumped-up clerk Gilveray breathing down his neck, but that was always an occupational hazard.</p>
|
||||
|
||||
<p>Jack sat back and cupped his chin in his hands. It was all chess now. Sproat was about to expose his queen. On the
|
||||
other board, big Lars was drawn right in to a corner. So far, so good, apart from that daft prick Donny. Margery
|
||||
Burns was proving worth the cost. Just a few more days and they'd be home and clear.</p>
|
||||
|
||||
<p>He'd been up at the crack of dawn and in to the city. The marine assessor had been and gone and given Lars the
|
||||
re-insurance documents which went straight into the bin. Jack called a cab and took them up to Bath Street and into
|
||||
the lawyer's office. It was a straightforward deal. Lars needed more talking to, but when he was totally convinced
|
||||
he'd never get his hands on the whisky without a signature on the bottom of the agreement, his good business sense
|
||||
finally won out.</p>
|
||||
|
||||
<p>They shook hands on the steps on a brightening morning. Jack winced and rescued his fingers.</p>
|
||||
|
||||
<p>"So now you got half a Valkyrie," Lars said. "But only for a loan. I want my baby back."</p>
|
||||
|
||||
<p>"You can have her," Jack said. "She's got the looks only a mother could love."</p>
|
||||
|
||||
<p>The big man slapped him on the shoulder.</p>
|
||||
|
||||
<p>"Anybody else says that and they finish up in the water, tied to the anchor."</p>
|
||||
|
||||
<p>He left Lars to make his own way down to the dock and checked his pocket for cash. The kitty was running low now, but
|
||||
he had the top copy of the document in his pocket and enough company plastic to make a couple of big buys. He
|
||||
whistled up another taxi and in five minutes he was down in the Italian Centre looking at the racks, before picking
|
||||
up a little android phone and a fine brushed-silver fountain pen.</p>
|
||||
|
||||
<p> Rule number three from the ten steps to success. <em>You never get a second chance to make a good first
|
||||
impression.</em> Jack really had to put on the dog.</p>
|
||||
|
||||
<p>In an hour he was just two minutes late for an appointment down on St Vincent Street where all the banks huddled
|
||||
cheek by jowl. </p>
|
||||
|
||||
<p>The young banker took in the Armani and raised his eyebrows appreciatively. Jack accepted a weak tea and presented
|
||||
the company's credentials. He laid out his new passport on the walnut desktop, the incorporation papers, and details
|
||||
of planned trading, along with the heads of agreement Sproat had signed.</p>
|
||||
|
||||
<p>"So what you want, Mr Gabriel, is a rolling letter of credit."</p>
|
||||
|
||||
<p>"My company hopes to expand. We may have to make moves very quickly and credit will give us the flexibility." He was
|
||||
talking straight out of the manual now.</p>
|
||||
|
||||
<p>"And how much credit would you require?"</p>
|
||||
|
||||
<p>Jack held his breath for a moment. This might still be chess, but it was a big league game.</p>
|
||||
|
||||
<p>"Half a million for now," he said, and bit down on the dainty little chocolate biscuit.</p>
|
||||
|
||||
<p>"You'll need security, of course." He delved into the shiny new case that smelled of well-worked leather, and brought
|
||||
out the documents.</p>
|
||||
|
||||
<p>"We have a carried interest in a successful North Sea supply operation. Here's the assessor's valuation as of
|
||||
yesterday. As you'll see, my company has forty nine percent of both the operation and the vessel. We plan to make
|
||||
more acquisitions and establish trading connections in this country and on the continent."</p>
|
||||
|
||||
<p>By one in the afternoon, Jack Lorne had his letter of credit and a cash transfer into the company account, express
|
||||
clearance. The interest might have been fierce, but in all the lessons he'd learned on his course, one thing always
|
||||
held true. Money begets money. Even a promise of money was enough. That's how it worked, and he wished he'd known
|
||||
that years ago.</p>
|
||||
|
||||
<p>Now he had what he needed for the next step, and as long as everybody held their nerve, as long as Margery Burns
|
||||
could do her job, and old Sandy Bruce could pull off a fast act, they'd all be on the final straight.</p>
|
||||
|
||||
<p>And just as long as big Lars Hanson didn't ever find out his old whaling father's pride and joy had been hocked to
|
||||
the bank.</p>
|
||||
|
||||
<p>Jack stood for a minute in the sun, almost paralysed with the enormity of it all. He caught sight of himself in a big
|
||||
dark plate glass window and for a moment he was completely taken aback.</p>
|
||||
|
||||
<p>Three weeks ago he had been studying in the afternoons after driving round Levenford in a rattling milk-van, scraping
|
||||
to get his brother into university.</p>
|
||||
|
||||
<p>The tall man who faced him, eyes hidden behind the designer dark glass was somebody else entirely. The brief-case
|
||||
caught the high rays of the sun as it burned off the thin clouds and the burnished reflection gleamed back at
|
||||
him.</p>
|
||||
|
||||
<p>He held all the strings, and while he knew that any one of them could slip from his grasp and fray at the end, he
|
||||
knew he'd come this far and had to take it to its conclusion, come what may.</p>
|
||||
|
||||
<p>Take your future in your own hands, old Sandy had said. Now it was there, in his own hands and everybody else's
|
||||
future besides. A shiver of excitement and anticipation juddered down his back, and a trickle of sweat eased its way
|
||||
down his temple. He took the monogrammed handkerchief from his top pocket, looked at the embroidered letter
|
||||
<em>G</em> on the silk, and wiped the bead away.</p>
|
||||
|
||||
<p>Across the road, a Starbucks coffee house was open and all of a sudden he needed either a strong coffee or a strong
|
||||
drink. He opted for an espresso. He'd have to be very sober from here on in. He paid the girl and couldn't miss the
|
||||
appreciative look as she took in the Armani gear. He gave her a big tip and a wide smile.</p>
|
||||
|
||||
<p>Ten minutes later, armed with a letter of credit for half a million pounds, he was in the plush office of one of
|
||||
Glasgow's most successful corporate law firms.</p>
|
||||
|
||||
<p>"I'd like to fund a legal action," he told Kerrigan Deane.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
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|
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<?xml version="1.0" encoding="utf-8"?>
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"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
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<head>
|
||||
|
||||
<title>16</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
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<link rel="stylesheet" type=
|
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"application/vnd.adobe-page-template+xml" href=
|
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|
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<body>
|
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<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>16</h1>
|
||||
|
||||
<p>He grabbed Donny Watson when he was half-way up the ladder and hauled him so violently into the boat that the pair of
|
||||
them ended in a struggling tangle of arms and legs.</p>
|
||||
|
||||
<p>"What the fuck.....?</p>
|
||||
|
||||
<p>Jack hit him a slap, hard enough to sting, not to really hurt. He wanted to curl his hand into a fist and really give
|
||||
him a couple of dull ones, maybe some worse even than that. He kept a hold of Donny's collar and dragged him to his
|
||||
feet, gripping it in a twist that was tight enough to make his face match his hair again.</p>
|
||||
|
||||
<p>"What's going on?" Ed asked. Nobody interfered at all, they all just watched, taken by surprise. Neil pulled back,
|
||||
face slack. He hated violence.</p>
|
||||
|
||||
<p>Jack hit Donny another slap, catching him on the ear, getting really right to the edge of some serious stuff. Donny
|
||||
tried a punch back but Jack knocked his hand away. His brows were drawn right down and his dark eyes hot. None of
|
||||
them had ever seen him this angry. They hadn't seen his face when Michael came home with a bloody nose.</p>
|
||||
|
||||
<p> "You stupid lazy <em>bastard.</em> Everybody is in this, we all pull together. You had the easiest job in the world
|
||||
and you fucking blew it."</p>
|
||||
|
||||
<p>"I don't know what you're talking about." Donny struggled to force the words out past the tight constriction.</p>
|
||||
|
||||
<p>"Yes you bloody do, you lazy wanker. All you had to do was get a few fish for a diversion."</p>
|
||||
|
||||
<p>"I did that. I got the fish. There was plenty of them."</p>
|
||||
|
||||
<p>"Some diversion."</p>
|
||||
|
||||
<p>"What's the score?" Ed wanted to know.</p>
|
||||
|
||||
<p>"Did you see the news?" They all had.</p>
|
||||
|
||||
<p>"Big close-ups of half-a-brain here's effort. Did you see them? Bloody <em>rainbow trout</em>. I swear to god they
|
||||
still had the parsley in their mouths."</p>
|
||||
|
||||
<p>Donny struggled. "It was fish, wasn't it? They cost me a fortune."</p>
|
||||
|
||||
<p>"Sure they did. Cost <em>us</em> a fortune. We'll be lucky if they don't cost us the jail. That big inspector, he's a
|
||||
fox. It'll be a miracle if he doesn't spot them."</p>
|
||||
|
||||
<p>"They were just <em>fish</em>," Donny protested again. He got his hands to Jack's wrists and tried to pull them
|
||||
apart. Jack simply let go in disgust.</p>
|
||||
|
||||
<p>"Rainbow trout from the shop. Am I right?"</p>
|
||||
|
||||
<p>Donny nodded. "They're all the same, aren't they?"</p>
|
||||
|
||||
<p>"No, they're not all the same. How are fish that size supposed to get up a trickle of water like that? And rainbow
|
||||
trout? You don't even get them in the river. You should know that. Christ, we went there fishing every weekend when
|
||||
we were kids. Where did you get them, Gallagher's?"</p>
|
||||
|
||||
<p>"No, they never had any." Donny's head was down. "I had to go up to Barloan Harbour."</p>
|
||||
|
||||
<p>"You better hope nobody else goes there to check. If they do, you better be ready to say you had the biggest barbecue
|
||||
in the fucking town."</p>
|
||||
|
||||
<p>He turned to them all, his face tight with strain and anger.</p>
|
||||
|
||||
<p>"I told you, good enough <em>never is</em>. We're all on this together. If somebody fucks up, he fucks everybody
|
||||
up<em>. </em>Miss a chance and it's no boomerang. It doesn't come back. You have to treat your mind like a
|
||||
parachute; it only works when its open. We all have to think and we all have to go along with the plan, or we're all
|
||||
down the drain."</p>
|
||||
|
||||
<p>He pulled Donny close again and sniffed.</p>
|
||||
|
||||
<p>"And I'll tell you another thing. You better lay right off the booze, okay Donny? You're hitting it too hard and I
|
||||
can't have any drunks on the team."</p>
|
||||
|
||||
<p>"I'm not a drunk," Donny protested.</p>
|
||||
|
||||
<p>Neil put his chin in his hands. "Red, I do believe you're talking out of your ass."</p>
|
||||
|
||||
<p>It was meant to be light. Jed got the Shawshank connection, but didn't manage a smile. Ed sat still, realising now
|
||||
how important Jack's idea of a diversion had been. It gave them time, and that was most precious of all.</p>
|
||||
|
||||
<p>Jack loosed his grip and let Donny sink to the little bench seat, panting with anger and shame, while Jack tried to
|
||||
shake off his own fury at Donny's stupidity.</p>
|
||||
|
||||
<p>Yet as he did so, he knew he himself had broken one of his own cardinal rules.</p>
|
||||
|
||||
<p>He had humiliated one of the team in front of the others</p>
|
||||
<hr />
|
||||
<p>Alistair Sproat was aghast at the news that the huge decant of Glen Murroch had been stolen. He had spent most of the
|
||||
morning with the insurance rep and the loss adjusters while Billy Butler and the customs men had hauled everybody
|
||||
who could have been near the flush valve into the glasshouse for interrogation. Ed Kane wasn't one of them. His
|
||||
worksheet showed that he'd been stowing barrels all afternoon, and Butler recalled sending him round to get the
|
||||
pallets.</p>
|
||||
|
||||
<p>"Stolen? What do you mean stolen?"</p>
|
||||
|
||||
<p>"I could give you the dictionary definition," Baxter offered. "Purloined, appropriated, swiped, filched and pilfered.
|
||||
Wrongly removed from ownership."</p>
|
||||
|
||||
<p>"Yes, thank you inspector," Sproat said. His throat was dry as his sarcasm. "What I mean is, how can anybody steal
|
||||
twenty five thousand gallons of scotch?"</p>
|
||||
|
||||
<p>"It's only a theory, mind you, so that's what we have to ascertain. In the meantime, I've called headquarters and
|
||||
they're sending down a couple of lads from the crime squad to help out. We'll have to speak to everybody involved in
|
||||
the process."</p>
|
||||
|
||||
<p>Sproat ran a hand through his thinning hair. Everything was coming unravelled, and he'd spent the whole morning going
|
||||
over the company insurance policy. Aitkenbar was covered for fire and flood and all sorts of disasters that can
|
||||
befall a distillery and a bonded warehouse. He couldn't recall seeing the word theft anywhere at all. A hollow
|
||||
sensation of impending disaster had started to expand in the pit of his stomach. </p>
|
||||
|
||||
<p>"Impossible," he said. He tapped the intercom and told Marge Burns to get Billy Butler.</p>
|
||||
|
||||
<p>"What, are you saying we can't interview your staff?"</p>
|
||||
|
||||
<p>"No. We're already doing that, trying to find the idiot who pulled the flush-cock. His feet won't touch, I can tell
|
||||
you. I'll have him charged with sabotage."</p>
|
||||
|
||||
<p>"I don't think it might be quite as simple as that."</p>
|
||||
|
||||
<p>Billy Butler arrived from the glasshouse where every man had stared blankly at him, insulted at even being asked the
|
||||
questions.</p>
|
||||
|
||||
<p>"I'd like to inspect the whole area," Baxter said.</p>
|
||||
|
||||
<p>"What for? We know what happened." Butler knew his job was on the line, even if he'd be out of one in a month's time
|
||||
when the gates finally shut. He didn't want this on his reputation.</p>
|
||||
|
||||
<p>"I want to make sure that what you know happened actually <em>did </em>happen."</p>
|
||||
|
||||
<p>"Sure," Butler said, obviously puzzled. "Be glad to help."</p>
|
||||
|
||||
<p>Baxter beamed. Sproat put his head in his hands.</p>
|
||||
|
||||
<p>They found the connection at seven that night, after the place was closed. The women on the bottling lines had been
|
||||
sent home early, seieng the Glen Murroch would never be bottled, and the two constables from CID were going over the
|
||||
work records.</p>
|
||||
|
||||
<p>"That shouldn't be there," Butler said. He had the big plan spread on the floor and the maintenance crew were with
|
||||
him. </p>
|
||||
|
||||
<p>"What's that?" Baxter walked over.</p>
|
||||
|
||||
<p>"This pipe. I never saw that before."</p>
|
||||
|
||||
<p>The big policeman peered behind the tangle of other pipes and followed the line of the torch.</p>
|
||||
|
||||
<p>"Wait a minute," Butler said. "Somebody's welded in a new length of pipe."</p>
|
||||
|
||||
<p>The pair of them traced it back and saw the join where it connected to the bottling filler.</p>
|
||||
|
||||
<p>"That's where it comes from," Baxter said. "But where does it go?"</p>
|
||||
|
||||
<p>Butler followed the wall. Baxter told him not to touch anything, an unnecessary warning. In the flashlight he could
|
||||
see the pipe was shiny clean. They came to the turn and the pair of them had to admire the workmanship. Only a very
|
||||
close examination of the maze of connectors could have shown up the new piece of pipework. Butler pointed out where
|
||||
it had been sawn from the original and capped off.</p>
|
||||
|
||||
<p>"So we've got an expert," Baxter said.</p>
|
||||
|
||||
<p>Butler looked at him, grinned, feeling a sense of relief that the blame for this might be shifted from his shoulders.
|
||||
"That rules out anybody from in here."</p>
|
||||
|
||||
<p>The policeman went along with it. </p>
|
||||
|
||||
<p>"So, it joins to here." He hunkered down, admiring the clever line of the pipe that kept it hidden from view. "And
|
||||
what's this."</p>
|
||||
|
||||
<p>"That's the fire hose inlet."</p>
|
||||
|
||||
<p>Baxter stood up and took out his pipe.</p>
|
||||
|
||||
<p>"You can't smoke in here," Butler said. "All the high proof spirits. It's a fire hazard."</p>
|
||||
|
||||
<p>This time Baxter winked. He bent over and flicked his lighter on, sucking furiously.</p>
|
||||
|
||||
<p>"All the spirits, eh? You show me all the spirits first." He nodded at the connector. "That's where all the spirits
|
||||
went, I imagine. But where did they go after that?"</p>
|
||||
|
||||
<p>They found the fire hoses and when young constable Jimmy Balloch unravelled them, the smell of whisky was
|
||||
unmistakeable. Butler made them roll it into a wheel, so that any residue would be forced to one end, and he managed
|
||||
to get a mere half pint of liquid from the hundred-yard length. He held up the little jar, letting it flash amber in
|
||||
the setting sunlight.</p>
|
||||
|
||||
<p>"Can you test that here?"</p>
|
||||
|
||||
<p>"Sure I can," Butler said. Sproat stood there in the humid evening, squinting against the sun, audibly grinding his
|
||||
teeth. There was nothing he could do now. He just wished Butler would drop the damn sample and let it shatter.</p>
|
||||
|
||||
<p>Baxter walked across the turf, crouching here and there, trying to see if there were any tracks in the grass, but
|
||||
even with the sun so low in the sky and sending slanted shadows in the low dips, it was hard to tell.</p>
|
||||
|
||||
<p>He called Butler across to the fence, about forty yards down from the bushes on the other side, close to the barrier
|
||||
gate that led to the cooperage. The grass was strewn with little wormy coils of goose shit, and peppered with
|
||||
hundreds of little white down feathers.</p>
|
||||
|
||||
<p>"What's this?" he said, hunkering down low again. He picked up some light material from the grass and held it out to
|
||||
Butler.</p>
|
||||
|
||||
<p>"Looks like popcorn to me," Butler said.</p>
|
||||
|
||||
<p>"Is that what your geese eat?"</p>
|
||||
|
||||
<p>"I think they'll eat anything. But I'll have to ask."</p>
|
||||
|
||||
<p>A half hour later, Butler had used the hydrometer and confirmed the tiny drop of whisky they'd found had exactly the
|
||||
same specific gravity as the Glen Murroch they'd decanted into the holding tank. He showed Baxter the shade-match
|
||||
apparatus, turning the little coloured glass spheres clockwise until he had an exact match with the sample in the
|
||||
hopper.</p>
|
||||
|
||||
<p>"We can do an ethyl alcohol and trace elements check," he said. "But I'd say that's pretty conclusive. At a hundred
|
||||
and forty proof, it's particularly volatile. Fast evaporation. Another two hours and there would have been nothing
|
||||
left. What's in the hose hasn't been there long. The rain probably helped keep it humid." </p>
|
||||
|
||||
<p>Sproat stormed out, fists clenched. It was all coming apart.</p>
|
||||
|
||||
<p>"Marge!" She had stayed behind when the rest of them had gone. Sproat appreciated that.</p>
|
||||
|
||||
<p>"Get me Michael Gabriel," he snapped as he walked into his office and slammed the door behind him.</p>
|
||||
<hr />
|
||||
<p>Donny Watson got drunk. He'd hefted the water container into Willie McIver's van and stowed it behind his garden
|
||||
shed. He was thinking how they'd all been on an adrenaline high on the night of the heist. They'd all been wet and
|
||||
excited and absolutely amazed at what they'd done. Like Commandos on a mission. Like the SAS. Like a <em>team.</em>
|
||||
</p>
|
||||
|
||||
<p>Tonight they had all gone and left him on Gillespie's boat, still smarting at the humiliation.</p>
|
||||
|
||||
<p>"Shouldn't have done that," he muttered to himself. The whisky burned a trail down his throat. "Not in front of
|
||||
them."</p>
|
||||
|
||||
<p>He had been embarrassed and ashamed and totally taken aback that Jack had treated him like that. Hell, they went back
|
||||
years. Before school even. They'd been friends so long he couldn't recall a time when they'd not been. That's what
|
||||
hurt. He'd hauled him up in front of Tam and Neil and the others. Friends never did that.</p>
|
||||
|
||||
<p>He took another swig from the plastic bottle and felt hot tears nip at his eyes.</p>
|
||||
|
||||
<p>"Bastard Jake," he said aloud. All this over a couple of fish in the burn. He'd tried his best, hadn't he? It wasn't
|
||||
his fault the first batch had turned to mush, and then his young brother had gone to scout camp with the rest of the
|
||||
kids, and there was nobody to go up the stream and catch some more.</p>
|
||||
|
||||
<p>Another slug of whisky.</p>
|
||||
|
||||
<p>He'd done his best. That was enterprise, wasn't it. And who would know? Really! What stung was the other thing Jack
|
||||
had said. <em>You had the easiest job you lazy wanker.</em></p>
|
||||
|
||||
<p>Jack had given him the easiest job, the simplest task, and everybody else were doing more important things. Like Neil
|
||||
in the van, and Jed on the tanker. Ed and Tam inside. Jack doing his own thing, organising the whole operation. But
|
||||
Donny had ended up with the easiest job, and that stung and itched at him. Jack hadn't trusted him, had he? His old
|
||||
mate Jack Lorne. He remembered Jack explaining what he had to do, telling him to make sure he got it right. And on
|
||||
the night when the hose burst <em>he</em> had to sit like that little Dutch fucker with his finger jammed in the
|
||||
hole. And there just now, he'd told him to lay off the booze. What the hell did that mean? And if they were all in
|
||||
it together, how come nobody knew what was happening to all the whisky they'd heisted? How were they going to share
|
||||
it? That was all a big secret. <em>Jack's</em> big secret.</p>
|
||||
|
||||
<p>Donny took another pull at the whisky, now feeling misery pile up on his anger, and maudlin distrust climb on top of
|
||||
that.</p>
|
||||
|
||||
<p>"They could be out selling it now," he mumbled. "For all I know."</p>
|
||||
|
||||
<p>He tried to shake that thought away. No! <em>No?</em> They had all gone off together, hadn't they, leaving him to
|
||||
stew in it.</p>
|
||||
|
||||
<p>He sat back, thinking. No, they couldn't leave him out of it. They were all in it together, weren't they? He'd paid
|
||||
in his two hundred smackers.</p>
|
||||
|
||||
<p>But why should he wait to get his money back?</p>
|
||||
|
||||
<p>Donny's mouth twisted down in something close to a grin, seeing a little ray of sunshine poke through the gloom. He'd
|
||||
got himself a bonus, something of his own. It was sitting behind the garden hut, all five prime gallons. Ten if you
|
||||
diluted it by half. Sixty bottles at a fiver apiece, that would do for a start.</p>
|
||||
|
||||
<p>He jammed the cap on the bottle and twisted it tight, hauled himself off the bench. The boat swayed alarmingly and he
|
||||
had to steady it with his hands. It took him several minutes to find his way down the narrow ladder to the ground at
|
||||
the corner of the boatyard and a lot longer to wend his way home. In the morning he had a monstrous hangover, but he
|
||||
still had five prime gallons behind the shed.</p>
|
||||
|
||||
<p>"You're in a lot of trouble, Jack," Marge Burns said. Her voice was sharp and terse. She sounded wound up.
|
||||
Worried.</p>
|
||||
|
||||
<p>"No names on the phone." At least she'd called this mobile.</p>
|
||||
|
||||
<p>"Okay. The police are crawling all over the place." Margery Burns spoke in a whisper. "They know it was stolen."</p>
|
||||
|
||||
<p>"Shit!" A long silence drew out and then he was back. "Sorry about that."</p>
|
||||
|
||||
<p>"That's all right. I've heard a whole lot worse. I was married to a councillor."</p>
|
||||
|
||||
<p>"How do they know?"</p>
|
||||
|
||||
<p>"I got it from one of the customs men. They found something down in the stream. He said it was some kind of
|
||||
fish..."</p>
|
||||
|
||||
<p>Jack punched the wall in his uncle's house. Sandy came in from his pigeon hut and looked at him, eyebrows raised.</p>
|
||||
|
||||
<p>"Anyway, they're all over the place and Sproat's going berserk. He's as mad as a wet hen and now he wants to talk to
|
||||
you."</p>
|
||||
|
||||
<p>"Stall him," Jack said. "I have to think." He gritted his teeth so hard they creaked glassily. "What are the
|
||||
insurance people saying? Can you talk?"</p>
|
||||
|
||||
<p>"Just for a minute," she spoke so softly it was difficult to make it out. "He's expecting you right now. Anyway, he's
|
||||
been on to them all day. They sent a loss adjuster, but that's all up in the air now, isn't it? He's not covered for
|
||||
theft."</p>
|
||||
|
||||
<p>Jack blew out slow. They had needed the few days to let the heat die down, and now it was clear they'd be denied
|
||||
that. It squeezed the pressure too tight.</p>
|
||||
|
||||
<p><em>Stupid lazy bastard Donny!</em></p>
|
||||
|
||||
<p>"Right. That's in our favour." You always had to think of a way out, not get caught in a corner. Every disadvantage
|
||||
carried a hidden advantage. So they said. He was thinking fast.</p>
|
||||
|
||||
<p>"If he's not insured, then his three million is down the drain."</p>
|
||||
|
||||
<p>"That's what he's worried about."</p>
|
||||
|
||||
<p>"Fine. That puts him well on the back foot, so let's keep him hanging on. You tell him I'm out of the country. I
|
||||
won't be back for two days. We have to turn the screw."</p>
|
||||
|
||||
<p>"That will be my pleasure, young man."</p>
|
||||
|
||||
<p>Jack clicked off and closed his eyes. They'd have found out eventually, nothing surer, but he'd hoped to be home
|
||||
clear by then. That was the plan, but like every plan, there were weak points and when he'd seen the item on the
|
||||
news he knew he'd found one.</p>
|
||||
|
||||
<p>He recalled Donny's red, shameful face and his hand drew into a fist again, just in sheer frustration. He punched the
|
||||
wall hard and the pain in the knuckles brought him up sharply.</p>
|
||||
|
||||
<p>They'd have found the pipe sometime and eventually put two and two together and they'd have come looking. He had
|
||||
hoped that would have been later. The window of opportunity was closing, but Sproat would be in a blind panic, and
|
||||
Lars was in the bag. He had a couple of people to speak to first and then work out the next move under the new
|
||||
circumstances.</p>
|
||||
|
||||
<p><em>Christ,</em> he said to himself. Nobody ever said it had to be easy.</p>
|
||||
|
||||
<p>"Sandy?"</p>
|
||||
|
||||
<p>There was no reply and he had to shout.</p>
|
||||
|
||||
<p>Sandy came back in and took the safety goggles off. He slipped the walkman plugs out of his ears and Jack heard the
|
||||
faint sounds of Louisiana blues.</p>
|
||||
|
||||
<p><em>One whisky, one bourbon, one beer.</em></p>
|
||||
|
||||
<p>"What's up?"</p>
|
||||
|
||||
<p>"I was right about the fish. Big Baxter worked it out quicker than I thought."</p>
|
||||
|
||||
<p>"I told you he was sharp. Okay, he knows. You tried to make it idiot-proof and somebody came up with a better idiot.
|
||||
Like I said before, you can chalk it down to experience."</p>
|
||||
|
||||
<p>"Some experience."</p>
|
||||
|
||||
<p>"Experience is what lets us repeat all our old mistakes, except with more finesse, panache and <em>je ne sais
|
||||
quois</em>. So what's the next plan. I have to assume you've got one?"</p>
|
||||
|
||||
<p>"We're going to have to take the fight to them. I hope you brushed up your Italian. How do you fancy a shave and a
|
||||
haircut, all on me?"</p>
|
||||
|
||||
<p>"And there's a catch of course."</p>
|
||||
|
||||
<p>"Of course there is. But you're going to love the suit."</p>
|
||||
|
||||
<p>The two patrolmen faced Angus Baxter across the table. He flicked from one to the other and settled on the one on the
|
||||
left. Constable Derek Travers.</p>
|
||||
|
||||
<p>"So tell me again," Angus said. "You spent half the night chasing a couple of dogs round the distillery. Tell me, did
|
||||
you see anything at all?"</p>
|
||||
|
||||
<p>"There was nothing to see. The dogs were going wild," Travers said. "We had a couple of calls from people on the far
|
||||
side, complaining about the noise."</p>
|
||||
|
||||
<p>"And it turned out they were the guard dogs," Walter Crum said. "Something got them all worked up. We thought we'd
|
||||
have to send for a vet and get them tranquillised."</p>
|
||||
|
||||
<p>"So, just to get this straight, the guard dogs were all excited, and nobody thought to check if perhaps they had
|
||||
scented intruders?"</p>
|
||||
|
||||
<p>Blair Bryden had agreed to hold the story for a day at least, and that suited him, because he could slam it on the
|
||||
front page of the gazette and then make a fortune selling it to every paper across the country. So far the two
|
||||
patrolmen didn't have a clue. Baxter savoured his moment.</p>
|
||||
|
||||
<p>Travers shrugged. "The security men would have told us if anything was going wrong. Is there a problem?"</p>
|
||||
|
||||
<p>"So you think, with all the training you've had, and all the money we pay you, plus the overtime, the nice uniform
|
||||
and the cosy patrol car for you to skive off up Overburn, shiny handcuffs and yankee-style night-stick, you think
|
||||
that two part time security men on a bare five quid an hour should do your job for you?"</p>
|
||||
|
||||
<p>"I don't follow you, inspector. Nothing much happened. The dogs quietened down after a bit and that was that."</p>
|
||||
|
||||
<p>Baxter treated them to one of his very rare and special smiles. For a second Derek Travers had the sensation that he
|
||||
was looking at a crocodile, and it was staring back right hungrily.</p>
|
||||
|
||||
<p>"Nothing happened." He nodded. "Nothing <em>happened</em>. Nothing at all except that while two of the county's
|
||||
finest are chasing through the undergrowth after a couple of barking dogs, some enterprising ruffians were making
|
||||
off with some of Aitkenbar's finest. Some twenty five-year-old Glen Murroch, to be precise."</p>
|
||||
|
||||
<p>Travers looked at his mate. He shrugged. "There's bottles of that stuff go out the door all the time. Everybody's at
|
||||
it. The Customs just turn a blind eye."</p>
|
||||
|
||||
<p>"Not to this, they didn't. Like I was saying, you two were plowtering about in the bushes while these nameless
|
||||
individuals took an entire decant tank of the stuff. Some twenty five thousand gallons, to give a rough estimate,
|
||||
all pumped out of the place and gone."</p>
|
||||
|
||||
<p>Travers pulled back.</p>
|
||||
|
||||
<p>"They never did!"</p>
|
||||
|
||||
<p>Baxter started stoking his pipe again.</p>
|
||||
|
||||
<p>"I'm told it had a retail value of between two and four million. Not to mention the revenue accruing to Her Majesty's
|
||||
exchequer."</p>
|
||||
|
||||
<p>He blew a thundercloud of smoke and let it hang in the air for a while, then bulled forward.</p>
|
||||
|
||||
<p>"And you two were right there when it happened."</p>
|
||||
|
||||
<p>"Oh shite," Travers said, with deep feeling.</p>
|
||||
|
||||
<p>"Indeed, I'd say that's what you are deep in, the pair of you."</p>
|
||||
|
||||
<p>He pulled back again and surveyed the two young constables who shifted very uncomfortably under his gaze.</p>
|
||||
|
||||
<p>"This is going to look extremely interesting on your records."</p>
|
||||
|
||||
<p>"Honest inspector," Walter Crum said. "There was nobody there. You can ask those council workers. They were right
|
||||
next to Aitkenbar the whole time."</p>
|
||||
|
||||
<p>"And which council workers would they be?"</p>
|
||||
|
||||
<p>"The ones with the big tanker and the pump. They were emptying out a.......drain."</p>
|
||||
|
||||
<p>He gulped. Travers looked at him, a kernel of realisation beginning to form. Baxter glared at them both. A very long
|
||||
pause developed while the smoke drifted slowly towards the ceiling.</p>
|
||||
|
||||
<p>"Now," the inspector finally said, speaking very softly. "We're going to go through this one step at a time, missing
|
||||
nothing out, not a cough nor a splutter nor a sneeze, you got the picture?"</p>
|
||||
<hr />
|
||||
<p>Franky Hennigan woke up in a haze, disturbed by the crackling of bracken and twigs. He closed his eyes tight and when
|
||||
he opened them again it was still fuzzy.</p>
|
||||
|
||||
<p>"What's that smell?"</p>
|
||||
|
||||
<p>"Oh, that's <em>awful</em>. Something must have crawled in here and died."</p>
|
||||
|
||||
<p>Franky saw blurred motion and moved back into the shadow, shading his eyes now against the light that filtered
|
||||
through the brambles and into the little niche near the bridge.</p>
|
||||
|
||||
<p>"I hope at least it's an animal."</p>
|
||||
|
||||
<p>The dead bramble runners from last year crunched under heavy feet and Franky shrank away from them, cuddling his
|
||||
bottle like a cherished child.</p>
|
||||
|
||||
<p>"There's something here."</p>
|
||||
|
||||
<p>"What is it?"</p>
|
||||
|
||||
<p>A flashlight stabbed on, speared straight into his eyes, and Franky let out a yell.</p>
|
||||
|
||||
<p>"Oh, <em>man</em>. What a stench."</p>
|
||||
|
||||
<p>"What is it?"</p>
|
||||
|
||||
<p>"I found a body."</p>
|
||||
|
||||
<p>"Jesus."</p>
|
||||
|
||||
<p>"And the really horrible thing is, it's still alive."</p>
|
||||
|
||||
<p>A big shadow loomed forward.</p>
|
||||
|
||||
<p>"Manky Franky Hennigan. Heavens above, man, you need a heavy hose down with a drum of industrial strength
|
||||
disinfectant and carbolic soap."</p>
|
||||
|
||||
<p>"Leave me alone." He pulled himself into the shadows, shielding his eyes. The air in here was thick with the smell of
|
||||
drink and the unwashed Franky.</p>
|
||||
|
||||
<p> "Come on out, Franky. I want a word with you."</p>
|
||||
|
||||
<p>"Bugger off, you."</p>
|
||||
|
||||
<p>"Don't make me come in there after you."</p>
|
||||
|
||||
<p>"Rather you than me," the second voice said. "You're on your own."</p>
|
||||
|
||||
<p>"Leave me alone."</p>
|
||||
|
||||
<p>"You don't come out right now and I'm going to take that bottle away from you, and I'll be back every night for the
|
||||
next one."</p>
|
||||
|
||||
<p>"Don't touch him. Get some gloves."</p>
|
||||
|
||||
<p>"Don't worry. I've not had my tetanus jabs." The first man switched off the flashlight and Franky made his way out of
|
||||
the gloom, like a dishevelled bear at the end of winter, blinking in the daylight, a week-long growth grizzled on
|
||||
grey cheeks.</p>
|
||||
|
||||
<p>He still held tight to the bottle.</p>
|
||||
|
||||
<p>Angus Baxter stood under the bridge, hands jammed in his pockets, sniffing the air and scanning the road surface.</p>
|
||||
|
||||
<p>"What's that here?" He scraped a toe across the tarmac where a light film stained the black.</p>
|
||||
|
||||
<p>"Looks like paint to me," the CID man said.</p>
|
||||
|
||||
<p>"Me too." He followed the stain across the spine of the road where it hadn't been washed away in the sudden downpour,
|
||||
and hunkered down, poked it with his finger and sniffed again.</p>
|
||||
|
||||
<p>"Fresh emulsion," he decided. The two patrolmen were shifting from foot to foot.</p>
|
||||
|
||||
<p>"And this is where you saw the tanker?" </p>
|
||||
|
||||
<p>Derek Travers nodded. "They had that manhole up and had a pump taking the sewage out. It was definitely sewage. You
|
||||
could smell it halfway up the street."</p>
|
||||
|
||||
<p>Baxter nodded agreeably. "And it was definitely a council vehicle?"</p>
|
||||
|
||||
<p>"Definitely. It had the council logo on the side. I saw it myself."</p>
|
||||
|
||||
<p>"What colour would the tanker have been?"</p>
|
||||
|
||||
<p>"The usual. Sort of buff colour. Beige."</p>
|
||||
|
||||
<p>Baxter tapped the road with his foot. "By any chance was it this colour?"</p>
|
||||
|
||||
<p>Travers felt his face go crimson. His mate looked as if he wanted to disappear.</p>
|
||||
|
||||
<p>"And this manhole here," Baxter went on. He beckoned to the council official and motioned him to get the lid lifted.
|
||||
The inspector waited until it had been prised up and clanked to the ground. A deep hole yawned and as soon as the
|
||||
cover was off, the acrid smell of ammonia soured the air. "This manhole, you're sure it was sewage?"</p>
|
||||
|
||||
<p>"That's the smell. They couldn't have fixed the leak."</p>
|
||||
|
||||
<p>Baxter covered his nose with a handkerchief and bent over the hole. Finally he straightened up and asked the council
|
||||
drain man to lift out the plastic bottle five feet below the surface. He gave him the handkerchief and told him to
|
||||
touch nothing else. The man went down and brought the bottle up. The Inspector stuck a pencil in the nozzle and
|
||||
lifted it clear. He sniffed again, winced and they saw his eyes begin to water.</p>
|
||||
|
||||
<p>He held it up to the two patrolmen.</p>
|
||||
|
||||
<p>"<em>Permacurl</em>. Home perm solution. Recognise it?"</p>
|
||||
|
||||
<p>Travers wrinkled his nose.</p>
|
||||
|
||||
<p>"That's not sewage," Baxter said. "It's ammonia."</p>
|
||||
|
||||
<p>Franky Hennigan was surprisingly strong and not just in an olfactory sense. He was rake-thin and despite the heat, he
|
||||
wore a big ex-army overcoat that had seen better decades. His dirty fingers clasped the bottle in an iron grip.</p>
|
||||
|
||||
<p>"Och, just let him keep it," Baxter said, running out of patience. "I can't see him reaching the fence, never mind
|
||||
climbing it."</p>
|
||||
|
||||
<p>Franky sat on the wall, breathing powerful fumes.</p>
|
||||
|
||||
<p>"So tell me again Franky."</p>
|
||||
|
||||
<p>"It was the spaceman."</p>
|
||||
|
||||
<p>"The spaceman. Yes."</p>
|
||||
|
||||
<p>"In a space ship." Franky's eyes had cleared and were now wide and certain, if a little red-rimmed. "It was there.
|
||||
Just there." He pointed a dirty nail at the space beyond the bridge.</p>
|
||||
|
||||
<p>"It was a miracle. A real miracle." Franky was surprisingly lucid. "It was a UFO, Just there. All silvery and the
|
||||
whole sky was all lit up."</p>
|
||||
|
||||
<p>"And what did this UFO look like, this <em>space</em> ship."</p>
|
||||
|
||||
<p>"Big, and silver, like. And all the lights were flashing. And smoke coming out of it. And then the spaceman came out
|
||||
and took my bottle and changed it."</p>
|
||||
|
||||
<p>"Run that past me again Franky." The two patrolmen snickered and Baxter shot them a look.</p>
|
||||
|
||||
<p>"I came out to see what the noise was and I saw it. The lights under the bridge. And then the spaceman came out and
|
||||
took my bottle. It was a miracle. He went back to the ship and it was all smoke and when he came back again he
|
||||
turned the wine into whisky. He must have had a transformerator or something."</p>
|
||||
|
||||
<p>Franky stopped dead and a sudden comprehension flicked in his eyes.</p>
|
||||
|
||||
<p>"I'm not saying any more."</p>
|
||||
|
||||
<p>Baxter leant in as far as he was able to brave the smell. "Why's that, Franky?"</p>
|
||||
|
||||
<p>"He said I was picked out special. He said if I told anybody he'd be back, with a ray-gun or something and blast me.
|
||||
Fry my head. They're from a galaxity far away, but they can come back and find me. That's what he said, so I'm
|
||||
saying nothing more."</p>
|
||||
|
||||
<p>He reached out surprisingly quickly and took Baxter by the lapel.</p>
|
||||
|
||||
<p>"Gonny just lock me up now Mr Baxter. If they creatures come back and find out I've blabbed, I'm a total goner."</p>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
641
build/Full Proof/OEBPS/ch17.xhtml
Normal file
641
build/Full Proof/OEBPS/ch17.xhtml
Normal file
@ -0,0 +1,641 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>17</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>17</h1>
|
||||
|
||||
<p>She hit him such a punch he landed on his backside with a jolt that shunted up his spine and rattled his teeth. It
|
||||
took him completely by surprise.</p>
|
||||
|
||||
<p>"You are a lying, cheating, deceiving <em>shit</em>, Jack Lorne."</p>
|
||||
|
||||
<p>He sat on the grass, rubbing his chin, while tiny points of light spangled in peripheral vision. Kate waded in and
|
||||
took another swing at him, clipping his ear with a sharp knuckle.</p>
|
||||
|
||||
<p>"Ow! Cut it out." It really stung.</p>
|
||||
|
||||
<p>"I'll cut out your black heart," she said, green eyes narrowed, hair like smouldering coal, temper several degrees
|
||||
hotter still.</p>
|
||||
|
||||
<p>She jabbed another fast punch and he caught her by the wrist, trying to keep her off without hurting her. She pulled
|
||||
against him, stronger than he'd have thought..</p>
|
||||
|
||||
<p>"Come on Kate. Stop that before you do me a damage." He could feel the skin begin to swell and his ear was ringing
|
||||
hot. He held her and grabbed the other wrist and then used her to get to his feet. He had been strolling down the
|
||||
lane from his uncle's house and she had turned the corner, walking fast, taken one look at him and hit without any
|
||||
explanation.</p>
|
||||
|
||||
<p>"I'll do you a damage Jack Lorne. Helping the protest indeed! You <em>lied</em> to me. You deceived me. And you've
|
||||
dragged me into whatever daft scheme you've hatched up, haven't you?"</p>
|
||||
|
||||
<p>"I don't know what you're talking about!"</p>
|
||||
|
||||
<p>"Oh no? Did you see the news at teatime? You can't have missed it. I didn't." She tried to pull out of his grasp, but
|
||||
he knew she'd only have another go at him. She could really do him a bit of damage if she put her mind to it, and he
|
||||
guessed rightly that her mind was made up.</p>
|
||||
|
||||
<p>"What do you mean?"</p>
|
||||
|
||||
<p>"You know exactly what I mean. Getting me to do some artwork indeed. Trying to help those Dunvegan boys get their
|
||||
jobs back? The next thing I know it's on television, shown in every home in the country."</p>
|
||||
|
||||
<p>"Oh, <em>that</em>," he said.</p>
|
||||
|
||||
<p>Blair Bryden had got the story into the Gazette and then freelanced it across the news bulletins. The banner headline
|
||||
was big and black and the story spared no detail. </p>
|
||||
|
||||
<div class='block'>Twenty five thousand gallons of vintage Scotch whisky which vanished from Aitkenbar Distillery was
|
||||
stolen in
|
||||
a daring raid, police confirmed today.
|
||||
</div>
|
||||
<div class='block'>What was at first believed to have been a freak accident when the 25-year-old special malt whisky
|
||||
disappeared from the distillery's decant tank, was in fact a highly organised theft.
|
||||
</div>
|
||||
<div class='block'>The thieves are believed to have got away with exclusive vintage scotch worth upwards of three
|
||||
million
|
||||
pounds.
|
||||
</div>
|
||||
<div class='block'>The theft was uncovered by Detective Inspector Angus Baxter of Levenford CID after customs officials
|
||||
and
|
||||
company management insisted that the spirits had been accidentally flushed down a drain and into the river.
|
||||
</div>
|
||||
<div class='block'>The thieves had laid a decoy trail of dead fish in the polluted water, in an attempt to lead
|
||||
investigators
|
||||
to believe they had been killed by the powerful ethanol pollution but DI Baxter proved yesterday that the fish had
|
||||
been planted as a ruse.
|
||||
</div>
|
||||
<div class='block'>It is understood that the professional gang used a pump and a tanker disguised as a council drainage
|
||||
vehicle
|
||||
to siphon off the huge haul of Scotch.
|
||||
</div>
|
||||
<div class='block'>It is believed they had painted the tanker in council colours.</div>
|
||||
<div class='block'>Gazette sources reveal a complex operation which must have taken months of careful planning. Inside
|
||||
sources
|
||||
say the thieves welded a section of pipe to a bottling line filling pipe and connected it to a fire hydrant inlet on
|
||||
the outside wall. They then used two of the distillery's own fire hoses to drain the huge haul of whisky into the
|
||||
tanker and vanished in the small hours of the morning.
|
||||
</div>
|
||||
<div class='block'>It is not clear how the raiders managed to sneak past the famous geese which guard the distillery
|
||||
from
|
||||
intruders, but police are working on the theory that they must have had an inside accomplice. They are now
|
||||
interviewing staff at the distillery.
|
||||
</div>
|
||||
<div class='block'>Mr Alistair Sproat, Aitkenbar Distillery chairman, whose family have owned the business for several
|
||||
generations, refused to comment. Only three weeks ago he announced to the workforce that he planned to close the
|
||||
complex which has produced malt and grain spirits for more than two centuries. The proposal includes the dumping of
|
||||
the existing building into the river harbour basin and selling all the present and reclaimed land to a property
|
||||
developer who plans a new shopping mall. The deal also means the closure of the adjacent dairy, which occupies
|
||||
Aitkenbar land, with the loss of forty jobs.
|
||||
</div>
|
||||
<div class='block'>Inspector Baxter said: "I think we are dealing with a professional gang of criminals here. But no
|
||||
matter how
|
||||
clever they are, or think they are, we will do everything in our power to bring them to justice."
|
||||
</div>
|
||||
|
||||
<p>Jack had read the piece in clenched silence when Sandy had brought the paper in along with the morning rolls.</p>
|
||||
|
||||
<p>"What are you going to do now," Sandy asked, genuinely concerned.</p>
|
||||
|
||||
<p>"Sit tight. Pray. Nothing else for it."</p>
|
||||
|
||||
<p>"Too many people know."</p>
|
||||
|
||||
<p>"The only ones who know are involved."</p>
|
||||
|
||||
<p>Sandy shook his head. "Three people can keep a secret only if two of them are dead.</p>
|
||||
|
||||
<p>You've got a lot of nerve Jake, I'll give you that. But, like I said, that big highlander, he's no fool."</p>
|
||||
|
||||
<p>"Just a couple of days and it'll be gone. Sproat's going to need a deal and quick."</p>
|
||||
|
||||
<p> He sounded more confident than he felt, but now was the time to hold it together, hold himself together. "He'll be
|
||||
worried the cops think he was involved, but he's now got a three million pound cash flow problem, and he's going to
|
||||
have a few more worries very soon. I'm going to force him out of his corner and catch him on the move."</p>
|
||||
|
||||
<p>"You really think this is a board game, don't you?"</p>
|
||||
|
||||
<p>"Come on, Sandy, it's just juggling. He's had the ball so long it's about time he dropped it. What did he ever do
|
||||
that he deserved to have so much control over people's lives? He's got no talent and no brains and no sense of
|
||||
social responsibility, just Daddy's money that was made on the backs of our family and everybody else's."</p>
|
||||
|
||||
<p>"What I want to know is how you plan to get rid of the stuff."</p>
|
||||
|
||||
<p>Jack smiled. He trusted his uncle implicitly, but he himself had already made a couple of mistakes. One of them was
|
||||
trusting Donny, and the other was humiliating him. God love that ginger haired cretin, he thought, you should keep
|
||||
your friends in the pub and out of business altogether. Family? You kept them away if you could, but old Sandy, he
|
||||
was still razor sharp, and could put it on when he wanted. </p>
|
||||
|
||||
<p>"Don't you worry about that. I've fixed up an appointment for you. Have you read the papers?"</p>
|
||||
|
||||
<p>"Sure I have. Child's play. We used to run a few good scams in National Service. Don't you forget Jake, I'm the
|
||||
original wee fly man."</p>
|
||||
|
||||
<p>The job made headline news at six o'clock and Jack had sat fixed in front of the screen. It was almost word for word
|
||||
what Blair Bryden must have sent round the newsdesks. The camera picked it all out, the runnel and Donny's stupid
|
||||
rainbow trout. Jack fervently hoped the idiot hadn't gone to Barloan Harbour and then paid for them by plastic. The
|
||||
idea that he had almost bought a crate at Gallagher's fish shop still gave Jack palpitations. That would be the
|
||||
first place Baxter would look, and Jack would have had to raise another levy just to get Donny out of the country
|
||||
for a while. He wasn't worried about the pump. He and Ed had got that well sorted out, and his hours trailing around
|
||||
Glasgow had proved very worthwhile. The fish had been a mistake, but he'd made sure other things were battened down
|
||||
tight. <em>He hoped</em>. It was time for more diversions. They were already in place, just in case.</p>
|
||||
|
||||
<p>The camera zoomed through the fence and picked out the two fire hoses and then the scene flashed to the spot under
|
||||
the bridge. Baxter and the uniforms were hanging around while a man in council overalls lowered himself down the
|
||||
manhole and handed the bottle up to the big policeman.</p>
|
||||
|
||||
<p>Jack shrugged to himself. The fish were a giveaway. Everything after that was up for grabs.</p>
|
||||
|
||||
<p>On screen, the reporter faced the camera:</p>
|
||||
|
||||
<div class='block'>This is where the thieves are believed to have siphoned the whisky from the decant tank which is just
|
||||
a
|
||||
hundred yards beyond the fence.
|
||||
</div>
|
||||
<div class='block'>Unbelievably, it is claimed that a local police patrol actually spoke to the raiders, who were
|
||||
wearing face
|
||||
masks, and who were pretending to be council workmen repairing a sewage leak. It was a skilfully planned operation
|
||||
that relied on split-second timing, and a great deal of inside knowledge of the high-security distillery and plant
|
||||
which is guarded round the clock by customs and excise officials, security teams, dogs, and, of course, the famous
|
||||
geese. Police now have to work out how this elaborate security was breached.
|
||||
</div>
|
||||
<p>The reporter stepped to the side and blurred out of shot as the camera focused in on Angus Baxter. He was standing
|
||||
just outside the shadow of the bridge, holding a clear plastic oblong in his hands. The camera expanded the scene
|
||||
just as he looked up, directly into the lens, and the lettering on the plastic snapped into crisp focus.</p>
|
||||
|
||||
<div class='special01'>ENFORD COUNCIL</div>
|
||||
<div class='special01'>ECT WORKS</div>
|
||||
<div class='special01'>EWAGE</div>
|
||||
<div class='special01'>EPARTMENT</div>
|
||||
<div class='block'>Police are convinced that this find, some two hundred yards away confirms the suspicions that the
|
||||
thieves
|
||||
used a tanker disguised as a water and sewerage bowser.
|
||||
</div>
|
||||
<div class='block'>So far, there are no clues as to where the whisky is now.</div>
|
||||
<p>The reporter stared into the camera and allowed himself a slanted grin.</p>
|
||||
|
||||
<div class='block'>Except for the testimony of one witness, who allegedly came across the raiders during the operation.
|
||||
We'll
|
||||
let him tell you his own story.
|
||||
</div>
|
||||
<p>The camera flicked to Franky Hennigan, somewhat cleaned up and shaved for his moment of fame, and obviously topped up
|
||||
with sufficient alcohol to make him forget the threat from beyond the galaxy.</p>
|
||||
|
||||
<div class='block'>It was a space-ship. I saw it with my own eyes. They took my bottle and changed Eldorado into whisky.
|
||||
Then
|
||||
there was this big flash and smoke and it took off again.
|
||||
</div>
|
||||
<p>The reporter smiled again. </p>
|
||||
|
||||
<div class='block'>There you have it. The truth is out there....somewhere.</div>
|
||||
|
||||
<p>"Yes <em>that</em>," Kate stormed, "All my own work. You <em>conned</em> me Jack Lorne. You told me you were doing
|
||||
something special, something important and I <em>believed </em>you."</p>
|
||||
|
||||
<p>She pulled back and he opened his hands, letting her wrists spring free. Two old ladies along the end of the lane
|
||||
paused at their gossip and stared down towards the commotion at the far end.</p>
|
||||
|
||||
<p>"How could you do that, Jack?"</p>
|
||||
|
||||
<p>"It's not what you think."</p>
|
||||
|
||||
<p>"Not what I think? A fortune in whisky goes missing and the only piece of evidence they have is that logo you asked
|
||||
me to do."</p>
|
||||
|
||||
<p>He scanned the lane, up and down.</p>
|
||||
|
||||
<p>"Shhhh."</p>
|
||||
|
||||
<p>She came in at him again, raised her hands and thumped him on the chest and then, without warning, she burst into
|
||||
furious tears.</p>
|
||||
|
||||
<p>"You told me it was for a demonstration. To try to save the jobs. All for the workers."</p>
|
||||
|
||||
<p>The tears trickled down her cheeks and a sore twist wrenched in his heart. </p>
|
||||
|
||||
<p>"It's not what you think." He reached for her, caught her shoulders, brought her in and held her tight. Her sobs
|
||||
heaved against his chest. There was nothing to do but wait until they were done. After a minute, she pulled back,
|
||||
drained.</p>
|
||||
|
||||
<p>"Just what is going on Jack? First of all you tell me you're going out on the North Sea, then you disappear and the
|
||||
boys won't tell me what's going on. You get me to do those damn logos, and it's just as well I didn't get the fourth
|
||||
year kids to do that one or I'd be up there talking to Inspector Baxter, wouldn't I? Accessory to theft."</p>
|
||||
|
||||
<p>She looked up at him, tear streaked but still fiery.</p>
|
||||
|
||||
<p>"So what's happened, Jack. Can't I trust you any more? I really thought you were one of the good guys. I had <em>faith</em>
|
||||
in you."</p>
|
||||
|
||||
<p>He blew out between tight lips, wondering what to say and where to start..</p>
|
||||
|
||||
<p>"Listen, Kate. I'm sorry I got you into this, really I am. I wasn't thinking, and I never thought for a moment
|
||||
anybody would ever see it. They were supposed to be stripped off and burned."</p>
|
||||
|
||||
<p><em>Fuck Donny Watson. That had been his </em>other<em> job.</em></p>
|
||||
|
||||
<p>"So it was you? You really did it?"</p>
|
||||
|
||||
<p>He nodded, hardly able to look her in the eye. She had no such trouble.</p>
|
||||
|
||||
<p>"You stole a tanker of whisky?"</p>
|
||||
|
||||
<p>"No. I stole <em>two</em> tankers of whisky."</p>
|
||||
|
||||
<p>"My God, Jack. Just what have you got yourself into?"</p>
|
||||
|
||||
<p>He shrugged and then dived in.</p>
|
||||
|
||||
<p>"That's what my uncle said. But you and him, you're both the same. You said to me I was wasting my life. Get off my
|
||||
backside and make something of myself."</p>
|
||||
|
||||
<p>"Sure we did. You're half way to getting your degree, aren't you?"</p>
|
||||
|
||||
<p>"And then what? Start on the corporate rung at my age." He reached a hand out and put it on her shoulder. Underneath
|
||||
his fingers she was trembling like a tuning fork, fast and tight. He gently pulled her out of the lane and into the
|
||||
field where he'd fought off the two heavies beating up Donny after the golf. The sun broached the hawthorn hedges
|
||||
and he eased her away from the lane, away from listening ears, towards the old blowdown sycamore trunk that
|
||||
sprawled, barkless in the grass. He sat her there and lowered himself on to the thick smooth jutting branch that the
|
||||
small kids used as a step up.</p>
|
||||
|
||||
<p>"You said it yourself, these people, Sproat, the council, everybody, they just take advantage of the workers. Look at
|
||||
all the firms that pulled out and went to whatever third world shithole would do the work cheaper than we would.
|
||||
Sproat selling up for a shopping centre, putting Andy Kerr out of business, and everybody, every single person in
|
||||
this town just tugs the forelock and says <em>yes bwana</em>.<em> </em>Turkeys voting for Christmas every time."</p>
|
||||
|
||||
<p>"But it's <em>criminal</em>, Jack."</p>
|
||||
|
||||
<p>"What he's done is criminal. But every court in the land will back him up, because it's all loaded against the common
|
||||
man."</p>
|
||||
|
||||
<p>"So you think the answer is to steal from him?"</p>
|
||||
|
||||
<p>He wished he could tell her just what his answer was, but nobody knew that, not even his uncle, nor Lars Hanssen.
|
||||
Nobody <em>could</em>.</p>
|
||||
|
||||
<p>"In a way. Change starts at the bottom. You only want a new deal when you've got a shit hand, not when your sitting
|
||||
on four aces."</p>
|
||||
|
||||
<p>"So that's the philosophy. A little redistribution of wealth? When I said you should get into business, this is <em>not</em>
|
||||
what I meant."</p>
|
||||
|
||||
<p>"I needed a head start. It was payback time for that cretin. All he needs is the money to take over Red Planet and
|
||||
get in on the designer drink business and make another fortune. Goodbye sunny Levenford, it was nice knowing you.
|
||||
Well, no matter what, he'll have something to remember us by."</p>
|
||||
|
||||
<p>"So you decided to risk jail and everything, all you've worked for, just to get even?"</p>
|
||||
|
||||
<p>"I'm not getting even with him. I don't give a tuppenny damn about <em>him</em>. I just needed an asset. Money breeds
|
||||
money. It's like a magnet. Once you have it, you can pull in more, and when you have enough, you can do anything at
|
||||
all. Look at me. I'm twenty seven years old. I'm a milkman for christ-sake with a half chance of getting a degree
|
||||
and maybe a job in an office. Work my way up to middle management by the time I'm forty and then get kicked out for
|
||||
being past it."</p>
|
||||
|
||||
<p>"That's the way you see it?"</p>
|
||||
|
||||
<p>"That's the way it is. Risk? What have I got to lose?"</p>
|
||||
|
||||
<p>"Freedom for one thing."</p>
|
||||
|
||||
<p><em> "</em>Freedom is what you do with what's been done to you."</p>
|
||||
|
||||
<p> "Don't you give me Sartre. He wasn't talking about crime."</p>
|
||||
|
||||
<p> "He was talking about life, Kate. Real life, which is what we're stuck in."
|
||||
"There's more to life than just money."</p>
|
||||
|
||||
<p> "You said yourself, art for art's sake, money for god's sake."</p>
|
||||
|
||||
<p> "Just the words to a stupid song, you <em>idiot</em>." She was angry and exasperated and close to tears again. "Try
|
||||
this: don't risk what matters most for what matters least. There's no right way to do a wrong thing.</p>
|
||||
|
||||
<p> "How about, if two wrongs don't make a right, try three." He'd read the books. He could match her here, even if it
|
||||
left a sour taste in his mouth.</p>
|
||||
|
||||
<p>"If it's is not right don't do it; if it's not true don't say it<em>.</em> You thought you'd just make yourself some
|
||||
easy money."</p>
|
||||
|
||||
<p>"Nothing easy about it. The hard part's just starting." He reached and took her two hands in his. She seemed to
|
||||
crumple in on herself.</p>
|
||||
|
||||
<p>"I never meant for you to be involved, honest I didn't. There's some things I have to do, and some people I have to
|
||||
protect. Including you now. I'm really, truly sorry about that and I won't let it happen again. But what I have to
|
||||
know now, is what are you going to do?"</p>
|
||||
|
||||
<p>"How do you mean?" Her eyes widened.</p>
|
||||
|
||||
<p>"I mean, now that you know, what are you going to do about it?"</p>
|
||||
|
||||
<p>She stared up at him, holding his eyes with his, the way she could. She pursed her lips into a tight bud and he felt
|
||||
her grip tighten on his fingers.</p>
|
||||
|
||||
<p>"If you mean what I think you mean, you're going to get another punch," she said tightly. "You're asking me if I can
|
||||
be trusted, aren't you?"</p>
|
||||
|
||||
<p>He said nothing, still locked on her eyes.</p>
|
||||
|
||||
<p>"Don't you ever dare ask me that again, Jack Lorne. Do you really think I'm going to see you thrown in jail?"</p>
|
||||
|
||||
<p>Sandy Bruce looked at himself in the mirror and let out a chuckle. The Armani fitted just as Jack knew it would.
|
||||
Pierre Cardin shoes gleamed. Donna Bryce gave him a big smile.</p>
|
||||
|
||||
<p>"You look like Al Pacino, Mr Bruce, so you do."</p>
|
||||
|
||||
<p>"I hope I look better than that skinny wee 'Tally."</p>
|
||||
|
||||
<p>"Oh, much better. I mean you just look like the godfather, know what I mean? And that suit, that's just pure
|
||||
brilliant, real class."</p>
|
||||
|
||||
<p>She beamed at Jack. "I never knew the two of you were into the acting. Where did you say the audition is?"</p>
|
||||
|
||||
<p>"Up at the Kings. They're doing the Capone story."</p>
|
||||
|
||||
<p>"Well, I hope he gets the part," Donna said. "That wee bit of colour takes years off you Mr Bruce, honest it does.
|
||||
Dead elegant, know what I mean?"</p>
|
||||
|
||||
<p>"Nice of you to say, Donna." Sandy admired himself in the mirror again. "And this is our wee secret? I don't want
|
||||
people to be thinking I'm getting vain in my old age."</p>
|
||||
|
||||
<p>"Totally confidential. That's me. What happens in the salon is between me and the client."</p>
|
||||
|
||||
<p>She stood back. "What a difference. No offence Mr Bruce, but you look dead young. A real catch, by the way."</p>
|
||||
|
||||
<p>Jack put his hand on Sandy's shoulder and caught both of them in the wide hallway mirror. His grandfather's thick
|
||||
white hair was now almost black, and grey at the temples. Two days ago he'd been sweeping out the pigeon hut,
|
||||
sporting a three day growth of silver bristles, a torn old boiler suit and balaclava. Now he was somebody you'd take
|
||||
another look at. Jack took the light coat from the hanger and draped it across Sandy's shoulders.</p>
|
||||
|
||||
<p>"Look at the state of you, you old poser. I'll have to get a chisel to take the grin off your face."</p>
|
||||
|
||||
<p>But Donna Bryce had been right. She'd done a great job. He now did look the part.</p>
|
||||
|
||||
<p>All he had to do was play it.</p>
|
||||
|
||||
<p>The car picked them up at the Marriott hotel just south of Charing Cross. Jack paid the account with his new platinum
|
||||
card and the doorman held it open for them as they stepped out into the morning.</p>
|
||||
|
||||
<p>"Mr Gabriel?" The driver was in grey livery, like the one who'd delivered that rich guy Hammond Hall to his uncle's
|
||||
door what seemed like a lifetime ago.</p>
|
||||
|
||||
<p>"That's us," Jack said, switching to the Ulster accent. The Bentley had darkened windows and a rich mirror finish.
|
||||
Sandy looked at his reflection and turned to Jack.</p>
|
||||
|
||||
<p>"Get in, you old Mafiosi," Jack whispered, pushing his grandfather by the elbow.</p>
|
||||
|
||||
<p>"Watch the schmutter," Sandy said. They got in, Jack gave directions and closed the hatch.</p>
|
||||
|
||||
<p>"Look at you. I get your old cast offs and you get the fashion statement."</p>
|
||||
|
||||
<p>"Class goes to class," Sandy said. They had wondered about a moustache and rejected the notion. The dark hair took
|
||||
ten years off the old man, and that was enough. The double parenthesis that bracketed his mouth just made him look
|
||||
weather-beaten and tough. Graduated amber lenses made him remote, slightly dated.</p>
|
||||
|
||||
<p>"We meet him in the Drumbuie Hotel. He's booked a side room. Remember, start at the outside cutlery and work your way
|
||||
in."</p>
|
||||
|
||||
<p>Sandy turned to him, raised the glasses.</p>
|
||||
|
||||
<p>"You thinka I no unnerstan' how to eata da pasta?"</p>
|
||||
|
||||
<p>The pair of them suddenly burst into a fit of uncontrollable laughter that took five minutes to subside. The
|
||||
chauffeur checked them out in the rear view. They were out past Anniesland and heading for Levenford when the
|
||||
laughter finally drained away.</p>
|
||||
|
||||
<p>Sproat met them in the foyer, checked out the limo, the Armani, the gold watch fob. Jack had thought he might bring
|
||||
the company sales manager, but there was a good chance he'd picked up the hints he'd dropped. When they got to the
|
||||
little bay-windowed private room, the table was set for three. Jack allowed himself a smile. He was drawing him
|
||||
out.</p>
|
||||
|
||||
<p>"Alistair Sproat, meet Alessandro D'Angeli."</p>
|
||||
|
||||
<p>"Pleased to meet you," Sproat said. "Very glad you could make it."</p>
|
||||
|
||||
<p>"Grazie," Sandy said, keeping his voice low. "You call me Andro, <em>capiche</em>?"</p>
|
||||
|
||||
<p><em>He sounds like Marlon Brando,</em> Jack thought. <em>Don't overdo it, Grandad.</em></p>
|
||||
|
||||
<p>Sproat ordered an expensive Monticello and sat them down, poured for all three. Jack did the talking and let Sandy
|
||||
come in with a few monosyllables.</p>
|
||||
|
||||
<p>"Acting as agent for Mr D'Angeli's company, I can say he will be in a position to place an initial order for
|
||||
two-fifty barrels of three-year-old blend. We've checked your stock, and we're quite satisfied. On the heads of
|
||||
agreement already discussed, we would take one hundred barrels on letter of credit, full price on delivery."</p>
|
||||
|
||||
<p>"We're talking half a million," Sproat was sitting forward, elbows on the table.</p>
|
||||
|
||||
<p>"Si. <em>Demi millione</em>," Sandy said. He was half turned, feigning disinterest, looking at the birds feeding out
|
||||
on the lawn. "<em>Instante.</em> For now." </p>
|
||||
|
||||
<p>Jack tapped him under the table. No need to push his luck.</p>
|
||||
|
||||
<p>"We'll need transport, but you've confirmed that would be included. And we would like this to be the precursor to a
|
||||
larger purchase." Jack had practised this in the mirror. "We understand that your entire stock will be cleared and
|
||||
auctioned in less than a month's time. Going by brokerage realisation for three-year mature, you will drop ten to
|
||||
fifteen percent plus auction fees of about the same. Mr D'Angeli and his partners can, without doubt, improve on
|
||||
that."</p>
|
||||
|
||||
<p>Sproat's eyebrows went up. Jack could almost sense his need. He drew him out further.</p>
|
||||
|
||||
<p>"And for cash, of course. No ninety-day invoicing."</p>
|
||||
|
||||
<p>Sproat took a sip of whisky and tried to hide his smile.</p>
|
||||
|
||||
<p>"That would be a fair amount of whisky."</p>
|
||||
|
||||
<p>"We might," Jack gauged it, "be in a position to take the immature stock. At discount of course for added warehousing
|
||||
costs."</p>
|
||||
|
||||
<p>Sproat shrugged, but his eyes were giving him away. The anti-pasti arrived and Sandy used the correct fork to pick at
|
||||
it.</p>
|
||||
|
||||
<p>"<em>Multo bene</em>. Ver' nice."</p>
|
||||
|
||||
<p>"I thought you'd like a taste of home. The ciabatta is wonderful."</p>
|
||||
|
||||
<p>Sandy nodded, chewing on Parma ham. "Michaelo here tells me you had some...what is the word. Difficulty?"</p>
|
||||
|
||||
<p>Jack kicked him under the table.</p>
|
||||
|
||||
<p>"A full decant." Sproat knew it was all over the television news. "A wonderful twenty five year old Glen Murroch.
|
||||
They knew what to take and when to take it."</p>
|
||||
|
||||
<p>Sandy tapped his nose. "My associates, I will ask them to, ah, check this matter out. You understand?"</p>
|
||||
|
||||
<p><em>What are you up to?</em> Jack twisted the napkin under the table.</p>
|
||||
|
||||
<p>"A bad business for you. Three million, maybe some more?"</p>
|
||||
|
||||
<p>"About that."</p>
|
||||
|
||||
<p>"And all this at a very bad time for you. Which is why it is good we do this business. We help each other, no?"</p>
|
||||
|
||||
<p>"That's what business is all about," Sproat agreed.</p>
|
||||
|
||||
<p>Jack felt a bead of sweat trickle down his ribs. Sandy was winging it solo, totally off the rehearsed lines. </p>
|
||||
|
||||
<p><em>Not the Godfather</em>, he suddenly realised. <em>He's doing De Niro.</em> Talking Italian.</p>
|
||||
|
||||
<p>Sandy gave him a sidelong glance and a little nod, every bit the egund don.</p>
|
||||
|
||||
<p>"You show him the papers, Mikey."</p>
|
||||
|
||||
<p><em>Don't gild it, Grandad.</em> Jack opened the briefcase and brought out the letter of credit, eager to draw
|
||||
attention away from Sandy.</p>
|
||||
|
||||
<p>"Everything will be channelled through my agency," he said. "Mr D'Angeli and his partners wish this to remain
|
||||
confidential."</p>
|
||||
|
||||
<p>"Of course," Sproat put in, a little too fast. He could see a way of getting his cash flow running fast again.</p>
|
||||
|
||||
<p>Sandy leant forward. "Cash on delivery, am I right? Michael here will handle all the arrangements. "And after the
|
||||
first consignment, we talk about the rest."</p>
|
||||
|
||||
<p>"Sounds good to me. When do you want the delivery."</p>
|
||||
|
||||
<p>"The end of this week," Jack put in. "No point in delay."</p>
|
||||
|
||||
<p>Sproat poured another round of wines. Jack put his hand over Sandy's glass.</p>
|
||||
|
||||
<p>"The doctor only lets him have one."</p>
|
||||
|
||||
<p>Sandy shot him a look, gave a little snort of disgust and turned to Sproat.</p>
|
||||
|
||||
<p>"Orders, orders. Nothing changes, Si?" he bent forward. "Like your tax, eh? Ochento per cento? Eighty percent. <em>Infamita!</em>
|
||||
Worse than anyplace else."</p>
|
||||
|
||||
<p>Jack clenched his fists under the table, gritted his teeth, unable to stop the old man.</p>
|
||||
|
||||
<p>"Nothing we can do about that."</p>
|
||||
|
||||
<p>"Nothing the small people can do, maybe. But a <em>pezzonovante</em> like yourself, must be different eh? Eighty
|
||||
percent out of a business, that is <em>extorte.</em> You go to the jail in Sicily for that."</p>
|
||||
|
||||
<p><em>Italy, I told him Italy!</em></p>
|
||||
|
||||
<p>Sproat didn't seem to notice.</p>
|
||||
|
||||
<p>"If there was a way," Sandy said. He made a quick motion with his hands, sliding one palm past the other. "If there
|
||||
was a way to evade such extortion, then good businessman should look for opportunities, no?"</p>
|
||||
|
||||
<p>"I'm not sure I understand," Sproat said. </p>
|
||||
|
||||
<p>Sandy motioned him forward, flicked his hand to Jack, sending him back. There was nothing for it but to go along with
|
||||
it. Sandy's accent hadn't dropped once.</p>
|
||||
|
||||
<p>"You and me, we know business. You had some trouble that was not your fault, but will the taxman give you money back?
|
||||
No. It is take, take take, all the time. You don't have to tell me. I know these things. It is <em>criminale, </em>we
|
||||
understand each other."</p>
|
||||
|
||||
<p>"We do indeed," Sproat said urbanely. He was bending forward, drawn in. </p>
|
||||
|
||||
<p>"What I want to talk about is, maybe a good price, just between you and me. No tax, no customs. No nobody. What they
|
||||
don't know, don't hurt, am I right?"</p>
|
||||
|
||||
<p>Sproat's eyes flicked from Jack to Sandy and back again. Jack gave an almost imperceptible nod. Sproat knew what they
|
||||
were talking about. If he'd any brains, he'd know he'd already been well primed for this.</p>
|
||||
|
||||
<p>Sandy switched tack just then, catching Sproat off balance. Jack sat back and let him run with it, knowing there was
|
||||
nothing he could do. Sandy had the Armani and the tinted glasses. He was the big client. That's what Sproat
|
||||
thought.</p>
|
||||
|
||||
<p>"All the laws, they don't let a business do business, am I right? This protest, these interferers. They want to stop
|
||||
you selling the business, eh? The small people want to tell a <em>pezzonovante</em>, a ninety-calibre, how to run
|
||||
his own affairs. <em>Infamita egundo!</em></p>
|
||||
|
||||
<p>He motioned Sproat forward with a very Italian beckoning of his fingers.</p>
|
||||
|
||||
<p>"I hear they want to drag you through the courts. After a hundred years, they tell you what to do. One big problem
|
||||
for you, am I right?"</p>
|
||||
|
||||
<p>"We'll beat them in court," Sproat said, eager to get back to the business.</p>
|
||||
|
||||
<p>"Maybe you will. Tell you what I'm going to do. I speak to my associates and I make this protest go away. I make them
|
||||
an offer..."</p>
|
||||
|
||||
<p><em>Don't you dare say that Grandad!</em></p>
|
||||
|
||||
<p>"I make them an offer they don't understand," Sandy said. Jack breathed out. What the hell did that mean. "That's for
|
||||
the good faith, yes?"</p>
|
||||
|
||||
<p>He jabbed his hand in front of Sproat, who took it automatically. Sandy clamped his other hand on top of Sproat's
|
||||
knuckles, confirming the deal. He looked the part.</p>
|
||||
|
||||
<p>"Andro, why don't you come back to the plant with me and I'll show you around," Sproat said. "You and I can talk some
|
||||
more."</p>
|
||||
|
||||
<p>"<em>Prego</em>," Sandy said through a mouthful of ciabatta bread. "I ever tell you about the time I met Carlo
|
||||
Luciano? Lucky Charlie? A very nice man....."</p>
|
||||
|
||||
<p>The sweat began to cool on Jack's ribs. Sandy had played the black knight and hooked Sproat right in. He had to hand
|
||||
it to him. It was <em>finesse</em>.</p>
|
||||
<hr />
|
||||
<p>The Charter campaigners had set up a little booth opposite the distillery gates and a few well-meaning local folk
|
||||
hung about, self conscious about their protest. They had put up a few banners which read <em>Hands off Our
|
||||
River</em> and <em>Jobs not Shops</em>, and <em>Pollute, Poison and Pilfer</em>.</p>
|
||||
|
||||
<p>Sproat growled as the limo swept them in through the gates and Jack slipped on the dark sunglasses when he saw Kate's
|
||||
face in the little crowd. It was only when he got into the atrium that he realised he'd left the briefcase back at
|
||||
the hotel.</p>
|
||||
|
||||
<p>"You take the limo," Sandy said, keeping up the accent beautifully. "Me and Alistero, we get a chance to talk."</p>
|
||||
|
||||
<p>There was nothing for it. Jack needed the signature on the document he'd drawn up, identically worded to the ones
|
||||
Marge Burns had managed to get from the files. It was the only way to make sure Sproat was tied right down. He
|
||||
gritted his teeth, knowing it was crazy to let Sandy loose on his own, and went back to the car.</p>
|
||||
|
||||
<p>"Back to the hotel," he said. "Speed of light if you can make it."</p>
|
||||
|
||||
<p>"I'll see what I can do, Sir," the driver said. It was the first time anybody in the world had ever called him
|
||||
Sir.</p>
|
||||
|
||||
<p>Margery Burns was giggling like a schoolgirl when he got back. Sandy had the long Armani coat draped over his
|
||||
shoulders, <em>Mafiosi</em> style.</p>
|
||||
|
||||
<p>"You Italians," she said. "You've always got such great<em> </em>style. Real <em>elan.</em>"</p>
|
||||
|
||||
<p>Sandy shrugged like a Frenchman. She leant in towards him and from twenty yards away, Jack recognised the body
|
||||
language. He almost laughed aloud. She was incorrigible.</p>
|
||||
|
||||
<p>"And what part of Italy are you from."</p>
|
||||
|
||||
<p>"Just beside the Lake Como," Sandy said. "In the mountains. Beautiful."</p>
|
||||
|
||||
<p>She took his cup and saucer, then took his hand. "Why don't you sit down here."</p>
|
||||
|
||||
<p>Sandy caught Jack's eye before she turned round, and gave him a big wink. Sproat put his coffee on the table.</p>
|
||||
|
||||
<p>"Ah, Michael. That was quick."</p>
|
||||
|
||||
<p>The driver had crashed two ambers for him there and back. The Bentley had a surprising turn of speed for such a big
|
||||
limo.</p>
|
||||
|
||||
<p>Margery turned and saw him and had the grace to blush.</p>
|
||||
|
||||
<p>"I'll just clear these away," she said. "You want anything else, just give me a call."</p>
|
||||
|
||||
<p>Jack smiled again. She'd tried to make it general, but he knew it had been aimed at Sandy. That dark colour did take
|
||||
years off him. The Armani and an open-razor close shave did the rest.</p>
|
||||
|
||||
<p>"I've pulled," Sandy whispered as Sproat closed the boardroom door. "Can you spring me for another night in the
|
||||
Marriott?"</p>
|
||||
|
||||
<p>"You pull this off and you can have a week there," Jack said.</p>
|
||||
|
||||
<p>He suddenly realised he could kill two birds with one stone. It could get him off the hook.</p>
|
||||
|
||||
<p>Sandy turned to Sproat. "Maybe we can get the business done, no?"</p>
|
||||
|
||||
<p>Sproat walked right in, stepped right up.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
456
build/Full Proof/OEBPS/ch18.xhtml
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build/Full Proof/OEBPS/ch18.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>18</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>18</h1>
|
||||
|
||||
<p>They picked Donny up on the quayside and slammed him in the back of the white van. It hadn't been that
|
||||
difficult, because he was drunk at the time and while he'd put up a bit of a struggle, his co-ordination was
|
||||
well off. He had a hundred and twenty pounds in crumpled notes in his hip pocket, and an Irn Bru bottle half
|
||||
emptied of whisky in a haversack.</p>
|
||||
|
||||
<p>He'd got very drunk and he'd been very stupid</p>
|
||||
|
||||
<p>Cullen and Foley picked up the word late in the afternoon and that was easy to figure. There had been a
|
||||
steady drift of the layabouts and workshy down to the quayside where the Corrieside team hung about playing
|
||||
quoits and pitch and toss, waiting to sign on the dole, the sick, share a bottle of wine, or get a deal on
|
||||
any of a number of exotic substances to inhale, ingest or inject. </p>
|
||||
|
||||
<p>Donny had sold three gallons to some of the happy lads at a fiver a pint and told them they were getting a
|
||||
bargain. He'd done his own decant and filled eighteen Iron Brew bottles and stacked them in two plastic
|
||||
crates. As soon as the wasters who hung about down the Riverside Quay got a taste for it, there was a rush
|
||||
on the market and business was brisk. Donny's trade made him the most popular man on the cobbles and there
|
||||
was always a scam going on down here where car radios had been replaced by CD players, transistor sets by
|
||||
mobile phones. Alloy wheels were a regular deal, along with fake designer jeans. A couple of months back,
|
||||
two Irish labourers had strolled out of Aitkenbar Distillery with ten feet of nine-inch drainage pipe slung
|
||||
between them and five gallons of immature spirit sloshing about in the curve of the hose. It might have been
|
||||
clear as water and strong enough to bubble paint, but it had sold like a drug on the market and nobody had
|
||||
asked any questions about where it came from. It only mattered that it was there, it could help blur the
|
||||
remainder of the day, and it was going cheap.</p>
|
||||
|
||||
<p>Donny's enterprise elicited few questions, but one was enough. The trouble was that he had kept back a bottle
|
||||
for himself and was taking slugs from the bottle every time he did a deal, so by dinnertime he was half
|
||||
drunk and when the sun was over the old bridge upstream, with the whole crate gone, he was well over the
|
||||
line.</p>
|
||||
|
||||
<p>"I hear it's good stuff," Cullen said.</p>
|
||||
|
||||
<p>"You'd better go find out," Ferguson told him. "Anything that gets sold down here, I get to know about it. I
|
||||
don't remember giving anybody a franchise. Whoever's dealing pays double community tax."</p>
|
||||
|
||||
<p>Cullen and Foley bumped into Franky Hennigan's drinking buddy Tig Graham who was in the shadow under the
|
||||
bridge and took the bottle off him, which was easier said than done, because any time Tig had a bottle of
|
||||
anything he held onto it with ferocious determination and it took a couple of dull ones on the ribs to make
|
||||
him loosen his grip. Seggs Cullen poured some into the empty can of coke, rather than put his lips to the
|
||||
neck of the same bottle Tig had been drinking out of.</p>
|
||||
|
||||
<p>"That's the business," he said, while Tig struggled with Foley to get close and snatch it back. It was no
|
||||
contest. Wiggy Foley was slab-like and lived on beer and burgers, while for Tig, solid food was only an
|
||||
irregular necessity.</p>
|
||||
|
||||
<p>"Where did you get this?"</p>
|
||||
|
||||
<p>"Bought it this morning. There was a rush on."</p>
|
||||
|
||||
<p>"How much?"</p>
|
||||
|
||||
<p>"What's it to you?"</p>
|
||||
|
||||
<p>Cullen held the bottle out beyond the walkway railing and poured a golden drizzle in to the deep fast
|
||||
current.</p>
|
||||
|
||||
<p>"Okay, okay, I'll tell you. It cost me a five spot. It's class stuff."</p>
|
||||
|
||||
<p>"How would you know, Tig? You'd drink watery shite out of my dirty boxers, wouldn't you?"</p>
|
||||
|
||||
<p>"Come on guys. Away and buy your own. He's still down there at the end of the quay."</p>
|
||||
|
||||
<p>"Who's dealing?"</p>
|
||||
|
||||
<p>"Some young fella from Drymains. Forget his name. Ginger-headed lad. Come to think, he might be one of Skid
|
||||
Watson's boys."</p>
|
||||
|
||||
<p>Cullen looked at Foley and Foley grinned back.</p>
|
||||
|
||||
<p>"Bingo," he said. They jumped back in the van, sped round River Street and came down the Barley Cobble at the
|
||||
far end of the quay half a mile away near the river mouth. They picked up Donny Watson as he sat on an old
|
||||
worn capstan, with half a bottle of the moonshine still in his bag and a wad of notes in his hip pocket.</p>
|
||||
|
||||
<p>"Where did you get this?"</p>
|
||||
|
||||
<p>Donny had tried to fight them off, but he was no scrapper and his co-ordination left him swinging at fresh
|
||||
air. After the last beating down the lane he remembered the pain of the bruises and the cracked ribs and
|
||||
that recollection took the heart and fight out of him as much as anything else.</p>
|
||||
|
||||
<p>Wiggy Foley dragged him into the back of the van and casually slapped him around while Cullen held him in a
|
||||
head-lock. After that Foley sat on him and the doors slammed and no matter how hard Donny tried, he couldn't
|
||||
move.</p>
|
||||
|
||||
<p>When the doors opened again he was in Whitehead's scrap yard. You could tell by the smell of rusty and oil
|
||||
and burning cable, and the sounds of hammers and wrenches and angle cutters on old metal. They were far down
|
||||
one of the lanes, bounded on either side by stacks of bent cars. Foley dragged him out the back and into the
|
||||
big shed. Cullen slammed the door shut.</p>
|
||||
|
||||
<p>"I hear you're in business," Ferguson said. He had his feet up on an old metal desk that bore a couple of
|
||||
battered biscuit tins and big black welding mask. The chair was tilted back. Over by the wall, a crumpled
|
||||
BMW stood up on bricks. Cullen had come in first before Foley had brought him out and the half-empty bottle
|
||||
from Donny's bag now stood on the surface beside the tins.</p>
|
||||
|
||||
<p>"And it's class merchandise."</p>
|
||||
|
||||
<p>Donny said nothing.</p>
|
||||
|
||||
<p>"Not like you, Ginger, is it? Most of the time you're running off at the mouth like a burst main, am I
|
||||
right?"</p>
|
||||
|
||||
<p>"I got nothing to say to you, Ferguson."</p>
|
||||
|
||||
<p>"Oh really. You really reckon?"</p>
|
||||
|
||||
<p>Donny shook his head.</p>
|
||||
|
||||
<p>"You're going to tell me what the fuck this is." He nudged the bottle with his foot. It teetered dangerously
|
||||
and then righted itself.</p>
|
||||
|
||||
<p>"Piss off," Donny said. His eyes flicked left and right, trying to see a way out of this. He'd been down here
|
||||
often enough with Jed and Neil, looking for parts for the stock cars, to know he was at the far end of the
|
||||
yard. The chances of making it through the warren of aisles to the big gate were between zero and damn all,
|
||||
even if he could fight his way out of the shed. A trickle of sweat started between his shoulder blades and
|
||||
worked its way down.</p>
|
||||
|
||||
<p>"Fighting talk," Ferguson said without even raising his voice. He sniggered. "You'll have met Mr Foley. He's
|
||||
just out of Barlinnie Jail, you'll have heard. Armed robbery and grievous bodily harm. He's trying to mend
|
||||
his ways, but it's never easy is it? And by the way, when I say grievous, I mean really fucking brutal, know
|
||||
what I'm saying? Desperate stuff."</p>
|
||||
|
||||
<p>Ferguson looked at him, squat and weasel eyed. </p>
|
||||
|
||||
<p>"Everybody wants to get into business these days. But, son, you know you can't go selling without a license,
|
||||
am I right? Anybody deals down the riverfront, they got to come and see me."</p>
|
||||
|
||||
<p>"You don't own the place. I can do what I like."</p>
|
||||
|
||||
<p>"You would think that, wouldn't you? But you still owe me one from the golf course."</p>
|
||||
|
||||
<p>"Oh yeah, and I've got Deja Moo: I've heard all this bullshit before." Despite everything, Donny's mouth
|
||||
broke free and was off on its own.</p>
|
||||
|
||||
<p> "Don't try and get smart with me." Ferguson's eyes glinted with irritation.</p>
|
||||
|
||||
<p>"Am I getting smart with you? ....How the hell would you know?</p>
|
||||
|
||||
<p> Ferguson shook his head. He raised an eyebrow, let his eyes drift to Foley, lowered them. Foley hit Donny a
|
||||
fast one in right the kidney and the shock of pain dropped him like a sack. Ferguson waited until he'd
|
||||
slowly got back to his feet again, using the desk for leverage, gasping painfully for a breath.</p>
|
||||
|
||||
<p>"You would think you can do what you like and say what you want, but you better get real. You know the score
|
||||
and I know the score so you and me, we're going to stop fannying around. I don't have the time. So," he
|
||||
tapped the bottle again. "unless you want more of the same, let's try again. Here's you doing a brisk trade
|
||||
down on the quay, and we find out it's not the usual dregs that's been siphoned out of a barrel. I should
|
||||
know. They serve this at the golf club and they charge you less for Glen Grant and if you swirl it around it
|
||||
dries up before you even get a taste. And now you're selling it out of soda bottles and drinking it by the
|
||||
pint."</p>
|
||||
|
||||
<p>He took his feet off the old desk and let the chair fall forward.</p>
|
||||
|
||||
<p>"Give him a spin," he said. Cullen put a meaty hand on Donny's back and slammed him forward over the surface.
|
||||
He patted him down quickly and fished the notes from his pocket. Ferguson counted them, slipped off about
|
||||
half and chucked the rest back.</p>
|
||||
|
||||
<p>"Don't say I'm unreasonable. You don't pay the tax, you get to pay double. But I'm an honest man, so you get
|
||||
to keep the rest."</p>
|
||||
|
||||
<p>"Thanks a million," Donny grunted. He felt as if something had burst inside. He urgently needed to piss.</p>
|
||||
|
||||
<p>"So where were we? Yes. You're doing a turn on hooch, and it's no fucking moonshine. Now what I want to know,
|
||||
is where did you get this?"</p>
|
||||
|
||||
<p>"He works in the place," Cullen put in. Ferguson froze, slowly turned to face him and Cullen's eagerness
|
||||
vanished. Ferguson stared hard for an uncomfortable stretch.</p>
|
||||
|
||||
<p>"I want to ask you, you'll hear me ask you, right?"</p>
|
||||
|
||||
<p>Cullen backed right off, two or three steps. Even Foley shifted his stance and Donny sensed the tension
|
||||
suddenly rack up tight. He began to sober up very fast. If Foley was scared of Ferguson, that made Ferguson
|
||||
even worse than that lunatic. Outside, the angle grinder shrieked like a pig in the slaughterhouse. The
|
||||
smell of burning rubber and plastic was thick on the air. The money lay untouched in a crumpled heap.
|
||||
Ferguson lit a cheroot.</p>
|
||||
|
||||
<p>"Just to recap, in case anybody forgot where we were, here's you selling some prime brew, and here's me
|
||||
wondering where you got three gallons of Grade A, single malt."</p>
|
||||
|
||||
<p>He turned to Cullen and Foley. "You wouldn't recognise this because you've got no class and no style, but
|
||||
this is definitely the bees knees. The real McCoy. You ever watch the fuckin news? Read the papers? Some
|
||||
team of hot-shot bandits just swiped a distillery load of the stuff that's been lying there since the
|
||||
seventies, since Noddy Holder was wearing platforms and Elton John still had his own head of hair. No
|
||||
offence Wiggy."</p>
|
||||
|
||||
<p>Donny swallowed hard in a dry throat. Ferguson turned back to him.</p>
|
||||
|
||||
<p>"Not that I think you've got half the brains or half the bottle, Skid, but I have to ask the fuckin question,
|
||||
don't I? Where the fuck did you get this?"</p>
|
||||
|
||||
<p>"Fuck off, arsehole" Donny said, unable to stop his mouth spitting out the words. As soon as they were past
|
||||
the retrieval stage he felt a sudden clench of fear in his stomach. </p>
|
||||
|
||||
<p>Ferguson flicked his cigarette at him. It whirred in the air and caught him just under the eye. Sparks flew
|
||||
and little needles of fire stabbed at his skin.</p>
|
||||
|
||||
<p>"Now, we can do this the hard way, or the <em>very</em> hard way. And after that we can do it in ways you
|
||||
don't fuckin' want to think about. Bobby Whitehead's got a fuckin' monster crusher out there. Put you in
|
||||
that old car and you're gone for good and we let his Alsatians lick up what leaks out."</p>
|
||||
|
||||
<p>Donny's knees started to tremble and without warning the image of Jack and the others down at the boatyard
|
||||
swam into his memory. They had all stared him down when Jack had told them about the fish. </p>
|
||||
|
||||
<p><em>Bastard, Jack. You got me into this!</em></p>
|
||||
|
||||
<p>"So I'll ask you one more time. Where the fuck did you get it?"</p>
|
||||
|
||||
<p>"I found it," Donny's voice was shaky.</p>
|
||||
|
||||
<p>"Sure you did. And I'm Mother fuckin' Theresa." Ferguson heaved himself off the chair and turned away, bent
|
||||
and picked up a piece of equipment on the floor nearby. He held it up to Donny.</p>
|
||||
|
||||
<p>"A sticky situation," he said. "That's what you're in. Just you watch this."</p>
|
||||
|
||||
<p>He picked out big sixteen-mil bolt from a box on the table and rolled it across the surface. With the same
|
||||
hand, he lifted the welder's mask and slipped it on. He held the nozzle, pressed the little trigger and
|
||||
touched the thin wand of the arc-welder to the bolt. Bright blue sparks fountained into the air in a hot
|
||||
sizzle and the bolt jerked across the desk as if it was alive. Donny pulled back to protect his eyes. Foley
|
||||
slammed him forward.</p>
|
||||
|
||||
<p>"You get this stuck on your prick and you'll stick to anything." He grinned. "How would you like to be the
|
||||
Rolls Royce lady? I can weld your balls to the hood of that Beamer.</p>
|
||||
|
||||
<p><em>Jack, you bastard. </em>Resentment and fear tussled for dominance. <em>Jesus, Jack I need you now.</em>
|
||||
</p>
|
||||
|
||||
<p>"Now what can you tell me?"</p>
|
||||
|
||||
<p>"I found it. Honest."</p>
|
||||
|
||||
<p>The wand touched the bolt. It was only inches away from Donny's groin. Foley kept him pressed forward. </p>
|
||||
|
||||
<p>Ferguson hit the trigger and pressed it straight down, jamming the bolt against the metal surface. A volcano
|
||||
of sparks shot upwards and the hot air screeched. A shock of heat blasted through Donny's denims and he let
|
||||
out a strange high squeak. Little metallic rivulets skittered silver across the surface.</p>
|
||||
|
||||
<p>"How many inches can this get through?" Ferguson asked. Blinding afterimages danced in Donny's vision. The
|
||||
big bolt was white hot, all the rust cascading off like falling stars</p>
|
||||
|
||||
<p>"Ever smell human flesh roast? It's like pork, they tell me. Long Pig<em>.</em>"</p>
|
||||
|
||||
<p>He turned off the power.</p>
|
||||
|
||||
<p>"You know how much it was worth? Three million, maybe four. And you know something else? Trust me Skidmark,
|
||||
for that kind of dough, I'd skin my old granny alive. You're going to tell me."</p>
|
||||
|
||||
<p>And he did.</p>
|
||||
|
||||
<p>Angus Baxter was quick on the uptake and he hauled Andy Kerr in for another session of questions and answers.
|
||||
It was all over town and when Jack heard it, he had to bite down hard on the surge of guilt. Andy's business
|
||||
was down the drain and everybody was beginning to think he'd nicked his own tankers for the insurance. He
|
||||
was even greyer now than he had been when he'd called them all into the meeting.</p>
|
||||
|
||||
<p>"He's like a dead man walking," Jed said. "Honest man, I wouldn't be surprised if he goes and tops
|
||||
himself."</p>
|
||||
|
||||
<p>Jack had heard that Baxter had put two and two together and come up with four. If he hadn't heard, the news
|
||||
on Radio Clyde was fairly explicit.</p>
|
||||
|
||||
<div class='block'>Police now believe that the two tankers stolen from Levenford Dairy may have been used in the theft
|
||||
of the twenty five thousand gallons of Scotch whisky from Aitkenbar Distillery.
|
||||
</div>
|
||||
<div class='block'>It is now thought that a gang of professional thieves were involved in the daring, highly organised
|
||||
robbery.
|
||||
</div>
|
||||
<div class='block'>But CID sources reveal that inside accomplices are still being sought, and staff in both companies
|
||||
are being questioned.
|
||||
</div>
|
||||
<p>CID sources, Jack sneered. Just big Baxter putting out propaganda, trying to put the wind up. He'd know there
|
||||
had to be some local involvement.</p>
|
||||
|
||||
<p>"I feel sorry for Andy," Jed said. They were on the boat again, five of them, down the end of the yard.
|
||||
Nobody could find Donny, and he wasn't at home. "The cops think he was involved and the dairy's down the
|
||||
tubes. He's going to lose it and we've dropped him in the shite."</p>
|
||||
|
||||
<p>"He was going to lose it anyway. The finance company owned the tankers."</p>
|
||||
|
||||
<p>"That's a bit callous," Jed countered. Neil agreed, but Ed and Tam said nothing. They knew they had come too
|
||||
far. There was nothing they could do for Andy Kerr, no matter what they thought.</p>
|
||||
|
||||
<p>"What do you want me to say? What <em>can</em> I say? The tankers were no good to Andy. He told me that
|
||||
himself, said he was going to get second hand wheels and give these back. We just did it a day early, that's
|
||||
all."</p>
|
||||
|
||||
<p>"I was just saying..." Jed started. Jack snapped at him.</p>
|
||||
|
||||
<p>"Just don't say, all right? We've done this. Okay, sure, Andy's a good bloke. I know that. I'll fix it so
|
||||
nothing happens to him, but we just need a couple of days. There's been a delay."</p>
|
||||
|
||||
<p>Neil pounced on that. "What delay?"</p>
|
||||
|
||||
<p>Lars had contacted Jack on the mobile later in the day, about an hour before Ferguson's heavies picked Donny
|
||||
up on the quayside.</p>
|
||||
|
||||
<p>"The screw, that they fix okay. Did good work too. But the engineer, he found in the testing, a bend on the
|
||||
shaft."</p>
|
||||
|
||||
<p>"So what does that mean?"</p>
|
||||
|
||||
<p>"It gives a vibration and metal fatigue. After a while the heat causes the shaft to crack. They say they can
|
||||
take it out and replace. That's what they are doing just right now. But now I need four more days."</p>
|
||||
|
||||
<p>"Four days? Lars, that's much too much. We were ready to roll."</p>
|
||||
|
||||
<p>"I know <em>Yack.</em> Me too. But if the shaft goes out there on the North Sea, that is bad news."</p>
|
||||
|
||||
<p>"Okay. I'll have to think of something."</p>
|
||||
|
||||
<p>Four days. Like Donny always said, every silver lining had a big grey cloud inside it. Four days would have
|
||||
been fine if it hadn't been for Donny's stupid bloody rainbow trout in a trickle of water, and the fact that
|
||||
big Angus Baxter spent any off duty hours fly fishing on the Endrick and the Fruin rivers. He knew what fish
|
||||
looked like. Because Donny had lost a piece of Kate's artwork from the tankers, Baxter had made the
|
||||
connection between them and the job, and that mean the whole of the force would be scouring the country for
|
||||
the big Fruehaufs.</p>
|
||||
|
||||
<p>"Where's Donny?"</p>
|
||||
|
||||
<p>"He's not home. I checked Mac's and he's not there either."</p>
|
||||
|
||||
<p>Jack had initially formed the idea that he'd give him a going over for the lost logo, but now he just wanted
|
||||
them all together, pulling together.</p>
|
||||
|
||||
<p>"He took the huff with you," Neil said. </p>
|
||||
|
||||
<p>"What for?"</p>
|
||||
|
||||
<p>"You put him through the blender. He was well pissed off."</p>
|
||||
|
||||
<p>Jack put his head in his hands. There were too many things to do than get bogged down in this.</p>
|
||||
|
||||
<p>"Okay. Let's find the daft bugger and give him a big hug. I'll talk to him and make him feel better, right?
|
||||
It's not the end of the world."</p>
|
||||
|
||||
<p>But Baxter knew about the tankers and the logo. Sooner or later he'd really start asking a lot of questions
|
||||
and they had to be well out of this town before he got some answers.</p>
|
||||
|
||||
<p>"Keep your eye on the job and keep steady. The only thing that's going to kill us is if we lose our nerve
|
||||
now."</p>
|
||||
|
||||
<p>He knew nothing about Gus Ferguson and what he was doing to Donny.</p>
|
||||
|
||||
<p>The interdict was slapped on Aitkenbar Distillery at four thirty on the Friday afternoon and that left Sproat
|
||||
no time at all to counter it that weekend. He put a call in to Jamieson on the council and caught him just
|
||||
as he was leaving the chamber for a weekend break.</p>
|
||||
|
||||
<p>"Who the hell are these people?"</p>
|
||||
|
||||
<p>"Charter 1315? I told you, just a bunch of locals," Jameson Bell tried to assure him. </p>
|
||||
|
||||
<p>"But I thought you said you had it sorted?"</p>
|
||||
|
||||
<p>"How was I to know they'd interdict? I never thought they had the finances."</p>
|
||||
|
||||
<p>"You've got a whole team of lawyers down there. Good god man, they say they own the whole damned river and
|
||||
they got that information from your damned library?"</p>
|
||||
|
||||
<p>"It appears so," Bell said. "It's a public library. The documents go back centuries."</p>
|
||||
|
||||
<p>"They can go back to the age of the fucking dinosaurs for all I care. What I want to know is what you are
|
||||
going to do about this."</p>
|
||||
|
||||
<p>"There's not much I can do. They've hired Kerrigan Deane, and he's no slouch."</p>
|
||||
|
||||
<p>"He's slapped an interdict on me. It prevents me reclaiming the river land."</p>
|
||||
|
||||
<p>"And he's taking us to the court of Human Rights. In Strasbourg for Christ's sake. They're now demanding that
|
||||
we defend their rights under the Bruce Charter, and prevent you dumping the building into the river
|
||||
basin."</p>
|
||||
|
||||
<p>"You can tell them to get stuffed." Sproat's voice was rising. He was losing his cool. Out in the vestibule,
|
||||
Marge Burns listened to the conversation with her hand over the mouthpiece.</p>
|
||||
|
||||
<p>Bell sighed. "I really wish it were as easy as that."</p>
|
||||
|
||||
<p>"What could be simpler? <em>I</em> fund your party and <em>you</em> make sure I don't get shafted. Which I am
|
||||
most definitely getting. Totally and completely."</p>
|
||||
|
||||
<p>"Well, they seem to have got the public fired up about this. And there's an election coming up in three
|
||||
months time. I can't just tell them to bugger off now, can I? It would be suicide."</p>
|
||||
|
||||
<p>Sproat spluttered into the phone. The Charter 1315 protesters had somehow raised the money to get Kerrigan
|
||||
Deane to fight their corner and it would cost him an arm and a leg to get the interdict lifted.</p>
|
||||
|
||||
<p>"So what are you telling me? You're going to back them?"</p>
|
||||
|
||||
<p>"I might have no choice in the matter. Our legal people think they might have a case."</p>
|
||||
|
||||
<p>"Nonsense. I told you, all this land and the river have been owned by my family for nearly two hundred years.
|
||||
I'll be damned if I let a bunch of unwashed hippies tell me what to do. And as for you, you damned spineless
|
||||
cretin, you better think of something. If I can't infill the basin, I can't reclaim the land, and that means
|
||||
Trading Estates will pull out of the mall development. That happens and you can forget any funding forever.
|
||||
That happens and everybody gets to know about all of it, you got me? All the brown envelopes. Let me give
|
||||
you a for instance, shall I?</p>
|
||||
|
||||
<p>"I hear you," Bell said dryly. "I really think there's no need to make threats. I really don't see what I can
|
||||
do. There's not much I <em>can</em> do in the face of public opinion."</p>
|
||||
|
||||
<p>"You just wait and see what opinion the public gets, you treacherous shit." Sproat was almost frothing at the
|
||||
mouth. "If you won't do it, I'll find someone who will. And believe me, I'll break <em>you </em>into the
|
||||
bargain."</p>
|
||||
|
||||
<p>He slammed the phone down and on the far side of the door, Marge Burns eased the receiver onto the
|
||||
cradle.</p>
|
||||
|
||||
<p>"Marge," Sproat bawled, his voice strangely high and tight. He sounded as if something had burst in his
|
||||
throat. </p>
|
||||
|
||||
<p>"Get me Michael Gabriel. I want to speak to that Italian client of his."</p>
|
||||
|
||||
<p>"Mr D'Angeli?"</p>
|
||||
|
||||
<p>"Him. Right away."</p>
|
||||
|
||||
<p>Kate could hardly believe the letter from Kerrigan Deane. It had come in the post, right out of the blue on
|
||||
the Tuesday morning, addressed to her personally.</p>
|
||||
|
||||
<div class='block'>Dear Miss Delaney</div>
|
||||
<div class='block'>We have been instructed to offer our services to the Bruce Charter 1315 organisation of which, we
|
||||
are reliably informed, you are a key member.
|
||||
</div>
|
||||
<div class='block'>Our client, who wishes to preserve anonymity, has supplied us with a study and complete historical
|
||||
background to the protest and the ramifications of infilling the tidal basin in Levenford. Our client has
|
||||
financed such action as is necessary to counter these proposals by way of injunction or interdict against
|
||||
any and all parties involved, such funding being sufficient to cover our estimated legal and court costs.
|
||||
</div>
|
||||
<div class='block'>You have been nominated to us as representative of Charter 1315 and as such, we would require you to
|
||||
speedily obtain the consent of your organisation to enable us to immediately apply for interdict in the
|
||||
first instance and to prepare a legal case.
|
||||
</div>
|
||||
<div class='block'>We eagerly await your instructions in this matter.</div>
|
||||
|
||||
<p>She stared at the letter for five minutes, letting her morning coffee grow cold, hardly able to comprehend
|
||||
what she had read. Finally she picked it up again, folded it carefully, and put it back in the envelope.</p>
|
||||
|
||||
<p>"This is what we needed, Jack Lorne," she said aloud. "<em>Real </em>action."</p>
|
||||
|
||||
<p>She pushed her chair back and found her summer jacket and stepped out into the sunshine. She would show him
|
||||
the letter that could help scupper Crichton and save the jobs at Aitkenbar</p>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
558
build/Full Proof/OEBPS/ch19.xhtml
Normal file
558
build/Full Proof/OEBPS/ch19.xhtml
Normal file
@ -0,0 +1,558 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>19</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>19</h1>
|
||||
|
||||
<p>They had to move the stuff and fast. It should have been out of Levenford by now, long gone, but for the fact
|
||||
that the engineers had found a bend in the prop shaft of the Valkyrie and that set Lars back at least four
|
||||
days. Four days in the rising heat of the town was four too long as far as Jack was concerned. Big Angus
|
||||
Baxter was good and eventually he’d come sniffing around. No doubt at all about that now.</p>
|
||||
|
||||
<p>They just had to be clean and clear when he did.</p>
|
||||
|
||||
<p>"They'll find the tankers," he told Jed and Ed on the way out towards the east of town to pick Tam up. He
|
||||
wanted a lift with his tools for a weekend home job. He always kept his eye on the next contingency in case
|
||||
the big plan fell on its face. In his view, that was not an unlikely scenario.</p>
|
||||
|
||||
<p> "It's a miracle they've not been discovered before now, so we'll have to find somewhere else to stash the
|
||||
stuff."</p>
|
||||
|
||||
<p>"Easier said than done," Ed said. "The only place to put it is in another couple of tankers."</p>
|
||||
|
||||
<p>"We could pump it back and hope they don't notice," Jed offered and they all laughed, but they knew they were
|
||||
in trouble.</p>
|
||||
|
||||
<p>"We need to store it for a couple of days. Eventually Baxter will get round to checking out every twelve
|
||||
wheeler that comes in and out of the place. The decoys are good, but if anybody looks under those
|
||||
tarpaulins, then we're all down the tubes."</p>
|
||||
|
||||
<p>Jed turned the beat-up yellow Skoda in at the far side of the building site where a whole block of little
|
||||
brick houses were being thrown up on the wide flat wasteland of the old engineering factory that used to
|
||||
employ three thousand souls in its heyday. Most of the site workers were clocking off early for the
|
||||
weekend.</p>
|
||||
|
||||
<p>"Where is he? I told him to be ready to move."</p>
|
||||
|
||||
<p>A couple of dirt-encrusted cars passed by in convoy on the access road as the workers clocked off, sending up
|
||||
little whirlwinds of dust and grey cement powder.</p>
|
||||
|
||||
<p>"I know where he'll be," Jack said. "I caught him skiving with a couple of noodie books the last time I was
|
||||
here."</p>
|
||||
|
||||
<p>He pointed over to the enclosure where the big moulded-resin tanks were stacked like monstrous children's
|
||||
blocks.</p>
|
||||
|
||||
<p>They piled out of the car and went across the strip of ground. Most of the joiners and brickies were gone by
|
||||
now, leaving that distinct unfinished building site smell of tar and cut wood and diesel oil. Jack and Ed
|
||||
carefully climbed up on the giant staircase of the tanks and peered down.</p>
|
||||
|
||||
<p>"Bowie, you're <em>fired</em>," Ed bawled, and Tam came awake with a dreadful start.</p>
|
||||
|
||||
<p>"What the fu....?"</p>
|
||||
|
||||
<p>They burst out laughing and jumped down into the hollow where Tam had been napping.</p>
|
||||
|
||||
<p>"Rip van Bowie," Ed said. "You could sleep standing up."</p>
|
||||
|
||||
<p>"So would you if you worked as hard as me." Tam rubbed his eyes. One side of his face was bright red where it
|
||||
had faced the sun and that told them he'd been bunking off in the makeshift shelter for most of the
|
||||
afternoon.</p>
|
||||
|
||||
<p>"Lazy git. No wonder you can never get a plumber when you need one."</p>
|
||||
|
||||
<p>They clambered back up and over the pile and down to where Jed waited in his stock-car.</p>
|
||||
|
||||
<p>"Don't tell me," he said. "He was zedding it, right? Out for the count."</p>
|
||||
|
||||
<p>"You could hear the snores across town." Jed started the engine and the pair of them piled in the back. Jack
|
||||
had turned back and was facing in the opposite direction. Jed gave the horn a toot.</p>
|
||||
|
||||
<p>"Has he lost something?"</p>
|
||||
|
||||
<p>Jack slowly swivelled and came back to the car.</p>
|
||||
|
||||
<p>"Tam. What's the score with this place at the weekend? Is it busy?"</p>
|
||||
|
||||
<p>"No. Maybe a couple of roofers and glaziers on the other side, and some of the plasterers will get some
|
||||
double time on the houses that are nearly finished. Everybody else will be at the match."</p>
|
||||
|
||||
<p>Ed came out of the car and stood beside him.</p>
|
||||
|
||||
<p>"You've got that look in your eye again."</p>
|
||||
|
||||
<p>"I think I've just seen the answer to the problem." For the first time that day, Jack Lorne seemed to be
|
||||
happy about something.</p>
|
||||
|
||||
<p>"And we might just get away with it."</p>
|
||||
|
||||
<p>Old Tim Farmer came back two hours past midnight on the Saturday morning and almost gave Ed Kane a heart
|
||||
attack. That was after Donny showed up and after five of them had sneaked into the transport park and got
|
||||
the disguised tankers out through the big gates.</p>
|
||||
|
||||
<p>Donny was in a real mess.</p>
|
||||
|
||||
<p>The found him soaked to the bone and limping up the towpath, one side of his face swollen to twice its normal
|
||||
size and a shirt stained a deep rosy pink where the blood had washed into it. "What the hell happened to
|
||||
you?" Ed had asked, stopping him on the track. "You look like you walked in front of a bus?"</p>
|
||||
|
||||
<p>Donny tried to keep walking, tried to turn away so they wouldn't see the bruises. Jack put an arm round his
|
||||
shoulder and felt him shiver violently despite the mildness of the evening.</p>
|
||||
|
||||
<p>He groaned at the pressure.</p>
|
||||
|
||||
<p>"Come on, Don. What's the score?"</p>
|
||||
|
||||
<p>"Bastards," Donny grunted, chittering with the chill.</p>
|
||||
|
||||
<p>Jack and Ed got him into the van and took him straight to Sandy's house.</p>
|
||||
|
||||
<p>Foley had hit him, back of the knuckle stuff, hard on the mouth, and his lip had split like a ripe tomato.
|
||||
Cullen had him by the hair, pulling his head back so that his face was an easy target. Ferguson still held
|
||||
the welder's wand, clicking the trigger on and off.</p>
|
||||
|
||||
<p>"So you and your teardrops swiped a tank-load of whisky, but you don't know where it is, that's what you're
|
||||
telling me?"</p>
|
||||
|
||||
<p>Donny tried to nod against the tight burn of Cullen's grip.</p>
|
||||
|
||||
<p>Foley slapped him again, easy meaty thuds. Ferguson touched the wand to the table and made the bolt leap in a
|
||||
bluster of sparks.</p>
|
||||
|
||||
<p>"I'll put your fucking eye out with this."</p>
|
||||
|
||||
<p>"Stick his head in the vice," Foley said. "You see Goodfellas? Put his head in and turned the handle. His
|
||||
fucking eye popped out. It would give you the puke."</p>
|
||||
|
||||
<p>Ferguson turned to Foley, momentarily diverted. He stared at him a while.</p>
|
||||
|
||||
<p>"That was Casino," Cullen said.</p>
|
||||
|
||||
<p>"What the fuck is wrong with your mouth? You want to put a zip on it. Maybe a padlock, even. Christ, I can
|
||||
weld your trap shut just as quick."</p>
|
||||
|
||||
<p>They made no reply. This was Ferguson's show.</p>
|
||||
|
||||
<p>"You and that smart cunt Jake Lorne and a bunch of losers. You hooked into Aitkenbar and went walkabout with
|
||||
a tank of high tension and you don't fucking know where it is?"</p>
|
||||
|
||||
<p>"No. Honest to god," Donny was panting against the pain and the taste of blood at the back of his throat.
|
||||
"Jack said it was need to know stuff. Just in case we got caught. It was just him. Christ knows where it is
|
||||
now."</p>
|
||||
|
||||
<p>Ferguson sparked the gear. The sizzle reflected in his eyes.</p>
|
||||
|
||||
<p>"You want me to pop a ball for you? That what you want?"</p>
|
||||
|
||||
<p>Donny shook his head, despite the hurt it cost. "God's honest. He just drove it away."</p>
|
||||
|
||||
<p>"So where did you get the stuff you were trading down the quayside?"</p>
|
||||
|
||||
<p>"In the drain. I stuck a big plastic bottle down there. All the rest was going to go in the river, so I just
|
||||
took some. The others never knew. It was just a bit extra."</p>
|
||||
|
||||
<p>Ferguson turned to the heavies. "See you guys? You never think of a scam like that. All muscle and gristle
|
||||
you are. Right. Get him out of here and make sure he keeps that trap shut."</p>
|
||||
|
||||
<p>He leant over the old desk top and jammed the metal up close to Donny's face. The smell of burned metal was
|
||||
sour and heavy.</p>
|
||||
|
||||
<p>"I see you again, Ginger pubes, and you get this torch up your arse. I'll cure your constipation for good,
|
||||
know what I mean? I hear you've blabbed, the same goes."</p>
|
||||
|
||||
<p>Cullen hauled him backwards. Donny grunted. Ferguson held a hand up.</p>
|
||||
|
||||
<p>"Oh, now that I remember. Who's the Irishman?"</p>
|
||||
|
||||
<p>"What Irishman?"</p>
|
||||
|
||||
<p>Foley slapped him casually. "Mr Ferguson asks the questions. You do the answers."</p>
|
||||
|
||||
<p>Donny held his breath, scared to talk, scared not to.</p>
|
||||
|
||||
<p>"Who's the fucking Irishman who backed him up against me. The one with the shooter? What is he? IRA? UDA?
|
||||
Family or what?"</p>
|
||||
|
||||
<p>"I don't know any Irishman," Donny said truthfully. "He never told me."</p>
|
||||
|
||||
<p>"Keeps you well in the dark, does our Jake. More need-to-know stuff? I find out you're lying and you won't
|
||||
like what I'll do to you. Got the picture?"</p>
|
||||
|
||||
<p>They slammed him in the van again and Foley got in with him while Cullen drove out of the yard and along to
|
||||
the station on the west side of town before taking the curve of the road that went down towards the river
|
||||
and the little warren of streets and alleys off the main drag. It was late and it wasn't quite dark, though
|
||||
the sun was low and just behind the Cardross hills out to the west. Down by the river it was shadowed and
|
||||
silent.</p>
|
||||
|
||||
<p>Foley hauled him out and the pair of them dragged him, a hand clamped over his mouth, along the old cobbles
|
||||
to the shadow under the bridge where they had come across Tig Graham drinking the whisky. </p>
|
||||
|
||||
<p>Cullen pushed him back against the railing, shoving so hard he thought he heard his spine creak with the
|
||||
pressure. Foley dug fast knuckles right into his belly and all the air exploded out. The punch drove in
|
||||
against skin and flesh stretched taut and Donny felt something rip. He grunted, unable to cry out and Foley
|
||||
hit him again, hooking up between his legs, catching him right on the left testicle. The explosion of pain
|
||||
was so sudden, so great, that Donny's teeth clenched together in a violent spastic snap.</p>
|
||||
|
||||
<p>Cullen's fingers just happened to be in the way and the teeth crunched right to the bone.</p>
|
||||
|
||||
<p>He let out a howl that echoed all across the river and reverberated from the unseen bridge arches, and Donny
|
||||
felt the fingers drag out from his teeth. A new taste of blood hit his tongue.</p>
|
||||
|
||||
<p>"You bastard!" Cullen's other arm slammed against his shoulder. "Fucking bit me."</p>
|
||||
|
||||
<p>The blow was just enough. Donny was bent so far over the rail that the force against his shoulder just tipped
|
||||
the balance. For a moment another huge screech of pain twisted in his back just above the thin part at his
|
||||
pelvis and then his legs were in the air, feet lifting higher and he toppled towards the water.</p>
|
||||
|
||||
<p>"Get him," Cullen bawled. Foley snatched for the rising legs, got a hand to an ankle. Cullen's free hand, the
|
||||
one that wasn't now between his own teeth, being sucked tenderly, caught Donny by the calf, but not fast
|
||||
enough, not tightly enough. Donny was up and over sliding down the hand-smoothed railing bar. Something
|
||||
gripped him at the heel and he felt his weight stop and judder. </p>
|
||||
|
||||
<p>"Weighs a fucking ton," Foley growled. Another hand made a grab for Donny's knee and Donny kicked out at it,
|
||||
squirming, suddenly desperate to get away at all costs. His flailing heel caught Foley right on the eye and
|
||||
raised a grotesque soft bruise that instantly purpled. Foley grunted, swore, hauled at him.</p>
|
||||
|
||||
<p>His boot came off. It just popped off as Foley tried to drag him up and over the bar and Donny's own momentum
|
||||
carried him down, tumbling into the dark.</p>
|
||||
|
||||
<p>He hit the water with a numbing crack and five feet below that, drove into the silty bed with a soft,
|
||||
smothering squeeze and for a moment all movement stopped.</p>
|
||||
|
||||
<p>"Where'd he go?"</p>
|
||||
|
||||
<p>"Fucked if I know."</p>
|
||||
|
||||
<p>The fading sun didn't reach under the bridge. Ten feet below them, the water at flow tide was dark, almost
|
||||
black. The sounds of the splash faded away and the fast current carried the foam and ripples down with
|
||||
it.</p>
|
||||
|
||||
<p>"He'll drown," Cullen said.</p>
|
||||
|
||||
<p>"I could care less."</p>
|
||||
|
||||
<p>"Don't come the cunt, arsehole. He kicks it and we're in the shit."</p>
|
||||
|
||||
<p>"Not me. Never saw him, don't know him. Never met him."</p>
|
||||
|
||||
<p>"Well, for a start, you better get rid of that fucking boot."</p>
|
||||
|
||||
<p>Foley looked at it, shrugged, let it fall into the water.</p>
|
||||
|
||||
<p>"Will that do?"</p>
|
||||
|
||||
<p>"You better be right."</p>
|
||||
|
||||
<p>Down in the water all he could hear was the ripple of the current over the bricks and stones and bottles,
|
||||
thrown in by generations of drunks and small boys. Above him a thin crescent moon wavered in and out of
|
||||
existence, and as the motion turned him over, he saw the two dark shapes leaning out from the rail, until
|
||||
the fine silt of his impact rose in a cloud and obscured everything. The river rolled him down along the
|
||||
slick side of the quay wall. For a second his one boot snagged on a brand new supermarket trolley, but he
|
||||
was too numbed to panic. The boot came free and he drifted out from under the bridge moving faster as the
|
||||
flow quickened. His groin ached and his back hurt, but the chill was leaching the pain away and down here in
|
||||
the dark it was cold, but somehow hazy and comforting.</p>
|
||||
|
||||
<p>He surfaced forty yards down while Foley and Cullen still bent over the railing further up at the bridge. A
|
||||
couple of swans powered themselves out of reach, hissing in fright as he gasped for breath, glided away like
|
||||
ghosts, and he was past them, heading towards the Clyde as the numb cold of the river water began to drain
|
||||
the heat from him. A hundred yards down the river shallowed at the old ford, and if the tide had been any
|
||||
higher Donny would have been carried right on past the town, drawn on the flow beyond the old boatyard at
|
||||
the sandy point where the rest of them had talked about the danger that Inspector Angus Baxter posed.</p>
|
||||
|
||||
<p>As it was, the tide was just low enough now and he got his feet to the slippery rocks and half crawled, half
|
||||
stumbled across the current, towards the high wall at the far side, spluttering and gasping now with cold
|
||||
and exhaustion and the aftermath of fear. When he reached the other bank he stopped and held on to an old
|
||||
iron boat ring, trying to get his breath back. It took him twenty minutes to cross the water, and another
|
||||
ten to climb the slippery stairs that led up to the towpath, and had begun to stumble homewards when out
|
||||
from the trees two shadows suddenly loomed and for a moment he thought he'd been caught all over again.</p>
|
||||
|
||||
<p>They needed the van again and Willie McIver was glad enough to take another cash donation. If they were
|
||||
caught, he'd say it was stolen and apart from that deal, he wanted to know no more. It was none of his
|
||||
concern.</p>
|
||||
|
||||
<p>Neil hauled the pump around and waited for them behind the workmen's hut. When they arrived, they just looked
|
||||
like two big covered container wagons and their passing made the ground tremble. Jed went ahead, reversed
|
||||
expertly, and slowly backed the first vehicle across the hard-pack mud and dirt on the edge of the building
|
||||
site until he reached the stack of tanks.</p>
|
||||
|
||||
<p>"Will they take the weight?" he asked.</p>
|
||||
|
||||
<p>"Sure they will," Tam assured him. "They're epoxy resin and PVC. They can take two hundred pounds a square
|
||||
inch before they rupture. They have to be tough in case they ice up."</p>
|
||||
|
||||
<p>Tam had assured Jack that the big water sumps would not be used for weeks, when the diggers would come in and
|
||||
excavate the drainage pits for the second phase of the project. Neil backed the van and pump up on the far
|
||||
side, away from prying eyes and the old watchman who was half asleep on the other end of the site, and the
|
||||
bulk of the sumps hid the noise of the little engine.</p>
|
||||
|
||||
<p>The whisky began to flow, gallon by gallon, barrel by barrel, for more than an hour, each minute racking up
|
||||
the tension and the chances of being caught in the open, caught in the act, and after that, Jed got into the
|
||||
cab and reversed in again to repeat the process. They filled six of the sumps to the brim and Tam used a big
|
||||
steel chuck key to fit the coin-shaped lids back on. Jack slathered them first in epoxy glue that would bind
|
||||
them tight in an hour. After that, the only way in or out was to cut a hole in the sides.</p>
|
||||
|
||||
<p><em>Hide them in plain sight.</em> You couldn't get any plainer than this. Half the labourers on the site
|
||||
would be passing by here or climbing over to dodge work for a half hour. It was a risk, maybe a big risk,
|
||||
but Jack thought that for a couple of days more, they could take it. Maybe it was all the other ends of the
|
||||
strings he was holding that tired his brain out, but he had run out of ideas. This was as good a place as
|
||||
any, and because Tam was on site all the time, they could keep an eye on it. The rest of them could come
|
||||
strolling through in denim jackets and workers' boots and pass for any one of the sub-contractors mates.
|
||||
Building sites were like that.</p>
|
||||
|
||||
<p>Ed and Jack dropped the others off and went round to old Tim Farmer's house to pick up the mail, close to ten
|
||||
thirty when the sun was just sliding down to the curve of Cardross Hill, turning the sky a deep red that
|
||||
held the promise of a fine bright morning.</p>
|
||||
|
||||
<p>"What's all this stuff," Ed asked as they sneaked up the garden path, screened by the tall bushes.</p>
|
||||
|
||||
<p>"Phase four," Jack told him.</p>
|
||||
|
||||
<p>"How many phases has this scam got?"</p>
|
||||
|
||||
<p>Jack laughed. "Getting to the end-game soon."</p>
|
||||
|
||||
<p>"Okay," Ed conceded. "You've got a buyer. But the last time we were here, we picked up a whole bunch of
|
||||
stuff. Different names too. You're up to something."</p>
|
||||
|
||||
<p>"Just diversions," Jack said, appreciating the compliment. He began to roll down the woolly hat until it was
|
||||
over his eyes. Ed was sharp, totally wasted shoving barrels in the distillery. So far Jack's judgement had
|
||||
been right. He <em>could</em> use Ed Kane. "We have to keep several jumps ahead of everybody, try to figure
|
||||
them out two, three steps down the line. That way, when things go wrong, you can't get taken completely by
|
||||
surprise."</p>
|
||||
|
||||
<p>"You can't think of everything," Ed said, tucking his own hat down. He was on his knees, feeling for the
|
||||
string through the letterbox. His fingers found it and he drew it out. "There's always something you haven't
|
||||
thought of."</p>
|
||||
|
||||
<p>He slotted the key in the door and they both sneaked inside, closing it behind them, walking softly through
|
||||
the back kitchen and down the darkened hallway.</p>
|
||||
|
||||
<p>Without any warning at all a light clicked on, leaving them totally exposed.</p>
|
||||
|
||||
<p>"What the hell...?"</p>
|
||||
|
||||
<p>Old Tim Farmer stood at the top of the stair in a dressing gown.</p>
|
||||
|
||||
<p>"What the fuck do you want?" His voice was high and shrill and his white legs stuck down like
|
||||
matchsticks.</p>
|
||||
|
||||
<p>"Oh shit," Ed said, with great feeling. "Bet you never thought of that!"</p>
|
||||
|
||||
<p>Up on the stair, Tim Farmer was raising the long barrel of a shotgun. Jack caught the motion and
|
||||
instinctively dragged Ed back, his heart leaping right into his throat.</p>
|
||||
|
||||
<p>"Is that you McLaren?" Farmer's voice was even higher. "That bitch of yours isn't here. She cleaned me right
|
||||
out."</p>
|
||||
|
||||
<p>Jack jerked Ed back and the pair of them hit the wall and just then he saw it wasn't a gun. Farmer was
|
||||
holding an old walking stick in one hand. The other one reached out and snatched a big vase from a stand
|
||||
beside the window and the old man slung it down at them. It caught Ed on the shoulder and smashed against
|
||||
the wall. Ed yelped.</p>
|
||||
|
||||
<p>"Get out of here and don't come back and if I see that gold-digging bloody wife of yours I'm going to call
|
||||
the police."</p>
|
||||
|
||||
<p> Jack almost laughed with relief. He pulled Ed away, crunching the fragments of pottery underfoot, and the
|
||||
pair of them scuttled for the kitchen and out into the air, leaving the old man still bawling from the
|
||||
stairhead.</p>
|
||||
|
||||
<p>"Dead right you are. I never thought of <em>that</em>."</p>
|
||||
|
||||
<p>"That old man, he ran away with some bird?" Ed was scrambling through the hedge behind Jack. "No wonder you
|
||||
never expected him back. He should have had a thrombo by now."</p>
|
||||
|
||||
<p>They got out the far side and down the small slope to where they had parked the van, got in quickly and sped
|
||||
away.</p>
|
||||
|
||||
<p>Jack stopped laughing. "I thought he had a shot gun. No kidding, I thought that was it for the pair of
|
||||
us."</p>
|
||||
|
||||
<p>Ed rubbed his shoulder. "Skinny old bugger. Nothing wrong with his aim, though."</p>
|
||||
|
||||
<p>"You'd think at least one bloody thing would go right without any problems," Jack said. "Just when you think
|
||||
you've hit bottom, some loonie throws you an anchor."</p>
|
||||
|
||||
<p>Ed had to agree. "No matter which way you ride, it's uphill and into the wind."
|
||||
"All we have to think of is how to get the mail out of there. Any ideas?"</p>
|
||||
|
||||
<p>"You're the ideas man, Jake. I just do the lifting. You'll think of something."</p>
|
||||
|
||||
<p>In the light of day, it was Ed who came up with the idea, but that was after the pair of them realised their
|
||||
troubles were only beginning. Just along the road they came across Donny Watson stumbling up from the
|
||||
towpath.</p>
|
||||
|
||||
<p>He was chilled to the bone, shivering like a child. Jack's uncle put a big quilt round him in the kitchen and
|
||||
fed him a mixture of hot chocolate and the cream liqueur he was selling to the women at the bowling club
|
||||
dances.</p>
|
||||
|
||||
<p>"Take your time with that," he said. " You'll get drunk and scalded at the same time."</p>
|
||||
|
||||
<p>Donny's face was pumped up swollen and he listed to the side, cradling some part under his ribs that was
|
||||
causing him pain. The mud and the blood on his shirt had merged into a flesh-coloured stain on his
|
||||
chest.</p>
|
||||
|
||||
<p>"Tell us what happened, son," Sandy encouraged. "Somebody had a good go at you."</p>
|
||||
|
||||
<p>"Ferguson," Donny managed to get out in a shuddery breath. "Him and Seggs Cullen and that nutter Foley. I'm
|
||||
sorry Jake."</p>
|
||||
|
||||
<p>"Don't worry Donzo. That lunatic. After all this time I thought he'd forgotten about it."</p>
|
||||
|
||||
<p>"Not Ferguson," Sandy said. "He's a stoat." Ed nodded agreement.</p>
|
||||
|
||||
<p>"No, not that, Jake." Donny's face crumpled and he coughed, sending a spasm though him. "I had to tell him.
|
||||
He had a welders lance. Jesus, he was going to stick it right in my eye."</p>
|
||||
|
||||
<p>Sandy put an arm round him. "You're okay now son. Take it easy."</p>
|
||||
|
||||
<p>"Tell him what?" Jack had gone very still, so still that Ed felt it.</p>
|
||||
|
||||
<p>"God, man. Jack, I'm really sorry. I thought it would be okay, just a couple of bottles. No harm in it. What
|
||||
you don't know can't hurt you."</p>
|
||||
|
||||
<p><em>What you don't know will </em>always<em> hurt you</em>. Hadn't he told them all?</p>
|
||||
|
||||
<p>"No harm in what, Donny?"</p>
|
||||
|
||||
<p>"I had to tell him." Donny lifted his head and looked Jack right in the eye, held it for a moment and then
|
||||
flicked to Sandy.</p>
|
||||
|
||||
<p>"That's all right Donny. You can tell him what you tell me. So what did you tell Ferguson?"</p>
|
||||
|
||||
<p>"I had to tell him about the whisky, Jake. Christ, he was going to skewer me. They took me down to the
|
||||
scrappie's and he had this thermic lance. It would put a hole in you."</p>
|
||||
|
||||
<p>"I know what a lance does," Jack said. He put his fingers to his temples, closed his eyes. It was all coming
|
||||
unravelled. Sudden anger at Donny flared up inside him and he squeezed down on it, damping it away.</p>
|
||||
|
||||
<p>"Let the boy tell it," Sandy said softly.</p>
|
||||
|
||||
<p>"How did he know what to ask."</p>
|
||||
|
||||
<p>Donny turned back to him, looked up and then dropped his eyes.</p>
|
||||
|
||||
<p>"I punted some of the stuff. God, Jake, I'm really sorry. I never meant it to happen, but I got mad, you
|
||||
know? When you tore me up in front of the guys. I got a bit pissed and I took the buckshee stuff."</p>
|
||||
|
||||
<p>"What buckshee stuff?"</p>
|
||||
|
||||
<p>"I stuck a container in the pipe to catch some."</p>
|
||||
|
||||
<p>"Oh shit." Jack breathed out. Ed bit his lip. If Ferguson knew, then they really were in it, chin deep and on
|
||||
tiptoe. </p>
|
||||
|
||||
<p>"Honest Jake. I never thought."</p>
|
||||
|
||||
<p>"No." What else was there to say? Jack's words dried up as he saw the whole plan going down the stank.</p>
|
||||
|
||||
<p>"I thought it would be okay. It was going to waste, you know? God, I was just mad after that time on the
|
||||
boat. I got pissed and stupid and I fucked up." The three of them watched him, let him run on. "They got me
|
||||
down on the quay and slammed me in the van and next thing I'm in a shed at the scrap yard. He put this thing
|
||||
up to my eye and said he was going to burn it out."</p>
|
||||
|
||||
<p>"Bastard," Jack said through his teeth. "I knew he was going to be trouble."</p>
|
||||
|
||||
<p>"I'm sorry Jake. They kicked the shit out of me and then I was in the river. I don't know how I got away, but
|
||||
I crossed at the ford and then I met you guys. I think they bust my ribs again."</p>
|
||||
|
||||
<p>He coughed hard, holding his side down at his hip, and a little trickle of blood oozed out of this mouth and
|
||||
trickled down his chin.</p>
|
||||
|
||||
<p>The spasm passed and he shuddered again.</p>
|
||||
|
||||
<p>Jack's moment of anger peaked and then oozed away, like Donny's trickle of blood. There was no point in
|
||||
holding on to it. What was done was done.</p>
|
||||
|
||||
<p>"Okay man. You had to tell him."</p>
|
||||
|
||||
<p>He moved round the table and sat next to Donny, clamped a hand round his shoulder and drew him right close.
|
||||
<em>Donny! Crazy schmuck!</em></p>
|
||||
|
||||
<p>They'd been friends longer than he could remember, since playschool days. Before that even, just babies, just
|
||||
kids, toddling together, all the way through school together. Friendship and history counted, Jack realised,
|
||||
friendship and history and the whole of their lifetimes. He'd ignored Donny's fast mouth and death-wish
|
||||
craziness, never analysing it. He knew now. He'd given Donny the easy tasks because he wasn't the brightest
|
||||
spark, not the sharpest. That was something he'd never consciously thought, never had to consider. He'd
|
||||
brought him in because he was a mate, and loyalty was the thing, and he should never have humiliated him
|
||||
down at the boat. </p>
|
||||
|
||||
<p>He clapped him around the shoulder.</p>
|
||||
|
||||
<p>"Don't worry about it old son. If he'd come at me, I'd have told the bastard." Donny was shuddering and Jack
|
||||
knew he was crying now, from pain and fright and shame.</p>
|
||||
|
||||
<p>He looked past him at Ed, at his uncle. "Can we keep him here tonight?"</p>
|
||||
|
||||
<p>"Better here that anywhere else."</p>
|
||||
|
||||
<p>"Okay mate. Come on. You get the good bed and I get the hard couch. Come on and get these wet clothes
|
||||
off."</p>
|
||||
|
||||
<p>"I never meant it," Donny whispered, just loud enough for him to hear.</p>
|
||||
|
||||
<p>"I know that Donzo. You don't have to tell me that."</p>
|
||||
|
||||
<p>It was well past midnight, and the three of them sat in the kitchen. Sandy had poured them all a cold beer
|
||||
when Jack came back down.</p>
|
||||
|
||||
<p>"He's sleeping. Those two animals gave him a doing."</p>
|
||||
|
||||
<p>"It's about time we sorted them right out," Ed said. </p>
|
||||
|
||||
<p>"Yeah. Later. We'll have to think of something."</p>
|
||||
|
||||
<p>"That's the second time you said that tonight," Ed said, and Jack managed an arid laugh.</p>
|
||||
|
||||
<p>"That's me. The man with the plans. Except I'm running out." He closed his eyes, rubbed them with his
|
||||
thumbs. </p>
|
||||
|
||||
<p>"Ferguson's going to come after you," Sandy said. "Sure as night follows day."</p>
|
||||
|
||||
<p>"I know that. I'll just have to stay out of his way for a couple of days. That's all I need. And all you need
|
||||
to get the business sorted out."</p>
|
||||
|
||||
<p>"What business is that?" Ed asked.</p>
|
||||
|
||||
<p>"I'll tell you everything tomorrow, the point of this whole thing. You need to know now. We have to think
|
||||
about Ferguson, you and me. And Tam and Jed. Neil's no scrapper and Donny's had the guts pulled out. But
|
||||
Ferguson, he could screw up the whole thing, so it's a real game of chess now. I'll have to figure out his
|
||||
moves. Be diplomatic."</p>
|
||||
|
||||
<p>Sandy laughed. "I told you before. Being diplomatic means saying <em>nice doggie</em> and getting ready to
|
||||
hit with a half brick."</p>
|
||||
|
||||
<p>"I know. What did you think I meant?"</p>
|
||||
|
||||
<p>Ed came in. "You reckon you can outguess him?"</p>
|
||||
|
||||
<p>"We don't do that, he'll carve us up or put us in jail, and we lose everything."</p>
|
||||
|
||||
<p>"I thought I was going to lose it tonight," Ed said, and he laughed. Sandy looked from one to the other,
|
||||
eyebrows raised.</p>
|
||||
|
||||
<p>"What happened?"</p>
|
||||
|
||||
<p>"I'll tell you tomorrow as well. Right now by head's full of mince and broken bottles. I need some sleep.
|
||||
Tomorrow, Ed, you and me, we're up the city, get a couple of things sported out, see a couple of people.
|
||||
Sandy, you better get yourself up and see DJ and the boat boys."</p>
|
||||
|
||||
<p>Sandy took off his tammy hat and ran his fingers through his dark tousled hair.</p>
|
||||
|
||||
<p>Ed whistled.</p>
|
||||
|
||||
<p>"Nice colour Mr B. It takes years off you."</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>20</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>20</h1>
|
||||
|
||||
<p>She saw him coming down Bothwell Street as she was walking to the lawyer’s office and pulled back into the open
|
||||
doorway of Starbucks coffee house, wondering what he was doing in Glasgow. Had he followed her here?</p>
|
||||
|
||||
<p>"Can I get you something?" The girl held up a cup.</p>
|
||||
|
||||
<p>Kate shook her head, craning forward to watch him striding fast down the street towards George Square. Something was
|
||||
different about him. The suit looked new. And she'd never seen him with a briefcase either. It gleamed a burnished
|
||||
ox-blood.</p>
|
||||
|
||||
<p>Kerrigan Deane had persuaded the sheriff to slap on the interdict against Aitkenbar Distillery.</p>
|
||||
|
||||
<p>"It's a holding operation," he said. "All that does is prevent any action on their part until they come to court and
|
||||
try to get it lifted."</p>
|
||||
|
||||
<p>"Can they do that?"</p>
|
||||
|
||||
<p>"Of course they can try. But at the moment they can't take any action, which gives your organisation the chance to
|
||||
prepare your case. As I see it, the research we have provides us with a <em>prima facie </em>case."</p>
|
||||
|
||||
<p>"We've got some research. Where did you get yours?"</p>
|
||||
|
||||
<p>"I'm afraid that's confidential. But it is very informative, very detailed, and as far as I can see, historically
|
||||
accurate."</p>
|
||||
|
||||
<p>She wished she knew his source, but that was as far as she was going to get today.</p>
|
||||
|
||||
<p> "Whatever. It's there. On the face of it, there is a strong a case for public ownership of the River Harbour which
|
||||
will stand as long as Mr Sproat cannot produce title deeds. Initial checks show this is a strong possibility, but
|
||||
one never knows when we're dealing with ancient history. This will at least prevent the destruction of the harbour
|
||||
in the meantime. In a word, he's stuck."</p>
|
||||
|
||||
<p>"That's all we want," she said. "If he can't dump the buildings in the basin, we'll win."</p>
|
||||
|
||||
<p>Jack had talked through it out on the Creggan Cliffs, before that boy almost drowned down near the rocks. Sproat
|
||||
needed that big hole in the river to bulldoze the rubble and reclaim all that acreage of land. If he couldn't use
|
||||
the river, it would have to go somewhere else and that would cost millions in landfill tax, millions that Sproat
|
||||
didn't want to spend, millions Sproat didn't have anyway, Jack had said.</p>
|
||||
|
||||
<p>Now they had a chance, thanks to whoever the mystery benefactor was who had funded this operation. Kate had a
|
||||
sneaking suspicion about that. It could have been the fellow from the big yacht, the one who had somehow traced her
|
||||
and gone round to thank Jack for saving his son. He certainly looked as if he was worth some sort of money. Kerrigan
|
||||
Deane was steadfast in his refusal to disclose that piece of information, but it didn't matter. It would have taken
|
||||
Charter 1315 months to raise the money they needed, maybe a year, and by that time the distillery would be down,
|
||||
dumped in the river, and the shopping mall developers in on the new site.</p>
|
||||
|
||||
<p><em>Damn Jack Lorne.</em> He had helped kick this whole thing off, in a way. His anger at the steady drain of jobs
|
||||
and money from the area had spurred her on with the charter protesters. </p>
|
||||
|
||||
<p>Then despite all that, he had turned his back in it and his bunch of wild men had hijacked the big whisky decant like
|
||||
a gang of hoods. She couldn't understand that at all.</p>
|
||||
|
||||
<p>She recalled his look of surprise and incredulity when she had come round the corner, sizzling with anger, and lumped
|
||||
him one on the jaw.</p>
|
||||
|
||||
<p><em>You stole a tanker of whisky?</em></p>
|
||||
|
||||
<p><em>No. I stole </em>two<em> tankers of whisky.</em></p>
|
||||
|
||||
<p>He'd kept his face straight, dead serious.</p>
|
||||
|
||||
<p><em>I needed a head start. It was payback time for that arsehole.</em></p>
|
||||
|
||||
<p>That wasn't the laid-back Jack Lorne of old. He'd had a look in his eye she'd never seen before. What was it, anger?
|
||||
Bitterness? Maybe both. He sounded tougher, harder. And he wasn't for backing down one inch.</p>
|
||||
|
||||
<p><em>....twenty seven years old milkman with maybe a chance of a job in an office. Work my way up to middle management
|
||||
by the time I'm forty and then get kicked out for being past it.</em></p>
|
||||
|
||||
<p>This was a new Jack Lorne. He'd been coasting for so long, taking it easy, the original laid back retro-music man.
|
||||
Now the police were after the raiders at Aitkenbar, after <em>him</em>, and if they caught up he'd go down for five
|
||||
years, Jack and that whole team of daft boys who never grew up.</p>
|
||||
|
||||
<p>And it would break her heart.</p>
|
||||
|
||||
<p>She froze, just on the point of stepping out of Starbucks.</p>
|
||||
|
||||
<p>"Cappuccino? Latte?" the girl's voice seemed way in the distance.</p>
|
||||
|
||||
<p>He could go to jail and it would break her heart. The realisation of just how much she cared felt stopped her dead
|
||||
and shook her to the core. <em>Damn damn damn!</em></p>
|
||||
|
||||
<p>Kate finally got a hand to the door and walked out into the busy street. He was far down the slope now, waiting for
|
||||
the lights to change and her heart was still pounding harder than it should.</p>
|
||||
|
||||
<p>Did he have any idea how she felt?</p>
|
||||
|
||||
<p>And how did she feel anyway?</p>
|
||||
|
||||
<p><em>Damn him.</em></p>
|
||||
|
||||
<p>He was way in the distance now, head and shoulders just visible.</p>
|
||||
|
||||
<p>It was just then that his appearance finally struck her. What was he doing with an Armani suit? And what the hell had
|
||||
he done to his hair?</p>
|
||||
|
||||
<p>Early Monday morning and Jack juggled the grille and the frying pan. The smell of bacon and eggs and fried tomatoes
|
||||
filled the kitchen and soon percolated through the house. Donny was at the table, still wrapped in the dressing
|
||||
gown. Jack was stiff from another night on the couch, but that would wear off quickly when he got busy. Ed buttered
|
||||
the rolls while Sandy read the paper. </p>
|
||||
|
||||
<p>Donny had woken in the middle of the night and come downstairs, still favouring his side.</p>
|
||||
|
||||
<p>"What's the matter? You still hurting?" Jack came awake quickly at the sound of the door opening and sat up, yawning,
|
||||
while the dream he'd had fragmented into shards and he tried to hold on to them as they scattered.</p>
|
||||
|
||||
<p>"It's okay," Donny said.</p>
|
||||
|
||||
<p>"You need a doc?"</p>
|
||||
|
||||
<p>"No. I think I just tore a muscle."</p>
|
||||
|
||||
<p>"You never had any muscle to tear, you big Jessie." Jack reached over and ruffled Donny's hair. All the anger was
|
||||
gone now. <em>Friends</em>. You couldn't pick them, not when you were a kid. They were just like families sometimes.
|
||||
You had to make allowances.</p>
|
||||
|
||||
<p>The anger had evaporated, replaced by a determination to get past this.</p>
|
||||
|
||||
<p>Donny's face was still pale and miserable, more so in the thin light that leaked in between the slats of the
|
||||
blinds.</p>
|
||||
|
||||
<p>"Jake, I..." he began.</p>
|
||||
|
||||
<p>"You tell me you really, really love me, I'll hook you."</p>
|
||||
|
||||
<p>"No its..."</p>
|
||||
|
||||
<p>"I know what it is, man. You screwed up. Okay. Right. That's it said. And so did I."</p>
|
||||
|
||||
<p>Jack punched him on the shoulder, hard enough to get his attention. "We can go on about it all day, or we can get on
|
||||
with the business, you and me and the boys."</p>
|
||||
|
||||
<p>Donny looked back at him, surprise and shame fighting it out.</p>
|
||||
|
||||
<p>"Come on Donzo. What's done is done. Everybody has to fuck up. The trick is to shove past it and move ahead, which is
|
||||
what we're doing. We've got a long way to go and you're still my main man. We're all solid, and I mean <em>all</em>
|
||||
of us. And I need you in the team."</p>
|
||||
|
||||
<p>He sat back, suddenly struck by the desire for a fast shot of Lars Hanssen's good vodka.</p>
|
||||
|
||||
<p>"You want a drink?" he tried to change the subject.</p>
|
||||
|
||||
<p>"No. I'm off it."</p>
|
||||
|
||||
<p>"Good. Stay off it until this is over." The thing with Donny was past. They had to get by the obstacle and think of
|
||||
what to do now. If he dwelt on it, that would slow everything up. He poured a shot, added some fresh orange, using
|
||||
the time to think.</p>
|
||||
|
||||
<p>"What about Ferguson?"</p>
|
||||
|
||||
<p>"Him? He's all mouth and muscle. If he'd brains, he'd be dangerous."</p>
|
||||
|
||||
<p>Jack was just talking now, still holding on to the half dream. Ferguson <em>was</em> dangerous, and not just because
|
||||
he had Cullen and Foley and a whole team of the Corrieside animals on the payroll. He was dangerous because of what
|
||||
he knew, and if he didn't get what he wanted, he'd shop them all, that was for certain. Honour amongst thieves
|
||||
wasn't in his lexicon.</p>
|
||||
|
||||
<p>"He's not daft," Donny said. </p>
|
||||
|
||||
<p>"No. He's got animal cunning, but can he <em>think?</em>"</p>
|
||||
|
||||
<p>Could he really think? Muscle and cunning was sometimes enough. But put Sandy Bruce up against Ferguson, and Jack
|
||||
knew who his money would be on. But Sandy had taken a big risk for him before, and Jack wasn't ready to let that
|
||||
happen again. He'd do it <em>his</em> way. In fact, he'd already, and quite instinctively, started the battle, the
|
||||
first time he went up to Glasgow.</p>
|
||||
|
||||
<p>The dream kept trying to force its way back in on his thoughts again. Jack took another sip of the drink. He'd be all
|
||||
the better for a good night's sleep and a tightener. Something had clarified while he slept and he smiled to
|
||||
himself. It wasn't the first time that had happened. He should sleep more often.</p>
|
||||
|
||||
<p>"Listen man. You get to your bed and we'll talk in the morning. I'm going to need you to do something for me."</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"It's a big job. And it's Something only you can do."</p>
|
||||
|
||||
<p>Donny looked at him, grateful, strangely tongue tied. Jack punched him on the shoulder again, the way friends
|
||||
can.</p>
|
||||
|
||||
<p>"You tell me what it is Jake. I'll do it right."</p>
|
||||
|
||||
<p>"I know you will. Now piss off before you start kissing me," Jack said.</p>
|
||||
|
||||
<p>But they hugged anyway. Friends, what could you do?</p>
|
||||
|
||||
<p>Jed Cooper took him aside to ask him a question. They were down by the boat and Donny had gone to start his shift.
|
||||
Tam was on the site, keeping an eye on the big tanks. It had been a busy morning and Ed had woken him at dawn with
|
||||
an idea.</p>
|
||||
|
||||
<p>It was dead simple. Tommy Dunbar was a regular in Mac's Bar and it was easy to keep him occupied for five minutes
|
||||
talking about football at the post office hatch where they handed out the parcels that hadn't been delivered. Ed
|
||||
simply reached around the door and snatched one of the red and blue jackets hanging there and then they both went
|
||||
round to Tim Farmer's house.</p>
|
||||
|
||||
<p>Ed knocked tentatively, while Jack remained outside.</p>
|
||||
|
||||
<p>"What do you want?" The old man's voice came from behind the door.</p>
|
||||
|
||||
<p>"It's the postman," Ed said. He leant in towards the frosted glass, showing the colours. Tim Farmer took his time,
|
||||
and finally opened up.</p>
|
||||
|
||||
<p>"You think this is the town dump?" </p>
|
||||
|
||||
<p>"What do you mean?" Ed was taken by surprise.</p>
|
||||
|
||||
<p>"Look at all this stuff here. Somebody just dumped it through the door. I've a good mind to chuck it in the bin."</p>
|
||||
|
||||
<p>"That's what I'm here about," Ed said. He looked beyond the old fellow and noticed that the shards of pottery had
|
||||
been cleaned up. "There was a mistake. We had a new boy, stuffed the wrong mail through the door. I'm here to
|
||||
collect it."</p>
|
||||
|
||||
<p>"I could charge you storage," the old man said.</p>
|
||||
|
||||
<p>"You could, but that would be interfering with her majesty's mail. You can get three years for that. And a big
|
||||
fine."</p>
|
||||
|
||||
<p>"Really?"</p>
|
||||
|
||||
<p>"True. It's the law."</p>
|
||||
|
||||
<p>"Well you better take it then. Just make sure I don't get any more of this."</p>
|
||||
|
||||
<p>Ed bent, stacked it all together and was gone in a minute. Jack sorted through the pile of envelopes on the way down
|
||||
the road and by the time they reached his grandfather's place, Sandy was gone.</p>
|
||||
|
||||
<p>"Good stuff," he told Ed. "We're finally on our way. Just a couple of days more and we're home clear."</p>
|
||||
|
||||
<p>"As long as we can stay ahead of big Baxter and that nutter Ferguson."</p>
|
||||
|
||||
<p>"He doesn't know where I am."</p>
|
||||
|
||||
<p>"Let's keep it that way."</p>
|
||||
|
||||
<p>Alistair Sproat had signed on the line, eager to get his cash flow going now that his own deadline was rushing
|
||||
closer. He had aged five years in the past fortnight and Jack could see the need in his eyes. Daddy's money might
|
||||
have given him the firm and the lifestyle, but he'd never been hungry until now, never really had to work at it, and
|
||||
it was a bit late to learn the tricks. Jack had drawn him out and Sandy had played him like a trout. Kerr Thomson
|
||||
had been crucial to the deal.</p>
|
||||
|
||||
<p>They had cornered him in the car park off river street just after the end of the shift and it was clear he was
|
||||
waiting for Betty McKinley from the charity shop to get off so they could go somewhere quiet. Tam Bowie wondered if
|
||||
they should wait and follow them, but Jack vetoed the idea. There was always a chance she'd get such a fright that
|
||||
she'd blurt it out to her husband and do true confessions. That would just open up a new can of probabilities and
|
||||
imponderables. They needed Kerr Thomson by himself and preferably by the balls.</p>
|
||||
|
||||
<p>Tam knocked on the window and the customs officer didn't recognise him through the glass. Tam flashed him a wallet
|
||||
and mimed rolling the window down. He leant an elbow on the car roof.</p>
|
||||
|
||||
<p>"Mr Thomson?"</p>
|
||||
|
||||
<p>"Yes?" Wariness showed already.</p>
|
||||
|
||||
<p>"I'm afraid you'll have to come with me and answer a few questions."</p>
|
||||
|
||||
<p>"Who the hell are you?" Thomson tried bluster despite the quick fear in his eyes.</p>
|
||||
|
||||
<p>Tam flipped the wallet open again and this time Thomson got a clear look at his own white backside sticking up in the
|
||||
air and his face half turned, mouth slack.</p>
|
||||
|
||||
<p>"Oh shit." He'd seen the flicker in the dark and had thought it was a flashlight.</p>
|
||||
|
||||
<p>"The lady in question works in the charity shop?"</p>
|
||||
|
||||
<p>"How did you.....?"</p>
|
||||
|
||||
<p>"Never mind how. You were warned about your behaviour and it seems you haven't learned a lesson. But there is
|
||||
something else we have to talk to you about. Please step out of the car." </p>
|
||||
|
||||
<p>"Am I under arrest?"</p>
|
||||
|
||||
<p>"That remains to be seen." Tam enjoyed putting it on. He turned to Jack, who stood with his arms folded at the
|
||||
entrance to the car park and gave him an exaggerated wink. Jack kept his face totally straight. He looked the
|
||||
part.</p>
|
||||
|
||||
<p>They shut the private car park gate behind the chemists shop, shielding themselves from the traffic. Thomson looked
|
||||
Jack up and down, took in the well cut tweed jacket and the rimless glasses.</p>
|
||||
|
||||
<p>"We have good information that you and Alistair Sproat have been involved in an attempt to defraud Her Majesty's
|
||||
Customs and Excise of its rightful revenue." Jack kept his face stern.</p>
|
||||
|
||||
<p>When Tam showed Thomson the picture of him and Betty McKinley the blood had drained out of his face. Now he looked as
|
||||
if he might have a stroke. Thomson put a hand to his chest and slumped back against the brick wall, breathing
|
||||
hard.</p>
|
||||
|
||||
<p>"No need to tell you how many years you could be facing for offences of this nature," Jack kept up the pressure.
|
||||
"Fraud, conspiracy to defraud. Breach of trust."</p>
|
||||
|
||||
<p>"I...I...I...."</p>
|
||||
|
||||
<p>"You were involved in remarking barrels of bonded spirits in B Hall at Aitkenbar Distillery. I can give you date and
|
||||
times, and if you would like to see them, the surveillance tapes."</p>
|
||||
|
||||
<p>"But there's no surveillance in...." Thomson's mouth closed like a trap.</p>
|
||||
|
||||
<p>"You might think that," Jack said. "You would be wrong." He stood back, folded his arms.</p>
|
||||
|
||||
<p>"However, this is your lucky day. We don't want you. You're small fry. We're even prepared to grant you immunity for
|
||||
your complete co-operation. And my colleague here will try to forget he ever took that interesting artwork. We've
|
||||
been watching you for some time."</p>
|
||||
|
||||
<p>Thomson licked his lips. The beads of sweat that had sprung on his forehead had transformed themselves into rivulets.
|
||||
They could almost see steam rising from under his armpits.</p>
|
||||
|
||||
<p>"What do you want me to do?"</p>
|
||||
|
||||
<p>"I want you to sit down and tell us everything you can. Times, numbers, amounts, everything. Tomorrow, we'll expect
|
||||
to see the relevant paperwork, and we'll expect your complete co-operation and total discretion. You tell anyone
|
||||
about this and the deal is off and I'm afraid you'll be facing multiple charges. Total silence is imperative."</p>
|
||||
|
||||
<p>"And I get immunity? You won't charge me?"</p>
|
||||
|
||||
<p>"You might even get to keep your job if you do this right. We always reward good citizens who realise the error of
|
||||
their ways and help the police with their inquiries."</p>
|
||||
|
||||
<p>Kerr Thomson started talking and didn't stop for two hours.</p>
|
||||
|
||||
<p>Alistair Sproat had supplied the big flatbeds and drivers and it took a morning to roll the barrels out and load
|
||||
them. Things were looking up today, with the news from Dunvegan. They had done the deal in the Drumbuie Hotel on the
|
||||
Friday and Sproat had been cheered up enough to offer them champagne. Sandy took a brandy, looking quite the part in
|
||||
Armani.</p>
|
||||
|
||||
<p>He'd passed the envelope across the table. Sproat made a play of opening the flap and taking a cursory glance inside,
|
||||
too arrogant to get right in there and check in front of them. That was a mistake. The deal was bent and they all
|
||||
knew it, and if you did bent deals, you dealt with bent people. You counted your fingers if you had to.</p>
|
||||
|
||||
<p>"Go on, you count," Sandy said. His accent stayed the distance.</p>
|
||||
|
||||
<p>"This is just the first tranche," Sproat said. "I trust you."</p>
|
||||
|
||||
<p>The five thousand was all there, just a taster. For good faith.</p>
|
||||
|
||||
<p>"We're loading up today. It'll be ready for you tomorrow. And thanks for helping out with the Dunvegan deal."</p>
|
||||
|
||||
<p>Sandy waved his hand, as if it was nothing, and Jack smiled. DJ Munro and the rest of the boys up there had taken a
|
||||
bit of convincing, for it was their redundancy money and their futures stacked up on the line.</p>
|
||||
|
||||
<p>"I hadn't expected a management buy out," Sproat said.</p>
|
||||
|
||||
<p>"All they needed was some leverage," Jack told him. "Mr D'Angeli's associates were pleased to assist."</p>
|
||||
|
||||
<p>"Frankly I thought I'd never get rid of the place. I'm just glad to see it off my hands. No demand for those single
|
||||
malts these days, and it's far too labour intensive. Designer drinks, that's where it's going. You can sell the
|
||||
stuff in three days, not three years, and the tax is by alcohol volume, so your costs are a third. You can't
|
||||
lose."</p>
|
||||
|
||||
<p>"We're just pleased to help," Jack said. "We kill two birds with the one stone. They give us the storage, which means
|
||||
we don't have to take the goods out of customs bond until we need them, which is good for cash flow, and we give
|
||||
them the business."</p>
|
||||
|
||||
<p>"You're happy, we're all of us happy." Sandy said.</p>
|
||||
|
||||
<p>It had been more difficult to persuade DJ Munro than it had been to persuade Sproat. All Sproat could see were fast
|
||||
dollar signs and they had focused his attention on another target. All he needed was to get shot of Dunvegan to
|
||||
concentrate on the Mall deal. Jack had brought DJ down to Kerrigan Dean's office and with the big credit guarantee
|
||||
from the bank they'd thrashed out the details and the lawyer had gone to Aitkenbar to fix it up. Sproat would rather
|
||||
have had the money up front, but Deane explained that the local boys were talking a chance, and Sproat knew they had
|
||||
no major market. At the end of the day, he'd be stuck with an empty distillery and the redundancy payments for the
|
||||
men he was throwing on the scrap. Sproat signed the deal for a ten-year reducing payment and washed his hands of an
|
||||
asset that would have cost a fortune in care and maintenance. What he didn't know was that the money to fund the
|
||||
buy-out came from a bank guarantee on a share of a boat that had been bought with the whisky that had been stolen
|
||||
from under his nose. That would have rankled.</p>
|
||||
|
||||
<p>It would have been a lot worse if he'd known the first moves had been made to obtain the European regional grants
|
||||
that would mean the buy-out by the Dunvegan management and their backers would cost them virtually nothing over the
|
||||
ten years.</p>
|
||||
|
||||
<p>But he didn't know that, and Braveheart Distilling became a reality.</p>
|
||||
|
||||
<p>Jack phoned ahead and told DJ to expect the first delivery. Kerrigan Deane rang him just after that to tell him the
|
||||
property transfer had gone through the register. Everything was coming together now, building up under the plan's
|
||||
own gravity.</p>
|
||||
|
||||
<p>The big trucks got rolling. From Levenford to Skye, it's a long and winding road up through the highlands and out to
|
||||
the wild wastes of the west, and it's rare for Scotch whisky to travel in that direction. Normally it's made up in
|
||||
the north and gets transported south by the same road. But times were changing.</p>
|
||||
|
||||
<p>Kerr Thomson had aged faster than Alistair Sproat had. Ed had watched him as he worked, all the bravado and bluster
|
||||
knocked out of him; like a man imploded. By the Monday afternoon, he had come up with the paperwork Jack needed and
|
||||
Margery Burns searched the records for the rest of it. By this stage, the operation had gained its own momentum. All
|
||||
Jack needed was the word from Lars Hanssen.</p>
|
||||
|
||||
<p>He used the time to set up yet another mail drop, and that was one thing he had planned for, just in case Murphy's
|
||||
Law kept to the usual rules: Anything that can go wrong, <em>will</em>.</p>
|
||||
|
||||
<p>When he said that, Ed told him Murphy was a rose tinted optimist. He was probably right.</p>
|
||||
|
||||
<p>"Trouble's like a wet-suit," Ed said. "Easy to get into, murder to get out of."</p>
|
||||
|
||||
<p>They had a week's credit on the batch of whisky Alistair Sproat was glad to see gone from Aitkenbar distillery,
|
||||
especially since most of the money would be clear profit, no income tax, no VAT. That gave Jack Lorne a breathing
|
||||
space, so long as Lars Hanssen got his boat fixed and managed to get out of the Clyde in just a couple of days time.
|
||||
He could sense Angus Baxter ferreting about the town, working his way closer. No matter what happened, it was only a
|
||||
question of time before he came sniffing around.</p>
|
||||
|
||||
<p>"He knows it was an inside job," Ed told him.</p>
|
||||
|
||||
<p>"Not entirely."</p>
|
||||
|
||||
<p>"You know what I mean. I'm in the clear anyway, but he looks right through you, as if you're guilty anyway. They
|
||||
haven't figured out when the pipes were welded. There were a dozen guys in the decant room on the night and they're
|
||||
all in the frame."</p>
|
||||
|
||||
<p>"They'll be all right," Jack said with some certainty. "They haven't done anything."</p>
|
||||
|
||||
<p>"That's what you think. They've all been scamming whisky out of that place since they were boys just out of school.
|
||||
They're all shitting their pants thinking Baxter will get them for something."</p>
|
||||
|
||||
<p>Jack laughed. "That's the trouble these days. You just can't trust anybody."</p>
|
||||
|
||||
<p>He got up to Dunvegan on Skye by six that night, almost dead on his feet, and stayed at DJ Munro's place a half mile
|
||||
down the road from the little old distillery that was tucked into a little narrow glen not far from the old castle.
|
||||
He had a fast meeting with DJ's cousin, two quick beers in the back room of the village pub, tying up final details,
|
||||
and when he hit the pillow at nine he fell asleep immediately. DJ's wife woke him with a big breakfast twelve hours
|
||||
later, and at eleven in the morning, the big flatbeds arrived from Aitkenbar, with the hogsheads of young whisky
|
||||
pinned down on their backs with ropes and steadied with big curved wedges.</p>
|
||||
|
||||
<p>At the same time Angus Baxter brought his team of investigators together in the CID operations room in Levenford.</p>
|
||||
|
||||
<p>"The engineers tell me they couldn't have used a gravity feed to fill the tankers." He managed to talk and light his
|
||||
pipe at the same time, a trick that only veteran pipe smokers know. "And from what our observant patrol officers
|
||||
noted, they had a pump. Any leads Jimmy?"</p>
|
||||
|
||||
<p>The young CID constable shook his head. "We're still working on it. The local hire companies have eighty pumps
|
||||
between them, most of them on lease to local contractors. We're checking them all out, but some of them are working
|
||||
out of town, or don't have proper schedules."</p>
|
||||
|
||||
<p>"Give me the full list. Check them with companies house, Benefits Agency, Inland Revenue, the lot. We want to pin
|
||||
them down by tomorrow, so get them at home if you have to. We find that pump and we'll have our men."</p>
|
||||
|
||||
<p>He turned to the rest of them. "They had to have a man on the inside, and somebody who's an expert on pipes. We need
|
||||
to know who all had plans, and we've narrowed the field of expertise down to four people inside the plant. Now I
|
||||
want everything you can get on them. Who they see, where they go. If we have to get taps, them we'll do that. One
|
||||
thing's for sure, we're going to catch this bunch of buggers."</p>
|
||||
|
||||
<p>One of the other constables put his hand up and waited until Baxter caught his eye.</p>
|
||||
|
||||
<p>"I heard there was some whisky getting dealt down the quay."</p>
|
||||
|
||||
<p>"The day it's not, then that'll be a first. The distilleries around here leak like burst mains."</p>
|
||||
|
||||
<p>"I though we should check it out."</p>
|
||||
|
||||
<p>"Fine. Make a couple of inquiries, but they won't be selling this piecemeal down the quay or anywhere else. This is a
|
||||
bulk job and it's been sold already. We just have to find out who it was sold to, and by whom." </p>
|
||||
|
||||
<p>Gus Ferguson was not happy. He was down in his yard adjacent to the lorry park, where he sold a couple of used cars
|
||||
as a cover for the rest of his business. He did not know that he had been operating only yards from the loads of
|
||||
whisky he was now desperate to get his hands on.</p>
|
||||
|
||||
<p>"So where is he?"</p>
|
||||
|
||||
<p>"Nobody's seen him," Seggs Cullen said. "Not for the past week."</p>
|
||||
|
||||
<p>"He must be somewhere. That ginger idiot said he hasn't left town."</p>
|
||||
|
||||
<p>"Well, he's not staying at home. We've asked around."</p>
|
||||
|
||||
<p>Ferguson bit on his thumbnail.</p>
|
||||
|
||||
<p>"Okay. He's gone to ground. All we have to do is give him a reason to come out again."</p>
|
||||
|
||||
<p>Just as Ferguson began to outline his plan, Jack had gathered the others down at Gillespie's boat to talk about that
|
||||
very problem.</p>
|
||||
|
||||
<p>"He's going to come at us," Tam said. </p>
|
||||
|
||||
<p>"Sure he is. We have to figure out how and when. First we have to keep a low profile. Donny and Ed are staying at my
|
||||
Grandad's place. You three hole up together and keep out of the way. I don't want you on the streets. We need the
|
||||
advantage."</p>
|
||||
|
||||
<p>"Cullen and Foley have been asking questions."</p>
|
||||
|
||||
<p>"Sooner or later, they'll get answers. All we have to do is hold them off for a couple of days."</p>
|
||||
|
||||
<p>"What will Ferguson want? Can we do a deal?"</p>
|
||||
|
||||
<p>"No," Ed said. "You can't deal with him. He's a hyena. We make the kill, he wants to eat it."</p>
|
||||
|
||||
<p>Jack agreed. "We've come too far now. Just so long as we can hold out. Once it's gone, he can't touch us. And neither
|
||||
can Baxter. If he comes asking, we stick to the plan. If he takes anybody in, he'll try the usual trick, playing one
|
||||
off against the other, trying to make you believe somebody's caved in. Just as long aswe all walk together we'll
|
||||
beat that big highlander. Just have to have confidence in each other to know that nobody will say anything, and if
|
||||
we stay tight, he can't break us no matter what."</p>
|
||||
|
||||
<p>He turned to Donny. "How's your end coming along?"</p>
|
||||
|
||||
<p>"Good. I've got fifteen barrels ready to roll. Stencils and the brander."</p>
|
||||
|
||||
<p>"Right. I've got the numbers we need."</p>
|
||||
|
||||
<p>"What's that for?" Tam asked.</p>
|
||||
|
||||
<p>"Need to know. Everybody does their own job."</p>
|
||||
|
||||
<p>Tam knew where the whisky was stashed, but Donny was still in the dark after the Ferguson complication. Jack needed
|
||||
to play it like that. Only he knew the final plan, and if the others knew exactly what it was, maybe they'd have
|
||||
second thoughts. Definitely maybe.</p>
|
||||
|
||||
<p>"How did you get the numbers?"</p>
|
||||
|
||||
<p>"A friend of a friend," Jack said. Nobody else knew what he was talking about.</p>
|
||||
|
||||
<p>Marge Burns had promised the rest of them from the computer files, but Kerr Thomson had come up with what they needed
|
||||
and despite the catastrophe over Donny's fish, the fact that Jack had got Tam out on the bike scouting the streets
|
||||
for intruders on the night of the raid had been a major piece of serendipity. It allowed him to ratchet the plan
|
||||
into another dimension.</p>
|
||||
|
||||
<p>But he was acutely aware of the pressure of time. The only thing he couldn't hurry was the repair job on Lars'
|
||||
boat. </p>
|
||||
|
||||
<p>"Just watch your backs everybody," he said. "Stay away from Ferguson and his hoods, and just act normal."</p>
|
||||
|
||||
<p>Tam laughed. "How can you act normal with your hair like that?"</p>
|
||||
|
||||
<p>Jack ran his hand through it. "Look at the state of me. I'm old before my time."</p>
|
||||
|
||||
<p>Everybody had a job to do. Neil was detailed to hire the lifting gear they'd need and Ed had to help Donny with the
|
||||
empty barrels. Jack knew Ferguson would make his move sooner than later and he had to be ready for him.</p>
|
||||
|
||||
<p> "He thinks he's got us by the balls, down and out. But remember there's a big difference between kneeling down and
|
||||
bending over."</p>
|
||||
|
||||
<p>Jed stopped him at the bottom of the ladder as the rest of them strolled away from the boat. Night was falling here
|
||||
where the river flowed into the Clyde, and the oystercatchers out on the flats wheedled in the dimming light. A
|
||||
smell of pine and oak woodsmoke mixed with the exotic scent of gorse blossom. </p>
|
||||
|
||||
<p>"Have you seen Marge Burns?" Jed seemed almost embarrassed.</p>
|
||||
|
||||
<p>"What do you mean?"</p>
|
||||
|
||||
<p>"I know you were talking to her. I just wondered if you knew what she was up to."</p>
|
||||
|
||||
<p>Jack swallowed, wondering what Jed was going to say next. A little greasy trickle of guilt ran through him and he had
|
||||
to force himself to ignore it. Sometimes a man had to do what a man had to do, he'd reasoned. Desperate times needed
|
||||
desperate measures. Any old excuse would do. Jack felt guilty for Jed and for Kate, but no matter what, Marge had
|
||||
been worth her weight in any currency, and paying the price had not exactly been dogged with unpleasantness. Old
|
||||
Marge knew just exactly what she wanted, and she was no hesitant maiden when it came to collecting. Jack just
|
||||
wondered how he could extract himself from it without offending her. Right now he needed everybody pulling together.
|
||||
The last thing he needed was a fatal attraction, and Sandy's racing pigeons baked in a pie.</p>
|
||||
|
||||
<p>"I'm not with you," Jack lied.</p>
|
||||
|
||||
<p>"I think she's seeing somebody else."</p>
|
||||
|
||||
<p>Jack stopped and stared Jed straight in the eye, forcing himself to look concerned for his friend and not worried for
|
||||
himself.</p>
|
||||
|
||||
<p>"You think so? Any idea who?" Jed could twist and turn on the stock track, but he wasn't really devious. Jack
|
||||
wondered if he was just testing him.</p>
|
||||
|
||||
<p>Jed shook his head glumly. "No. We had a great time, but I don't know what's the matter with her. I went round last
|
||||
night and she never came to the door. I'm sure she was in. That's happened a couple of times. A few weeks back she
|
||||
was all over me like a rash, and now it's like I've got a dose of the pox."</p>
|
||||
|
||||
<p>Jack's mind raced. Had he been round there? Things were moving so fast that it was getting difficult even to keep
|
||||
track of himself. No. He hadn't been there. He breathed a sigh of relief and managed to disguise it.</p>
|
||||
|
||||
<p>"I don't know," he said. "But you know Marge. She's just split up with her man, so she's not going to let the grass
|
||||
grow. And you're not planning to tie the knot, are you?"</p>
|
||||
|
||||
<p>Jed shook his head. "I suppose not. But, jeez Jake, she knows her stuff does Marge. Taught me a thing or two, I can
|
||||
tell you."</p>
|
||||
|
||||
<p><em>I could believe that,</em> Jack thought.</p>
|
||||
|
||||
<p>"Don't tell me," he said, trying to keep it light. "There's some details I don't need. Anyway, you better just ask
|
||||
her straight out, and if it's bad news, don't worry. Remember those Swedish twins at Robert Wardell's party? They're
|
||||
coming back across in a couple of weeks. I can definitely fix you up."</p>
|
||||
|
||||
<p>"I thought you were well in with them. The boys said you had a Swedish sandwich."</p>
|
||||
|
||||
<p>"No, that's just a scurrilous rumour," Jack said. "I've got my eye on somebody else."</p>
|
||||
|
||||
<p>"Kate Delaney, right?"</p>
|
||||
|
||||
<p>Jack tapped the side of his nose.</p>
|
||||
|
||||
<p>"Need to know, old son."</p>
|
||||
|
||||
<p>He smiled conspiratorially, but he still felt like a shit.</p>
|
||||
|
||||
<p>Jed's suspicions gave Jack the excuse he needed. She had been demanding, but he'd always known what a tightrope walk
|
||||
it had been, trading off what he could get from Marge Burns against what she wanted. Now he could genuinely tell her
|
||||
that Jed was asking questions and if he found out what had been going on, well, it would upset him for a start, and
|
||||
he didn't need any cracks developing right now.</p>
|
||||
|
||||
<p>He rehearsed the scenario as he made her way round to her bungalow in Castle Lane in the easy gloaming light just
|
||||
before dark. He'd have to play her and he hoped she wouldn't make a big thing of it. He'd tell her what he'd told
|
||||
Jed: there were plenty of fish in the river, and new ones swimming past every day. </p>
|
||||
|
||||
<p>It was close to midnight when he pushed the gate forward, automatically checking right and left for neighbours
|
||||
peering from behind curtained windows. Her garden was encircled by a high hedge, which gave her plenty of privacy,
|
||||
for which Jack had been grateful.</p>
|
||||
|
||||
<p>He walked round the side of the house to the back door, more intent on getting the figures he needed from her for the
|
||||
next phase of the plan. He was concentrating so much that he didn't see the figure loom out of the gloom until he
|
||||
was right on him.</p>
|
||||
|
||||
<p>"What the...?"</p>
|
||||
|
||||
<p>"Who the....!"</p>
|
||||
|
||||
<p>Jack pulled back a tight fist, ready to throw a jab, and he froze.</p>
|
||||
|
||||
<p>"Sandy?"</p>
|
||||
|
||||
<p>"Jack?" More of a whisper than a spoken question.</p>
|
||||
|
||||
<p>"What are you doing here?" The pair of them spoke at exactly the same time.</p>
|
||||
|
||||
<p>Jack pulled him round towards the front, where a street light gave just enough illumination. He couldn't see the
|
||||
colour, but Sandy was shifting from foot to foot, body language eloquent of cringing embarrassment.</p>
|
||||
|
||||
<p>"You dirty old bugger," Jack finally said, when the coin dropped. "I thought you were kidding about this."</p>
|
||||
|
||||
<p>"Hell Jack, I <em>was</em> kidding, but <em>she</em> wasn't."</p>
|
||||
|
||||
<p>Jack had to really get a grip on himself to stop from bursting into laughter.</p>
|
||||
|
||||
<p>"Does she still think you're Italian?"</p>
|
||||
|
||||
<p>This time Sandy coloured to the darkened roots of his hair. "No. But she likes me to talk it. She says it's like
|
||||
Robert Di Niro."</p>
|
||||
|
||||
<p>"More like John bloody Cleese," Jack said. He let go his grandfather's lapel and looked up at the sky where flimsy
|
||||
clouds scraped past the thin crescent moon. "Thank you dear lord!"</p>
|
||||
|
||||
<p>"What's that supposed to mean?"</p>
|
||||
|
||||
<p>"Nothing. It's too long a story. All you have to know is you've solved a big problem for me. Just so long as you
|
||||
don't have a heart attack while you're at it."</p>
|
||||
|
||||
<p>This time Sandy pulled him forward and lowered his voice.</p>
|
||||
|
||||
<p>"You're not kidding Jack. She's bloody insatiable. But I'll tell you one thing."</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"I can still pull the chicks, right?"</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
685
build/Full Proof/OEBPS/ch21.xhtml
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build/Full Proof/OEBPS/ch21.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>21</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>21</h1>
|
||||
|
||||
<p>Seggs Cullen and Wiggy Foley snatched Jack’s young brother in the lane as he made his way down to the library a
|
||||
couple of hours before noon. They were at the tight bend where Kate had surprised Jack, and as an ambush point, it
|
||||
was ideal, for the tall bushes and the dog-leg in the narrow lane hid them from either direction. They had watched
|
||||
Michael come along the street, ambling in the morning sun, daydreaming as he strolled. The van was backed in to the
|
||||
open gateway into the football field and when Michael passed it, Cullen came round the side, clamped a meaty hand
|
||||
over his mouth and he and Foley lifted him bodily into the back.</p>
|
||||
|
||||
<p> Michael tried to fight them off, tried to yell for help, but he'd never been a scrapper. Foley just batted his fists
|
||||
away and gave him a lazy slap before he pinned him to the floor and told him if he made another sound he'd really go
|
||||
to work. Foley stank of stale sweat and old tobacco. Cullen was on the mobile.</p>
|
||||
|
||||
<p>"We've got him right now. In the back of the van. Where do you want him, the scrappie's?"</p>
|
||||
|
||||
<p>"No, that's the first place anybody's going to look, and there's going to be too many faces watching out after this.
|
||||
Bring him down to the yard where we can keep an eye on him."</p>
|
||||
|
||||
<p>Foley sat on Michael the way he'd done to Donny Watson, keeping his weight on his shoulders and forcing him face down
|
||||
to the dirty floor. It only took five minutes to get to the yard on the east end of the town and Michael felt every
|
||||
inch of it. Cullen was no smoothie on the wheel and when he finally swung the van onto the rough cobbles on the
|
||||
narrow road up to the yard, Michael's cheek hammered up and down against the metal.</p>
|
||||
|
||||
<p>The door slammed wide and Foley stood for no ceremony. He grabbed Michael by the hair and yanked backwards, forcing a
|
||||
cry of pain. He just kept on walking and Michael had no option but to follow on fast or lose hair and some scalp.
|
||||
The big blue door slid open and Michael was bundled inside. It slammed behind them and he stood there, blinking back
|
||||
tears of pain, as his eyes began to adjust to the dim strip light.</p>
|
||||
|
||||
<p>"Is this him?"</p>
|
||||
|
||||
<p>"Yeah. It's him all right." Foley pushed him forward, twisting his fingers just before he let him go, and smirked at
|
||||
the grunt of pain.</p>
|
||||
|
||||
<p>Michael watched as the stocky man came out from behind an old Rover that was up on the ramp. He had a thin cheroot
|
||||
jammed in the corner of his mouth, and thick grey hair that needed a trim. Michael knew who he was. He'd heard his
|
||||
reputation and he knew that Ferguson was a hard man. Everybody knew he and some of the wasters from Corrieside were
|
||||
into every scam from hash and smack to sharking and cut-and-shut cars. If there was an illicit buck to be turned,
|
||||
Ferguson's hand was on the lever. Michael bit down on the rising panic, wondering what this was all about.</p>
|
||||
|
||||
<p>Two chairs stood in the middle of the concrete floor. Ferguson took one, spun it and straddled it, thick arms crossed
|
||||
on the back. He gave a quick nod and Foley forced Michael into the other chair, keeping a hand on his shoulder, in
|
||||
where the muscle curved at his neck, digging deep with hard fingers. If he really squeezed, Michael would know all
|
||||
about it. </p>
|
||||
|
||||
<p>"You know who I am?"</p>
|
||||
|
||||
<p>Michael looked blank. Behind the expression he was thinking furiously. What had Jack always told him? Never give
|
||||
anybody an advantage. <em>Always keep them guessing</em>.</p>
|
||||
|
||||
<p>He shook his head. "No. Am I supposed to? Who are you?"</p>
|
||||
|
||||
<p>Ferguson raised his eyebrows, surprised.</p>
|
||||
|
||||
<p>"Never mind, son. All that matters is, I know who you are. Got the picture?"</p>
|
||||
|
||||
<p>"What picture?"</p>
|
||||
|
||||
<p>"Don't get smart. You answer what I ask. What's your name?"</p>
|
||||
|
||||
<p>"Chandler Bing."</p>
|
||||
|
||||
<p>Ferguson's eyes flicked to Cullen. "You sure this is the right guy?"</p>
|
||||
|
||||
<p>Foley hit Michael another slap, rocked his head to the side. Michael gasped.</p>
|
||||
|
||||
<p>"That's some guy on the telly," Foley said. He bent to Michael's ear. He had a big half-moon bruise under one eye.
|
||||
"Listen wanker, you think you're as smart as that brother of yours. We've got news for you. He's not as smart as he
|
||||
thinks he is, so don't get any ideas."</p>
|
||||
|
||||
<p>"Oh really? And who did you come off second best to?"</p>
|
||||
|
||||
<p>Foley drew back a hand. Ferguson laughed.</p>
|
||||
|
||||
<p>"Got you there Wigs." Foley dropped the hand.</p>
|
||||
|
||||
<p><em>Jack. That's what it's about.</em> Michael had guessed that already and his mind was racing. What did they have
|
||||
against Jack? All he knew was that it had been Foley and Cullen who had given him a sore face last time, and he'd
|
||||
been told to give Jack a message. He just assumed that there had been an argument in the pub, or that thing with
|
||||
Donny Watson. Jack was the kind of guy who would wade in when somebody was in trouble and sometimes that could earn
|
||||
<em>him</em> a sore face. But this was different. It had to be more than just some pub fall-out.</p>
|
||||
|
||||
<p>This was real trouble.</p>
|
||||
|
||||
<p>"You're Jack Lorne's brother." Ferguson kept his voice even.</p>
|
||||
|
||||
<p>"What's it to you?"</p>
|
||||
|
||||
<p>"Oh, you really are a wee hard man?" He looked at Foley. A hand came down and slapped Michael right off the chair. He
|
||||
sprawled on the greasy floor, head ringing, blinking against the tears once more. Foley grabbed him by the collar
|
||||
and almost choked him as he dragged him back again.</p>
|
||||
|
||||
<p>"We want to know where he is."</p>
|
||||
|
||||
<p>"I don't know where he is," Michael said. He flinched at the expected blow and mortifying tears trickled down his
|
||||
cheeks.</p>
|
||||
|
||||
<p>"Really. He's your brother and he stays with you and you don't know where he is?"</p>
|
||||
|
||||
<p>"He hasn't been here for a couple of weeks. He got laid off at the dairy. I think he's away looking for work."</p>
|
||||
|
||||
<p>"Oh, he's working all right. He's done a great job."</p>
|
||||
|
||||
<p>Michael rubbed the tears away, wondering what Ferguson was talking about. This had to be something to do with the
|
||||
papers Jack had got him to print off.</p>
|
||||
|
||||
<p><em>Keep them off balance. </em>It wasn't easy when your head was ringing.</p>
|
||||
|
||||
<p>"He's going to be well pissed at you," he said, battening down the fear, preparing for another dull one on the side
|
||||
of his head. </p>
|
||||
|
||||
<p>Ferguson laughed. "That's for sure."</p>
|
||||
|
||||
<p>"You hurt me and our Jack'll come for you." </p>
|
||||
|
||||
<p>He was dead sure of that. Despite the tears that spilled over he would show these scum he was tougher than he
|
||||
looked.</p>
|
||||
|
||||
<p>"Yeah yeah." Ferguson puffed his cheroot and blew smoke across the space between them. "That's just what I want. Him
|
||||
to come to me. Now how are we going to go about that?"</p>
|
||||
<hr />
|
||||
<p>The flatloaders had arrived at Dunvegan at eleven in the morning, stacked four barrels deep. From Levenford the
|
||||
journey had taken four hours, given the speed of the laden trucks on the narrow roads through the highland
|
||||
glens.</p>
|
||||
|
||||
<p>Jack was up and ready for them after the huge breakfast DJ's wife had cooked for them. They stood at the gates of the
|
||||
little distillery with its distinctive malt-house chimney. A light breeze brought the scent of seaweed and ozone
|
||||
straight in from the Atlantic. He let DJ handle the drivers, made a quick call to Alistair Sproat, and the
|
||||
deliverymen went back down south in the three trucks, leaving two empty ones here as agreed. Sproat would have
|
||||
agreed to anything to clinch this deal and get shot of the young whisky at a better price than he'd ever get in an
|
||||
auction.</p>
|
||||
|
||||
<p>"So what now?" DJ stood beside the lines of barrels in the storage hall, stacked on their ends in ranks that reached
|
||||
the far wall. The customs man for the island had signed them in to bond. Jack took DJ aside.</p>
|
||||
|
||||
<p>"We take what we need out of bond," he said.</p>
|
||||
|
||||
<p>"Can't do that. It's illegal."</p>
|
||||
|
||||
<p>Jack chuckled. "Sure we can. And it's not illegal, not the way we're going to do it."</p>
|
||||
|
||||
<p>He reached in to his inside pocket. DJ still had the customs docket in his hand, each barrel accounted for on a long
|
||||
printed list, its contents clearly marked out in gallons beside its own identifying stencil code.</p>
|
||||
|
||||
<p>"How many barrels?"</p>
|
||||
|
||||
<p>"Two hundred. And they're hogsheads."</p>
|
||||
|
||||
<p>"Excuse me, Mr distillery manager. I bow to superior knowledge of the trade. And let's have a bit of respect for the
|
||||
senior partner, if you please."</p>
|
||||
|
||||
<p>"Aye, and you can go take a flying fu......" DJ had put his redundancy money into this, and he was taking no
|
||||
nonsense.</p>
|
||||
|
||||
<p>Jack laughed aloud. It rang around the long store.</p>
|
||||
|
||||
<p>"Now, here's the miracle." He unfolded the sheet that Marge Burns had copied from the files at Aitkenbar. "Two
|
||||
hundred barrels, sorry hogsheads, at an average of thirty."</p>
|
||||
|
||||
<p>"The total's here," DJ said. "Six thousand. They're all carrying light for young spirit."</p>
|
||||
|
||||
<p>"That's what it says. Now see here."</p>
|
||||
|
||||
<p>Donny crowded in, looked at the sheet, which was an exact replica of the input paper except for the numbers in the
|
||||
columns.</p>
|
||||
|
||||
<p>"What's this?"</p>
|
||||
|
||||
<p>"This is what we've really got in those barrels."</p>
|
||||
|
||||
<p>Donny scratched his head in momentary puzzlement. "That's more than eleven thousand gallons. How do you work
|
||||
that?"</p>
|
||||
|
||||
<p>"Eleven sixty. That's five grand extra. We call that the Angel's Share. Somebody up there is really watching over us.
|
||||
They gave it right back."</p>
|
||||
|
||||
<p>"I still don't understand."</p>
|
||||
|
||||
<p>"This stays between us, just you and me, or this new venture goes down the tubes, right?"</p>
|
||||
|
||||
<p>Donny nodded seriously. "Not a word."</p>
|
||||
|
||||
<p>"Sproat was at the fiddle. And he thinks I am too. He had a customs scam going down south, but he just met somebody a
|
||||
little bit smarter. Now here we are, with three thousand free gallons, courtesy of your former boss. And there's
|
||||
nothing he can do about it."</p>
|
||||
|
||||
<p>"What do you want us to do?"</p>
|
||||
|
||||
<p>"Take every barrel and subtract what it says on that sheet from this sheet. Siphon it off and then just hammer the
|
||||
bungs back in again."</p>
|
||||
|
||||
<p>"Then what?"</p>
|
||||
|
||||
<p>"Then customs are happy. We have what we signed for, and the rest is ours."</p>
|
||||
|
||||
<p>"What will Sproat say?"</p>
|
||||
|
||||
<p>"What can he say?"</p>
|
||||
|
||||
<p>"And what do we do with the barrels then?"</p>
|
||||
|
||||
<p>Jack cocked his head. "Need to know DJ. You just store them for me until the time is right."</p>
|
||||
|
||||
<p>"Are you sure this is legal?"</p>
|
||||
|
||||
<p>"What <em>we're</em> doing is legal. Now we have our first batch, all for free, and that means we're into profit
|
||||
already. Twelve thousand litres, that can't be bad for a new business."</p>
|
||||
|
||||
<p>By one in the afternoon, DJ's team had started popping the bungs. The scent of young whisky was sharp in the air as
|
||||
the boys decanted the spirit into the tank, letting it slowly fill, a pool of light wavering gold.</p>
|
||||
|
||||
<p>Jack watched them for a while, savouring the fumes that competed with the sea breeze, as DJ checked off the barrels
|
||||
after the men hammered the bungs home on each of them, and then he asked if he could borrow the van.</p>
|
||||
|
||||
<p>"It's the company van Jack," he said, shrugging. "Just as long as you're insured."</p>
|
||||
|
||||
<p>He drove down the hill from the glen, taking the narrow little road that the flatloaders had struggled to negotiate,
|
||||
until he reached the flat pasture fields where the herd of jerseys lazily chewed the cud, udders pumped like pale
|
||||
bagpipes.</p>
|
||||
|
||||
<p>DJ's cousin Ronnie Munro met him at the modern production shed where the small factory had produced the strong island
|
||||
cheeses.</p>
|
||||
|
||||
<p>"You want to do business then?" Jack asked.</p>
|
||||
<hr />
|
||||
<p>The call came in at three, as Ronnie Munro shook hands with Jack on a deal that was just between the pair of them for
|
||||
now. He now had to wait for the word from Lars, get back to the lawyer, and see another man in Levenford to tie up
|
||||
some final loose ends.</p>
|
||||
|
||||
<p>DJ took the call at the distillery and spent an hour trying to get Jack on the mobile, but up here, with the high
|
||||
Cuillin Ridge blocking off all but the most powerful signals, the cellphone service was hit and miss. Finally he
|
||||
contacted his cousin Ronnie who handed the phone over.</p>
|
||||
|
||||
<p>"He says it's urgent."</p>
|
||||
|
||||
<p>"Hello?"</p>
|
||||
|
||||
<p>"Jack, is that you? We've been trying to find you for hours."</p>
|
||||
|
||||
<p>"Sandy? What's the matter?"</p>
|
||||
|
||||
<p>He listened, not saying a word, letting his uncle do all the talking. After a while he nodded, hunched over the
|
||||
phone.</p>
|
||||
|
||||
<p>"I'll be right down. Don't do anything and don't let anybody else make a move. Not a word to anybody. You know what
|
||||
I'm talking about." He put the phone back on the hook, breathing long and slow between pursed lips.</p>
|
||||
|
||||
<p>"Problem?" Ronnie was taller than his cousin, quicker on the uptake.</p>
|
||||
|
||||
<p>"Nothing for you to worry about," Jack said. "Listen, I have to get back down the road right now. You tell DJ I'll be
|
||||
back whenever I can."</p>
|
||||
|
||||
<p>"Have we still got a deal?"</p>
|
||||
|
||||
<p>"Sure we have," Jack said. He had his fingers crossed. He hoped he would have a deal to come back to, but there was
|
||||
no point in voicing misgivings right then. It took three hours to get back down and he had to force himself to stay
|
||||
under eighty all the way. There was no point either in skidding off the road or getting pulled over by the mountain
|
||||
cops, not today.</p>
|
||||
|
||||
<p>He got over the Skye bridge to the mainland driving at the limit down past Fort William and once he was through
|
||||
Glencoe, the phone chirruped, letting him know he was back in range again. He pulled into a lay-by.</p>
|
||||
|
||||
<p>"<em>Yack,</em> is that you?"</p>
|
||||
|
||||
<p>"Lars. Good to hear from you." The call broke into his thoughts, and he welcomed the interruption. His mind had been
|
||||
racing all the way down from the west, working out his next moves, trying them in his head like mental chess. "What
|
||||
can I do for you."</p>
|
||||
|
||||
<p>"You can give me half my boat back."</p>
|
||||
|
||||
<p>"Sure I will. As soon as you come up with the goods."</p>
|
||||
|
||||
<p>"You, that's who the damn Viking is." Lars started to laugh, big deep guffaws that made Jack pull the phone a safe
|
||||
distance from his ear. "You pillage and plunder with paper."</p>
|
||||
|
||||
<p>"Just getting our own back for Eric Bloodaxe," Jack went along with it.</p>
|
||||
|
||||
<p>"I got good news. The shaft, it was only a small twist, and just at the stern. They will have it fixed in two days.
|
||||
Can you be ready by then?"</p>
|
||||
|
||||
<p>"I hope so," Jack said. He'd been pressuring Lars to get out of dock and gone, and now he himself sounded
|
||||
hesitant.</p>
|
||||
|
||||
<p>"What you mean you hope so?"</p>
|
||||
|
||||
<p>"It means I hope I still have the whisky. The shit has just hit the fan down here."</p>
|
||||
|
||||
<p>"You better have the damn whisky Yack, You still have half my boat."</p>
|
||||
|
||||
<p>"Just you keep thinking happy thoughts. I'll get things sorted here and get back to you."</p>
|
||||
|
||||
<p>"You make me worry Yack. Should I worry?"</p>
|
||||
|
||||
<p>Jack eased round a long, slow bend, letting the big flatloader drift into it and the mountain's bulk suddenly cut off
|
||||
the signal, leaving Lars and his question unanswered.</p>
|
||||
|
||||
<p>"Nothing to worry about," Jack thought, repeating in his mind what he had said to Ronnie Munro. "Nothing for
|
||||
<em>you</em> to worry about."</p>
|
||||
|
||||
<p>Behind him, north and west, the sky was clear, turning a deep red beyond the high peaks as the sun began to sink.
|
||||
Ahead of him, big clouds were building darkly.</p>
|
||||
|
||||
<p>It was close to six in the evening when he finally turned up on his own doorstep.</p>
|
||||
<hr />
|
||||
<p>"Where in the name of God have you been?" Alice Lorne was drawn and pale. Sheena and Linda sat close, Linda with
|
||||
mascara smudged, Sheena bare of make-up as usual, lips moving to silent prayers on the rosary.</p>
|
||||
|
||||
<p>"I'm here now."</p>
|
||||
|
||||
<p>"My <em>God</em>, Jack Lorne. I haven't seen you for two weeks and now this happens." Sandy put his hand on her
|
||||
shoulder, making her hush.</p>
|
||||
|
||||
<p>"Give him a chance Alice. Let the boy catch his breath." Sandy was in denim overalls and his woollen hat. It hid his
|
||||
new hair colour. Jack looked at the table. Three cups, a half filled ashtray. A crumpled handkerchief. A book.</p>
|
||||
|
||||
<p>"Aw Mam, you haven't been smoking?"</p>
|
||||
|
||||
<p>"Don't you talk to me about smoking Jack Lorne. I want to know what this is all about."</p>
|
||||
|
||||
<p>"Me too, Mam." He sat down and put his hands on the table, looked up at Sandy.</p>
|
||||
|
||||
<p>"What's the score."</p>
|
||||
|
||||
<p>Alice pushed the book across the table. She had given up cigarettes ten years before, so the ashtray showed him she
|
||||
was really upset. That he could understand. He had to force down on the churning in his own stomach. It was time for
|
||||
thinking, not emotion.</p>
|
||||
|
||||
<p>"It's Michael's book."</p>
|
||||
|
||||
<p>He flicked the cover open. His brother's name was written on the fly-leaf.</p>
|
||||
|
||||
<p>"Where is he?"</p>
|
||||
|
||||
<p>"We don't know," Sandy said.</p>
|
||||
|
||||
<p>"Well, that's what we've got to find out first."</p>
|
||||
|
||||
<p>"Linda, be a pal and make me and Sandy another cup of tea, would you?"</p>
|
||||
|
||||
<p>She shot a look at her mother, drew him a dark and angry one that was so like himself it would have made him smile
|
||||
under other circumstances. </p>
|
||||
|
||||
<p>"Go on darlin' I'd love a cup." Sandy threw her a wink and Linda got up, filled the kettle and came back to the
|
||||
table."</p>
|
||||
|
||||
<p>"You and Sheena, give us a minute."</p>
|
||||
|
||||
<p>Sheena stopped muttering her hail marys. "He's our brother as well, you know. Where were you when he needed you?"</p>
|
||||
|
||||
<p>Sandy broke in again. "What matters is, he's here now. Go on, let Jack talk to your mum."</p>
|
||||
|
||||
<p>"No. They can stay. We're all family." Alice Lorne put her hands flat on the table.</p>
|
||||
|
||||
<p>"Right Jack." She looked him straight in the eye, measuring him up. "What's going on? What's Michael got to do with
|
||||
that Ferguson? Is this got anything to do with that leathering he got a couple of weeks ago?"</p>
|
||||
|
||||
<p>"He's got nothing to do with him. Ferguson wants me."</p>
|
||||
|
||||
<p>"What for? Do you owe him money? That man's a money lender. And I heard he sells drugs as well. Have you
|
||||
been....?"</p>
|
||||
|
||||
<p>"No, don't be daft Mam. I wouldn't touch him with a long stick and gloves on. It's just, just an argument. Something
|
||||
between him and me that needs sorted." </p>
|
||||
|
||||
<p>"I don't believe you."</p>
|
||||
|
||||
<p>"It's all I can tell you. But don't worry. I'll sort it."</p>
|
||||
|
||||
<p>"Just what are you up to? Where have you been?"</p>
|
||||
|
||||
<p>"I've been fixing up some business."</p>
|
||||
|
||||
<p>"Business? What kind of business? If it's the kind of business Ferguson's into, you better get yourself right out of
|
||||
it. I won't have it."</p>
|
||||
|
||||
<p> "No, Mam. I'm not doing business with that scum." What could he tell her? </p>
|
||||
|
||||
<p>"Was this why you gave me the money for Michael? That bank account?"</p>
|
||||
|
||||
<p>She was quick. He had inherited his height from his father. His dark colour and his brain he got from Alice
|
||||
Bruce.</p>
|
||||
|
||||
<p>"It doesn't matter. What matters is that I get this sorted out."</p>
|
||||
|
||||
<p>"I'm going to call the police. They could be doing anything to that boy."</p>
|
||||
|
||||
<p>Sandy broke in. "I never let her call."</p>
|
||||
|
||||
<p>"Good." Jack leant across the table, took his mother's hands in his own. "I don't think that's the thing to do,
|
||||
Mam."</p>
|
||||
|
||||
<p>"Why not? They're a bunch of animals, the whole lot of them. What right have they got to put their hands on him?"</p>
|
||||
|
||||
<p>"None at all. But leave it to me. I'll make sure he's okay."</p>
|
||||
|
||||
<p>"The police can sort them out. It's their job."</p>
|
||||
|
||||
<p>Sandy broke in again. "I don't think so, Alice. You listen to Jack."</p>
|
||||
|
||||
<p>She turned on him, quick as a cat. "You're in this as well, aren't you?"</p>
|
||||
|
||||
<p>Sheena was beginning to sniffle. "I'm going down to light a candle," she said. "Come on Linda. I don't want to hear
|
||||
any more of this."</p>
|
||||
|
||||
<p>Jack waited until they went, both of them flicking hurt, hard looks at him.</p>
|
||||
|
||||
<p>"You just let Jack handle this," Sandy said. "He'll fix it."</p>
|
||||
|
||||
<p>Alice put her head in her hands. A big tear built and spilt, trickling down her cheek. She looked younger than she
|
||||
was, older than she should. Jack shifted his chair closer and put an arm round her shoulder, pulled her closer
|
||||
still.</p>
|
||||
|
||||
<p>"You call the police and there's a chance he'd get hurt in the scramble. They won't hurt him."</p>
|
||||
|
||||
<p>"How do you know?" She was trembling under his hand, holding herself tight. For the first time he was aware how
|
||||
slight she was.</p>
|
||||
|
||||
<p>"Because they want me."</p>
|
||||
|
||||
<p>"For what?"</p>
|
||||
|
||||
<p>"That doesn't matter." He looked her back, keeping his eyes steady, forcing her to accept it, not liking the way he
|
||||
could dominate his mother. It made him feel cold and heartless.</p>
|
||||
|
||||
<p>"What are you going to do?"</p>
|
||||
|
||||
<p>"I'm going to make it better. I'm going to get him back."</p>
|
||||
|
||||
<p>This time she put the pressure on him, dark, like Linda, like himself. "You promise me Jack?"</p>
|
||||
|
||||
<p>"I promise, Mam. You know I'll do it."</p>
|
||||
|
||||
<p>He felt her fingers clench round his.</p>
|
||||
|
||||
<p>"And what about you? What's going to happen?"</p>
|
||||
|
||||
<p>"Don't you worry about me, Mam. I can look after myself."</p>
|
||||
|
||||
<p>"Sure you can Jackie." His stomach clenched. She hadn't called him that in a handful of years, not since he'd left
|
||||
school and started bringing in some money after John Lorne had collapsed halfway across River Street, dead before he
|
||||
hit the ground. "Sure you can. And you've been looking after yourself and the rest of us since you were younger than
|
||||
your brother." </p>
|
||||
|
||||
<p>Her grip tightened. The strength of it hurt his heart. "You've taken a lot on yourself, and I'm sorry for getting
|
||||
sharp at you."</p>
|
||||
|
||||
<p>"Nah, Mam. You'll have me bubbling. Now, what I'm going to do is have a talk with Sandy, and get this all sorted
|
||||
out."</p>
|
||||
|
||||
<p>He waited until the girls came back and then went out with Sandy. The clouds were building again, like they had on
|
||||
the night they'd raided Aitkenbar, but there was still a red sheen in the west. The air felt heavier, but it
|
||||
wouldn't rain yet.</p>
|
||||
|
||||
<p>"What happened?"</p>
|
||||
|
||||
<p>"I got a call. Michael must have said there was no point in calling your Mam's, but they sent his book to the house,
|
||||
just to make sure."</p>
|
||||
|
||||
<p>"Good for him. That means he's thinking. Who called?"</p>
|
||||
|
||||
<p>"Never gave a name. Said he was speaking for the man you met at golf. It wasn't hard to figure that out. He said your
|
||||
brother was paying them a visit, a kind of paying guest. They said they want you to get in touch."</p>
|
||||
|
||||
<p>"Did you say where I was?"</p>
|
||||
|
||||
<p>"I didn't know where you were, I just guessed. But no, of course I didn't. I just said you were out of town."</p>
|
||||
|
||||
<p>"Just as well you were in, then. You could have been round at Mrs Burns' place for the night, rattling the
|
||||
bones."</p>
|
||||
|
||||
<p>Sandy coloured, then managed a hard smile. It was the effect Jack wanted. Inside he was clenched with hot anger, but
|
||||
on the outside, he knew he had to be calm. It was all going to depend in him, on what he could do, and what he could
|
||||
persuade people to do. The long ride down from Skye had given him the time to think, and now he needed some more
|
||||
time to act.</p>
|
||||
|
||||
<p>"So what's the plan? They left a mobile number for you to call."</p>
|
||||
|
||||
<p>"Plenty of time for that," Jack said. "I'll call them tomorrow."</p>
|
||||
|
||||
<p>Sandy pulled back, but Jack had anticipated his surprise.</p>
|
||||
|
||||
<p>"Don't worry. They don't want Mike, so they won't hurt him. A couple of slaps and I'll get them back for that,
|
||||
believe me. They'll call you first, that's a given. When they do, you tell them I was in London, and I'm on a train,
|
||||
so I can't call them until I get back. That gives me some time to get myself organised."</p>
|
||||
|
||||
<p>"But it means young Michael will be left the night with them. Your Mam won't go for that."</p>
|
||||
|
||||
<p>"She'll go for it. You just make sure you stay close. I don't want any calls in or out of the house, so you'll have
|
||||
to take care of that. If you have to cut the wires, get the clippers out. We don't know where he is, so if we call
|
||||
in the gendarmes, he could get hurt, and even if he doesn't, they'll come at me again, and this time they won't take
|
||||
prisoners. Don't you worry about Mike, he's a lot tougher than he looks, and smarter than the pair of us. He'll sit
|
||||
tight and make them work for their money, and it'll be a good experience for him. Listen Sandy, they're just local
|
||||
neds, all shell suits and pit bulls; no class, no brain. No <em>finesse</em>. They've got muscle and mince where
|
||||
their brains should be."</p>
|
||||
|
||||
<p>"That doesn't stop them hurting the boy."</p>
|
||||
|
||||
<p>"There is no <em>them.</em> It's one man. Gus Ferguson. He's a shark, right? It's just a business to him. We know
|
||||
what he wants, because he wormed it out of Donny, and as long as we know what he wants, it gives us an edge."</p>
|
||||
|
||||
<p>"You're pretty sure of yourself."</p>
|
||||
|
||||
<p>"Learned it from you Sandy. You taught me chess, good books, and how to whistle at girls. And hopefully when I get to
|
||||
your age, I'll still be shagging women half my age."</p>
|
||||
|
||||
<p>"You're a cheeky bugger, Jack. I hope you got this right."</p>
|
||||
|
||||
<p>So did Jack Lorne.</p>
|
||||
<hr />
|
||||
<p>Angus Baxter had a couple of leads and he'd worked out how the big decant had been pumped out of Aitkenbar. He'd sent
|
||||
one of the team down to the quay to rumble the Corrieside boys just in case the rumour of the whisky auction down at
|
||||
the waterside had been connected. So far he'd nothing to show for it. The first sign of a question or a black shoe
|
||||
at that end of town usually precipitated an immediate dose of temporary amnesia and three monkey syndrome, which
|
||||
caused all senses to fail.</p>
|
||||
|
||||
<p>But the job had to be local, and for his money, it had to be inside, although there were other possibilities to be
|
||||
considered too. He had worked it out that the theft of the tankers from Levenford Dairy had been stage two. Stage
|
||||
one was getting the intricate plumbing work connecting the outflow to the fire inlet. They'd hidden the tankers
|
||||
somewhere, anywhere, probably not in this patch, kept them for a couple of days and then wheeled them out for the
|
||||
job. But to do all that, and to get inside Aitkenbar, they had to have local knowledge of both companies, their
|
||||
security, their business. That made it reasonable to assume that it had been inside work, completely or in part. The
|
||||
fish in the stream, that had been a mistake, but Baxter had worked out the why of it. Putting fish, even the wrong
|
||||
kind of fish, in the rivulet had been an attempt to reproduce the damage of the previous spill that had killed the
|
||||
tiddlers a couple of months back and earned Aitkenbar and environmental slap on the wrist. That could only have been
|
||||
known locally. It had made only an inside page in the Levenford Gazette, knocked off the front page by the news of
|
||||
impending job losses and a pretty spectacular accident up near Drumchapel where a local man had a head-on argument
|
||||
with a tree and came off decidedly second best. All the clues told him this had been a home baked affair.</p>
|
||||
|
||||
<p>So if it was local, and organised, who could have done it?</p>
|
||||
|
||||
<p>Baxter had spent the last couple of nights thinking long and hard. Sproat had called the police in the first
|
||||
instance, and that could have been a crude attempt at double bluff. The distillery owner was not out of the woods,
|
||||
not even close to the scrub, despite all his protests. If it had been an insurance job for quick cash, it had been
|
||||
an inside job that had failed. But if it had been simply an attempt to fleece the customs, then it could have
|
||||
worked. Angus worked it out that even at a big discount for risk, selling whisky without the burden of an eighty
|
||||
percent tax slice, that could be lucrative, but he had to balance that against the amount Sproat would make on prime
|
||||
spirit a quarter of a century old, packaged and marketed to the connoisseur. The scam came out slightly ahead, but
|
||||
it was still an either-way call.</p>
|
||||
|
||||
<p>Andy Kerr? He had a motive to screw Sproat, no doubt about that. Everybody knew the story, and when Baxter had gone
|
||||
over the books, it was written in easy-to-understand arithmetic. The land lease had come up for renewal, and Sproat
|
||||
had hiked the rent to a level that made Kerr's business so marginal that one lost contract could flush it down the
|
||||
bend and into the Clyde. Everybody knew Billy Kerr had taken his cut from the bottom and left his cousin in a lot of
|
||||
trouble, and his fiddling had never quite got to the stage of being reported as a crime. Andy knew, and the town
|
||||
knew, but it was a family thing. Could Kerr have had a go at Sproat, out of revenge, out of desperation? Another
|
||||
each-way call. Kerr could have done a deal for his own tankers, trying to keep the company afloat, and he could have
|
||||
used them to take from Sproat just as Sproat was taking from him. He'd need a team, people who could do the job, and
|
||||
while Baxter knew there were a couple of handy guys working in the creamery, he didn't know of anybody who would
|
||||
shit so heartily and so publicly in their own back yard.</p>
|
||||
|
||||
<p>It could have been neither of them. There was Gus Ferguson, who had his dirty fingers in every mucky deal from here
|
||||
to Barloan Harbour, and a big Irish fellow called Stick Milligan, from along Arden way who ran the franchise on the
|
||||
west of town and up as far as the Loch. Ferguson was a player, and every cop knew he ran the sharking and was the
|
||||
money behind all the smack and some snow that was coming in via Glasgow, but while he was dirty and he stank like
|
||||
the fish in the stream, he was cunning enough to keep the business at arms length and use his hired muscle.</p>
|
||||
|
||||
<p>Could he have done it? Set up the team, carried out the planning? Baxter was not so sure about that. He
|
||||
<em>would</em> have done it, sure. But it would take more than Cullen and Foley and the Corrieside wide-boys to get
|
||||
it done right. Baxter was sure of that.</p>
|
||||
|
||||
<p>The pressure was coming down from upstairs to get this one nailed and he was making very slow progress.</p>
|
||||
|
||||
<p>Big Angus Baxter was professional enough and sure enough to be able to walk between the pressure points and keep
|
||||
steady. But he'd better come up with something concrete pretty soon, just to stay on the safe side.</p>
|
||||
|
||||
<p>He sat down at his desk, puffing on the pipe, going through all his notes. The answer would be in there somewhere. He
|
||||
turned a page and somebody knocked on the frosted glass. Young Jim Balloch popped his head round.</p>
|
||||
|
||||
<p>"I've been through the local list of hires," he said, holding it up as if to prove it. "Nothing out of the ordinary,
|
||||
so I've spread it a bit out of the area. There could be something."</p>
|
||||
|
||||
<p>Inspector Baxter sat back. "Let me see it?"</p>
|
||||
|
||||
<p>Constable Balloch brought the papers across and put them on the desk.</p>
|
||||
|
||||
<p>"There was one hire, one day before the event. A diesel-powered water pump, silent mode, high capacity."</p>
|
||||
|
||||
<p>"How high?"</p>
|
||||
|
||||
<p>"Ten thousand gallons an hour, maximum."</p>
|
||||
|
||||
<p>"That would do the trick."</p>
|
||||
|
||||
<p>"And it's still out on lease," Jimmy Balloch said, pleased with himself. "And better still, it's a local hire."</p>
|
||||
|
||||
<p>"Let me see that." Baxter took the papers and held them up. He scanned the docket. "Never heard of them at all.
|
||||
You?"</p>
|
||||
|
||||
<p>The young detective shook his head. </p>
|
||||
|
||||
<p>"And where do you get the idea it's local? This is a Glasgow address."</p>
|
||||
|
||||
<p>"Sure it is. But I had a hunch and I took a turn round there, just to check, and it turns out to be an empty student
|
||||
flat. Nobody's stayed there since the end of the term. So I went to the post office, and guess what?"</p>
|
||||
|
||||
<p>"I'm not into guessing games, constable."</p>
|
||||
|
||||
<p>The smile faded just a little. "They got a redirect on the mail. Here's where it's been going."</p>
|
||||
|
||||
<p>He handed another sheet of paper across. Baxter looked at it and his eyebrows slowly reached for his hairline.</p>
|
||||
|
||||
<p>"Well done that man. That is a good piece of police work. But let's not go off half-cocked. You check them out. Do a
|
||||
company search and see who's who in the zoo. Soon as you have it, we'll have a chat. Keep it to yourself for the
|
||||
moment."</p>
|
||||
<hr />
|
||||
<p>Jack called an emergency session and they met late on Gillespie's boat when the last of the light was fading from the
|
||||
sky and after that there was no time to spare. </p>
|
||||
|
||||
<p>"We really needed this," Jed said.</p>
|
||||
|
||||
<p>"Is he okay?" Donny asked. He still had a bruise under his eye and bigger, purpling ones on his ribs and kidneys
|
||||
where they didn't show.</p>
|
||||
|
||||
<p>"He'll be fine," Jack said. "There's no point in hurting him. Ferguson won't do that unless he has to, and there's no
|
||||
point in pissing me off for no reason."</p>
|
||||
|
||||
<p>"Have you spoken to him?"</p>
|
||||
|
||||
<p>"No. When I do, he'll want everything fast. He thinks I'm still travelling, and that gives us time to get organised.
|
||||
I'll talk to him in the morning and we'd better be ready by then.</p>
|
||||
|
||||
<p>"What are you going to do?"</p>
|
||||
|
||||
<p>"We're going to have to give him something."</p>
|
||||
|
||||
<p>"Fuck that, man," Jed said. "We don't owe him a thing. I say we get some of the boys round and rough him up, teach
|
||||
him a lesson he won't forget."</p>
|
||||
|
||||
<p>"No," Ed said quietly. "He'll expect that, so he'll be team-handed. And even if we did, Mike could get hurt. And
|
||||
after that, word would be out and everybody would know. Jack's right. We have to give him something. See what he'll
|
||||
take."</p>
|
||||
|
||||
<p>"Good man." Jack was impressed again at Ed's quick assessment.</p>
|
||||
|
||||
<p>"That bastard will want it all," Donny said bitterly.</p>
|
||||
|
||||
<p>"Maybe," Jack said. "We'll have to see. But we might as well get things ready. Donny, I've a few more barrels on the
|
||||
truck. I want you to have a look at them too."</p>
|
||||
|
||||
<p>He brought out his notebook and began to detail what needed to be done. After half an hour, Neil sat back, cupped his
|
||||
chin in his palm.</p>
|
||||
|
||||
<p>"This was supposed to be easy money," he said. "But it gets harder all the time."</p>
|
||||
|
||||
<p>"Life's short and hard," Ed said. "Like a dwarf pumping iron." It got a wry smile.</p>
|
||||
|
||||
<p>Jed picked it up. "As one door shuts, another one slams in your face."</p>
|
||||
|
||||
<p>"Okay, I'm too tired for this," Jack said, pleased they were into the spirit. "I'm away to my bed, we got an early
|
||||
start."</p>
|
||||
|
||||
<p>"It's money and adventure and fame," Neil quoted in his fake accent. "It's the thrill of a lifetime and a long sea
|
||||
voyage that starts at six o'clock tomorrow morning."</p>
|
||||
|
||||
<p>"Earlier than that," Jack said. "Make sure you're awake."</p>
|
||||
|
||||
<p>A half-hour hour later, Jack Lorne let himself into Sandy's house. He went upstairs and stood on tiptoe to reach the
|
||||
catch on the loft hatch, eased it down and lowered the aluminium steps to the floor. He climbed up and in to the
|
||||
musty dark, using the flashlight to find his way around. He hadn't been up here since he was a kid, but he'd spent a
|
||||
lot of Sunday nights exploring the boxes his uncle kept up here, relics of his army days, and the times after that
|
||||
when he was on the merchant boats. It hadn't changed at all since then. The dust was just a bit thicker. </p>
|
||||
|
||||
<p>It didn't take him long to locate what he wanted, and he let himself out again, closed the door, and was back home by
|
||||
one in the morning. Nine hours later, four hours after he'd got up and got busy, Jack knew he couldn't delay it any
|
||||
longer. He put a call through to the number Sandy had been given.</p>
|
||||
|
||||
<p>"I want to talk to my brother," he said. </p>
|
||||
</div>
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
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||||
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|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
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|
||||
|
||||
<title>22</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
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|
||||
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|
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||||
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|
||||
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|
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|
||||
<h1>22</h1>
|
||||
|
||||
<p>They were on the move by eleven. The clouds had built up overnight, dull weight pressed low over the Cardross Hills
|
||||
and the big line of the crags on the northeast of town, making the air moist and heavy. A thin misty drizzle turned
|
||||
the whole town grey.</p>
|
||||
|
||||
<p>Donny and Neil looked dog tired, which was not unreasonable. They'd been working until first light and everything was
|
||||
set. The barrels were stacked on the loader from Aitkenbar, held in place by webbing belts and Neil had built the
|
||||
frame around them the way he'd done with the tanker, covering the whole load with tarpaulin. Donny had re-stencilled
|
||||
the barrels and used a soldering bolt to rework the brands on the heavy oak, following the numbers from the papers
|
||||
Jack had given him. It had taken them a good hour to load the barrels and get them set in place and Donny had
|
||||
checked and double checked to make sure they wouldn't shift in transit.</p>
|
||||
|
||||
<p>"Okay," Jack said. "Wagons ho."</p>
|
||||
|
||||
<p>Ferguson had been all smiles when he turned up at the yard in the morning. Cullen opened the gate and closed it
|
||||
behind him. Foley made a big play of patting him down, the way they did in the movies, and Jack knew if he'd been
|
||||
carrying, the big dope would have missed it. With Michael still out of sight, that would have been too risky. He
|
||||
wasn't here to fight.</p>
|
||||
|
||||
<p>The call had been brief and to the point. Ferguson was holding Michael and he didn't want to waste any time.</p>
|
||||
|
||||
<p>"Put my brother on," Jack had said.</p>
|
||||
|
||||
<p>"Fuck off. He's here. You get your arse down here pronto."</p>
|
||||
|
||||
<p><em>Mistake,</em> Jack thought. Ferguson was so sure of himself that he had told Jack what he had suspected already.
|
||||
They were holding him in the used car yard. He knew it well from the times he'd helped Jed pick up rally gear. In
|
||||
the early hours, before the dawn had backlit the swirling low cloud, he'd gone over his own diagram once more. </p>
|
||||
|
||||
<p>"How do I know he's there?" He had to make sure.</p>
|
||||
|
||||
<p>Through the phone he heard the sound of a flat slap, and winced. Michael yelled, cursed. Jack gritted his teeth.
|
||||
There would be time to think about that later on.</p>
|
||||
|
||||
<p>"Okay, okay," he forced the anger out of his voice, made it sound anxious. "I'll be there."</p>
|
||||
|
||||
<p>Michael was out of view when he arrived. Besides Ferguson and the usual shadows, there were a couple of others there,
|
||||
hard men from Corrieside. Jack knew them, Buzz Barclay, Face McQueen who'd had a run in with a heavy ballpeen hammer
|
||||
once that had crumpled his cheekbone and left him lopsided and wall-eyed.</p>
|
||||
|
||||
<p>"Down to business," Ferguson said. Jack watched him, stocky, but charged with energy, all set to make a big
|
||||
score.</p>
|
||||
|
||||
<p>"We don't do any business unless I see my brother," Jack said evenly. Ferguson looked at him, taking his time,
|
||||
pretending to decide. Jack knew he'd expected that.</p>
|
||||
|
||||
<p>"What the fuck. Come on in." Cullen opened the door to the workshop and stood back, letting Jack and Ferguson in
|
||||
together. The rest of the heavies followed. Michael was hunched on a plastic chair in a corner, next to the ramp. He
|
||||
got up quickly when they came in, and Jack saw the red weal on his face. Cullen clamped a hand to his shoulder and
|
||||
forced him back down. Jack gave him a look that told him to stay still. He forced his own face slack.</p>
|
||||
|
||||
<p>"Right. What do you want?"</p>
|
||||
|
||||
<p>"You know what I want. You got twenty five thousand gallons of hooch."</p>
|
||||
|
||||
<p>"No. We only got ten thousand. The rest went down the drain." Jack knew what Donny had told him, so he could take a
|
||||
chance.</p>
|
||||
|
||||
<p>"The cops say twenty five."</p>
|
||||
|
||||
<p>"That was in the tank. We couldn't take all of it, and we couldn't turn it off."</p>
|
||||
|
||||
<p>"That's a shame," Ferguson said. Disappointment was evident on his face but he recovered quickly. Donny Watson had
|
||||
jammed a container in the pipe to catch the outflow. "Well, whatever. Nice work, good plan. But now I want it."</p>
|
||||
|
||||
<p>"Not all of it." Jack knew he'd be expected to protest.</p>
|
||||
|
||||
<p>"Yes, all of it. You got no cards to deal. If you'd asked me if you could play, I'd only tax you fifty percent. But
|
||||
tough, that's business. You never asked."</p>
|
||||
|
||||
<p>"All of it's too much," Jack pushed the protest some more. "We took a big risk for it."</p>
|
||||
|
||||
<p>"Maybe you did, but like I said, tough shit. What are you going to do? Go to the cops? Big Baxter will sling your
|
||||
arse into Barlinnie. We'll come and visit."</p>
|
||||
|
||||
<p>Ferguson came right up to him, not as tall as Jack, but thick set, wide shouldered and solid. He could handle himself
|
||||
if he wanted.</p>
|
||||
|
||||
<p>"You get it down here, or I put his head in a vice. You ever see that movie? What's it called?."</p>
|
||||
|
||||
<p>"Casino," Foley told him. </p>
|
||||
|
||||
<p>Jack got the picture. He'd seen it. </p>
|
||||
|
||||
<p>"You're over a barrel, and just to let you know I'm serious," Ferguson said. He turned away and Jack followed him
|
||||
with his eyes.</p>
|
||||
|
||||
<p>The blow came from behind, a hard jab right on the kidney, plenty of weight behind it. He went down in a sudden
|
||||
explosion of pain and breath.</p>
|
||||
|
||||
<p>"Leave him alone," Michael bawled, leaping to his feet. Cullen slapped him down. Foley braced and swung a boot into
|
||||
Jack's belly, humping him up off the ground. He rolled, vomited bile and dribbled blood from where he'd bitten his
|
||||
tongue, got to his knees. He held a hand out at Michael, palm forward, shoving the air. Michael took the silent
|
||||
instruction, and sat down.</p>
|
||||
|
||||
<p>"That's for the fucking golf club," Foley said. He bent and grabbed Jack by the collar and he and Face McQueen hauled
|
||||
him to his feet.</p>
|
||||
|
||||
<p>Ferguson jabbed a finger. "Any time this morning will be just fine. Okay?"</p>
|
||||
|
||||
<p>Jack nodded, hauling for breath, shoulders down, beaten. </p>
|
||||
|
||||
<p>"What about my brother?"</p>
|
||||
|
||||
<p>"Straight swop. Make a mistake and he gets hurt. And you know I mean <em>damage</em>."</p>
|
||||
|
||||
<p>"Right. I'll bring it. Give me an hour."</p>
|
||||
|
||||
<p>"Smart man," Ferguson said, clapping him on the shoulder, really pleased with himself. This would be the easiest pile
|
||||
he'd made this year.</p>
|
||||
|
||||
<p>Jack looked at Michael. "You stay cool Mike. I'll be back."</p>
|
||||
|
||||
<p>"Fuckin' Schwarzenegger," Foley said. He slapped Jack casually on the back of the head, like an adult chastising an
|
||||
insolent child, and the pair of them hauled him through the open doors and led him to the gate. They said nothing as
|
||||
it closed behind him.</p>
|
||||
|
||||
<p>Jack closed his eyes, getting his breath. Mike was fine, apart from the slap in the face, and he was holding up. He
|
||||
flipped the hinge on the mobile, called his mother.</p>
|
||||
|
||||
<p>"I've seen him, Mam, and he's fine. There's not a mark on him." A white lie, but Mike could take a slap or two with
|
||||
no real damage done. Ferguson would know just far he could go before it got out of hand and there was no percentage
|
||||
in going further and hurting the boy.</p>
|
||||
|
||||
<p>She burst into tears on the other end and he was glad he'd called, rather than going round.</p>
|
||||
|
||||
<p>"I'll have him home in the afternoon."</p>
|
||||
|
||||
<p>They had the barrels filled and it hadn't been easy. Tam had managed to get a roll of blue plastic water pipe and
|
||||
somehow coupled it to the pump. He ran it through the chain link fence, past the pallets of bricks and along to the
|
||||
corner where the big tanks still stood. He used a circular immersion heater bit to make a hole in the resin and fed
|
||||
the hose inside. Neil started the pump and they sucked up what they needed.</p>
|
||||
|
||||
<p>For all that work it took them only eight minutes to get enough whisky into the two barrels, and that was all Jack
|
||||
wanted. Donny had sorted out the rest of them before dawn, and they were stacked and ready to go. All they had to do
|
||||
was manhandle the pump onto the trailing edge of the flatbed and Jed curtained the tarpaulin over the frame. To the
|
||||
casual observer, the rig looked like any longhauler. Jack took the duct tape they'd used to mend the hose on raid
|
||||
night, climbed up on the cab and worked quickly, stripping the tape off and laying sections behind the curve of the
|
||||
roof.</p>
|
||||
|
||||
<p>"I want to come in with you," Donny said.</p>
|
||||
|
||||
<p>"No," Jack said. He finished off, climbed down. "Best if I go on my own."</p>
|
||||
|
||||
<p>"I'm not scared," Donny protested, clearly lying. He was scared and so was Jack Lorne. He just hoped he had judged
|
||||
his man correctly.</p>
|
||||
|
||||
<p>"And I have to go in with you. I set up the barrels, and you'll need a hand."</p>
|
||||
|
||||
<p>Jack looked at him, pondering. He could hear the apprehension in Donny's voice, and he didn't want him to freeze at
|
||||
the wrong moment, but there was value in what he said. Donny was desperate to make up for all this. He needed to
|
||||
make amends, and that drive might be stronger than the fear. In any case, he knew the load and what needed done.</p>
|
||||
|
||||
<p>"Okay, fine. You come with me." He turned to the others. Jed and Ed, you better get moving. Neil, you got the
|
||||
gear?"</p>
|
||||
|
||||
<p>"Sure. Everything's cool."</p>
|
||||
|
||||
<p>"Good. Get climbing." He patted Neil on the back, winked at Ed. "Wagons ho."</p>
|
||||
|
||||
<p>The big hauler started at first turn and sneezed a cloud of black smoke. Jack let the handbrake off and eased it
|
||||
forward, pulling out of the side street that led down to the boatyard, and headed up towards the old bridge. Once
|
||||
over, he made his way to the east side of town, taking it easy, to attract no attention. A patrol car sat quiet on
|
||||
Quay Street, not far from where Donny had punted his eighteen bottles of whisky, and Jack took a quick glance. It
|
||||
was the same two beat men who had stopped at the pump on the night of the raid and almost given them collective
|
||||
thrombosis.</p>
|
||||
|
||||
<p>Ferguson had a man on the corner and he banged on the big gate as soon as the loader turned along the narrow lane
|
||||
that followed the line of the high wall on the east side of the yard. There was only one way in here, which might
|
||||
have suited Ferguson. Now it suited Jack Lorne. One way in and one way out. A dead end.</p>
|
||||
|
||||
<p>The brakes snorted as he slowed the approach and he had to swing right to the opposite wall to get the nose through
|
||||
the entrance, whipping the wheel fast and taking the rig right at speed past the service bay where they'd held Mike,
|
||||
deliberately scattering the small group who stood in the yard centre so that he could manoeuvre the load into the
|
||||
space on the far side. It was exactly as he remembered it. Mentally he pictured the sketch he'd made of the place
|
||||
and glanced upwards towards the block of high flats towering on the other side of the river. He imagined he saw a
|
||||
flash up there on high, but with the low cloud, there was not enough light for that. He just hoped Neil had a good
|
||||
view. They had to depend on his eyes.</p>
|
||||
|
||||
<p>Neil watched the truck approach and smiled to himself. The light frame he'd designed held its shape and the tarpaulin
|
||||
stayed taut, so that nobody could guess what was underneath. He saw the group on the centre as the gate swung wide
|
||||
and had another smile when he saw them jink out of the way as the big loader hauled in. The binoculars had a little
|
||||
spindle on the right side and when he thumbed it down, the whole scene zoomed into sharp detail. Ferguson was close
|
||||
to the bay door, with Cullen and Foley. </p>
|
||||
|
||||
<p>Jack stopped and opened the door. Donny was out of sight in the back, as planned, staying quiet, which wouldn't be
|
||||
easy for him, but Jack knew he would put his heart into this to make up for before. He stood on the plate and stole
|
||||
a quick check glance at the roof. The lump under the duct tape seemed very conspicuous from here, but the chances of
|
||||
any of them climbing on top of the cab were remote. If his uncle knew he'd been up in the loft and swiped the big
|
||||
old Italian gun, he'd be far from pleased, but Jack needed that protection. With six of them waiting, he had to be
|
||||
able to control the moves. The second last thing he had done, early in the morning, had been to thumb the shells
|
||||
from the biscuit tin, one by one, into the magazine, and slam it home. The last thing had been to click the safety
|
||||
clip to off. He didn't want to fumble.</p>
|
||||
|
||||
<p>He climbed down to the ground, mouth dry. It all depended on Neil, and Donny. Hell, it depended on them all.</p>
|
||||
|
||||
<p>Neil watched from the high vantage, lying flat. On the near side of the yard wall, another truck rolled up to the
|
||||
corner of Castle Street, did a complicated reverse and trundled back until it reached the lamp post. He had to force
|
||||
himself to wait a few minutes more as Jack crossed the yard, taking it slow. Finally he reached for the mobile and
|
||||
called the number.</p>
|
||||
|
||||
<p>"I want to speak to Detective Inspector Angus Baxter," he said, in the accent he'd developed for Little Shop of
|
||||
Horrors. It was awful.</p>
|
||||
<hr />
|
||||
<p>They hit Tim Farmer's house with a search warrant and gave the old fellow the second biggest fright of the year.</p>
|
||||
|
||||
<p>He was on the toilet when the door caved in with such a crash that he fell off the pan and got jammed between it and
|
||||
the bath, gasping for breath, his face the dangerous purple it had achieved in Majorca after heated sessions with
|
||||
Gordon McLaren's wife. They found him there and hauled him out, skinny legs trembling, and Angus Baxter made them
|
||||
brew up a cup of tea for him, just in case the old fellow did peg out. It would look bad if they hadn't tried to be
|
||||
courteous after kicking the door off its hinges.</p>
|
||||
|
||||
<p>"I'm telling you, it was a mistake. The postman said it came to the wrong address."</p>
|
||||
|
||||
<p>"What postman?"</p>
|
||||
|
||||
<p>"The one that was here the other day. Jesus, you nearly gave me a fit and a bad turn, so you did. Look at the state
|
||||
of my door. I been on syrup of figs for the past week, and I'll never need them again, I can tell you. You turned my
|
||||
arse inside out."</p>
|
||||
|
||||
<p>The old fellow was feisty enough. Angus showed him the papers.</p>
|
||||
|
||||
<p>"You know this company?"</p>
|
||||
|
||||
<p>"FF Enterprises. Never heard of them."</p>
|
||||
|
||||
<p>"They have an address up in Glasgow. Maryhill Road, you know it?"</p>
|
||||
|
||||
<p>"I told you, I never heard of them. I know Maryhill Road. That's where Partick Thistle play. Been there a couple of
|
||||
times, useless bastards. Can't kick, can't pass, never win. Waste of space."</p>
|
||||
|
||||
<p>"What I'm trying to understand is, why they had their mail redirected to this address."</p>
|
||||
|
||||
<p>Baxter looked at the old fellow. He was still waiting for Jimmy Balloch to come back with the company search which
|
||||
would tell them who was who in FF Enterprises, <em>if</em> they were registered. Normally a search would take ten
|
||||
minutes on the net, but for a new company, it would take longer. He'd despatched Balloch up to Company House in
|
||||
Glasgow, but he'd still heard nothing yet.</p>
|
||||
|
||||
<p>The old man sipped his tea. The flutter of his hands had settled down the Richter scale to a mere tremble that
|
||||
rattled cup on saucer.</p>
|
||||
|
||||
<p>"Well?"</p>
|
||||
|
||||
<p>"Well what?"</p>
|
||||
|
||||
<p>"I asked why they had the mail redirected."</p>
|
||||
|
||||
<p>"No you didn't"</p>
|
||||
|
||||
<p>"Yes," Angus said patiently. He took out his pipe and clamped it between his teeth. "I did."</p>
|
||||
|
||||
<p>"No. You said you was wondering why they did it. That's not asking a question, so don't you get smart with me young
|
||||
fella, not when you and those numpties have kicked my door down. And I want to see a right good job of getting it
|
||||
fixed, mind. And a new lock an' all. One of them mortise security ones with deadbolts. I'm fed up with folk just
|
||||
coming and going as they please. You're as bad as the last lot."</p>
|
||||
|
||||
<p>"Oh? What lot would that be?"</p>
|
||||
|
||||
<p>"I had a couple of them break in the other night. Thought it was that daft Gordon Mclaren come for a set to over his
|
||||
missus, the bitch. Great in the sack, mind you, so she was, but a damn gold digger if you ask me. You ask me again,
|
||||
I think she was trying to get me to pop an artery. Tell you something, she nearly did, but it was worth it while it
|
||||
lasted."</p>
|
||||
|
||||
<p>Baxter flicked the lighter.</p>
|
||||
|
||||
<p>"And don't you smoke in here either. Bad enough you give me a heart attack and make me shit my pyjamas without I get
|
||||
that damn cancer as well. Does your <em>mother</em> know you're out?"</p>
|
||||
|
||||
<p>Angus put lighter and pipe on the table.</p>
|
||||
|
||||
<p>"Sorry. Tell me about these people you say broke in."</p>
|
||||
|
||||
<p>"What's there to tell you? I threw a big stookie vase at them and saw them off. I might be knocking on, but I'm no
|
||||
pushover. You ask Meg McLaren."</p>
|
||||
|
||||
<p>Angus leant forward, needing to know more, when his mobile rang.</p>
|
||||
|
||||
<p>Neil made the call. It was all down to timing now. He had the binoculars trained on the scene in the yard. He waited
|
||||
while the operator put him through to CID and he listened to the hum on the line. Somebody picked it up.</p>
|
||||
|
||||
<p>"Mr Baxter?"</p>
|
||||
|
||||
<p>"No. he's out. Can I take a message?"</p>
|
||||
|
||||
<p>"No, you can't. I need him personally."</p>
|
||||
|
||||
<p>"Who's calling?"</p>
|
||||
|
||||
<p>Neil kept up the accent. "It's just somebody with some information. It's very urgent that I speak to him right
|
||||
now."</p>
|
||||
|
||||
<p>"I'll have to take your number."</p>
|
||||
|
||||
<p>Neil felt his heartbeat skip a beat. This could fall at the first hurdle just because of a missed connection. He felt
|
||||
a little panic rise in his chest.</p>
|
||||
|
||||
<p>"No, you can't take my bloody number. I told you it was fuckin' urgent." The accent had started to slip already.</p>
|
||||
|
||||
<p>"No need to take that tone sir. And I don't appreciate the language either. Now, can I have your name? </p>
|
||||
|
||||
<p>Down there Jack was on his own. Neil felt like shouting, but he forced his voice to be steady.</p>
|
||||
|
||||
<p>"No, you can't take my name either. Give me Inspector Baxter's mobile."</p>
|
||||
|
||||
<p>"I can't do that sir."</p>
|
||||
|
||||
<p>"Fuck!" Neil couldn't help it.</p>
|
||||
|
||||
<p>"Sir, I did mention the language."</p>
|
||||
|
||||
<p>"Listen. And listen carefully." Down there Jack had reached the group of men. Ferguson was walking with him towards
|
||||
the back of the truck. Jack pulled back the tarpaulin. From up here the little pump was a dull red, squat on the
|
||||
back of the loader.</p>
|
||||
|
||||
<p>"It's that whisky they stole from the distillery. Thousands of gallons? I know where it is right now, and if you
|
||||
don't get me through to your boss, <em>right now,</em> it's going to disappear. I'm going to call you back in two
|
||||
minutes, okay? And when I do, you better patch me through to him or he's never going to get his hands on it. By the
|
||||
way, what's your name?"</p>
|
||||
|
||||
<p>"Well well." Ferguson was almost expansive when Jack pulled the tarpaulin back from the end of the loader. "What's
|
||||
this?"</p>
|
||||
|
||||
<p>"That's the pump we used to get it out."</p>
|
||||
|
||||
<p>"Neat. Well, we don't need that." He climbed on the back and motioned to the others to shift the equipment. They
|
||||
unloaded it right behind the truck.</p>
|
||||
|
||||
<p>"Give me a jemmy," he called down to Cullen. "And a length of window-washer tubing."</p>
|
||||
|
||||
<p>He might have been strong, but he knew nothing about popping a bung. He worked on it for five minutes, cursing as he
|
||||
did. Finally Jack asked for the jemmy. He had no time to waste here. He took the bar, rapped the curve end on either
|
||||
side, six or seven times, setting up a vibration. He jammed the sharp end in, levered fast and the little beechwood
|
||||
puck flipped away to roll on the ground. Ferguson nodded his appreciation, fed in the clear plastic pipe and sucked.
|
||||
Cullen handed him a bucket and they watched it slowly fill. Ferguson took a mouthful, swallowed, nodded.</p>
|
||||
|
||||
<p>"Good stuff. That's the very stuff. I think I'll accept the whole delivery."</p>
|
||||
|
||||
<p>In the back, behind the barrel stack, Donny listened, braced in the little hollow right at the top of the pile. He
|
||||
could hear them pop the barrel, a sound he'd recognise in his sleep, and then he picked up the scent of fresh air
|
||||
and whisky. Ferguson spoke, Jack spoke back. Somebody laughed.</p>
|
||||
|
||||
<p>A jagged cramp started to twist in his calf.</p>
|
||||
|
||||
<p>Angus Baxter answered the phone, turning away from the old man who glared at him over the top of his teacup.
|
||||
Constable Jimmy Balloch spoke into his ear.</p>
|
||||
|
||||
<p>"You'll never believe it," he started.</p>
|
||||
|
||||
<p>"I might if I hear it," Baxter said, automatically reaching for his pipe. Old Tim Farmer slapped his wrist and the
|
||||
inspector drew back, a massive man with the response of a chastised boy.</p>
|
||||
|
||||
<p>"FF Enterprises. They set up business only three weeks ago, brand new, which is why they're not on the system. But I
|
||||
have it here. They're registered office is in Maryhill Road, and the post office confirm the company had the mail
|
||||
redirected."</p>
|
||||
|
||||
<p>"Yes, we know all that already," Baxter said. "So what is it I won't believe?"</p>
|
||||
|
||||
<p>"It's a limited company, with three directors. You'll love this." Jimmy spun it out, so pleased with himself he
|
||||
couldn't sense his boss beginning a slow burn on the other end. Baxter forced himself not to light the pipe or bark
|
||||
down the line.</p>
|
||||
|
||||
<p>"One Fergus Ferguson, home address, Brewery Lane, Levenford."</p>
|
||||
|
||||
<p>"Gus Ferguson!" Baxter allowed himself a smile. "And that's not his home address. That's the used car yard. Who are
|
||||
the others?"</p>
|
||||
|
||||
<p>"Seamus Cullen and Anthony Foley."</p>
|
||||
|
||||
<p>"The usual suspects," Baxter said. "Bring me the paperwork."</p>
|
||||
|
||||
<p>He ended the call. Tim Farmer looked at him expectantly.</p>
|
||||
|
||||
<p>"So who's going to fix my door then?"</p>
|
||||
|
||||
<p>Baxter would have repaired it himself, now that he had a name in the frame. Ferguson was one contender for the
|
||||
Aitkenbar Distillery job, but Baxter had relegated him down the list. He had been sure the dirty little dealer
|
||||
didn't have the brain for it. He was strictly a heavy. The inspector shrugged to himself. Everybody could get it
|
||||
wrong now and again.</p>
|
||||
|
||||
<p>He was about to respond, when the patrolman, knocked on the door and came in holding his radio. "I've just had a
|
||||
message. Can you call the ops room?"</p>
|
||||
|
||||
<p>"I'm busy at the moment," he said.</p>
|
||||
|
||||
<p>"They said it's urgent, sir. Very urgent."</p>
|
||||
|
||||
<p>Jack heard the grunt at the back of the load. The muscles all down the back were bunched with tension and all his
|
||||
senses were wound up tight. <em>Don't screw it now, man.</em> He scratched his head through the woolly hat. Ferguson
|
||||
heard something, looked round, Jack waded in.</p>
|
||||
|
||||
<p>"Are you quite happy now?"</p>
|
||||
|
||||
<p>"Is this is all of it?" Jack nodded. There was no chance Ferguson knew how much a hogshead could take. Stacked four
|
||||
deep, the load looked like an immense amount of whisky. But there was less than a hundred gallons on board. And they
|
||||
had stacked them so that only the first two barrels held any of the good Glen Murroch from Aitkenbar, filling only
|
||||
plastic containers Donny had built into them. The stack behind them were filled with a mix of the cheap young scotch
|
||||
that DJ had drained off up on Skye heavily diluted with tap water. Jack had taken a risk, but it stood to reason
|
||||
that Ferguson wouldn't open them all and even if he did, all he'd smell would be whisky. There hadn't been time for
|
||||
Jack to lay a perfect scam. He'd been down south in London, hadn't he?</p>
|
||||
|
||||
<p>"So, I want my brother now." He couldn't help a glance at the high flats. Up there, the low cloud was swirling around
|
||||
the winking red flight warning light. He hoped it would not obscure the view completely. They were getting right
|
||||
down to the wire.</p>
|
||||
|
||||
<p>Donny squeaked. Ferguson paused again, looked towards the back of the truck, then shook his head. It sounded enough
|
||||
like metal in the engine. Jack cursed silently.</p>
|
||||
|
||||
<p>Ferguson cocked his head at Cullen who went back into the bay and brought Michael out, gripping him by the back of
|
||||
the neck. Mike tried to swing a punch at him, but he still didn't have the weight for it. He saw Jack and went still
|
||||
when he caught his brother's eyes. He had a big bruise under his eye, curving round his temple and Jack forced the
|
||||
surge of fury down to a tight ball. </p>
|
||||
|
||||
<p><em>Mam, she'll kill me.</em> He forced himself to keep his mouth shut. This was no time for bravado and heroic
|
||||
gestures. The clear part of his brain, the part that played the fast chess against Sandy, was counting off the
|
||||
seconds. </p>
|
||||
|
||||
<p>"Maybe I should hold on to him a while longer, just until we get this stuff out of here."</p>
|
||||
|
||||
<p>"We did a deal."</p>
|
||||
|
||||
<p>"No, son. There was no deal, remember? You just did what I told you. Now, once you're out of here, why should I trust
|
||||
you? You could call the cops."</p>
|
||||
|
||||
<p>Jack wasn't surprised. He'd have done the same. He dug into his shirt pocket and pulled out the little phone. Mike
|
||||
watched him silently, knowing to keep his mouth shut. </p>
|
||||
|
||||
<p>"I don't have to call the cops." He made a show of checking the time. "I don't make a call in five minutes, somebody
|
||||
else calls them. You got the stuff here."</p>
|
||||
|
||||
<p>"You'll go down as well."</p>
|
||||
|
||||
<p>"So, we all go down together, and you get done for kidnap." Not quite checkmate, but better than stalemate. Ferguson
|
||||
was stuck. He rubbed his chin with his free hand, eyes glittering and angry. Foley took a step back, just in case.
|
||||
The crowbar was within easy reach and Ferguson could sometimes just explode.</p>
|
||||
|
||||
<p>Jack waggled the phone.</p>
|
||||
|
||||
<p>"Okay. Okay." He turned to Cullen. "Reverse that over to the door. We don't want to hang around here with this
|
||||
lot."</p>
|
||||
|
||||
<p>He grabbed Michael by the shoulder, making him wince, taking his temper out in that one savage grip. The youngster
|
||||
made no sound and Jack was proud of him.</p>
|
||||
|
||||
<p>Neil was in a real panic. He'd timed the two minutes to the second and then got a voice telling him lines were
|
||||
engaged and he was in a queue. He thumped the roof bitumen with the heel of his hand, the cloud was lowering now and
|
||||
the drizzle up here falling in a continuous spray, making the view through the binoculars hazy and indistinct.</p>
|
||||
|
||||
<p>Murphy's law. Jack had got it right: <em>If things can go wrong, they will.</em></p>
|
||||
|
||||
<p>Ed had it closer.<em> Murphy was a rose-tinted optimist.</em></p>
|
||||
|
||||
<p>A woman's voice came on.</p>
|
||||
|
||||
<p>"CID please."</p>
|
||||
|
||||
<p>It took another ten slow rings before the phone was picked up. He recognised the voice.</p>
|
||||
|
||||
<p>"It's me again." The fake accent had to work because they'd be taping this, Jack had told him. "Did you get the
|
||||
inspector"</p>
|
||||
|
||||
<p>"He's still out, but I've got somebody standing by." The seconds ticked on and Neil's heart started began to pick up
|
||||
speed.</p>
|
||||
|
||||
<p>The woman came on again. "Putting you through now."</p>
|
||||
|
||||
<p>"Inspector Baxter?"</p>
|
||||
|
||||
<p>"This is he."</p>
|
||||
|
||||
<p>Neil started talking, very fast. But his appalling accent went the distance.</p>
|
||||
|
||||
<p>The phone rang in Jack's hand. Everybody froze. He held it up and Ferguson nodded, bending to pick up the black steel
|
||||
jemmy. Michael was only yards away from him and Jack waited until he reached his side. In the back, Donny heard the
|
||||
sound and braced himself against the barrels, trying to ignore the pain in his calf muscle.</p>
|
||||
|
||||
<p>"Elvis calling Retro. <em>Roxanne</em>."</p>
|
||||
|
||||
<p>Jack smiled. Neil was trying to be funny, but he knew Jack would get it right away. No red light. That meant green
|
||||
for go.</p>
|
||||
|
||||
<p>"Who the fuck's that?" Ferguson wanted to know.</p>
|
||||
|
||||
<p>"It's just Elvis, calling from up there." He pointed at the skyline.</p>
|
||||
|
||||
<p>"Smart cunt," Foley said. He looked a question at Ferguson, ready for action.</p>
|
||||
|
||||
<p>"Just kidding. Wrong number," Jack said. He had Michael by the cuff now and pulled him closer towards the cab. "I'll
|
||||
just get my jacket."</p>
|
||||
|
||||
<p>Very quickly he turned to his brother, keeping his back to the others. "Stand there," he hissed, "and don't move a
|
||||
muscle."</p>
|
||||
|
||||
<p>Finishing the turn, he stepped on the plate, reached up for the handle and clambered in the open cab door. Michael
|
||||
stood straight, not moving any of his muscles. </p>
|
||||
|
||||
<p>Just then somebody hammered on the big yard door, hard fast thuds.</p>
|
||||
|
||||
<p>Jack turned the key and the engine roared. He floored the accelerator, not bothering to close the door, slammed the
|
||||
stick into reverse and let the clutch out. The truck shot backwards.</p>
|
||||
|
||||
<p>Inside Donny yelped as the nearest barrel the other way a couple of inches, crushing his thumb against a stanchion.
|
||||
But over the noise of the engine, and the wool of his balaclava, it was drowned right out. Michael stood there,
|
||||
frozen, wondering what Jack was doing.</p>
|
||||
|
||||
<p>The rig careered backwards and scattered Ferguson and the rest of them, knocked the pump two metres. Ferguson bawled
|
||||
a string of curses, Cullen jerked away. Buzz Barclay was standing pretty close and the nearest of the twelve wheels
|
||||
went over his toes. He screeched in pain just as the back end went crashing through the bay door with a sound like
|
||||
an explosion.</p>
|
||||
|
||||
<p>Jack glanced down at Michael, slammed the stick into drive as soon as the rig hit and it virtually jumped forward.
|
||||
The barrel just behind the cabin rolled backwards, freeing Donny's thumb. The tip was crushed flat and it oozed dark
|
||||
bruised blood.</p>
|
||||
|
||||
<p><em>Shit!</em> He was missing it. He pulled the carpet knife from his belt, got the hook round the holding strap,
|
||||
ignoring the sudden flare of agony in his thumb. He slashed upwards, once, twice and the tension in the weave
|
||||
snapped the lashing like a guitar string.</p>
|
||||
|
||||
<p>Over the sound of splintering glass and wood, the hammering at the door came again like bass drumbeats. Jack was too
|
||||
busy, but Michael heard it.</p>
|
||||
|
||||
<p>"This is the police." A voice on a PA system. "We have a warrant to search the premises. Open up immediately."</p>
|
||||
|
||||
<p>Ferguson spun away from the truck towards the door.</p>
|
||||
|
||||
<p>Jack hit the pedal hard and the loader launched itself towards the space where it had been before. Michael stood
|
||||
still, pale face, wide eyed. It missed him by a mere foot and Jack held it on the line until it went straight up to
|
||||
the corner beside the tall brick wall. The forward momentum shunted the load of barrels backwards. Donny grabbed the
|
||||
wooden mallet and slammed it against the peg holding the stay-rope he'd rigged to the frame. He put all his weight
|
||||
behind it, not trusting to finesse. The thin peg snapped at the end and the pull on the rope jerked it backwards.
|
||||
The single vee-wedge under the curve of the back barrel shot out like a missile. It missed Face McQueen's good cheek
|
||||
by a half inch.</p>
|
||||
|
||||
<p>As soon as the wedge launched out, the whole load started to move. Donny knew barrels and he'd worked on this lot
|
||||
since before midnight. The top shifted, as if just settling, and he pulled backwards, scrambling out from the
|
||||
tarpaulin, grabbing for the stanchion on the back of the cab roof. Just as he did so, the supporting barrel shot out
|
||||
from under him. He held tight to the mallet with one hand. </p>
|
||||
|
||||
<p>Ferguson whirled towards the door. Cullen was running towards the truck. Buzz Barclay was bawling and hopping around
|
||||
on one leg.</p>
|
||||
|
||||
<p>The first barrel tumbled out and hit the pump with a sound like a cannon-shot. Immediately the steel hoop that Donny
|
||||
had rasped down in the night snapped on its weak edge, sending two vicious curves of metal whooping through the air.
|
||||
One went straight over the big gate. Out there somebody yelled and a sound of breaking glass followed. The pump
|
||||
crumpled under the shock.</p>
|
||||
|
||||
<p>The barrel exploded in a golden eruption. The curved staves blossomed open and the amber liquid blasted outwards,
|
||||
sweeping the foot from Buzz Barclay, knocking him into the flood.</p>
|
||||
|
||||
<p>"Jesus <em>fuck!</em>" Ferguson spun back like a pit bull, unable to decide who to go for first.</p>
|
||||
|
||||
<p>The second barrel rolled out and the whole stack sagged forwards. The third barrel hit the second, knocking it to the
|
||||
side. Donny had not touched these. The kegs stayed intact, but the fourth and fifth shot out like skittles, end over
|
||||
end, and the bottoms spun off like wheels, pouring a hundred gallons across the ground and through the wreckage of
|
||||
the bay doors.</p>
|
||||
|
||||
<p>A noise like thunder rolled out from the truck and Donny swung over the edge and down the side as the framework
|
||||
collapsed on itself and the rest of the barrels cascaded, tumbling and rolling, off the back of the lorry, breaking
|
||||
up as they did, sending staves whirling across the yard. Harsh fumes filled the air.</p>
|
||||
|
||||
<p>"You, bastard! Where do you think you're going?"</p>
|
||||
|
||||
<p>Seggs Cullen reached for Donny as he clambered down from the back. Jack was up on the cab, a foot hooked on the
|
||||
window edge, reaching across the curve of the roof.</p>
|
||||
|
||||
<p>"Watch out," Michael suddenly broke his silence.</p>
|
||||
|
||||
<p>Donny spun just as Cullen was reaching for him. Whether by accident or design, as he turned the wooden mallet came
|
||||
swinging upwards and caught Cullen right on the chin. His head snapped back so fast you could almost hear his neck
|
||||
crack. The second swing was no accident. Donny used his two hands this time, pivoting on one foot. The head took
|
||||
Cullen on the top of the thigh just as he was tumbling backwards and the blow almost snapped the bone. Cullen
|
||||
flipped to the side with a groan like a stunned bull, flopped into the pool of whisky, throwing up a bow-wave. </p>
|
||||
|
||||
<p>"Open this door." Jack recognised Angus Baxter. "We have the premises surrounded. Do not move. Do not try to
|
||||
escape."</p>
|
||||
|
||||
<p><em>Liar</em>, Jack thought. There was only one way into Brewery Lane, one way out. Neil would have called again,
|
||||
three rings if there was any danger. He rolled his uncle's woolly hat down, converting it to balaclava mode and
|
||||
snatched at the duct tape, grateful for the foresight in leaving a loop free to get his hand through, for he'd never
|
||||
have managed to unpeel it wearing thick leather gloves. He pulled it back, and the big black pistol almost leapt
|
||||
into his hand.</p>
|
||||
|
||||
<p>"Get Michael," Jack rasped over his shoulder. Foley was wading through whisky, coughing as the fumes caught in his
|
||||
throat. Face McQueen was pulling himself out of the wreckage of the service bay. Ferguson had the jemmy in his hand
|
||||
and was rushing towards the truck. Donny already had Michael and was dragging him to the front and he climbed
|
||||
upwards, a foot to the bumper, another on the hood, a third on the wing mirror. It was like climbing a ladder.</p>
|
||||
|
||||
<p>Jack was on the roof, feet planted apart. He snatched a look behind him to make sure Mike was clear. Donny had him by
|
||||
the arm, clambering fast. Ferguson would never reach them in time, not through a foot of swirling whisky.</p>
|
||||
|
||||
<p>He squeezed the trigger. The gun roared.</p>
|
||||
|
||||
<p>Everybody froze. It sounded like a grenade in the confines of the yard, a sudden <em>huge</em> punch of sound that
|
||||
jerked them all to a stop.</p>
|
||||
|
||||
<p>"<em>Fuck!</em>" Ferguson skidded to a halt, splashing in the mix of water and whisky. The cannonade reverberated
|
||||
from the walls in solid blows that could be felt as well as heard.</p>
|
||||
|
||||
<p>The big lead slug slammed the edge of the door and kicked off a six-inch splinter of wood.</p>
|
||||
|
||||
<p>"Shit! It's the fucking IRA<em>"</em></p>
|
||||
|
||||
<p>"I'll give them <em>I-R</em> fucking <em>A</em>."</p>
|
||||
|
||||
<p> Cullen was rolling in the whisky, trying to get to his feet, but his injured left leg kept giving way. He was
|
||||
cursing non stop.</p>
|
||||
|
||||
<p>"Cover," somebody bawled outside. "Take cover. They are armed and dangerous."</p>
|
||||
|
||||
<p>Jack aimed again and the gun bucked, once, twice. Michael almost fell backwards and Donny held him by the arm just as
|
||||
he got to the cabin roof. Down below, Foley had instinctively dived behind an old car. Ferguson was running for his
|
||||
office shack, jinking behind the pile of broken barrels. The whisky swirled in a maelstrom as it began to disappear
|
||||
down the big storm-drain.</p>
|
||||
|
||||
<p>Three shots, four. He counted them off in his head, each of them slamming into the big, heavy door. He sighted along
|
||||
the barrel, taking the shocks on straight arms, making sure he hit the metal reinforcing plates. The slugs
|
||||
ricocheted off with deadly little hornet whines. </p>
|
||||
|
||||
<p>Five six seven in quick succession.</p>
|
||||
|
||||
<p>Ferguson came out again, unwrapping something from a piece of sacking.</p>
|
||||
|
||||
<p>"Go, go go!" Jack felt the gun heat up through the gloves. Donny pulled Michael up and then pushed him forward,
|
||||
towards the high brick wall.</p>
|
||||
|
||||
<p>"Move it. Grab the fence."</p>
|
||||
|
||||
<p>Michael reached up, got a hand to the metal bar that held the three strands of barbed wire, Donny gave him a boost
|
||||
and he was up and out of reach.</p>
|
||||
|
||||
<p>"Good man," Ed Kane said from the other side.</p>
|
||||
|
||||
<p>Michael got such a surprise he almost fell off the wall. Donny kept a hand clamped to his belt, steadied him, pushed
|
||||
higher.</p>
|
||||
|
||||
<p>"Come along the ladder," Ed told him. The aluminium steps they'd used to get over the high Aitkenbar fence now
|
||||
bridged the pavement between a second truck and the high wall. "And don't look down."</p>
|
||||
|
||||
<p>Ferguson was bawling non stop, the total incoherence of bewilderment and rage. Foley was reaching under his jacket.
|
||||
Jack aimed the gun at him and he pulled back.</p>
|
||||
|
||||
<p><em>Eight, nine.</em> Hard shunts of sound. He'd knelt on the cab, taking good aim, kicking rust from the doors,
|
||||
making them shiver on their high posts.</p>
|
||||
|
||||
<p>"Cease firing. This is the police."</p>
|
||||
|
||||
<p>Ferguson was on one knee, now only six inches deep in draining whisky that sloshed in a spiral whirlpool into the
|
||||
ground-drain. He drew something black from the sacking and Jack saw the twin stubby barrels of a sawn-off
|
||||
shotgun.</p>
|
||||
|
||||
<p><em>Hell!</em> There had always been a chance, but Jack had reckoned he wouldn't be so stupid, not with the police at
|
||||
the door. Maybe he thought it was all a con. Ferguson swung the gun up and Jack switched his aim. Two slugs slammed
|
||||
into the glass right beside Ferguson's ear. The panes shattered into dust, but the force and shock was enough to
|
||||
make Ferguson pull up.</p>
|
||||
|
||||
<p>Both barrels blasted within a split second and this time the sound really was like a cannon. A deep shockwave almost
|
||||
threw Jack off the roof, but it was only sound. The crash of glass was just enough to spoil the aim and the heavy
|
||||
goose-shot went buzzing harmlessly into the air.</p>
|
||||
|
||||
<p>"Nice try," Jack said tightly. Foley came darting out from between the two rusted hulks. Cullen got to his feet
|
||||
nearby, leaning against the car. Jack turned, held the gun up. He aimed it directly between Cullen's eyes.</p>
|
||||
|
||||
<p>The other man's mouth opened into a shocked circle. He sank backwards.</p>
|
||||
|
||||
<p>"Want this?"</p>
|
||||
|
||||
<p>Cullen shook his head. His eyes were wide and his face a blank mask of fear.</p>
|
||||
|
||||
<p>"Sure you do."</p>
|
||||
|
||||
<p>He pulled the trigger, but as he did so his foot seemed to slip on the paintwork on the roof of the cab. The gun
|
||||
bucked and the recoil tumbled it out of his hand and dropped directly towards Cullen who was taken by surprise and
|
||||
instinctively caught it. He looked at it, almost puzzled, then he turned it up, aimed and fired.</p>
|
||||
|
||||
<p>Jack clutched at his chest and staggered backwards, out of sight.</p>
|
||||
|
||||
<p>"I plugged the bastard!" Cullen bawled.</p>
|
||||
|
||||
<p>Michael almost fell off the wall. He was just stepping over when he turned and saw Cullen fire up at Jack. A streak
|
||||
of flame shot out from the barrel and Jack slipped backwards. Cullen fired again, holding the pistol in two bare
|
||||
hands. Foley was running towards the corner.</p>
|
||||
|
||||
<p>Donny was up and over, forcing Michael across the wall.</p>
|
||||
|
||||
<p>And miraculously Jack was behind him, a wide grin splitting his face. He was still counting. <em>Thirteen,
|
||||
fourteen.</em></p>
|
||||
|
||||
<p>The third last thing he'd done, before he loaded the gun and slipped the safety off, had been to use the pliers to
|
||||
prise out the old lead slugs in the last three shells. He'd replaced the lead with soft wax from one of Sheena's
|
||||
holy candles, making the final two shots totally harmless.</p>
|
||||
|
||||
<p>Jack croosed the ladder. Foley reached the corner, him, got a foot to the truck plate, started to clamber
|
||||
upwards.</p>
|
||||
|
||||
<p>Ed's face was just visible above the top of the wall. </p>
|
||||
|
||||
<p>He gave Foley a little wave. "Hasta la vista, baby."</p>
|
||||
|
||||
<p>Foley snarled so viciously he started to slaver at the mouth.</p>
|
||||
|
||||
<p>Somewhere in the distance, the wail of a siren tore through the misty air, getting louder every second. Jack crossed
|
||||
the spindly ladder and onto the roof of the truck. He and Donny helped Ed haule the steps back, banged hard on the
|
||||
roof. </p>
|
||||
|
||||
<p>Jed Cooper stepped on the pedal and got them moving.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
616
build/Full Proof/OEBPS/ch23.xhtml
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616
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|
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<h1>23</h1>
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<p>Neil watched them from his high vantage, focusing in on the other side of the wall, then down the street to the main
|
||||
road. Jack had set the phone so it only took one thumb touch to call Jed in the covered tanker.</p>
|
||||
|
||||
<p>"Elvis calling Bullitt. The road's clear, go, go, go. Johnny B Goode." </p>
|
||||
|
||||
<p>Jed floored it and hustled towards the corner, wanting out before the back-up arrived in the approaching hurry
|
||||
wagons. After the gunplay, they'd be all over the place like ants. He got to the junction, spun the wheel, taking a
|
||||
huge arc to keep the weight in place, was out and down the road with the winking blue lights far behind him.</p>
|
||||
|
||||
<p>Angus Baxter commandeered a bulldozer from a demolition site two hundred yards away and the big blue door simply flew
|
||||
off its hinges, broke into three pieces, one of which whirled across the yard, slammed through the crumpled service
|
||||
bay and almost decapitated Seggs Cullen as he crawled through the dwindling puddle of dilute whisky. The fumes of
|
||||
evaporating spirit were so strong that they caught in the back of the throat.</p>
|
||||
|
||||
<p>The firearms team went through the space like the SAS and Gus Ferguson raised the empty shotgun in an even emptier
|
||||
gesture. He took a butt under the jaw which dislocated it on the left side, but as he fell, he slammed against the
|
||||
brick wall and miraculously popped the bone back into the socket. It was the only good thing to happen to him that
|
||||
day.</p>
|
||||
|
||||
<p>Six policemen surrounded Cullen, each of them with a vicious looking fully automatic held at arms length, every
|
||||
stubby barrel pointing at his head. Cullen's leg gave way under him and he flopped once more to the draining golden
|
||||
pool.</p>
|
||||
|
||||
<p>"Drop the weapon," the lead man ordered. He put his boot right on Cullen's neck, forcing his head under the surface.
|
||||
The thug coughed, spluttered, managed to raise his head up and sprayed whisky for a yard.</p>
|
||||
|
||||
<p>"It's not mine," he managed to gasp. A gun-barrel was dug right in behind his ear and he dropped the Beretta.</p>
|
||||
<hr />
|
||||
<p>They were out on the main road, haring for the turn that would take them up past the castle on the circle road out of
|
||||
town, Jed and Michael and Ed Kane in the front, with Jack and Donny in the tight space at the back of the cabin.</p>
|
||||
|
||||
<p>Jed had the wheel and he handled the big rig the way he drove on the stock circuit, fast and hard and very sure. The
|
||||
only difference was that this one had twelve wheels and a lot more inertia once it really got going.</p>
|
||||
|
||||
<p>He turned to Michael. "That's a hell of an eye you got there. It'll be shut like a clam tomorrow."</p>
|
||||
|
||||
<p>Michael grinned shyly. "You ought to see the other guy."</p>
|
||||
|
||||
<p>"Oh, and what's he like?"</p>
|
||||
|
||||
<p>"He's built like a fucking brick shithouse. There's not a mark on him."</p>
|
||||
|
||||
<p>Jack reached forward and cuffed his brother lightly on the back of his head.</p>
|
||||
|
||||
<p>"Language! You're supposed to be the smart one. Your mother would clap your ear."</p>
|
||||
|
||||
<p>"So let her do it," Michael shot back. It was as if his overnight captivity had never happened. "You don't have
|
||||
mother privileges."</p>
|
||||
|
||||
<p>Everybody laughed. Jack ruffled his hair.</p>
|
||||
|
||||
<p>"You did good Mike. You stayed cool."</p>
|
||||
|
||||
<p>"I knew you would show up, one way or the other." He dabbed his cheek, gingerly testing the skin. "Has anybody got
|
||||
anything to eat? I'm starving to death."</p>
|
||||
|
||||
<p>Ed flipped the glove box and pulled out a couple of Mars bars.</p>
|
||||
|
||||
<p>"Okay Jake, that's two pints I owe you."</p>
|
||||
|
||||
<p>Michael only raised his eyebrows, not stopping to ask the question. Half the bar was in his mouth already.</p>
|
||||
|
||||
<p>"Jack said those cretins wouldn't feed you. He tries to think of everything."</p>
|
||||
|
||||
<p>The phone trilled unexpectedly. Ed snapped it open.</p>
|
||||
|
||||
<p>"I got bad news," Neil said quickly. "You've got a passenger."</p>
|
||||
|
||||
<p>"What do you mean?"</p>
|
||||
|
||||
<p>"Somebody must have jumped off the wall. I never saw it, but he's there now."</p>
|
||||
|
||||
<p>"Where?"</p>
|
||||
|
||||
<p>"He's on the nearside. High on the load."</p>
|
||||
|
||||
<p> Ed leant to the left, as close as he could get to the wing mirror.</p>
|
||||
|
||||
<p> "What's the matter?" Jack pushed forward, following his gaze. He froze. They were on the road out of town now, past
|
||||
the old quarry behind the school, hammering along the road as the buildings petered out through a stand of old oaks
|
||||
and tall birches, sending up a buffeting silver spray from the big wheels.</p>
|
||||
|
||||
<p>Jed craned over the wheel to view the mirror.</p>
|
||||
|
||||
<p>"Warning," he said. "Arseholes are much closer than they appear."</p>
|
||||
|
||||
<p>"Right, that's it," Ed said quietly. Wiggy Foley was hanging on to the tarpaulin rope with one hand, and gripping the
|
||||
top of the frame with the other. His face was twisted with effort and anger as he inched his way along the side of
|
||||
the truck.</p>
|
||||
|
||||
<p>"I don't believe it," Jack said. "He thinks he's Bruce Willis. Try to shake him off."</p>
|
||||
|
||||
<p>Jed got to the straight, spun the wheel left hard and then right again, as much as he dared with such a big load. The
|
||||
tail swung alarmingly and Foley flipped outwards, legs in the air, but he still hung on.</p>
|
||||
|
||||
<p>"Coming up to bends. I can't risk that again."</p>
|
||||
|
||||
<p>Ed opened the door, forced it wide with his foot.</p>
|
||||
|
||||
<p>"Where are you going?"</p>
|
||||
|
||||
<p>"I'm going to knock him off."</p>
|
||||
|
||||
<p>"Don't be crazy. You'll kill yourself."</p>
|
||||
|
||||
<p>"That Foley, he's the crazy one," Ed said. "He always carries a blade. He's mad enough to do somebody some hurt. And
|
||||
I owe him one."</p>
|
||||
|
||||
<p>"Where's the shooter?" Donny wanted to know.</p>
|
||||
|
||||
<p>"I gave it away."</p>
|
||||
|
||||
<p>"Brilliant," Donny said. He didn't know Jack's plan. "We could finish it right now."</p>
|
||||
|
||||
<p>Ed gripped the handle above the door, waited until they were on a right bend which let the door swing wide, and he
|
||||
flipped himself out with athletic grace.</p>
|
||||
|
||||
<p>"Get back in," Jack bawled. "You're Ed Kane, not Eddie Murphy"</p>
|
||||
|
||||
<p>Ed hung onto the grip, facing backwards. "Hold it steady, and don't hit the trees."</p>
|
||||
|
||||
<p>He winked at Jack and then he started moving towards the back.</p>
|
||||
|
||||
<p>Foley had his face against the tarpaulin, trying to clamber on to the top of the truck and when he raised it again he
|
||||
saw Ed clinging to the side. He snarled and let go with one hand, reaching into his pocket with the other.</p>
|
||||
|
||||
<p> "He's got something," Jack said, pushing past Michael, clambering onto the front. "A knife. A gun maybe." Foley had
|
||||
done six years in Barlinnie for grievous bodily harm and had earned no remission. Anything at all was possible.</p>
|
||||
|
||||
<p>Ed was fast and his next move surprised both Foley and Jack. He took one of the rope lashings in his free hand, wound
|
||||
it round with a few flicks of his wrist and gave it a tug. The slip-knot looped to the frame came free and Ed just
|
||||
threw himself outwards.</p>
|
||||
|
||||
<p>As an act of sheer audacity Jack had never seen anything like it in his life. For a moment he thought Ed had slipped
|
||||
off the speeding tanker and his heart leapt into his throat.</p>
|
||||
|
||||
<p>But Ed hadn't slipped. The momentum carried him out and away from the side, flipping close to the bushes that lined
|
||||
the road and the edge of the tarpaulin followed him like a sail. As soon as the wind caught the canvas, it drove it
|
||||
back in to the side again, carrying Ed's weight with it, but the length of rope looped round his wrist gave him
|
||||
another couple of yards. He was swung back, beyond the point where Foley was reaching into his pocket, and the
|
||||
tarpaulin simply folded on itself to trap the other man behind it. Ed grabbed the frame and held on with his right,
|
||||
keeping the tarp tight. Underneath it Foley bellowed like a bull. Ed used the frame like an exercise bar, pivoted
|
||||
his weight again and drove both feet forward, just where he estimated Foley's ribs would be.</p>
|
||||
|
||||
<p>The hard jolt and the immediate grunt from under the flapping canvas told him he'd connected.</p>
|
||||
|
||||
<p>He swung again, and this time used his knuckles, one-two-three, hitting in a blur, short powerful jabs. Foley punched
|
||||
outwards, trying to shove his way through the material. Ed pulled back just as a thick steel blade stabbed through
|
||||
it, curved down in a fast slash and ripped the canvas open in a four-foot shriek.</p>
|
||||
|
||||
<p>"Bastard." Foley's frothy snarl was almost lost in the flapping of the tarp and the strangle of his own rage. He
|
||||
slashed again, hauled himself through the hole in the fabric, swung the knife back at Ed. The point of it sliced air
|
||||
only inches from his face and Ed pulled back, quickly unspinning the rope from his hand to free it.</p>
|
||||
|
||||
<p>"I'll fuckin' fillet you." Foley lunged again and the tanker hit a pot-hole, jolted and one foot slipped from the
|
||||
frame. He scrabbled for purchase, still gripping the knife. Jack Lorne was clambering through the cabin window,
|
||||
wielding a big tyre iron. Foley got back up again and pushed past the flapping canvas shreds, digging the knife
|
||||
forward. Ed gripped the frame with both hands, flipped himself up onto the roof, ignoring the buffeting turbulence,
|
||||
and scrambled to the other side. He was faster and fitter than Foley, sure of his grip. The big thug came scrambling
|
||||
after him, round the back of the tanker. Ed braced, dug a heel into his face, two quick slams. Foley roared fury and
|
||||
frustration. His nose burst flat and the wind carried the blood round to both ears. But without hesitation, Foley
|
||||
slashed forward and caught Ed's calf, slicing his jeans to the knee, and digging a groove up the front of his shin.
|
||||
The pain burned like brief fire and was lost in the adrenaline surge.</p>
|
||||
|
||||
<p>Ed kicked again, another two quick ones, driving his heel in hard, catching him on the other eye. A plummy bruise
|
||||
began to match the other. Foley cursed, dripping blood and came swinging round on the off-side. Ed scrambled away,
|
||||
hand over hand, until he got half-way to the cabin.</p>
|
||||
|
||||
<p>Jack was up on the roof, crawling over the top, desperate to get at Foley. The trees were flashing past in a blur as
|
||||
Jed speeded up, sending up a buffeting spray from the wheels. He took the corner tight on the left, trying to give
|
||||
Ed as much room as he could, when a lorry came hurtling round in the opposite direction.</p>
|
||||
|
||||
<p>"Shit," Jed blurted, jerking at the big wheel. The other truck was way across the centre line. The other driver's
|
||||
face was a pale wide blur.</p>
|
||||
|
||||
<p>"Watch out!" Michael was thrown to the right as the tanker slammed right. </p>
|
||||
|
||||
<p>Jed felt it happen before anyone else did. Years of hammering round the stock track gave him the edge. The other
|
||||
lorry was past in a roar and a cloud of spray, scraping by with only inches between its front and the tanker's rear.
|
||||
He flicked a glance at the wing, saw Ed thrown outwards by centripetal force, with Foley close to him.</p>
|
||||
|
||||
<p>He spun the wheel again, forcing the tanker right, aiming to pull Ed back in and then he just ran out of road. The
|
||||
tight bend was only fifty yards ahead and he was on the wrong side. He pulled left yet again, braking sharply and
|
||||
that's when it happened. The whole rig slewed out, all wheels drifting on the road-slick. The whipping action of the
|
||||
weight on the tail dragged it round on the off-side.</p>
|
||||
|
||||
<p>Trees loomed dead ahead. Jed slammed the stick forward, gunned power to the drive as he felt the front and rear began
|
||||
to shut on each other like a jack-knife. The corner came zooming up, a tangle of trees and scrub.</p>
|
||||
|
||||
<p>"Hold on," Jed bawled. Michael grabbed the handle above the door. Up on top, Jack felt the slide and threw himself
|
||||
flat, grabbed for the whipping rope end and the side of the frame.</p>
|
||||
|
||||
<p>The rig slewed on... Jed gauged it, feeling for the weight, got the wheels to grip and just on the point of
|
||||
sideswiping the big oaks, he caught the line. Branches lashed at the windscreen, slammed against the wing and
|
||||
slapped the mirror right back against the door.</p>
|
||||
|
||||
<p>Ed Kane was catapulted right off the side and his weight tore the lashing from the canvas. He went tumbling though
|
||||
the air and disappeared into the trees.</p>
|
||||
|
||||
<p>A big branch caught Foley under his chin and flicked him off the side. The knife whirled out of his hand and thudded
|
||||
twenty feet high in the trunk of an oak tree to bury itself four inches deep in the solid wood.</p>
|
||||
|
||||
<p>Jack saw them disappear, tumbling through the foliage to crash somewhere out of sight in the dense undergrowth. The
|
||||
force of the turn dragged him right across the roof to the far side and his own feet were dangling out into space by
|
||||
the time Jed straightened up. He hauled himself forward, wind whipping his hair, and hammered on the roof of the
|
||||
cabin.</p>
|
||||
|
||||
<p>"Stop. Pull up."</p>
|
||||
|
||||
<p>A hundred and fifty yards along the Glen Murroch Road, Jed managed to slow down with a howl of rubber and a grind of
|
||||
protesting gears, pulled right in and got wheels up on the verge. He drove forward for another hundred, to where an
|
||||
access lane led away into the trees, steered up as far as he could until the tanker was out of sight of the road.
|
||||
Jack clambered down, face white.</p>
|
||||
|
||||
<p>"What happened?" Jed was just as pale.</p>
|
||||
|
||||
<p>"Ed got thrown off," he said. "Come on. He could be hurt."</p>
|
||||
|
||||
<p>Michael clambered down from the cabin, hands shaking.</p>
|
||||
|
||||
<p>"You stay here," Jack ordered. He turned and started running back through the scrub with Jed right on his heels and
|
||||
Donny close behind.</p>
|
||||
|
||||
<p>They reached the turn, scattering a couple of blackbirds rooting in the undergrowth and plunged through the clumps of
|
||||
honeysuckle clinging to the saplings just in from the edge. Jack still had the tyre iron, ready to use it on Foley
|
||||
if he put up a fight.</p>
|
||||
|
||||
<p>Apart from the sound of their passage, the trees were silent.</p>
|
||||
|
||||
<p>"Where did he come off?"</p>
|
||||
|
||||
<p>"Just on the turn." Jack pulled back out onto the road. Wide parallel lines curving from one side to this showed
|
||||
where Jed had braked, throwing the load into a slide. Twenty yards back from that, the lines took a sharp angle to
|
||||
the left, where he had managed to whip it out of a jack-knife.</p>
|
||||
|
||||
<p>"In here," Jack said, shoving back in. here two big oaks reached for the sky, trunks hoared with moss and overgrowth.
|
||||
He stopped and listened. Something moved, but a good few yards further in away from the road. He hefted the
|
||||
iron.</p>
|
||||
|
||||
<p>"Ed? Is that you?"</p>
|
||||
|
||||
<p>Jed looked at him. "Foley's got a blade."</p>
|
||||
|
||||
<p>"I know. Watch for him. Don't let him near you."</p>
|
||||
|
||||
<p>Something shivered the branches ahead of them and they barged through.</p>
|
||||
|
||||
<p>Somebody was on the ground, driven right down into the soft mud where a puddle had formed in a hollow. All they could
|
||||
see were a pair of legs and some of the back. The mud had splashed all over it, making recognition difficult. There
|
||||
was no movement at all.</p>
|
||||
|
||||
<p>Just to the left, the branches started to shake again.</p>
|
||||
|
||||
<p>"Ed, is that you?"</p>
|
||||
|
||||
<p>Jack turned and saw Foley caught in a thick hawthorn bush, his face jammed right up against the front of an oak tree,
|
||||
arms pulled back by the clutch of thorns. His eyes were wide open and his legs were kicking against the branches.
|
||||
Blood trickled from his nose.</p>
|
||||
|
||||
<p>"This must be Ed," Jack said, turning to the prone shape. "Come on."</p>
|
||||
|
||||
<p>The Donny was right beside him and without hesitation they grabbed the blackened legs.</p>
|
||||
|
||||
<p>"Watch, he could be hurt."</p>
|
||||
|
||||
<p>"He'll be hurt if we don't"</p>
|
||||
|
||||
<p>They hauled on the feet and Ed came slurping out of the soft mud. Jack let go and the pliant body oozed to the
|
||||
ground. Jack got to his knees, used a hand to wipe the mire from his face.</p>
|
||||
|
||||
<p>"Ed! Come on man." He jammed a finger inside his mouth and hooked out a plug of leaves and slime. "Come on!"</p>
|
||||
|
||||
<p>"Is he....?" Jed couldn't even say it. Jack didn't hear him. Instead, he flipped Ed round onto his face and thudded
|
||||
him hard between the shoulderblades with the flat of his hand. The force of it drove another black wad out of Ed's
|
||||
throat and his whole body jerked in a violent spasm. He coughed, spluttered and rolled over, gagging for breath.</p>
|
||||
|
||||
<p>"Jesus man. You scared the shit out of me." Jack moved forward, clapping Ed on the shoulder and just as he did so a
|
||||
movement at the side caught his eye and he turned in alarm.</p>
|
||||
|
||||
<p>Michael stood there, pallid and out of breath..</p>
|
||||
|
||||
<p>"Is he all right?"</p>
|
||||
|
||||
<p>"Jesus Mike. I told you to stay by the truck."</p>
|
||||
|
||||
<p>Jed got to his feet, turned to the left. Foley was still suspended in the hawthorn bush, still trapped by the thorns
|
||||
which had hooked into his denim jacket, but there wasn't a mark on his face apart from the blood from where Ed had
|
||||
kicked his nose and those two bruises. His legs still kicked violently against the branches, making the whole bush
|
||||
shudder and shake.</p>
|
||||
|
||||
<p>"Jack," Jed said. "You better come and see this."</p>
|
||||
|
||||
<p>"What is it?" Jack was wiping the thick mud off Ed's face, making big pale streaks. Ed was coughing, still
|
||||
winded.</p>
|
||||
|
||||
<p>Foley's eyes were rolled up so far all you could see was white. His neck was twisted at an odd angle. Meaty hands
|
||||
trembled with uncanny life.</p>
|
||||
|
||||
<p>"I think this one's a gonner."</p>
|
||||
|
||||
<p>Michael looked at Foley. A thick of saliva and blood drooled from the thug's slack mouth. His hair was unpeeled from
|
||||
the front to the back of his head, leaving an angry bloody patch.</p>
|
||||
|
||||
<p>"Oh god," Michael said in a stricken gasp. "He's been scalped."</p>
|
||||
|
||||
<p> He turned away and without warning at all he was violently and comprehensively sick in to the forest ferns.</p>
|
||||
|
||||
<p>Donny clapped him on the back, holding him steady until he was finished.</p>
|
||||
|
||||
<p>"No, man. That's just Wiggy's toupee."</p>
|
||||
|
||||
<p>Blair Bryden got the story of the big raid out on the news long before anybody got a sniff of it. He and his
|
||||
photographer were on the scene seconds after the heavy squad arrived with all sirens blaring and their squat black
|
||||
guns locked and loaded. This time Blair was smart. The money he'd made from spreading the whisky theft story around
|
||||
the networks had been well invested in a good handicam video and Brian Deacon captured all the action for the
|
||||
tea-time news.</p>
|
||||
|
||||
<p>Gus Ferguson's face was pixelated out when he was seen being hauled away by a couple of tough looking policemen,
|
||||
dragging his heels and hauling at the cuffs. The sound had to be damped right down for family listening.</p>
|
||||
|
||||
<p>The camera panned round the scene of devastation, the curved barrel-staves scattered in all directions, the
|
||||
demolished bay and the bullet-holes in the big blue doors. Customs officers and policemen were everywhere. It seemed
|
||||
as if every one of Levenford's finest had been roped in to get this done right.</p>
|
||||
|
||||
<p>Only one intact barrel remained in the middle of the yard. The one that Donny had made sure wouldn't explode.</p>
|
||||
|
||||
<p>"This is in customs jurisdiction." James Gilveray drew himself up to a height a good span shorter than Angus Baxter
|
||||
.</p>
|
||||
|
||||
<p>"That might be the case, once it's been identified. We'll let you know."</p>
|
||||
|
||||
<p>"No. If it was removed illegally from customs bond, it's up to us."</p>
|
||||
|
||||
<p>"As I said," Angus paused to light the pipe, making Gilveray wait for it, "we'll identify it in due course of time.
|
||||
Until we do, then you'll just have to cool your heels a little. It's evidence in a major police investigation."</p>
|
||||
|
||||
<p>"It was ours first."</p>
|
||||
|
||||
<p>"And you made a good job of keeping it," Angus said. With his highland accent it was hard to discern the dripping
|
||||
sarcasm, but Jimmy Balloch didn't miss it. "Now, you run along like a good wee exiseman, and let proper policemen do
|
||||
their job."</p>
|
||||
|
||||
<p>"You can't do that," Gilveray protested. He could see his own job whirling down the drain with the rest of the
|
||||
whisky.</p>
|
||||
|
||||
<p>"Constable Balloch, would you be good enough to escort Mr Gilveray off these premises. And get some tape set up. This
|
||||
is a scene of crime. We can't have every Tom, Dick and jumped up railway porter messing up the evidence."</p>
|
||||
|
||||
<p>"You can't do that," Gilveray was almost hysterical.</p>
|
||||
|
||||
<p>"Oh, and by the way," Angus said, blowing out a blue plume. "We'd like you to come down to the station as well.
|
||||
Everybody who had anything at all to do with this whisky, well, you're all witnesses. I'll need a full statement
|
||||
from you, if you don't mind."</p>
|
||||
|
||||
<p>The chief customs man looked as if he might suddenly burst a blood vessel.</p>
|
||||
|
||||
<p>Ferguson demanded to see his lawyer and Angus made him cool his heels too. The sawn-off shotgun was already in a
|
||||
plastic bag and on its way down to forensics. Ferguson had been stripped to the skin and now he was dressed in a
|
||||
papery one-piece that made him look like a pantomime polar bear. He sat and glowered as the forensic men swabbed his
|
||||
fingers for traces of powder.</p>
|
||||
|
||||
<p>Billy Butler had come down from Aitkenbar Distillery and identified the contents of the two remaining barrels. There
|
||||
was nothing left of the rest, all of it gone down the drain, leaving only a wide damp patch and a stench of raw
|
||||
whisky.</p>
|
||||
|
||||
<p>"It's the Glen Murroch, all right. What I can't understand, is why it's back in the barrels."</p>
|
||||
|
||||
<p>"Explain that to me."</p>
|
||||
|
||||
<p>"Every barrel is stencilled when it's filled. After a while you get to know the codes. These are definitely the
|
||||
barrels it's been stored in the for past twenty five years."</p>
|
||||
|
||||
<p>"And how would it get back in there?"</p>
|
||||
|
||||
<p>Billy shrugged. "I really don't know. Somebody must have put it there."</p>
|
||||
|
||||
<p>"Or maybe it never left the premises after all."</p>
|
||||
|
||||
<p>Angus turned to young Jimmy Balloch, whose good work had helped crack the case. "You can have the dubious privilege
|
||||
of inviting Alistair Sproat esquire down for a chat."</p>
|
||||
|
||||
<p>In the interview room, Ferguson's lawyer sat with his hands on his briefcase. Baxter kept his eyes on him as he
|
||||
spoke.</p>
|
||||
|
||||
<p>"Fergus Hector Ferguson, I am charging you with a number of offences. They are: possession of an illegal firearm;
|
||||
discharging a firearm within a built-up area, discharging a firearm with intent to wound, discharging a firearm with
|
||||
intent to murder, resisting arrest, assault, breach of the peace, theft of twenty five thousand gallons of whisky,
|
||||
conspiracy to defraud Her Majesty's Customs and Excise, and loitering with intent. None of these charges are in any
|
||||
particular order at the moment, are by no means comprehensive, and other charges will most definitely ensue. You
|
||||
don't have to say anything."</p>
|
||||
|
||||
<p>The big policeman read him his rights.</p>
|
||||
|
||||
<p>"Now, as I said, you don't have to say anything. But..."</p>
|
||||
|
||||
<p>"I never took that whisky. It's not mine."</p>
|
||||
|
||||
<p>"We know that," Baxter said easily. "It's most definitely not yours."</p>
|
||||
|
||||
<p>"I never saw it before."</p>
|
||||
|
||||
<p>The lawyer leant forward. "You don't have to say anything."</p>
|
||||
|
||||
<p>"Fuck off you." Ferguson turned to Baxter. "I've been fucking set up."</p>
|
||||
|
||||
<p>"Indeed. And how do you explain this paperwork? The hire of the pump which is in your yard. Your company. Your
|
||||
signature."</p>
|
||||
|
||||
<p>Ferguson stared at the document that was now sealed in a flat clear envelope.</p>
|
||||
|
||||
<p>"I never saw that before in my life."</p>
|
||||
|
||||
<p>"And I suppose you and Mr Cullen and the other one, Mr Foley, are not involved, or have no connection whatsoever,
|
||||
with this company?"</p>
|
||||
|
||||
<p>"FF Enterprises? I never heard of that in my life. It's a fucking set up."</p>
|
||||
|
||||
<p>"So what you are telling me is that some time this morning, some individual drove a lorry load of stolen whisky into
|
||||
your yard, with customs documents relating to the manufacture of said whisky in the glove compartment, with a pump
|
||||
used to steal the whisky, hired by a company with you named as a director, and paid for by a cheque from the same
|
||||
company, again with your signature. This person then left the premises without myself or any one of a number of
|
||||
officers witnessing his exit, leaving you and the others armed with a shotgun and a handgun. Which you discharged
|
||||
with criminal intent.That's the sum of it, am I right?"</p>
|
||||
|
||||
<p>"That's exactly it. We were set right up. I'll fucking kill that bastard."</p>
|
||||
|
||||
<p>"Which particular bastard would that be, Mr Ferguson?"</p>
|
||||
|
||||
<p>Over by the door, Jimmy Balloch chuckled. Angus looked at him and winked.</p>
|
||||
|
||||
<p>"None of your business. Once I'm out of here, though...."</p>
|
||||
|
||||
<p>"I think that should conclude this interview for the moment," he said. He checked the time and turned to the
|
||||
lawyer.</p>
|
||||
|
||||
<p>"You don't mind if I take your client downstairs? He won't be leaving today."</p>
|
||||
|
||||
<p>Seggs Cullen couldn't believe he was up on an attempted murder charge. His leg hurt like all hell and an x-ray later
|
||||
discovered a hairline fracture close to his pelvis. Any harder a hit with the keg mallet and he'd have been down for
|
||||
months. He vowed a hard and bloody revenge against Donny Watson. That was twice now he'd had a go at that
|
||||
ginger-headed Jessie and twice he'd come off distinctly second best.</p>
|
||||
|
||||
<p>Despite the evidence on the assault team's video tape, forensics made doubly sure and the swabs proved positive for
|
||||
powder burns on his fingers, showing he had indeed fired the gun he'd been carrying. The bullets dug out of the wood
|
||||
on the door were an exact ballistic match. </p>
|
||||
|
||||
<p>"So just to go though it again," Angus Baxter said. Cullen looked pitiful in the white overalls, pitiful and thick.
|
||||
The inspector was beginning to think his own tone of weary incredulity would be fixed permanently. "This person <em>threw</em>
|
||||
the gun to you?"</p>
|
||||
|
||||
<p>"Sure. He was blasting all over the place, then he threw it at me. Or he dropped it. I grabbed it, like. I mean, I
|
||||
was down in the deck and all that hooch was spilling out. What could I do? He'd been shooting all over the shop. I
|
||||
just turned it and fired at him. Christ knows what happened. He dropped. I plugged the bastard. It was self
|
||||
defence. </p>
|
||||
|
||||
<p>"So you admit you shot the gun."</p>
|
||||
|
||||
<p>"Sure I did. He shot at me."</p>
|
||||
|
||||
<p>"And this Mr....ah, <em>Lorne</em>. Where did he go."</p>
|
||||
|
||||
<p>"He went over the wall."</p>
|
||||
|
||||
<p>"Over a fifteen foot wall, with barbed wire at the top?"</p>
|
||||
|
||||
<p>Cullen nodded, so engrossed in the memory that he couldn't see how ridiculous it sounded. "Him and his brother. See,
|
||||
we'd snatched the boy, me and Wiggy. Just to put the frighteners on Lorne. He'd nicked the whisky, and Gus, well, he
|
||||
wanted it, like."</p>
|
||||
|
||||
<p>"So, you and Foley, you <em>kidnapped,</em> this young man?"</p>
|
||||
|
||||
<p>Cullen nodded enthusiastically. Ferguson had not been so stupid. He hadn't even mentioned Jack Lorne's name. He knew
|
||||
a kidnap charge and conspiracy would be even worse when piled on top of pulling a gun.</p>
|
||||
|
||||
<p>"So this Mr Lorne came in, rescued his brother from your clutches, gave you the whisky and the gun, scaled a wall,
|
||||
and disappeared."</p>
|
||||
|
||||
<p>"Got it in one, Mr McLeod. That was after that bastard Watson swiped me with a hammer."</p>
|
||||
|
||||
<p>"Oh, there were three of them now?"</p>
|
||||
|
||||
<p>"Nearly broke my fuckin' leg."</p>
|
||||
|
||||
<p>Jimmy Balloch jammed his knuckles in his mouth to hold back the explosion of laughter.</p>
|
||||
|
||||
<p>Alistair Sproat was beginning to panic. Baxter had stared at him long and hard, forcing him to drop his eyes, and
|
||||
that made him feel even more vulnerable.</p>
|
||||
|
||||
<p>"What puzzles me is this documentation." The inspector pushed the clear plastic wallet across the table. "It gives a
|
||||
list of the barrels which we found this morning, all from your company. It's on your Aitkenbar Distillery transfer
|
||||
sheets."</p>
|
||||
|
||||
<p>"I don't know anything about it."</p>
|
||||
|
||||
<p>"But the serial numbers on those barrels match those on the stock which was stolen."</p>
|
||||
|
||||
<p>"That can't be true. That was all decanted. The barrels were emptied into the tank. They'd be round at the
|
||||
cooperage."</p>
|
||||
|
||||
<p>"Indeed." Baxter seemed to be enjoying this. "So, can you explain how we were able to retrieve intact barrel, bearing
|
||||
the correct stencils, and containing the exact amount of your Glen Murroch as is stated in your own documents?"</p>
|
||||
|
||||
<p>"It can't be true," Sproat spluttered.</p>
|
||||
|
||||
<p>"Oh, I can assure you, it's true alright."</p>
|
||||
|
||||
<p>A bead of sweat started to swell at Sproat's thin hairline and quickly gathered enough weight to trickle down his
|
||||
temple. This was a complete nightmare. He'd been hit with the writ from the Charter 1315 tree huggers and his legal
|
||||
team had spent a whole day at court trying unsuccessfully to get it lifted. But somehow the protesters had raised
|
||||
enough money to hire Kerrigan Deane, one of the sharpest legal infighters in the game and the interdict still stuck.
|
||||
It would now take a fight to prove the big river harbour was distillery property, and until he did, he couldn't
|
||||
demolish the old buildings and reclaim the prime land. The developers had already been on the phone demanding an
|
||||
entry date and threatening to pull out of the deal. He was facing total ruin.</p>
|
||||
|
||||
<p>"I can't explain that. I'll have to go through all the stock sheets and transfers."</p>
|
||||
|
||||
<p>"No," Baxter said. "<em>We'll</em> go through all the stock sheets and transfers."</p>
|
||||
|
||||
<p>Back at the distillery, Sproat seemed to have shrunk into himself after his afternoon session with Baxter. Marge
|
||||
Burns hung up his coat and watched him slump in the chair behind the wide walnut desk. A couple of weeks ago he'd
|
||||
stood there in the hall, chest out and confident, and told all of his workers they'd be kicked out of their jobs.
|
||||
Now he looked as if he himself was getting very close to the end of the line.</p>
|
||||
|
||||
<p>She made him a coffee. Two days ago, she'd got into the files and duplicated all the necessary papers, just as Jack
|
||||
Lorne asked her to.</p>
|
||||
|
||||
<p>"Marge," Sproat said, voice hoarse. She bent over him, almost motherly, and gave his shoulder a sympathetic pat. He
|
||||
didn't even seem to notice.</p>
|
||||
|
||||
<p>"I have to get in touch with Michael Gabriel. It's urgent. Really urgent."</p>
|
||||
|
||||
<p>"I'll see if I can raise him," she said.</p>
|
||||
|
||||
<p>Jack Lorne had told her he'd do just that.</p>
|
||||
|
||||
<p>They had all stood there in stunned silence, while young Michael bent low and retched the mars bar into the
|
||||
woodferns.</p>
|
||||
|
||||
<p>Foley's suspended leg twitched and jerked. His eyes were wide and unfocussed, and he was definitely not
|
||||
breathing.</p>
|
||||
|
||||
<p>"Get him out of there," Jack said.</p>
|
||||
|
||||
<p>"I'm not touching him," Donny said vehemently. He looked as if he might suddenly lose his breakfast. "Is that
|
||||
normal?"</p>
|
||||
|
||||
<p>"What, the leg thing?"</p>
|
||||
|
||||
<p>"Yes, the <em>leg</em> thing."</p>
|
||||
|
||||
<p>"Sure. It'll stop after a while."</p>
|
||||
|
||||
<p>"How do you know?"</p>
|
||||
|
||||
<p>"I saw it in a movie."</p>
|
||||
|
||||
<p>"No, how do you know he's dead?"</p>
|
||||
|
||||
<p>Jack pushed into the bush, reached a hand to touch Foley's bull neck. The scraped-back wig made him look as if the
|
||||
entire skin on his head had been torn away, but the blood was just from the hawthorns and the rough oak bark. He
|
||||
pressed two fingers under the jaw, feeling for a pulse in the strangely warm neck. The body jerked again, and a
|
||||
little gasp of air blew from the lungs. He felt his own throat tighten.</p>
|
||||
|
||||
<p>"Nothing at all."</p>
|
||||
|
||||
<p>"He might be faking it," Donny insisted.</p>
|
||||
|
||||
<p>"No. He's a stiff," Ed said quietly. Only a few moments before he'd been kicking and punching the man in the tree,
|
||||
and then he'd been head first and up to his ribs in mud. He looked like he'd crawled through the trenches. "He
|
||||
hasn't blinked once."</p>
|
||||
|
||||
<p>"For a stiff he's doing a lot of jinking and jiving. Should we get somebody?"</p>
|
||||
|
||||
<p>"Who should we get?" Jack asked. Michael was pulling himself upright again, wiping his mouth with the back of his
|
||||
hand. Jack gripped his shoulder and made him face the other way.</p>
|
||||
|
||||
<p>"An ambulance?" Jed suggested. "They could use those jump lead things."</p>
|
||||
|
||||
<p>"What for? He's dead. Probably broke his neck. A zillion volts won't do him any good. And we can't call the cops
|
||||
unless we want to hold out hands up and say <em>it's a fair cop guv</em>. <em>You got me bang to rights</em>. No.
|
||||
He's a goner and it's nobody's fault but his own. He shouldn't have snatched Mike and he shouldn't have hit you Don.
|
||||
And he shouldn't have come at us with a knife. The man was a cockroach, a disaster on feet, so I'm wasting no
|
||||
worries on him. Sooner or later he'd have had another go and somebody would have got really hurt. Worse maybe.
|
||||
Somebody could have got dead. One of us."</p>
|
||||
|
||||
<p>"So, what are we going to do?" Jed insisted. "Just leave him stuck up in a tree like the Christmas gargoyle?"</p>
|
||||
|
||||
<p>"No. Get one of the tarpaulins and wrap him up. We'll take him with us."</p>
|
||||
|
||||
<p>"Jesus man," Jed said. "What do we want to take it with us for? We get caught with a stiff, and we're in even bigger
|
||||
trouble."</p>
|
||||
|
||||
<p>Jack managed a cold laugh.</p>
|
||||
|
||||
<p> "Might as well get hung for a shit as a scam."</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
781
build/Full Proof/OEBPS/ch24.xhtml
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781
build/Full Proof/OEBPS/ch24.xhtml
Normal file
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>24</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>24</h1>
|
||||
|
||||
<p>Dawn, and they were on the move again after the call from Lars Hanssen when he was just rounding the Mull of Kintyre.
|
||||
Jack was haunted by the possibility of his boat hitting another rock <em>en route</em> and the whole plan
|
||||
foundering. It was two days after the crazy scene at Gus Ferguson's yard and a lot had happened since then.</p>
|
||||
|
||||
<p>Jack had a new big bruise on the side of his jaw that Linda and Neil's sister Joanne had managed to hide to an extent
|
||||
with some makeup from the Starlight stage box. His face still ached, and he had to chew on the other side of his
|
||||
mouth until the loose molar settled back in. It hurt, but he knew he deserved it.</p>
|
||||
|
||||
<p>He'd arrived in Glasgow a bare seventeen minutes after they had lashed the rolled up tarpaulin that contained the
|
||||
ponderous body of Wiggy Foley on top of an old container in the truck park where it couldn't be seen by anybody
|
||||
passing by, or dug up by the local dogs. Tam Bowie was waiting for him with the spare helmet and the Dragstar engine
|
||||
ticking over.</p>
|
||||
|
||||
<p>"You got out okay? How's your Mike?"</p>
|
||||
|
||||
<p>"He's okay, a bit of a sore face but it went like clockwork. In, out, shake it all about." His own hands were still
|
||||
trembling just a little as he came down in the aftermath.</p>
|
||||
|
||||
<p>"Apart from this," Jed said. He and Donny were hauling the tarpaulin from the side, while Ed fixed the covering back
|
||||
on the frame. Young Michael sat on the footplate, looking pale and lost.</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"You mean <em>who</em>."</p>
|
||||
|
||||
<p>Tam pulled back a step. "What's going on?"</p>
|
||||
|
||||
<p>"That scumbag Foley. He came after us."</p>
|
||||
|
||||
<p>"And what happened?"</p>
|
||||
|
||||
<p>"He's snuffed it."</p>
|
||||
|
||||
<p>"Dead? You killed him? You <em>killed</em> Wiggy Foley?" Tam's face was a picture of incredulity.</p>
|
||||
|
||||
<p>"No," Ed said. He turned from the tanker, shaking his head. He was still covered in drying mud and old leaves. "He
|
||||
killed himself, that's what he did. He came after us with a knife and fell off the truck. He must have broke his
|
||||
neck."</p>
|
||||
|
||||
<p>"He was stuck up a tree," Donny said. "Like a big baldy gorilla."</p>
|
||||
|
||||
<p>"What are you going to do with him?"</p>
|
||||
|
||||
<p>"Just stash him for now," Jack said. "He's not joining our gang."</p>
|
||||
|
||||
<p>They had to get moving, then and there. Jack pulled on the windproof one-piece and the helmet. He came across to Mike
|
||||
and grabbed him round the shoulder in a one armed big brother hug, holding him tight to let his own anger and fear
|
||||
drain away now that he was safe.</p>
|
||||
|
||||
<p>"Mike, you go with Ed and Donny, okay? Get Sandy to take you to casualty right away to get that face seen to, no
|
||||
delay at all, got that? He knows what to do. Tell Mam, not a word to a soul, no matter who it is. And for God's
|
||||
sake, don't tell her about this, okay?"</p>
|
||||
|
||||
<p>Michael nodded silently, still struggling to cope with his first taste of violent death. Jack swung a leg over the
|
||||
pillion and they were gone through the mesh gates. Tam slowed at the lights down on Castle Street, plugged the comms
|
||||
lead into the helmet.</p>
|
||||
|
||||
<p>"Speed of light, Tam," Jack said. "Warp factor nine. I'm the only name they'll come after."</p>
|
||||
|
||||
<p>Tam sat back, throttled up and in five minutes he was across the big span of the bridge beyond Barloan Harbour, onto
|
||||
the motorway and nosing up from ninety. Somewhere beyond Glasgow Airport, a patrol picked them up and started
|
||||
flashing blue. Tam didn't twitch. He gave it a twist, reached a hundred and ten until he was far enough round the
|
||||
bend, was up the exit and through the Clyde Tunnel and gone before they knew what was what. Jack took the samsonite
|
||||
pannier into the bathroom in Starbucks and three minutes later he came out in the Armani suit carrying the
|
||||
serious-business briefcase. He checked the wallet inside, made sure he had the return train ticket Tam had bought in
|
||||
the morning.</p>
|
||||
|
||||
<p>Kerrigan Deane shook him by the hand.</p>
|
||||
|
||||
<p>"Sorry I'm late," Jack said, checking his watch. "The traffic gets worse."</p>
|
||||
|
||||
<p>"Tell me about it," Kerrigan Deane said. He led Jack into his plush office. "Just a couple of papers for you to sign.
|
||||
Everything go well at Dunvegan?"</p>
|
||||
|
||||
<p>"I'll know by tomorrow," Jack told him. He had a couple of people to talk to and he knew it wasn't going to be
|
||||
easy.</p>
|
||||
|
||||
<p>Kate Delaney smacked her face against the glass and reeled out of the revolving door into the arms of the concierge.
|
||||
The thud rattled the pane in its metal frame. She had pushed her way inside just at the same instant that Jack was
|
||||
coming out and when she did a double take she forgot where she was and stopped dead. The door kept right on spinning
|
||||
and catapulted her into the atrium</p>
|
||||
|
||||
<p>Jack heard the jarring crack and saw the motion just as he stepped out into the street. He turned, peered through
|
||||
against his own reflection and saw Kate steadying herself against the reception desk.</p>
|
||||
|
||||
<p>For a moment he was caught in a dilemma. He'd stayed out of her way since the day in the lane when she'd hooked him a
|
||||
fast one. There had been too much to do and he didn't have enough excuses that she wouldn't see right through. Her
|
||||
eyes were closed and her free hand was rubbing at her cheek and temple where the toughened glass had connected. He
|
||||
needed to be gone, but he couldn't just leave her like that.</p>
|
||||
|
||||
<p>Then she opened her eyes, saw him, and that ended the debate. He pushed through the revolving door again.</p>
|
||||
|
||||
<p>"I suppose that was revenge," she said. Tears were silvering her eyes, and she blinked them back to prevent them
|
||||
spilling over.</p>
|
||||
|
||||
<p>"I never even saw you," he protested. "Are you all right?"</p>
|
||||
|
||||
<p>"Sure I'm all right. You just broke my damn jaw." She knew it had been her own fault for stopping. He put an arm
|
||||
round her, took her weight against himself. She sniffed and turned her head away, not wanting him to see the tear if
|
||||
it got loose.</p>
|
||||
|
||||
<p>She dabbed at her cheek. "My head's ringing like a bell."</p>
|
||||
|
||||
<p>"You shouldn't have stopped," he said.</p>
|
||||
|
||||
<p>"Tell me something I don't know. I should have kept right on walking, right?"</p>
|
||||
|
||||
<p>He took the hit. "I suppose so."</p>
|
||||
|
||||
<p>She pulled away from him, kept a hand to her cheek. The skin under her fingers was swelling nicely. In a couple of
|
||||
hours she'd be still pretty but lop-sided..</p>
|
||||
|
||||
<p> "So this is what it's all been about," she said, looking him up and down. "Armani labels from head to toe?"</p>
|
||||
|
||||
<p>There was no answer to that.</p>
|
||||
|
||||
<p>"Suits you, Jack. I just hope the rest of your ex-workmates can afford such nice gear."</p>
|
||||
|
||||
<p>He darted a concerned look at the concierge before she kept talking.</p>
|
||||
|
||||
<p>"You want a coffee?"</p>
|
||||
|
||||
<p>"I've got an appointment," she said, finally forcing the tear back. "But I'm early."</p>
|
||||
|
||||
<p>"Come on," he put a hand behind her back and steered her towards the doors again. The concierge came forward and
|
||||
opened the side door for them.</p>
|
||||
|
||||
<p>"Just to be on the safe side, Mr Gabriel," he said.</p>
|
||||
|
||||
<p>He winced, kept on moving until he got across to Starbucks again. Tam was long gone.</p>
|
||||
|
||||
<p>"So you got a designer suit and tie," she said. "And a poncy briefcase. Was it worth it?"</p>
|
||||
|
||||
<p>He shrugged. The girl took the order and she waited until they were alone again in the corner.</p>
|
||||
|
||||
<p>"You might as well have got it covered in arrows."</p>
|
||||
|
||||
<p>"They let you wear denims in Barlinnie," he threw back.</p>
|
||||
|
||||
<p>"Maybe they'll let you finish your course. Then you can start your career the week before you retire. So what brings
|
||||
you up here? Are you following me?"</p>
|
||||
|
||||
<p>"If I had, I'd have been behind you, not coming out the door you were coming in."</p>
|
||||
|
||||
<p>"So who were you seeing? Your criminal buddies?"</p>
|
||||
|
||||
<p>He didn't say. He knew who she'd been going to meet.</p>
|
||||
|
||||
<p>"Just a man. Doing some business."</p>
|
||||
|
||||
<p>"That's what they call it in the movies. There are other ways to describe it."</p>
|
||||
|
||||
<p>He sat back. Her face was swelling on one side. There was no point in arguing with her. She still felt betrayed and
|
||||
let down, and there was nothing he could do about that. He hadn't meant to expose her to any danger, and he wasn't
|
||||
going to risk any more. The best he could do would be just to take the punches and wait until it stopped. Maybe duck
|
||||
a few.</p>
|
||||
|
||||
<p>"How goes your fight?"</p>
|
||||
|
||||
<p>She looked up. "What's it to you?"</p>
|
||||
|
||||
<p>"I'm interested."</p>
|
||||
|
||||
<p>"Oh, you mean the big battle against Sproat and his cohorts. The fight to save the river harbour and all the jobs?
|
||||
The fight that you <em>pretended</em> to be interested in before, when you were just planning to get into the
|
||||
robbery business?"</p>
|
||||
|
||||
<p>One, two, three, hard and fast, like Ed's punches and he was on the ropes. He felt like going down and staying there
|
||||
for a mandatory eight count. He put his head in his hands, rubbed his temples. She paused, running out of steam and
|
||||
fire.</p>
|
||||
|
||||
<p>"If you must know, we're going to win. It's going to be all over the Gazette tomorrow. Blair Bryden said he'll put it
|
||||
on the front."</p>
|
||||
|
||||
<p>The girl arrived with the coffees, gave Jack and his fine suit a blatant once-over. He took a sip of cappuccino. Kate
|
||||
didn't know anything about what had happened today, but he'd bet five to one that the scene in Ferguson's yard would
|
||||
knock everything else off the front. Gunplay in the home town and a river of stolen whisky, that was the new story.
|
||||
That was <em>news</em>. A fresh court action would make it somewhere after page six.</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"We've won the interdict, thanks to our guardian angel. No thanks to some folk we could mention, including you and
|
||||
your wild bunch."</p>
|
||||
|
||||
<p>He ignored that. He'd just have to get used to rolling with them.</p>
|
||||
|
||||
<p>"Guardian Angel?"</p>
|
||||
|
||||
<p>"Somebody who believes in the cause. Somebody who is willing to put his money where his mouth is. He's set up a
|
||||
fighting fund to take it all the way. Kerrigan Deane, that's the lawyer I'm meeting today, he served a writ against
|
||||
Sproat that stops him demolishing the distillery and dumping into the harbour."</p>
|
||||
|
||||
<p>"So, does that mean it's over?"</p>
|
||||
|
||||
<p>"No. Sproat's people are applying to have the interdict lifted. It's probably going to end up in court. At least now
|
||||
we can consider putting up a fight."</p>
|
||||
|
||||
<p>"That could take months."</p>
|
||||
|
||||
<p>"It could take years."</p>
|
||||
|
||||
<p>Jack smiled. He knew all this.</p>
|
||||
|
||||
<p>"Mr Deane says we should now write to the developers to let them know about the legal problem, which might make them
|
||||
pull out of the deal. He's dug up some research that shows Sproat's family might never had clear title to the
|
||||
harbour, and even some of the land that's been reclaimed from the river."</p>
|
||||
|
||||
<p>Jack nodded, keeping his face straight. His uncle and the boat-club boys had spent many afternoons in the library
|
||||
archives digging through the old records. They had only been trying to save the harbour for the flotilla of little
|
||||
wrecks that took up their weekends, but they all had plenty of time on their hands and while none of them had a
|
||||
university education, they knew the tides and currents and how to avoid the sharp rocks. They had done a real
|
||||
job.</p>
|
||||
|
||||
<p>"Now the good Mr Sproat wants to speak to us. Amazing isn't it? Last week we were a bunch of agitators and
|
||||
anarchists. He refused even to acknowledge our letters. Now he's invited us down for talks."</p>
|
||||
|
||||
<p>"Good for you," Jack said, and he meant it. Maybe she had got some leverage, but he knew that when Kate Delaney
|
||||
started to fight, she wouldn't stop until it was won or lost. She'd give Sproat a real run for his money.</p>
|
||||
|
||||
<p>She looked at her watch.</p>
|
||||
|
||||
<p>"Time for me to go. What are you going to do?"</p>
|
||||
|
||||
<p>"This and that," he said.</p>
|
||||
|
||||
<p>"You're learning to be evasive, Jack Lorne. I really liked the straight version."</p>
|
||||
|
||||
<p>"Things happen," he said, aware of how lame it sounded.</p>
|
||||
|
||||
<p>"Indeed they do. Maybe you shouldn't let them."</p>
|
||||
|
||||
<p>He held the door open as they walked out into the thin rain. The bruise was beginning to colour now, titian, like her
|
||||
hair.</p>
|
||||
|
||||
<p>He walked her across the street, weaving through the stalled traffic and stood on the pavement while she mounted the
|
||||
steps. She turned, paused, came back down.</p>
|
||||
|
||||
<p>"Two things I'd like to know," she said.</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"Why did the doorman call you Mr Gabriel?"</p>
|
||||
|
||||
<p>He felt colour flush into his face.</p>
|
||||
|
||||
<p>"Must have the wrong man," he said quickly. "Mistaken identity."</p>
|
||||
|
||||
<p>She stared up, held his eyes, measuring that response and finding it wanting. She was sharp.</p>
|
||||
|
||||
<p>"And what on earth have you done to your hair?"</p>
|
||||
|
||||
<p>Marjory Burns caught him on the mobile just as he came out of the railway station, only three hundred yards from
|
||||
where the scene-of-crime boys had taped off Ferguson's yard. A thin smell of whisky still hung about in the soft,
|
||||
damp air.</p>
|
||||
|
||||
<p>Jack backed in under the railway bridge out of the misty rain. The scramble over the wall and the crazy careering
|
||||
along the old Quarry Road out of town, that seemed long ago and far away.</p>
|
||||
|
||||
<p>"Mr Gabriel?" He knew she was being overheard. "I have Mr Sproat for you."</p>
|
||||
|
||||
<p>He pulled out and round the corner, away from the traffic. There was a little nook of a shelter where the porters
|
||||
used to keep their trolleys in the old days, and he squeezed in there for privacy.</p>
|
||||
|
||||
<p>"Hello?"</p>
|
||||
|
||||
<p>"Michael? Caught you at last, old boy. Alistair here." Sproat was trying to sound expansive, casual, but Jack knew
|
||||
he'd be having a severe case of the squitters after the police found what he'd left behind in the lorry glove
|
||||
box.</p>
|
||||
|
||||
<p>"Hi there, how is business?" He remembered the Irish accent just on time.</p>
|
||||
|
||||
<p>"Frankly Michael, it's just bloody awful. Some of that Glen Murroch turned up today. Seems a bunch of local idiots
|
||||
stole it, but they're trying to implicate me in the whole mess. <em>Me?</em> Can you imagine that?</p>
|
||||
|
||||
<p>Jack almost chuckled, listening to Sproat's outrage. He'd been involved in scamming the customs, probably all his
|
||||
life, if the flash car and the yacht down on the marina were anything to go by. Maybe Sproat didn't interpret that
|
||||
as theft.</p>
|
||||
|
||||
<p>"They found some lading documents. Obvious forgeries, of course, but they've started a whole inventory of the stock.
|
||||
I just had to touch base with you to warn you."</p>
|
||||
|
||||
<p>"Warn me of what?"</p>
|
||||
|
||||
<p>"The police and customs will want to go over the Dunvegan delivery, just to check the amounts against the files."</p>
|
||||
|
||||
<p>"That's no problem. They can come and have a look if they like."</p>
|
||||
|
||||
<p>"Good man. And I've got these Charter protesters all over me. You know they hired a lawyer and slapped an interdict
|
||||
on me? <em>Me!</em> I'm going to talk to them this afternoon, see if I can palm them off. If I don't get reclaiming
|
||||
the land, then the development deal will be down the river and I'll be up the sewage creek <em>sans paddle.</em>"
|
||||
</p>
|
||||
|
||||
<p>Jack could heard the rising panic in Sproat's voice. His family had cruised it for generations, and according to his
|
||||
uncle, they'd been running unmatured whisky across the Atlantic way back in the twenties during the prohibition
|
||||
days. This was probably the first time in his life that Sproat had been really worried.</p>
|
||||
|
||||
<p>"Two things, Michael. Your associate, Mr D'Angeli, he said something about sorting these people out. If I can stall
|
||||
them for a while, maybe he can do something for me? I really need some help on this one."</p>
|
||||
|
||||
<p>Jack paused, bit his lip, wondering if the time was right.</p>
|
||||
|
||||
<p>"Well, there's a bit of a problem there. It's Mr D'Angeli. He's not with us any more."</p>
|
||||
|
||||
<p>"Not with you? What, did he get fired? He quit?"</p>
|
||||
|
||||
<p>"No. I mean he's not <em>with </em>us any more. He's...ah....he's gone."</p>
|
||||
|
||||
<p>"You mean he's..."</p>
|
||||
|
||||
<p>"Yes," Jack broke in. "There was a bit of a run in with his....um, associates. They sort of voted him out.
|
||||
Permanently. But don't worry, I'll make sure they don't know about you."</p>
|
||||
|
||||
<p>"Know about me?" Sproat's voice went up a whole octave. "What is there to know?"</p>
|
||||
|
||||
<p>"They know Mr D'Angeli was making a major purchase. If they thought there was anything untoward about the deal, maybe
|
||||
they'd think they could put some pressure on you. I know them. It wouldn't be nice."</p>
|
||||
|
||||
<p>He had to put a hand over his mouth to keep from laughing.</p>
|
||||
|
||||
<p>"Pressure, what pressure?" He was all questions now.</p>
|
||||
|
||||
<p>"Don't worry about it. It's all there and documented. We got the two hundred barrels, average thirty gallons. Six
|
||||
thousand in total. And you've had the five K up front."</p>
|
||||
|
||||
<p>"What are you talking about? It was two hundred at fifty five gallons per cask. That's <em>eleven </em>thousand
|
||||
gallons."</p>
|
||||
|
||||
<p>Jack paused again. </p>
|
||||
|
||||
<p>"No Alistair, that can't be right. I've got the paperwork which tells me and everybody else that I bought six
|
||||
thousand. All the barrels were carrying light. Must have been evaporation or something. What do you call it, the
|
||||
Angels Share?"</p>
|
||||
|
||||
<p>There was a silence at the other end of the line. Jack could almost hear the workings in Sproat's brain. The cogs
|
||||
reached the end of their travel and a cold realisation began to dawn.</p>
|
||||
|
||||
<p>"You can't do this to me." Sproat's voice had a cold shiver in it, as if he'd been sitting on ice all morning and big
|
||||
cracks were starting to spread out from under.</p>
|
||||
|
||||
<p>"Do what, Alistair? <em>You</em> signed the paper."</p>
|
||||
|
||||
<p>"I'll have the law on you, you slimy shit, you and your greasy Italian hoods."</p>
|
||||
|
||||
<p>"Sure, Alistair. You go tell them you were selling short. Tell you another thing, you only saw <em>half</em> the
|
||||
paperwork. I've got the other half. It shows the amount that went through the spirit safe when those barrels were
|
||||
first filled and marked. Mr D'Angeli, he had a lot of contacts, God bless his dear departed soul. Don't go checking
|
||||
the computer records, because they've all been put back to the original versions, and I've got a sworn affidavit
|
||||
that details exactly what you were up to. You raise any waves and you have to tell the customs why you've been
|
||||
ripping them off."</p>
|
||||
|
||||
<p>"You.....you...." Sproat sounded as if he was strangling. "You fucking <em>bastard.</em>"</p>
|
||||
|
||||
<p>"Very possibly," Jack said, agreeably. "You could come and take the barrels back as they are now, if you like. Oh,
|
||||
no, sorry Alistair. There's a problem about that too. With the unfortunate Mr D'Angeli's disappearance, his
|
||||
partnership's been wound up. Having sold on the latest delivery from yourselves, there don't seem to be any assets.
|
||||
So you really can't come to collect, can you? Your former employees bought them in good faith, and paid good money
|
||||
too. All receipted. That seems to have gone with Mr D'Angeli, wherever he is. I'm afraid this really hasn't been
|
||||
your day."</p>
|
||||
|
||||
<p>He paused for a moment, savouring this. "In fact, I'd go as far as to say, you've <em>had</em> your day."</p>
|
||||
|
||||
<p>Sproat made spluttering sounds. Jack allowed himself a hard smile. He remembered Andy Kerr's face when he told the
|
||||
men they were laid off, and he remembered how Sproat had brazenly told his own people they'd be out of work. No
|
||||
matter what happened from now, he could take some satisfaction on hearing Sproat losing it.</p>
|
||||
|
||||
<p>"And as for those protesters who are soon to haul your well tanned arse into court, well, you're big enough to take
|
||||
them on yourself. They'll skin you. Mr D'Angeli has checked out beyond reach, and now, as far as you're concerned,
|
||||
so have I. And I have to say, it's been a real pleasure doing business. Pip-pip, <em>old boy</em>."</p>
|
||||
|
||||
<p>He hit the clear button on his cloned phone, dropped it to the hard tiles of the old railway room and stamped down
|
||||
with his heel. He put all his weight into it. The mobile crunched and scattered, the last contact with Sproat
|
||||
severed.</p>
|
||||
|
||||
<p>He went home first to get changed and get half an hour's sleep before he went round to Andy Kerr's house. Andy lived
|
||||
on the far side of Drymains and Jack had been there many a time before, in pleasanter days. Sylvia Kerr was taking
|
||||
the boys to the scouts.</p>
|
||||
|
||||
<p>"He's in the garden," she said, hustling the kids into the car. "Just go right round."</p>
|
||||
|
||||
<p>Sylvia flashed him a smile that she tried to make bright, but he could see the strain on her face from the events of
|
||||
the past few weeks. He took a big breath and pushed the gate.</p>
|
||||
|
||||
<p>"If you've come for your job, I'd love to help, Jake." He poured them both a cold beer. "But it looks like
|
||||
everybody's going to go."</p>
|
||||
|
||||
<p>"What's the score on the lease?"</p>
|
||||
|
||||
<p>"Sproat's squeezing my balls so tight my eyes are watering. I'm really sorry I had to lay you off, but I did my best.
|
||||
Billy skimming from the bottom and then Scotmilk forcing me to cut to the bone on the Co-op contract, they were both
|
||||
backbreakers."</p>
|
||||
|
||||
<p>Andy looked as if he hadn't smiled in months. His mouth was turned down at the edges, and last year's laughter-lines
|
||||
had turned into deep, depressed furrows.</p>
|
||||
|
||||
<p>"And that Angus Baxter, he's run me through the grinder and back again. I hear they picked somebody up for the whisky
|
||||
this morning. There was a bit of a shoot-out in the east end, so it said on the radio. I hope the bastards squeal
|
||||
like pigs."</p>
|
||||
|
||||
<p>Jack bit his lip. This was not going to be easy.</p>
|
||||
|
||||
<p>"I've got some news for you. Maybe it'll cheer you up."</p>
|
||||
|
||||
<p>"It would have to be really good," Andy said. Jack hadn't touched the beer. Andy told him to drink it while it was
|
||||
going.</p>
|
||||
|
||||
<p>"I heard Sproat's in big trouble."</p>
|
||||
|
||||
<p>"Couldn't happen to a nicer wanker. But who isn't in trouble?" He pointed at his fine sandstone house. "I'm going to
|
||||
have to put this place on the market. Want to buy it?"</p>
|
||||
|
||||
<p>Jack laughed drily. "With what you paid me? That's a good one."</p>
|
||||
|
||||
<p>"So what about Sproat, may that creep rot and burn."</p>
|
||||
|
||||
<p>"He won't get the mall deal. He's had a writ slapped on him that stops him demolishing and dumping into the harbour.
|
||||
It'll be tied up in court for years. He can't reclaim the land, so the mall doesn't get built. And that puts him in
|
||||
a whole lot of trouble."</p>
|
||||
|
||||
<p>"Too late for me."</p>
|
||||
|
||||
<p>"Well," Jack said. "Not necessarily so." He prepared himself.</p>
|
||||
|
||||
<p>"There's a couple of other things I can't tell you about, but he's in a real heap of trouble."</p>
|
||||
|
||||
<p>"Nice to have company," Andy said. "I'm in so deep I'm on tip-toe."</p>
|
||||
|
||||
<p>"What I mean is, he's getting very strapped for cash."</p>
|
||||
|
||||
<p>"How do you know?"</p>
|
||||
|
||||
<p>"Trust me. I've been working on it. Anyway, I've got some friends who are looking for business. They want to know if
|
||||
you're up for a deal."</p>
|
||||
|
||||
<p>"What kind of a deal?" Andy bent forward over the garden table.</p>
|
||||
|
||||
<p>"Remember I told you about that cheese business that went flat up on Skye?"</p>
|
||||
|
||||
<p>"Sure. I told you it was too far away."</p>
|
||||
|
||||
<p>"Well, they've got five hundred head of jerseys that they're sending to slaughter unless they find a market for the
|
||||
milk and cream. Scotmilk won't touch it because of the distance."</p>
|
||||
|
||||
<p>"That's the problem."</p>
|
||||
|
||||
<p>"I've worked out something that might just come together. If they were to get the milk to you, could you process it
|
||||
for them?"</p>
|
||||
|
||||
<p>"What do they want, cream? Pasteurised, UHT? I don't have the transport, remember."</p>
|
||||
|
||||
<p>"They've got wheels. You can work the percentage between you."</p>
|
||||
|
||||
<p>Andy pushed back and sized him up.</p>
|
||||
|
||||
<p>"What's the score Jack? You've only been out of work a couple of weeks."</p>
|
||||
|
||||
<p>Jack met his look. He remembered his uncle playing with Sproat.</p>
|
||||
|
||||
<p>"I'm going to make you an offer you won't understand. How do you fancy getting into the drink business?"</p>
|
||||
|
||||
<p>"I <em>am</em> in the drink business. For about a month, anyway."</p>
|
||||
|
||||
<p>"No, I mean <em>real</em> drink."</p>
|
||||
|
||||
<p>It was time to put the cards on the table. "Listen to this, I've done a deal with some friends of mine up there. In
|
||||
fact, what we've done is, well, we've gone and bought a distillery."</p>
|
||||
|
||||
<p>"You bought a distillery? <em>You</em>? Come on Jake, don't yank it. Where would you get the cash?"</p>
|
||||
|
||||
<p>"I didn't need cash, just a promise. That's how it works, only I never knew it before. Anyway, it's only a wee place,
|
||||
falling apart, but it makes malt and it's got plenty of storage. But best of all is, along with this distillery
|
||||
comes a licence to make spirits. That's a licence to print your own banknotes if you use it right. And it's
|
||||
mine."</p>
|
||||
|
||||
<p>Andy's face was a picture of incredulity. Jack pushed on regardless.</p>
|
||||
|
||||
<p>"Anyway, here's where you come in. You've got the plant and the bottling line. I've got somebody working on a grant
|
||||
that would cover the transport costs back and forth, and some development dough for tooling up."</p>
|
||||
|
||||
<p>"But I won't have the premises. Sproat's rent is through the roof."</p>
|
||||
|
||||
<p>"Don't you worry about Sproat. Anyway, you sign up and no matter what happens, you can work a deal or relocate, but I
|
||||
don't think you'll have to move."</p>
|
||||
|
||||
<p>Andy shook his head, and Jack could see the faint ray of new hope tussle with old despair.</p>
|
||||
|
||||
<p>"If I was to change production, I'd need a cash-flow and I'm strapped Jake. The bank's pushed me so far out, they
|
||||
only touch me with a billhook. The pointy end."</p>
|
||||
|
||||
<p>"You won't need the bank. I'll fix you up with some rolling credit. They've got the transport. They deliver and you
|
||||
get paid per processed load. It's guaranteed. Look, there's a herd of Jerseys up on that farm with tits like full
|
||||
bagpipes making them buckle at the knees. We're talking fifty percent cream. Champion grass munchers. And the
|
||||
farmer, he's desperate for the business too or his herd goes down for dog-meat. You're teetering on the edge. The
|
||||
distillery needs a supply. It's like a triangle. Each side supports the other."</p>
|
||||
|
||||
<p>"Jeez, Jake, this is all a bit sudden. How did you get into all this?"</p>
|
||||
|
||||
<p>Andy picked up the beer and downed it in a single long swallow. He put the glass down and then groaned. He put both
|
||||
hands up against his forehead and rocked back and forth. For a moment Jack though he had burst into tears.</p>
|
||||
|
||||
<p>"What's the matter?"</p>
|
||||
|
||||
<p>"Ice cream headache. I drank it too fast."</p>
|
||||
|
||||
<p>Jack exploded with laughter in a sudden release of tension.</p>
|
||||
|
||||
<p>"You scared me there. I though you were having a stroke."</p>
|
||||
|
||||
<p>Andy shook his head as if to clear it.</p>
|
||||
|
||||
<p>"I've thought that myself this past couple of weeks. Listen Jake, I have to tell you, Angus Baxter thinks I'm
|
||||
involved in some scam over these tankers. I'm not out of the woods yet."</p>
|
||||
|
||||
<p>"Don't worry about that. Everything's going to be okay. You were going to give them up, weren't you? They just
|
||||
repossessed them a day early. They'll turn up, I'm certain about that."</p>
|
||||
|
||||
<p>Andy Kerr froze on the point of leaning forward.</p>
|
||||
|
||||
<p>"How did you know that?"</p>
|
||||
|
||||
<p>"Know what?"</p>
|
||||
|
||||
<p>"They were repossessed. Nobody knew that. Just what is going on?"</p>
|
||||
|
||||
<p>"Nothing you need to know about Andy. Everything's going to be okay. If we've stopped Sproat in his tracks, he can't
|
||||
sell, and the only reason he hiked your rent was to get you out. If he can't sell, he's stuck for cash and he can't
|
||||
afford to lose you as a tenant. He's in the bag."</p>
|
||||
|
||||
<p>"You've got it all figured out Jake," Andy said, but his tone was all full of gravel.</p>
|
||||
|
||||
<p>"I hoped if I could bring you a deal, you could keep the boys on."</p>
|
||||
|
||||
<p>Andy stared unblinking. "Jake, what happened to my tankers?"</p>
|
||||
|
||||
<p>Jack met him eye to eye again.</p>
|
||||
|
||||
<p>"You don't want to know."</p>
|
||||
|
||||
<p>"Jake. I'm asking you again. What the fuck happened to my tankers."</p>
|
||||
|
||||
<p>"Well, if it's between you and me. I really have to trust you on this." Jack made it a question.</p>
|
||||
|
||||
<p>"Between us then. You and me. Just tell me."</p>
|
||||
|
||||
<p>"We had to borrow them, Andy."</p>
|
||||
|
||||
<p>He never saw the punch. One minute he was eye to eye with Andy Kerr and the next he was right out of the garden chair
|
||||
and flat on his back. The crash of his landing socked all the air out of his lungs and little golden stars spangled
|
||||
in peripheral vision.</p>
|
||||
|
||||
<p>Andy was across the table, knocking it on its edge. The beer glass spun away and smashed against a small grinning
|
||||
gnome. He grabbed Jack's collar with one hand and swung another roundhouse. Jack just had time to block it and
|
||||
almost dislocated a thumb.</p>
|
||||
|
||||
<p>"You nearly put me in the fucking jail. Jesus! I've been hauled in there and that big Baxter's put me right through
|
||||
the wringer and everybody's been pointing the finger." He swung again, clipped Jack on the chin and Jack didn't have
|
||||
the heart or the urge to fight back. He knew he had this coming.</p>
|
||||
|
||||
<p>"I've had the house on the market and Sylvia going half demented and people round to put a price on the plant."
|
||||
Andy's voice was rising. "All because you and a bunch of loonies think they're Ronnie fucking Biggs!"</p>
|
||||
|
||||
<p>He swung again and Jack caught his hand, held it in a tight grip, taking the force out of the blow and preventing
|
||||
Andy from drawing back. They lay on the glass, straining, faces almost touching, both of them breathing hard.
|
||||
Finally Jack felt the strength go out of him. He eased himself out and rolled away. Andy got up, his anger part
|
||||
spent in the action.</p>
|
||||
|
||||
<p>"<em>Fuck</em>." A long exhale.</p>
|
||||
|
||||
<p>"Okay. You're right. I deserved that. But it's done and it's almost over, and I know you won't believe this, but we
|
||||
had to do it, so we could get the rest of the stuff in place. You were always going to be part of the deal, but you
|
||||
couldn't know about it. You're no crook. You'd never have gone for it. But if that's out of your system, and you
|
||||
won't start hooking and jabbing again, we can talk. You were screwed anyway, you told me that yourself. This is a
|
||||
chance to get unscrewed. You don't need tankers any more, so when they turn up, they'll be repossessed again, and if
|
||||
they don't, the insurance will cough. All you have to do is take delivery from Skye and convert the supply."</p>
|
||||
|
||||
<p>"Into what?"</p>
|
||||
|
||||
<p>"Condensed milk."</p>
|
||||
|
||||
<p>"The Carnation stuff? There's no market for that."</p>
|
||||
|
||||
<p>"Sure there is. I can guarantee it. So do you want the business?"</p>
|
||||
|
||||
<p>"What's the catch?"</p>
|
||||
|
||||
<p>"No catch. You and me become partners. We save the dairy, and we make a few bucks. No, we make a lot of bucks."</p>
|
||||
|
||||
<p>Jack held out his hand. Andy looked at it for so long that Jack almost drew it back again.</p>
|
||||
|
||||
<p>Finally he reached out and took it.</p>
|
||||
|
||||
<p>"You've turned out a right devious bastard, Jack Lorne."</p>
|
||||
|
||||
<p>It was after seven by the time he got home and he felt as if he'd been on his feet for a fortnight. He went straight
|
||||
into the shower to rinse off the grime of a long day, changed and came downstairs. His mother came in from the
|
||||
garden and as soon as she saw him she threw her arms around him and hugged him so tight he felt his ribs creak.</p>
|
||||
|
||||
<p>"Mike okay?"</p>
|
||||
|
||||
<p>"He's fine." She put a finger to his cheek. "He's better off than you. What happened to your face? No, don't tell me.
|
||||
Today's going to be a total blank from now on."</p>
|
||||
|
||||
<p>He caught a glimpse of himself in the mirror. Andy Kerr was no slouch. The bruise was already turning purple and
|
||||
swelling outwards..</p>
|
||||
|
||||
<p>"There's somebody here to see you," Alice said.</p>
|
||||
|
||||
<p>"Who's that?" For a moment his belly clenched tight. He didn't need any more surprises.</p>
|
||||
|
||||
<p>"She's out in the garden. Wants to talk to you."</p>
|
||||
|
||||
<p>"If you're going to start punching at me again, I've already had my quota for the day."</p>
|
||||
|
||||
<p>Kate Delaney looked up at him, saw the bruise that matched the swelling on her own cheek, and despite the ache, she
|
||||
couldn't keep the smile off her face.</p>
|
||||
|
||||
<p>Kerrigan Deane had been all business, but by the time she got to talk to him, Kate's thoughts were all over the
|
||||
place.</p>
|
||||
|
||||
<p>She'd gone through the revolving door again, with the last question still unanswered. The concierge pressed for the
|
||||
lift and she rummaged in her bag for the papers the lawyer had sent to her. She was still doing that when she walked
|
||||
through the open doorway, attention elsewhere, and stumbled straight into Deane's secretary who was coming in the
|
||||
opposite direction, equally preoccupied.</p>
|
||||
|
||||
<p>Papers fountained and scattered all over the expensive carpet, while Kate and the other girl held on to each other to
|
||||
save from falling, both of them apologising. They bent simultaneously to pick up the strewn papers, scooping at
|
||||
random.</p>
|
||||
|
||||
<p>She was on her knees, a sheaf of documents in one hand, picking up another, when Jack Lorne's name seemed to jumpe
|
||||
out of a mass of type into sharp focus.</p>
|
||||
|
||||
<div class='block'>...just to confirm the legal opinion is that there is a <span class='noital'>prima facie</span> case
|
||||
for common ownership of the harbour at Aitkenbar Distillery. From the research studies you supplied, our own
|
||||
investigations have been unable to discover any clear private title to the harbour basin. Such title is not included
|
||||
in the Sproat family holdings or within the aegis of Aitkenbar Distillery.
|
||||
</div>
|
||||
<div class='block'> Consequently we are preparing a writ for interdict which will be served under the auspices of the
|
||||
Charter 1315 organisation. We are confident this action will succeed and that attempts to have it lifted will be
|
||||
denied. It is likely that the other party will seek an action of <span class='noital'>declarator</span>, to get a
|
||||
formal ruling on ownership, which, whether it succeeds or not
|
||||
</div>
|
||||
<div class='block'>— and it is our considered opinion is that it will not - will lead to an extensive delay. Ms
|
||||
Delaney will, of course, be kept apprised of developments.
|
||||
</div>
|
||||
<div class='block'>As you requested, details of costs will be forwarded to you as they arise. We thank you for the
|
||||
initial retaining fee.
|
||||
</div>
|
||||
<p>Kerrigan Deane's flourish of a signature was jet black below the typeface. Above it Jack's name stood out in bold.
|
||||
The address below it said: <em>c/o Bruce, Thornbank Cottage</em>.</p>
|
||||
|
||||
<p>Kate knelt on the carpet while the other girl scrambled for the remainder of the papers. It was only when the type
|
||||
began to waver in her vision that she remembered to breathe again.</p>
|
||||
|
||||
<p><em>Damn you Jack Lorne. How the hell did you manage this?</em></p>
|
||||
|
||||
<p>She got up and came towards him.</p>
|
||||
|
||||
<p>"No. I'm not going to start punching, idiot. Though I really should, for the catalogue of bloody lies you've told
|
||||
me."</p>
|
||||
|
||||
<p>"I only told you one." He looked at her warily. Her last hook had caught him on the same cheek that Andy Kerr had
|
||||
cracked. A third punch would be too many. But she reached out and took both of his hands in hers.</p>
|
||||
|
||||
<p>"You put Kerrigan Deane up to it." A statement, not a question.</p>
|
||||
|
||||
<p>"He told you that?" A sear of indignation flared.</p>
|
||||
|
||||
<p>"No, he's a total professional," she said, squeezing his fingers. "I asked him, but he wouldn't say a thing. I had an
|
||||
accident and knocked some papers out of his secretary's hand. Your name was on some of them. It wasn't her fault or
|
||||
his."</p>
|
||||
|
||||
<p>He returned her gaze, saying nothing.</p>
|
||||
|
||||
<p>"Well?"</p>
|
||||
|
||||
<p>"You really should watch where you're going," he finally said." </p>
|
||||
|
||||
<p>"And so should you by the looks of it." She pulled him towards the bench where his mother liked to sit and read on
|
||||
hot days. He caught Alice out of the corner of his eye, just passing the kitchen window. She flashed him a mother's
|
||||
smile. He let himself sit.</p>
|
||||
|
||||
<p>"You paid Mr Deane to start the action, and you set me up for it."</p>
|
||||
|
||||
<p>"I'm saying nothing until I see my lawyer."</p>
|
||||
|
||||
<p>She laughed. "You really are an idiot, Jack Lorne. Why didn't you tell me?"</p>
|
||||
|
||||
<p>"You didn't need to know. You shouldn't know now. It could get dangerous."</p>
|
||||
|
||||
<p>"How did you do it?"</p>
|
||||
|
||||
<p>"Leverage."</p>
|
||||
|
||||
<p>"I don't understand." The sun was forcing its way through the thin clouds, low rays glinting copper on her hair.</p>
|
||||
|
||||
<p>"Aristotle's the man. He said if he had a long enough lever and a place to wedge it, he could move the world. It
|
||||
turns out that leverage is what the Sproats and their likes have had all this time. It's time we had a turn. And a
|
||||
crowbar helps."</p>
|
||||
|
||||
<p>"You're talking in riddles."</p>
|
||||
|
||||
<p>"I told you before. People like Sproat, they just push too far. Everybody gets used to it and they take, take, take.
|
||||
They get so used to taking that they don't know what the real world's all about. They think it's their god-given
|
||||
right, but it's not. Sproat never had it tough and he never had to work and all he's ever learned to do is use money
|
||||
his daddy earned and fiddle the system."</p>
|
||||
|
||||
<p>"Is this a lecture?"</p>
|
||||
|
||||
<p>"It's a lesson it took me long enough to suss. Everybody was talking about what was happening to them, what was being
|
||||
done to them. but words mean nothing. Action is the only thing. Doing. That's the only thing."</p>
|
||||
|
||||
<p>He paused, trying to rein himself in, but he was still hyped from everything that had happened and couldn't put a
|
||||
brake on it.</p>
|
||||
|
||||
<p>"Sproat doesn't realise that it goes both ways, and now he's finding out what it's like to be under the gun. You get
|
||||
enough people angry and one of these days they'll all gang up on you and you won't have anybody to back you up. That
|
||||
is where Sproat is. His arse will be nipping, believe me."</p>
|
||||
|
||||
<p>"Nice picture," she couldn't keep the smile away. "And so eloquently put."</p>
|
||||
|
||||
<p>"And the higher up they are, the bigger the splat they make when they hit. Sproat's swaying on his feet when he
|
||||
should be down and taking a long count. He's going to hit like a comet. A blaze of glory."</p>
|
||||
|
||||
<p>"The last one that hit wiped out the dinosaurs."</p>
|
||||
|
||||
<p>"That's a mighty metaphor, Kate. Those dinosaurs had their chance. With them gone, it gave all the little creatures a
|
||||
start."</p>
|
||||
|
||||
<p>"You are one damn smartarse, Jack Lorne. You've always got the smart answer. Always have to have the last word, don't
|
||||
you?"</p>
|
||||
|
||||
<p>"Does that mean I'm forgiven for the Armani?"</p>
|
||||
|
||||
<p>"Jack. You're a bastard, pure and simple. But I think I love the hell out of you."</p>
|
||||
|
||||
<p>"You what?" He wasn't sure he'd heard that.</p>
|
||||
|
||||
<p>"You heard what I said." She pulled on his hands again, eased him forward. "Thank those crazy boys for me, will
|
||||
you?"</p>
|
||||
|
||||
<p>"No. They don't know I've been spending money on a good cause, not yet. I haven't got round to telling them the whole
|
||||
plan."</p>
|
||||
|
||||
<p>"So what happens next?"</p>
|
||||
|
||||
<p>"I could tell you," he said, gripping her hands. "But then....then I'd have to kiss you."</p>
|
||||
|
||||
<p>"What did you say?"</p>
|
||||
|
||||
<p>"You heard what I said." He pulled and she bent into it. Both of them winced when their bruised cheeks collided, but
|
||||
the pain faded out in the middle of it.</p>
|
||||
|
||||
<p>"Two things," she said when they broke away.</p>
|
||||
|
||||
<p>"No surprise there."</p>
|
||||
|
||||
<p>"I think you look terrific in Armani."</p>
|
||||
|
||||
<p>"And the other?"</p>
|
||||
|
||||
<p>"If your hair goes like that in twenty years, I won't really mind."</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
900
build/Full Proof/OEBPS/ch25.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>25</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>25</h1>
|
||||
|
||||
<p>They were on the move with the rising sun at their backs as the mist still hung in a thick veil over the curves of
|
||||
the river.</p>
|
||||
|
||||
<p>Neil was at the controls of the crane in the wee cold hours, when the night watchman on the site was asleep and
|
||||
snoring loud enough to make the hut shake. It was too early for any movement except the flutter of small birds in
|
||||
the bushes beside the fence. The town was almost silent.</p>
|
||||
|
||||
<p>The crane, that hadn't been difficult to get a hold of, not when Shug Cannon was the chargehand in the direct works
|
||||
site yard. Neil had told him he'd only need it for a couple of hours and would put it back long before the shift
|
||||
started. Shug was okay about it for a couple of bottles. It was a town council mobile job and security was would be
|
||||
so haphazard that nobody would ask any questions unless Neil hit an overhead cable or a passing bus, but he promised
|
||||
not to do that.</p>
|
||||
|
||||
<p>Big Lars called at half past midnight when he and the Valkyrie and his four-strong crew were down off the south tip
|
||||
of Kintyre and heading round to the little port at Tarbert on the Atlantic coast of Argyll, the jump-off for the
|
||||
western isles. Jack took it on the spare mobile in the back seat of Jed's runaround.</p>
|
||||
|
||||
<p>"We have to change the plan <em>Yack.</em>"</p>
|
||||
|
||||
<p>"We can't change the plan. We're getting ready to move right now."</p>
|
||||
|
||||
<p>"It's the harbour at Tarbert." Lars bawled against static on the ship-to-shore. "There's a big boat stuck on a shoal.
|
||||
They have to wait for the high tide to tug her off. You can't get in there with the load and I can't get in with the
|
||||
Valkyrie."</p>
|
||||
|
||||
<p>"So what do we do? Put it on a boat and row out from shore?"</p>
|
||||
|
||||
<p>"It's okay. I spoke already to the harbourmaster at Oban. It's only two more hours and they have a boom rig to lift
|
||||
heavy cargo. All fixed up, it is now. And the Valkyrie, the screw is okay. She is running sweet."</p>
|
||||
|
||||
<p>"Problem?" Ed asked. His face was rough with the scrapes and scratches of his flight through the bushes after he had
|
||||
climbed out to battle Foley. Otherwise he was cool as ever.</p>
|
||||
|
||||
<p>"Was there ever a day without one? Eric the Red says we can't load at Tarbert. It has to be Oban. But at least his
|
||||
screw is working."</p>
|
||||
|
||||
<p>Neil leant back over the seat. "Der scroo is voorking in de vooter." It got a laugh.</p>
|
||||
|
||||
<p>"How many miles to Oban?"</p>
|
||||
|
||||
<p>"Just over a hundred. It's nearer here than Tarbert, but he'll need another two hours, which is two hours more
|
||||
exposure. We have to move now before the town wakes up."</p>
|
||||
|
||||
<p>The keys were in the crane truck. It belched black fumes until the engine heated up and Neil used the side roads to
|
||||
get it beyond the building site and down the little track road on the other side of the fence, hidden from view from
|
||||
most of the building site. Ed had the snippers and unzipped the chain-link in a matter of seconds. He and Tam
|
||||
squeezed through the gap and made their way to the stack of big tanks.</p>
|
||||
|
||||
<p>"What's the weight of these things?" Neil was getting used to the controls. He was a good singer and good with his
|
||||
hands. Jack thought he under-rated himself because of his weight.</p>
|
||||
|
||||
<p>"A zillion tons," Jack said. "Each of them's full to the top."</p>
|
||||
|
||||
<p>"This should take it."</p>
|
||||
|
||||
<p>"It better. You spill one and we're done for."</p>
|
||||
|
||||
<p>"We spill one and Donny will get down in the mud on his hands and knees and start licking."</p>
|
||||
|
||||
<p>They used the cradle hawsers to snag the first tank, Ed and Tam working fast and quiet. Tam stood on the stack and
|
||||
waved the all-clear and Neil eased back on the sticks, taking the weight. The whole crane shuddered and the line
|
||||
sang with tension and then, very slowly, the ponderous weight sucked up from the rain-wet earth and swayed in the
|
||||
air.</p>
|
||||
|
||||
<p>"Told you it would take it." Neil pulled back on the little control with one hand and flipped down his sunglasses
|
||||
against the sharp rays of the rising sun.</p>
|
||||
|
||||
<p>"Thank God for that." Jack allowed himself to exhale. Neil touched the lift again and the crane creaked and squealed
|
||||
in a protest of metal and the big yellow tank raised slowly upwards until it was just over the height of the
|
||||
fence.</p>
|
||||
|
||||
<p>"This is the tricky bit," Neil said. Jack said nothing while he worked. The crane arm swung slowly to the left and
|
||||
the tank began to pendulum even more slowly, following the motion.</p>
|
||||
|
||||
<p>"Perfect," Neil said, but Jack's breath was backed up again as the first load approached the concrete fencepost.</p>
|
||||
|
||||
<p>Without any warning everything tilted downwards in a blur of movement and Jack was thrown forward so hard his bruised
|
||||
cheek thudded against the window. The crane groaned as it lurched down and to the left.</p>
|
||||
|
||||
<p>Beyond the fence, somebody shouted in alarm and the yellow weight careened to the end of the pendulum swing, hit
|
||||
against the post and then dropped to the ground again. Everything stopped.</p>
|
||||
|
||||
<p>Jack picked himself up, shook his head.</p>
|
||||
|
||||
<p>"What the hell happened?"</p>
|
||||
|
||||
<p>"Maybe it couldn't take the weight after all."</p>
|
||||
|
||||
<p>The whole cab was canted forward and the cables on the gantry arm had gone slack. Beyond the hedge and the fence, Ed
|
||||
was bawling at them to lift the tank. A sharp whiff of whisky soured the morning air.</p>
|
||||
|
||||
<p>"Shit, we've sprung a leak," Neil said.</p>
|
||||
|
||||
<p>Ed came pushing through the hole on the fence.</p>
|
||||
|
||||
<p>"You have to lift it up again. Tam was under the tank when it came down."</p>
|
||||
|
||||
<p>"Is he hurt?"</p>
|
||||
|
||||
<p>"I don't know. He's yelling like a banshee."</p>
|
||||
|
||||
<p>Jack hauled himself out of the cab and ran for the hedge. It was only five in the morning and everything was going
|
||||
wrong. He just had time to notice the crane's front wheels were buried up to their axles in the soft earth at the
|
||||
side of the track and the whole machine was leaning at a drunken angle. He shoved through the gap in the fence.</p>
|
||||
|
||||
<p>"Get this off me," Tam was yelling. At least he was alive.</p>
|
||||
|
||||
<p>"Shhh...you'll wake the whole town." The early sparrows scattered in alarm.</p>
|
||||
|
||||
<p>"Screw them. Are you trying to kill me?"</p>
|
||||
|
||||
<p>Tam was face down in the mud, arms splayed out to the side. The back of his thighs and his calves were jammed
|
||||
underneath the big tank and a tiny jet of good whisky was hissing from a puncture close to the top where the tank
|
||||
had slammed into the upright. It splashed on Tam's back and soaked into his shirt.</p>
|
||||
|
||||
<p>"Are you hurt?"</p>
|
||||
|
||||
<p>"How should I know. I can't feel my bloody legs."</p>
|
||||
|
||||
<p>Neil came barrelling through, snagged his sweat shirt on either side of the gap.</p>
|
||||
|
||||
<p>"I can fix it," he said. "There's a set of bracing legs on the front, but I need something to wedge them on. Hi Tam,
|
||||
are you okay?"</p>
|
||||
|
||||
<p>"No thanks to you. I thought you could operate that crane?" Tam made the statement a question. His fingers were
|
||||
scrabbling at the rough earth, trying fruitlessly to pull himself free.</p>
|
||||
|
||||
<p>"I need some planks and I'll get you out."</p>
|
||||
|
||||
<p>"If my back's broken I'll kick your arse," Tam threatened. Jack managed a laugh despite the panic, sounding almost
|
||||
hysterical. It was clear Tam was just stuck and not hurt. It took them another fifteen minutes to get some
|
||||
scaffolding planks from the site and form a thick platform to brace the jacks against the mud. Neil was up in the
|
||||
cabin again and the runners protested at the cable went taught again. Jack watched from ground level, just able to
|
||||
see Neil beyond the hedge.</p>
|
||||
|
||||
<p>The big tank sucked upwards an inch at a time and when it was just clear of the muck, they dragged Tam free.</p>
|
||||
|
||||
<p>"Look at the state of these," he said, clawing the thick clay off his trousers. "I got these in the Gap sale and
|
||||
they're totally ruined."</p>
|
||||
|
||||
<p>This time Neil got it right and the container cleared the fence by at least a foot, drizzling whisky all the time.
|
||||
The hole in the tank was very close to the top, and they'd have to live with the small loss. If Jack could find the
|
||||
duct tape he'd make an emergency repair to minimise the damage, but they were getting near to the end now.</p>
|
||||
|
||||
<p>It was almost six thirty when they got the last container onto the back of the flatloader and lashed into place. Ed
|
||||
had found a hose hear the cement mixer and used it to jet the mud from Tam, pressing his thumb over the flow to set
|
||||
it at stun. Clay flew everywhere but after a few minutes, most of it was elsewhere. Tam stood glowering and
|
||||
dripping.</p>
|
||||
|
||||
<p>By seven they were gone and it was only when the flatloader cranked up to move out in a rumble of gears that old
|
||||
Charlie Oliver woke up in his watchman's hut and stumbled out into the morning. It took him another half hour to
|
||||
notice that the big tanks had disappeared and when he went to investigate the vacant space, he discovered the
|
||||
miraculous puddle of pure scotch whisky.</p>
|
||||
|
||||
<p>He used an old enamel mug to scoop some for a cautious taste and by eight in the morning he was as drunk as a lord.
|
||||
That's how the site foreman found him when the shift started and he called the police right away.</p>
|
||||
|
||||
<p>By that time the boys were on the road again.</p>
|
||||
|
||||
<p>"I never knew you had a gun until you started firing," Neil said. He'd taken the crane back to the old depot on the
|
||||
broad meadow near the river and now they were all at the lorry park close to Gus Ferguson's yard, with the tall
|
||||
tanks lashed and wedged in-line on the back of the flatloader. "It sounded just like a pop-gun from up there."</p>
|
||||
|
||||
<p>"It was like a cannon down there," Donny said. "He never told me what was happening. I nearly shit myself."</p>
|
||||
|
||||
<p>"I had the binoculars right on them. You should have seen the look on Cullen's face. He was like a goldfish when you
|
||||
pointed the shooter at him. I kept thinking of that guy in Dirty Harry."</p>
|
||||
|
||||
<p>"What guy," Donny asked.</p>
|
||||
|
||||
<p>"You know the one." Neil's voice went husky and western. He held up his hands together, finger on an imaginary
|
||||
trigger.</p>
|
||||
|
||||
<p>"I know what you're thinking. Did he fire six shots or only five? Well, to tell you the truth, in all this
|
||||
excitement, I've kinda lost track myself. But being as this is a .44 Magnum, the most powerful handgun in the world,
|
||||
and would blow your head clean off, you've got to ask yourself one question: 'Do I feel lucky?' Well, do ya
|
||||
punk?"</p>
|
||||
|
||||
<p>Jack laughed, and not just at Neil's word perfect soliloquy. He was picturing his uncle in mask and balaclava in
|
||||
Whitehead's scrap yard, with the fake gun up at Foley's ear. <em>"Go on, make my day."</em> He'd been doing Clint
|
||||
Eastwood too.</p>
|
||||
|
||||
<p>Neil snorted with laughter. "And then the cops came in. Oh, you should have seen that. Cullen was down there in the
|
||||
puddle with the gun in both hands, and six of those swat guys on him. It was like Lethal Weapon all over again."</p>
|
||||
|
||||
<p> "What do we do about him?" Donny asked.</p>
|
||||
|
||||
<p> "He was caught shooting at the cops. We don't need to bother about him."</p>
|
||||
|
||||
<p>"No, I mean <em>him.</em>" He jerked his thumb towards the top of the tanker. Nobody had mentioned Foley for a while.
|
||||
</p>
|
||||
|
||||
<p>"Better get him down here. We have to use everything we got. By now Baxter will have my name and I don't want to be
|
||||
around when he comes sniffing. Old Sandy, he'll keep the family tight, but very soon Tam's site boss is going to
|
||||
notice a big space where these tanks used to be, and with the amount of hooch we managed to lose, somebody's bound
|
||||
to make a connection. So it's diversion time."</p>
|
||||
|
||||
<p> After he'd told them he had a market for the stolen whisky, four of them had gone out in Jed's wreck and Tam's bike,
|
||||
scouting possible routes north. In this part of the west, roads are narrow and twisting and some of them won't take
|
||||
a heavy load. It was imperative to Jack to have alternative ways to go, just in case of trouble. As he told them
|
||||
many a time, straight from the manual of good business practise: <em>There is absolutely no substitute for a genuine
|
||||
lack of preparation.</em></p>
|
||||
|
||||
<p>Tam came rolling up on the bike. He'd gone home and changed into his leathers. The spare helmet dangled on the
|
||||
pillion hook and he swapped it with Jed's white racing lid. He slipped on the pale jacket with the big reflectors
|
||||
while Jed carefully stuck the chequered tape round the helmet.</p>
|
||||
|
||||
<p>"All set?"</p>
|
||||
|
||||
<p>"Ready to rock and roll," Neil said. "Give us a hand with old Wiggy, would you?"</p>
|
||||
|
||||
<p>"I just had a shower."</p>
|
||||
|
||||
<p> Jack rapped his helmet with hard knuckles. "Don't get squeamish on us."</p>
|
||||
|
||||
<p>They got the heavy roll down from the frame Neil had fixed to disguise the tanker's shape, manhandled it to the
|
||||
ground, and then stood it up as best they could against the lorry.</p>
|
||||
|
||||
<p>"Jed, you and Neil take him with you. But you better unwrap him first."</p>
|
||||
|
||||
<p>"Aw, come on," Neil protested. "I'm not travelling with that stinking up the place."</p>
|
||||
|
||||
<p>"It's okay," Jack said. "Me and Jed, we were out yesterday checking out some places. You just go along with him and
|
||||
we'll be cool. Both of you, keep listening to the police band and make sure you watch my back. Make sure you run
|
||||
interference all the way."</p>
|
||||
|
||||
<p>Foley's grey face lolled from the top where the canvas unpeeled and his wig was askew. Dried blood stuck to the scalp
|
||||
where the hairpiece had been scraped off by the rough oak bark.</p>
|
||||
|
||||
<p>"God, he smells as bad as ever," Neil said dismally. "It's like Weekend at Bernie's."</p>
|
||||
|
||||
<p>Despite his misgivings, he hauled the stiffly sagging corpse up to the passenger seat, with a look of serious disgust
|
||||
twisting his mouth downwards. </p>
|
||||
|
||||
<p>"Who's got the spare phone?" </p>
|
||||
|
||||
<p>"What happened to yours?" Neil reached for the bag.</p>
|
||||
|
||||
<p>"I stood on it. It's as dead as he is."</p>
|
||||
|
||||
<p>Jack took the mobile and put it in his inside pocket.</p>
|
||||
|
||||
<p>"Okay, this is it. We blow it now and we're blown away, so try hard not to blow it."</p>
|
||||
|
||||
<p>Jed took the other helmet, hauled Neil's arm and pushed him ahead into the cabin, up against their unwelcome
|
||||
passenger. Ed climbed up into the second tanker and made a circle with his thumb and forefinger, no need for words.
|
||||
He started the engine and gunned the throttle.</p>
|
||||
|
||||
<p>Jack waved to them, got in the cabin of the flatloader and closed the door. He clapped Donny on the shoulder, checked
|
||||
the phone, made sure Neil had programmed the one-touch.</p>
|
||||
|
||||
<p>"Calling Elvis?"</p>
|
||||
|
||||
<p>"Uh-huh-huh."</p>
|
||||
|
||||
<p>"Wagons <em>ho!</em>"</p>
|
||||
|
||||
<p>"Thang you ver' much, ladies n' gennelmen."</p>
|
||||
|
||||
<p>The big diesel snorted and the whole frame shuddered. He eased the long stick forward and the transporter picked up
|
||||
speed as it headed for the gate. They all went in convoy and Tam paused outside, closed the gate behind them and
|
||||
then got back on the bike, following the trail of new blue exhaust fumes.</p>
|
||||
|
||||
<p>Jack took the north route that would take the load up past Loch Lomond, easing the rig round the bends on the Quarry
|
||||
Road where Foley had taken his fatal last powered flight.</p>
|
||||
|
||||
<p>The phone rang.</p>
|
||||
|
||||
<p>"Retro?" Neil's voice.</p>
|
||||
|
||||
<p>"Speak to me."</p>
|
||||
|
||||
<p>"It's 106 miles to Oban," his Philadelphia accent was spot-on this time. "We got a full tank of gas, half a pack of
|
||||
cigarettes, it's dark and we're wearing sunglasses."</p>
|
||||
|
||||
<p>"You keep your mind on the job and tell him to keep his eye on the road."</p>
|
||||
|
||||
<p>"Sure. But which movie was it." Jack could hear Jed laughing in the cab.</p>
|
||||
|
||||
<p>"Elroy Blues. Blues Brothers."</p>
|
||||
|
||||
<p>"Got it in one....."</p>
|
||||
|
||||
<p>A tremendous crash blasted through the receiver and Jack jerked the phone away from his ear. He tapped his foot on
|
||||
the brake. Neil bawled a curse that even through the phone could be heard yards away.</p>
|
||||
|
||||
<p>"What's happened?" Donny turned round.</p>
|
||||
|
||||
<p>"Sounds like they've wrecked the truck."</p>
|
||||
|
||||
<p>Angus Baxter hunkered down to examine the marks on the scaffolding planks on the other side of the fence, puffing
|
||||
furiously at his pipe. He'd been on his way to ask a few questions when the call came in and he'd diverted fast when
|
||||
he heard the mention of whisky. The solid clay had kept the puddle from draining away.</p>
|
||||
|
||||
<p>"Is the watchman sober yet?"</p>
|
||||
|
||||
<p>"Not until next Tuesday," Jimmy Balloch said. "He's had a tankful."</p>
|
||||
|
||||
<p>"These marks here. Something heavy was pressed down on them. They've made square indentations in the surface."</p>
|
||||
|
||||
<p>Colin Dundas bent to join him. "Those are struts. You can see where the wheels went down in the mud, but the planks
|
||||
took the weight here."</p>
|
||||
|
||||
<p>"And there's a yellow mark on the concrete post," Baxter said. "So it seems they used a crane to steal your
|
||||
tanks."</p>
|
||||
|
||||
<p>"That's a bit risky for what they're worth," Dundas said.</p>
|
||||
|
||||
<p>"Not if they were filled up with the finest Glen Murroch, which is what I'm thinking."</p>
|
||||
|
||||
<p>He eased to his feet and turned to Balloch. "Get me control room. We've a chance to tie this whole thing up
|
||||
today."</p>
|
||||
|
||||
<p>He walked away with him to gain some privacy.</p>
|
||||
|
||||
<p>"From the barrels in Ferguson's yard, they had only half the load, assuming the rest of it didn't all go down the
|
||||
drain, which it didn't from the evidence here. But we know there were two tankers, so my guess is, they hid the
|
||||
other half of it here where nobody would think to look. But they're moving now, and from the amount in that puddle,
|
||||
they're not gone long. I want every available patrol car out looking for big loads."</p>
|
||||
|
||||
<p>"Where should they look?"</p>
|
||||
|
||||
<p>"Every damned where. I want tankers and containers. They're not daft, these people. They'll either have pumped the
|
||||
stuff back into the tankers, or they'll have covered those big drain sumps so they don't show. One thing we can be
|
||||
very sure about."</p>
|
||||
|
||||
<p>He sucked on the pipe until it blazed: "They won't be travelling very fast."</p>
|
||||
<hr />
|
||||
<p>Manky Franky Hennigan got such a fright that he fell off the pile of pallets he used for a bed and dropped his last
|
||||
bottle of Eldorado wine. It shattered like a bomb on the old brickwork floor. The whole place shook and shuddered
|
||||
the way it had on the night the black figure had come striding out of the light and replaced the wine with whisky.
|
||||
He stumbled out of his little niche into the misty morning, pushed his way through the undergrowth until he came to
|
||||
the side of the road and then he stopped dead, swaying only slightly.</p>
|
||||
|
||||
<p>The big silver thing was only yards away.</p>
|
||||
|
||||
<p>Franky took two steps backwards, reaching a dirty hand into his pocket for his glasses.</p>
|
||||
|
||||
<p><em> "We come from a distant galaxy far far away. We know who you are."</em> The clarity of that memory was pretty
|
||||
spectacular for Franky at this time in the morning.</p>
|
||||
|
||||
<p>The figure had pushed in further and a black shiny finger touched him in the middle of the chest. <em>"Tell no-one,
|
||||
or we'll be back with a death ray to fry your brain."</em></p>
|
||||
|
||||
<p>A sudden panic filled him. That crafty big policeman had got him to tell everything and then they'd stuck a
|
||||
microphone in front of him and he just couldn't help himself. Didn't the thing in the black suit know he was a
|
||||
drunk?</p>
|
||||
|
||||
<p>Had they come back? Had the come all that way for him?</p>
|
||||
|
||||
<p>The frame was a clear foot higher than the cabin roof and when they came to the low railway bridge behind Aitkenbar
|
||||
Distillery, that bare twelve inches was just enough to catch the cast iron lintel edge as they went underneath.</p>
|
||||
|
||||
<p> It hit the metal with a sound like an explosion and the force of it ripped back the entire covering off the top, the
|
||||
way Foley's wig had peeled.</p>
|
||||
|
||||
<p>"What the hell was that?" Jack heard the blurted question on the other phone.</p>
|
||||
|
||||
<p>Jed stamped on the brake and brought the whole rig to a sliding stop. His heart had somersaulted into his throat and
|
||||
sat there shuddering. He finally got his breath.</p>
|
||||
|
||||
<p>"I think we hit the bridge."</p>
|
||||
|
||||
<p>Foley's body had pitched violently forward and was now jammed against the windscreen, the grey mouth oddly
|
||||
fish-like.</p>
|
||||
|
||||
<p>"Put a seat-belt on that, would you?" Jed opened the door and hauled out. He swung on the footplate, looking
|
||||
backwards and let out a groan. All of Neil's handiwork was a tangle of metal struts and tarpaulin, accordioned back
|
||||
from the leading edge and piled at the rear.</p>
|
||||
|
||||
<p>"So much for the camouflage," he said. "The truck's okay, but we'll have to shift that lot."</p>
|
||||
|
||||
<p>He took the phone.</p>
|
||||
|
||||
<p>"It's okay, we did hit the bridge."</p>
|
||||
|
||||
<p>"You did what?" Jack sounded furious and incredulous all at once.</p>
|
||||
|
||||
<p>"No, it was just the covering on the tank. It was too high. We'll just strip it off and dump it." </p>
|
||||
|
||||
<p>"Nobody hurt?"</p>
|
||||
|
||||
<p>"Just Foley. He wasn't wearing a belt."</p>
|
||||
|
||||
<p>"I'll send him a get-well card. No more crazy stuff, Bullitt. Remember it's not a stock car."</p>
|
||||
|
||||
<p>"Roger wilco."</p>
|
||||
|
||||
<p>It took them only five minutes to rip the thin framework from the back and leave it beside the road under the bridge.
|
||||
They were just about to pull away when Jed spotted Franky Hennigan standing in the undergrowth, face wide and pale,
|
||||
mouth working silently. He grabbed the phone from Neil and reached out from the cab.</p>
|
||||
|
||||
<p>"You've been told before," he said, pointing the antenna straight at him. "You saw nothing."</p>
|
||||
|
||||
<p>Manky Franky Hennigan slowly sank to his raggedy knees, closed his eyes tight and clasped both hands together in
|
||||
unspoken plea. By the time he opened his eyes again, the big silver machine had vanished in a swirl of blue
|
||||
smoke. </p>
|
||||
|
||||
<p>They were rolling through the morning countryside by the time Inspector Baxter got round to Jack's house and already
|
||||
Jack knew the big policeman had got the arithmetic right. Ed had picked up the cavalry call on the police band and
|
||||
relayed it to him as he drove up past Luss on the Loch shore road.</p>
|
||||
|
||||
<p>"They're looking for tankers and heavy load," he said.</p>
|
||||
|
||||
<p>"Contact Bullitt and let him know. I need those diversions now."</p>
|
||||
|
||||
<p>Ed made the call and waited until he got to the junction of the main road crossing east to west and took the west
|
||||
route, which could keep him well in range while Jack hurried on northwards. Here, the roads were narrower, and
|
||||
allowed for some manoeuvre, especially with the height and panoramic advantage you got from the cabin as you
|
||||
travelled past the country hedges. Sometimes you could get plenty of warning in the distance and take action.</p>
|
||||
|
||||
<p>Sandy Bruce let Baxter and Jimmy Balloch in. Alice sat at the table with a cup of tea. After the one-day lapse when
|
||||
Michael was missing she had reverted to non-smoking mode. Michael ate his toast, nose buried as usual in a
|
||||
text-book.</p>
|
||||
|
||||
<p>"I'm looking for Jack Lorne," the inspector said. He flashed a card very quickly. Sandy Bruce recognised him alright,
|
||||
but he wasn't in the mood to make it easy.</p>
|
||||
|
||||
<p>"Who are you?"</p>
|
||||
|
||||
<p>"Detective Inspector Angus Baxter, Levenford CID."</p>
|
||||
|
||||
<p>"Show me your card."</p>
|
||||
|
||||
<p>"I showed you already."</p>
|
||||
|
||||
<p>"You must think I've got eyes like a hawk, young fella." </p>
|
||||
|
||||
<p>Baxter showed it again. Sandy took it, made a play of unfolding his glasses and putting them on. Jimmy Balloch
|
||||
smirked behind his superior's back. Michael bit down on his toast to keep from laughing, despite his own
|
||||
nervousness. Jack always said, <em>keep them off balance.</em> He must have got that from his uncle..</p>
|
||||
|
||||
<p>"Police eh? What do you want our Jack for?"</p>
|
||||
|
||||
<p>"Can we come in?"</p>
|
||||
|
||||
<p>Sandy stood back for a moment, rubbed his chin as if considering and finally nodded. "I suppose so. I expect he's
|
||||
found some money and you're here to return it? Maybe a reward?"</p>
|
||||
|
||||
<p>"No, not that. Is Jack in? Or his brother?"</p>
|
||||
|
||||
<p>"Jack's down in London. He went two days ago, looking for work. It's a crying shame what a young fellow has to do to
|
||||
get work around here these days. It's cost him an arm and a leg in train fares. Hey Alice, you think Jack should
|
||||
apply to the police? He's got the height for it. And he's easily got the brains as well."</p>
|
||||
|
||||
<p>Michael snorted, unable to keep it in. Sandy made it sound as if he was rambling. Alice looked up as the two
|
||||
policemen came crowding into the kitchen.</p>
|
||||
|
||||
<p>"Sit down," she said. She offered them a cup of tea, which both of them accepted, and then she asked what this was
|
||||
about.</p>
|
||||
|
||||
<p>"We're hoping to speak to your son Jack."</p>
|
||||
|
||||
<p>"My brother-in-law just told you he isn't here."</p>
|
||||
|
||||
<p>"And is this your other son, Michael?"</p>
|
||||
|
||||
<p>Mike looked over the edge of the book, grinned and stuck his hand out quickly. Baxter took it, shook it, taken by
|
||||
surprise. Sandy threw the boy a wink. <em>Keep them off balance.</em></p>
|
||||
|
||||
<p>"Pleased to meet you. You're an inspector? CID? Cool." He made himself sound naively enthusiastic. "Can I see your
|
||||
badge?"</p>
|
||||
|
||||
<p>Baxter showed him the warrant. "Michael, can you tell us where you were on Monday at eleven am?"</p>
|
||||
|
||||
<p>"I don't think so, Mr Baxter," Alice butted in. She put both hands on the table. "You're in my house and you haven't
|
||||
told us what you're doing here. I asked you what this is all about and so far you haven't answered."</p>
|
||||
|
||||
<p>Jimmy Balloch looked at her with some respect. His boss had been wrong-footed three times now. Baxter leant back,
|
||||
seemed to ponder a moment.</p>
|
||||
|
||||
<p>"We're investigating a number of incidents surrounding the disappearance of a large quantity of Scotch Whisky."</p>
|
||||
|
||||
<p>"And you think my Jack is involved?"</p>
|
||||
|
||||
<p>"We're just checking out some information, which may or may not be correct. But unless we ask, we won't find out."
|
||||
Baxter was trying hard to get control of this. "Now, can you tell me where Jack was on Monday at that time?"</p>
|
||||
|
||||
<p>"Sure," Sandy said. "I can tell you. He was up at his lawyers in Glasgow. He had an appointment. Do you want the
|
||||
number?"</p>
|
||||
|
||||
<p>"What would he need a lawyer for?"</p>
|
||||
|
||||
<p>"That's surely none of your business, inspector," Alice cut across.</p>
|
||||
|
||||
<p>"Maybe we should call the lawyer, Alice. This sounds like harassment."</p>
|
||||
|
||||
<p>Baxter changed tack. "We have information that Jack may know some thing about the disappearance of whisky from
|
||||
Aitkenbar Distillery."</p>
|
||||
|
||||
<p> "Where did you hear that?"</p>
|
||||
|
||||
<p>"I'm not at liberty to say. Michael, were you down at Ferguson's car yard on Brewery Lane?"</p>
|
||||
|
||||
<p>"Me? I don't have a car. I'm still at school."</p>
|
||||
|
||||
<p>"Is that where the shooting was?" Alice demanded.</p>
|
||||
|
||||
<p>"You think my nephew was involved in that?" Sandy put both hands on the table. "That's taking a big leap, Mr Baxter.
|
||||
The boy's still at school, he just told you that."</p>
|
||||
|
||||
<p>Michael's nervousness was evaporating. He could see the big policeman struggling.</p>
|
||||
|
||||
<p>"What happened to your face son?"</p>
|
||||
|
||||
<p>Michael's hand flew to his cheek. Baxter smiled. Changing direction often produced results.</p>
|
||||
|
||||
<p>"It was my uncle. He hit me with a big bit of wood."</p>
|
||||
|
||||
<p>"He what?"</p>
|
||||
|
||||
<p>"Yeah, I was helping him with his pigeon hut and he turned round with a plank. It was an accident. That was on
|
||||
Monday. At about eleven, I think. Grandad took me to the cottage hospital for a check.. Then he bought me a
|
||||
burger."</p>
|
||||
|
||||
<p>"And you weren't down in Ferguson's yard?"</p>
|
||||
|
||||
<p>"What would I go down there for?"</p>
|
||||
|
||||
<p>"Has Jack ever owned a gun?"</p>
|
||||
|
||||
<p>"You should check your records, inspector," Sandy came in. "And you should check with Jack's lawyer. Here's the
|
||||
number. And if you have any more questions about guns and shooting, that's awfully serious business and I really
|
||||
think you should speak to him. And when Jack gets back from London, I'll get him to call on you. With Mr Deane, of
|
||||
course."</p>
|
||||
|
||||
<p>Jimmy Balloch tried not to smile. His boss only had Cullen's word for it, and while they had to check out every
|
||||
statement, the big man had been on to a hiding here. Baxter said his grudging thank-you and after he left, he sat in
|
||||
the car for a while.</p>
|
||||
|
||||
<p>"There's something not right about them," he said.</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"They had that too pat. As if they expected me and had rehearsed it."</p>
|
||||
|
||||
<p>"Or maybe they were just telling the truth."</p>
|
||||
|
||||
<p>"Maybe. We'll see when we speak to Mr Jack Lorne himself."</p>
|
||||
|
||||
<p>Before Jimmy Balloch could reply, the radio coughed and he put it to his ear before handing the receiver over to the
|
||||
inspector.</p>
|
||||
|
||||
<p>"They've a possible sighting of one of the dairy tankers," he said.</p>
|
||||
|
||||
<p>"Bingo." Baxter smiled for the first time that day.</p>
|
||||
|
||||
<p>The patrol spotted Ed's rig just south of the Cardross Hills on the back road from Levenford. He was driving alone,
|
||||
the way he preferred it, rather than having Donny in the cab chattering for an Olympic title. Jack said he needed
|
||||
Don to help with the unloading up in Oban and Ed reckoned that had been diplomacy. Whatever it had been, Ed knew he
|
||||
had room to manoeuvre when he only had himself to worry about and he'd thought about this for a while. He was in so
|
||||
deep there was no point in worrying at all. That's the way he had felt when he had climbed out the back of the truck
|
||||
to face Foley. It was make or break. </p>
|
||||
|
||||
<p> They all had a chance to make it.</p>
|
||||
|
||||
<p>He saw the white top of the patrol car from half a mile, well before the policemen saw him. It was moving fast on the
|
||||
parallel road that would curve north to meet this road when it turned south, at the Cross Keys junction. Ed had the
|
||||
phone stuck against the dashboard with glued-on velcro and the fine hands-free clipped to his shirt pocket. There
|
||||
was no point in calling Jack. He had Donny to listen out on the radio and watch the rear-view. He keyed the third
|
||||
number and raised Tam.</p>
|
||||
|
||||
<p>"Harley here. What's happening?"</p>
|
||||
|
||||
<p>"I'm coming down to the Cross Keys, heading east. A mile and a half to go and there's a boy scout coming up to it,
|
||||
moving pretty fast."</p>
|
||||
|
||||
<p>"Got the picture," Tam said. The wind was muffling his words, but he shouted over it.</p>
|
||||
|
||||
<p>"Bullitt's four miles away with the canopy ripped off, so he'll be right in line if they keep going and it's a dead
|
||||
giveaway. I think we try Plan B."</p>
|
||||
|
||||
<p>"Give me some time to catch you up," Tam said. He clicked off, dropped the visor and the front wheel lifted off the
|
||||
tarmac when he fed the engine in a tight twist.</p>
|
||||
|
||||
<p>Ed hammered down to the cross, needing to get to the junction in time to catch their attention. The road curved to
|
||||
the left and he held the rig close enough to the hedges on the slow bend that the thorns spanged off the struts that
|
||||
held the green canvas taut. Any closer and he'd rip the whole cover right off.</p>
|
||||
|
||||
<p>Down in the distance, the white top bobbed above the hedgerow and a flash of red showed every time the patrol passed
|
||||
a gate. Beyond it, about a mile away, Ed got a glimpse of the pale helmet. Tam was moving on the straight at suicide
|
||||
speed, racing to catch up. They had gone over this in a lot of detail, using the road maps and a big cross country
|
||||
ordnance survey job that covered the table, and then they'd gone out to get it first hand, Ed and Jack and Jed and
|
||||
Tam, working out a few moves, if they ever got the chance.</p>
|
||||
|
||||
<p>The policeman saw him just as the patrol car crossed the junction. Ed had hoped it would be sooner, but on these
|
||||
roads he couldn't get the weight moving fast enough, and he was doing plenty by the time he got to the cross.</p>
|
||||
|
||||
<p>The car reached the corner, nosed out. Ed was aware of it before the driver saw him. The policeman did his crossing
|
||||
code, right, left and right again, judging the distance by the size of the truck and the speed of the road. He was
|
||||
half-way across when he realised the big rig was moving faster than anything should have been on the narrow country
|
||||
route.</p>
|
||||
|
||||
<p>The man's face was a pale oval and his mouth a dark one inside it that expanded hugely as Ed's juggernaut barrelled
|
||||
down the road, clipping off pieces of straggly hedge that remained untrimmed. The patrolman let out a one-syllable
|
||||
sentence that Ed lip-read with no difficulty whatsoever, and stamped on the accelerator. The car jumped across the
|
||||
junction and almost into the hedge at the corner, so fixed was the driver's attention on the approaching
|
||||
destruction. He compensated just in time and scooted up the north side of the cross as the lorry hurtled west,
|
||||
buffeting them with its passage and missing them by mere feet.</p>
|
||||
|
||||
<p>The police driver cursed non-stop for forty seconds without repetition. He stamped on the brake just as hard as he
|
||||
had hit the throttle, slammed into reverse for a very swift three-point turn while his colleague, equally pale and
|
||||
shaking with the fright of near miss, dropped the receiver and had to bend to pick it up again and call in.</p>
|
||||
|
||||
<p>Baxter heard about the close call just two minutes later.</p>
|
||||
|
||||
<p>By this time the patrol car was moving in the opposite direction, following the tail of exhaust and clipped hawthorn
|
||||
flourish in the wake of the big covered tanker that was doing at least sixty on a road where thirty was risking it,
|
||||
but Ed had the height advantage and could see everything coming. Nothing was.</p>
|
||||
|
||||
<p>The phone beeped and he answered. "Ace."</p>
|
||||
|
||||
<p>"Harley. You've got an audience."</p>
|
||||
|
||||
<p>"I see them. I've got five miles."</p>
|
||||
|
||||
<p>"Okay, let's take them round the houses. Stay on line."</p>
|
||||
|
||||
<p>Tam was coming up fast, with the police car a half mile ahead, seen only occasionally on the few straight sections.
|
||||
The patrol were closing quickly on the rig, pushing their own luck, but the driver was determined to get this one,
|
||||
get in on the kudos of the Aitkenbar job, and to get revenge for the little cooling wet patch in his jockeys after
|
||||
the fright he'd just had.</p>
|
||||
|
||||
<p>He looked in his mirror, saw the white shape on the bike, and the chequered helmet, and growled under his breath. No
|
||||
traffic cop was going to steal this one. The road here was twisted and narrow and nothing could get past him on the
|
||||
tight zigzags.</p>
|
||||
|
||||
<p>Ed pushed the speed up, now assured that Tam was close behind, and they kept going all in a line round the twists for
|
||||
close to five miles until they got to the curve behind Cardross Hill where the road leads down to the little village
|
||||
of Arden on the Clyde. Here there is a short straight section that has been widened to let traffic filter down to
|
||||
Arden, and Ed knew the patrol would make their move at this junction, using their acceleration to get ahead. He
|
||||
slowed down just a little, swaying from side to side, sure there was no oncoming traffic, keeping them behind
|
||||
him.</p>
|
||||
|
||||
<p>The swerving kept the driver's attention on the shifting back of the big twelve wheeler where the tarpaulin flapped
|
||||
like a loose flag. Because he was so focussed in front, he mistimed the straight by only a couple of seconds, but
|
||||
that's what Tam had counted on. He came right up to a couple of feet from the patrol rear lights, and as soon as the
|
||||
little filter gap expanded, he gunned the engine and went through it in a flash of white.</p>
|
||||
|
||||
<p>"Bastard," the policeman snarled. "What's that idiot up to?"</p>
|
||||
|
||||
<p>Tam never heard that. He was up parallel to the patrol car window and without changing his line, he took his clutch
|
||||
hand off the grip and thudded the white gauntlet against the glass, three hard slaps. The driver was so startled, he
|
||||
almost lost control and had to jerk the wheel again to avoid ending the chase in a ditch.</p>
|
||||
|
||||
<p>"Okay. I've got it," Tam spoke into the throat mike. "Give Bullitt a call and then get back." He keyed the off,
|
||||
twisted the clutch to lower gear and swung right in front of the car.</p>
|
||||
|
||||
<p>"Who <em>is</em> that lunatic?"</p>
|
||||
|
||||
<p>The bike was careering left and right, only inches from the front bumper, blocking their passage and slowing down as
|
||||
it did so. The high rig picked up speed, got past the wider straight and onto the narrow. There was no change of
|
||||
getting past the bike now. It slowed still further.</p>
|
||||
|
||||
<p>"That's not a BMW," the passenger said. "It's a... it's like a Harley D."</p>
|
||||
|
||||
<p>"Son of a bitch. He's not even a cop." Realisation hit them simultaneously. "You better tell them he's getting
|
||||
away."</p>
|
||||
|
||||
<p>In front of them, the drag-bike with the white jacketed figure had slowed from fifty down to thirty, crazily risking
|
||||
a collision with his back wheel. The truck disappeared round the corner. Two small vans came in the opposite
|
||||
direction, but each time one passed, the bike swung out to prevent a sneak overtake. He slowed to twenty, then
|
||||
ten.</p>
|
||||
|
||||
<p>The police driver was now fuming with frustration. The bike slowed even further, forcing them to follow suit and then
|
||||
eased to a halt right in the middle of the road. The patrol stopped just behind it, and for a moment of impasse,
|
||||
nobody moved. The biker looked just like a police cyclist on an outlandish set of wheels. He cocked his head to
|
||||
check the rear view, held his right hand up and waggled his fingers.</p>
|
||||
|
||||
<p>"Cheeky bastard. Get his number."</p>
|
||||
|
||||
<p>"I got it. They're checking."</p>
|
||||
|
||||
<p>"What next?"</p>
|
||||
|
||||
<p>"We arrest that joker," the driver said. "Then we get him in the back here and kick the shite right out of him."</p>
|
||||
|
||||
<p>The driver plipped the lock, pushed the door, hauled out warily. The bike engine revved and the cop almost got back
|
||||
in the car. but the machine didn't move. He walked forward and his companion got out the other side. There was only
|
||||
a twenty yard gap between bike and car. They got half way and Tam gave it a little fuel and eased away from
|
||||
them.</p>
|
||||
|
||||
<p>They started back to the car and he stopped. They turned, knowing he was taunting them.</p>
|
||||
|
||||
<p>"We'll never catch him on foot."</p>
|
||||
|
||||
<p>"This is why they should give us guns," the driver said.</p>
|
||||
|
||||
<p>"What's that smell? Did you piss yourself."</p>
|
||||
|
||||
<p>"Don't <em>you</em> start."</p>
|
||||
|
||||
<p>They began to walk forward again and the biker turned right round in the saddle, beckoned them on. He held both hands
|
||||
up. The big driver thought he had an opportunity and broke into a sprint. His hat flew off as he raced to make a
|
||||
grab.</p>
|
||||
|
||||
<p>The phone chirruped a warble of notes and the biker dropped his hands to the grips. The cop skidded to a halt, turned
|
||||
back to where his companion was now racing towards the car. For a second he looked as if he couldn't make up his
|
||||
mind, which was true, and then he dashed forward again, hand outstretched to grab. </p>
|
||||
|
||||
<p>The engine roared and the bike took off like stallion, wheel in the air, rear treads burning a black strip on the
|
||||
good country road.</p>
|
||||
|
||||
<p>"Come on," his partner bawled, quite unnecessarily. The patrolman reached it just as the bike was disappearing round
|
||||
the corner.</p>
|
||||
|
||||
<p>"Hurry. We'll lose him." He hit the pedal and the car fishtailed crazily as he took off in pursuit.</p>
|
||||
|
||||
<p>"I see you," Ed said into the phone.</p>
|
||||
|
||||
<p>The bike came whizzing round the corner, going like a streak and seconds later the patrol car shot into view, lights
|
||||
flashing, siren wailing. Ed was up the farm track where a big line of new birches had been planted as a windbreak
|
||||
from the sea breezes pushing up from Arden. They were just tall enough to give the rig some cover. Ed eased the
|
||||
clutch off, held everything still with the brake, though the powerful engine tried to shove everything forward. With
|
||||
no load in the tank, there was a lot of spare muscle.</p>
|
||||
|
||||
<p>He was forty yards up from the entrance, watching through the only gap where he could see the road on both sides. It
|
||||
would all depend on whether some innocent passer-by was travelling in the opposite direction. Ed craned in his seat,
|
||||
making sure no farmer was plodding up from Arden. None was. He held his breath, fed in fuel.</p>
|
||||
|
||||
<p>Tam hurtled past the gap and was gone in a blur. Ed heard the protest of gears and axle as he launched the truck
|
||||
forward right across the road and stamped on the brake. The tyres squawked like the angry geese and ground like rasp
|
||||
files as they dragged grit across the surface. The rig juddered and the engine stalled. The road was now completely
|
||||
blocked.</p>
|
||||
|
||||
<p>Out to the left, the police car was doing sixty, just coming out of the turn. He got a blur of white, a flash of blue
|
||||
and red, and just an impression of two pale faces in aghast mode. He snatched up the phone in his gloved hand,
|
||||
shouldered the door and was out the other side and running hard. All he could hear was the wailing ululation of the
|
||||
siren and the urgent scream of rubber against rough road metal.</p>
|
||||
|
||||
<p>If he had been in the patrol car he would also have heard two grown men screaming.</p>
|
||||
|
||||
<p>The driver forgot every lesson he had learned on the advanced pursuit course. Maybe it was his temperament, or the
|
||||
way the rider had blatantly taunted him, thumping the window, slowing them down, daring him to hit. </p>
|
||||
|
||||
<p>Whatever it was, all caution and prudence turned to uncontrolled rashness. He saw the bike disappear in a flicker of
|
||||
white past the trees on the bend and took off in pursuit, cut the corner on the wrong side of the road, causing his
|
||||
partner to grab the strap-handle and pray a hay-spiker or anything else big and mechanical wasn't out for a trundle
|
||||
at that moment.</p>
|
||||
|
||||
<p>The pursuit cop double-declutched, dropped a gear tight on the cusp of the corner and used the centripetal force to
|
||||
gain him another couple of clicks on the turn.</p>
|
||||
|
||||
<p>"I'll get that bastard if it's the last fuckin' thing I........"</p>
|
||||
|
||||
<p>The tanker lurched across the road like a charging dinosaur, its green tarpaulin skin iridescent in the spangled
|
||||
light through the leaves, and sun glittering on the curve of the windscreen.</p>
|
||||
|
||||
<p> "Holy mother of......hit the brake...hit the fuckin' braaaa......"</p>
|
||||
|
||||
<p>That last consonant was lost forever in the horrified wail.</p>
|
||||
|
||||
<p>The driver stamped down, gripped the wheel in two death grips, eyes bulging in sudden realisation as the big truck
|
||||
stopped dead, jolted back on its massive wheels as if pausing for breath.</p>
|
||||
|
||||
<p>The patrol car just kept on going. Hedges whizzed by in a blur and the slab-like side of the juggernaut just got
|
||||
bigger and bigger until it filled the screen.</p>
|
||||
|
||||
<p>"You stupid mother-fucking pratt... we're going to hit the..."</p>
|
||||
|
||||
<p>The sound of the tyres on the road and the wide mouthed yell drowned out everything else. The patrol car fishtailed
|
||||
again, burning parallel curves from one side of the narrow road to the other. They clipped a sturdy hawthorn stump a
|
||||
foot in from the verge and lost the driver's mirror in one hard crack and then they were juddering forward, smoke
|
||||
billowing from underneath as the brakes seized entirely. A tyre burst like a bomb.</p>
|
||||
|
||||
<p>"Hold on we're going to hit the....."</p>
|
||||
|
||||
<p>They were twelve feet away from the exposed nearside when the partner realised what would happen if a saloon car
|
||||
their size hit the trailer-chassis that was four feet from road level. In a sudden burst of frantic motion, he
|
||||
scrabbled to get the belt release and squirm downwards, out of the path of that murderous edge.</p>
|
||||
|
||||
<p>"Oh Jesus," he blurted feebly when the belt refused to loosen.</p>
|
||||
|
||||
<p>They hit with an almighty crack and the nose crumpled into the low protection bar, dived under it and the angle of
|
||||
metal sliced the whole bonnet backwards in one violent rip.</p>
|
||||
|
||||
<p>The driver let out one last yell just as the side stanchion loomed towards his face and then everything just stopped
|
||||
in a tremendous wrench of torn steel and the two airbags exploded simultaneously, smashing them back against the
|
||||
head rests.</p>
|
||||
|
||||
<p>It took a couple of minutes for both of them to realise they were still alive.</p>
|
||||
|
||||
<p>The partner clutched his chest where the expanding bag had punched so hard it cracked two ribs. The driver made a
|
||||
little mewling sound.</p>
|
||||
|
||||
<p>"You crazy fucking lunatic," the other man groaned weakly from behind the deflating bag. "You nearly had us
|
||||
decapitated."</p>
|
||||
|
||||
<p>The driver moaned, got a hand to the door. </p>
|
||||
|
||||
<p>"What's that smell?" he managed. "Did you just piss yourself?"</p>
|
||||
|
||||
<p>"No I didn't," his partner grunted.</p>
|
||||
|
||||
<p>"Oh fuck. Tell me you haven't shit.....!"</p>
|
||||
|
||||
<p>Ed was on the back of the bike and they were gone down the Arden Road in a streak, leaning forward against the wind.
|
||||
He was already on the phone, sheltering behind Tam, shouting to make himself heard over the slipstream.</p>
|
||||
|
||||
<p>"This road's blocked. You got ten minutes or so. Anything else will be coming up the Loch Shore Road."</p>
|
||||
|
||||
<p>That plan had worked, just as Jack said it would. He'd known just what Tam could do on a bike when he put his mind to
|
||||
it, after the record-breaking runs up to Skye. Now they had one team out of the running. Ed had seen the sudden gout
|
||||
of steam and smoke from the far side of the tanker and he'd known they had hit, but the loud cursing after the crash
|
||||
told them they weren't dead, which was a bit of a relief.</p>
|
||||
|
||||
<p>"There's only one more car up here," Neil came back. "They're not happy with you."</p>
|
||||
|
||||
<p>"I'll live with it. Where are they?"</p>
|
||||
|
||||
<p>He and Ed shared the details they needed. The patrol was diverted north to check out a heavy load at the head of the
|
||||
loch and they all knew there was a fair chance somebody had spotted Jack and Donny. There was a possibility the
|
||||
tarpaulin had come loose and the big yellow tanks were showing. Anything could have happened.</p>
|
||||
|
||||
<p>"Do you need a back-up?"</p>
|
||||
|
||||
<p>Jed's voice came on the line. "No. Once they see us they'll follow. We lost the cover at the bridge, so the sign's
|
||||
there for anybody to read."</p>
|
||||
|
||||
<p>Ed tapped Tam and he slowed.</p>
|
||||
|
||||
<p>"Drop me off at the junction. I'll get you back at the car." </p>
|
||||
|
||||
<p>He told him what Jed was planning, and Tam gave him a thumb's up from behind the visor. A few minutes later Ed patted
|
||||
him on the helmet, waved him off, and began to take a short-cut through a grove of tall beech trees. The sun was
|
||||
well up now and it was promising to be a good day. There was nothing else for him to do but enjoy it. A woodpecker
|
||||
beat out a rap rhythm somewhere in the shade and Ed started to whistle a happy tune along with it.</p>
|
||||
|
||||
<p>Constable Derek Travers was cruising up the Loch Road, knowing he was on a wild goose chase, knowing he'd been sent
|
||||
on it because he and Walter Crum had drawn the short straw and been called out to a couple of barking dogs on the
|
||||
night of the biggest heist in the history of Levenford since Bruce took the castle and its garrison back from Edward
|
||||
Longshanks; the night he'd seen them in action and failed to notice a thing.</p>
|
||||
|
||||
<p>It would take a long time for his career to get over this hiccup. It would need the equivalent of a Heimlich
|
||||
manoeuvre and maybe even cardiac jump leads.</p>
|
||||
|
||||
<p>"There's a million wide loads up this road every week."</p>
|
||||
|
||||
<p>"We just have to check it out."</p>
|
||||
|
||||
<p>"They've sent us because we're the total numpties of the entire force."</p>
|
||||
|
||||
<p>Walter nodded glumly. "What's the opposite of Mensa?"</p>
|
||||
|
||||
<p>"Dunsa. We get to wear the pointy hat and sit in the corner with everybody laughing and pointing. Swear on my
|
||||
mother's grave Walter, that big highland git would have been fooled himself. <em>Totally</em>."</p>
|
||||
|
||||
<p>"I've asked for a transfer."</p>
|
||||
|
||||
<p>"You what?"</p>
|
||||
|
||||
<p>"I have to get out of...." Walter paused. "Wait a minute, what's that?"</p>
|
||||
|
||||
<p>A big silver tanker crossed the main road about a half a mile up ahead.</p>
|
||||
|
||||
<p>"Go faster," Walter urged. </p>
|
||||
|
||||
<p>"What, you don't think....?"</p>
|
||||
|
||||
<p>Walter was scrabbling in the glovebox for the little binoculars he used for birdwatching on the quiet afternoons when
|
||||
the pair of them sneaked up beyond Overburn for a smoke. They'd been having a contest for months, totalling the
|
||||
sparrows and robins and magpies. It passed the time very equably instead of cruising around Corrieside and being
|
||||
stoned by teenage layabouts and harangued by junkies.</p>
|
||||
|
||||
<p>He pushed the focus ring, just the way Neil had on the high tower block.</p>
|
||||
|
||||
<p>"You're not going to believe this," Walter said. For the first time in days there was a confident ring to his voice.
|
||||
He thumbed the zoom just to be sure. The blue lettering stood out against the silver on the massive cylindrical
|
||||
tank.</p>
|
||||
|
||||
<p>"Levenford Dairy," he said. "Prop. A. Kerr. Established 1934."</p>
|
||||
|
||||
<p>He turned to Derek Travers. "Consider that transfer application withdrawn. You and me, we're back in business."</p>
|
||||
|
||||
<p>A bird fluttered in a streak of black and white across the road.</p>
|
||||
|
||||
<p>"<em>Magpie</em>," Travers bellowed triumphantly at exactly the same time.</p>
|
||||
|
||||
<p>"We'll split the points later. Let's go catch those arseholes."</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>26</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>26</h1>
|
||||
|
||||
<p>Despite the rigor mortis, Wiggy Foley was a very fidgety passenger. Neil had strapped him back against the
|
||||
passenger seat and edged away from him, trying to avoid any contact with the clammy body. Every time the
|
||||
tanker hit a rough patch or pot-hole, Foley slumped right or left, his dead head thumping against the glass,
|
||||
wig flapping in tempo. </p>
|
||||
|
||||
<p>"This would give you the bloody heebie-jeebies," Neil asserted. "How come it has to be us who end up with the
|
||||
zombie?"</p>
|
||||
|
||||
<p>"Ed's on his own. You could hardly expect him to drive about just himself and the stiff."</p>
|
||||
|
||||
<p>"Another couple of inches and they could both have been stiffs."</p>
|
||||
|
||||
<p>Foley swung away from the window, lurched against Neil.</p>
|
||||
|
||||
<p>"Get off," Neil grated, pushing him back in disgust. He turned to Jed. "I think his beard's still growing.
|
||||
That stubble's longer than it was. Maybe he's not dead at all."</p>
|
||||
|
||||
<p>"That would make him the world's best mime artist. Or he's in the dead gorilla sketch. Fix that wig, would
|
||||
you, in case anybody gets suspicious."</p>
|
||||
|
||||
<p>"Suspicious? We're driving around in a nicked tanker with the cover ripped off and a baldy corpse waving to
|
||||
pedestrians and you worry about being suspicious?"</p>
|
||||
|
||||
<p>"Well, put like that, I suppose you can maybe forget the wig."</p>
|
||||
|
||||
<p>Neil turned and stared at him and suddenly both of them burst into whoops of laughter. Some of it sounded too
|
||||
close to hysteria.</p>
|
||||
|
||||
<p>Ed had called and told them about the end of the chase, and that meant there was only one other patrol car in
|
||||
this area. Here in the west, there are too many roads with wide empty spaces and farm tracks between them to
|
||||
ensure they're all easily covered. They had the police band on low, just to monitor the position, knowing it
|
||||
would only be a matter of time before they crossed the path of the other patrol who were heading north.</p>
|
||||
|
||||
<p>They came along the Creggan Road which is five miles north of the Arden by-pass where Ed and Tam had put the
|
||||
other pursuit out of commission. Here the road heads west to join the main route northwards and they
|
||||
followed it for a while until they approached the junction. Jed eased down to a stop with a hundred yards to
|
||||
go while Neil leant forward, past the unwanted guest, to view the southern approach.</p>
|
||||
|
||||
<p>"Five or ten minutes," he said. The airwaves had been punctuated with urgent calls back and forth after the
|
||||
first two had hit the side of the tanker and the normally precise operational coding had been abandoned for
|
||||
a few minutes of incoherence and panic. Three patrols were racing up from the other side of Levenford and
|
||||
would be here in less than half an hour, along with the fire tender and the emergency rescue unit, Angus
|
||||
Baxter and his team of detectives and anybody else they could muster.</p>
|
||||
|
||||
<p>It took only four minutes before Neil saw the approaching police car way down the straight and he nudged
|
||||
Jed.</p>
|
||||
|
||||
<p>"Time to shift. Try not to kill us all."</p>
|
||||
|
||||
<p> "I'm an <em>excellent</em> driver," Jed drawled.</p>
|
||||
|
||||
<p> "Dustin Hoffman," Neil guessed. "Rain Man. Now pretend you're a real driver, get this heap in gear and keep
|
||||
your mind on the job."</p>
|
||||
|
||||
<p> "Fat man, you think you're uncle Jack Lorne." Jed stuck it in gear and eased out onto the main road, giving
|
||||
himself plenty of time. He had to assume the cops were not entirely stupid and would notice the dairy logo
|
||||
as they approached, though if they didn't, he could easily find a way of attracting their attention.</p>
|
||||
|
||||
<p>There was a slight uphill pull, which allowed the approaching car to halve the distance by the time they
|
||||
crested and then they were on the downslope and pulling hard left to get to the back road from Arden to
|
||||
Creggan that cut from the hills to the high coastline overlooking the broad firth where Jack had sat with
|
||||
Kate on a sunny night. From up here, distant water sparkled in the slanted rays. Jed checked the mirror just
|
||||
before they disappeared from view.</p>
|
||||
|
||||
<p>"They're moving," he said. "They must be quick on the uptake."</p>
|
||||
|
||||
<p>"That makes a change. Just pray they're not heroes."</p>
|
||||
|
||||
<p>"When this baby hits eighty eight, you're gonna see some serious shit."</p>
|
||||
|
||||
<p>"I told you, Bullitt. Save it for later. And if you put it above sixty on this dirt-track, I'm asking Stiffly
|
||||
Formal here to drive."</p>
|
||||
|
||||
<p>Half a mile behind them, Derek Travers was drumming his fingers impatiently on the wheel as the patrol car
|
||||
picked up speed.</p>
|
||||
|
||||
<p>"Should we call in?" Walter had his thumb in the radio.</p>
|
||||
|
||||
<p>"Give it a minute," he said. He pointed at the tanker in the now closing distance. "Let's see which way they
|
||||
head at the junction."</p>
|
||||
|
||||
<p>Two miles north, the road split right and left. The tanker flashed silver through the patches of trees and
|
||||
hedges as the police car hurried up behind it. After a few minutes, the nearside indicator began to flash
|
||||
and the truck slowed for a turn.</p>
|
||||
|
||||
<p>Derek Travers turned to his partner. "We got them now. Where can they go?"</p>
|
||||
|
||||
<p>Walter thought about it. If it kept on this road, it would come to Creggan village at the end of the
|
||||
peninsula overlooking the estuary. After that was the big submarine base round at Loch Long and the only way
|
||||
out from there was on the high back road where a one-in-ten incline meant the big tanker would be gasping
|
||||
uphill at walking speed.</p>
|
||||
|
||||
<p>"If we call in now," Derek said, "everybody and his dog will be in on it, and we'll be back where we started.
|
||||
Let's give it a bit more."</p>
|
||||
|
||||
<p>In the truck ahead, Neil called Jack.</p>
|
||||
|
||||
<p>"Retro, looks like you're home clear."</p>
|
||||
|
||||
<p>"Speak to me, Elvis."</p>
|
||||
|
||||
<p>"We've picked up the boy scouts earning merit badges. You'll have it all your on way from here on in. Just
|
||||
don't crash and burn, good buddy."</p>
|
||||
|
||||
<p>"We'll try our hardest," Jack said. The relief in his voice was pretty clear, even over the phone.</p>
|
||||
|
||||
<p>Neil pushed Foley to the side and watched in the mirror. The police car was closing the gap quickly now. Jed
|
||||
breasted the hill and used the long downslope to gather his own momentum.</p>
|
||||
|
||||
<p>"They're sticking to us," he said. "Nothing yet on the squawk."</p>
|
||||
|
||||
<p>"I don't think they could have called in," Neil guessed astutely. "I think we've got a pair of wannabe
|
||||
heroes."</p>
|
||||
|
||||
<p>"All the better," Jed said. "Two against two is very good odds these days."</p>
|
||||
|
||||
<p>Neil slapped the solid body beside him.</p>
|
||||
|
||||
<p>"Two against three."</p>
|
||||
|
||||
<p>Jed laughed, nervous bravado. "And twelve wheels against four. Man, they have <em>no</em> hope."</p>
|
||||
|
||||
<p>A quarter of a mile behind, Walter Crum was on the radio now, relaying their position and target to control.
|
||||
Angus Baxter got the call within twenty seconds and was a patched right through.</p>
|
||||
|
||||
<p>"You're sure it's the one we want?"</p>
|
||||
|
||||
<p>"Yessir." Walter read out the dairy legend on the back of the silver cylinder.</p>
|
||||
|
||||
<p>"And they're moving in the direction of Creggan?"</p>
|
||||
|
||||
<p>"On the shore road, Sir. We are in pursuit, directly behind them."</p>
|
||||
|
||||
<p>"Stick with them. Don't lose them. Try to get close and find out who they are."</p>
|
||||
|
||||
<p>Angus Baxter got clearance to summon the force helicopter down from Glasgow and every other patrol car,
|
||||
fire-tender and rescue vehicle that had been heading to the first crash scene diverted north and west in a
|
||||
fast-moving convoy, leaving the first patrol sitting by their wrecked car arguing over who's bodily
|
||||
functions had the least control.</p>
|
||||
|
||||
<p>"You heard the man," Walter said. "Let's be having them."</p>
|
||||
|
||||
<p>The tanker came hurtling down the hill at breakneck speed and Jed held the line steady on the bend, taking
|
||||
the wheels right to the edge and giving the pedal just enough to get hard traction when they pulled out of
|
||||
it. Wiggy Foley swung away from the window and Neil had to brace himself to shove him back.</p>
|
||||
|
||||
<p>Ahead of them was a straight stretch where the route widened just a couple of yards on the left as it
|
||||
approached the cut-off to yet another small and lonely hamlet.</p>
|
||||
|
||||
<p>The pursuit sped up on the straight and Jed edged to the right, ensuring he couldn't be forced down the slip
|
||||
and trapped on a single track. Behind them, the car jinked left. Jed pushed for more speed and the patrol
|
||||
car more than matched them.</p>
|
||||
|
||||
<p>"They're coming up on the inside," Neil said.</p>
|
||||
|
||||
<p>"Just what I need," Jed told him. "Give them a wave."</p>
|
||||
|
||||
<p>Derek Travers ground out a curse when the tanker hogged the right. On this straight, they had the chance to
|
||||
power ahead and block the road and that way they could have a leisurely wait for the back up posse, with the
|
||||
suspects cuffed in the back of the car. All past failures would be forgiven and forgotten in one easy
|
||||
move. </p>
|
||||
|
||||
<p>He pulled left just as the road widened and saw an opportunity develop. He gunned it hard.</p>
|
||||
|
||||
<p>"Take it easy," Walter warned, checking his belt.</p>
|
||||
|
||||
<p>"I can take them," Derek boasted. He nosed up on the inside, past the tail lights. The road seemed to vibrate
|
||||
with the truck's weight and the turbulence buffeted them hard and then they were pulling alongside, doing
|
||||
nearly sixty.</p>
|
||||
|
||||
<p>The car held it steady, creeping up to the cab. Walter leant forward to peer up.</p>
|
||||
|
||||
<p>A pale face swung towards him and a meaty hand waved through the glass.</p>
|
||||
|
||||
<p>"That's Wiggy Foley," he said excitedly, "one of Ferguson's minders. Cheeky sod. God, this is going to be
|
||||
good."</p>
|
||||
|
||||
<p>Travers grinned. "We're in the money now."</p>
|
||||
|
||||
<p>He slammed down a gear to coax an extra burst just as Jed Cooper did the same in the high cab. They were
|
||||
still on the downslope, which gave the big tanker a weight advantage. They were three hundred yards from the
|
||||
turn off and now that the police car was still on the inside, Jed eased the tanker back to the left, forcing
|
||||
the pursuit car closer to the edge.</p>
|
||||
|
||||
<p>"Watch out, he's going to force us...."</p>
|
||||
|
||||
<p>"Bastard," Derek mouthed. He got to sixty five, managed to get the nose past the front of the racing
|
||||
juggernaut.</p>
|
||||
|
||||
<p>Wiggy Foley stared down at them, nose flattened against the glass.</p>
|
||||
|
||||
<p>Walter Crum got another glimpse, and something struck him as odd about the way Foley was sitting, but in the
|
||||
heat of the moment, he had other things to think about. The two machines raced together, nose to nose.</p>
|
||||
|
||||
<p>Jed just held the line. The police driver might have had training on the skid-pan, but Jed Cooper had been
|
||||
ramming round the stock circuit since he was sixteen. Derek Travers almost made it, and then, very abruptly,
|
||||
the road disappeared..</p>
|
||||
|
||||
<p>"Derek....<em>Derek</em>...!" Walter panicked just a little.</p>
|
||||
|
||||
<p>There was suddenly nowhere for them to go. Jed got that extra few yards out of the rig, timed it to the split
|
||||
second and the gap closed too tightly for the car to swerve through and get ahead. The truck thundered along
|
||||
on the straight and the police car was suddenly facing a thick tangle of briars and brambles dead ahead.
|
||||
Derek Travers jerked on the wheel with a bare second left and the car shot down turn-off curve. Even over
|
||||
the roar of the diesel, Jed and Neil heard the squeal as he hit the brake hard.</p>
|
||||
|
||||
<p>"Back up, <em>back up</em>, they're getting away."</p>
|
||||
|
||||
<p>Walter managed to get the words past his heart which was now throbbing at the back of his throat. The fear of
|
||||
a headlong crash into the undergrowth only beat the terror of career failure by a thin lip. His partner
|
||||
slammed into reverse, wove at speed back along the curve and managed to get back onto the main road in
|
||||
surprisingly quick time. The big rig was down the hill and round the bend and gone.</p>
|
||||
|
||||
<p>"Hurry, hurry. Come on man, he said don't lose them."</p>
|
||||
|
||||
<p>"Bastard forced me off the road. Could have killed me." Travers's face was a complex mix of fury and
|
||||
fright.</p>
|
||||
|
||||
<p>He got onto the main road again and hared after the tanker.</p>
|
||||
|
||||
<p>"That was too close," Neil said. "You could have killed them."</p>
|
||||
|
||||
<p>"No chance. Cops don't kill themselves, not on duty anyway. He was trying to get in front of us, and if he'd
|
||||
done that, there's no way I was stopping for him. It was just as well I sent him the wrong way, rather than
|
||||
skite him off."</p>
|
||||
|
||||
<p>Neil was peering in the mirror, expecting the flash of white any second.</p>
|
||||
|
||||
<p>"I think we should have kept on the road north," he said. "I don't know why you took this road anyway. We're
|
||||
heading straight for Creggan."</p>
|
||||
|
||||
<p>"So?"</p>
|
||||
|
||||
<p>"We're going to run out of road. There's nothing between us and the firth of Clyde, and there's a whole posse
|
||||
chasing us."</p>
|
||||
|
||||
<p>"Plus Batman and Robin," Jed said, "if they haven't driven into a tree. Don't you worry, I can handle this
|
||||
thing."</p>
|
||||
|
||||
<p>"You better start handling it good. They're back in the picture again."</p>
|
||||
|
||||
<p>Jed took a backward glance, saw the patrol gaining once more. He thumped the horn, making it roar like a
|
||||
beast. Neil gave a visible start.</p>
|
||||
|
||||
<p>"Jesus, Jed. You scared the hell out of me."</p>
|
||||
|
||||
<p>They were coming up fast, lights flashing. The car feinted left as before, then came up on the right, on a
|
||||
fairly tight bend.</p>
|
||||
|
||||
<p>"He's trying to take us."</p>
|
||||
|
||||
<p>"On this road? He must have a death wish," Jed said. He changed down to get more muscle. The police car
|
||||
pulled out, began to accelerate and then a little post van came bizzing round the corner in a flash of red
|
||||
and a wail of alarm. The patrol yanked fast back in behind the tanker at the last split second.</p>
|
||||
|
||||
<p> It tried again, risking it once more on a right bend and this time a slow-moving tractor was trundling close
|
||||
to the hedge and the police car barely missed it in a screech of brakes.</p>
|
||||
|
||||
<p>"Definitely a hero," Jed said, watching as the pursuit tried again, nosing out on a little straight stretch.
|
||||
He eased the tanker across the centre line, blocking its path. The policeman's face was just a pale shape,
|
||||
but he knew he would be mouthing curses. It tried to squeeze through the cap and Jed pushed it almost into
|
||||
the hedge. It braked sharply and its horn barked. </p>
|
||||
|
||||
<p>"Can't see why Ed should have all the fun," Jed said. He grabbed the helmet from the floor and slung it on,
|
||||
fixing the strap one-handed with ease of practise.</p>
|
||||
|
||||
<p>"You get lidded up," he told Neil.</p>
|
||||
|
||||
<p>"I won't hear the phone, or the radio."</p>
|
||||
|
||||
<p>Behind them, the police siren began to howl angrily, and a flicker of red and blue winked bright in the rear
|
||||
view.</p>
|
||||
|
||||
<p>"Doesn't matter. This loony fancies his chances. I'm going to try a few moves."</p>
|
||||
|
||||
<p>"What kind of moves?" Neil was clasping the helmet on, looking worried.</p>
|
||||
|
||||
<p>The phone rang and he paused to answer.</p>
|
||||
|
||||
<p>"Calling Elvis." Ed's voice.</p>
|
||||
|
||||
<p>"Uh huh huh. You're a wunnerful audience."</p>
|
||||
|
||||
<p>Ed came on.</p>
|
||||
|
||||
<p>"A whole squad of them just passed me north of Arden. Angus Baxter, a couple of fast cars. And he's called
|
||||
out the chopper. You're running out of time."</p>
|
||||
|
||||
<p>Neil relayed the message to Jed.</p>
|
||||
|
||||
<p>"That's what we planned," Jed told him. "Now get that helmet on."</p>
|
||||
|
||||
<p>They were coming down the long slope now, with the flashing lights right on their tail, sun heliographing
|
||||
through the tall trees. Jed pushed the big rig to the limit, taking the corners in a fine tight line,
|
||||
getting the speed just right. In other circumstances, Neil would have admired the skill.</p>
|
||||
|
||||
<p>"Bullitt, we've only got a mile to Creggan and then we're done." He was sounding puzzled and worried.
|
||||
"They'll have the local fuzz out with a barrier. Road blocks."</p>
|
||||
|
||||
<p>"You think a road block can stop this beast?"</p>
|
||||
|
||||
<p>"Don't you dare. I'm not going down for murder."</p>
|
||||
|
||||
<p>"Don't worry, Mr Elvis," Jed assured him. "We've got Wiggy here as a good luck charm." He bent to the left
|
||||
and clapped the corpse on a meaty shoulder. "Touch wood."</p>
|
||||
|
||||
<p>"Watch, <em>watch</em>!" The rig swung to the left, clipping very close to the hedge. They were hammering
|
||||
down towards a very tight right turn and Jed was picking up speed. Neil's voice was rising, suddenly
|
||||
panicked. "Jeez man, keep your eye on the fucking road."</p>
|
||||
|
||||
<p>The turn loomed, all too sudden and they were going all too fast.</p>
|
||||
|
||||
<p>"Road?" Jed laughed crazily. "Where we're going, we don't <em>need</em> roads."</p>
|
||||
|
||||
<p>The engine was screaming and Jed's knuckles were white.</p>
|
||||
|
||||
<p>"Jed man. Oh holy mother of..."</p>
|
||||
|
||||
<p>He was doing fifty, sixty, far to fast to take this curve.</p>
|
||||
|
||||
<p>"You crazy pratt...." For a second Neil thought Jed was paralysed. His hands were gripped on the wheel, not
|
||||
moving, just bracing it. He wasn't even making an attempt at the turn.</p>
|
||||
|
||||
<p>Neil saw the hedges loom. The tanker bulleted towards them, unstoppable now.</p>
|
||||
|
||||
<p>It smacked them flat with a crack like gunfire. Neil let out a little squeal that was miraculous high for a
|
||||
big baritone.</p>
|
||||
|
||||
<p>The tanker rammed through the hawthorn hedge, scattered twigs and stumps like shrapnel and a confetti of
|
||||
white flourish blasted out in a fluttering fountain. On the other side of the hedge a small field drain, a
|
||||
couple of feet deep and three feet wide presented no obstacle at all. The speed and momentum carried the
|
||||
front wheels over it and everything else followed, hurtling through the gap and into the field beyond,
|
||||
bouncing crazily on the grass and carving great brown tracks through the turf. A herd of cross
|
||||
jersey-friesians took off like chubby wildebeest, scattered in panic.</p>
|
||||
|
||||
<p>Derek Travers was thirty yards behind the tanker's tail lights, desperate to find a gap to shoot through and
|
||||
halt them before the rest of the cavalry arrived. His need had made him reckless and he didn't even hear
|
||||
Walter Crum's warning as they raced down the hill in pursuit.</p>
|
||||
|
||||
<p>He was so close to the rig that the corner was on him before he realised it and suddenly shrubbery and wood
|
||||
was flying all over the place.</p>
|
||||
|
||||
<p>Walter Crum bawled another urgent warning and Travers hit the brake so hard the nose of the car dipped
|
||||
towards the tarmac. Tyres howled on the dry road as he tried to hold the line and the patrol careered
|
||||
forward, slowing as it went. The big tanker disappeared in a flurry of leaves and the road disappeared along
|
||||
with it. Walter was still bawling incoherently as the back end began to swing round, even though the driver
|
||||
had got it down from fifty to twenty. Travers over-compensated right on the point of the corner. Rubber
|
||||
squealed and so did Walter. The car mounted the little verge, bounced nose upwards, shot through the raggedy
|
||||
gap in the hedge and slammed down in to the small ditch, sending up a spray of mud, moss and tiny
|
||||
frogs. </p>
|
||||
|
||||
<p>For a moment, nothing moved. The siren was still wailing and the lights still flashing, and the windscreen
|
||||
was completely blanked out by a skin of red muck.</p>
|
||||
|
||||
<p>Derek Travers groaned through the numbness in his nose where it had hit the wheel. He eased himself out of
|
||||
the car and stepped straight into two feet of mud, cursed and hauled himself away from the steam jetting
|
||||
from somewhere in the front. Walter Crum stumbled out the other side, lost a shoe to the glutinous sucking
|
||||
mire, amazed that he was totally unhurt.</p>
|
||||
|
||||
<p>Both of them looked at each other, faces pale and slack. Then, simultaneously, they turned.</p>
|
||||
|
||||
<p>The tanker was hammering on across the field, leaving parallel scars in the green, scattering the livestock
|
||||
and a flustered flock of woodpigeons, rumbling like a runaway beast as it headed for the breast of the hill
|
||||
beyond.</p>
|
||||
|
||||
<p>"Where the hell do they think they're going?" Walter asked.</p>
|
||||
|
||||
<p>"Nowhere for them to go," Derek said. "Come on. We've got them now."</p>
|
||||
|
||||
<p>Walter fished in the mud in the little runnel until he found his shoe, pulled it on and squelched to dry
|
||||
ground. The pair of them set off in pursuit, leaving the patrol car nose down in the muck, but relatively,
|
||||
miraculously, undamaged. </p>
|
||||
|
||||
<p>Jed stopped the rig on the brow of the little hill on the far side of the meadow, engine chugging exhaust as
|
||||
if catching breath. It had been an exhilarating ride. Ahead of them, beyond the down-slope, the blue of the
|
||||
Clyde firth scattered back spangled sunlight, below the precipice of the Creggan headland.</p>
|
||||
|
||||
<p>"You scared the living <em>shite</em> out of me," Neil finally said, tight with emotion, most of it pure
|
||||
shock. He unstrapped the helmet and took it off, holding it in two shaking hands. Foley had slumped to the
|
||||
side, his face smeared on the glass.</p>
|
||||
|
||||
<p>"I thought you'd like it," Jed said.</p>
|
||||
|
||||
<p>"Like it? You crazy schmuck. You could have killed us both."</p>
|
||||
|
||||
<p>"Don't be daft. You never really thought I couldn't take that bend, did you?"</p>
|
||||
|
||||
<p>"Are you telling me you had this planned all along?" Neil's breath was fast and shallow. "And you never even
|
||||
told me?"</p>
|
||||
|
||||
<p>Jed grinned pure mischief.</p>
|
||||
|
||||
<p>"Sure we did. There's half a dozen places we worked it out, just in case we had to. This was the best of the
|
||||
lot."</p>
|
||||
|
||||
<p>"How come?"</p>
|
||||
|
||||
<p>Jed pointed ahead. "Because of that."</p>
|
||||
|
||||
<p>Neil saw nothing. He was about to ask when Jed unclipped his own helmet and turned to him.</p>
|
||||
|
||||
<p>"Let's unfasten our mystery guest." He looked in the mirror. "And we'd better make it snappy. We've got
|
||||
company."</p>
|
||||
|
||||
<p>Neil started to unsnag the seat belt that hadn't quite restrained Foley. The dead man's wig was flopped to
|
||||
the side now, as if it was crawling down to his collar. Neil scanned the rear view and saw the two policemen
|
||||
running across the field, maybe a quarter of a mile behind, while the herd of cows ran in confused little
|
||||
circles, hampering their progress.</p>
|
||||
|
||||
<p>Jed helped haul Foley across the bench seat, pulling on the stiff arms. He heaved until the body was behind
|
||||
the wheel and then let the handbrake off a couple of notches. Ahead of them, a row of thin gorse bushes
|
||||
formed an insubstantial barrier and below that, a steeper slope leading right down towards the lip of the
|
||||
old sandstone cliffs that marked the edge of the highland boundary. The truck eased down from the crest
|
||||
until only its back end showed. Jed clambered up to the back of the cab, to make sure the policemen were
|
||||
still in pursuit.</p>
|
||||
|
||||
<p>"What now?" Neil demanded.</p>
|
||||
|
||||
<p>Jed had to use a lot of force to get the stiff arms onto the wheel. He clamped the fingers around it, just
|
||||
making sure. The truck wouldn't need any steering down this slope. Very quickly he pulled and hauled at the
|
||||
dirty jeans until he got a dirty Doc Marten placed over the accelerator. He pressed down and the engine
|
||||
roared.</p>
|
||||
|
||||
<p>"If you're going to do what I think, you're crazier than you look."</p>
|
||||
|
||||
<p>"How do you mean?"</p>
|
||||
|
||||
<p>Neil pointed ahead. "That's the Creggan Cliffs. I don't care what kind of a driver you are, you'll never
|
||||
survive that."</p>
|
||||
|
||||
<p>Jed pushed on the leg again, making the engine rev faster. Behind them, panting very heavily, came two
|
||||
policemen, one of whom had lost his shoe again. They reached the crest and stood there, holding their
|
||||
sides.</p>
|
||||
|
||||
<p>"Open the pod bay doors, Hal."</p>
|
||||
|
||||
<p>Jed revved, stuck the gear stick forward and sent the whole rig running down the hill. "Smokestack
|
||||
lightning!"</p>
|
||||
|
||||
<p>"Let me out," Neil bawled. " I can't swim?"</p>
|
||||
|
||||
<p>"Swim? The <em>fall's</em> going to kill you."</p>
|
||||
|
||||
<p>They were through the gorse, flattening a swathe of it. Foley was stiffly propped behind the wheel, his rigid
|
||||
leg just enough weight to keep the pedal pressed. Behind them the two policemen stood dumbstruck as the
|
||||
truck went straight down the slope, past the gorse and disappeared from view on the lower slope, on a direct
|
||||
line for the cliffs.</p>
|
||||
|
||||
<p>"Come on man," Jed said. "Let's hit the ground."</p>
|
||||
|
||||
<p>He opened the door, grabbed the helmet, and baled out.</p>
|
||||
|
||||
<p>Neil bawled a string of curses, kicked open the other door and fell out onto a matt of jagged gorse, rolled
|
||||
and skidded five yards, mainly on his face.</p>
|
||||
|
||||
<p>From the crest of the hill, the policemen saw the tanker disappear over the lower ridge, too exhausted to
|
||||
chase it any more. They stood with their hands on their knees, hauling hard.</p>
|
||||
|
||||
<p>Derek Travers pointed ahead of them and eased upright, pulling Walter Crum with him.</p>
|
||||
|
||||
<p>"Look at that!"</p>
|
||||
|
||||
<p>The tanker suddenly appeared in view again, about half a mile away now, a big silver bullet trundling fast on
|
||||
a straight line for the cliff edge.</p>
|
||||
|
||||
<p>"Thelma and fucking Louise," Walter said.</p>
|
||||
|
||||
<p>The rig reached the edge, no pause, no slowing, its own momentum taking over. The sun glinted off its bright
|
||||
curve as it took off into the air above the blue, turned in slow motion in a very graceful, ponderous twist,
|
||||
plunged downwards and was gone.</p>
|
||||
|
||||
<p>By the time the patrolmen got down to the cliff edge, a tower of thick black smoke was billowing high into
|
||||
the air, and the police helicopter was chugging inwards over the Clyde Firth.</p>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
230
build/Full Proof/OEBPS/ch27.xhtml
Normal file
230
build/Full Proof/OEBPS/ch27.xhtml
Normal file
@ -0,0 +1,230 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>27</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>27</h1>
|
||||
|
||||
<p>Tam came racing along the trackway just below the flattened patch of gorse and pulled the bike up when the
|
||||
reached the pair of them. Neil was brushing the matt of gorse bristles from his overalls, still slightly
|
||||
winded by the heavy fall.</p>
|
||||
|
||||
<p>"What a show," he said, holding up Jack's little camera. "I caught the whole thing. Ka-boom!"</p>
|
||||
|
||||
<p>"Bloody maniac," Neil growled at Jed. "You could have warned me."</p>
|
||||
|
||||
<p>"And spoil the surprise?" Jed was laughing uncontrollably, hardly able to stand. "You should have seen the
|
||||
look on your face."</p>
|
||||
|
||||
<p>He grabbed up the helmet. "Come on, let's get out of here before Mutt and Jeff show up."</p>
|
||||
|
||||
<p>"Will that take us all?" Neil had to know.</p>
|
||||
|
||||
<p>"It's just a short trip, climb on." </p>
|
||||
|
||||
<p>Neil squeezed behind Tam on the pillion and Jed squeezed behind Neil and the three of them trundled for the
|
||||
trees at the south end of the big field, keeping under cover of the ridge. They were long gone by the time
|
||||
the helicopter arrived to hover out over the drop where the tanker had thundered over. A hundred feet below
|
||||
the cliff edge where Jack Lorne and Kate Delaney had sat watching the sun sparkle on the firth, the crushed
|
||||
and mangled tanker was well ablaze on the big red rocks that were exposed at low tide.</p>
|
||||
|
||||
<p>It would be late in the evening before they would recover the charred body of Wiggy Foley still trapped in
|
||||
the crumpled cab, and three more days to made a proper identification based mainly on the metal plate that
|
||||
held his false teeth.</p>
|
||||
|
||||
<p>By that time it was all over and done.</p>
|
||||
|
||||
<p>The boys on the bike caught up with Ed Kane just north of Arden where he had reached the bright yellow stock
|
||||
car in a clearing close to the by-pass road on which Ed had given his pursuit the fright of their lives.
|
||||
Neil got the toolbox out and helped Tam refit the bike, stripping away the Harley logos and replacing them
|
||||
with the originals. He used the electric drill to screw the panniers back on the sides. Ed lit a fire of
|
||||
pine branches and slung on the white reflector jacket and the gauntlets, and almost as an afterthought, he
|
||||
put the fake plates on the flames and watched them curl up and blacken. Tam hammered the chrome Harley
|
||||
trademark to a big Scots pine tree as a souvenir of the trip and it's still there to this day.</p>
|
||||
|
||||
<p>They called Jack Lorne just as he and Donny were on the fast downslope that would take them and their heavy
|
||||
cargo to the harbour at Oban where big Lars Hanssen was ready with the derrick and an hour after that, when
|
||||
the first teams arrived down on the rocks below the Creggan Cliffs, the Valkyrie was ploughing into a gentle
|
||||
headwind past Lismore Island and out towards the Atlantic for the run up and round the north of
|
||||
Scotland.</p>
|
||||
|
||||
<p>There was nothing more to do but wait.</p>
|
||||
<hr />
|
||||
<p>The call came three weeks later, and plenty had happened in that time.</p>
|
||||
|
||||
<p>Angus Baxter cornered Jack and put him through it, and it was clear he knew Jack was somehow involved in all
|
||||
of this, but the policeman didn't quite understand how. He had worked out that of the bunch of good friends,
|
||||
three of them worked in the dairy and another two in Aitkenbar, and the sixth had worked the summer on the
|
||||
building site where the big tanks had vanished.</p>
|
||||
|
||||
<p>He knew it, but what could he do with it? All that was just circumstantial. With Kerrigan Deane at his side,
|
||||
Jack Lorne just blanked him, followed his own advice and kept the inspector off balance. Deane was able to
|
||||
give him an unbreakable alibi for the day the whisky went down the drain in Ferguson's old yard. His uncle
|
||||
backed him up for the rest. Jack's planning and foresight made it all unimpeachable.</p>
|
||||
|
||||
<p>Baxter had no muscle to push it. He had Ferguson and Cullen, and the carbonised body of Wiggy Foley, guns and
|
||||
whisky, and while he could not put his suspicions to rest, they had to remain just that forever more. His
|
||||
bosses were pleased that he'd solved the case, or most of it, and if there was any more whisky, it remained
|
||||
a mystery.</p>
|
||||
|
||||
<p>At the end of the day, he wrote up the report saying most of it must have gone down the drain at the golf
|
||||
course, and everybody was happy to let it lie. </p>
|
||||
|
||||
<p>Alistair Sproat was left with a big hole in his accounts and nothing to fill it with. His meeting with Kate
|
||||
Delaney taught him only that she was one very stubborn lady and if he thought he could buy her off, he had
|
||||
another think coming. Kerrigan Deane's legal action just inexorably ground him down and the development
|
||||
company pulled out of the deal which left him with an unprofitable distillery, no way to buy the new plant
|
||||
he wanted, and after paying all the redundancy, a mountain of backbreaking debt.</p>
|
||||
|
||||
<p>The big customs investigation into excise duties ripped through his books and records going back twenty years
|
||||
and he ended up facing a string of fraud charges that was the final straw. Nobody cried for him. </p>
|
||||
|
||||
<p>"<em>Yack</em>!" the big sailor's voice boomed in his ear. "I want my boat back."</p>
|
||||
|
||||
<p>"You've got your boat."</p>
|
||||
|
||||
<p>"Just the half. You've got the other half, and I want it back. You can't sail just half a boat, and I want to
|
||||
buy another as well, start my own line."</p>
|
||||
|
||||
<p>"I take it everything went well? They didn't blow you out of the water?"</p>
|
||||
|
||||
<p>"Everything is better than I even thought, myself. Tell you another thing, they will take twice as much next
|
||||
time round."</p>
|
||||
|
||||
<p>"I don't think there's going to be a next time," Jack said. "My heart couldn't take it."</p>
|
||||
|
||||
<p>"You wait and see. We do good business again, you and me."</p>
|
||||
|
||||
<p>"And what about my share?"</p>
|
||||
|
||||
<p>"You check the number you gave me. We split fifty-fifty, right? It's all there."</p>
|
||||
|
||||
<p>And when Jack Lorne checked the number of the Cayman account he had set up in the summer, what seemed like a
|
||||
lifetime ago, it was all there. One million, three hundred and fifty thousand. Untaxed, untaxable,
|
||||
untraceable.</p>
|
||||
|
||||
<p>Now he had the difficult job of telling the boys they wouldn't get their hands on a penny of it.</p>
|
||||
<hr />
|
||||
<div class='block'><strong>Levenford Gazette</strong>. November 18.</div>
|
||||
<div class='block'>By Blair Bryden.</div>
|
||||
<div class='block'>A full sized replica of King Robert Bruce's warship will be the centrepiece of an ambitious
|
||||
new heritage centre based in the Bruce Harbour at Aitkenbar Distillery.
|
||||
</div>
|
||||
<div class='block'>The educational and tourist attraction is the end result of a remarkable chain of events
|
||||
which has turned around the fortunes of the town and given it great hope for the future.
|
||||
</div>
|
||||
<div class='block'>Announcing the construction of the warship, Charter 1315 Chairman Kate Delaney said it would
|
||||
provide a historic link with the town's illustrious past and its promising future, provide new jobs in the
|
||||
tourist industry and give the town a centrepiece which will be the envy of the country.
|
||||
</div>
|
||||
<div class='block'>Ms Delaney led the fight against the destruction of the historic harbour and the legal action
|
||||
against Aitkenbar Distillery owner Alistair Sproat is seen by many as the catalyst in the recent upheaval in
|
||||
Levenford.
|
||||
</div>
|
||||
<div class='block'>Sproat, who is facing a number of serious allegations regarding customs declarations lost
|
||||
control of the family business earlier this year after a number of deals went spectacularly wrong and after
|
||||
an equally spectacular raid on the distillery in which more than 20,000 gallons of vintage Scotch whisky was
|
||||
stolen.
|
||||
</div>
|
||||
<div class='block'>Police inquiries into alleged connections between the whisky theft and the accused are still
|
||||
continuing. Four arrests have been made.
|
||||
</div>
|
||||
<div class='block'>After announcing major job losses in the summer, and his plan to site a new designer drinks
|
||||
premises in Glasgow, Alistair Sproat unloaded the failing Dunvegan Distillery in a management buy-out
|
||||
leveraged by offshore firm Gabriel and Company. In a remarkable turn around, the small island distillery
|
||||
altered its thrust to a new malt liqueur and cream-based drinks production which secured markets in the
|
||||
supermarket and off license sectors.
|
||||
</div>
|
||||
<div class='block'>Levenford Dairy, facing closure to pave the way for the ill-fated mall development, joined
|
||||
the co-operative in the production of milk products for the various drinks and also in the bottling sector,
|
||||
which saved the jobs of more than forty local employees.
|
||||
</div>
|
||||
<div class='block'>The mystery Gabriel and Company, based in the Cayman Islands, seems however, to have put down
|
||||
roots in Levenford, having appointed a number of local businessmen and former employees of Aitkenbar to its
|
||||
management team.
|
||||
</div>
|
||||
<div class='block'>In October, the company stepped in when Aitkenbar faced receivership, and took over the
|
||||
production and storage facility, and for the first time in 200 years, malt whisky production in Levenford
|
||||
ceased. With the development of new plant, the premises have embarked on a radical 'designer' drink venture
|
||||
which has so far secured the jobs of the former employees who were threatened by the mall development.
|
||||
</div>
|
||||
<div class='block'>Spokesperson Mrs Margery Burns, former PA to Alistair Sproat said: "We plan to convert the
|
||||
old malt whisky production section into an industrial museum and tourist facility which will operate in
|
||||
conjunction with the new heritage centre on the harbour.
|
||||
</div>
|
||||
<div class='block'>"Gabriel & Company have relinquished any claim to the harbour and will match public
|
||||
donations to ensure its success."
|
||||
</div>
|
||||
<div class='block'>The first production of the new designer drinks will begin next week to take advantage of the
|
||||
Christmas trade. Already markets have been secured in Norway and Sweden and once again, the international
|
||||
victualling and drinks chain Hammond Hall, has stepped in to support the company and concluded a deal for a
|
||||
massive order.
|
||||
</div>
|
||||
<div class='block'>Ms Delaney, a local artist and teacher, whose works are on show in Kelvingrove Art Gallery in
|
||||
an exhibition sponsored by the Gabriel Foundation said: "The change of fortunes in Levenford are all due to
|
||||
the determination of some people to take huge risks and to show that with effort and imagination, they can
|
||||
take charge of their own destiny. Without them, this town would remain forever a backwater."
|
||||
</div>
|
||||
<p>JUNE:</p>
|
||||
|
||||
<p>The sleek red car made its way down from High Overburn, flicking round the turns at ramming speed. The sun
|
||||
was still low in the sky, sending bright rays through the thick leaves, making promise of a scorching day
|
||||
ahead.</p>
|
||||
|
||||
<p>The car followed the same route down the hill that almost a year before, two stolen tankers had trundled in
|
||||
the dead of night, freewheeling down from the hiding place in the plantation. This time the open-topped
|
||||
tourer was using its power to negotiate the leafy bends.</p>
|
||||
|
||||
<p>It sped down to the dual carriageway, along the straight past the looming bulk of the castle rock and
|
||||
followed the new river road to the big wrought iron gate of the distillery. It paused at the gatehouse and
|
||||
the driver waved to Kerr Thomson, who, once badly bitten, could be trusted with anything. Somebody,
|
||||
somewhere, still had the prints, and well he knew it.</p>
|
||||
|
||||
<p>It waited there until a big new truck pulled out from the loading bay and exited on the other side of the
|
||||
security box, a twelve-wheeler flatbed with a silver container on its back. Along the side of the container,
|
||||
a bright red piece of graphic art showed a winged vision flying. It was done in the fast, flash brushstrokes
|
||||
that Kate Delaney had used on the heritage wall way back then.</p>
|
||||
|
||||
<p>Below it, in a red slash, the words could be read half a mile away.</p>
|
||||
|
||||
<p><em>The Angels Share.</em></p>
|
||||
|
||||
<p>The driver and passenger stopped to watch as the big truck eased out of the compound out, and then the car
|
||||
swung away to pull in at the front of the new glass building. The driver stepped out, showing long and
|
||||
shapely legs and a very expensive pair of stiletto heels.</p>
|
||||
|
||||
<p>She bent back into the car as the passenger shifted across to get behind the wheel.</p>
|
||||
|
||||
<p>"Pigeons or sailing today?" She pecked him quickly on the cheek, leaving a red smudge.</p>
|
||||
|
||||
<p>"Life is short," Sandy Bruce told her. "Probably both."</p>
|
||||
|
||||
<p>"Lazy old scoundrel," she said, and turned towards the tall glass door.</p>
|
||||
|
||||
<p>Margery Burns reached the big conference room at the end of the bright corridor, went in, closed the door
|
||||
behind her.</p>
|
||||
|
||||
<p>"Okay," Jack Lorne said. "Lets get down to business."</p>
|
||||
|
||||
<p>Margery sat two seats away from him and began to write quickly in the minute book. The rest of them waited to
|
||||
hear what he had to say.</p>
|
||||
|
||||
<p>"I've just had this idea," he began. He looked round at the faces of his friends.</p>
|
||||
|
||||
<p>"I think you might like it."</p>
|
||||
|
||||
<div class='end'>THE END</div>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
104
build/Full Proof/OEBPS/content.opf
Normal file
104
build/Full Proof/OEBPS/content.opf
Normal file
@ -0,0 +1,104 @@
|
||||
<?xml version="1.0"?>
|
||||
|
||||
<package xmlns="http://www.idpf.org/2007/opf" unique-identifier="dcidid" version="2.0">
|
||||
|
||||
<metadata xmlns:dc="http://purl.org/dc/elements/1.1/"
|
||||
xmlns:dcterms="http://purl.org/dc/terms/"
|
||||
xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
|
||||
xmlns:opf="http://www.idpf.org/2007/opf">
|
||||
<dc:title>Full Proof</dc:title>
|
||||
<dc:language xsi:type="dcterms:RFC3066">en</dc:language>
|
||||
<dc:identifier id="dcidid" opf:scheme="URI">http://www.impera-media.com/fullproof.epub</dc:identifier>
|
||||
<dc:subject>Thriller, Action</dc:subject>
|
||||
<dc:description></dc:description>
|
||||
<dc:relation>http://www.impera-media.com/</dc:relation>
|
||||
<dc:creator>Joe Donnelly</dc:creator>
|
||||
<dc:publisher>Impera Media Limited</dc:publisher>
|
||||
<dc:date xsi:type="dcterms:W3CDTF">2011-05-17</dc:date>
|
||||
<dc:rights>Copyright (c) 2012, Joe Donnelly. All rights reserved</dc:rights>
|
||||
<meta name="cover" content="cover" />
|
||||
</metadata>
|
||||
|
||||
<manifest>
|
||||
<item id="ncx" href="toc.ncx" media-type="application/x-dtbncx+xml" />
|
||||
<item id="pt" href="page-template.xpgt" media-type="application/vnd.adobe-page-template+xml" />
|
||||
<item id="css" href="imperaWeb.css" media-type="text/css" />
|
||||
<item id="title" href="title.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="contents" href="contents.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="bio" href="bio.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="blurb" href="blurb.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter01" href="ch01.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter02" href="ch02.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter03" href="ch03.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter04" href="ch04.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter05" href="ch05.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter06" href="ch06.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter07" href="ch07.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter08" href="ch08.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter09" href="ch09.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter10" href="ch10.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter11" href="ch11.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter12" href="ch12.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter13" href="ch13.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter14" href="ch14.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter15" href="ch15.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter16" href="ch16.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter17" href="ch17.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter18" href="ch18.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter19" href="ch19.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter20" href="ch20.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter21" href="ch21.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter22" href="ch22.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter23" href="ch23.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter24" href="ch24.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter25" href="ch25.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter26" href="ch26.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter27" href="ch27.xhtml" media-type="application/xhtml+xml" />
|
||||
|
||||
<item id="logo" href="logo.jpg" media-type="image/jpeg" />
|
||||
<item id="ak" href="ak.jpg" media-type="image/jpeg" />
|
||||
<item id="other" href="other.xhtml" media-type="application/xhtml+xml" />
|
||||
|
||||
</manifest>
|
||||
|
||||
<spine toc="ncx">
|
||||
<itemref idref="title" />
|
||||
<itemref idref="bio" />
|
||||
<itemref idref="blurb" />
|
||||
<itemref idref="chapter01" />
|
||||
<itemref idref="chapter02" />
|
||||
<itemref idref="chapter03" />
|
||||
<itemref idref="chapter04" />
|
||||
<itemref idref="chapter05" />
|
||||
<itemref idref="chapter06" />
|
||||
<itemref idref="chapter07" />
|
||||
<itemref idref="chapter08" />
|
||||
<itemref idref="chapter09" />
|
||||
<itemref idref="chapter10" />
|
||||
<itemref idref="chapter11" />
|
||||
<itemref idref="chapter12" />
|
||||
<itemref idref="chapter13" />
|
||||
<itemref idref="chapter14" />
|
||||
<itemref idref="chapter15" />
|
||||
<itemref idref="chapter16" />
|
||||
<itemref idref="chapter17" />
|
||||
<itemref idref="chapter18" />
|
||||
<itemref idref="chapter19" />
|
||||
<itemref idref="chapter20" />
|
||||
<itemref idref="chapter21" />
|
||||
<itemref idref="chapter22" />
|
||||
<itemref idref="chapter23" />
|
||||
<itemref idref="chapter24" />
|
||||
<itemref idref="chapter25" />
|
||||
<itemref idref="chapter26" />
|
||||
<itemref idref="chapter27" />
|
||||
<itemref idref="other" />
|
||||
|
||||
</spine>
|
||||
|
||||
<guide>
|
||||
<reference type="title-page" title="Title Page" href="title.xhtml" />
|
||||
<reference type="toc" title="Table of Contents" href="contents.xhtml" />
|
||||
</guide>
|
||||
|
||||
</package>
|
48
build/Full Proof/OEBPS/contents.xhtml
Normal file
48
build/Full Proof/OEBPS/contents.xhtml
Normal file
@ -0,0 +1,48 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>Full Proof : Contents</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="contents">
|
||||
<h1>Contents</h1>
|
||||
<ul>
|
||||
<li><a href="ch01.xhtml">Chapter 1</a></li>
|
||||
<li><a href="ch02.xhtml">Chapter 2</a></li>
|
||||
<li><a href="ch03.xhtml">Chapter 3</a></li>
|
||||
<li><a href="ch04.xhtml">Chapter 4</a></li>
|
||||
<li><a href="ch05.xhtml">Chapter 5</a></li>
|
||||
<li><a href="ch06.xhtml">Chapter 6</a></li>
|
||||
<li><a href="ch07.xhtml">Chapter 7</a></li>
|
||||
<li><a href="ch08.xhtml">Chapter 8</a></li>
|
||||
<li><a href="ch09.xhtml">Chapter 9</a></li>
|
||||
<li><a href="ch10.xhtml">Chapter 10</a></li>
|
||||
<li><a href="ch11.xhtml">Chapter 11</a></li>
|
||||
<li><a href="ch12.xhtml">Chapter 12</a></li>
|
||||
<li><a href="ch13.xhtml">Chapter 13</a></li>
|
||||
<li><a href="ch14.xhtml">Chapter 14</a></li>
|
||||
<li><a href="ch15.xhtml">Chapter 15</a></li>
|
||||
<li><a href="ch16.xhtml">Chapter 16</a></li>
|
||||
<li><a href="ch17.xhtml">Chapter 17</a></li>
|
||||
<li><a href="ch18.xhtml">Chapter 18</a></li>
|
||||
<li><a href="ch19.xhtml">Chapter 19</a></li>
|
||||
<li><a href="ch20.xhtml">Chapter 20</a></li>
|
||||
<li><a href="ch21.xhtml">Chapter 21</a></li>
|
||||
<li><a href="ch22.xhtml">Chapter 22</a></li>
|
||||
<li><a href="ch23.xhtml">Chapter 23</a></li>
|
||||
<li><a href="ch24.xhtml">Chapter 24</a></li>
|
||||
<li><a href="ch25.xhtml">Chapter 25</a></li>
|
||||
<li><a href="ch26.xhtml">Chapter 26</a></li>
|
||||
<li><a href="ch27.xhtml">Chapter 27</a></li>
|
||||
|
||||
</ul>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
87
build/Full Proof/OEBPS/imperaWeb.css
Normal file
87
build/Full Proof/OEBPS/imperaWeb.css
Normal file
@ -0,0 +1,87 @@
|
||||
/* Impera Media stylesheet v3 2012-08-15*/
|
||||
|
||||
body { color: #000; background-color: #FFF; font-family: serif; line-height: 1.4em; text-align: left; text-indent: 0; border: 0 none; margin: 0; padding: 0; }
|
||||
|
||||
.edge { color: #FFF; background-color: #000; }
|
||||
|
||||
#cover img { text-align: center; font-style: italic; font-size: 90%; margin: 0 auto; padding: 0; }
|
||||
|
||||
#header img { border: 0 none; margin: 0; }
|
||||
|
||||
#header div a, #footer div a { color: #FFF; background-color: #000; text-decoration: none; }
|
||||
|
||||
#author { margin-bottom: 1.5em; }
|
||||
|
||||
#licensenotice { font-size: .9em; line-height: 1.2em; }
|
||||
|
||||
#abstract { text-align: justify; }
|
||||
|
||||
#contents ul ul, #contents ol ol, #contents ul ol, #contents ol ul { margin-left: 2em; }
|
||||
|
||||
.section { margin-bottom: 6em; text-align: justify; }
|
||||
|
||||
h1 { font-size: 3.5em; line-height: 1em; font-weight: 400; margin-top: 0; margin-bottom: 1em; }
|
||||
|
||||
h2 { font-size: 2.5em; line-height: 1em; font-weight: 400; margin-top: 0; margin-bottom: .5em; }
|
||||
|
||||
h3 { font-size: 1.5em; line-height: 1.2em; font-weight: 400; margin-top: 1em; margin-bottom: .5em; }
|
||||
|
||||
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|
||||
|
||||
h5 { font-size: 1em; line-height: 1.2em; font-weight: 700; margin: .5em 0; }
|
||||
|
||||
h6 { font-size: 1em; line-height: 1.2em; font-weight: 700; float: left; margin: 0 1.5em 0 0; }
|
||||
|
||||
p + p { text-indent: 1.5em; }
|
||||
|
||||
p.stb { text-indent: 0; margin-top: .83em; }
|
||||
|
||||
p.mtb { text-indent: 0; margin-top: 2.17em; }
|
||||
|
||||
p.ltb { text-indent: 0; margin-top: 3.08em; }
|
||||
|
||||
pre { font-family: monospace; font-size: .85em; line-height: 1.2em; text-align: left; white-space: pre; margin-top: 1em; margin-bottom: 1em; border: 1px #000 solid; padding: 1.5em; }
|
||||
|
||||
ol, ul { margin: .5em 2em .5em 3em; padding: 0; }
|
||||
|
||||
.plainlist { list-style-type: none; }
|
||||
|
||||
dl { margin: .5em 2em; }
|
||||
|
||||
table { font-size: 1em; line-height: 1.4em; margin-top: 1em; }
|
||||
|
||||
img { border: none; position: absolute; top: 0; left: 0; margin: 0; padding: 0; }
|
||||
|
||||
#references ul li { margin-top: 1em; margin-bottom: 1em; }
|
||||
|
||||
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|
||||
|
||||
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|
||||
|
||||
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|
||||
|
||||
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|
||||
|
||||
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|
||||
|
||||
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|
||||
|
||||
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|
||||
|
||||
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|
||||
|
||||
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|
||||
|
||||
.block .noital { font-style: normal; }
|
||||
|
||||
.special01 { margin-left: 40%; font-weight: 900; }
|
||||
|
||||
.end { font-size: 1.5em; line-height: 1.2em; font-weight: 400; margin-top: 1em; margin-bottom: .5em; text-align: center; }
|
||||
|
||||
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|
||||
|
||||
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|
||||
|
||||
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|
||||
|
||||
#contents ul li, #contents ol li, p { margin-top: .5em; margin-bottom: .5em; }
|
BIN
build/Full Proof/OEBPS/logo.jpg
Normal file
BIN
build/Full Proof/OEBPS/logo.jpg
Normal file
Binary file not shown.
After Width: | Height: | Size: 5.0 KiB |
34
build/Full Proof/OEBPS/other.xhtml
Normal file
34
build/Full Proof/OEBPS/other.xhtml
Normal file
@ -0,0 +1,34 @@
|
||||
<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
|
||||
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml">
|
||||
<head>
|
||||
<title>Other books</title>
|
||||
<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
|
||||
<style type="text/css">
|
||||
p { text-align: center; }
|
||||
|
||||
.i {
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<p>Other books by the author available on</p>
|
||||
<img class='i' src='ak.jpg' alt='Amazon Kindle'/>
|
||||
|
||||
<p><a href="http://j.mp/RgVy9h">Full Proof</a></p>
|
||||
|
||||
<p><a href='http://j.mp/TjevrC'>Shrike</a></p>
|
||||
|
||||
<p><a href='http://j.mp/lTrdOF'>Incubus</a></p>
|
||||
|
||||
<p><a href='http://j.mp/darkvalley'>Dark Valley</a></p>
|
||||
|
||||
<p>All available now on the Amazon Kindle</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
47
build/Full Proof/OEBPS/page-template.xpgt
Normal file
47
build/Full Proof/OEBPS/page-template.xpgt
Normal file
@ -0,0 +1,47 @@
|
||||
<ade:template xmlns="http://www.w3.org/1999/xhtml" xmlns:ade="http://ns.adobe.com/2006/ade" xmlns:fo="http://www.w3.org/1999/XSL/Format">
|
||||
|
||||
<fo:layout-master-set>
|
||||
<fo:simple-page-master master-name="single_column" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-body/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:simple-page-master master-name="single_column_head" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-before extent="8em"/>
|
||||
<fo:region-body margin-top="8em"/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:simple-page-master master-name="two_column" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-body column-count="2" column-gap="3em"/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:simple-page-master master-name="two_column_head" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-before extent="8em"/>
|
||||
<fo:region-body column-count="2" margin-top="8em" column-gap="3em"/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:simple-page-master master-name="three_column" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-body column-count="3" column-gap="3em"/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:simple-page-master master-name="three_column_head" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-before extent="8em"/>
|
||||
<fo:region-body column-count="3" margin-top="8em" column-gap="3em"/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:page-sequence-master>
|
||||
<fo:repeatable-page-master-alternatives>
|
||||
<fo:conditional-page-master-reference master-reference="three_column_head" page-position="first" ade:min-page-width="80em"/>
|
||||
<fo:conditional-page-master-reference master-reference="three_column" ade:min-page-width="80em"/>
|
||||
<fo:conditional-page-master-reference master-reference="two_column_head" page-position="first" ade:min-page-width="50em"/>
|
||||
<fo:conditional-page-master-reference master-reference="two_column" ade:min-page-width="50em"/>
|
||||
<fo:conditional-page-master-reference master-reference="single_column_head" page-position="first"/>
|
||||
<fo:conditional-page-master-reference master-reference="single_column"/>
|
||||
</fo:repeatable-page-master-alternatives>
|
||||
</fo:page-sequence-master>
|
||||
</fo:layout-master-set>
|
||||
|
||||
<ade:style>
|
||||
<ade:styling-rule selector="#header" display="adobe-other-region" adobe-region="xsl-region-before"/>
|
||||
</ade:style>
|
||||
|
||||
</ade:template>
|
43
build/Full Proof/OEBPS/title.xhtml
Normal file
43
build/Full Proof/OEBPS/title.xhtml
Normal file
@ -0,0 +1,43 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
|
||||
<title>Full Proof</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="header"><img src="logo.jpg" alt=
|
||||
"Impera Media Limited logo" /></div>
|
||||
<div id="heading">
|
||||
<div id="title">
|
||||
<h1>Full Proof</h1>
|
||||
</div>
|
||||
<div id="author">
|
||||
<h4>Joe Donnelly</h4>
|
||||
</div>
|
||||
<div id="uri"><a href=
|
||||
"http://www.impera-media.com">http://www.impera-media.com</a></div>
|
||||
<div id="e">books@impera-media.com</div>
|
||||
<p id="timestamp">2012-08-15</p>
|
||||
|
||||
<div id="copyright">Copyright (c) 2011, Joe Donnelly.
|
||||
<p>All rights reserved</p>
|
||||
|
||||
<p>The moral right of the author has been asserted</p>
|
||||
|
||||
<p>This book is sold subject to the condition that it shall not, by
|
||||
way of trade or otherwise, be lent, re-sold, hired out, or
|
||||
otherwise circulated without the publisher's prior consent in any
|
||||
form of binding or cover other than that in which it is published
|
||||
and without a similar condition being imposed on the subsequent
|
||||
purchaser</p>
|
||||
</div>
|
||||
<div id="licensenotice">This work is copyright.</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
210
build/Full Proof/OEBPS/toc.ncx
Normal file
210
build/Full Proof/OEBPS/toc.ncx
Normal file
@ -0,0 +1,210 @@
|
||||
<?xml version="1.0"?>
|
||||
<!DOCTYPE ncx PUBLIC "-//NISO//DTD ncx 2005-1//EN" "http://www.daisy.org/z3986/2005/ncx-2005-1.dtd">
|
||||
|
||||
<ncx xmlns="http://www.daisy.org/z3986/2005/ncx/" version="2005-1">
|
||||
|
||||
<head>
|
||||
<meta name="dtb:uid" content="http://www.imperamedia.com/fullproof.epub"/>
|
||||
<meta name="dtb:depth" content="2"/>
|
||||
<meta name="dtb:totalPageCount" content="0"/>
|
||||
<meta name="dtb:maxPageNumber" content="0"/>
|
||||
</head>
|
||||
|
||||
<docTitle>
|
||||
<text>Full Proof</text>
|
||||
</docTitle>
|
||||
|
||||
<navMap>
|
||||
<navPoint id="navPoint-1" playOrder="1">
|
||||
<navLabel>
|
||||
<text>Title Page</text>
|
||||
</navLabel>
|
||||
<content src="title.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-2" playOrder="2">
|
||||
<navLabel>
|
||||
<text>About the Author</text>
|
||||
</navLabel>
|
||||
<content src="bio.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-3" playOrder="3">
|
||||
<navLabel>
|
||||
<text>About the Book</text>
|
||||
</navLabel>
|
||||
<content src="blurb.xhtml"/>
|
||||
</navPoint>
|
||||
|
||||
<navPoint id="navPoint-4" playOrder="4">
|
||||
<navLabel>
|
||||
<text>Chapter 1</text>
|
||||
</navLabel>
|
||||
<content src="ch01.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-5" playOrder="5">
|
||||
<navLabel>
|
||||
<text>Chapter 2</text>
|
||||
</navLabel>
|
||||
<content src="ch02.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-6" playOrder="6">
|
||||
<navLabel>
|
||||
<text>Chapter 3</text>
|
||||
</navLabel>
|
||||
<content src="ch03.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-7" playOrder="7">
|
||||
<navLabel>
|
||||
<text>Chapter 4</text>
|
||||
</navLabel>
|
||||
<content src="ch04.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-8" playOrder="8">
|
||||
<navLabel>
|
||||
<text>Chapter 5</text>
|
||||
</navLabel>
|
||||
<content src="ch05.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-9" playOrder="9">
|
||||
<navLabel>
|
||||
<text>Chapter 6</text>
|
||||
</navLabel>
|
||||
<content src="ch06.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-10" playOrder="10">
|
||||
<navLabel>
|
||||
<text>Chapter 7</text>
|
||||
</navLabel>
|
||||
<content src="ch07.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-11" playOrder="11">
|
||||
<navLabel>
|
||||
<text>Chapter 8</text>
|
||||
</navLabel>
|
||||
<content src="ch08.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-12" playOrder="12">
|
||||
<navLabel>
|
||||
<text>Chapter 9</text>
|
||||
</navLabel>
|
||||
<content src="ch09.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-13" playOrder="13">
|
||||
<navLabel>
|
||||
<text>Chapter 10</text>
|
||||
</navLabel>
|
||||
<content src="ch10.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-14" playOrder="14">
|
||||
<navLabel>
|
||||
<text>Chapter 11</text>
|
||||
</navLabel>
|
||||
<content src="ch11.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-15" playOrder="15">
|
||||
<navLabel>
|
||||
<text>Chapter 12</text>
|
||||
</navLabel>
|
||||
<content src="ch12.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-16" playOrder="16">
|
||||
<navLabel>
|
||||
<text>Chapter 13</text>
|
||||
</navLabel>
|
||||
<content src="ch13.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-17" playOrder="17">
|
||||
<navLabel>
|
||||
<text>Chapter 14</text>
|
||||
</navLabel>
|
||||
<content src="ch14.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-18" playOrder="18">
|
||||
<navLabel>
|
||||
<text>Chapter 15</text>
|
||||
</navLabel>
|
||||
<content src="ch15.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-19" playOrder="19">
|
||||
<navLabel>
|
||||
<text>Chapter 16</text>
|
||||
</navLabel>
|
||||
<content src="ch16.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-20" playOrder="20">
|
||||
<navLabel>
|
||||
<text>Chapter 17</text>
|
||||
</navLabel>
|
||||
<content src="ch17.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-21" playOrder="21">
|
||||
<navLabel>
|
||||
<text>Chapter 18</text>
|
||||
</navLabel>
|
||||
<content src="ch18.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-22" playOrder="22">
|
||||
<navLabel>
|
||||
<text>Chapter 19</text>
|
||||
</navLabel>
|
||||
<content src="ch19.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-23" playOrder="23">
|
||||
<navLabel>
|
||||
<text>Chapter 20</text>
|
||||
</navLabel>
|
||||
<content src="ch20.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-24" playOrder="24">
|
||||
<navLabel>
|
||||
<text>Chapter 21</text>
|
||||
</navLabel>
|
||||
<content src="ch21.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-25" playOrder="25">
|
||||
<navLabel>
|
||||
<text>Chapter 22</text>
|
||||
</navLabel>
|
||||
<content src="ch22.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-26" playOrder="26">
|
||||
<navLabel>
|
||||
<text>Chapter 23</text>
|
||||
</navLabel>
|
||||
<content src="ch23.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-27" playOrder="27">
|
||||
<navLabel>
|
||||
<text>Chapter 24</text>
|
||||
</navLabel>
|
||||
<content src="ch24.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-28" playOrder="28">
|
||||
<navLabel>
|
||||
<text>Chapter 25</text>
|
||||
</navLabel>
|
||||
<content src="ch25.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-29" playOrder="29">
|
||||
<navLabel>
|
||||
<text>Chapter 26</text>
|
||||
</navLabel>
|
||||
<content src="ch26.xhtml"/>
|
||||
</navPoint>
|
||||
|
||||
<navPoint id="navPoint-30" playOrder="30">
|
||||
<navLabel>
|
||||
<text>Chapter 27</text>
|
||||
</navLabel>
|
||||
<content src="ch27.xhtml"/>
|
||||
</navPoint>
|
||||
|
||||
<navPoint id="navPoint-31" playOrder="31">
|
||||
<navLabel>
|
||||
<text>Other Books</text>
|
||||
</navLabel>
|
||||
<content src="other.xhtml"/>
|
||||
</navPoint>
|
||||
|
||||
|
||||
</navMap>
|
||||
</ncx>
|
1
build/Full Proof/mimetype
Normal file
1
build/Full Proof/mimetype
Normal file
@ -0,0 +1 @@
|
||||
application/epub+zip
|
0
build/dark ways/Untitled-2
Normal file
0
build/dark ways/Untitled-2
Normal file
6
build/darkvalley/META-INF/container.xml
Normal file
6
build/darkvalley/META-INF/container.xml
Normal file
@ -0,0 +1,6 @@
|
||||
<?xml version="1.0"?>
|
||||
<container version="1.0" xmlns="urn:oasis:names:tc:opendocument:xmlns:container">
|
||||
<rootfiles>
|
||||
<rootfile full-path="OEBPS/content.opf" media-type="application/oebps-package+xml"/>
|
||||
</rootfiles>
|
||||
</container>
|
154
build/darkvalley/OEBPS/001.xhtml
Normal file
154
build/darkvalley/OEBPS/001.xhtml
Normal file
@ -0,0 +1,154 @@
|
||||
<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<title>1</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
||||
<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>1</h1>
|
||||
|
||||
<p>July 27.. .</p>
|
||||
|
||||
<p>"His ghost hangs around here," John Corcoran said. "I heard it was seen, plenty of times. They say it creeps about in the mist coming off the river. This place gives me the willies."</p>
|
||||
|
||||
<p>"Me too," Doug Nicol said. "I was told he calls out to other kids. He wants to drag them down there." Doug twisted his face into a snarl and held one hand up in front of his face, fingers clawed but drooping. "Like the monster from the black lagoon."</p>
|
||||
|
||||
<p>Everybody looked at Doug who was leaning against the trunk of the old elm tree that sprawled across the grass, an old giant that had given up the fight against a winter gale and had dug great gouges in the turf in its dead fall. Doug was running the blade of his knife under the bark, twisting it hard to break off chunks of powdery wood. He nodded as he spoke, showing his big, prominent teeth. The sun was shining through his equally prominent ears, tinting them red. "He hates being down there on his own."</p>
|
||||
|
||||
<p>"That's rubbish," Billy Harrison snorted. He blew out a grey plume of smoke and then let two tendrils curl down from his nose. This was a trick he had spent a lot of idle time mastering in the summer and it made him look like a big shot. Most of the time the smoke rose up and went into his eyes and everybody laughed while Billy spent the next while blinking back sudden tears. This time it worked just fine and Billy raised himself up to kick his heel against the bare root of the toppled elm.</p>
|
||||
|
||||
<p>"If he wanted company, he'd drag them up to the graveyard, wouldn't he?" Billy looked round, challengingly. There was a moment's silence while they all thought about it.</p>
|
||||
|
||||
<p>"No," John Corcoran contradicted and if it had been one of the others, maybe there could have been a bit of pushing and shoving because Billy was quick off the mark when it came to taking offence. "It would be his ghost. They always go back to where they died, trying to get back into the body. I read that once, so it's true. They don't know they're dead for a long time, years even, and that's why they haunt the places where they died."</p>
|
||||
|
||||
<p>Danny Gillan shivered and said nothing. He was sitting up on the sprawled trunk, his feet almost level with Billy's head. Billy nodded agreeably and blew two smoke rings in quick succession, making his jaw work like a fish to get the effect. The rings rolled in the air and played hoops with a rootlet before breaking up. "Maybe that's it, Corky, just maybe," he conceded. "I bet you wouldn't come down here at night."</p>
|
||||
|
||||
<p>"Not when the mist comes off the river." Tom Tannahill agreed vehemently. "You never know what's in there. It creeps like it's alive."</p>
|
||||
|
||||
<p>" <em>Gives</em> you the creeps," Billy said and laughed at his pun.</p>
|
||||
|
||||
<p>Over at Drumbeck Hill, a mile, more like two from where the boys were idling, beyond the double hump of the looming rock and the castle ramparts that rose above the flat mud of the estuary firth, a puff of smoke came billowing out from the crater where the quarry had dug a great scar into the side of the hill. Eight seconds later the booming rumble of the explosion came rolling over the town and across the black, fast water of the river.</p>
|
||||
|
||||
<p>Danny Gillan shivered again and though none of the other boys noticed, his eyes had taken on that flat look of someone whose attention is far away.</p>
|
||||
|
||||
<p>"Just like when they were looking for the body," Corky said, running with his story. He was goopd at that. "Remember? I thought they were firing cannons from the castle to raise him up. I read that too. They fired cannons over the water when they got a man lost overboard. In Treasure Island. The noise brought bodies up to the top."</p>
|
||||
|
||||
<p>"Like, wake them up, you mean?" Doug asked. Corky shrugged.</p>
|
||||
|
||||
<p>"It wasn't the quarry," Danny said quietly, not looking at any of them. His back was turned and he was facing across the river towards the rising plume of smoke and rock-dust. Over the distance came the heavy rumbling thunder of falling stones as the payload slid down the crater. Danny's eyes were now focused closer however, fixed on the quayside on the other bank of the river where the low tide had left a man-high slick of greasy algae and where the seagulls wheeled and squalled over something rotten among the mud and old tyres beside the mouldering ribs of some long-dead boat.</p>
|
||||
|
||||
<p>"It was a bomb. The one they found up in the reservoir up by Overbuck House."</p>
|
||||
|
||||
<p>"What a cracker," Doug nodded, remembering. "Smashed nearly all the windows up in Corrie Street, and a big boulder from the dam came right through McFarlane's barn roof like a
|
||||
<em>meetcherite</em> comet or something. You should have seen the hole it made." Doug was grinning, showing most of his big rabbit teeth.
|
||||
</p>
|
||||
|
||||
<p>"They blew it up all wrong," Billy said. The bomb was an old story, from way back in spring and that was ancient history. A lot had happened since that spring. "I heard a flock of Barrie's sheep got such a fright they went crazy and took a header off the cliff on the Langmuir Crags.</p>
|
||||
|
||||
<p>"An' I heard...." Billy told another rumour they'd all heard a dozen times since the spring, but never tired of repeating.</p>
|
||||
|
||||
<p>"But Paulie came up, didn't he?" Tom Tannahill asked. "Just like that book Corky was telling us about. Must have wondered what was happening up there."</p>
|
||||
|
||||
<p>"Yeah." Doug laughed and held his hands up on either side of his mouth. "Hey, who's making all the noise," he said, in a voice that wasn't quite ghostly enough.</p>
|
||||
|
||||
<p>Danny Gillan shivered again and not from the cold. The sun was high, beaming through the thick umbrella of leaves on the limes and elms that had weathered the winter gales and the air was thick with pollen and the sleepy high-summer buzzing of bees. He lowered his eyes from the skeleton of the dead boat and looked down into the black turbulence of the river. The sun reflected bright from the rippling water, spearing right back into Danny's eyes and in that instant the other boys' voices faded away and he was back in the springtime, on the far side of the river, on a day cold and sharp enough to make your eyes water and scrape the inside of your nose. There had been no leaves on the trees then, only buds sill tight-wrapped on stark branches and the big fallen elm showed redwood circles on the truncated ends where the council's parks department workers had chainsawed the massive branches that had fallen across Keelyard Road.</p>
|
||||
|
||||
<p>"Who's making all the noise?" Doug mimicked a dead boy and Danny saw it unreel again in his mind. Who's making the noise?
|
||||
<em>Who?</em></p>
|
||||
|
||||
<p>He'd been there when Paul Degman went down into the water, tumbling with the current. Danny was glad he hadn't seen Paulie Degman's eyes, for that would have made the nightmares so much worse, but still, he swam and rolled in his dreams, drawn under the surface by a desperately strong hand clutching for rescue, clawing for life. He'd been almost there, almost at that very spot on that very day.</p>
|
||||
|
||||
<p>
|
||||
<em>It could have been me!</em> The thought reverberated again and again, a boy's sudden comprehension of sudden, permanent end.
|
||||
</p>
|
||||
|
||||
<p>Paulie Degman was thirteen, just the same age as Danny and while they came from different parts of town - Danny lived up on Corrieside where the municipal housing scheme petered out against the cleft of the gully and gave on to farmland - they knew each other. Paulie was a down-town boy, who lived in one of the gaunt old tenements that backed on to the river. This had been his playground, the alleys and closes of the quayside, the cobbles and old capstans where boats had tied up when the quay had bustled, back in history. He'd played here all his life and it had killed him, while Danny had come playing here one rare spring day and he'd stayed alive.</p>
|
||||
|
||||
<p>Danny remembered the scream. Some other kid had been playing there too, heaving rocks at the gulls they'd tempted down with old crusts from Christie's bakery. The sound had cut into his consciousness and frozen him in the act of hefting the stone he was aiming at a beer bottle bobbing along on the current. Over the space of the months since spring - and everything that had happened in the town since then - Danny was never sure why that sound had frozen him to the quick. There had been some quality to the cry, some urgency that had snaked into his nerves and set the hairs prickling under his woollen tammy-hat. He'd turned quickly and the high screech, so like the fighting gulls, had been joined by the frantic cry of a woman, somewhere high up in the sandstone tenement close to Barley Cobble. The stone had dropped from his hand and bounced glassily on the kerbstone at the edge of the harbour.</p>
|
||||
|
||||
<p><em>"Jesus Christ get back...."</em> Shouts, hoarse and urgent and somehow riven with shock.</p>
|
||||
|
||||
<p>
|
||||
<em>"Oh mister it's Paulie he's in..."</em> panic in the voice of a small boy, closer now as Danny Gillan followed the strange and terrible magnetism in the air.
|
||||
</p>
|
||||
|
||||
<p>A clatter of feet, seggs and hob-nails staccato against the cobbles.</p>
|
||||
|
||||
<p><em>"Oh sweet mother of god it's my..."</em> a woman's prayer in a voice that said she didn't yet believe.
|
||||
</p>
|
||||
|
||||
<p>Big John Fallon the sergeant running the length of the quayside, leaping over a jumbled pile of bricks from the old boatshed that had collapsed in the frost of winter. He was stripping his tunic as he ran, hat flying off to roll alongside him for a few seconds. His white shirt flapping where it pulled out of his blue serge trousers.</p>
|
||||
|
||||
<p>Paulie Degman had fallen into the river and he'd gone down in the fast black current and his boots had got snagged on something.</p>
|
||||
|
||||
<p>
|
||||
<em>And that was the worst of it,</em> Danny Gillan knew. Paulie hadn't collapsed and banged his head. He hadn't been hit by a big red bus going hell for leather round the corner from the old bridge to slam him against a wall and kill him stone dead in the blink of an eye. He'd gone down in the water and he'd got stuck and he must have fought and cried and hauled for breath and all the black silt had gone down his throat and he must have coughed out all of his air. Of all the million ways to go, all the hundreds of thousands of ways for boys to die, that was just about the worst, with only one exception young Danny Gillan could think of. You could fall off the big fan-shaped cliff up on Langmuir like Neil Kennedy's big brother who fractured his skull or you could take a header from the overhang under the castle ramparts down onto the flat basalt slope of eagle rock. You could climb one of the high tension pylons that strode over the hill from the power station to Barloan harbour and get fried to a cinder, so they said, to a crisp. You could slip on a rope swing and twist your neck in the noose and be gone before you knew it. You could even die in your sleep like they said in the prayers,
|
||||
<em>if I should die before I wake. I pray the Lord...</em></p>
|
||||
|
||||
<p>But drowning...</p>
|
||||
|
||||
<p>Paulie had gone down in the river and he'd drowned. In a couple of minutes, Danny, casually walking towards Barley Cobble, targeting the bobbing bottle, would have got to where the boys had been chucking stones and he'd have joined in the fun, making it a team effort, enjoying the company and the contest, the way it always is with boys. He'd have seen Paulie heave his rock, one of the shards from the brick-shed, hurl arm over shoulder, seen him slip on the slick algae at the edge, take a tumble, arms outstretched, a yelp of surprise blurting before he plunged in like one of the big spring-run salmon going up the weir.</p>
|
||||
|
||||
<p><em>Except Paulie was going down...</em></p>
|
||||
|
||||
<p>Danny had seen big John Fallon come thundering down, scattering the pigeons feeding on the spilt grain from the distillery wagon. They had gone clapping into the air in a flutter of panic while Danny's heart had been fluttering inside him and the very air had been charged with a dread tension.</p>
|
||||
|
||||
<p>"Out of my way," the policeman had roared.
|
||||
<em>Owramawae!</em> Like some charging clan chief, the words crammed together but as eloquent as any cry and somehow crystal clear. A cart of firewood went tumbling as his boot caught it. John leapt over a cringing dog, reached the quayside and launched himself into the air. Everything about the moment was fixed in Danny Gillan's mind. He could see again the arc of the big sergeant's dive, perfect in every way. Arms straight out, shirt tail flapping. Two rowing boats were anchored just out from the side, a two-man span from the wall. The tide was in, and running high though the downward current was still fierce from the melt rains, but there was still a six-foot drop to the water. The policeman went between the boats with hardly a splash - and if he'd hit either one he'd have broken his neck for certain. He went straight under and disappeared. Black ripples shivered outwards and the boats rocked on the surface.
|
||||
</p>
|
||||
|
||||
<p>The boy saw all this from the other side of the loading stair where the old grain barges used to park in days gone by. Forty yards ahead a crowd had gathered, atoms drawn together by the magnetism of death. Two men came down in a boat, rowing hard to cut across the current, backs bent with strain on the downpush. The screaming woman had reached the bottom of the tenement and she was running down the uneven cobbles, one shoe on and one off. Another splash, this one huge and there was a second man in the water. John Fallon had disappeared under the surface. Danny knew him. The policeman sometimes came round the school if there was ever an accident, or maybe a spate of shoplifting at Woolworth's, the kind of thing which always peaked before Christmas (and wasn't it an amazing thing that mothers always lost the knack of arithmetic when they unwrapped presents pocket money could never have bought?) Fallon was a decent enough big fellow. His son Jackie was only a few years younger than Danny and the two boys sometimes knocked around together.</p>
|
||||
|
||||
<p>A clock inside Danny's head was ticking off the seconds.</p>
|
||||
|
||||
<p>Another man jumped in red haired and red faced. It was Paulie Degman's uncle Peter who drove the cleansing wagon that hosed down the drains and sucked up the crap inside them.</p>
|
||||
|
||||
<p>
|
||||
<em>Come up, come up. The words came of a sudden, with their own beat, like a metronome. It was for the boy and for the policeman both.</em>
|
||||
</p>
|
||||
|
||||
<p>The water erupted. John Fallon came splashing up, hauling for breath, his face smeared with thick river-bottom clay. He gasped once, twice, and then went porpoising down again. A siren came hee-hawing along River Street and its tone changed as it came fast as it could down the narrow scrape of Rope Vennell. Above it, up close to the shadowed back of the old tenement building, on the roof of the outhouses behind Cairn House, something flashed and glinted, a piece of metal or a shard of broken glass, catching the low light of the sun. It sent a white needle of light into Danny's eye and he screwed his eyes tight for an instant against the sudden glare. When he opened them again, the light was gone. Danny stopped and held onto the railing at the only part of the quayside where the council had fixed a safety barrier. Something made him turn away from the scene and look down into the water where sun glinted on the tumbling surface. The red wall of the distillery vented steam in a shriek of heat and a cloud passed over the sun. Down in the depths, something white moved. Danny's heart kicked like a mule and his throat clicked in a dry spasm. Something down in the depths of the water rolled over.</p>
|
||||
|
||||
<p>It could have been anything. It really could have been anything, a bundle of leaves, a piece of old rag, a discarded newspaper. Anything.</p>
|
||||
|
||||
<p>But for weeks after that, for months after that, in the dark of night as spring turned into summer and brought with it its own strange and terrifying days, Danny Gillan saw the bloodless face of Paulie Degman as he tried to claw his way to the surface.</p>
|
||||
|
||||
<p><em>"He came up, didn't he?"</em></p>
|
||||
|
||||
<p>Danny's daydream imploded and he came reeling back to this present.</p>
|
||||
|
||||
<p>"It could have been the bomb. What a blast. Like that Jap place." Doug's face was animated.</p>
|
||||
|
||||
<p>"Hirohito," Billy said.</p>
|
||||
|
||||
<p>"Naw, couldn't have been," little Tom Tannahill disagreed, shaking his head. "That was the atom bomb. It would have knocked the whole town flat. It was one of the five-hunner pounders. They say if it had hit the shipyard the whole place would have gone up like a rocket."</p>
|
||||
|
||||
<p>"Probably meant for the dummy village," Corky said. "That's where most of the bombs went."</p>
|
||||
|
||||
<p>Danny forced his mind away from the river and thoughts of the drowning of Paulie Degman. In a way he too was drowning. In their own way, all of them were, in this town on this strange and heavy summer. Mention of the Dummy Village had helped knock his mind off the dismal track.</p>
|
||||
|
||||
<p>"They say it's still standing," he told them. "Like a ghost town."</p>
|
||||
|
||||
<p>"Nah. Must have been blown to bits during the war," Billy said. "It was like the dambusters up there on the moor."</p>
|
||||
|
||||
<p>The war was twenty years gone and done but it was still close enough for each of them to remember the backlash.
|
||||
<em>Eat that and be grateful, you couldn't get it during the war.</em> Austerity of a sort lived on for a while longer.
|
||||
</p>
|
||||
|
||||
<p>"Has anybody ever been there?" Danny asked.</p>
|
||||
|
||||
<p>"My brother said he and a couple of fellas went up to have a look," Corky said. "But the place is guarded. Commandos or somebody. You can't get in, and if you do they can shoot you. It's the law. They've got the right."</p>
|
||||
|
||||
<p>Corky looked at them all, with a grin on his face. "But Phil's a lying toad. He couldn't find his arse with both hands in broad daylight."</p>
|
||||
|
||||
<p>Billy Harrison had just taken a deep draw on his cigarette. All of the smoke came out in a rush with his first bellow of laughter and then he went into a helpless fit of coughing. The others fell about laughing and even Danny laughed so hard he lost his balance fell off the tree trunk to land with a thump on the short grass.</p>
|
||||
|
||||
<p><em>That's how it all began....</em></p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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build/darkvalley/OEBPS/002.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<title>2</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
||||
<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>2</h1>
|
||||
|
||||
<p><em>March:</em></p>
|
||||
|
||||
<p>On the same cold spring day that Paul Degman went into the river, on the same side of the harbour, though some three hundred yards upriver close to the weir at the bridge, Neil Hopkirk was watching the commotion from his vantage point on the roof of some outhouses behind the buildings fronting River Street.</p>
|
||||
|
||||
<p>Neil was sixteen years old and had lank dark hair hanging down below his collar and dangling in a straight and somehow imbecilic fringe over the rims of his glasses. He had a dark, pear-shaped birthmark on his left cheek, which earned him the nickname of Mole, but which only his best friends, a handful of idlers (including John Corcoran's brother Phil, who couldn't find his arse with both hands) could get away with, chiefly because they were as big and tougher than Neil Hopkirk himself. Neil had a vicious temper as many of the smaller kids could testify. He kept a bunch of keys on a long chain hooked to the belt-loop of his jeans, keys he had picked up here and there and which opened nothing, but they sounded good and important as they jangled on their chain, and to Neil they were the trophies that told the world that Neil Hopkirk was going to be the Best Cat Burglar in the History of Crime.</p>
|
||||
|
||||
<p>Whenever he daydreamed of his illustrious future, or occasionally confided to anybody who would listen, those words always had bold capital initials. Ever since he could remember, his hero had been Gentleman Johnny Ramensky, who had been a thief of heroic achievement, grace and style and whom the intelligence service had once sprung from Drumbain Jail to carry out a daring wartime raid behind the lines. Neil Hopkirk had seen that film in the old Regal Cinema four times, sneaking in without paying for three of those visits and demonstrating his uncanny ability (all of his abilities were uncanny, so Neil was convinced) to pass unseen, like an Indian tracker. In his fantasies he saw himself abseiling into a darkened vault from such a height no-one believed it humanly possible, snatching the diamonds, the bag of gold, the trunk of cash, or the secret plans worth a fortune. In those dreams, even the cops hounding him across rooftops - where he would slow down just to give them a sporting chance or a cheeky, swashbucklers wave - had a grudging respect for him. The newspapers would be full of stories of the Black Shadow, a name derived from another of his comic-book heroes, the Black Sapper who would tunnel under the earth in his mechanical mole. They would wonder who he was and in the Regal Cinema he would sit in the back seat, surrounded by the classiest girls in town - Neil was strictly limited in this part of his imagination - smoking king-sized cigarettes and tipping the ice-cream girl a wad of notes, seeing her eyes light up with gratitude and hero worship. All of the guys would be with them, Phil and Cammy and Pony McGill, basking in the warmth of his friendship while Tina Denny and Corrine Latta hung on his every word.</p>
|
||||
|
||||
<p>He would be the best, Neil knew. He'd boasted to the rest of the guys that he'd be a legend and while they'd laughed him down, he knew they'd eat it when he became the Best Cat Burglar in the History of Crime.</p>
|
||||
|
||||
<p>And now he was up on top of the old outhouses, lounging on the slates, with one casual arm hooked across the galvanised ridging.</p>
|
||||
|
||||
<p>He'd been trying a locked window at the back of the ironmongers, sliding the blade of his knife between the sash frames to kick the catch back, tongue out between his teeth. Crawford's Hardware sold fishing gear and hunting gear. In the front shop there was a glass case with expensive penknives including a horn-handled three-bladed beauty with Neil had been eyeing for some time. They had axes and glass-cutters, all part of the cat-burglar's kit, but they also sold shotguns and cartridges which were always stored in the back of the shop. Old man Crawford, who had a large white hearing-aid jammed up behind his ear and the milky, somehow mouldy beginnings of a cataract in his left eye always kept the guns in a back store and while nobody ever got in to the back room, Neil was convinced that this window was where the gun cabinet had to be, where big shotguns were stacked on a rack, along with boxes of shells. Already his imagination had taken over and he saw himself with a black balaclava, a figure of imposing menace, while the bank manager (though he'd never actually been in a bank, never mind met a bank manager) pleaded with please don't shoot. And the pretty cashier, she'd be eyeing up the tall, masked stranger, wishing he would take her away from this boring, humdrum job, to a life of luxury and hot adventure.</p>
|
||||
|
||||
<p>It was all within arms reach, Neil just knew.</p>
|
||||
|
||||
<p>Then, behind the bars, behind the frosted glass, a shape loomed up in front of him.</p>
|
||||
|
||||
<p><em>"Wah....!"</em> The eloquence that came so naturally in Neil's daydreams deserted him completely.</p>
|
||||
|
||||
<p>The shape leaned forward, right up against the pane. "What the fuck do you think you're doing?" a voice roared from behind the pane, losing none of its force, making the glass itself rattle.</p>
|
||||
|
||||
<p>Instantly Neil recognised the bull-tones of Donal Crawford, the old man's nephew who worked Saturdays. He was six foot four and built like a brick shithouse and as tough as steel bolts too.</p>
|
||||
|
||||
<p>Big Donal reached for the catch and shoved the window up with a ratchetting clatter. Fortunately the frame hit the safety lock when the window was only six inches open. Neil backed against the wall at the far side of the alley and hit his head a smart crack on the crumbly stonework, hard enough to hurt but not enough to damage. Big Donal was yelling non stop, all the phrases jammed up against each other and ever one of them promising lasting pain to whoever had tried to break into his uncle's premises.</p>
|
||||
|
||||
<p>In the two seconds before Neil turned and scooted down the alley, he saw he had been mistaken in assuming the window led on to the storeroom where the shiny shotguns were stacked. Through the six-inch gap, quite clearly, he saw the hairy, spotty thighs of old man Crawford's nephew and he realised that he'd tried to break into the outhouse where big Donal was having a crap.</p>
|
||||
|
||||
<p>Neil came skittering out of the alley. There was a broken down wall where the old boatshed had collapsed in the storm and beside it a straggle of weeds from last year. Neil went ploughing into the scrub, crashing through the dried heads of dockens and the wood-saw teeth of bramble runners. Behind him Donal was still bawling in fury and Neil knew it would only be a matter of seconds before the big fellow pulled up his trousers and came barging out the back door on the alleyway.</p>
|
||||
|
||||
<p>Somewhere downriver somebody screamed, high and glassy on the cold spring air. Neil came stumbling through the weed patch when without any warning at all, a big dark shape loomed up. Neil whipped round and saw a policeman come running towards him. His heart stopped still and he felt the blood drain right out of his face.</p>
|
||||
|
||||
<p>It was big John Fallon. His black boots thumped on the cobbles and his hat went flying off to roll like a spare wheel along the flat. Neil's first instinct was to run, but the sergeant was going full tilt. The boy measured the distance to the corner of Rope Vennel, the next alley which led up to River Street, and he knew he'd never make it and even if he did, he'd be caught before he was halfway up and the sergeant would give him an extra toe up the backside for making him run.</p>
|
||||
|
||||
<p>Neil turned, hands out in a gesture that said he gave in and was ready to come quietly.</p>
|
||||
|
||||
<p>Big John Fallon came powering towards him. Neil stepped forward but the policeman simply leapt over the pile of bricks and crumbled mortar from the ruined boatshed. For an instant the boy thought the Sergeant was going to land on top of him, but Fallon's eyes were fixed dead ahead of him. He didn't even notice the cringing would-be burglar.</p>
|
||||
|
||||
<p>Amazed, Neil Hopkirk followed the thundering progress. The sergeant was stripping off his tunic. Neil watched him throw it to the side and again his instinct almost took over. There would be a whistle and maybe a set of handcuffs. Certainly a police warrant card that would come in handy to an international jewel thief. But just then he heard the slam of the service door at the hardware store and knew he shouldn't hang around.</p>
|
||||
|
||||
<p>John Fallon was halfway down the quayside. A couple of boys came round the corner, pushing a cart heaped up with chopped firewood and they tried to take evasive action. The policeman's foot sent it and all the bundles rolling across the cobbled walk. Neil went up the alley for a few yards, then turned, jammed his hands in his pockets and came sauntering back the way he'd come.</p>
|
||||
|
||||
<p>Big Donal stopped for a moment, his face red and so swollen with anger it looked as if it would burst. Neil nodded as calmly as he could, while thinking to himself that for such a big fella, Donal wasn't too gifted in the equipment department. In the hardware department, Neil thought, and started to giggle. Donal gave him a suspicious look before he turned to run down in the same direction as the policeman. Neil took a left up Fish Pend, the narrowest alley in town and which bore the powerful aroma of the fishmonger's filleting and gutting slabs. Phil Corcoran and Campbell Galt, they'd been with a couple of girls, at least so they said and they swore blind that when they got wet, they smelled the same way. Neil, who had never got as much as a kiss playing postman's knock, hoped that wasn't the case, otherwise it would make him pretty sick for sure.</p>
|
||||
|
||||
<p>He held his breath until he got to Boat Pend which led to the arched walkway right under the old tenements. There was a narrow niche here and a downpipe on the wall out of sight of people passing by up on River Street. Without much hesitation, Neil jinked into the space, took hold of the pipe and went up the wall, hand over hand, bracing his feet against the rough sandstone. In a matter of seconds, he was up on a low, swaybacked slate roof. He went over the ridge and slid down the lee, still out of sight. There was an old skylight here, which let little light though to whatever was below. He wiped the glass with the heel of his hand and peered in. It was some old shed full of rusted machinery, though the shadows changed everything and gave them all interesting shapes. The skylight was shut but he could have broken a pane and slipped the catch. He decided to leave it for the moment, at least until he'd swiped a few flashlight batteries out of Woolworth's.</p>
|
||||
|
||||
<p>Up on the roof, despite the cold of the spring day, the slates were surprisingly warm. Neil Hopkirk sat in the valley formed by the two slopes between the ridges, completely hidden from view. It was exactly his kind of place. Further down the quayside, there were a couple of men in a rowing boat and people were shouting. From along near Barley Cobble, a woman was yammering something and Neil thought that maybe somebody had fallen into the river. It was too far away to make out. He sat for a while, enjoying the warmth of the old slates and then he turned to look at the building behind him.</p>
|
||||
|
||||
<p>The tenement was in shadow. It was tall and gaunt and the windows were darkened and for a moment Neil Hopkirk didn't know which particular one it was. They all looked different from the back. Round on River Street, most of them had shops on ground level, Woolworth's, Crawford's the Ironmonger, Christie's bakery, dozens of shops in a busy town's main street. Round the back they didn't look so good. It was as if the builders knew the only people who would come round here would be fish-gutters and draymen and van drivers. This was the town's tradesman's entrance, dirty and unfinished, the hidden backside of a bustling town.</p>
|
||||
|
||||
<p>Neil stood up and took his keys out. He was far enough out from the wall to be in the sunlight. He swing them around, letting the round metal dog-tag glitter in the sun while he checked out the windows. The sunlight sent a circle of white reflected light flashing as it tracked up the slates and then sparked out down the quayside.</p>
|
||||
|
||||
<p>The valley of the low roof still afforded cover. The boy followed the line of the gutter and got to the first low window. It was only a foot square, probably a vent from a cellar and completely festooned with cobwebs. A roan pipe came down from the edge of the high roof, a slender tree of metal with chevrons of branch drains going left and right. Without hesitation, Neil scrambled up the pipe, followed the first branch out for five feet, straining to grasp the nearest window ledge. He reached it, hauled himself up to sit with his back to the window to check if anyone had seen. There were no shouts of alarm, at least none other than the turbulence down there where the men were rowing and the urgent yelling of men and women mingled to create a twist of tension on the air.</p>
|
||||
|
||||
<p>He felt behind him, got his fingers pressed up against the first panel of the six frame-panes and pushed hard. There was a soft squeal of protest, or dry wood on wood, and the window lifted just a little. Neil's heart started to beat faster. He turned on the ledge to peer inside. For an instant, his own reflection moved, as if there was somebody else inside the dark room and Neil almost fell down onto the slates. He had to wait until his heart climbed down from his throat before he could get a hand over his eyes to cut out the reflection and peer inside. The gloom had cleared and in that second he knew where he was. It was Doctor Green's old surgery. He'd moved out a couple of years ago and nobody had seen him since. There was some talk of abortions, but nobody knew why he had just upped and left. He had lived and worked here, using most of the third floor of Cairn House. From where he sat on the ledge, the boy could make out a table and chairs. Some cupboards. A bag which might contain a doctor's medical kit, shiny and deadly scalpels, maybe a syringe, or even some chloroform to overpower guards. Neil Hopkirk's imagination was off and running again.</p>
|
||||
|
||||
<p>He eased the window up, inch by inch, fearful that it might jam and he'd fail again this day. The window opened six inches, ten, a foot, a bit more. Enough to let Neil Hopkirk through. He squirmed in, head and shoulders first, feeling the weight on his ribs then his belly. The flat plaque of metal on his key-chain, where he'd had his name engraved in the cobbler's shop, caught the sun and flashed a sparkle of light over the roof and into the eyes of a boy who was watching a tragedy unfold down on the quayside. Neil wriggled some more, pushed forward. His legs were sticking outside when he got to the balance point of no return and started to slide forward. Unable to stop, he put his hands out in front of him while he slid down. His shins scraped painfully on the edge of the window and he landed with a thump and clatter.</p>
|
||||
|
||||
<p><em>He was in.</em></p>
|
||||
|
||||
<p>It took a minute or so for his eyes to become accustomed to the gloom and for the hot abrasion-burn to fade from the skinny shin-bones. It was dusty in here, and there was a smell that was worse than the flat and slimy reek in Fish Pend. Neil wrinkled his nose in disgust. It was a sickly reek that reminded Neil of the time he'd reached into the pigeon's nest last summer when he was collecting eggs. He'd reached over the rim and put his hand into the flat twiggy saucer. His fingers had touched something cool and yielding and then they'd slipped inside the small mound. He'd felt the cold wetness and brought his hand back and he'd almost fallen off the wall under the railway bridge where the street-pigeons nested. It had been an abandoned nest. The two chicks had been half grown and now both of them were now half rotted. Their innards had the texture of cold custard and their half-feathered skins were thin as wet paper. Neil had brought his hand down to eye level - to nose level - and the white maggots had been pulsing in the viscid mess on his fingers and the smell had hit him so hard he had almost retched. He'd flicked his hand to whip them away and some of the mess had splattered Cammy Galt's cheek and he'd been far from pleased about that. Neil recalled Cammy waiting for him to gingerly descend and then he'd kicked Neil a smart one right up the crack of his arse with those winkle-picker teddy-boy boots he always wore and Neil's backside had gone into a puckering spasm that made him feel as if the boot was still stuck up there a full hour later.</p>
|
||||
|
||||
<p>The smell inside the old surgery was almost - but not quite - as bad as the foul reek from the dead squeakers in the nest. Neil supposed a pigeon had found its way in and not been able to get back out again. There was an overlying mustiness on the dusty air, a hint of dry rot, stale urine. This place hadn't been used for a couple of years, maybe more. There might not be anything worth stealing.</p>
|
||||
|
||||
<p>But he was inside, and that was a part of it, almost the best of it. There was an excitement of just getting inside a building, coming in through a window or down from a skylight into an empty place. Trespassing. Breaking and entering. Gaining illegal access. Neil's heart had speeded up and he could feel the delicious tension in the pit of his belly. All of his senses were alert, though he wished his nose wasn't quite so efficient. The hairs on his forearms were standing up as his hands clenched into fists. He was aware of everything, the far-off noises of whatever was happening down at the quay. The muted piping of gulls. The steamy crash of the jackhammer down at the shipyard next to the castle rock. He waited, listening for a few moments. The back room was still in shadow, but the sun glanced off a window of the yacht repairers across the river and sent a shaft of light straight in, cutting the darkness in an almost solid beam in which tiny dust-motes twirled and sparkled. Out on River Street, a big haulage wagon from the distillery rumbled past, shivering the foundations. The door of the room was open, just an inch or two, not much more. Beyond it, the rest of the building beckoned. It tugged at Neil. Somewhere in the dark of the hallway, something small squeaked twice and then stopped. For a small instant, all sound was cut off and the silent ambience of the empty building was filled with hollow echoes.</p>
|
||||
|
||||
<p>Neil crossed from the window, keeping low. There was a set of drawers which he opened one by one, instinctively doing it right, starting at the bottom so he couldn't have to close the next. Inside, there were some brochures about pregnancy and the kinds of things mothers should eat. The bag on the shelf was oddly clean. Inside there was some clothing, not very clean, and a half bottle of whisky with little more than a mouthful left at the bottom. Neil twisted the top and drank the dregs, savouring the burn, and he shuddered at the strange taste. He slung the bottle back in the bag and crossed to the door. The whisky fumes were warm on his breath and he was feeling pretty good about this whole thing.</p>
|
||||
|
||||
<p>The door opened with a tiny creak, not much louder and just as high-pitched as the squeak made by the distant mouse or bat or whatever small creature had panicked. He slowly crossed the narrow hallway. Here, on the floor, somebody had smashed a pane of glass and the shards crackled under his feet like sharp gravel. Three doors led off and Neil knew one of them would lead down the stairs and out onto River Street. As far as he remembered the whole building was empty and if he'd read the Levenford Gazette he'd have known that a development company planned to convert the whole of it into apartments, but Neil Hopkirk had progressed none since getting the basics and struggled even to read the shiny Superman and Fantastic Four comics from America.</p>
|
||||
|
||||
<p>The first room was the old surgery. It was not big, but laid out with a flat and mouldering trolley-bed with a thin plastic cover ripped in so many places that it looked as if it had been raked with machine gin fire. The stuffing puffed out like flak-bursts. The desk was plain wood and thick with dust. Neil opened a cupboard door and jumped back in fright as a white shape swung with it. It took a second for his brain to identify the floating ghost as a white overall. It took several seconds more for Neil to get his breath back.</p>
|
||||
|
||||
<p>There was nothing in the cabinet by the window where an old porcelain sink caught the light. It had two neat tap-handles that could be operated with an elbow.</p>
|
||||
|
||||
<p>There was nothing here worth stealing. On the wall, a couple of tracts, pages torn from a bible, were white against the peeling green floral wallpaper. They held no interest for the Best Cat Burglar in the History of Crime.</p>
|
||||
|
||||
<p>He turned away from the wall and sauntered back to the hallway.</p>
|
||||
|
||||
<p>Something froze him in his tracks.</p>
|
||||
|
||||
<p>Neil Hopkirk stopped still. The hair on his arms stuck out so high they formed gooseflesh. The hairs on the back of his neck began to crawl and the skin between his shoulder-blades puckered and tensed.</p>
|
||||
|
||||
<p>There was something else in the building. He started to turn, got one hand up against the doorpost. His breath had backed up tight in his throat.</p>
|
||||
|
||||
<p>A harsh scraping noise came from behind him. In that split second Neil Hopkirk realised it was the sound of broken glass grinding into the floor.</p>
|
||||
|
||||
<p>Something, someone, had taken a step behind him, crushing the shards of window-glass. Neil completed his turn. A white face came swooping out of the darkness of the corridor, fast, too fast to be anything more than a blur. A hand came up even faster and slammed into the side of his head, open handed and hard. Neil's head whipped back in a bright flash of pain and cracked against the doorpost, gouging a gash into the skin of his scalp.</p>
|
||||
|
||||
<p>A blurt of panicked sound escaped him. He reeled, instinctively going with the blow in the same direction as his reflex had swung him in an attempt to dodge it. The pain flared bright for only a second and then he was moving. Feet crunched on the glass again and he saw a grey motion out of the corner of his eye. He twisted, squirming past the doorjamb, fright galvanising him into suddenly fluid motion. A hand reached for him, almost caught the back of his jerkin and merely slapped him forward towards the stairs.</p>
|
||||
|
||||
<p>He hit the first flight running like a startled rabbit, whimpering as he went. All he had seen was a blurred shape and the hand that had swung round to slam into his head. There had been no warning at all, only the sudden violence.</p>
|
||||
|
||||
<p>Footsteps thudded now behind him in the hall. He took the steps two at a time, grabbing onto the old banister for purchase, heading up into the darkness. He skittered to the landing, swung himself round and up again into the gloom. Here there were another three doors, one of them slanted, torn from its hinges. The other two gaped black. Behind him, he could hear the blundering progress of whoever had hit him. He dived to the left, out of sight of his pursuer, got through the broken door and swung right down a very narrow little lobby that smelled of pigeon shit and rotted paper. He reached a small room with one window boarded with planks of wood. Over in the corner, there was a tall cupboard with no door. The backing plaster was punctured and rotten, and most of it had fallen to the floor in mouldering grains. The room was gloomy, but Neil Hopkirk's eyes were wide with fright and with the burst of adrenaline now shunting down his veins. He crossed quickly to the cupboard, all of his senses straining for signs of pursuit. He could hear the heavy footfalls of someone who did not care how much noise he made, and the harsh breathing. A meaty thud told him a hand was slapping on the smooth wood of the banister. He tried to slow his breathing to absolute stillness while he crossed the floor, silent now as a cat, to the open cupboard. He crouched, seeing no other avenue of escape, his glasses already dimming the poor light. He turned, pushed himself into the hole where the plaster had fallen away. It had looked deep, as if there was a passage that might lead into the thick wall itself. He pressed further and came to a sudden stop against the crumbling sandstone, jammed half in, half out.</p>
|
||||
|
||||
<p>The man's breathing came harsh. He reached the top of the stairs, paused. Neil could envisage him wondering which room to try and he pressed himself further into the cavity, managing to get his legs out of sight, but unable to pull his head and hands back. He curled himself tight, trying to make his shape as small as possible. In this gloom, if he stayed still, maybe the man wouldn't see him.
|
||||
<em>Maybe</em></p>
|
||||
|
||||
<p>A scrape of sound came from beyond the room, much like the first noise that had alerted him, then a motion in the doorway.</p>
|
||||
|
||||
<p>His heart thudded in two hard kicks. A man came in, walking very slowly. His whole shape seemed to fill the space, shoulders almost touching each side. He came in, stood there, just a fuzzed shape in the darkness, but scarily defined, solid. Neil heard him breathe, fast and slightly ragged, but other than that, he made no sound. He cocked his head to the side, as if listening, turned to go out again.</p>
|
||||
|
||||
<p>Mole coughed.</p>
|
||||
|
||||
<p>It was as simple as that, a little catch at the back of his throat and a cough that just jumped out unbidden. The man turned, came stalking back into the room with no hesitation at all, pinpointing the source exactly. He reached, grabbed Neil by the hair, hauled him right out so violently one of his shoes caught in the old plaster and went whirling off. The world spun as the boy was thrown across the room towards the doorway. He tried to get to his feet and almost made it, too scared to cry out, his whole scalp burning in pain. Behind him the man moved, caught him by the back of the neck, and drew him to his feet pulling him out through the doorway. He dragged him down the stairs to the lower level, slammed him through the first doorway, feet crunching once again on the glass shards. Neil's glasses went spinning off to the side. All the sharp shapes blurred. The boy went staggering backwards and the man's other hand came up and straight-armed into his nose.</p>
|
||||
|
||||
<p>Brilliant hurt blossomed in the middle of his face and in his eyes. Tears simply spurted, just like the blood which blurted from both nostrils. Neil let out a squawk of pain and dreadful fear. The massive shape that had come through the darkened doorway slapped him again and sent him crashing against the desk. His thigh hit with almost enough force to break the bone and this time the hurt was so much that for an instant the room went completely dark, as if the power had somehow failed inside his brain. He went tumbling over the desk and his chin connected with the hard surface of the sink, thumping hard enough to clash his teeth together and strip a slice of skin from his tongue.</p>
|
||||
|
||||
<p>Neil was swimming in a sea of pain, shock now powering up so that his brain was unable to comprehend what had happened. Within the first seconds the shock began to overpower the pain, layering and lacquering it with a strange numbness.</p>
|
||||
|
||||
<p>A hand clamped on the back of his neck and lifted him straight upwards. The pressure was so great that Neil Hopkirk only felt himself hauled off the floor before everything faded away and a complete darkness swamped him.</p>
|
||||
</div>
|
||||
</div>
|
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</body>
|
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<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
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"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
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<head>
|
||||
<title>3</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
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<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
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</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>3</h1>
|
||||
|
||||
<p><em>August...</em></p>
|
||||
|
||||
<p>"I bet we could find it."</p>
|
||||
|
||||
<p>John Corcoran had swivelled on the fallen elm and was clambering to stand up on the massive trunk. He shaded his eyes against the high sun and pointed across the river, indicating roughly north.</p>
|
||||
|
||||
<p>"It's up beyond the barwoods," Corky assured them. "Up on the moor."</p>
|
||||
|
||||
<p>"I heard that too," Tom Tannahill agreed. "There's the bomb craters on this side of the woods. Remember the craters where we used to catch newts and frogs? The dummy village must be up that way, 'cause that's where the bombs fell."</p>
|
||||
|
||||
<p>"I heard it was up at the Blackwood Stream," Danny Gillan pitched in. "Right at the source,"</p>
|
||||
|
||||
<p>"I bet it's not as far as that," Billy Harrison countered, which was not entirely unexpected. "That's about twenty miles away. You could never walk that far in a month of Sundays."</p>
|
||||
|
||||
<p>All of them had spent the better part of every summer holiday - except this one which was different from all the rest - playing in and around the Blackwood Stream which tumbled down a deep gorge beyond the barwoods and meandered to empty itself into the river just north of the town. They had been up beyond Blackwood Farm, and even to the low ridge of heathery hills beyond, but none of them had ever reached the end of the stream. There was a rumour that like Strowan's Well down in Arden the water came gushing pure and clear out of a cleft of rock, like the story in the bible, but nobody knew for certain, so Billy's estimate went unchallenged.</p>
|
||||
|
||||
<p>"It's pretty far up, I reckon," Danny insisted. "It would have to be if they didn't want the Jerries to miss and drop them right here."</p>
|
||||
|
||||
<p>"It would take too long," Billy argued. "We'd never get back in time. It would take more'n a day."</p>
|
||||
|
||||
<p>"Who cares how long it would take?" Corky said. He turned back towards them, spinning quickly and almost losing his balance on the smooth wood where the bark had been stripped away. He pinwheeled his arms for balance, regained it and stood with his legs planted apart. "We could take the tent."</p>
|
||||
|
||||
<p>Everybody stopped. It was one of those odd moments when an idea is tossed in the air like a shiny coin and just catches everyone's attention while it spins. There was a drawn-out silence. They all knew which tent. Phil Corcoran and some of pals had dumped it out of the scout lorry after a camp a couple of years before and it had never made its way back to the scout hall. Sometimes Corky and the rest of the boys would set it up on the flat meadow by the Ladyburn stream that wended its way down past Corrieside and on hot summer nights there would always be a selection of youngsters sitting out under the stars beside the red embers of a stickwood fire, playing three-card brag and pontoon, telling jokes and tall tales, poring over tattered copies of an old Parade magazine where they'd get all hot and bothered if they saw so much as one bare tit.</p>
|
||||
|
||||
<p>Not this summer, though.</p>
|
||||
|
||||
<p>Since long before the school term finished at the end of June, since April at least, there had been an unofficial curfew in the town that was as tight as any the council could have tried to enforce and for most of the summer, since the trouble began, no mother in town would allow any of her children to camp out at night. Most wouldn't let their children play out of sight.</p>
|
||||
|
||||
<p>"No chance," Billy said. "My ma would throw a fit and a bad turn. She'd go
|
||||
<em>bonanza</em> if she even knew I was down here. She thinks I'm round at Doug's house reading comics right now."
|
||||
</p>
|
||||
|
||||
<p>"Mine too," Doug agreed. "I have to tell her where I'm going and when I'll be back. After what happened to Don Whalen she was a nervous wreck. Our Terry isn't even allowed out of the front garden."</p>
|
||||
|
||||
<p>Danny nodded along with them. There was still a nervousness about the town after what had been happening since the spring, and although it seemed to be over now, seemed to be over, it took a while for mothers to settle down again. They were like chickens in a coop still fretful after the stoat has gone, leaving the thick scent of blood in the air. Mothers were instinctive that way. They could still smell the blood. They were still scared in case the next blood they smelled would the blood of their own.</p>
|
||||
|
||||
<p>"They would never know," Corky said, green-brown eyes bright and alive with that combination of mischief and adventure that made him the natural hub of their group. "We could say we're going along with the Scouts. They're doing the weekend camp up at Linnvale."</p>
|
||||
|
||||
<p>That was true and well enough known. The past couple of summer months had meant every kid was kept on a short leash and the community had organised a series of events, summerplay picnics and day-trips, just to give the mothers a break, and to relieve the boredom of boys who needed to roam. The scout troop were taking groups of boys, sometimes forty and fifty strong, to a campsite nearly thirty miles outside town and as far as most parents were concerned in that particular summer, the far enough away, the better.</p>
|
||||
|
||||
<p>"Nobody would ever know," Corky repeated. "We could load up with food and just skin out when the scout bus leaves. As long as we get back at the same time, we could still do it."</p>
|
||||
|
||||
<p>"It would be some hike," Billy objected. "Could be twenty miles like I said, even more."</p>
|
||||
|
||||
<p>"But we could be the first. The first ever. Nobody's ever found the Dummy Village before. Nobody's ever seen it, except Phil and he's a liar. We could bring something back to show the rest of them, eh? Better than hanging around all day going doo-lally, bored out of your brains."</p>
|
||||
|
||||
<p>"But what if...?:" Somebody asked and somebody else threw in another spanner and somebody else thought they might get away with it and while they were talking the quarrymen let off another blast up on Drumbeck Hill. The sound of man-made thunder came rolling down on the still air and rumbled across the water. Each of them stopped talking.</p>
|
||||
|
||||
<p>"Come on," Corky said. "This place still gives me the creeps."</p>
|
||||
|
||||
<p>Billy ground his cigarette out under his heel. Danny picked up a pine-cone and flicked it against Corky's head. Doug loaded his little slingshot with a smooth acorn and aimed it at Tom's backside. In a minute they were out of the trees that bordered Keelyard Road by the river and were heading up towards the bridge, the memory of Paul Degman's death fading just a little in the light of the sun and in the heat of the agreement which might have been yet unspoken, but was somehow fixed between them all.</p>
|
||||
<hr/>
|
||||
<p><em>March:</em></p>
|
||||
|
||||
<p>Sister Julia Gillies had come sweeping into the classroom in a rustle of beads and a jangle of keys. She was small and round and had a deep, almost masculine voice and an eye that could fix you like a spear when she meant business which was pretty much all of the time. She had a raised mole on her cheek with three stiff black hairs sticking out, as if her skin had trapped a fly under the surface and it was trying to work its way back out.</p>
|
||||
|
||||
<p>She nodded to Matthew Bryden who was attempting to teach a class of thirty boys and girls the finer mysteries of Shakespeare and, only with a phenomenal amount of luck, getting through to more than a scant half-dozen. Quarryhill School was perched on the edge of an abandoned hole in the ground where sandstone had been blasted and cut to build half the old tenements in the town. It was just like any other school, a place where kids were sent for five days of the week for the catch-as-catch-can lottery of learning. Here, the teachers churned and hashed their furrows, never deviating one year to the next, scattering their knowledge like confetti, or
|
||||
<em>shite in a field,</em> as the local expression would have it. It landed on some and missed others completely and the grey teachers ploughed on regardless. It was up behind the school that something would happen, later that year, in the drop off at the old sandstone quarry. At this moment, however, the madness that would settle on the town was yet to stoke up. Only one person was aware of it, and he was not going to tell a soul.
|
||||
</p>
|
||||
|
||||
<p>The tough little nun who ran the school turned at the table, one hand clenched around the wooden cross dangling from the outsize beads tied at her waist. She swivelled, as if on castors and scanned the class, eyes flicking from one desk to the next.</p>
|
||||
|
||||
<p>"Paul Degman is dead." No preamble, no softening of any blow, though everybody knew it anyway. In schools and in schoolyards rumours, gossip and truth travel somewhere close to the speed of light. "He drowned in the river on Saturday and now he is with Jesus." She nodded her head when she said the holy name. Down near the front, two girls sitting side by side burst into tears and automatically turned to hug each other. Up at the back Billy Harrison and Doug Nicol stopped digging each other's ribs and leaned forward on their desk tops.</p>
|
||||
|
||||
<p>"As you have often been told, playing by the river is dangerous. By now you will realise why. Remember that all of you."</p>
|
||||
|
||||
<p>She swept her eyes round them again, somehow catching every one of them, making beady contact.</p>
|
||||
|
||||
<p>"It could have been any one of you."</p>
|
||||
|
||||
<p>Danny Gillan felt that cold shiver again. John Corcoran saw the look on his face. "We can swim like fish," he whispered. "Paulie couldn't."</p>
|
||||
|
||||
<p>"The Good Lord can look down on you at any time and decide to take you, and that's what he did with Paul Degman, which is why you must always try to be in a
|
||||
<em>state of grace."</em></p>
|
||||
|
||||
<p>"That's total shite," Corky said, keeping his voice low and Danny could tell he was angry just by the use of that word. Corky hardly ever swore, no matter how much his ne'er-do-well father and his crazy, jittery brother might curse. "What's she want to say a thing like that for? He fell in, poor sod. He was just unlucky."</p>
|
||||
|
||||
<p>Sister Julia's voice boomed on. "So let us hope that Paul Degman's immortal soul was in a
|
||||
<em>state of grace</em> when the Lord decided to take him, otherwise...."</p>
|
||||
|
||||
<p><em>Otherwise, he'd be in</em> - Danny Gillan closed his eyes -
|
||||
<em>He'd be in the bad fire,</em> wouldn't he?</p>
|
||||
|
||||
<p>Danny didn't have to hear Sister Julia to know what was coming. He'd lived with the spectre of the
|
||||
<em>bad fire</em> flickering hot at the edge of his consciousness since before he'd even started in the primary school. Four and a half years old and he knew about hell and the everlasting flames that would burn and sear and never, stop.
|
||||
<em>Not ever!</em> If there was a hell, then it had to be burning flames that went on and on and on and shrivelled your skin and flesh and could never be put out, while God in his infinite mercy and wisdom allowed it to go on.
|
||||
<em>And on.</em></p>
|
||||
|
||||
<p>"Remember now, Daniel," It was always Daniel. Never Danny, or Dan. He'd read about Daniel in the lions den - and read every other book in the bible besides - and sometimes he felt a strange kinship with his namesake. There were times when he felt he'd been put into a hole and somebody had rolled a rock over to close out the daylight and down in the shadows, eyes would watch him and beasts might roar. In his imagination, lions prowled in the darkness. Somewhere in the distant dark, there would be the hint of burning, the smell of smoke. "Remember Daniel," his father never tired of reminding him. "<em>He</em> can see everything you do, and you don't want to go to the
|
||||
<em>bad fire</em> do you now? That's where you go if you're bad."</p>
|
||||
|
||||
<p>Always a warning, always a parable, and hardly a laugh along the way. This God business was a serious thing, as the young Daniel Gillan discovered at a tender age, and
|
||||
<em>He</em> was always ready to look down with fire in his eye and give it to you good and proper. No messing about here. His heavy hand could come out of nowhere and knock you to the ground. A paternal thing. What fathers were for, especially fathers almighty.
|
||||
</p>
|
||||
|
||||
<p><em>Jesus loves me this I know…</em> But Good God's getting the furnace stoked and glowing.</p>
|
||||
|
||||
<p>At the age of three, Danny's sister Agnes had been helping their mother in the kitchen. She had come out with a bowl of piping hot custard and Danny had stumbled against her, sending the bowl flying. The boiling custard had come down in a searing, cauterising splash to cover his back and his neck and he'd fallen, screaming to the linoleum floor, trying vainly to crawl out of the puddle of scalding liquid. His hands and knees could gain no purchase and the more he tried the more he slipped, while the skin on his neck and back puckered and blistered. The family had no car then - and still didn't - so it took a half an hour to get to the cottage hospital and another hour to be transferred to Lochend General where he spent three weeks getting the dressings changed twice a day by nurses with kindness in their eyes and ruthlessness in their fingers. At the age of thirteen, Danny could still remember the sear of the pain as the nurses pulled the lint away, taking off the thin slick of blistered skin while another nurse held his shoulders flat on the bed to stop him squirming. They could not stop him hurting and they could not stop him screaming. That had been bad. That had been excruciating.</p>
|
||||
|
||||
<p>But it had been nothing compared to the scalding custard and the shriek of his nerve endings on the day it had happened. That had been the most fundamental experience of his entire existence. The pain had gone on and on and never seemed to stop while the skin all down his shoulders and back sloughed away and shrank on his flesh while he screamed and shrieked and tried to crawl.</p>
|
||||
|
||||
<p>Burning was something he knew about.
|
||||
<em>Oh Hallelujah.</em> And according to Dan Gillan Senior, if you weren't in a state of grace when God took you, then burning is what you got. An eternity of it.
|
||||
</p>
|
||||
|
||||
<p>All of his life, young Danny had been made aware of the
|
||||
<em>Bad Fire</em> and until he was seven years old, his dreams had been fraught with heat and flickering red shadows and the smell of burning flesh.
|
||||
</p>
|
||||
|
||||
<p>And the idea of a God who could do that, who knew everything from start to finish and had it all planned in his vast mind, that was a very scary idea altogether. The young Danny didn't want to believe in the kind of God who was so two-faced he would pretend to love you while he knew you would burn forever. It was a set up.
|
||||
<em>It was a fix.</em></p>
|
||||
|
||||
<p>But as a kid he'd been too scared not to believe. He had prayed at night so that the God of his father would spare him from the flames. He'd prayed. And occasionally his own father would get the priest, Father Dowran, to come round and reinforce the lesson, Father Dowran with liquor on his breath and a strange heat in his stroking hands. They'd all prayed. For a state of grace.</p>
|
||||
|
||||
<p>"So tomorrow morning there will be special prayers offered up for the repose of his soul," Sister Julia was saying. A girl close to Danny and Corky burst into tears and beside her a boy started to snivel. Danny felt the cold shiver crawl up his spine and in his mind's eye he saw the pale shape under the dark surface of the river and the strange twinkle of light on the roof of the old outhouse buildings on the far side of Boat Pend.</p>
|
||||
|
||||
<p>"Everybody be there at nine sharp."</p>
|
||||
|
||||
<p><em>Yeah, so we can all pray,</em> Danny thought,
|
||||
<em>that he doesn't end up in the Bad Fire.</em> Danny knew prayers did no good. What a deal for poor Paulie. Down there in the cold water. One minute he was playing on the bank, throwing stones at gulls and tin cans and the next he's down there in the cold and the murk, swallowing river mud, and then we've got to pray so that he doesn't get hauled away to the
|
||||
<em>Bad Fire</em> by a terrible, vengeful god.</p>
|
||||
|
||||
<p>Danny wondered what a boy like Paulie Degman could ever have done to have been allowed to drown down there in the river; what he could possibly have done to be allowed to burn. He couldn't think of
|
||||
<em>any</em> reason, any sin that would be bad enough to make you burn forever. On the curve of his shoulder, just beside his neck on the fine skin on the collarbone, there was still a flat, puckered scar that had been the mark of the scald as a child. Automatically, his fingers stroked the memory.
|
||||
</p>
|
||||
|
||||
<p>"It's shite," Corky said again, snapping Danny out of the black thoughts. "Once you've had it, that's it. Finished. Gone and done. That's why you better make the most of it while you've got it, and you only ever get the one chance." He turned to Danny. "You believe in all this garbage?"</p>
|
||||
|
||||
<p>Danny shook his head. He'd shucked off his belief in an almighty only a year or so past, but old habits died hard and old indoctrination ran deep.</p>
|
||||
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|
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</div>
|
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<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
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"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
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<head>
|
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<title>4</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
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<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
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|
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|
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<div class="section" id="xhtmldocuments">
|
||||
<h1>4</h1>
|
||||
|
||||
<p><em>March:</em></p>
|
||||
|
||||
<p>On the Wednesday that Neil Hopkirk was finally posted missing, big John Fallon had been round to have a chat with Phil Corcoran who answered in slow monosyllables. Danny and Tom had been sitting with Corky under the aluminium shelf that served as a porch when the policeman had come round. He'd stood on the step, nodding to them all in his sage and watchful way, letting them know that he saw everything they did and was all right about it so long as they didn't overstep his mark. They all nodded back, even Corky, which came as a surprise to the other two. They'd thought he'd hate the police after what happened to his old man, but Corky made a silent acknowledgement, as if determined not to show any weakness. It was almost man to man.</p>
|
||||
|
||||
<p>When the policeman had gone inside, Corky had shrugged off their inquiring glances and Danny sensed there was more to that simple nod than any of them realised.</p>
|
||||
|
||||
<p>"Sit up straight," Mamie Corcoran chided her son with a swift knuckle to his shoulder. He grunted a guttural response and through the open window - the three of them sat still so they could catch every word - they heard the policeman patiently try to ascertain Mole Hopkirk's last whereabouts. Phil Corcoran swore blind he hadn't seen Neil since Friday when they were down at Biagi's snooker hall on Kirk Street. In fact, he'd been with Mole Hopkirk on Saturday morning testing the locks on the old warehouses at the far end of the rough drain just in case one of them hadn't been snapped shut. Neil had had to go off on some errand and that's the last he'd seen of him. But Phil knew that the busy-boys could be sneaky and while it was true he hadn't seen Neil for a couple of days, he couldn't be sure that this was all a pretence on John Fallon's part and that he was just trying to draw Phil out so he could pin something in him like they had done to his old man.</p>
|
||||
|
||||
<p>The three boys listened to Phil's verbal swerving, grinning each time he sounded nervous and began to stammer but the policeman didn't hang around long enough to make him really sweat. The next day it was all round the school. Neil Hopkirk had left the previous autumn, having reached the age of fifteen. He was well known to most of the younger boys. The last anybody had seen of him was when Donal Crawford had passed him in the alley after somebody had tried to jemmy the hardware store's window. Now that Donal thought about it, that very person could very well have been Hopkirk, but now it was too late to do anything about it. As far as anybody knew, Mole had gone up the alley and disappeared along crowded River Street.</p>
|
||||
|
||||
<p>During the week, a different policeman had come round the classes, introduced by Sister Julia who would have been better at wringing a confession than a squad of police with truncheons. Had anybody seen Neil Hopkirk? Everybody had.</p>
|
||||
|
||||
<p>"...And he's a swine," Doug said when they were out behind the boys toilets, sheltering from the cold and blustery rain. "As crabbit as a stoat. He tried to kick me in the balls just because he thought I was staring at that birthmark of his. Chased me all down the Aitkenbar Hill when we were sledging. I thought the creep was going to kill me. Probably would have and all."</p>
|
||||
|
||||
<p>"Aw, there's nothing to him," Billy said. "He just talks big and flashes that bunch of keys about, but he couldn't punch his way out of a wet paper bag. He's as strong as a dry fart."</p>
|
||||
|
||||
<p>"I suppose you've fought him then?" Danny asked. He'd taken the odd sharp-knuckled punch on the arm, or the occasional dead-leg from a well placed knee. Mole Hopkirk could be mean whenever he wanted and with the younger kids, that was most of the time.</p>
|
||||
|
||||
<p>"No, I never fought him, but that doesn't mean I wouldn't if he claimed me," Billy asserted. "He's all mouth."</p>
|
||||
|
||||
<p>"So why did you give him a smoke down on Rope Vennel last week?" Tom demanded to know. He turned to the rest of them. "It was the same day Paulie went into the river. Mole came down the alley near the ironmongers, swinging those keys of his that don't fit anything and he saw me and Billy smoking. Right away he's in at us for one."</p>
|
||||
|
||||
<p>"I had plenty," Billy protested, his face reddening. "It wasn't a big thing. I just gave him one out of the goodness of my heart."</p>
|
||||
|
||||
<p>"Either that or he'd have swiped your face with his keys and taken the whole packet."</p>
|
||||
|
||||
<p>"Yeah, he can be a mean swine," Danny agreed, taking the heat out of it before Billy got any angrier and felt he had to prove something. "Maybe he's just left. Moved on."</p>
|
||||
|
||||
<p>"With any luck he's fallen in the river along with Paulie. Couldn't happen to a nicer person." Doug laughed. "I wouldn't miss him, I can tell you."</p>
|
||||
|
||||
<p>"Maybe he took on somebody bigger than himself and got a severe tanking," Billy said. "Maybe somebody beat the shite out of him and threw him in."</p>
|
||||
|
||||
<p>"Too much to hope for," Corky said. "He'll turn up sooner or later. Anyway, who cares about him? He's as thick as shit in the neck of a bottle."</p>
|
||||
|
||||
<p>The bell rang out, muffled only slightly by the drizzly rain. They hitched up their collars and filed across the yard from the old toilet block. The rain was still spring-cold and blustered in up the firth on the west wind. Summer hadn't yet arrived, but it was coming.</p>
|
||||
<hr/>
|
||||
<p>In the back room of Cairn House, in the old abandoned surgery, Neil Hopkirk was dying.</p>
|
||||
|
||||
<p>It was dark in the shadows, but a slanted beam of light piercing between some boards over the window, white and solid in the dust-laden air at the far end of the hallway told him it was daytime. The occasional rumbling vibration of a truck passing on River Street confirmed it.</p>
|
||||
|
||||
<p>The hurt had faded for now, faded to a burning glow from the intense flame of the last time he had come round and that had been really bad. Bad enough to make him scream but no sound had come out and all the screaming had been inside his head.</p>
|
||||
|
||||
<p>Mole was dying and he couldn't move. He had come swimming up from the black depths, floating towards the surface of wakefulness, unable to prevent the return of conscious thought. His dreams had been filled with a deeper dark where shadows came lunging from beyond his sight and grabbed at him and twisted and bent and broke him until he slipped away again.</p>
|
||||
|
||||
<p>He had broken through into a dopey wakefulness and after a while he had been able to open one eye. The other one was clamped shut and there was a numb sensation under his eyelid that felt like a pulse but his skin was wet and Mole was no longer sure whether or not his left eye was still in his socket. A slow breath escaped him and a jagged shard of pain dug into his back, making him wince involuntarily, again setting up a ripple, a vibration of hurt. With a great effort, he closed his eye and made the motion stop. After a while he struggled to lift the lid again. It slowly cracked open with an almost audible squeal of protest as if it needed oiled. The room was twisted somehow, with no vertical lines at all and even in his state - and at the best of times Mole Hopkirk was never the most eloquent or observant - he realised it was not the room, but himself that was twisted to the side. The light from the far window was a silver bar slanting down to a floor where it sparkled on scattered diamonds of shattered glass.</p>
|
||||
|
||||
<p><em>If thine eye offends thee, pluck it…</em></p>
|
||||
|
||||
<p>The memory came unbidden and the horror came on its heels and all of it came swimming back. His breath came ragged, through his nose and occasionally past the obstruction in his mouth. He had tried to get his tongue around whatever it was and force it out but there was something wrong with his jaw. It wouldn't work properly and when he did move it, splinters of pain ground inside him so fierce and hot that he had to stop. Every now and again, his nostril blocked and whether it was blood or snot he couldn't fathom, but when it happened he was convinced he was going to suffocate and a part of him didn't really mind that at all. His body, on the other hand, refused to go along with it quite as readily and his frantic breathing reflex took over and convulsed him so violently that he would pass out under the pressure of the pain.</p>
|
||||
|
||||
<p><em>If thine eye offends thee...</em></p>
|
||||
|
||||
<p>He had said that. The man in the shadows.</p>
|
||||
|
||||
<p><em>Oh Jesus where is he....? Is he coming back Oh mammy don't let him...</em></p>
|
||||
|
||||
<p>In through the window Neil had come creeping like a mouse while outside the seagulls were screaming as they wheeled around the chimney-tops and the masts of the old fishing boats and a woman was screaming and some men were yelling and it was all right because nobody was looking and he was ...
|
||||
<em>in.</em></p>
|
||||
|
||||
<p>And then it had all happened so fast. The white face, just a blur, a ghost high up in the shadows and then the massive blow on the face and he'd been running and hiding and the man had filled the doorway. He'd coughed. Coughed. That was all, and that had finished it. The man had grabbed him and thrown him and dragged him, flopping and helpless down to the room and there had been a blurt of hot blood. He had hit something hard and the lights had gone out for a dreadful second when the pain had screeched inside his thigh and then a grip of metal - it had to be metal - on the back of his neck hauling him upwards, lifting him like a doll.</p>
|
||||
|
||||
<p>He was <em>in.</em></p>
|
||||
|
||||
<p>The pain had been there, waiting patiently for him to waken. The axons and dendrites inside his head were re-connecting themselves after the fragmentation of the shock of hurt and for a while he was cocooned in warmth, numbly aware of low sounds far off and for a sweet moment he imagined he was in his bed on a Saturday morning, dozing in the mid-morning light of the sun coming through a crack in the curtain. Even as he slowly uncoiled from unconsciousness he was aware of the heat in his nose, a burning throbbing just under his eyes, and another augur screwing into his thigh.</p>
|
||||
|
||||
<p>He breasted the tape and came through to the real world and the fear came exploding up from within as memory came back. He had twisted round, blurrily aware of the light in the hallway and a scraping sound, the noise of heavy shoes on broken glass had come in from the right.</p>
|
||||
|
||||
<p><em>Who comes like a thief in the night?</em> A man's voice, low and somehow hot, almost wheedling.</p>
|
||||
|
||||
<p>Neil was not an academic and he had left Quarryhill School having achieved a proficiency certificate in horticulture (he weeded the shrubbery) and a failure in metalwork and technical drawing. But he was not completely devoid of intelligence and at that very moment he knew he was in desperate danger.</p>
|
||||
|
||||
<p>The feet had crunched on the broken glass again, now louder, now closer and he had shrunk away from the shadow that came looming to cut off the dim light.</p>
|
||||
|
||||
<p>"The first woe is past, and the other woes are yet to come," The voice had been closer, hoarse and cracking as if the speaker had been breathing the dust.</p>
|
||||
|
||||
<p>"Wha...?" Neil had started to say, but a hand had come swinging up and clamped over his mouth.</p>
|
||||
|
||||
<p>The shadow came closer, right up to his face. Through the clog of blood in his nose he could smell bad breath and smoke and the flat scent of unwashed clothes.</p>
|
||||
|
||||
<p>"Nice and quiet now lad, eh? Nice and easy," the voice rumbled. The hand still clamped his mouth, fingers and thumb squeezing so hard on his cheeks that it forced his jaws apart. The other hand started pulling at the narrow leather belt around his waist.</p>
|
||||
|
||||
<p>
|
||||
<em>"What's he doing?"</em> the jolted inside his head. The belt buckle jangled, fell free. The hand groped again and yanked at the popper stud. His zipper rasped and cold air puckered the skin on his belly. The hand dived straight in, horny and tough and everything Neil had shrank upwards reflexively.
|
||||
</p>
|
||||
|
||||
<p>"No!" he blurted, though the pressure on his face made the sound come out in a single grunt. He had squirmed away from the probing, groping hand.</p>
|
||||
|
||||
<p>"Lie still," the man had hissed, hot and shivery. He'd leaned forward....</p>
|
||||
|
||||
<p>Time had changed. Everything had changed.</p>
|
||||
|
||||
<p>Neil was slumped against something hard that could have been the waste pipe of the wash-hand basin. His right eye creaked open and every movement set fire to some part of him. How long had it been? He couldn't say. He'd climbed in the window on the Saturday, sometime in the afternoon and while it seemed like a lifetime ago, it might only have been a day, maybe two days ago. Some things were hazy in his memory and other things might have been crystal clear, sharp as glass, but for the moment he kept them battened down. The numb sensation under his left eyelid was pulsing again, throbbing in time to the beat of his heart the way a finger will begin to throb if you coil a rubber band around it and let it go from red to purple. Another slow breath let itself out and the sliver of pain came arcing into his back. The puzzling slant to what should have been the vertical lines of the window shutters and the corner of the wall made all the perspectives incomprehensible. The light spangled blurringly on the scatter of broken glass and he remembered the other footsteps crunching them into the floorboards.</p>
|
||||
|
||||
<p>The pain had been intense, unbelievable. It had come burning up into the root of him and he had felt as if he would split apart.</p>
|
||||
|
||||
<p>The hand had kneaded between his legs and his panic had taken wing. He couldn't speak and the force on his jaw had made his eyes water so that the room swam in liquid ripples.</p>
|
||||
|
||||
<p><em>Oh mammy daddy it's a homoqueer..it's a BAD MAN</em></p>
|
||||
|
||||
<p>He'd been turned over, roughly, as if he weighed next to nothing and the calloused hand had slid across the skin of his buttocks. He felt the skin pucker and he felt his sphincter pucker and the fear had simply erupted.</p>
|
||||
|
||||
<p>Two days ago? Three days? It was far away, a lifetime away but the pain was here and now. Every movement scattered the anaesthetic affect of dehydration and blood loss. Every motion woke some broken and torn part of him. Down there, where his skin was pressed against the flat of the floor, he could feel the trickle begin again and he couldn't tell whether he'd pissed himself or shit himself or whether his insides were slowly leaking out onto the boards.</p>
|
||||
|
||||
<p><em>If thine eye offends me, pluck it....</em></p>
|
||||
|
||||
<p>A memory was trying to work its way back and Neil tried to dodge away from it because it came scrabbling up inside his head like a scary spider, dripping pain and poison and he didn't want to see that again....oh no!</p>
|
||||
|
||||
<p>"Don't look at me," the shadow had said and by now Neil Hopkirk knew it was the devil talking to him. This was sometime on the second day, maybe the second day, so it must be more than two, more than three days now and Neil knew he would never get out of here. His head slumped towards the floor making the slanted angles list even further. His arm twisted up his back but that was only a minor pain, adding little to the rest. He needed a drink and inside his mouth, where his tongue rasped against some rough fabric that might have been a piece of sackcloth but felt like sandpaper and the memory came crawling and scuttering back.</p>
|
||||
|
||||
<p>"Don't you look at me or I'll..." Neil had closed his eyes quickly. He had seen nothing except the looming shadow. All his senses were focused on touch and smell. The scent of old tobacco and the metallic cloy of his own blood and the burn of piss down there on the floor.</p>
|
||||
|
||||
<p>Then the voice had changed. There had been a silence for a moment, no more than two seconds and when the devil spoke again, it was in the different voice.</p>
|
||||
|
||||
<p>
|
||||
<em>"Eye for eye, tooth for tooth and do not resist an evil person. If thine eye offends me pluck it OUT."</em>
|
||||
</p>
|
||||
|
||||
<p>Sour breath blew in at him. The hand on the back of his neck squeezed tight, so tight Neil thought the thumb would come through the skin and into the muscle, popping through his windpipe. His eyes opened involuntarily and something fast flicked up, quicker than he could blink. It hit him in the eye, pecking like a blunt-beaked bird. His head jolted back and for an instant there was no pain at all inside him. It all flew away, leaving him floating in warmth. His right eye wheeled, panning in a short arc, taking in the shadow and the sliver of light and the other hand pulling away from him. There was a small sucking noise and a wetness trickling down his cheek and it might have been a tear.</p>
|
||||
|
||||
<p><em>"Love your enemy and pray for he who persecutes you that you may be sons of the father."</em></p>
|
||||
|
||||
<p>Neil Hopkirk had floated away on clouds of shock.</p>
|
||||
|
||||
<p>Now the shadows were lengthening and the angle of the beam of light was changing as the sun swung, weak and still wintry in the early spring and Neil knew it would be night soon. The memory had come crashing through, forcing past his defences and the realisation of all that had happened came back to him but he was too tired now to fight it, to exhausted to react. There was something wrong with his left eye and he didn't know exactly what it was because he couldn't move it and the eyelid wouldn't open but there was a strange feeling there as if something had caved in and he couldn't really tell whether he still had an eye in there.</p>
|
||||
|
||||
<p>The fabric in his mouth absorbed all of his saliva and made his throat dry and bleached. Neil felt himself slide to the floor and the motion blocked off the airway at the back of his throat. He breathed through his nose, or tried to and found it blocked. For a second the exhaustion claimed him, then he snorted hard, clearing the clotted blood, found another breathing hole and drooped further. One of the hands tied behind his back hit against a metal upright, just a touch but it felt as if a ton weight had slammed down on it. Another memory tried to come back, one in which a foot stamped down on his fingers again and again, but this time the lethargy was creeping into his brain and it was hard to think.</p>
|
||||
|
||||
<p>The hunger was gone and the thirst was so bad it felt as if all the moisture in him had been wrung out, but the tiredness was overwhelming and after a while the slanted light began to fuzz out. From his slumped position, jammed against the old wash basin he could just make out the gleam from the bunch of keys and the little polished metal disc as they reflected the light. The sun moved and the glimmer faded away and Neil Hopkirk went with it.</p>
|
||||
|
||||
<p>Over in the corner, a still shadow remained motionless. It stayed there for a long time, just waiting. After a while, a black fly came buzzing through the door and settled on Neil Hopkirk's cheek.</p>
|
||||
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|
||||
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|
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|
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|
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|
||||
<head>
|
||||
<title>5</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
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<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
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|
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|
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|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>5</h1>
|
||||
|
||||
<p><em>August 1. 9am......</em></p>
|
||||
|
||||
<p>"Here come the teardrops," Phil Corcoran sneered and Campbell Galt and Pony McGill sniggered. "Snivel, sniffle and bawl." He winked at his two pals then turned back to his young brother. "And who said you could take my tent anyway?"</p>
|
||||
|
||||
<p>"<em>Your</em> tent?" Corky retorted. "You stole it from the scouts."</p>
|
||||
|
||||
<p>Phil had been sitting on the gate at the end of the road where the tarmac petered out when it met the hawthorn barrier of the farm track. In a couple of years all of the hedge would be gone and the road would continue in a wide arc past the cemetery and down to the main road and the greenery would be replaced by nearly three hundred council houses. It was all a time of change.</p>
|
||||
|
||||
<p>Phil stopped working the blade of his knife into the top gate spar where he'd been carving his initials. "Are you calling me a thief? Eh? You little shit that you are."</p>
|
||||
|
||||
<p>Being called a thief was a sore point with Phil. Old man Corcoran was banging the Drum, as they said hereabouts, banged up for six months up in Drumbain Jail. He was just half-way through his time for hoisting three hundred in used notes from the pigeon club's cashbox, which had been set aside for taking of all of the club's best birds to a race from Cherbourg in France. Everybody wondered why Paddy Corcoran had ever been voted in as club treasurer. Everybody knew that he hadn't done a day's work since before the war and hadn't had a drink-free day since it ended, even if he was good with the homing birds. Of his three sons, Phil would see the inside of Drumbain in four years time after several visits to approved school in his later teens for a rampage with a broken bottle along River Street in a drunken frenzy. Pat Junior was already in an army jail for head-butting a colour-sergeant to his severe injury. Both were cast in the same mould, and it looked to everyone like an odds-on certainty that John, the youngest of them (<em>Corky to his friends</em>) would be unable to avoid the consequences of his natural inheritance. He'd no doubt end up banging the Drum too.
|
||||
</p>
|
||||
|
||||
<p>"Are you calling me a thief?" Phil wanted to know, and he wanted to know
|
||||
<em>now.</em> They'd called his old man a thief and put him inside over what had to have been a misunderstanding, and according to Phil that was a slur against the whole clan. He came down off the gate and as he did so, his left hand casually hauled at the black lock-knife he had been digging into the wood. Behind Corky, Billy and Doug saw the glint of metal.
|
||||
</p>
|
||||
|
||||
<p>"Let's get out of here," Doug muttered. He took a couple of steps backwards, pulling at the tent slung between himself and Corky. Billy agreed.</p>
|
||||
|
||||
<p>"Yeah. Let's skeedaddle." Corky turned slightly and they could see the freckles standing out like sepia ink-blots on his cheeks. Billy took up the weight of the old green tent.</p>
|
||||
|
||||
<p>"Are you? Huh? Calling me a thief?" Phil came strolling forward, all langorous and slow, arrogance on two feet. He had the same colour of hair as his young brother, the same cow's lick all the Corcorans had, but where Corky was stocky and looked small for his age, Phil was tall and thin as a stick. He threw the knife, spinning it with studied casualness to catch it by the handle again.</p>
|
||||
|
||||
<p>"Just saying it isn't yours." Corky said. "Everybody knows that."</p>
|
||||
|
||||
<p>"Just put it back where you found it. Right this minute."</p>
|
||||
|
||||
<p>"No chance. We're going with the scouts."</p>
|
||||
|
||||
<p>"Over my dead body," Phil said slowly. He put both hands on his hips.</p>
|
||||
|
||||
<p>"Suits me," Corky said. Campbell Galt snorted, dribbling beer-foam down his chin. Pony snickered like his namesake. Corky turned to the two of them, and while he was pretty sturdy for his size, he was completely dwarfed by his brother's friends.</p>
|
||||
|
||||
<p>"What are you laughing at <em>plook-face</em>," Corky snapped. The sunny day went suddenly quiet.</p>
|
||||
|
||||
<p>"Oh shit," Billy muttered. He and Doug were edging away and were half-way through the narrow gap in the hedge where the old blasted oak had come down. A blackbird chirped and clucked its liquid panic as they startled it among the nettles. A wasp flew right up against Doug's ear and he almost dropped the tent while batting it away. Corky stood there and Pony McGill's ravaged face looked as if it would erupt from within in to even greater devastation..</p>
|
||||
|
||||
<p>Pony was taller even than Campbell Galt, who himself would end up nearly six foot and he had shoulders that could have shored up a house. He was strong as an ox and would have been a good-looking big man but for the havoc his teenage acne had wreaked upon his face. His skin was angry and livid, rough as pebble-dash.</p>
|
||||
|
||||
<p><em>Face full of</em> plooks
|
||||
<em>and a head full of broken bottles</em>. That was how Danny Gillan had described him after he'd kicked their football down into the stream where it had burst among the thorns. Corky had convulsed into manic laughter while thinking that Danny must have some kind of death-wish. That remark had almost cost Danny an arm after Pony had swing his big toe-tector boot again and clipped the smaller boy on the elbow so hard it had gone numb for the day. The phrase had come back to Corky just them and it had slipped out.
|
||||
</p>
|
||||
|
||||
<p>"<em>Plook-</em>face?" An instant surge of blood suffused the big broad face, reddening in the clear spots but purpling among the acne scars. Very deliberately, he put down the beercan onto the flat top of the gatepost. "What the fuck did you call me?"
|
||||
</p>
|
||||
|
||||
<p>"Come on Doug," Billy said, dragging the tent through the thorns and onto the farm track while they were out of the immediate focus. "Let's go." Doug didn't need a second telling. The pair of them scooted up the path.</p>
|
||||
|
||||
<p>Pony came lunging forward just as Tom and Danny came out from the lee of the end house in the gap where the fence had broken. Tom saw Corky, but the other big lads were hidden by the hawthorn hedge.</p>
|
||||
|
||||
<p>"Hey Corks," Tom called. "Did you forget the tent?"</p>
|
||||
|
||||
<p>Corky turned, taken by surprise and a big meaty hand came whooping out from the side in a wide arc. Corky must have caught the motion out of the side of his eye and ducked quickly, not quite fast enough to escape, but sharp enough to diminish most of the force of the swipe. His head was moving back and down, so instead of catching the knuckles on his temple, a blow which would have felled him like a bullock in the slaughterhouse, or at least knocked him arse over tit right into the sharp thorns of the hedge, he went with it. Pony McGill caught him by the underside of his big hand and sent him reeling backwards.</p>
|
||||
|
||||
<p>"What's happening...?" Tom started. Corky went stumbling back, whirling as he went, trying to catch his balance. It was then that Danny saw Pony McGill and Corky's big brother, along with Campbell Galt.</p>
|
||||
|
||||
<p>"Hey, leave him alone," Danny bawled before he had a chance to get a rein on his tongue. He'd had run-ins with all of them before - in fact there was no-one in the nearest five streets who hadn't - but the words just blurted when he saw Corky staggering back..</p>
|
||||
|
||||
<p>Phil Corcoran spun around. He was walking away from the fence and the two boys saw the sunlight spangle on the blade of the knife in his hand.</p>
|
||||
|
||||
<p>"Oops," Tom said, and then, quite unaccountably, especially for Tom, he giggled.</p>
|
||||
|
||||
<p>"Another couple of teardrops," Phil said. "We've got the complete crying match here."</p>
|
||||
|
||||
<p>"Bastard," Pony grunted. He'd expected his haymaker to connect squarely with Phil's cheeky shit of a brother and the force of it had almost thrown him off balance. He spun, moving much slower than the smaller boy. The two others had turned to face the new arrivals.</p>
|
||||
|
||||
<p>"They will insist on butting in," Phil went on, shaking his head with exaggerated regret.</p>
|
||||
|
||||
<p>"Leave him alone," Danny blurted again. Corky ducked another hooking punch, quite easily this time and as he did so, he snatched up a dried piece of hawthorn root from the demolished hedge which still had a hard sod of earth around it. He swung it against Pony's shin and the big fellow let out another grunt.</p>
|
||||
|
||||
<p>"Want to join the party?" Phil asked, smiling that creepy grin of his that made him look somehow like a weasel. He held up the knife and turned it slowly in his hand, the way knife fighters did in films, making sure it caught the light. As he did so he let out a beery belch.</p>
|
||||
|
||||
<p>"What, play with you three stooges?" Danny's tongue was off and running again, like the day he'd made the remark about Pony's acne. "Tweedle dumb, tweedle dumber and Crater-mess with the pits."</p>
|
||||
|
||||
<p>Big Pony was spinning around on one leg, lifting his shin up to cradle it in both hands. Campbell Galt, another big fellow whose blonde hair was slicked back into what the younger boys called an old fashioned teddy-boy quiff, took his eye off the action and whipped round. Phil Corcoran's grin froze solid.</p>
|
||||
|
||||
<p>"Hells bells, Danny, " Tom said. "I don't think he liked that."</p>
|
||||
|
||||
<p>"What did you say?" Phil's voice was as icy as his grin. For an instant his eyes seemed to flicker as if a sudden charge of emotion had sizzled behind them, which it most probably had and in that instant Danny and Tom saw the little craziness that lived inside Phil Corcoran's head. "What the fuck did you call me?"</p>
|
||||
|
||||
<p>Both boys stopped still. Big Pony was still hopping about, unable to keep his balance. He backed into the five-bar gate at Aitkenbar farm track and slammed it against the post with a sound like a gunshot.</p>
|
||||
|
||||
<p>"Bastard," he grunted. "Just wait 'til I get you."</p>
|
||||
|
||||
<p>Corky danced away from him, swinging the heavy root, unconsciously imitating Pony's hopping jig. "You and which chorus line, you big Jessie," Corky jeered, his mouth even more of a runaway now than Danny Gillan's ever was. Pony roared like a bull. Phil Corcoran didn't even look, his eyes were fixed right on Danny Gillan.</p>
|
||||
|
||||
<p>"Stop horsing around," he said. "This fuck-mouth needs shutting up." He favoured Danny with a wider grin this time and his eyes gleamed. "Maybe we'll have to make sure he gives us less of his lip." Phil held the knife up again, and flicked it forward.</p>
|
||||
|
||||
<p>Danny didn't wait. He turned on his heel and ran, not before Tom who was one split second ahead of him. Corky jinked back , swung the root again but this time it snapped in his hand and the heavy club of root and dirt went spinning away. It caught Campbell Galt just under his ribs and pushed him forward, sending him crashing against Phil whose hand came slashing down even as he went spinning sideways and the knife went flashing through the air.</p>
|
||||
|
||||
<p>Danny and Tom were scooting up between an old wooden garden shed and the side of the hedge, with Tom leading by three clear yards. Danny reached the corner, stuck a hand out to whirl himself around a fence-post when the knife hit him right behind the ear.</p>
|
||||
|
||||
<p>Corky saw it all, virtually in slow motion. The knife heliographed the sunlight as it spun black and silver, black and silver, through the air. Then it hit.</p>
|
||||
|
||||
<p>It made a small <em>bonk</em> sound and bounced off into the bush.</p>
|
||||
|
||||
<p>"<em>Jesus</em>, Phil," Campbell bawled.</p>
|
||||
|
||||
<p>"Jesus, <em>Danny</em>," Corky yelled.</p>
|
||||
|
||||
<p>"Bastard," Pony grunted again.</p>
|
||||
|
||||
<p>A hot pain blossomed behind Danny's ear and a sound like a gong vibrated right through his head. For a second he thought he'd been hit by a half-brick, but then he realised it wasn't sore enough for that. He didn't miss a step as he whirled round the corner.</p>
|
||||
|
||||
<p>Corky watched his pals disappear from view. Then Pony's meaty hand clamped on his shoulder. Without thinking, Corky turned and bit the big man's finger, not hard enough to draw blood, but enough to make Pony think he had. The big fellow grunted again, let go. Corky didn't hang around. He ran for the gate, clambered up the bars and threw himself over into the lane.</p>
|
||||
|
||||
<p>Campbell Galt swore comprehensively at Phil and
|
||||
<em>he</em> swore unintelligibly and explosively at everything. It took him nearly half a minute to gather himself and set off running in thundering pursuit. Danny and Tom heard their approach and took off like rabbits. They got to the far end of the field where the bulldozers hadn't yet churned everything to mud and angled for the corner where the two thorn hedges met at right angles. Here, generations of youngsters had broken and worn a crawl-way through to the far pasture. Both boys, panting with the effort, unslung their haversacks as they ran. Tom slung his along the ground at root-level, followed it and Danny and his bag rolled in behind him. They came out of the other side, covered in dead leaves and spiked here and there by hawthorns, but otherwise unhurt. Behind Danny's ear, a hot glow of pain pulsed. He reached there, expecting to find blood, but there was none.
|
||||
</p>
|
||||
|
||||
<p>They ran down the hill and onto the farm track angling across to the gully. Ahead of them, Billy and Doug were lumbering along with the green tent between them. Over the far side of the bushes, curses exploded. Danny and Tom reached the cross-roads where two farm roads intersected. A figure came hurtling out towards them and they pulled up in dismay.</p>
|
||||
|
||||
<p>"Only me," Corky said breathlessly. He grinned widely. "I don't think they're too happy with us." He giggled and the other two couldn't help but laugh, despite the fact that Crazy Phil and his crew would come crashing after them in a matter of seconds.</p>
|
||||
|
||||
<p>"He's a flippin' nutcase," Danny managed to say. They were running hard up the hill and he was getting a stitch in his side.</p>
|
||||
|
||||
<p>"You're telling me. I got to live with him."</p>
|
||||
|
||||
<p>"What will he do when you get home?"</p>
|
||||
|
||||
<p>"Hell knows. You can come to the funeral. No flowers please. And no priests." Corky laughed again, almost sadly as if death was a distinct possibility, then he turned, grinning. "He's not too bright, so he might have forgotten by the time we get back."</p>
|
||||
|
||||
<p>The boys caught up with the other two and with hardly a fumble, Tom and Danny each grabbed an end of the tent. They breasted the low hill just as Phil and the others came hammering round the corner. The younger boys went over the brow and down the lee and then, without a word, when they reached the corner, out of sight of the others, they slung the tent and the rucksacks over the three-strand barbed wire fence into a field of yellowing corn. They crawled underneath the lowest strand, Corky still laughing almost hysterically, and then doubled back for about twenty yards. Here there was a line of saplings which framed the drainage ditch leading down to the Ladyburn Stream. They followed this for a hundred yards, came to the brook and followed it up to where they could shelter under the footbridge. For a while, the sounds of the chase had disappeared, but Phil or Pony had figured out that they must have gone into the cornfield and in a few minutes, the pursuit had trailed them along the line of the ditch.</p>
|
||||
|
||||
<p>Under the low bridge, there was a niche, hardly more than a foot wide, where some of the masonry had crumbled. They crawled through into the small service duct where the waterworks engineers had built the valves for the reservoir up on the hill. Billy dragged the tent through and they all sat in the darkness, trying to slow their breathing, listening for the others. This had been their place last summer since Corky and Tom had found the hole in the wall while fishing for trout in the stream.</p>
|
||||
|
||||
<p>Two minutes later, footsteps came thudding on the bridge. Danny put his ear to an arrow-slit vent in the wall. Above the sounds of running water, he could hear voices.</p>
|
||||
|
||||
<p>"Must be here someplace," Phil said, breathless and wheezing. "Little bastard called me a thief. And Gillan, I'm going to wring his scrawny neck."</p>
|
||||
|
||||
<p>"You nearly stuck him like a pig.
|
||||
<em>Jeez</em> Phil. If that knife had hit blade-first it would have pinned him. You could swing for that."</p>
|
||||
|
||||
<p>Overhead, the footsteps came louder then faded as the others crossed the bridge. Down in the dark, they heard Pony shout something and then came a pop and the sound of shattering glass. One of them had thrown a bottle into the stream.</p>
|
||||
|
||||
<p>"That's really great," Tom said. "Some kid's going to go paddling and get cut to pieces."</p>
|
||||
|
||||
<p>"They should be locked up," Doug said, he looked quickly across at Corky, whose face was just a pale oval in the dim light of the narrow vent. "Sorry Corks. I didn't mean anything..."</p>
|
||||
|
||||
<p>Corky shrugged. "You can't pick your family. I sure didn't. And anyway, everybody knows about the old man. Sometimes I wish he was still at home. At least Phil wouldn't be acting so big. He's really off his head."</p>
|
||||
|
||||
<p>He looked at Danny who was sitting beside the opposite arrow-slit. "Flamin' hell Dan, I thought that blade was going to nail you."</p>
|
||||
|
||||
<p>Danny rubbed the tender spot behind his ear. "I thought it
|
||||
<em>had</em>." The others looked from on me to the other, unaware of what had happened.</p>
|
||||
|
||||
<p>"Phil threw it at Danny. You should have heard the noise. Just like that xylophone in the school band. The Glockenspiel thing." Corky let out a low laugh that threatened to get louder. He clamped his hand over his mouth until it subsided. Outside the others had moved to the other side of the bridge and then come back, their footsteps echoing down to the dark hollow -
|
||||
<em>doom doom doom -</em> as they passed overhead. After a few moments they were gone.</p>
|
||||
|
||||
<p>"I tell you Danny boy. You shouldn't have run. Phil's been trying that knife thrower's trick all summer. Wants to be just like that knife-fighter in the Magnificent Seven. He says if he comes across ol' Twitchy Eyes he'll give it to him right in the eyeball. I've been watching him try to stick it in the old man's pigeon hut.
|
||||
<em>Jeez-oh</em>, I've never seen him hit the flamin <em>hut</em> yet, never mind stick it in."</p>
|
||||
|
||||
<p>He went off into another convulsion and it was a moment or two before he could speak again. "Must be your lucky day Danny. Must be your lucky
|
||||
<em>year</em>."</p>
|
||||
|
||||
<p>They all giggled at that, but the laughter stopped soon enough</p>
|
||||
|
||||
<p>It had not been a lucky year, not for any of them. It had not been a lucky year, not since the spring, since the day that Paulie Degman had gone down into the river and Neil Hopkirk had clambered in through the window on the old surgery at the back of the house on River Street. Corky had just touched upon it when talking about Phil's lack of expertise with the knife which had bounced off Danny's skull.</p>
|
||||
|
||||
<p><em>Twitchy Eyes.</em></p>
|
||||
|
||||
<p>There was a moment of silence, broken only by the hushed sound of running water from the Ladyburn Stream, running low and slow at the end of a dry summer.</p>
|
||||
|
||||
<p><em>Twitchy Eyes.</em> The mad stranger who had slipped into town in the spring.</p>
|
||||
|
||||
<p>The silence ran on for a moment longer. Danny rubbed the hot spot behind his ear, feeling gingerly for the signs of swelling, but there was none. Billy leaned back against the wall, his face the dimmest of all in the shadows.</p>
|
||||
|
||||
<p>"They found her in the other bridge," Doug said after a while.</p>
|
||||
|
||||
<p>"No, the next one down from this," Tom contradicted. "It's got a bigger access tunnel. They think he was staying there a while, camping out."</p>
|
||||
|
||||
<p>"God a'mighty. We had a ganghut there last year before we found this place," Billy said. "Imagine we'd come crawling in there and found
|
||||
<em>him</em>."</p>
|
||||
|
||||
<p>"As long as we had Phil with us he could have used his knife," Corky said, trying to lighten it a little. "Then we'd all have been up shit creek without a paddle." They all had a laugh, though a subdued one.</p>
|
||||
|
||||
<p>It had only been a matter of luck.</p>
|
||||
|
||||
<p>"They say she was cut to bits," Billy said. "They found her in a puddle of her own piss."</p>
|
||||
|
||||
<p>"<em>Don't</em>," Tom barked, and they all jumped, startled.</p>
|
||||
|
||||
<p>"Wha...?" Billy started to say.</p>
|
||||
|
||||
<p>"Don't talk about her," Tom said quickly. His curly fair hair framed him like a dim halo. "Jeez, she's dead, isn't she? It wasn't her fault."</p>
|
||||
|
||||
<p>Billy looked at him then as quickly looked away. He didn't say anything. Corky stuck his hand out and clapped Tom on the shoulder, the way boys do when they're on the way to becoming men and still have a way to go. Too old to put their arms around each other, still young enough to touch.</p>
|
||||
|
||||
<p>"Hey Tom," That was all he said.</p>
|
||||
|
||||
<p>"It's just that she was just a kid," Tom said and his voice cracked just a little, a hint of the pressure that was building up behind whatever dam he'd built. Everybody knew he was thinking about his little sister and what had happened in the winter.</p>
|
||||
|
||||
<p>"Sorry man," Billy said finally, reaching out a hand in the darkness. He took a hold of Tom's narrow wrist and gave it a squeeze. "I didn't mean anything, you know?"</p>
|
||||
|
||||
<p>Tom gave a little snort, like he was sniffing back hard. "Yeah. It's just..." He sniffed again then hawked and spat out, letting them know he was just clearing the dust from his throat. "It's just sometimes it looks like the whole place is going crazy."</p>
|
||||
|
||||
<p>"And Phil's leading the parade," Corky said, doing his best, easing them off this threatening track. He made an effort. "He's the craziest loony still walking outside Dalmoak. Crazier even than old Annie Monkton and she's so far round the bend she can see herself coming back."</p>
|
||||
|
||||
<p>"But not as crazy as old <em>Twitchy Eyes</em>."</p>
|
||||
|
||||
<p>"Yeah, but he's long gone, and Phil still lives at my house," Corky said, finally getting a laugh. In the gloom, Danny was the only one who saw that he wasn't smiling.</p>
|
||||
|
||||
<p><em>Twitchy Eyes.</em></p>
|
||||
|
||||
<p>He'd haunted the town for almost the whole of the summer, haunted the hearts of mothers, the dreams of children. He was the bogey-man, the
|
||||
<em>Bad Man,</em> the ogre under every bridge (he'd been under the bridge with little Lucy Saunders, hadn't he now?) and the shadow outside the window in the night-time.
|
||||
</p>
|
||||
|
||||
<p>"I reckon the cops caught him and hung him," Billy said. "They do that with some of the really bad ones. Just take them away where they can't be found again and do them in." He crept over to the hole they'd clambered through and began to crawl back out again. "I'll just see where they are."</p>
|
||||
|
||||
<p>"And made sure they don't see you or we'll be stuck in here with no way out."</p>
|
||||
|
||||
<p>"They'd brick us up and we'd never get out," Danny said, "like in the House of Usher."</p>
|
||||
|
||||
<p>"Jees, don't say that Dan. It gives me the creeps," Doug said. Already he was edging towards the hole in the wall, towards daylight. In an instant, Tom was clambering after him as the idea of being walled up inside the inspection chamber struck him.</p>
|
||||
|
||||
<p>Corky and Danny followed them out, neither of them just as panicked, but each unwilling to stay alone in the dark after what had been said. Corky started moving and as he did, his foot kicked against a loose stone which rolled into the corner of the small chamber. It hit something which rustled dryly and almost simultaneously, a clodden smell of rotting shit came wafting up accompanied by a frenzied buzzing of flies.</p>
|
||||
|
||||
<p>"Oh for God's sake," Corky said, gagging at the smell. At the same time, he realised that the five of them were not the only ones to have discovered the inspection pit under the arch of the bridge. Somebody else had been there too. They had all scurried in through the niche in the masonry and crouched in the first chamber, but there was a narrow crawl-way to the sump trap which they had explored weeks ago, using candles to reach the narrow space. It had been dry and dusty and festooned with spider's webs which showed it hadn't been touched for a long time. If somebody had found their way in to the first hollow, then they could get through to the back chamber.</p>
|
||||
|
||||
<p>They could be sitting quiet in the dark of the back chamber <em>right now.</em></p>
|
||||
|
||||
<p>The same thought had struck Danny, but worse, the buzzing of the flies had brought back a powerful memory, an image from late spring, before the real impact of the stranger had hit the town.</p>
|
||||
|
||||
<p>There had been flies in the window of the house on River Street, and that's where Mole Hopkirk had been found dead, with his hair and his fingernails still growing. The flies had pattered against the windowpane like black rain, hundreds of them. Thousands.</p>
|
||||
|
||||
<p>Suddenly the smell and the buzzing and the dark all gelled into one enormous powerful threat.</p>
|
||||
|
||||
<p>"Move it," Corky hissed in a voice that said he really wanted to shout but didn't dare. He shoved at Danny who was halfway through the hole and right at that instant Corky felt the creepy eyes on his back and sensed the long crooked fingers reaching out to grab him and drag him back into the darkness. That was enough to send him crashing into his friend who stumbled out, rolled off balance and landed with both feet in the stream.</p>
|
||||
|
||||
<p>"Bloody hell," Danny yelled. Billy and Doug turned round, right on cue.</p>
|
||||
|
||||
<p>"Shhhhh!" they both said, holding their hands up, miming the need for hush.</p>
|
||||
|
||||
<p>Tom was up on the bridge, peering over the parapet. Far along the road, the three others were sauntering away, almost out of sight round a slow bend.</p>
|
||||
|
||||
<p>"We're safe," Tom said.</p>
|
||||
|
||||
<p>"Good," Corky said. You can go back in and get the tent."</p>
|
||||
|
||||
<p>He was thinking of what Tom had said.
|
||||
<em>We're safe</em>. But he wasn't prepared, right at that moment, to go back into the dark and put it to the test.
|
||||
</p>
|
||||
|
||||
<p>Safe. He hadn't felt safe for a long time. Had anybody?</p>
|
||||
</div>
|
||||
</div>
|
||||
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|
||||
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<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<title>6</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
||||
<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>6</h1>
|
||||
|
||||
<p><em>May:</em></p>
|
||||
|
||||
<p>"Come on Jeff, it'll be dark by the time we get started." The voice floated up from ground level.</p>
|
||||
|
||||
<p>"It'll be the bloody weekend," somebody else chipped in. From the Irish accent, it had to be Neil Kennedy, who lived in Swan Street. Some time far in the future, Neil would go through the nightmare of losing a son in another spate of madness that would hit the town, but for the moment he was sixteen and had only two cares in the world. The second was to get on with the game of football they had going on the flat space next to the river where the old barge-loader shed used to be. Its flat base was now an ideal five-a-side pitch.</p>
|
||||
|
||||
<p>Jeff McGuire had punted the ball with an uncoordinated foot and sent it sailing over the low roofs of the outbuildings on the corner of Fish Pend where it had bounced on the slates, landing on the valley of the roof, well out of sight. He who kicked last was obliged to climb for it.</p>
|
||||
|
||||
<p>There were some little girls at the far corner, waiting for the end of the shift in the fishmongers where their mothers worked at the filleting slabs. They were playing a kid's skipping game chanting the kind of schoolyard rhymes that seem to have gone out of fashion.</p>
|
||||
|
||||
<p>"Hey McGuire get a move on," Neil Kennedy called up again. "Shift your arse. Another goal and we've got them beat."</p>
|
||||
|
||||
<p>
|
||||
<em>Them</em> were the River Street team as opposed to the Swan Street crew in the days before the heart was ripped out of the town and replaced by a concrete and steel barracks of a shopping centre. Then, on this particular May afternoon, with President Kennedy dead only a couple of years, Mick Jagger every mother's nightmare and the Beach Boys getting around-round-round in surf city, there were plenty of people still living down by the river and there was always a game going on.
|
||||
</p>
|
||||
|
||||
<p>One of the girls giggled. She was holding one end of the rope while her partner spun the other. A whole team of kids, all with pigtails or ponytails had lined up to skip in for a couple of fast beats of the rope before dancing out again on the far side in the elegant rhythm of play. When Neil Kennedy shouted up at the roof telling Jeff McGuire to hurry it up, the rhyme instantly changed.</p>
|
||||
|
||||
<p>
|
||||
<em>Missus McGuire sat in the fire....</em>a tiny girl skipped in, agile as a fawn, kept the beat, feet feathering on the ground before skipping out again.
|
||||
</p>
|
||||
|
||||
<p>"Okay, give me a minute willya?" The disembodied voice floated down. "Think I'm spiderman?"</p>
|
||||
|
||||
<p>
|
||||
<em>The fire was too hot she sat in the pot...the pot was too wide, she sat in the Clyde...and all the wee fishes swam up her backside....</em>
|
||||
</p>
|
||||
|
||||
<p>The girls tittered, some of the smaller ones holding their hands up over their mouths at the use of a naughty word..</p>
|
||||
|
||||
<p>"Hey Jeff, they're singing songs about your mother," Neil shouted up</p>
|
||||
|
||||
<p>Jeff McGuire didn't hear him. He'd just been bending down to pick up the old tattered leather football when a motion to his left caught his eye, a shadow at the window just above the slope of the low roof. He put a hand over his eye to block out the glare of the sun and peered forward.</p>
|
||||
|
||||
<p>Some small particles, like grains of sand, rattled against the dusty glass. The shadow changed shape and Jeff saw it for what it was. Flies. There were dozens of them, flying in tight circles or crawling up the window pane. He picked up the ball and threw it over his shoulder. It bounced on the ridge and then down the far slope. Down below somebody shouted. The thud of a boot against leather followed immediately and the game was back on. Jeff took a tentative step forward and then another, raising his hands to the sill. He put his face right up against the glass.</p>
|
||||
|
||||
<p>The room was dirty inside, from what he could see through a pane crawling with big bluebottles. Every now and again one of them would go buzzing off and come hurtling back in a kamikaze dive for the light and freedom, rapping with a chitinous click against the flat surface. Jeff eased himself up onto the diagonal waste pipe and got up onto the ledge. He pushed against the frame and it squealed up in protest. Five or six of the big shiny insects bulleted out past his face. One of them brushed his cheek with tickly wings and he drew back. Inside the room a swarm of them, spiralling like a miniature tornado, buzzed and hummed angrily in the hollow emptiness.</p>
|
||||
|
||||
<p>Jeff climbed in, curiosity aroused now, the way it happens with boys and empty buildings. They attract each other like magnets, with an irresistible pull of gravity. A bluebottle landed on his forehead and he slapped it off. Apart from the flies the room was empty. Outside somebody shouted something which he vaguely heard. The window creaked and slid slowly down on the sash-groove until it almost closed. Jeff edged along the wall, avoiding the dense insect whirlwind and went through the open door.</p>
|
||||
|
||||
<p>The smell hit him half-way down the hall.</p>
|
||||
|
||||
<p>"Oh my..." he gagged, unable to finish the sentence. There were flies here in the dark of the passage, hundreds of them, maybe thousands. Most of them were crawling on the walls. Right away Jeff knew that something had died in here. Maybe a pigeon or a jackdaw which had come down the chimney and got trapped. Maybe even a cat. The smell was awesome, almost solid in the dusty air, flat, sweet and oily all at the same time. It was even worse than the throat-clenching stink of the dead sheep up on the moor if you got down-wind.</p>
|
||||
|
||||
<p>In that moment, Jeff knew something was wrong, but for some reason he could not turn back. The gravity of curiosity had him now. He took a tentative step along the corridor and the sound of his boot rasping on the shards of broken glass sent shivers up his spine. Something made him turn to look back into the room and in that instant, the cloud of flies coalesced, throwing a shadow against the pale light framed by the window. For a moment the shadow looked like the shape of a man and Jeff's heart kicked in a sudden spasm. He backed away, now gulping for breath through a dry gullet and knocked against the door half way down the hall. It swung open. Jeff stepped through, still half turned.</p>
|
||||
|
||||
<p>A black shape roared and came leaping up from the floor.</p>
|
||||
|
||||
<p>Jeff squeaked in utter fright. He flinched back, cracked his shoulder against the door jamb. The thing on the floor came bolting towards him. And he raised a hand up to protect his face, thinking that some monster was coming for him. Then it broke up into a cloud of black dots. More flies.</p>
|
||||
|
||||
<p>Jeff's heart came down from the back of his throat. He gulped again, still unable to speak, though if that had been possible he would have cursed without repetition for several minutes.</p>
|
||||
|
||||
<p>The insects were big and bloated, and where they passed the beam of sunlight coming through the chink on the wooden boards nailed over the window frame, they glittered the green-blue of rare metal. In the swarm they were creepy and scary, but in the sudden relief that they were only insects, only bluebottles, Jeff almost laughed. Flies couldn't hurt him.</p>
|
||||
|
||||
<p>Two of them tussled in aerial combat right in front of his eyes and then landed on his shirt. He swatted them away and just at that moment the stench really hit him.</p>
|
||||
|
||||
<p>"Oh my god," he mumbled, completing the sentence that he'd started in the other room. His hand flew to his mouth. His eyes watered and his throat spasmed. Jeff turned, ready to go stumbling out of the room when another shape on the floor against the sink snagged his attention.</p>
|
||||
|
||||
<p>At first out looked like a pile of rags and sticks jutting out from under the lip of the basin, hidden by the shadows. Despite the sickening stench, Jeff moved forward, brushing flies away with his free hand. They buzzed and hummed, skimming his skin and hair.</p>
|
||||
|
||||
<p>The form was crumpled and shapeless. He moved closer, holding his nose pinched tight shut between his fingers. Something stuck out from the bulk and for a long moment it didn't register on him. He turned his head, saw an off-white ridged line that reminded him of something. He drew his eyes along it, close to the floor, saw a gaping hole from which something liquid seeped. In that moment of time Jeff's brain seemed to have gone completely numb. He was tying to think but something inside his head was blocking out all thought. He shifted his gaze down the line of a ragged piece of damp cloth which covered a series of jutting lines.</p>
|
||||
|
||||
<p>Below the lines, where the fabric was ridged and folded, something moved. The cloth heaved. He stepped back one step. The thing sticking out from the mass moved too, just above the bent angle. Not a real motion, just a shiver under the skin.</p>
|
||||
|
||||
<p><em>Under the skin</em></p>
|
||||
|
||||
<p>It hit him then and the force of it was like a physical blow. He was staring at a corpse. It was bent almost double, face cheek down against the floor and the mouth agape, lips pulled back behind a line of teeth set in black gums. A trickle of some thick liquid had pooled by the head. An arm was hunched behind the body and a blackened hand was just visible, fingers hooked into claws.</p>
|
||||
|
||||
<p>The body was naked from the waist down, belly bloated underneath a desiccated and taut parchment surface and it was slumped in yet another pool of viscid liquid. At the abdomen, just up from the shrivelled crotch, the shirt was moving slowly as if the thing was trying to take a breath.</p>
|
||||
|
||||
<p>"Oh," Jeff said very quietly while his brain was yelling frantically at him.</p>
|
||||
|
||||
<p><em>getout getout oh for Christsake it's alive its fuckin'</em> breathing!</p>
|
||||
|
||||
<p>He felt his knees sag as he stumbled backwards. The scene suddenly leapt into startling focus. The head was down on the ground and a hank of hair was trailing on the old oak boards, growing right along the blackened puddle. The fingernails nails jutted down like curved talons, half an inch beyond the end of the fingers, like the claws of a monster in a nightmare.</p>
|
||||
|
||||
<p>And it was breathing. The belly was moving under the shirt, enough to make the fabric shiver.</p>
|
||||
|
||||
<p>A small, pearly white maggot dropped own onto the stretched skin of the abdomen and rolled to the floor where it pulsed weakly in the slimy puddle.</p>
|
||||
|
||||
<p>Jeff reached the door and just as he did so, all the flies swarmed together and like a single entity, they alighted on the body. In the blink of an eye it was covered in a blue-black skin and for an instant it looked like a man made up entirely of insects. At the far end, the filaments of hair grew out.</p>
|
||||
|
||||
<p>He backed against the door. It shut with a hard slam and all the light was cut off except for two slender needles of daylight piercing the cracks in the boards.</p>
|
||||
|
||||
<p>Panic exploded. He grabbed for the handle, fingers scrabbling down the dirty surface. A splinter went digging right up under his nail and he never felt a thing. He was in the dark with the body with its nails still growing and its hair still growing and its belly full of maggots. Behind him the flies buzzed and it sounded like the movement of a heavy body rising from the floor. Jeff's heart almost burst. His hand hit the handle and he hauled. The door opened and he threw himself out of the room.</p>
|
||||
|
||||
<p>He crashed against the far wall, made it to the back room and ran for the window. In his panic he hit the frame and it shuddered down the last few inches and slammed itself shut.</p>
|
||||
|
||||
<p>Jeff whimpered. A dozen or more flies which had followed through from the dark room came smacking against the glass and the sudden noise was loud in the empty room. Jeff reached for the frame and hit it with both hands. His right fist went through the old glass and a jagged edge raked his skin from wrist to elbow, drawing an immediate line of blood. The terror soared. Behind him the tornado of flies sounded like the scrape of a body dragging itself along the floor. Jeff pushed desperately at the flame. It gave an inch and then slid all the way up. He shoved himself through, all the time expecting to feel a black and wizened hand, armed with long, still growing nails, clasp around his leg. He cracked his knee on the sill as he threw himself out, jabbering incoherently. A swarm of flies followed him onto the low roof. He went stumbling across the slope of the slates, clambered up to the ridge and slid down the other side.</p>
|
||||
|
||||
<p>"Hey McGuire," Neil bawled. "What the hell's been keeping you?"</p>
|
||||
|
||||
<p>Jeff went sliding down the slant on the shingles, skittered across the guttering and tumbled ten feet to the ground, miraculously landing his feet and rolling with the momentum. The impact left him with a hairline fracture in his heel and a badly bruised knee. The blood from the cut in his arm trickled down onto the cobbles. Otherwise he was fine, at least physically..</p>
|
||||
|
||||
<p>Both teams gathered round him where he crouched close to the wall. "Did you hurt yourself?" one of them asked. Jeff's eyes darted left and right. He could see people around him, insubstantial figures in the light of day. In his mind, more clearly than anything, he saw the dripping corpse with the hair growing out along the mess on the floor and the clawed hands with the sickle nails and the shivery motion under the shirt.</p>
|
||||
|
||||
<p>"Gha...." Jeff managed. "Gha..."</p>
|
||||
|
||||
<p>"Hey, the idiot's gone ga-ga," Neil said, laughing. "Come on McGuire, stop fooling around and get back in goal."</p>
|
||||
|
||||
<p>It was two days before Jeff McGuire spoke a full word and by that time Sergeant Angus McNicol from CID had been up to the empty house that backed on to Boat Pend and he'd found the body of Mole Hopkirk. He later formed the opinion that Hopkirk was the lucky one of the two boys. The shock of it all had such an effect on young Jeff McGuire that he was never quite the same again.</p>
|
||||
<hr/>
|
||||
<p>Fatal Accident Inquiry into the death of Neil James Hopkirk. (Verbatim extract)</p>
|
||||
|
||||
<p>John J. Mack, Crown Office: "So you believe the boy took several days to die."</p>
|
||||
|
||||
<p>Dr Colin Bell, Pathologist: "No question of it. At least four days. Five at the outside."</p>
|
||||
|
||||
<p>Mack: "He would have been alive, and conscious for all of this time and possibly in considerable pain?"</p>
|
||||
|
||||
<p>Bell: "Perhaps conscious for some of the time, although blood loss and shock may possibly have rendered him unconscious for the latter part. Pain? Most certainly he was in very severe pain because of the nature of the injuries, the beating and the bites and the rest"</p>
|
||||
|
||||
<p>Mack: "So in your opinion, what happened?"</p>
|
||||
|
||||
<p>Bell.: "The attack on this young man was designed and deliberate and savage. It took place over a considerable period of time, I hasten to add. If I may venture an opinion, it is almost certain that death was a merciful release."</p>
|
||||
<hr/>
|
||||
<p><em>Interlude:</em></p>
|
||||
|
||||
<p>"First real bad one I had to deal with," Angus McNicol said. "And that was the start of it, though nobody knew that at the time."</p>
|
||||
|
||||
<p>He was sitting in the front room of his house out beyond Castlebank Church and sipping a mellow whisky. His eyes were bright blue and frosted under grizzled eyebrows and his expression said he was way back in his memory.</p>
|
||||
|
||||
<p>"I was a sergeant then, just promoted to CID. We had to break the door down. Young McGuire was very disturbed for a long time after that, and to tell you the truth, I think the shock affected the poor lad's head. He was mad as a hatter. John Fallon kicked the door off its hinges and when we got in the smell would have knocked you down for the count of ten. Millions of flies too, not pleasant.</p>
|
||||
|
||||
<p>"We found the lad tied up against the sink and I could see what gave the McGuire boy the heebie-jeebies. There was a fungus growing along the puddle, and it looked as if the boy's hair had grown there. The skin of the hands was pulled back and the nails were sticking up. Old Colin Bell, he was police surgeon in those days, said the nails keep growing for a bit after a death, but that was the first time I'd seen it.</p>
|
||||
|
||||
<p>"One of the others was sick right away, but I managed to get a handkerchief up quick enough so I didn't make a complete arse of myself. Hate to have destroyed evidence with my own puke, eh?" The old man grinned and took another sip, finishing his drink. He poured another two whiskies and offered the glass over.</p>
|
||||
|
||||
<p>"Don't suppose there's any harm in telling you any of this. It's long gone. Hardly anybody remembers it, but it was a bugger of a summer. Strange that somebody like yourself wants to go digging it all over again."</p>
|
||||
|
||||
<p>Another sip and he closed his eyes, concentrating. "That poor bugger Hopkirk had been lying there a long time, ever since March, and the flies had made the most of it. His mother damn near died when we told her and she kicked up a stink about wanting to see her boy's body. It was all we could do to stop her. She'd never have lived with the sight. Hell. It was hard enough for me.</p>
|
||||
|
||||
<p>"The pages were sheets from a bible. An old bible, according to the book expert we spoke to. Maybe one that had been handed down in a family. Some of the pages had been torn out and the killer had wiped his backside with them. Some of them were crumpled up and stuffed in the boy's mouth. They'd been scrunched into a thick wedge and it was no wonder the lad choked to death. Bell was right. When it came, it was a blessing. That poor boy had walked down into hell.</p>
|
||||
|
||||
<p>"Whoever did it had been squatting in the old surgery for a while, but at this time, we didn't know a thing about the man you kids called
|
||||
<em>Twitchy Eyes</em>, but I remember getting a really bad feeling. We'd been looking for Hopkirk for a few weeks by then, five or six as I recall. So we knew then that there had been a killer around a month and a half before. But by then one or two other things had happened.
|
||||
</p>
|
||||
|
||||
<p>"There was little Lucy Saunders....</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
241
build/darkvalley/OEBPS/007.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<title>7</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
||||
<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>7</h1>
|
||||
|
||||
<p><em>May.</em></p>
|
||||
|
||||
<p>"Lucy. <em>Lucy Saunders!</em>"</p>
|
||||
|
||||
<p>The hoarse voice echoed across the Rough Drain where the run-off from the gully at Corrieside found a flat level that was swampy and crowded with a tangle of scrub willow and twisted alder. The winking of torches could be seen as the line of searchers edged their way along the waste ground, some of them up to their thighs in the stagnant pools. Now an again, a beam would angle up towards the sky, seeming almost solid in the fine drizzling mist.</p>
|
||||
|
||||
<p>They searched all night, teams of policemen, workers just off the back shift at the shipyard. Neighbours from the row of houses at High Cross road, gardeners and pigeon fanciers who had their huts and allotments down the west side of the rough drain scrub. Every now and again, somebody would shout her name and the call would drift along the flatland. Everybody listened for the reply, the cry of pain, the whimper that would mean little Lucy Saunders was at least alive and with luck, maybe even well.</p>
|
||||
|
||||
<p>They searched all night and they found nothing.</p>
|
||||
|
||||
<p>Lucy Saunders was eight years old and she disappeared in the warm light of an early May afternoon. She had got the bike for her birthday in March, a little fairy two-wheeler and her dad Charlie Saunders had taken the stabilisers off only a fortnight before, down at the park where Lucy had wobbled her tentative way to learning to ride properly.</p>
|
||||
|
||||
<p>"There was a man," Chrissie McKane told John Fallon. He listened gravely, towering over Chrissie and her sister Janice who was only six. "We saw him on the path."</p>
|
||||
|
||||
<p>"What was he like?" John asked. He had a deep and rumbling voice, but despite that it conveyed gentleness and security. He gave the girls a smile and they grinned back.</p>
|
||||
|
||||
<p>"Big," Janice said. "A great big man and his hair was black like yours. But not short."</p>
|
||||
|
||||
<p>"Good girl. And where was he?"</p>
|
||||
|
||||
<p>"At the trees near the allotments," Chrissie said. "He was just standing looking at us and then he waved to us. Janice went across, but I said to her to come back. We had to go home."</p>
|
||||
|
||||
<p>"And then you saw Lucy?"</p>
|
||||
|
||||
<p>Both girls nodded. "She said she was going down to the shop. She asked if we would come with her, but we had to go home. She went round by the lane and we saw the man waving to her and then she went across to him."</p>
|
||||
|
||||
<p>"And what happened then?"</p>
|
||||
|
||||
<p>Chrissie shrugged. "We had to go home."</p>
|
||||
|
||||
<p>"He had twitchy eyes," little Janice said brightly. "Like this." She screwed her face into a grimace, narrowing her eyes to slits and blinked several times in rapid succession.</p>
|
||||
|
||||
<p>"Just like that. I think he had something in his eyes."</p>
|
||||
|
||||
<p><em>Twitchy Eyes.</em></p>
|
||||
|
||||
<p>Tom Tannahill and Doug Nicol had come across the searchers on their way up from the scout hall at Castlebank. Their only concern was that because of all the activity they couldn't cut across by the old willow that had fallen across another blowdown, creating a natural shelter. It was one of their places, out of the way of prying eyes where they and their friends could creep into for a smoke or a game of cards, or a fascinated scan of a crumpled black and white picture from the magazines they could swipe from the top shelf of Walter Dickson's shop.</p>
|
||||
|
||||
<p>They watched the line of men trampling through the gloom of the rough drain, calling out the little girl's name, one voice louder, more desperate than the rest and that had to be Charles Saunders of course.</p>
|
||||
|
||||
<p>One of the men passed quite close and Tom asked what was happening.</p>
|
||||
|
||||
<p>"A wee girl's gone missing," the man said. "The police think she's been taken away."</p>
|
||||
|
||||
<p>It was all revealed the following day. Little Lucy Saunders' bike had been found not forty yards from the corner where the McKane girls had seen the tall stranger with the dark hair and the twitch in his eyes. The bike had been thrown well away from the track, the front wheel and fork still brand new and shiny but the back end now covered in slime and mud where it had sunk into the marsh. Somebody spotted the cleat-marks of boots on the soft earth beside one of the many tracks that criss-crossed the barren ground and another found an imprint of a kid's sandal. They searched the whole of the wasteland and all the area around it, down past the allotments and the old dye works. The police tracker dogs were called in and they followed the trail of something as far as the edge of the Ladyburn steam where it took its dog-leg turn down to the castle and from there the trail went cold. Lucy Saunders was gone.</p>
|
||||
|
||||
<p>Danny Gillan's aunt Bernadette lived only two doors from the Saunders house and Danny had listened, sitting quietly doing his homework in the corner of the living room, as she told of the girl's mother's complete and utter collapse and how the sobbing had gone on all night.</p>
|
||||
|
||||
<p>"There's no hope now," Bernadette said. "Poor wee thing's been taken away and they'll find her in a ditch somewhere, raped and strangled and cut to pieces."</p>
|
||||
|
||||
<p>Bernadette's prophesy was fairly accurate, so it transpired.</p>
|
||||
<hr/>
|
||||
<p><em>August 1. 10 am:</em></p>
|
||||
|
||||
<p>"How did you manage to get away?" Corky asked. The other three had fallen behind, two of them struggling with the weight of the tent.</p>
|
||||
|
||||
<p>"It wasn't easy, but he believed the Scout camp story," Danny said, grinning. "But if he finds out, I'm right up the creek. He said I had to go to mass tomorrow, no matter what, so I'd better find out who the priest is. He's always trying to catch me out. Asks me what the sermon was about or what colour of robes the priest wears. Sometimes I'd be better off just going to chapel. If he catches me dodging, it's me that'll need a priest, that's for certain."</p>
|
||||
|
||||
<p>"Oh, he'll never find out," Corky assured his pal.</p>
|
||||
|
||||
<p>"Well, if he does, it'll be the <em>Bad Fire</em> for me. He's dead keen on the old hellfire."</p>
|
||||
|
||||
<p>"Still got it bad?"</p>
|
||||
|
||||
<p>Danny nodded. "You know what it's like. Everything gets round to prayers and the holy virgin."</p>
|
||||
|
||||
<p>"My old man never bothered with that. He doesn't like priests. Me neither. But he was always kicking the hell out of me."</p>
|
||||
|
||||
<p>"I know," Danny said. He'd seen the bruises many a time. "Same as my dad. He's started using the buckle end of the belt. Says I have to show an example to the rest of them and if I don't, he'll show me an example. I got a thick ear last night just for not kneeling up straight."</p>
|
||||
|
||||
<p>"That's a real bummer. Having to pray all night and then getting a smack, that's not fair."</p>
|
||||
|
||||
<p>"You're telling me. You've got it made. I sometimes wish my old man was in the jail sometimes."</p>
|
||||
|
||||
<p>He nudged Corky to let him know he was kidding. His friend took no offence.</p>
|
||||
|
||||
<p>"He'll be back in a month or so," Corky said. "With a bit of luck it'll get Phil off my back, He's been acting the hard man ever since my Da went into Drumbain. But sometimes the old man's just as bad. Once he gets a hold of a bottle then everybody has to stay out of his way. Sometimes he'll come looking anyway and if you think the buckle end of the belt's bad, you want to see what he can do with the toe of his boot."</p>
|
||||
|
||||
<p>Danny and Corky had grown up together, along with Doug and Billy. Tom had been born two streets away, but his family had moved down south when he was seven and had come back again only two years before, just after they found out Tom's little sister Maureen had leukaemia. Tom had fallen right back into the way of things until the winter when little Mo had died and then he'd gone quiet, hanging around on his own, and occasionally hanging around in the cemetery, close to his sister's grave. It was only when the spring had turned to high summer that he really started chucking around with the boys again, going down to the ganghut at the Rough Drain or even to the new place they'd found under the bridge, but he was still silent, still withdrawn. He was taking a long time to get to grips with his loss.</p>
|
||||
|
||||
<p>"My Ma just said to be careful," Corky said. "She's still scared of old Twitchy Eyes."</p>
|
||||
|
||||
<p>"She's not the only one. If my Mum found out I was going up the hills she'd throw a fit."</p>
|
||||
|
||||
<p>"He's gone," Corky said. "I heard they think he's topped himself."</p>
|
||||
|
||||
<p>"But they never found a body or anything."</p>
|
||||
|
||||
<p>"Only a matter of time. I just wished he'd grabbed Phil before he went," Corky said, very sincerely. "He's a crazy fool, so he is."</p>
|
||||
|
||||
<p>"He who calls his brother a fool is in danger of hell fire."</p>
|
||||
|
||||
<p>"<em>Jeez</em> Dan, wherever do you get all this crap?"</p>
|
||||
|
||||
<p>"That's one of the old man's favourites. It's in the bible."</p>
|
||||
|
||||
<p>Corky laughed aloud, head thrown back. "Well, I'm in for a right old roasting Danny Boy. I reckon I've called Phil a fool a million times."</p>
|
||||
|
||||
<p>"Maybe it doesn't work if you're telling the truth."</p>
|
||||
|
||||
<p>Danny glanced at Corky who looked back and then they both suddenly burst into a fit of laughter that swept through and over them, doubling them up so hard their sides hurt. It took them a while to chuckle it all out and it was the first real laughing Danny could remember since the spring. The sun was rising high over the oaks bordering the edge of the Corrieside Gully as they made their way up the hill in the warmth of the summer day. They were just two boys, only thirteen years old, glad to be out in the sun, glad to be out from under at last.</p>
|
||||
|
||||
<p>Behind them, tinny music floated up the slope of the path.</p>
|
||||
|
||||
<p>"Billy's brought his radio, silly idiot," Corky said. They sat down by the grass at the verge, waiting for the others to catch up. Corky leaned back and almost put his hand onto a wide cowpat and sent a riot of red dung flies whirling into the air.</p>
|
||||
|
||||
<p>Corky bared his teeth. "Remember the flies in the window?"</p>
|
||||
|
||||
<p>Danny nodded. His expression had gone flat and the bright twinkle of laughter faded from his eyes. "That could have been us, couldn't it?"</p>
|
||||
|
||||
<p>Jeff McGuire hadn't been the only youngster up on the roof behind the house on River Street. Corky and Danny and another fellow called Al Crombie had been on their way home from school, when they'd gone exploring up on the low roofs. You could always find a ball stuck up on the slates, or a birds nest in the eaves, even though it was still early in spring. All of the trouble was yet to erupt, so there was no reason to hurry home. They had gone clambering, pretending they were commandos, up and over the tin ridges and the swaybacked slopes on the roofs. Alan Crombie, who would have been with them on the trek to the Dummy Village if he hadn't been sent away, for safety's sake, to his uncle's farm at Creggan, had hooked a plastic toy glider out of a drainpipe.</p>
|
||||
|
||||
<p>They'd gone across the roof of the outhouse behind the old building and Corky had seen the movement in the window.</p>
|
||||
|
||||
<p>The flies had been crawling up the pane, hundreds of them, big and black, with that sheen of metallic blue at the edges. The three boys had stopped to look at the swarm on the glass, almost thick enough to cover half the window.</p>
|
||||
|
||||
<p>"Worth a look," Corky had said, but Danny had thought it was really creepy.</p>
|
||||
|
||||
<p>"There's millions of them. I read a story about flies that came and choked somebody to death and it gave me nightmares for weeks."</p>
|
||||
|
||||
<p>Just then, somebody shouted from a window of one of the tenements further along. A man was leaning out of a window and bawling at them to get down off the roof. The three of them had turned and scuttled over the ridge and down the far side, using the downpipe to get to the ground. They had forgotten all about the flies until Jeff McGuire had been a little bit more curious than they had. Now he was up in Barlane Hospital which was only one step away from being committed to Dalmoak where the real crazies were kept locked up.</p>
|
||||
|
||||
<p>"It could have been us," Danny said, giving a little shiver, though the day was warm.</p>
|
||||
|
||||
<p>"Flipping glad it wasn't." Corky said, chewing on a stem of grass he'd plucked. "Old Mole Hopkirk lying there with flies coming out of his mouth and all his hair growing across the floor. That would give you the heebie-jeebies. They say he was there for weeks and weeks and his nails just got longer and longer."</p>
|
||||
|
||||
<p>"If I'd have seen that," Danny said, "I'd have died on the spot. That would have been worse than Paulie Degman in the water and I had bad dreams for weeks after that."</p>
|
||||
|
||||
<p>Tom, Doug and Billy had almost reached them and the tiny music had swelled. Mick Jagger was growling that this could be the last time.</p>
|
||||
|
||||
<p>"Maybe the last time," Billy sang, well off-key. "I don't kn-o-ow...<em>oh no</em>."</p>
|
||||
|
||||
<p>"Give it a break Harrison," Corky told him, quite reasonably. "You can't sing for toffee."</p>
|
||||
|
||||
<p>"Great song that," Billy said. "But not as good as good ol' rock and roll."</p>
|
||||
|
||||
<p>"It <em>is</em> rock'n roll, idiot features."</p>
|
||||
|
||||
<p>"No. I mean the old stuff like Bill Haley and Elvis. My Ma's got dozens of records. Plays them all the time."</p>
|
||||
|
||||
<p>"So does our Phil. He's got all that old fashioned crap. He says Jagger's a poof and all the Beatles are big nancy boys." Corky turned to Danny and grinned. "Another step closer to hell for me. Phil really is a fool."</p>
|
||||
|
||||
<p>The other three looked at them askance. Danny and Corky burst into laughter again and the others watched them, wondering what the joke was. Billy waited until the end of the song and then turned the radio off. It was a tiny thing, hardly the size of a paperback, that he'd won by collecting tokens and you could pick up Radio Caroline, one of the pirate stations run from a boat of that name anchored just outside the official limit. Everybody agreed that the pirates were better at music and their deejays were far superior to anything on dry land. The radio was Billy's pride and joy.</p>
|
||||
|
||||
<p>They had reached the edge of the row of houses close to Cargill Farm Road that would take them up parallel to the Ladyburn Stream and then up onto the moorland. Here, the self-service general store served most of the families in the area. They came up round the back, still carrying the tent.</p>
|
||||
|
||||
<p>"How much have we got?" Doug said. They had pooled their money, not much of it, and certainly not enough for any expedition longer than a day. Corky told him not to worry as he unslung his haversack and brought out a bundle, wrapped in an old towel. He half unwrapped it until a beady eye showed, then a rounded head. It was a pigeon.</p>
|
||||
|
||||
<p>"What's that for?" Tom asked. Corky grinned.</p>
|
||||
|
||||
<p>"We can get what we want," he said. "You wait here and guard the tent". Billy laughed and Doug showed his big teeth. They followed Danny, who was holding the fistful of coins, into the shop and sauntered up the aisle while he went up the counter and pointed to the string of big beef sausages. He checked the price, saw that he could afford two pounds, and asked or it. Mrs Fortucci behind the counter, the mother of Brenda Fortucci who was a class above them in school and gifted with the most substantial breasts of anybody in the whole school, counted the sausages onto the weigh-plate, wrapped them, and passed them over. She cocked an eye up the aisle, checking on the other two. Danny was just handing over the change when the back door opened. He saw a hand push in, quick as a wink and then the sudden grey flutter.</p>
|
||||
|
||||
<p>The pigeon exploded into the air in a panicked clap of wings. A small downy feather tumbled out and rocked slowly as it fell towards the floor.</p>
|
||||
|
||||
<p>"What on earth...." Mrs Fortucci yelped. The pigeon came fluttering past her, heading for the window. It got half way there, saw the grille over the glass, veered, then flew in a tight, frenzied circle around the store.</p>
|
||||
|
||||
<p>"Oh, get it out of here," the woman squawked. She turned to the side and lifted a broom, swung it up into the air and started jabbing at the pigeon. Corky wasn't concerned. It was an old scrag from his father's pigeon loft, one of the street-tykes lured down b the big arrogant cock bird, and not a real homer. Even so, it was still easily fast enough to avoid the swinging brush head.</p>
|
||||
|
||||
<p>Up in the aisles, Doug and Billy were stuffing tins into their bags. Billy scooped cans of beans and tomato soup. Doug went for the corned beef and spam. He crossed the aisle, grabbed a loaf, stuffed it into his pack so hard that the paper burst, but he didn't stop. He spun and lifted a jar of strawberry jam and a packet of chocolate homewheat biscuits.</p>
|
||||
|
||||
<p>Above them the pigeon fluttered in a tight circle, wheeling round the light.</p>
|
||||
|
||||
<p>"I'll get it missus," Corky cried, running across from the back door. Beside him, the girl assistant was whooping in fright, hands clasped to her hair in the mistaken assumption that the bird's claws would get tangled in it. Corky crossed to the door, opened one side, then reached to swing the other, jamming it back. By now, Billy and Doug went out the back way. Light shone through the double doors and as soon as Corky moved away, the pigeon arrowed straight for the gap and swooped out into the summer air.</p>
|
||||
|
||||
<p>Mrs Fortucci dropped the brush, face flushed. Danny stood at the counter. She pointed at Corky.</p>
|
||||
|
||||
<p>"Come here," she said, beckoning with a thumb. Corky looked at Danny, wondered whether to make a break for the door, shrugged and came forward.</p>
|
||||
|
||||
<p>"I'd never have thought of that," Mrs Fortucci said. Her chest was heaving up and down, a vast double mound in magnificent motion. "That was good of you."</p>
|
||||
|
||||
<p>Corky shrugged again. She moved towards him and for a moment Danny thought she was going to hug him. He got a sudden vision of Danny disappearing into the deep valley and never coming out again. Mrs Fortucci passed him, heading straight for the till. She reached beyond it, lifted a large bar of chocolate and handed it to him.</p>
|
||||
|
||||
<p>"Can't stand birds in the shop," she said. "You go and enjoy it, son."</p>
|
||||
|
||||
<p>Corky almost burst out laughing, but he managed to keep it in until they were half-way up the farm track and then it all came out in a mirthful explosion. He sagged to the ground, dropping his end of the tent. Danny, holding his belly again, sat beside him. In a second they were all braying like hyenas. It took nearly five minutes before they could speak.</p>
|
||||
|
||||
<p>"Want a smoke?" Billy asked a while later, producing a packet. Doug took one and sat down on the rolled up tent. They were unfiltered full strength smokes that smelled like pipe tobacco. Doug inhaled, coughed heartily as the thick smoke dragged itself down into his lungs, and looked up at them, eyes brimming.</p>
|
||||
|
||||
<p>"Far to go now?" he asked through a dry throat.</p>
|
||||
|
||||
<p>"Miles and miles," Danny told him. "We've only just started."</p>
|
||||
|
||||
<p>"I'm whacked already."</p>
|
||||
|
||||
<p>Billy blew one of his famous smoke rings and made another one roll thorough the first. He'd been smoking since he was eight and had spent nearly six years practising the trick which he thought was just about the neatest party piece you could do.</p>
|
||||
|
||||
<p>"Great smoke. My old man used to smoke these in the war before he was killed."</p>
|
||||
|
||||
<p>The rest of them looked away hoping Billy wouldn't start about his war hero father.</p>
|
||||
|
||||
<p>"That's what my mum said. She's got a picture of him in his uniform and he's smoking a Capstan. Dead casual, like he's never been scared of anything."</p>
|
||||
|
||||
<p>Doug looked at Danny, a quick private glance.</p>
|
||||
|
||||
<p>"When we get up to this place," Billy continued. "And if we really find the dummy village, then I'm going to find something to bring back. Something from the war."</p>
|
||||
|
||||
<p>"Of course we'll find it," Corky said, trying to get Billy off the subject. Billy was fourteen and the oldest of them all and for most of his life he'd believed that his father had been a war hero, killed fighting the Germans. His ambition was to become a soldier when he grew up and go marching off, rifle in hand, to wreak his revenge. It was getting difficult for the rest of them to say nothing. They were hoping that Billy, who might have been the eldest but was academically the weakest, would do some mental arithmetic, some simple subtraction and come to the inevitable conclusion, and then shut the hell up. Nobody wanted to tell him to his face what he should already know.</p>
|
||||
|
||||
<p>"We should get going," Danny said. He stood up and took an end of the tent. Corky took the other and they hauled it up off the ground. Billy deftly nipped his cigarette and Doug tried the same manoeuvre without success. A red ember flew off the end and landed in the tall grass close to the hedge and immediately a wisp of smoke spiralled up. Billy stepped in and stamped hard.</p>
|
||||
|
||||
<p>"You'll set the whole place on fire," he said, giving Doug a shove.</p>
|
||||
|
||||
<p>Just then, something crackled, like a small branch breaking underfoot. It came from the shadows of the stand of trees on the other side of the track, and they all froze. Something moved again., a heavy object. Dry bramble runners snapped. Everybody looked at everybody else. Billy was about to speak but Corky held a finger to his lips.
|
||||
<em>Ssssh</em>!</p>
|
||||
|
||||
<p>Another footstep, slow and deliberate. Somebody was in the trees, moving towards them, hidden only by the sprawling hawthorn that lines the track.</p>
|
||||
|
||||
<p>"Phil?" Danny asked in a tight whisper. Corky shrugged.</p>
|
||||
|
||||
<p>"Have they followed us?" Tom asked softly. "Sneaky rotten shites"</p>
|
||||
|
||||
<p>They looked at each other again, all of them holding their breath. Out there in the shadows beyond the farm road, under the canopy of oak leaves, something was moving slowly towards them, using the forest as cover. Danny felt his scalp prickle. Doug turned on his heel and scooted up the track. Billy was right on his heels and then they were all running, going hell for leather despite the drag of the stolen booty and the weight of the rolled tent. Behind them the sounds faded as the distance widened but they didn't stop until they reached the ruins of the old shepherd's cottage at the far end of the lane far above the town.</p>
|
||||
|
||||
<p>Tom climbed up onto the crumbling wall, right up the gable slope and craned over the chimney to see back the way they'd come. He scanned over the hedge and saw the black and white cow come shambling out of the trees, munching on the dry grass in the corner of the narrow field.</p>
|
||||
|
||||
<p>"It's only a cow," he called down. "We ran away from a bloody <em>cow."</em></p>
|
||||
|
||||
<p>The relief was so great they all started laughing again. It wasn't Phil and Pony McGill come to beat the living daylights out of them. And it wasn't anything worse that all of them had thought of and none of them had mentioned.</p>
|
||||
|
||||
<p>Billy said how if it had been Phil he'd have pulled his own knife and squared up to both of them and everybody just jeered that notion to scorn. Billy was tough when it came to talking but everybody knew Corky was the toughest of them all and even he would think twice about taking his brother Phil on in a serious square go.</p>
|
||||
|
||||
<p>They were still laughing when they turned and squeezed their way through the stile and headed up across the field of gorse, listening to the seeds snap and crackle in the heat of the sun, winding their way through the maze of vicious little spines, heading for the line of trees that separated the high and low pastures, the rugged moorland from the rich agricultural loam of the farms.</p>
|
||||
|
||||
<p>They were quite unaware that while they struggled with the tent and the weight of the rucksacks, a pair of black eyes watched them from the cover of the thick plantation high on the far hill.</p>
|
||||
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|
||||
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|
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<title>8</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
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||||
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|
||||
<h1>8</h1>
|
||||
|
||||
<p><em>May.</em></p>
|
||||
|
||||
<p>Angus McNicol's boss, Commander Ross, who was head of the County force, made the announcement when Lucy Saunders was finally found. Angus the rest of the team under Hector Kelso who headed CID, had worked night and day for two weeks, going over the ground again with the tracker dogs, asking every boy and girl within a mile, trudging round the doors again asking them a second time if they'd seen anything. At the end of the day, it was the sergeant who pieced together what had happened to the child.</p>
|
||||
|
||||
<p>Her body was found under the third bridge over the Ladyburn Stream, a fair distance upstream of where it flowed to the sluggish marsh of the Rough Drain. She was lying crumpled and bloodied in a corner, slumped in a puddle.</p>
|
||||
|
||||
<p>From the Rough Drain, where the bike had been thrown into the muddy ditch, Angus McNicol, using hindsight, worked out the route the man with the twitchy eyes had brought the girl through the far side of the wasteland and up the curve of the stream where it skirted the lower end of the Overbuck estate, by the Dower House where the old Lady Hartfield had, according to legend, thrown some crazy, equally legendary parties back in the twenties.</p>
|
||||
|
||||
<p>He must have carried the child, it seemed certain, because it was unlikely a girl of eight would willingly go along with a man who had thrown her brand new bike into a stagnant pool. Also, Angus reasoned, she must have been unconscious, or silenced in some way, because to get to the stream, they would have passed by the old timber-frame houses still occupied by the estate workers. Somebody would have heard a child crying, or screaming, and would have come to investigate.</p>
|
||||
|
||||
<p>But nobody had heard a thing.</p>
|
||||
|
||||
<p>What was certain, from Dr Bell's post mortem report, was that Lucy Saunders had still been alive at that time. For, like Neil Hopkirk, it had taken her some time to die.</p>
|
||||
|
||||
<p>Danny Gillan's Aunt Bernadette had been right in her prophetic statement.</p>
|
||||
|
||||
<p>It was a matter of luck, if luck could be involved in such a thing, that they found Lucy Saunders so soon. She could have lain under the bridge for weeks, possibly months, had it not been for George Scott and his cousin Eric who had been poaching for rabbits on Overbuck Estate in the early hours of a May morning. They had just come down from the hill, using the trees by the stream as cover because the estate's fields were open and old Leitch the gamekeeper was as wily as a red fox. They came splashing down with the two terriers ahead of them and when they got to the bridge both dogs had started snuffling around at the darkened hollow of the metal access door into the water valve. The door had been pushed open and the two dogs disappeared into the gloom.</p>
|
||||
|
||||
<p>George bent in front of the low door, leaning into the gloom, calling on his terriers. They were scrabbling in the corner, both of them growling that low rumble, the way they did when they'd got too close to a fox in its den. Eric pushed by him and struck a match, sending a flare of light into the shadows. The dog's bobbed tails were sticking straight up, white salutes over in the corner. Beyond then, a white arm stuck upwards, as if waving.</p>
|
||||
|
||||
<p>Eric thought it was a doll at first and then he breathed in the stench. Right away he knew what he'd found. The arm was raised up and out. Below it, a small shape was slumped to the right, head down. The dogs were snuffling heavily and over the sound Eric could hear the humming of insects. He backed out fast, hissing at the dogs to come away, inadvertently grinding his heel down on his cousin's toe.</p>
|
||||
|
||||
<p>George yelped and cursed vehemently, but Eric didn't even hear it. "It's her George. That girl everybody's been looking for."</p>
|
||||
|
||||
<p>"You should watch where you're going," George said. "Nearly broke my flamin' toe."</p>
|
||||
|
||||
<p>"<em>Wheesht</em> man," Eric hissed, in the same stage whisper tone he'd used on the dogs. "It's that wee girl who's been missing. It must be."
|
||||
</p>
|
||||
|
||||
<p>"What are you blethering on about?" George finally asked.</p>
|
||||
|
||||
<p>"Bloody hell man, would you listen to me," Eric grabbed his cousin by the lapel, forcing him to stop hopping around in the shallow gravel on the stream. "It's a dead fuggin'
|
||||
<em>body!"</em></p>
|
||||
|
||||
<p>Angus McNicol and John Fallon were up at the third bridge in the space of fifteen minutes from the panicked phone call, and under the bridge, in the square stone box normally closed to the world by a heavy iron door fastened with a big brass padlock on a hasp, they found Lucy Saunders.</p>
|
||||
|
||||
<p>The pale little body was sprawled in a puddle, legs spread-eagled in pitiful invitation, arms outstretched, each one tied by a ripped piece of cloth to pulley-hooks set in the stonework. Her head was thrown back over to one side and her hair hung in rat's tails down on her bare shoulders.</p>
|
||||
|
||||
<p>The only article of clothing was the collar of a shirt and a scrap of cloth which hung down on her chest. One of her sandals was in the puddle, but there was no sign of the other.</p>
|
||||
|
||||
<p>At first, when the beam of the flashlight swept across the body, Angus McNicol thought, just as Eric Scott had done, that they'd made a mistake and merely found a discarded doll. The girl's small frame looked waxy, almost plastic in the damp gloom. But the smell was unmistakable, the stench of rotting flesh.</p>
|
||||
|
||||
<p>Even Dr Bell found it difficult to keep the emotion out of his post mortem report.</p>
|
||||
|
||||
<p>The name
|
||||
<em>Twitchy Eyes</em> spread like a searing brush fire around the town. Mothers panicked, and down at the distillery, the biggest employer of women, two of the bottling lines had to shut down completely because so many women had taken time off to make sure they were home when their children arrived from school.
|
||||
</p>
|
||||
|
||||
<p>Down on Strathleven Street, at the edge of the leafy path that angled down towards the allotments, a telephone line worker stepped into the shadow of an overgrown privet hedge to relieve himself of the pressure of two pints of beer he'd drunk in Mac's bar over lunchtime. He'd turned round, shaking himself dry the way men do, unaware of the mother and two children passing by on the other side of the street. All she saw was a man looming out of the bushes and exposing himself . She screamed like a banshee and dragged her girls to the nearest doorway, both of them squealing in fear and alarm though completely unaware of the workman's presence - and banged on the door until the householder who'd been tending his dahlias came running round the front of the house. A window next slammed open and a woman leaned out, yelling and pointing an accusing finger. Postman Brendan McFall came round the corner into the melee. A car stopped and two men - canvassers for the upcoming council by-election got out.</p>
|
||||
|
||||
<p>All they saw was the pointed finger and all they heard was a gabbled and garbled accusation and the four men took after the line worker. The dahlia gardener still had a long-handled weeding hoe in his hand and without any hesitation he took a swipe at the man, knocking his hard-hat into the privet hedge and knocking him to the ground. By the time the police arrived, the unfortunate man thought the whole world had gone crazy. He'd a lump the size of a pigeon's egg on the side of his head. Two streams of blood were dripping from his nose and one badly blacked eye was closed tight shut. Not only that, but when he'd tried to escape from the four madmen, two of them had grabbed his arms and out of nowhere a demented, screaming woman had come rushing across the road and kicked him right in the balls and drawn a row of bloody lines down his face with her fingernails. To add insult to this injury, on the following morning, when it was all accepted that he was not the crazed killer, he was hauled in front of Baillie McGraw at the Monday morning court and fined five pounds for committing a public nuisance. After that he refused ever again to work on Strathleven Street.</p>
|
||||
|
||||
<p>More unfortunate was the poor Asian salesman who had just come into town to take on a new territory for the Housemarket Supply Company. He had a dark coat and a turban and a glossy black beard and was a pretty exotic fellow by the normal standards of the backwater where he planned to sell his plastic toilet brushes and knickknacks.</p>
|
||||
|
||||
<p>He was on the far side of town, up by Arden Road, and he stopped to ask a directions of a group of children. Everything would have been fine, but for the fact that a four-year old had turned round and seen the dark face under the turban and the shiny beard and taken him for a pirate. She gave a wail of fright, which was immediately taken up by her younger friend and in an infectious wave of panic a bunch of little girls who had been skipping gaily in the late spring sun, were screeching like piglets.</p>
|
||||
|
||||
<p>A group of men playing quoits with old iron carthorse shoes on the wasteland where the old quarry buildings used to be came running round and attacked the salesman with such violence that he ended up in Lochend General where he needed a three-hour operation to relieve the pressure caused by a dreadful curved dent in his skull caused by a solid iron shoe from a Clydesdale horse.</p>
|
||||
|
||||
<p>It was that kind of panic, the jitters that sizzled through the town. There was a
|
||||
<em>bad man</em> here, a murderer, and while people naturally suspected it must be a stranger, all that was known was that he was a man, tall, with dark hair. And with twitchy eyes.
|
||||
</p>
|
||||
|
||||
<p>From the pulpit in St Rowan's on Sunday, the Father O'Connor who ruled the parish took the opportunity to warn the children of his flock.</p>
|
||||
|
||||
<p>"Let us pray for Lucinda Saunders," he enjoined them, joining his hands together to show he little ones exactly how it was done, "who was only eight years old and who met such a dreadful end."</p>
|
||||
|
||||
<p>The old priest, who sported an Italian-style Beretta hat and an accent as thick as the bogs of Ireland, was hell on pagans, protestants and purgatory, along with the devil and all his wiles who was lurking around every corner waiting to snare a good catholic boy. And the said devil wasn't above using flirty teenage non-Catholic girls to do his dirty work either.</p>
|
||||
|
||||
<p>"Yeah, though we walk through the valley of the shadow of death," he began. "The Lord is with us. This poor girl was not of our faith, children, and because of that she had never been baptised in the cleansing water of Christ's Holy Church, and that is a terrible thing don't you know."</p>
|
||||
|
||||
<p>He peered at them, hands clamped over the ornate polished marble edge, marble that would have cost six months wages in a good-paying foreman's job and leaned forward.</p>
|
||||
|
||||
<p>"For that means she was not cleansed of the original sin and because of that, she will be tormented by the purifying flames of purgatory, burning until that sin is purged away and she comes out shining and clean and fit to meet the Lord in all his great glory."</p>
|
||||
|
||||
<p>Danny Gillan put his head in his hands and as soon as he did so, his father leaned over and knuckled him sharply, letting him know he had to sit up and pay attention. This was God's business and He liked straight kneeling. The old priest lumbered along on his theme, purging and purgatory, cleansing fires. Over by the side altar, Father Dowran kept his eye on the unruly boys.</p>
|
||||
|
||||
<p>Danny had vaguely known Lucy Saunders they way all children know the connections. She was the cousin of some of the guys who played football on the spare field at the bottom end of Overbuck Estate, and while he might not have picked her out in a crowd of small girls, she was no different from anybody else. Just a kid.</p>
|
||||
|
||||
<p><em>Burning and purgatory</em>. Just like the
|
||||
<em>Bad Fire</em>, like hell itself, except that after a thousand years in the searing heat of the flames, you got a chance to get out and go to heaven and that was something Danny Gillan couldn't fathom out. He just couldn't get his thoughts to hold on to that concept at all.
|
||||
</p>
|
||||
|
||||
<p>He looked up at his father, sitting straight-backed in his good Sunday suit, one long-knuckled hand clasped around Danny's little sister's dainty fingers, nodding all the while, as if mesmerised by the truth of the priest's words.</p>
|
||||
|
||||
<p>But Danny's thoughts had gone sparking off in a different direction. The kid was no different from anybody else, except fore the fact that when she was small and helpless, her parents hadn't brought her here to the old Italian marble fountain and had the water poured over her while they renounced Satan and all its works and all his pomps and because of that - according to old Father O'Connor - she would feel the cauterising sear of purgatory. After all she had suffered, (and Doc bell's report missed one of that awfulness) after having the life squeezed out of her in a puddle of her own piss, she had to suffer some more.</p>
|
||||
|
||||
<p>He shook his head at the immensity of it, the complete and utter wrongness of it. His father looked down at him, hunched in the corner of the seat, eyes diverted, and he thought Danny was daydreaming again. He reached once more and nudged his son's shoulder. Danny automatically straightened his posture while the priest asked them all to pray for the repose of the innocent but somehow tainted soul of Lucinda Saunders - and he wondered what his father would think if he knew that some of the boys in the Church Legion said that sometimes the curate, Father Dowran who ran the boys club would take them down to the room under the hall and chastise them for any perceived wrongdoing. And in the dark of the store-room, he would take their trousers down and....</p>
|
||||
|
||||
<p>"Daniel, pay attention."</p>
|
||||
|
||||
<p>Danny brought his eyes forward and thought of Lucy Saunders and Paulie Degman and not for the first time, he thought the whole world was going totally crazy.</p>
|
||||
|
||||
<p>Either that or <em>he</em> was going mad.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
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|
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<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
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"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<title>9</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
||||
<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>9</h1>
|
||||
|
||||
<p><em>August 1. 12 noon:</em></p>
|
||||
|
||||
<p>"Just climb down," Billy prodded, nudging Doug with his elbow. "Quick, before somebody sees us." The pair of them were up on the orchard wall, fifteen feet above the ground and it would have been an impossible climb but for the solid swathe of old ivy that festooned the stone. From up on the top, the thick growth helped hide them from view. An expanse of dead straight rows of vegetables, angled away towards the far wall, thick lines of lettuce, curly red or tight green footballs of new cabbage. There were beans on wires reaching for the sky, stalks of rhubarb as thick as a boy's arm.</p>
|
||||
|
||||
<p>They had taken a detour back down to the Ladyburn stream, rather than going up through the barwoods onto the high moor, for no particular reason except that it was a tiring hike up the hill and much easier going down in the shadow of the valley. Old Leitch the gamekeeper might chase boys off if he came across them, but it was hardly likely he was down in the gardens of Overbuck Estate, and so as long as they were quiet and careful, they'd be in and out again before anybody noticed.</p>
|
||||
|
||||
<p>"It's too high," Doug protested, "and there's no way back up." Doug had never liked heights.</p>
|
||||
|
||||
<p>"Course there is," Billy insisted, urging him over the parapet. " Look over there. They've planted trees against the wall. It's just like a ladder. No bother at all."</p>
|
||||
|
||||
<p>The pear tree espaliers slanted upwards, hugging the stonework, laden with half-sized stone-hard fruits. It was far too early in the season for them to be worth stealing but there were richer pickings on a hot August day and for the five boys, out on an adventure after the claustrophobic and tense summer months of the school holidays, they were too sweet to resist.</p>
|
||||
|
||||
<p>Already Tom, never one for taking huge risks, was crawling along by the wires where the tall raspberry canes nodded in a warm eddy of wind. Beyond him, Danny and Corky were leaning over the blackcurrant bushes. Billy could see their hands peck out and come straight to their mouths and in his imagination he could already taste the bitter-sweet juice bursting on his own tongue.</p>
|
||||
|
||||
<p>"Well, I'm not waiting around," Billy asserted. He scrambled along the top of the wall. Somewhere in the distance, in the shadow of the massive conifers, great Californian redwoods that towered over the water garden, a pheasant squawked its metallic challenge and overhead a wood pigeon murmured softly. Billy gingerly slid his feet over the other side and lowered himself down, tongue hanging out as he concentrated on finding a toe-hold. He dropped down another few inches and his tee-shirt, the kind of thing they used to call a
|
||||
<em>Sloppy-Joe</em> scraped upwards, exposing his belly to the rough sandstone.</p>
|
||||
|
||||
<p>Finally his questing foot found a convenient cross-wire and he lowered himself backwards. Further along the wall, a lead fastener pulled out of its niche, instantly slackening all the tension out of the wire. Without warning Billy dropped almost a yard before it pulled him up sharp, wide eyed and heart-thudding. The wire sprung back, vibrating like an old guitar-string.</p>
|
||||
|
||||
<p>"Fu..." Billy mouthed, hands scrabbling for the edge of the wall, in case the wire snapped under his weight, but by luck, it held fast.</p>
|
||||
|
||||
<p>"Told you it was too high," Doug told him.</p>
|
||||
|
||||
<p>"Oh don't be such a
|
||||
<em>crapper</em>," Billy shot back. The colour was coming back into his face after the fright. "Honest to God, Bugs, I never saw a bigger scaredy cat in my life."
|
||||
</p>
|
||||
|
||||
<p>"Don't call me that,
|
||||
<em>fatso</em>." Doug snapped back. He forgot his complaint and scrambled over the top, feeling for handholds. Billy climbed down the pear tree, one step at a time, trying to avoid the support wires. Over on the far side, they could hear somebody talking or singing, but there was nobody in sight.
|
||||
</p>
|
||||
|
||||
<p>"Come on Doug," Billy cajoled when he'd reached the bottom. After a few moments, Doug carefully turned himself around and got onto sturdy lateral branch. Whispering loudly, Billy directed his feet, but it was slow going. It took several minutes of prompting and persuasion to get talk him down to earth. They finally reached the raspberry patch and found Tom stuffing himself with long pink fruits and the two of them tried to make up for lost time.</p>
|
||||
|
||||
<p>After ten minutes of pillaging, Tom asked where the others were.</p>
|
||||
|
||||
<p>"I saw them down at the far side," Doug said, his face stained with juice, making his chin as red as his big ears. "They getting tore into the goose-gogs, but I think they went through the door in the wall over there."</p>
|
||||
|
||||
<p>"What for?"</p>
|
||||
|
||||
<p>Doug shrugged. Billy was shoving raspberries into his mouth like a harvesting machine, making juicy little slurping noises all the while. He was enjoying this.</p>
|
||||
|
||||
<p>Danny and Corky stopped just beyond the green door at the far end of the vast greenhouse which took up half the length of the entire orchard wall. The panes had been whitened with the same chalky material that greengrocers used to advertise their prices on shop windows but there were a couple of clear patches which showed green shadows behind. Corky pushed himself up against the glass to cut off his shadow and peered inside. He turned and tapped Danny on the shoulder, eyes wide and mouth set into a perfect circle. Danny leaned, shaded his eyes and took in the enormous grape vine stretching from one end of the greenhouse to the other. For a second he saw nothing but a thick canopy of leaves and then the picture jumped into clear focus. Immense bunches of grapes, great purple inverted pyramids, hung down by the dozen. The grapes themselves looked as big and as succulent as ripe plums.</p>
|
||||
|
||||
<p>"I want some of them," Corky said. Danny nodded. He'd never seen such a wealth of exotic fruit, and he was sure nobody else had. If they were lucky, they'd maybe get an apple to eat in the schoolyard, but grapes, they were for rich folk. And nobody came any richer, in these parts, than the folk from Overbuck House.</p>
|
||||
|
||||
<p>The greenhouse door was unlocked and they let themselves in, looking apprehensively over their shoulders, every nerve alert and tingling, ready for the shout of rage that would follow discovery. Off to the side, they could see Billy's red shirt against the green of the raspberries. Inside the greenhouse the air was hot damp and just how Danny imagined it would feel inside a jungle in Africa. The vine was festooned with grapes, groaning and sagging with them. They seemed to glow with inner fire under the bloom on the top curves.</p>
|
||||
|
||||
<p>"We could take hundreds and they'd never even notice," Corky said. "But we'll need something to carry them in." He went out, beads of sweat already trickling down his temple and into the dry air outside. "Find a bag or something," he said, looking beyond the door. "Or a potato sack would be even better. We could carry more."</p>
|
||||
|
||||
<p>Danny thought they'd already done pretty well with the raid on the general store. They'd all shared the chocolate, giggling at the reward for mischief, none of them feeling particularly guilty at swiping a few cans from such bounty. Here was greater bounty, rich and lush; beyond their expectation. They went through the green door, following a line of nodding scarlet poppies towards the yew hedge.</p>
|
||||
|
||||
<p>"They must be as rich as sin," Danny said. The grey baronial columns of Overbuck house towered over the dark green of the tight clipped hedge, spiral turrets pointing to the sky.</p>
|
||||
|
||||
<p>"Richer than that," Corky said. "I read about them in the library. They've got millions and millions. My old man said they made their money out of making gas for the Germans to use and he says they should be strung up and bayoneted, but the book says it was guns and dynamite, and I reckon that's probably right. My old man doesn't read books unless they're about pigeons."</p>
|
||||
|
||||
<p>He turned, face earnest. "There was a picture of them from way back, before the first war, in the olden days. There were about a hundred people working in the house, just to look after the family, like make the beds and polish their shoes and even pour their drinks and wipe their arses."</p>
|
||||
|
||||
<p>He grinned. "They even had somebody to heat the bed up for them if it was old. Can you imagine that? Having as much dough?"</p>
|
||||
|
||||
<p>Corky raised up his hand, as if holding a glass. "More
|
||||
<em>cavvy-yarr</em>, Jeeves," he said in a fake toff's accent. "And light me a cigar."</p>
|
||||
|
||||
<p>"You don't smoke," Danny said, returning the grin.</p>
|
||||
|
||||
<p>"I would if I had their fortune," Corky vowed. "Great big cigars."</p>
|
||||
|
||||
<p>The wealth of the place was unimaginable, beyond any of their dreams. The boys followed the track down to the stables and crept through the tack room, still buzzing with the delicious sense of danger. If the gardener caught them, they'd get a boot right up the backside, just for starters, but it was worth it. This was a fairyland, a film set. No money had ever been spared on Overbuck estate.</p>
|
||||
|
||||
<p>One of the dusty tack rooms was open, filled with sawhorses and horse-jumping fences. In the corner a trunk sat angled in against a horse-box. It was a wide, curve-topped wooden affair, bound with ornate metal ribs, and looked like every chest ever described in a pirate story.</p>
|
||||
|
||||
<p>"Treasure," Corky whispered. He pushed against the lid and to their surprise it creaked open. Corky got it up to head height and flipped it back slowly, letting it settle against the cobwebs on the wall. A shaft of light angling through the window made something glitter and for an instant Danny thought that they had indeed found treasure, but it was only the top of an old decanter, chipped on one side. It lay on a pile of old books.</p>
|
||||
|
||||
<p>"Some treasure," Danny said, but already Corky was turning them over in his hands.</p>
|
||||
|
||||
<p>"Celtic myths and legends," he said, leaning over to see the cover. "Must be about football."</p>
|
||||
|
||||
<p>"No," Danny said. "It's Irish stories. They're pretty good. I read some of them, remember I told you about Cuchullain the Hero. He beats superman any day."</p>
|
||||
|
||||
<p>Corky flipped the book open and a monstrous face, a witch from a bad nightmare glared out from an old woodcut print.</p>
|
||||
|
||||
<p>"The Morrigan," Corky read the caption. "The Irish goddess of destruction." He turned to the other boy. "Look at the mug on that. Looks like a really mean old bitch. Look Dan, she's a dead ringer for Sister Julia."</p>
|
||||
|
||||
<p>Danny suddenly burst into a fit of the giggles. The hideous face with feral eyes and the jagged, monstrous teeth looked nothing like the little nun who ran the school, but she looked just as fierce.</p>
|
||||
|
||||
<p>"<em>Wheesht</em> man, you'll get us both hung." Corky stuffed the book down the waistband of his jeans. On the wall, an old tattered nosebag hung from a nail and he reached to unhook it. They crept back up towards the greenhouse, keeping to the shaded side of the stables and just before they reached the green door in the wall, Danny heard somebody talking beyond the corner of the wall where the flower-garden sloped down to a shorn smooth lawn shadowed by trees. At first he almost called out, thinking it was the other three coming back. A shadow appeared, just a motion seen through a teardropped fuschia bush and a man came walking towards them, his head just turned away from them. Corky spun and pulled Danny backwards, yanking him by the collar of his tartan shirt back into a stand of flowering shrubs.
|
||||
</p>
|
||||
|
||||
<p>The man was tall and had short blonde hair slicked back like an old movie star, though he was still young. He was dressed like a cricketer, all in white, with a pullover draped casually over his shoulders. It flapped behind him as he came striding up the path, his face sunburn-red.</p>
|
||||
|
||||
<p>"Fucking little whore," he spat, managing to curse in a way neither of them had heard before. It sounded like a dirty word properly spoken. He went loping down the path, feet crunching on the stone chips. "Dirty common
|
||||
<em>slut</em>."</p>
|
||||
|
||||
<p>Corky started to rise out of the bushes but this time Danny pulled him backwards as another figure came tripping round the corner. This time it was a woman, maybe in her early twenties. Like the young man, her hair was that rich golden colour, but it fell in waves on either side of her face. She was wearing a pink shirt and a short tennis skirt. The top was open to her navel and as she moved, both boys saw one breast come swinging out. The motion flared the shirt, exposing its twin, both of them pert and firm and uptilted. She strode forcefully along the path, shoes grinding on the gravel, golden hair spilling and bouncing.</p>
|
||||
|
||||
<p>To Danny and Corky she was the most beautiful thing they'd ever seen.</p>
|
||||
|
||||
<p>"Don't you
|
||||
<em>dare</em> call me a whore," she called out in an accent they had only heard in English films. "At least I know which side of the fence I'm on." She stamped her foot, petulant as a little girl, and then went chasing down the path after him. Danny thought she looked like Marilyn Monroe, but even prettier. Much prettier. A waft of perfume drifted towards them, sweet as climbing roses, yet mingled with another scent that none of them recognised, because none of them had ever yet smelled the true scent of a woman.
|
||||
</p>
|
||||
|
||||
<p>They huddled by the door, wondering whether anyone else would come through, but there was no sound on the bath beyond. They sneaked up to the door in the wall. Corky turned to check on the lawn. He stopped and pointed. Another man was standing beside a slowly swinging hammock. His back was to them and he was tucking a shirt into the waistband of his trousers. He was tall and slim and his hair was thick and grey.</p>
|
||||
|
||||
<p>"That was Janey Hartfield," Corky said. "What a pair of knockers. Hell's bells, she must have been
|
||||
<em>doing</em> it."</p>
|
||||
|
||||
<p>"What, right there in a hammock?" Danny was shocked, amazed, strangely excited. He and Corky, they'd both confided in each other that there were a couple of girls who weren't too bad after all. Danny found that in recent months, Claire Brogan had developed an uncanny appeal. Corky admitted that her friend, Ann Coll, who had jet black hair and eyes to match, had the best smile ever. In hat moment, however, both the girls seemed thick and clodden compared to the slender, hot and prancing grace of Janey Hartfield.</p>
|
||||
|
||||
<p>"Looks like it," Corky said. "Lucky swine that he is. Look at the age of him. He looks like a colonel in a war movie" Corky nudged Danny forward through the doorway, but Danny's mind right at that moment was elsewhere. It was the first real breast he had ever seen outside of the tattered pages of Parade magazine and he was still stunned by the sight of it. It was the first time he had smelt a perfume just as rich and as heady as that, and the first inhalation of that other special scent. He did not know it, but that smell had affected him more than the perfume. Little hot shivers went juddering inside his belly and for an instant his jeans felt as if they had shrunk. Danny hadn't quite crossed over into puberty yet, but the chemistry was just beginning to happen. He felt as if a warm and soft hand had trailed up the inside of his thighs, making the skin ripple into gooseflesh.</p>
|
||||
|
||||
<p>"She's a goddess," he said in a whispering sigh. "A film star."</p>
|
||||
|
||||
<p>"No. She's a whore," Corky said. "At least that's what her brother thinks."</p>
|
||||
|
||||
<p>"He didn't look happy," Danny said. In his mind's eye he kept seeing that pink nub of flesh swinging out followed by the other one, defying gravity, smooth as polished marble, ruby crowned.</p>
|
||||
|
||||
<p>"And with all that money," Corky observed. "If it was me, I'd be laughing every day of the week." "If it was me, if I had all that and I could speak that way, I could do anything." He winked and held up the old canvas nosebag. "But I haven't, so come on, put your eyeballs back in again and let's give him something to worry about."</p>
|
||||
|
||||
<p>He pulled Danny's arm and hauled him along the track. Together they went in to the jungly heat of the greenhouse. When they emerged, crouched low, five minutes later, the bag was stuffed heavy with the biggest grapes any of them could remember. They reached the pear tree and clambered up to the wall, giggling all the while, Danny still unable to completely cast away the spell of the fair haired woman, but doing his best. Up and into the waxy ivy leaves, with the release of tension juddering inside them at the thought of almost getting caught and then winning through, they crawled along the wall. Finally, the giggles subsided.</p>
|
||||
|
||||
<p>"Where's Billy and the rest..." Danny started to ask when suddenly there was a crash of glass and a loud, hoarse shout.</p>
|
||||
|
||||
<p>"Come back here you thieving little cretins," the voice echoed across from beyond the wall. A split second later, Tom came streaking through the other door across the far side of the kitchen garden, the one that led to the majestic main house. Billy came next and went blundering across the cabbage patch. Doug came last, his face white, even in the distance, but in a couple of seconds, elbows pumping, loping with the grace of a startled roebuck, he had overtaken Billy who was an inch or so taller, but carried more weight. In a moment he was right on Tom's heels. The three boys came racing over the rows of lettuce, sending the leaves flying. Doug hit the wall first and came clambering up the pear tree, no hesitation now. He didn't even see the two others lying in the thick carpet of ivy. Tom followed next, gripping his way up the ladderlike branches, climbing quickly, but missing some holds in his panic. His body seemed oddly stiff. Behind him Billy was jabbering.</p>
|
||||
|
||||
<p>"Come on,
|
||||
<em>Jeesacrist!</em> Move, will you!" The fright had screwed his voice up so tight the words were all jammed up against one another. He gave Tom a shove and the smaller boy almost went flying off the top of the wall. He grabbed for a piece of the ivy, felt it rip away, began to fall backwards, a yell blurting out. Then, quick as a snake, Corky stuck his hand out and snatched his wrist in a tight grip.
|
||||
</p>
|
||||
|
||||
<p>"You were nearly a goner there."</p>
|
||||
|
||||
<p>"Stupid fat shite," Tom gabbled at Billy. Doug was halfway down the tangled ivy creeper on the far side. A big lumbering shape came crashing towards them across the garden. Danny thought he saw a gun and simply threw himself off the wall, using the thin ivy twigs to slow his descent. He hit the ground hard but kept his feet. Doug was running for the trees. Danny followed with Tom and Billy pounding after them.</p>
|
||||
|
||||
<p>Beyond the wall the angry man's voice followed them, but they were safe. They got to the trees and along the beaten earth path that led down to the stream and splashed over the shallows and up the other side. They didn't stop until they were up on the edge of the woods, sitting on the fallen spruce tree under which they'd hidden the tent and the bags.</p>
|
||||
|
||||
<p>Tom was hauling for breath. Billy's face was so red with exertion that it looked as if it might explode.</p>
|
||||
|
||||
<p>"Don't you ever call me that again, runt-face," he grunted.</p>
|
||||
|
||||
<p>"Stupid fat shite," Tom repeated, this time in a grated whisper. Billy's brows came down, visible now under the fringe of black hair. His eyes went dark.</p>
|
||||
|
||||
<p>"Lighten up," Corky said in that reasonable way he had. "We all got away, and look what we've got." He held up the old nosebag. Oily-black grapes seemed to be bursting out of the top, spilling out the way Danny had seen in the old paintings in the art gallery. Big as plums, swollen and somehow magical.</p>
|
||||
|
||||
<p>Billy's face lightened and instantly he forgot his gripe with Tom. "Not bad. But you never reached the kitchen, did you?" He turned to Tom and winked. Tom ducked his hand under his shirt and pulled out a bottle that was jammed into his waistband. Now the reason for his stiff-gaited climb was apparent. The wine glowed a deep red in the light of the noonday sun.</p>
|
||||
|
||||
<p>"And look at this," Billy said proudly. From under his tee-shirt he produced a rolled up parcel. He unravelled it and it turned out to be a kitchen towel. Even before the full unwrapping occurred, they could smell the juicy tang of roast chicken.</p>
|
||||
|
||||
<p>"It was just lying there and the window was open."</p>
|
||||
|
||||
<p>"<em>Jeez,</em> if they catch us they'll shoot us." Corky said.</p>
|
||||
|
||||
<p>"Not if we get rid of the evidence," Billy replied. "It's our lucky day."</p>
|
||||
|
||||
<p>"Lucky bloody <em>year!</em>"</p>
|
||||
|
||||
<p>It was less than two hours after they'd run away from Phil and the others at the gate on the farm road, and they had plenty of time. They hauled the tent out from where they'd hidden it and followed the stream up the hill, beyond the fork where the Ladyburn and the Langcraig tributary met, taking the left branch which would angle them north and west and up into the hills, climbing all the while. They stopped about two miles upstream at a natural clearing where the trees had petered out and the sheep had grazed the grass short. They fell on the stolen chicken and the grapes and Billy spent a lot of time with the spike on Tom's old army knife, working the wine-cork free. He finally popped it and took a deep drink, belching and gasping when he finished.</p>
|
||||
|
||||
<p>"Great stuff," he pronounced. "It's really hot when it gets down."</p>
|
||||
|
||||
<p>Tom and Doug tried it and then Danny took a swallow feeling his taste buds leap at the sudden infusion of a taste he'd never experienced before.</p>
|
||||
|
||||
<p>"Don't hog it all," Billy said. "Finders get first dibs." He took another swallow then passed it to Corky. "Here, take a slug."</p>
|
||||
|
||||
<p>Corky shook his head. Billy nudged him with the bottle.</p>
|
||||
|
||||
<p>"I don't want any," Corky said. "I can get any amount of wine at home." He caught Danny's eye. "It rots your brains out."</p>
|
||||
|
||||
<p>"Oh big tough Corky. Don't smoke, don't drink and don't swear," Billy scoffed. "Just what <em>do</em> you do?"</p>
|
||||
|
||||
<p>Corky ignored him. Billy pushed the bottle at him again and Corky just hit it with his hand. It went tumbling out and fell on to a stone where it caved in with a liquid crash.</p>
|
||||
|
||||
<p>"Flippin' hell," Billy bawled, rising to his feet. "You didn't have to break it." He reached for the bottle, but the bottom had cracked wide open and all the blood red wine simply drained into the grass. Danny watched it go with some regret. His mouth still tingled with the tantalising, rich flavour. He could have used another swallow. He had savoured riches.</p>
|
||||
|
||||
<p>Billy sat down again, still complaining, but everybody ignored him. Doug told how a gardener had spotted him under the net of the strawberry beds and how he'd almost got tangled in the mesh in his rush to escape. Billy and Tom had been ahead of them and one of them had put his foot through the glass of a cold frame.</p>
|
||||
|
||||
<p>"Could have taken my leg off," Billy said vehemently, forgetting the wine, and now checking his shin for signs of damage.</p>
|
||||
|
||||
<p>"Then you could have really hopped along," Doug told him.</p>
|
||||
|
||||
<p>"And you could save a fortune on shoes," Tom added.</p>
|
||||
|
||||
<p>"And gone in for the hop, skip and <em>hop</em>," Corky said, laughing now.</p>
|
||||
|
||||
<p>"Let's go to the hop," Danny chipped in, shoving himself up from the grass and getting onto one leg. He hopped to the edge of the stream and started to sing. "Oh baby....let's go to the hop."</p>
|
||||
|
||||
<p>Without any hesitation Tom and Dog followed him, both of them hopping jerkily and singing raucously until Tom lost his balance at the edge of the bank and slid down to land backside foremost in a couple of inches of shallow water at the edge of the stream. By this time they were all laughing, even Billy. Corky was lying back, holding his sides and Doug, who had eaten more grapes than he had consumed in his entire life was almost sick.</p>
|
||||
|
||||
<p>They were just boys out on adventure, glad to be away, glad to be out from under. The day stretched ahead of them, all the trouble and excitement behind them. They fooled around by the stream for a while, then climbed up the slope of the far side of the valley to the last fields where they hooked out a few pounds of early potatoes and some carrots, adding to their provisions. In half an hour they were beyond the line of the barwoods now and as they straggled up the natural track made by the cattle coming down to drink, a pair of dark eyes watched their progress from the shade of the tall spruce trees.</p>
|
||||
|
||||
<p>The eyes blinked in the glare of the sun reflecting off the water in the pool of stagnant water. The rays heliographed dazzling white light that made the eyes blink furiously against the glare, but they did not turn away from it. The light flashed sharp spears, fading out the colour of the grass and the thick ferns that crowded down the shoulder of the valley. For a second, the scene was fuzzed in monochrome, in layers of misty grey.</p>
|
||||
<hr/>
|
||||
<p><em>He was out of</em> this <em>time again. He was back....</em></p>
|
||||
|
||||
<p>The light was in his eyes, reflecting from the black space in the floating weed. An iridescent blue damselfly helicoptered in on impossibly slow wings, great black eye-spots winging seductively at the ends where they stroked at the air. The light was in his eyes and the beat of blood sounded like a mill-weir behind his ears.</p>
|
||||
|
||||
<p><em>Dung fly. Dung fly.</em></p>
|
||||
|
||||
<p>Somebody had spoken. He twisted round as far as he could but the sound hadn't come from Conboy who was slumped against the wedged open door, lying half in and half out of the truck as if and he couldn't make up his mind whether to come in or go. The flies were crawling all over Conboy's eyes and he wouldn't do a thing to make them go away. Black flies, humping and bumping, jittering into the air, in Conboy's eyes and in his mouth and in the other eye in the corner of his forehead. Conboy stank and he hadn't said anything for a while, but maybe he would talk some more later on.</p>
|
||||
|
||||
<p>The light was in his eyes and the pounding was in his head and he soared with it.</p>
|
||||
|
||||
<p><em>Dung fly. Dung fly.</em></p>
|
||||
|
||||
<p>Somebody had called it out. The darkness came and the light went out and he slept for a while and then he remembered the pain. The truck had rolled and bounced and he'd been thrown and now he was stuck under the fallen tree, unable to free himself and the flies had gathered on Conboy and they were crawling on the deep wound that scored down his own thigh on the leg that was trapped in the mud.</p>
|
||||
|
||||
<p>Up there in the track, he heard people moving about, and the chants in that strange high and bell-toned language where every word was a shout of anger or a cry of pain.</p>
|
||||
|
||||
<p>"All of them," the Sergeant-Major had said. "They're all gun runners and terrorists. Just keep them on the move and that makes sure the Reds got fuck-all to live on. And don't worry, they don't feel the same as you and me. They don't think the same. Don't feel pain and they don't cry tears."</p>
|
||||
|
||||
<p>He knew that. They were pagan people. Little barbarians. They had no belief.</p>
|
||||
|
||||
<p>Up on the track, people were moving beyond the lush foliage and he shrank back, unwilling to call out yet scared of the next rain and the water level of the pool rising up to his chin or higher still. How long he'd been here he could not say. Two days, maybe three. No longer than a week. The pain in his leg came and went and the buzzing in his head ebbed and flowed and Conboy sometimes looked at him with the flies in his eyes and when night came he could hear his blaspheming voice accusing him.</p>
|
||||
|
||||
<p>"Mad bastard. Mad bloody bastard." Conboy's voice grated. The way it had done when he had pulled him back by the arm, reaching to grab the still hot barrel of the rifle.</p>
|
||||
|
||||
<p>"Jesus fucking Christ you crazy shit." Conboy had been angry and scared then when he'd come round the side of the hut. Everybody had panicked when the shooting started and a couple of grenades had gone off with sudden concussions punching into the air, converting two of the little huts to fountains of tumbling chaff. Blood was splattered over one wall, a whole line of it. A flop of bodies lay in the corner, beside an overturned basket of grain or rice.</p>
|
||||
|
||||
<p>"No comfort," a voice said, deep inside him. "Give them no aid and no comfort."</p>
|
||||
|
||||
<p>"Holy mother," somebody had whooped. "Gideon's flipped his fuckin lid."</p>
|
||||
|
||||
<p>Gideon they called him. Well they might, for Gideon was a warrior for the lord.</p>
|
||||
|
||||
<p>Now Conboy was lying there with his third, ragged eyehole and accusations in his voice.</p>
|
||||
|
||||
<p>"You shouldn't have done it, man. Shouldn't have touched the kid."</p>
|
||||
|
||||
<p>Pain pulsed up from his leg and he prayed for it to stop and for Conboy to go away and leave him alone and he prayed for mercy the way the priests had shown him. But there was no God to hear him and succour him out here in the heat and the steam. They were down in the valley now.
|
||||
<em>The valley of the shadow.</em></p>
|
||||
|
||||
<p>
|
||||
<em>Dung fly.</em> That's what it sounded like. Over and over, hollow little clucks that sounded like no true language. He heard it again and something touched his cheek. Very slowly he forced his eye to open. The left one was thick and glued and he could feel a fly crawling over it.
|
||||
</p>
|
||||
|
||||
<p>He squirmed awake, fighting off the dreadful tiredness. Two children were standing on the far end of the fallen tree. The girl a head smaller than the boy, both of them tiny and very thin, with long black hair and patina skins. The boy plucked another small berry from an overhanging bush and threw it towards him. It bounced against his forehead.</p>
|
||||
|
||||
<p>"Dung fly," the girl said. She pushed at the boy.</p>
|
||||
|
||||
<p>He turned, ignoring the pulses of pain and the ripples in the water.</p>
|
||||
|
||||
<p>"Do it, Gideon," Conboy said drily. "Get them quick."</p>
|
||||
|
||||
<p>The boy's eyes widened and the girl's face puckered as if she would cry. She pulled at his hand, tugging him away. Conboy's flies spun into the air and the boy started back. He jabbered again, a tumble of hard consonants and nasal dipthongs. They turned quickly and went scampering off the trunk, disappearing immediately into the sea of green with hardly a rustle, but he could hear the girl's high-pitched voice for a while until it too faded.</p>
|
||||
|
||||
<p>The blackness came back.</p>
|
||||
|
||||
<p>"They're all head-hunters," Conboy had said. "They've been at it for millions of years." The flies buzzed around him and his sockets opened wide. "They take the head and eat the brains and that way they got your soul forever. That's what they think. Crazy little shits. You can't tell what they're thinking, but you know what's in their heads. They put people on spikes and watch them die."</p>
|
||||
|
||||
<p>The humming sensation was back again, a shuddery little vibration that sometimes lifted him out of the pain and up into cool height where his thoughts were clear and powerful. And he knew that God had abandoned him out here, turned his back on him, but he also knew that now he did not need any other. He had the power of life and death. His given right.</p>
|
||||
|
||||
<p>The bamboo crackled and he forced his eye open again. The boy was back and this time there were two men. A third joined them and then a fourth.</p>
|
||||
|
||||
<p>"Dung fly," the boy said. That's what it sounded like. He pointed. The men stood together. They wore long skirts made of some rough cloth and they all had the parang blades for cutting bamboo. They regarded him solemnly and in silence. Finally one turned to the rest and made a short speech.</p>
|
||||
|
||||
<p>Out of sight, he lifted the butt of the gun and drew it towards him. The pain was high and glassy and he swooped along it.</p>
|
||||
|
||||
<p>They all turned round again. They looked like any of the villagers he'd seen in the past six months and each of them looked the same as the rest. Their villages went up in flames and their rice-stores scattered and burned. They were herded into the trucks and taken forty miles up the track to start again, and that made sure they were in no position to help the hordes of Godless commies trying to beat the forces of the good Lord.</p>
|
||||
|
||||
<p>One of the men lifted his parang and spoke. Another raised his blade. He watched them coming, through the half closed eyelid. They edged across the log, walking warily, feeling for purchase with their bare feet. The darkness closed in again and the rush of blood pounded behind his ears. The black flicked out and he was up in the cold again and he saw them moving towards him with chopping blades and there was no chance a slant-eyed little heathen was going to take his head.</p>
|
||||
|
||||
<p>"Shoot them," Conboy insisted from his vantage point. "I can see them coming. They're coming for you. You should finish what you started,
|
||||
<em>Gideon</em>."</p>
|
||||
|
||||
<p>The men stopped, eyeing him warily. He squirmed a hand forward, drawing the gun towards him, skating on the smooth ice pain.</p>
|
||||
|
||||
<p>The men scattered. One second they were creeping towards him and then they were off and his gun was bucking again and they were screaming in terror and crashing through the green. The smell of cordite mixed with the smell of broken leaves and wet sap and the scent of blood.</p>
|
||||
|
||||
<p>"That showed them," Conboy said. "Kill them all and they can't touch us." The flies crawled out with the words, crawled back in again. Conboy's silent yell went on and on. His other eye bristled with life. Up the slope a line of people were moving fast, following a track and he could hear their yelling and he knew they'd come back again.</p>
|
||||
|
||||
<p>"We'll be waiting," Conboy said in his buzzing, hazy voice and the darkness began to crowd in again in billows of shadow.</p>
|
||||
|
||||
<p>The next time he saw the light he was in a hospital bed with a drip snaking into his arm and a pipe coming out of his leg where the flies had been eating at him and after a while the Major wanted to know who had put the bullet through Conboy's temple. And he couldn't remember anything except the voices and the look in Conboy's eyes as he lay back, talking to him while the flies buzzed.</p>
|
||||
|
||||
<p>The sun spangled on the water and the Major's face wavered away and the world gave a little
|
||||
<em>shudder</em> and he was back on the hillside watching the line of boys moving slowly, following a track up the slope and he could hear them yelling at each other. The sun was high and it was hot and the buzzing of flies came drowsily down from the trees and he could feel the beat behind his ears again, the surge of hot blood, and the feeling started pushing its way back into him.
|
||||
</p>
|
||||
|
||||
<p>It was hot under his shirt and a trickle of sweat rolled down from his armpit, a cold little line tracing its way across his ribs, and he blinked his eyes hard, once, twice, against the glare and for a moment their cries sounded like...</p>
|
||||
|
||||
<p><em>He was going up now, into that cold place where he remembered</em></p>
|
||||
|
||||
<p>They sounded like....</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
370
build/darkvalley/OEBPS/010.xhtml
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370
build/darkvalley/OEBPS/010.xhtml
Normal file
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>10</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>10</h1>
|
||||
|
||||
<p><em>August 1. 1.30 pm.</em></p>
|
||||
|
||||
<p>They sounded like.....</p>
|
||||
|
||||
<p>He watched from up on the hill, listening to them calling to
|
||||
each other. He blinked his eyes hard, once, twice, against the
|
||||
glare and for a moment their cries sounded like...</p>
|
||||
|
||||
<p><em>He was going up now, into that cold place where he
|
||||
remembered</em></p>
|
||||
|
||||
<p>....."I have to go home mister." The girl had said, clear and
|
||||
high.</p>
|
||||
|
||||
<p>She stopped her bike. Here at the edge of this waste ground
|
||||
where the pools of run-off drainage water lay black and deep in
|
||||
places, overhung by fronds of willow and the umbrella leaves of
|
||||
giant hogweed that looked just like jungle rhubarb in the steamy
|
||||
gulleys.</p>
|
||||
|
||||
<p>"Not far," he'd said, blinking against the sunlight on the slick
|
||||
surface. "You'll like it."</p>
|
||||
|
||||
<p>"I don't see a rabbit," she'd said, looking up at him in
|
||||
quizzical innocence. There was the slightest hesitation in her
|
||||
eyes, the merest flicker of doubt. But they were beyond the low
|
||||
bridge now. Here the pathway was narrow and it forked three ways
|
||||
and he knew this place from a long time ago.</p>
|
||||
|
||||
<p>"Just down here," he told her. "You'll like it." He blinked
|
||||
furiously. Under his tongue, the familiar surge of saliva squirted
|
||||
juicily. "What's you name?"</p>
|
||||
|
||||
<p>"Lucy."</p>
|
||||
|
||||
<p>Lucy. Lucinda. <em>The light</em>. He remembered that from the
|
||||
priests.</p>
|
||||
|
||||
<p>And the light was in his eyes.</p>
|
||||
|
||||
<p>He stood back to allow her past and she pedalled forward,
|
||||
concentrating on avoiding a piece of broken bottle. He let her get
|
||||
a yard ahead then stooped. Quick as a snake. His hand clamped
|
||||
around her mouth and in a smooth motion he lifted her upwards. His
|
||||
right hand shot out and grabbed the seat of the bike. She squirmed,
|
||||
but he was too strong. He turned and slung the bike high over the
|
||||
stand of hogweed. It spun in the air, red and silver, flickering in
|
||||
the sunlight, to land with a splash.</p>
|
||||
|
||||
<p>She kicked her heels and he felt her fear sizzling through her,
|
||||
letting it arc into his own body.</p>
|
||||
|
||||
<p><em>Dung fly.</em> The sound came back to him and fell out of
|
||||
his mouth. He repeated it again and again, just under his breath as
|
||||
he made his way quickly along the path. No-one came. He crossed the
|
||||
water, wading knee deep through the reeds and iris stalks and then
|
||||
he was past them, reaching the heavy cover of the far side. He
|
||||
travelled some distance, stopping only once to settle her up in his
|
||||
arms to make the carrying easier and in his head the thrilling
|
||||
vibration was as pure as the hum of a mosquito.</p>
|
||||
|
||||
<p>She shuddered, shaking her head from side to side and the air
|
||||
snuffled through her nose. He glanced down, and saw her eyes roll
|
||||
madly and the fear was wide and clear in them. After a while he got
|
||||
through the scrub and reached the bridge. In an instant he was
|
||||
under the span. The door swung open with hardly a squeal. He
|
||||
turned, pulled the girl behind him. Her foot hit the ground and a
|
||||
little red sandal flipped off. He hooked it back towards him with
|
||||
his foot, leaving a heavy cleat-mark on the damp clay.</p>
|
||||
|
||||
<p>He pushed the door shut. The girl hiccuped, sending a delicious
|
||||
shiver through him. He waited until it passed and then he turned
|
||||
and sat down on the wide metal pipe that carried water down from
|
||||
the reservoir. He loosened his hand from her mouth, confident now..
|
||||
She did not cry. A small groan escaped her but her whole attention
|
||||
was focused on getting air into her lungs. He let her have one or
|
||||
two breaths, great whooping scoops of air and then he closed her up
|
||||
again.</p>
|
||||
|
||||
<p>"Blow," he said, and all she heard was the deep rumble of his
|
||||
voice in the dark. "Blow <em>hard.</em>"</p>
|
||||
|
||||
<p>She blew hard, clearing both nostrils. When he was satisfied she
|
||||
could breathe easily, even though the lungs were bellowing fast as
|
||||
a rabbits, he reached down and found her foot, tugged hard at the
|
||||
sock until it came off, balled it in his hand and then used his
|
||||
thumb to force it between her teeth. She shook head with violent
|
||||
desperation and a spasm rippled through her, but he persisted until
|
||||
she made no sound. He could feel the shiver and knew she was beyond
|
||||
crying out for the moment. He knew the fear was running around
|
||||
inside her. It would chase her down in to the valley of the shadow
|
||||
and she'd come through the other side, up in the cool, place where
|
||||
there was no pain, the place that he himself could reach.</p>
|
||||
|
||||
<p>She knew. The certainty of it came off her in waves, like
|
||||
electricity. There was no escape. She would die here.</p>
|
||||
|
||||
<p><em>Whatever thou doest to these, the least of my children, you
|
||||
do also to me</em></p>
|
||||
|
||||
<p>In the dark, he nodded and he smiled a sly smile. <em>My Lord,
|
||||
why hast thou forsaken me...?</em> His desolation was past now. He
|
||||
was.</p>
|
||||
|
||||
<p><em>I am who am!</em></p>
|
||||
|
||||
<p>He reached for the mtches and lit the little lamp by sense of
|
||||
touch. It flared, sent up a sputter of smoke and then began to
|
||||
glow. He turned to look at her, a small form, pale and shaking
|
||||
uncontrollably, a frightened bird caught in a trap. Her eyes were
|
||||
wide and fixed on him and in them he saw the knowledge.</p>
|
||||
|
||||
<p><em>Dung fly..</em> the eyes of a child far away, begging
|
||||
him.</p>
|
||||
|
||||
<p>The lamp guttered and Conboy's flies buzzed in the shadows and
|
||||
the voice of the priest had come back to him.</p>
|
||||
|
||||
<p>"Holy orders. A gift from God. To make sacrifice to him."</p>
|
||||
|
||||
<p>But there was no god here.</p>
|
||||
|
||||
<p>After a while he crossed to her.</p>
|
||||
<hr />
|
||||
<p><em>Interlude:</em></p>
|
||||
|
||||
<p><strong>"</strong>We knew, or at least we were fairly sure at
|
||||
that time, that it had to be somebody who knew the area," Angus
|
||||
McNicol said. "That was what we thought at first and we pulled in
|
||||
the usual suspects, shirtlifters, flashers, the whole gamut. The
|
||||
Hopkirk boy, he could have been just a one off, and that's what we
|
||||
thought, until we found the girl. We'd spent six years teaching men
|
||||
how to kill and were bad people then, just like there are bad folk
|
||||
now. Look at your Nilson's and that nutcase down in Hungerford and
|
||||
god save us, those babies in Dunblane. And nutters like the
|
||||
Jonestown mob who think they're doing it all for the glory of
|
||||
god."</p>
|
||||
|
||||
<p>Angus leaned back against the thick upholstery of his easy chair
|
||||
and ran his fingers through a thick head of white hair.</p>
|
||||
|
||||
<p>"After we found Lucy Saunders we realised he knew that access
|
||||
duct to the chamber under the bridge. "But how local is
|
||||
<em>local</em>? "I mean it could have been somebody who had been in
|
||||
the town before and moved away. I thought it had to have been some
|
||||
fellow who played around the Rough Drain and up the stream as a boy
|
||||
and knew the paths. But you have to remember <em>when</em> it
|
||||
was.</p>
|
||||
|
||||
<p>"What I man is that there were no credit cards or the like.
|
||||
"There was more work then, at least more than there is today and
|
||||
people came to work the bottling lines for the summer and then were
|
||||
off again. There were potato-pickers and dry-stone wallers, and
|
||||
teams of folk who'd come in to help with the fencing for the
|
||||
forestry commission, or digging the drainage ditches up on the
|
||||
Langcraig moors for the plantations. A lot of movement in those
|
||||
days, when you were doing the twist and growing your hair long.
|
||||
Don't think I forget giving you a toe up the arse for breaking that
|
||||
street light over at Station Street." He grinned again and the eyes
|
||||
twinkled.</p>
|
||||
|
||||
<p>"The only thing we had was that people noticed more. If it was
|
||||
somebody who lived in the town, he'd have been recognised and a
|
||||
stranger would be noticed. That's why that poor Indian fellow got
|
||||
such a beating up by Arden Road. Our man man was cunning enough,
|
||||
though he took risks and let himself be seen a couple of times.
|
||||
That made him arrogant and maybe not in control of himself.</p>
|
||||
|
||||
<p>"He was a big fellow. Bigger than me probably, going by the
|
||||
weight he put on his toe-tector boots. And he took a size twelve,
|
||||
which is about normal for a big man. He had dark hair and he
|
||||
blinked all the time as if he had something in his eye and that's
|
||||
how the name got around. We had his fingerprints, mostly from the
|
||||
old surgery where they found the Hopkirk lad and they didn't match
|
||||
with anything on CRO file. We could have done with some of this
|
||||
computer technology then. Press a few buttons and you've got it.
|
||||
Then It was all done with files and teleprinters.</p>
|
||||
|
||||
<p>"We had casts made of his boot-prints and we had pictures of his
|
||||
bite-marks that showed he'd a bottom tooth mising. Fabric from his
|
||||
jacket, hairs from his head and his crotch and we had bugger-all
|
||||
really because <em>Twitchy Eyes,</em> he was a nobody. He just came
|
||||
and he went.</p>
|
||||
|
||||
<p>"Oh, we knew he had religion, <em>Christian</em> religion, from
|
||||
the pages of the bibles he left. You know this place. We've been
|
||||
murdering each other for years in the name of God Almighty and
|
||||
there's nothing to chose between them all. This man left the word
|
||||
of God covered with shite and flies, and he was killing as
|
||||
well.</p>
|
||||
|
||||
<p>"When I think of what he did to that wee girl under the bridge,
|
||||
I tell you, I still wake up some nights and my hands are clenched
|
||||
so tight the nails are digging half-moons into my palms. If I had
|
||||
got that bastard, pardon my language, if I'd got him when I was on
|
||||
my own, I'd have torn his arms off, I kid you not."</p>
|
||||
|
||||
<p>Angus McNicol drained his glass, but he did not smack his lips
|
||||
as before. He put it down slowly.</p>
|
||||
|
||||
<p>"I would have done to him what he did to those people. I'd have
|
||||
done to him what he did to that poor wee soul under the bridge, and
|
||||
I'd have made it last. And then I'd have buried him."</p>
|
||||
<hr />
|
||||
<p><em>Interruption:</em></p>
|
||||
|
||||
<p>Angus McNicol's face had twisted with anger when he described in
|
||||
detail what had happened to little Lucy Saunders in the mud under
|
||||
the bridge, and I believe then that he would have done what he
|
||||
said. He'd have killed the killer. The memory for him was as clear
|
||||
as day, as defined and sharp as if it had happened only yesterday.
|
||||
Some memories are like that.</p>
|
||||
|
||||
<p>Here I have to intrude. <em>Author intrusion</em>. My editor
|
||||
will scream blue murder and I'll have to explain that sometimes
|
||||
when you tell a story, you have to find your own way through it and
|
||||
round it, and that's just the ones you make up and knit together
|
||||
from the ideas in your head. Maybe one or two of you have read my
|
||||
other books under my pen name, and you'll know I butt in now and
|
||||
again, but hardly ever. But that's in the stories I made up, or at
|
||||
least the ones which I dragged out of my nightmares to make into
|
||||
horror stories and chillers to help me get rid of the dreams.</p>
|
||||
|
||||
<p>Now I know the dreams will never go away because this is where
|
||||
they all live.</p>
|
||||
|
||||
<p>Back then. Back in the memory, hunched in the shadows under the
|
||||
bridge like the troll waiting to eat the billy goats, under the
|
||||
bridge like the man with the twitchy eyes. Under the bridge with
|
||||
the smell of rot and the buzzing of the flies.</p>
|
||||
|
||||
<p>When I spoke to Angus McNicol I let him have only half of the
|
||||
truth. I told him I was researching for a book, but I had no
|
||||
intention of writing one then, not a true <em>story.</em> I was
|
||||
asking for <em>myself</em>, in the hope that I could find some
|
||||
meaning for all of that, for the monkey that's been hunched on my
|
||||
shoulder, pressing down with the weight of the years. I thought I
|
||||
could find a cure, a magic bullet, that would kill the thing off
|
||||
and rid me of the dreams.</p>
|
||||
|
||||
<p>Dreams don't give up easily, and memories don't give up at
|
||||
all.</p>
|
||||
|
||||
<p>In the end, I had to admit that part of it was just a need to
|
||||
bring the memories right out into the open and face them in the
|
||||
light of day instead of running away from them. I honestly don't
|
||||
know if it's done me one bit of good.</p>
|
||||
|
||||
<p>But writing it down lets me spread it around a little, maybe in
|
||||
the hope that a nightmare shared is a nightmare halved and I know
|
||||
that might sound a little bit flippant. I am just not sure any
|
||||
more.</p>
|
||||
|
||||
<p>Anyway, a little more patience and I'll be out to leave you on
|
||||
your own if you want to read further. I've tried to put the
|
||||
thoughts into people's heads, to express them the way they were
|
||||
thought. Not an easy job, but further along there will be
|
||||
occurrences that explain enough, that gave me hints as to what
|
||||
thought processes - some of them murky and dreadful - were going
|
||||
on.</p>
|
||||
|
||||
<p>Also, for many years before I sat down to write my first book,
|
||||
and for some years after that, I worked as a newspaperman, checking
|
||||
out facts, digging in under the surface of things, and I'm still
|
||||
proud of the little card tucked in my wallet that tells me I'm a
|
||||
journalist, a reporter of fact, a life member of a tarnished, but
|
||||
still honourable breed, no matter how governments wriggle and
|
||||
twist. Some of the stuff I got from Angus McNicol and some of it I
|
||||
dredged up my memory and a few other facts I got from digging
|
||||
around in some old dusty places. Maybe I've taken a bit of licence
|
||||
here and there, but I don't believe I've gone over the bounds. I
|
||||
want to impart some of the <em>taste</em>, the bitter apples and
|
||||
hard pears and exotic black grapes.</p>
|
||||
|
||||
<p>But remember also that the five of us boys knew reach other, had
|
||||
known each other and you know what it's like being a kid of
|
||||
thirteen or so, just getting ready for your hormones to kick in,
|
||||
getting set for big strides into that big world up ahead. You can't
|
||||
keep a secret and you try to keep a promise and most of the time a
|
||||
thought's in your head no longer than the time it takes to speak it
|
||||
out, spit it out. Mostly we knew, just at a glance, what each other
|
||||
was thinking.</p>
|
||||
|
||||
<p>Five of us.</p>
|
||||
|
||||
<p>There was Corky with his drunk of a father banged up in Drumbain
|
||||
Jail and not for the last time either. There was Danny and his
|
||||
father who had given up a good paying job in the shipyards to start
|
||||
at university and spent all of his time either studying or praying
|
||||
and threatening everlasting punishment from an angry god. There was
|
||||
Doug whose father was already in Toronto, run out of town by his
|
||||
wife's shame and the need to take his family out from under the
|
||||
cloud. There was Billy and his strange failure to accept his
|
||||
inheritance, nurturing his belief in a father who did not exist, or
|
||||
who lived and battled only in Billy's imagination. There was Tom
|
||||
Tannahill who had watched little sister slowly die of leukaemia in
|
||||
the front room of their house while his mother was out at the shops
|
||||
and who walked with the knowledge of death shadowing his steps.</p>
|
||||
|
||||
<p>Five of us.</p>
|
||||
|
||||
<p>And yet despite the storm clouds of those strange and crazy
|
||||
times, we were trying to grow our hair long and get away from those
|
||||
slick-quiffed old fogies who jived to Elvis and Jerry Lee Lewis. We
|
||||
wanted to be different from teddy-boys like Phil Corcoran and Pony
|
||||
McGill with his cratered face. We wanted to be like Donovan, trying
|
||||
to catch the wind and we had a ticket to ride. Gil Favor and Rowdy
|
||||
Yates were our heroes on Rawhide. Old William Hartnell was Doctor
|
||||
Who, going through time in a police box and that was the
|
||||
mind-blowing marvel that made adventurers of as all. Woolworth's
|
||||
still had wooden panels on the counters and sold bags of broken
|
||||
biscuits for a penny. And a policeman could still kick your arse
|
||||
and send you on your way to sin no more.</p>
|
||||
|
||||
<p>It was a year when everything was exploding and we had no
|
||||
control over it and we knew that Mick Jagger was telling the truth
|
||||
when he strutted up and told us <em>this could be the last
|
||||
time.</em></p>
|
||||
|
||||
<p>Because it <em>was</em> the last time, and even then, in the
|
||||
warm summer sunshine, struggling up the hill with a bellyful of
|
||||
grapes and chicken, lugging the packed tent and (unsuspected by us)
|
||||
a strange man's eyes drilling into the back of our necks, we knew
|
||||
this <em>would</em> be the last time.</p>
|
||||
|
||||
<p>The world was changing and plans were in the air. In a couple of
|
||||
months, in less than a year, most us would be scattered to the
|
||||
winds. Jobs were hard to find even then, and besides that, other
|
||||
things had happened that set in motion the irrevocable machinery
|
||||
beyond our control.</p>
|
||||
|
||||
<p>There was the knowledge of the past season, from spring through
|
||||
to summer, still fresh in our minds, the realisation forced upon us
|
||||
that sudden death could come out of the blue, in the cold light of
|
||||
day, whether by accident, or creeping sickness, or looming shadow
|
||||
under the trees on the Rough Drain. There was the prescience of the
|
||||
year to come that would change things forever.</p>
|
||||
|
||||
<p>Maybe it was to save something of it all, keep the essence of us
|
||||
intact that we went up the hill searching for the decoy target,
|
||||
looking for the Dummy Village. It was our last chance to find that
|
||||
Eldorado before it was gone forever.</p>
|
||||
|
||||
<p>Maybe even then, we were trying to find ourselves before it all
|
||||
slipped away from us and got lost.</p>
|
||||
|
||||
<p>And maybe that's what I set off to do when I began all of this.
|
||||
Who really knows? I don't.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
727
build/darkvalley/OEBPS/011.xhtml
Normal file
727
build/darkvalley/OEBPS/011.xhtml
Normal file
@ -0,0 +1,727 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>11</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>11</h1>
|
||||
|
||||
<p><em>August 1. 2.30pm</em></p>
|
||||
|
||||
<p>A sound of thunder cracked way over at Drumbeck Hill and the
|
||||
noise of the explosion at the quarry face came rolling over the
|
||||
fields and up the valley. Doug stopped on the brow of the hill
|
||||
where the drystone wall angled back towards the barwoods.</p>
|
||||
|
||||
<p>"Houston, we have lift off," he bawled in a dreadful American
|
||||
accent.</p>
|
||||
|
||||
<p>"Bombs away," Billy hooted and the rolling grumble in the air
|
||||
passed them by in a shockwave they could actually feel. Doug
|
||||
clambered up on top of the wall and helped Danny heft the tent
|
||||
over.</p>
|
||||
|
||||
<p>"Look there," Doug said, pointing south and east towards where
|
||||
the tall spruce trees crowded on the other side of the valley,
|
||||
marking the edge of the Overbuck estates. He shaded his eyes and
|
||||
the others followed the direction of his outstretched finger. "I
|
||||
saw something."</p>
|
||||
|
||||
<p>"Yeah. The wild larch tree," Corky said. "Very rare. That's the
|
||||
last million larch trees in the whole world."</p>
|
||||
|
||||
<p>"No, you daft <em>baskit</em>. I saw somebody. Over there at the
|
||||
edge."</p>
|
||||
|
||||
<p>The boys all made visors of their hands and peered under the
|
||||
shadow towards the edge of the plantation. The high trees
|
||||
straggling close to the edge were all in silhouette against the
|
||||
heat haze of the summer. Nothing moved.</p>
|
||||
|
||||
<p>"I saw somebody watching us," Doug insisted.</p>
|
||||
|
||||
<p>"It was the cow again," Billy said. "It's supercow oh-oh-seven.
|
||||
Trained to search and destroy. Fitted with exploding tits. It won't
|
||||
give up until it's molocated us all." Everybody laughed, even Doug.
|
||||
Nothing moved in the plantation. They all climbed the wall and
|
||||
lugged the tent along the bare path worn by the sheep as they moved
|
||||
up onto the moor. The peaty ground was dotted with thick clumps of
|
||||
gorse, wickedly spiked but in the warm updraughts and eddies,
|
||||
wafting an exquisite scent of coconut and delicate oils into the
|
||||
air. They ambled slowly up the track towards where the line of
|
||||
electricity pylons marched west, trailing black cables under the
|
||||
sky. The quarry blast rumbled again.</p>
|
||||
|
||||
<p>"That's what it was like all the time during the war," Billy
|
||||
said. "Must have been great."</p>
|
||||
|
||||
<p>"Must have been murder," Corky said. "You'd go to bed and never
|
||||
know if you'd wake up again." He swung his stick and lopped the
|
||||
head off a thistle, watching it go tumbling through the air.</p>
|
||||
|
||||
<p>"Wonder if there's any more bodies in the river," Doug said.
|
||||
"They'll all come floating up."</p>
|
||||
|
||||
<p>"Jeez Dougs, give it a break," Tom snapped.</p>
|
||||
|
||||
<p>"I was just thinking about Paulie. Just when I heard the quarry
|
||||
blast."</p>
|
||||
|
||||
<p>"He was covered in all sorts of crap," Billy said. "The current
|
||||
took him almost across to the other side of the river and he must
|
||||
have been stuck under the ribs of one of the sunk boats down in the
|
||||
mud. Al Crombie said he was all grey and stuck like this." Billy
|
||||
hunched his shoulders and stuck his hands out, mimicking a twisted
|
||||
corpse. "But the crabs and fish had got his fingers and the toes on
|
||||
one of his feet where his boot had come off. Chewed them all away.
|
||||
His lovin' mother wouldn't have recognised him."</p>
|
||||
|
||||
<p>"Jeez Billy, give it a rest." Tom pleaded again. Billy ignored
|
||||
him.</p>
|
||||
|
||||
<p>"And they think Mole Hopkirk got his the same day. That's when
|
||||
he went missing."</p>
|
||||
|
||||
<p>"Everybody knows that," Doug said. They were ambling along, in a
|
||||
ragged line, weaving between the jagged thorns of the gorse,
|
||||
listening to the drying seed-pods crackle and pop open in the heat
|
||||
of the sun. "That was really creepy. Like old <em>Twitchy</em>
|
||||
fixed it so nobody was looking."</p>
|
||||
|
||||
<p>"No. Mole was off his head anyway. Remember we saw him down at
|
||||
Rope Vennel?" Tom asked Billy. "When he was cadging smokes? He was
|
||||
always swinging those keys, trying to swipe them down people's
|
||||
faces. He could have put somebody's eye out with them."</p>
|
||||
|
||||
<p>"And then somebody put his eye out. What a horrible way to go."
|
||||
Billy turned to Doug who was just behind him. "You said with any
|
||||
luck he'd fallen in the river. You wished it on him."</p>
|
||||
|
||||
<p>"No I didn't," Doug protested. "And anyway, you said you wished
|
||||
he'd taken on somebody bigger than himself, and that's what
|
||||
happened, so <em>you</em> wished it on him too."</p>
|
||||
|
||||
<p>"Listen to yourselves," Corky said. He was ahead of them on the
|
||||
pathway, just behind Danny, both of them lacquered with sweat and
|
||||
panting. Corky had taken off his frayed shirt and tied the arms
|
||||
around his waist, leaving a tail hanging like an apron. The marks
|
||||
of cleg-fly bites stood out on his shoulders. "You two would start
|
||||
a fight in an empty house."</p>
|
||||
|
||||
<p>"But he said..." Billy started.</p>
|
||||
|
||||
<p>"So what? He's a goner isn't he? He was dead before any of us
|
||||
knew about it, and he was as crazy as a cat with a poker up its
|
||||
arse and all. It wasn't our fault he met up with some loony. He
|
||||
shouldn't have been breaking in to houses anyway."</p>
|
||||
|
||||
<p>"Like we broke into Overbuck's kitchen," Billy asked
|
||||
mischievously.</p>
|
||||
|
||||
<p>"That's different," Corky said. "They're as rich as sin. And
|
||||
there was no crazy about to grab us."</p>
|
||||
|
||||
<p>"That gardener looked pretty crazy to me. If he'd have caught us
|
||||
we'd have been in real stook. I nearly crapped my pants."</p>
|
||||
|
||||
<p>"I thought you had, from the smell of it," Corky said and
|
||||
everybody laughed again.</p>
|
||||
|
||||
<p>They got to the brow of the hill and dropped the tent. Doug had
|
||||
taken off his faded tee-shirt, revealing a tattered string vest
|
||||
which more holes in it now that when it was new. Billy said it
|
||||
looked like a lot of spaces joined together and Doug admitted
|
||||
without rancour that most of the holes weren't joined at all.</p>
|
||||
|
||||
<p>"I want to get a tan," he said. "All criss-crossed."</p>
|
||||
|
||||
<p>"You'll look like a chain-link fence," somebody said and they
|
||||
laughed some more. They were all in a circle, Corky standing
|
||||
astride the green bulk of the tent, rapping his knuckles on the
|
||||
polished-wood of the support poles jutting from the roll. Billy was
|
||||
leaning against the creosoted trunk of an electricity pole which
|
||||
bore three parallel cables down the side of the hill and across the
|
||||
valley. He lit a cigarette and offered them around. Tom took one
|
||||
and Billy lit for both, before flipping the match to the side.
|
||||
Immediately a clump of grass started to shrivel and crackle as a
|
||||
flame, made invisible by the bright sunlight, caught the tinder-dry
|
||||
brush. Billy casually stamped his foot and put it out. He lifted
|
||||
the long ash stave he'd cut in the valley and started peeling the
|
||||
bark back in strips. Danny got his slingshot from his pack and shot
|
||||
some small stones at the glass insulating plates high overhead,
|
||||
missing with every shot. He was better at throwing. Doug switched
|
||||
on the radio, made it whinge and whine as he spun the little dial
|
||||
searching for a station. For a brief moment, the Righteous Brothers
|
||||
cranked up to losing that lovin' feeling then they were gone, gone,
|
||||
gone in a crackle of static.</p>
|
||||
|
||||
<p>"You're too near the power lines," Corky said. Doug looked up,
|
||||
switching the little radio off.</p>
|
||||
|
||||
<p>"There's a nest up there," he said. They looked up and saw the
|
||||
little tangle of grass and moss out on the arm where the black
|
||||
cables snaked in their loop from one set of insulators to the
|
||||
other. He got up and reached towards the overhead spar joining the
|
||||
two poles. Beyond them barbed wire set round the uprights offered
|
||||
resistance to temptation, and as an added deterrent, a tin plate
|
||||
bearing a lightning-bolt motif blared in red letters: <em>Warning:
|
||||
130,000 volts</em>. <em>Danger of Death.</em> Overhead, even though
|
||||
the air was dry, they could hear the low, somehow animal, growling
|
||||
vibration of power.</p>
|
||||
|
||||
<p>"Not worth it," Danny said. "You go near those wires and they'll
|
||||
burn you to a crisp." He was sitting furthest away from the pole
|
||||
and the trickling buzz of the voltage made him nervous. "And you
|
||||
can't let go either. It makes you hold on tight and burns you up
|
||||
until there's nothing left."</p>
|
||||
|
||||
<p>Doug moved back from the strut and ran a hand through his
|
||||
straight fair hair.</p>
|
||||
|
||||
<p>"That can't be true," Billy said. "Look. There's a crow up on
|
||||
the wire. It's just sitting there no bother at all and it's not
|
||||
getting zapped."</p>
|
||||
|
||||
<p>"That's because it isn't earthed," Corky said. "Don't you ever
|
||||
listen in science?"</p>
|
||||
|
||||
<p>"I don't believe it," Billy retorted. He jammed the cigarette in
|
||||
the corner of his mouth and hauled himself up, using his stave as a
|
||||
climbing pole. His weight drove the point deep into the earth and
|
||||
he had to pull hard to get it out again. He hefted the straight
|
||||
stick, holding it like a spear as he walked backwards up the hill.
|
||||
They all watched him.</p>
|
||||
|
||||
<p>"What's he up to?" Tom asked.</p>
|
||||
|
||||
<p>"Damned if I know," Doug said mildly. Billy got about thirty
|
||||
yards, right on to the shoulder of the slope. Behind him, two
|
||||
lapwings flopped into the still air, beating jerkily while they
|
||||
bleated their distress at the intrusion into their territory and
|
||||
the danger to their nest.</p>
|
||||
|
||||
<p>Billy stopped, looked up and then came running back the way he
|
||||
had come. He took ten steps and swung his arm back.</p>
|
||||
|
||||
<p>"Geronimo!" The stave soared like a javelin, heavy-end foremost,
|
||||
curving through the air. It arrowed above the wires, seen from
|
||||
where the rest of the boys were sitting and for a moment they
|
||||
assumed it would fly straight over, to land in the gorse beyond. It
|
||||
landed right on top of the wires, fifty feet from the pylon. It
|
||||
made a pinging sound as it slapped across all three of the thick
|
||||
cables.</p>
|
||||
|
||||
<p>A red flame flashed across its length.</p>
|
||||
|
||||
<p>There was absolutely no warning, no hesitation. It simply flared
|
||||
with a sound of ripping canvas.</p>
|
||||
|
||||
<p>"Bloody hell," Tom mouthed.</p>
|
||||
|
||||
<p>"Yee-hah," Billy crowed triumphantly. The others watched in
|
||||
amazement. The flames crackled across the ash stave, making it
|
||||
jitter on the wires, twisting like a snake. An explosion of blue
|
||||
sparks erupted where it lost contact with the centre-cable and a
|
||||
sound like a road-drill came rattling down.</p>
|
||||
|
||||
<p>The five of them stood simply mesmerised.</p>
|
||||
|
||||
<p>"Look at it <em>burn,</em>" Billy yelled. He was jumping up and
|
||||
down, his tee-shirt flopping, waving both hands in the air. A sheet
|
||||
of flame flew off the burning branch, coiled into a sphere and
|
||||
rolled upwards, roaring like an angry beast. Even from where the
|
||||
four nearest boys stood, open mouthed, they could feel the heat.
|
||||
Another shower of sparks fountained outwards, sparkling like
|
||||
sapphires. The drill noise came rapping across, shuddering through
|
||||
the wires. Then the stave just exploded.</p>
|
||||
|
||||
<p>It was a real blast, not merely a disintegration. The white
|
||||
peeled sapling had turned to black in the space of mere seconds.
|
||||
The flames were reaching up towards a blue sky and then a crack
|
||||
like a shotgun blast punched the air. The stick was there and then
|
||||
it was gone. Burning cinders catapulted into the air, trailing
|
||||
smoke in grey streamers. A piece of charred wood came whirling
|
||||
past, making a whoop-whoop sound as itspun, and hit Billy on the
|
||||
cheek making him yell, though none of the others heard him. They
|
||||
were running to get out from under the falling debris. Doug and
|
||||
Corky reached the tent first and heaved it up. Danny and Tom
|
||||
grabbed the rucksacks and Billy's army bag.</p>
|
||||
|
||||
<p>The crack of the explosion faded away, though it still crackled
|
||||
in their ears.</p>
|
||||
|
||||
<p>"Did you see that?" Billy bawled, racing down towards them.</p>
|
||||
|
||||
<p>"You're a crazy <em>baskit</em>," Doug asserted.</p>
|
||||
|
||||
<p>Just then, the first crackle of flames became audible. Doug
|
||||
stopped, almost pulling Corky off his feet. "Listen," he said
|
||||
holding himself still, head cocked.</p>
|
||||
|
||||
<p>"Nearly put my eye out," Billy was saying, still rubbing his
|
||||
cheek where the piece of charred wood had left a sooty smear.</p>
|
||||
|
||||
<p>"Wheesht," Corky hushed him to silence. For a moment, they were
|
||||
still. Billy was standing with his mouth open and his brows drawn
|
||||
down angrily, about to argue with Doug. Corky had his hand up,
|
||||
telling everyone to hush.</p>
|
||||
|
||||
<p>The crackle of fire came from beyond the pylon. They all turned.
|
||||
A gorse bush burst into flame. It was as if burning petrol had been
|
||||
thrown over it and it just blossomed fire. It growled madly like
|
||||
the flame-throwers of war movies. One second it was thick and green
|
||||
and festooned with golden blossom; the next it was shrivelling
|
||||
under a ten-foot flame. The heat came rolling on the dry air,
|
||||
slapping them like a hot hand. Behind them, another bush roared
|
||||
into flame, like a fiery lion rising from a thicket.</p>
|
||||
|
||||
<p>"Christ man," Corky bawled. "The whole place is going..."</p>
|
||||
|
||||
<p>Ten feet away, a second bush erupted. The fine hairs on Danny's
|
||||
arms twisted and shrivelled in the sudden flare of heat. To the
|
||||
right, two smaller bushes crackled into life.</p>
|
||||
|
||||
<p>"....out of here," Doug was yelling, the first words lost in the
|
||||
roar of the flames, but the meaning perfectly clear. He and Corky
|
||||
ran between two reaching hedges, bent with the heavy weight of the
|
||||
tent. Danny followed. Tom and Billy were somewhere behind them.</p>
|
||||
|
||||
<p>"Yee-hah," Billy hooted again. "Bombs away." Beyond them, a
|
||||
towering forest of flame reached for the sky, a great red animal
|
||||
clawing at the sky. The air all around them danced as if it had
|
||||
been turned liquid in the scorch. It tasted of pollen and charcoal
|
||||
and instantly seared their throats dry.</p>
|
||||
|
||||
<p>Something flew round the corner of one flowering hedge and
|
||||
missed Corky by a hair's breadth in a flurry of whirring wings. The
|
||||
panicked woodcock jinked and headed for the stand of pines further
|
||||
down the slope of the hill. Overhead, two skylarks warbled their
|
||||
distress while somewhere in the bushes their almost fully fledged
|
||||
nestlings huddled in fear, their instinctive compulsion to freeze
|
||||
now acting against them as the flames licked around them.</p>
|
||||
|
||||
<p>A pillar of fire exploded into life to Doug's left and he jinked
|
||||
right, holding a hand up to protect his face. Corky followed,
|
||||
dragged by the tent, stumbling as he went. A gust of wind, sucked
|
||||
in by the powerful updraught, dragged with it a wall of grey smoke.
|
||||
Danny stumbled into it, felt the incredible blast of heat and
|
||||
backed away. Corky and Doug kept on moving. They got twenty yards
|
||||
and came scooting out of the gorse bushes and onto the flat of the
|
||||
sphagnum damplands.</p>
|
||||
|
||||
<p>Danny reeled away to the right, smoke in his eyes and searing
|
||||
down his throat. Somewhere close by, Tom yelled something and Danny
|
||||
stumbled backwards, knuckling under his brows to clear the dust and
|
||||
smoke-induced tears. By this time, the heat was unbelievable. A
|
||||
roaring noise thundered close by and he shied away from it, falling
|
||||
over one small bush which stabbed him in what felt like a thousand
|
||||
places. A gorse spine went right up under his nail and a needle of
|
||||
pain drilled into his finger. Danny rolled and found himself in a
|
||||
small clearing. A chance eddy of wind sucked the smoke away. Ahead
|
||||
of him, up the slope, he could see a line of flames, twenty feet
|
||||
high. Behind him, hardly fifteen yards away, a stand of scrub hazel
|
||||
was well alight. He turned, panic beginning to bubble up. A minute
|
||||
before, Danny could have outrun anything except Doug who could run
|
||||
like a greyhound. Danny was fast and agile and he'd been able to
|
||||
show Phil Corcoran an easy clean pair of heels. But this fire, it
|
||||
<em>moved</em>. It ran like a red tiger, chasing and hounding. It
|
||||
had leapt in front of him to bar his way, catching him no matter
|
||||
how fast he could run, no matter how he jinked and dived.</p>
|
||||
|
||||
<p>"Danny," Tom's voice came wavering from somewhere to the right.
|
||||
"Help me!" Danny whirled, truing to gulp down the rising terror. He
|
||||
spun again and stopped. Right in front of him, a roe-deer fawn
|
||||
stood shivering, a tiny, spindly thing, no bigger than a mountain
|
||||
hare, balanced on four stick legs. Its eyes were huge and black.
|
||||
The deer and Danny looked at each other. The animal was shivering
|
||||
so violently it looked as if it might have been connected to the
|
||||
voltage in the black cables overhead. Then it turned. Danny
|
||||
couldn't tell how it had done it. There was no visible movement at
|
||||
all. It stared at him and then its back was toward him and it
|
||||
flicked, as if my magic , between two bushes. To his left another
|
||||
wall of flame burst into life. To his right, Tom squealed, high and
|
||||
clear and there was real fear in the sound. Danny blundered through
|
||||
the small gap, brushing past the spines which dug through his jeans
|
||||
and drove into his knees. His lungs were hurting and the skin on
|
||||
the back of his neck felt as if it was turning crisp and a dread
|
||||
horror came rippling through him.</p>
|
||||
|
||||
<p>He was stuck here. He was trapped in the fire.</p>
|
||||
|
||||
<p><em>The Bad Fire</em></p>
|
||||
|
||||
<p>Sister Julia's face came wavering on the heat-tortured air.
|
||||
<em>The Good Lord can look down on you at any time and decide to
|
||||
take you</em></p>
|
||||
|
||||
<p>Like he had taken Paul Degman.</p>
|
||||
|
||||
<p><em>You must always try to be in a state of grace.</em></p>
|
||||
|
||||
<p>The fire was all around and the heat was searing his throat and
|
||||
he was stuck in it. Real fear almost froze him to stone.</p>
|
||||
|
||||
<p>"Danny. Jesus Danny I'm stuck," Tom's cry came from just beyond
|
||||
the next bush. It punched him through the membrane of
|
||||
paralysis.</p>
|
||||
|
||||
<p>He fell over the hedge, almost blown over by the force of the
|
||||
heat. Tom was snagged on a hazel branch. He'd been crawling under a
|
||||
natural canopy and a dead branch had fingered down the neck of his
|
||||
shirt and out the tail. Under any other circumstances, it would
|
||||
have looked completely ludicrous. Tom's feet were scrabbling and
|
||||
slipping on dried mud.</p>
|
||||
|
||||
<p>"Oh God don't let it get me," he babbled. In a flash of reality,
|
||||
he saw the very real possibility that he could die. Panic soared.
|
||||
The awesome finality of death had been with him since long before
|
||||
Paulie Degman had fallen into the river, since little Maureen had
|
||||
slipped away while his mother had been out at the corner shop
|
||||
getting chicken soup. She'd gone and they'd taken her away and put
|
||||
her in the ground, little Mo, his baby sister, and they'd all had
|
||||
to pray while his parents stood frozen by a deadly graveside, too
|
||||
poor to put up a headstone. Tom had held on to his other kid sister
|
||||
Marie, held on so tight his fingers bruised her shoulder and as he
|
||||
looked down at that hole in the ground, in the old graveyard behind
|
||||
St Rowan's Church, it was like looking into a black well that went
|
||||
down forever. Nobody who went down there ever came back.</p>
|
||||
|
||||
<p>"Danny," he screeched. "Help."</p>
|
||||
|
||||
<p>He pushed forward, the way a snared rabbit will, and felt the
|
||||
branch strain against the cotton. He pushed again, felt the fabric
|
||||
rip, pushed some more and was stopped dead. He could not go
|
||||
forward; he could not go backward.</p>
|
||||
|
||||
<p>"Danny," he screeched again, voice high, just like a girl's.
|
||||
"Help me Danny I'm stuck!"</p>
|
||||
|
||||
<p>He squirmed in a sudden desperate frenzy. He was stuck and the
|
||||
flames were all around him and in that instant he clearly saw the
|
||||
maw of infinity approaching fast. His feet shoved at the dusty
|
||||
hardpack of the ground, gouging out two grooves but gaining no
|
||||
purchase strong enough to break the branch that snagged him or rip
|
||||
the shirt on which it hooked. The heat of the flames pressed in
|
||||
from the side. A billow of smoke rolled over him and he coughed
|
||||
violently, rasping his throat. Just then something hit him from
|
||||
behind. At first he thought it was Danny pushing him through. Then
|
||||
a soft body squeezed beside him, wriggled past in a shiver of
|
||||
muscle and fur. The little roe deer, in its panic, hadn't even seen
|
||||
him. It made it through the gap and flashed away. Tom was left
|
||||
stuck.</p>
|
||||
|
||||
<p>Out on the far side, Corky and Doug watched the wall of flames.
|
||||
Further up the hill, beyond the line of power-cable, Billy was
|
||||
whooping with unfettered glee, completely unaware of the danger
|
||||
Danny and Tom were in down the slope among the massed tangle of
|
||||
burning gorse. It just hadn't occurred to him that they would still
|
||||
be in there.</p>
|
||||
|
||||
<p>"Like a fuckin' bomb," Billy yelled. He had a bird's eye view of
|
||||
the whole thing, but he couldn't see Tom or Danny were stuck in the
|
||||
middle of it all. The flames absolutely gobsmacking fantastic. They
|
||||
rumbled and roared, snarled and fought, leaping from bush to
|
||||
thicket, a contagion of instant fire. The bushes just splurged into
|
||||
flame. The heat warped the air so much the power-cables seemed to
|
||||
shimmy and dance. Little birds spiralled up through the smoke. Only
|
||||
fifty feet away he saw a yellowhammer come flitting up in its
|
||||
bouncing, undulating flight and then suddenly fall like a stone
|
||||
into the mass of flame below. Two hares came scooting from cover,
|
||||
brown blurs that raced up the slope and swerved just before they
|
||||
reached him, their eyes rolling.</p>
|
||||
|
||||
<p>"Christ on a bloody <em>bike</em>," he bawled to himself.</p>
|
||||
|
||||
<p>He trotted down the hill a little distance, getting to within
|
||||
twenty feet of the nearest bush which had crumpled in on itself,
|
||||
thin grey ash tumbling down in a stream where the spikes of gorse
|
||||
powdered to threatless dust. The fire had eaten and moved on,
|
||||
leaving a bare skeleton. Billy bent and grabbed at a tussock of
|
||||
couch grass, rocking his weight from side to free the roots. It
|
||||
finally came ripping up from the ground and without any hesitation,
|
||||
he jammed it in against the smouldering roots of the burned bush.
|
||||
The grass crackled and caught. He spun, whirling the turf and grass
|
||||
around his head, then aimed for a clear patch down the hill where
|
||||
the fire hadn't reached.</p>
|
||||
|
||||
<p>His grenade tumbled in the air, trailing smoke. He watched it
|
||||
level out then curve down. It landed off to the right, almost due
|
||||
south. Over the screaming of the flames he didn't hear the thud.
|
||||
There was a pause and then, with a startling <em>whoosh</em> the
|
||||
bush and its neighbour were ablaze.</p>
|
||||
|
||||
<p>Billy howled in delight. He saw himself in uniform, just like
|
||||
his father, tossing grenades or hosing liquid fire from the
|
||||
flame-throwers he'd seen in the films. The wavering air and the
|
||||
heat, the smell of burning and the sudden <em>violence</em> of it
|
||||
all was incredible. Billy just couldn't believe he'd done all that,
|
||||
all with just one thrown piece of wood.</p>
|
||||
|
||||
<p>Out on the damplands where the sphagnum moss had sopped up the
|
||||
moisture of the pre-summer rains and held it in the seeps and
|
||||
depressions of the moor, Corky and Doug stood side by side.</p>
|
||||
|
||||
<p>"Can you see them?" Corky asked. Doug shook his head. His light
|
||||
blue eyes were ringed with smudges and he used a finger to wipe a
|
||||
trickle of dusty snot from his lip. A twig of gorse had snagged in
|
||||
his hair like a miniature crown of thorns."</p>
|
||||
|
||||
<p>"Can't see a thing."</p>
|
||||
|
||||
<p>"I heard somebody. Sounded like Tom."</p>
|
||||
|
||||
<p>"What, in there?" Doug jerked his thumb towards the wall of
|
||||
flames. His face went suddenly pale.</p>
|
||||
|
||||
<p>The flames rampaged along. Something came soaring over the smoke
|
||||
and hit beyond them and another growl of flame started eating at
|
||||
the gorse. The fire made strange sounds. It roared and rasped and
|
||||
underneath that sound, it screamed and screeched as the branches
|
||||
and roots twisted and gave off their gasses. It sounded as if lost
|
||||
souls were writhing in agony in there, buckling and shrivelling in
|
||||
the heat of the flames.</p>
|
||||
|
||||
<p>Corky remembered what Danny had said, his own vision of hell.
|
||||
That's what it would sound like. Just screaming and shrieking and
|
||||
it would go on and on. He shook his head. It was just fire. It was
|
||||
just bushes. He'd seen the gorse go up before. It wouldn't last
|
||||
long.</p>
|
||||
|
||||
<p>But what if...</p>
|
||||
|
||||
<p>It rustled and whispered, it crackled and it laughed as if it
|
||||
could read his mind.</p>
|
||||
|
||||
<p>"No," Corky said, more in hope than in certainty. "They must
|
||||
have gone down the other side. And Billy went up the hill."</p>
|
||||
|
||||
<p>Just as he said that, Billy let out a triumphant holler. They
|
||||
saw a shadow move and he came lumbering through a pall of smoke. He
|
||||
had a dry tussock in his hand and he set it alight before tossing
|
||||
it down the slope, leading the fire on.</p>
|
||||
|
||||
<p>"Where's Dan?" Corky bawled, making himself heard above the
|
||||
commotion. Billy shrugged. His face was aglow behind the
|
||||
smudges.</p>
|
||||
|
||||
<p>"And Tom," Doug bawled. "You seen them?" Billy shook his head.
|
||||
His mind was elsewhere.</p>
|
||||
|
||||
<p>Just then a flight of partridges came bulleting out of the smoke
|
||||
on whirring wings, fat little propeller-driven birds. They arrowed
|
||||
straight towards the boys, seemed to notice them at the last
|
||||
possible second and veered up and over their heads. Right behind
|
||||
them, the tiny roe fawn came springing out. It stopped on its
|
||||
spindly legs, its tongue lolling. It didn't even see them. The
|
||||
gorse crackled behind it and it was gone, a brown little blur,
|
||||
spider fast, gone and away.</p>
|
||||
|
||||
<p>Corky looked at Billy. His eyes were alight and his face was red
|
||||
with excitement. Doug followed Corky's look. Billy was prancing
|
||||
around, throwing the sods of peat and grass into the flames,
|
||||
spreading it further as if it needed stoking.</p>
|
||||
|
||||
<p>"He's off his bloody head," Doug said. The fire squealed as it
|
||||
tortured a briar root into impossible torques.</p>
|
||||
|
||||
<p>Inside the burning swathe, Danny found Tom snagged on the hazel
|
||||
branch. His old scuffed shoes were digging into the soft earth,
|
||||
ploughing up their furrows as he frantically tried to free himself.
|
||||
Danny could hear his panicked whimper. The heat was incredible now,
|
||||
searing his cheeks, and there seemed to be no air to breathe. He
|
||||
stumbled forward and tried to break the thin stick with his hands.
|
||||
Tom's hand grabbed his ankle and pulled desperately, almost
|
||||
throwing Danny off balance.</p>
|
||||
|
||||
<p>The branch wouldn't break. Without thinking it through, Danny
|
||||
simply bent down and got his weight against Tom's skinny backside,
|
||||
dug his own feet into the ground and pushed with all his weight.
|
||||
There was a sharp crack as the branch snapped. Tom went flopping
|
||||
forward and Danny fell on top of him, knocking the wind out of the
|
||||
smaller boy's lungs.</p>
|
||||
|
||||
<p>"Oof..." Tom gasped and that was a whole lot better than the
|
||||
fearful whimpering. Danny rolled, slipped and fell flat. Tom was
|
||||
up, his canvas bag still slung over one shoulder. He grabbed for
|
||||
the back of Danny's shirt and hauled first him to his knees, then
|
||||
up to his feet. Without a word they stumbled forwards. Ahead of
|
||||
them the flames danced in orange spires. But then a gust of wind
|
||||
thinned them momentarily. They had reached the edge. Both of them
|
||||
realised there was no turning back. They both closed their eyes and
|
||||
ran for it. Charred twigs and branches crunched under their feet
|
||||
and the dust rose up to clog their nostrils. They barged through
|
||||
and for a second the heat soared up to an incredible scorch. The
|
||||
whole world seemed to be on fire. Danny hit hard ground first but
|
||||
the smoke was in his eyes. Tom reached for him, got a hand to the
|
||||
strap of the rucksack and both boys came out of the burning gorse
|
||||
like the two hares, running blind, cheeks tear-streaked. Danny went
|
||||
crashing over the ridge of hummock-grass and down the far side,
|
||||
lungs hauling for cool air, down the lee side, missed his footing
|
||||
and started to fall. Tom was right behind him, flipping over,
|
||||
bouncing on the moss, then tumbling in pursuit.</p>
|
||||
|
||||
<p>They rolled for fifteen feet past the ridge and then both of
|
||||
them hit the water of the shallow pool at exactly the same moment.
|
||||
The surface was covered in duckweed and the pond was less than two
|
||||
feet deep, a low, circular depression on a flat shoulder below the
|
||||
ridge of the hill. They tumbled into it and immediately the tepid
|
||||
water sucked the heat from their skins.</p>
|
||||
|
||||
<p>Tom came up spluttering, coughing water out. It dribbled from
|
||||
his nose in muddy streaks. Danny turned over, trying to push
|
||||
himself to his feet and at first only succeeded in driving his hand
|
||||
a foot into the mud. Finally he managed to get to his knees then
|
||||
pushed himself up to a shaky stance. His tough jeans, cut-down
|
||||
versions of workmen's denims complete with the long ruler pocket
|
||||
down the leg, sagged with the weight of water. Tom was hauling in
|
||||
great breaths, and still coughing violently, trying to expel the
|
||||
slimy water that had splashed down his throat.</p>
|
||||
|
||||
<p>"Jeez, Tom, I thought we were goners there," he finally
|
||||
blurted.</p>
|
||||
|
||||
<p>Tom nodded, still unable to speak. He opened his eyes and he and
|
||||
Danny shared a look that expressed the words they couldn't say. It
|
||||
had been a close thing.</p>
|
||||
|
||||
<p>Corky and Doug came running down the hill. "You all right?"</p>
|
||||
|
||||
<p>Both boys nodded breathlessly, chests hitching.</p>
|
||||
|
||||
<p>"Flaming hell," Corky said. "We thought you were in there."</p>
|
||||
|
||||
<p>"We <em>were</em> in there. Nearly singed all my hair off."
|
||||
Danny held up his arm to show where the fine white hairs on the
|
||||
side were twisted and curled. He peered closer and saw where the
|
||||
ends were shrivelled. Each had a little dot of melted hair on the
|
||||
end. He closed his eyes, remembering the heat on his face and the
|
||||
back of his neck and felt the panic try to weasel in again. He
|
||||
shook it away.</p>
|
||||
|
||||
<p>Billy came loping down the slope. Behind him the air was thick
|
||||
with smoke. Pieces of grey ash were twirling skywards in the
|
||||
updraught. The fire had crept down for more than fifty yards until
|
||||
it reached a boggy patch where the gorse gave way to a dark patch
|
||||
of low reeds. Beyond the marsh the land rose up again, golden with
|
||||
furze and broom blossom, but the flames could not cross over the
|
||||
reed bed to get to it.. Almost as quickly as it began, the fire
|
||||
died, leaving little smouldering patches of charred briar root and
|
||||
the twisted stems of the bushes blackened and skeletal.</p>
|
||||
|
||||
<p>"Pure brilliant," Billy said. "Fan-bloody-<em>tastic</em>."</p>
|
||||
|
||||
<p>Tom rounded on him. "You nearly killed us, you stupid fast
|
||||
shite. Me an' Danny, we nearly copped it in there."</p>
|
||||
|
||||
<p>"Oh quit bubbling," Billy sneered. He took a step forward and
|
||||
gave Tom a push, not hard, but enough to make the smaller boy take
|
||||
a step backwards. "No kidding, your lip's always trembling. And
|
||||
just watch who you're calling names, <em>Titch.</em>"</p>
|
||||
|
||||
<p>Tom hit his hand away. "You're off your head. No kidding. You've
|
||||
got screws loose. You nearly killed us. That fire was... it was..."
|
||||
Tom's mouth started opening and closing, but his throat and tongue
|
||||
had ganged up against him and refused to let the words out. His
|
||||
eyes filled with tears. Doug and Corky shuffled their feet,
|
||||
embarrassed for him. Tom turned away and the others could see his
|
||||
shoulders jerking up and down.</p>
|
||||
|
||||
<p>"What did I tell you,? Billy started to say. "Always whinging
|
||||
about something."</p>
|
||||
|
||||
<p>"Leave off," Danny told him. Billy's eyes opened wide, taking
|
||||
offence again but Corky spoke up. "Yeah Billy, let it rest eh? You
|
||||
could have killed somebody."</p>
|
||||
|
||||
<p>This time it was Billy's turn to act like a fish. He looked from
|
||||
one to the other then shook his head in disgust. For a second, Doug
|
||||
thought Billy might have a go at Corky, just because he was all
|
||||
fired up with the excitement. Billy was the biggest of them all,
|
||||
almost a head taller than both Danny and Corky and he towered over
|
||||
Tom who looked as if his wet clothes would make him stagger. Canny
|
||||
said nothing. He just looked at Billy without any expression on his
|
||||
face. The confrontation faded. Billy shrugged and walked up the
|
||||
hill to get his rucksack.</p>
|
||||
|
||||
<p>He stood there while the others waited for Tom. He could hear
|
||||
them mumbling and he assumed they were persuading Tom to come along
|
||||
with them rather than turning to go back down the hill and home
|
||||
again. Finally, Tom wiped his eyes and they started to straggle up
|
||||
the hill.</p>
|
||||
|
||||
<p>"Come on you lot," he called down. "This ain't a picnic you
|
||||
know."</p>
|
||||
|
||||
<p>The fire finally died out. Down at the station near Castlebank
|
||||
Church, and over at the waterworks post up from Cargill Farm, the
|
||||
smoke and flames had been monitored. It was always a hazard at this
|
||||
time of the year and in the high summer, hardly a week went past
|
||||
without a brush fire or a gorse fire. It was what the kids did,
|
||||
part of the tradition. Most of the time, like this time, the fires
|
||||
burned themselves out. When the smoke cleared, the light wind
|
||||
carried the dust high over Langmuir Crags and everybody forgot
|
||||
about it.</p>
|
||||
|
||||
<p>The five boys straggled over the brow of the hill and down the
|
||||
lee slope on a slow descent towards the Blackwood Stream. Billy was
|
||||
still in a high state of excitement over the violence, and the
|
||||
sudden destruction, and while Tom and Danny could have cheerfully
|
||||
choked him, his actions that day, while they almost killed two of
|
||||
his friends, had a long-reaching effect.</p>
|
||||
|
||||
<p>When he'd tossed the stave onto the wires, shorting out the
|
||||
voltage between the cables, a heavy breaker-gate slammed open and
|
||||
shut off the current in the junction station just west of Barloan
|
||||
Harbour, the next village along, near Old Kildenny. All the power
|
||||
in Barloan Harbour winked off.</p>
|
||||
|
||||
<p>Down on Barge Street, where in the old days, the hauliers would
|
||||
unload their goods from the canal bay, Terry Hughes, an engineer
|
||||
with the sewage department was inspecting a blocked duct when the
|
||||
lights went out. He had planned to stay down a half-hour longer
|
||||
before coming up for a break. In the dark, he turned and his cable
|
||||
light cracked against a rock with a pop of glass. Up in the fresh
|
||||
air, he had a flask of strong coffee waiting. Terry made his way
|
||||
along the duct and reached the up-well. He took off his hard hat
|
||||
and hung it on the hook, going by sense of touch. He climbed the
|
||||
fifteen horse-shoe steps set into the brick shaft. Somebody had put
|
||||
the manhole cover down and Terry assumed that one of his colleagues
|
||||
had been playing a practical joke, shutting off the light and then
|
||||
shutting him in. He pushed it up, crawled into the daylight and let
|
||||
it slam down again. He turned to the little canvas shelter where
|
||||
he'd left his flag when the ground shuddered. The manhole cover
|
||||
exploded upwards on a pillar of blue flame, tumbling like a tossed
|
||||
coin. It soared right across the railway line and crashed through
|
||||
the upper deck, the galley and the hull of a neat little ketch down
|
||||
in the harbour basin, taking it straight to the mud at the
|
||||
bottom.</p>
|
||||
|
||||
<p>Terry Hughes was knocked off his feet and he suffered a graze to
|
||||
his finger.</p>
|
||||
|
||||
<p>Investigators later found it had been caused by a huge build up
|
||||
of gas in a sump, gas which had leaked from a cracked mains pipe.
|
||||
When the power winked back on, the cracked lamp had ignited the gas
|
||||
and let rip an explosion so violent that it ruptured the entire
|
||||
wall of the sewer duct and caved in a section of road fifty yards
|
||||
long. Terry Hughes' protective hat was found, or what was left of
|
||||
it a hundred yards away in the fork of a tree. It was split into
|
||||
four ragged shell-pieces that made it look like a blossoming dog
|
||||
rose. As he told his workmates in the Horseshoe Bar where he got
|
||||
monumentally drunk that afternoon, if the lights hadn't gone off,
|
||||
he'd have been down there when it happened and he'd never have come
|
||||
back up again.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
645
build/darkvalley/OEBPS/012.xhtml
Normal file
645
build/darkvalley/OEBPS/012.xhtml
Normal file
@ -0,0 +1,645 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>12</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>12</h1>
|
||||
|
||||
<p><em>June:</em></p>
|
||||
|
||||
<p>Kids were screaming and yelling. A rough voice cursed loudly and
|
||||
comprehensively and a high pitched one cried out in sudden
|
||||
pain.</p>
|
||||
|
||||
<p>"Let me go you big swine," the boy squawked, clenching his teeth
|
||||
so that he wouldn't cry. Up on the hill behind the school, close to
|
||||
the angle-iron fence that bordered the old sandstone diggings, it
|
||||
was a bad idea to let people see you cry. It would let them know
|
||||
you were soft. In Quarryhill School, rough and ready as any, you
|
||||
had to keep your footing.</p>
|
||||
|
||||
<p>Further down the hill a crowd of boys broke into a raucous
|
||||
cheer, the kind you hear in a school-yard when kids are up to
|
||||
mischief. A bell rang in the distance and the smaller boy squirmed
|
||||
away from the older one who was twisting his arm up his back.</p>
|
||||
|
||||
<p>"I'm telling the teacher," he yelled. "You're in trouble."</p>
|
||||
|
||||
<p>Quarryhill School. It stood just off the Arden Road leading out
|
||||
of town on its west edge, and the paved schoolyard backed onto the
|
||||
slope known to generations of pupils as The Hump. Here the tall
|
||||
green-painted spiked fence formed the boundary of the school land.
|
||||
Beyond it the chasm of the old quarry which had supplied stone for
|
||||
most of the old tenement buildings in the town was a barren
|
||||
landscape of sheer drops, massive tumbled blocks of stone, and
|
||||
tangled weeds and scrub. The fence was supposed to keep the pupils
|
||||
away from danger but naturally, this being a school, nobody ever
|
||||
came up the Hump to check how effective the barrier was. In one
|
||||
section, three of the spars had been torn away, leaving a space a
|
||||
man could walk through without turning sideways There were other
|
||||
places, closer to the low hill on the far side where the pigeon
|
||||
huts huddled, where the earth underneath the bottom spar had simply
|
||||
been scraped away by years of boys escaping the boredom of the
|
||||
classes on sunny afternoons. That part of the fence was not visible
|
||||
from any part of the school building, so any for any truant, the
|
||||
space under the fence was the ideal escape route. It was used so
|
||||
often that no grass grew there. It was Quarryhill's back door.</p>
|
||||
|
||||
<p>At lunch time, especially on a dry day, the back yard of
|
||||
Quarryhill was just like tribal lands. Down close to the wall, the
|
||||
first year girls played skipping ropes and a hopscotch game called
|
||||
<em>peever</em>. Smaller boys played tag, though they called it
|
||||
<em>tig.</em> High tig, low tig, ball tig if they had a ball. Over
|
||||
at the sheds, the second and third year boys gathered to play
|
||||
five-a-side, or heading the football onto the roof, taking it in
|
||||
turn, scoring points if they could keep it up without letting it
|
||||
drop. When they tired of that, they might goggle at the senior
|
||||
girls of sixth year who hung around with the older boys who had
|
||||
lost interest in heading the ball and cared no longer about games
|
||||
of tig or kick-the-can.</p>
|
||||
|
||||
<p>On the Hump, lower downslope where the ground was almost flat,
|
||||
teams of boys would mill around with a football, yelling and
|
||||
bawling the way that they do, sometimes twenty to a side, everybody
|
||||
chasing the ball at once to kick it between piles of schoolbags and
|
||||
jackets. Nobody outside the game ever knew how the score was kept,
|
||||
but again, that's the way it is in schools. Further up-slope there
|
||||
was a hollow close to the fence where any of the fights took place
|
||||
and that was generally a couple of times a week and an occasion for
|
||||
half the male population and a substantial fraction of the girls
|
||||
too, to come swarming up to spectate. Some of the fights were
|
||||
particularly violent, though most of them were simply pushing and
|
||||
shoving affairs involving a lot of swearing and name-calling as two
|
||||
reluctant boys squared up to each other, each determined not to be
|
||||
the first to land a blow. In real fights it was different. There
|
||||
were bruises, contusions, broken noses, mud, blood and snot flying.
|
||||
At any time outside class periods, the noise was horrendous. Kids
|
||||
were yelling and screaming, roaring and bawling. The senior boys,
|
||||
all of them smooth and cocky, or so it seemed to the
|
||||
thirteen-year-olds, had their radios turned up to a roar, listening
|
||||
to the Who or Manfred Mann, most of them with Beatles fringes and
|
||||
hair down over their collars and most of them with bad florescent
|
||||
acne. The back schoolyard and the Hump was like a cluster of
|
||||
galaxies, every group milling around with its own kind, and two
|
||||
groups hardly in contact, kept apart by the reverse gravity of age.
|
||||
Whenever two groups collided, as happened now and again, somebody
|
||||
could get hurt.</p>
|
||||
|
||||
<p>The smaller boy with the now-sore arm ran away threatening to
|
||||
tell the teacher and the older boy, who was strolling up the hill
|
||||
tapping a ball lightly ahead of him with the toe of his scuffed
|
||||
Chelsea boot gave him the sign and turned away grinning. He kicked
|
||||
the ball to his friend who passed it to the third and then it came
|
||||
back. They were going up the hill towards the fence.</p>
|
||||
|
||||
<p>"Got any smokes?" Crawford Rankine asked. His voice was just on
|
||||
the cusp of breaking, going from deep to high and then cracking to
|
||||
a thin gravelly rasp. His skin was just beginning to erupt in a
|
||||
line or risen weals on the edge of his jaw.</p>
|
||||
|
||||
<p>"A couple," Don Whalen replied. "But we can club together and
|
||||
get more." He was a thin boy with fine, crinkled hair through which
|
||||
his scalp showed pink. He'd pulled his tie off and was trying to
|
||||
whip it against the third boy's backside.</p>
|
||||
|
||||
<p>"Chuck it," Derek Milne told him. Don ignored the warning and
|
||||
whipped the tie, making it crack like a lash. Derek tried to catch
|
||||
it but failed.</p>
|
||||
|
||||
<p>"If at first you don't succeed, fuck it, chuck it, never heed,"
|
||||
Don chanted, mocking his pal.</p>
|
||||
|
||||
<p>"Use the boot and then the <em>heid</em>," Derek snarled back in
|
||||
mock threat. There was no malice in it. They were pals. They moved
|
||||
up the hill, skirting the low wall where the huddled groups of
|
||||
gamblers sheltered from the breeze, deftly dealing cards for
|
||||
high-speed three-card brag (deuces floating wild) brag, or rapid
|
||||
fire blackjack pontoon with double odds for twenty one and better
|
||||
than that for a five card trick. Some expert hustlers would be
|
||||
thumbing coins against the brickwork in sudden death challenges of
|
||||
pitch and toss.</p>
|
||||
|
||||
<p>"Deuce is wild," a high voice complained vehemently "That's
|
||||
three aces. A <em>prile</em>, and that beats you."</p>
|
||||
|
||||
<p>"Piss off, you lunatic," a deeper voice countered "Jokers don't
|
||||
count,".</p>
|
||||
|
||||
<p>"You're the flippin' joker Caldwell. That's my game. I win."</p>
|
||||
|
||||
<p>Somebody shouted and somebody else yelled back and there was the
|
||||
unmistakable thud of a fist landing on a cheek.</p>
|
||||
|
||||
<p>"Fight, fight."</p>
|
||||
|
||||
<p>The words bounced from one group to another. The game of
|
||||
football on the flat grass stopped.</p>
|
||||
|
||||
<p>"Fight, <em>fight!</em>"</p>
|
||||
|
||||
<p>The girls stopped skipping. The senior boys with the acne pushed
|
||||
themselves away from the side wall, craning their heads to see what
|
||||
was going on. Small galaxies spun off groups of wheeling
|
||||
individuals and whirled them towards the gamblers. By now, two boys
|
||||
were rolling on the ground, locked together, each of them grunting
|
||||
and snorting with effort.</p>
|
||||
|
||||
<p>"It's a fight," Derek, said.</p>
|
||||
|
||||
<p>"No, it's a kissing and hugging match," Crawford said. "Look at
|
||||
them. Just a pair of jessies."</p>
|
||||
|
||||
<p>He strolled on and the others followed as far as the fence. Up
|
||||
against the green metal railings, another group of younger boys had
|
||||
been playing dead man's fall, pretending to attack a machine gun
|
||||
nest and then being shot and dying in the most spectacular and
|
||||
dramatic fashion. When the fight cry had sparked from group to
|
||||
group they had forgotten their little private war and gone trotting
|
||||
down the slope like pups coming down to a kill, heads up, feet
|
||||
fast. The three pals reached the fence. Crawford Rankine threw his
|
||||
bag over the spikes at the top, eased himself down to the ground
|
||||
and limbo-crawled under the deep space there the earth had been
|
||||
worn away by the passage of generations of previous escapees.</p>
|
||||
|
||||
<p>"Listen," Derek said. "I can't go. We got Matt Bryson for second
|
||||
period."</p>
|
||||
|
||||
<p>"So what?"</p>
|
||||
|
||||
<p>"He said if I don't bring in that essay today, he'll have my
|
||||
guts. He will an' all."</p>
|
||||
|
||||
<p>"Oh, he's nothing but a big Nancy," Crawford sneered. "Come on
|
||||
man. My uncle Mickey said there's a run of sea-trout coming up.
|
||||
It's a great day for fishing."</p>
|
||||
|
||||
<p>Derek hesitated. Don urged him to come along and for a moment it
|
||||
looked like their friend could be persuaded, but he shook his head
|
||||
regretfully.</p>
|
||||
|
||||
<p>"Okay, don't say you weren't asked," Crawford told him. He
|
||||
picked up his bag and started walking on the path on the other side
|
||||
of the fence, heading away from the quarry and down toward the
|
||||
pigeon huts and shacks where the Quarryhill men kept their lurchers
|
||||
and greyhounds and occasionally, some fighting dogs. Don gave Derek
|
||||
an apologetic shrug and then scrambled under the fence. On the
|
||||
down-slope, the low rush of sound rolled up the hill, the tense and
|
||||
somehow hungry sound a crowd of teenagers make as they mill around
|
||||
two fighting bodies. Derek turned and walked towards the melee.</p>
|
||||
|
||||
<p>Don and Crawford skirted the top shacks, and followed the
|
||||
natural alleyway between the old wooden huts. Pigeons coo-ed and
|
||||
mumbled from behind slatted openings. Overhead a flock of them
|
||||
clapped through the air, wheeling together with such perfect timing
|
||||
they might have been joined together by threads. Here the track, no
|
||||
more than a yard wide, fell away heading for the old back road that
|
||||
was once the service access for the stone-haulers at the quarry. On
|
||||
this party the yards and small paddocks were bounded by thick chain
|
||||
link or heavy duty chicken wire. Crawford stopped at the corner and
|
||||
Don opened the pack of cigarettes.</p>
|
||||
|
||||
<p>"Got a match?"</p>
|
||||
|
||||
<p>"Not since Samson died," Crawford threw back..</p>
|
||||
|
||||
<p>"You mean his crippled baby sister, don't you?"</p>
|
||||
|
||||
<p>They lit up and drew in deep then sauntered casually down the
|
||||
hill to where some steps had been constructed with old planks of
|
||||
wood in a rickety descent. Just as they reached the top stair a big
|
||||
black shape came lunging out from behind one of the corrugated-iron
|
||||
shacks and hit the chain-link with such force that the wire
|
||||
shrieked through the stay-holes. Don drew back with a cry of alarm
|
||||
and dropped his cigarette into the mud at the side of the track.
|
||||
The pit-bull terrier lunged again, a squat and powerful beast with
|
||||
a head twice as wide as any normal canine head should be. Its
|
||||
pin-prick eyes were flat black in a grey face wrinkled into a snarl
|
||||
and showing an impossible array of teeth. It growled deep and
|
||||
rumbling in the back of its throat.</p>
|
||||
|
||||
<p>"Jee-<em>fuh</em>..." Crawford gasped. He was further from the
|
||||
fence than Don but the powerful dog's attack had pushed the wire
|
||||
right out to the middle of the path. The beast snarled and
|
||||
slavered.</p>
|
||||
|
||||
<p>"Look at the teeth on that," Crawford said. "If that got you it
|
||||
would take your bloody arm off."</p>
|
||||
|
||||
<p>The fighting dog launched itself at the fence, massive and
|
||||
muscular, leaping right up from the ground to hit with ugly snout
|
||||
and paws. Specks of saliva splashed on the two boys who had cringed
|
||||
back to the far side of the track.</p>
|
||||
|
||||
<p>"It's like a Tasmanian devil," Don said, and they both laughed,
|
||||
now realising they were safe and that the powerful beast couldn't
|
||||
get through the fence. He picked up a slender twig from a privet
|
||||
that overhung the track and poked it through the wire. The dog
|
||||
leapt up at it, jaws snapping together with the sound of boulders
|
||||
clashing and Don pulled his hand away. Crawford reached for Don's
|
||||
smouldering cigarette. He drew hard on it, making the end glow
|
||||
brightly.</p>
|
||||
|
||||
<p>"Here poochie-poo, here boy," he wheedled. The black dog twisted
|
||||
its head to the side curiously, though the low rumble continued.
|
||||
Crawford pushed a finger through the mesh. Without hesitation the
|
||||
dog lunged. Crawford whipped his finger away, twisting as he did to
|
||||
bring his other hand up. The dog hit the fence and Crawford jammed
|
||||
the lit end of the cigarette against its shiny nose.</p>
|
||||
|
||||
<p>The pit-bull terrier seemed to explode. It leapt back in a
|
||||
perfect somersault, howling madly with pain and rage. It landed
|
||||
square on its feet, smooth hair now all spiked and hackled. Its
|
||||
thick neck seemed to have ballooned to twice its previous bull
|
||||
thickness. The howl turned into a slavering snarl and it leapt for
|
||||
the fence again, hitting it with such powerful force that one of
|
||||
the staples on the high upright popped out and pinged on the
|
||||
barrier on the other side of the track.</p>
|
||||
|
||||
<p>"Flamin' hell Craw," Don yelped. The dog leapt at them, pushing
|
||||
its nose far enough through the mesh that the skin beside its snout
|
||||
pulled back so violently that it began to bleed. Its black eyes
|
||||
were rolling wildly, showing a ring of yellow-white all around. It
|
||||
snapped and slavered like a crazed beast, which in fact it was. Don
|
||||
and Crawford took to their heels hooting with laughter.</p>
|
||||
|
||||
<p>Down to the left a trio of greyhounds started growling. Don and
|
||||
Crawford scampered down the swaying steps past the dog pen while
|
||||
the pit-bull terrier snarled and slavered behind them, attacking
|
||||
the fence with such ferocity it seemed certain to break through and
|
||||
come after them. The pair darted to the right past the greyhounds,
|
||||
tall emaciated dogs with arched backs and goitred eyes and long
|
||||
grinning mouths. They began to bark in chorus as the boys ran past,
|
||||
thrusting their thin noses through the holes in the wire.</p>
|
||||
|
||||
<p>Crawford got to the flat just ahead of Don and they ran along
|
||||
the gravel path, past a series of old shacks and reached the dead
|
||||
end. Here a piece of sheet iron had been set up as a makeshift
|
||||
gate, but it had been peeled back by others in the past and the
|
||||
narrow gap allowed them to squeeze through. This was the final
|
||||
paddock and beyond it, there was a secondary worn track that led
|
||||
down to the back quarry road. They stopped and got their breath
|
||||
back.</p>
|
||||
|
||||
<p>"Nearly shit myself," Don wheezed. "And look. My smoke's all wet
|
||||
now. It's like a duck's arse."</p>
|
||||
|
||||
<p>Crawford flicked it out of his hand and ground it into the
|
||||
earth. He passed his own smoke over and Don took a big draw.</p>
|
||||
|
||||
<p>"Cured my constipation as well," Crawford said. "If that thing
|
||||
got out it would eat you alive." The danger over, they began to
|
||||
laugh nervously.</p>
|
||||
|
||||
<p>"It would eat <em>you</em>. I'd be a hundred yards clear ahead
|
||||
of you."</p>
|
||||
|
||||
<p>They finished the cigarette, smoking it down until it almost
|
||||
burned Don's lip and then they moved through the mass of tall weeds
|
||||
that filled the paddock. The brambles and willowherb grew higher
|
||||
than their heads and they had to push the trailing runners aside to
|
||||
reach the far side. Here an old railway box-car was angled against
|
||||
the barbed wire fence that marked the east edge of the quarry. Don
|
||||
made to go past it when he stopped and bent down.</p>
|
||||
|
||||
<p>"What is it?"</p>
|
||||
|
||||
<p>"A padlock." Don straightened up and turned to his pal.
|
||||
"Somebody left it."</p>
|
||||
|
||||
<p>They turned simultaneously towards the boxcar which was grey
|
||||
with age. A faded number 188 was just visible against the pocked
|
||||
grain of the wood. Any time they had passed this way the truck had
|
||||
been firmly closed. Somebody had jemmied the lock off. Don leaned
|
||||
forward and touched the pale gouges where the wood had been chipped
|
||||
off. Crawford moved past him and gave the door a tug to the left.
|
||||
It refused to budge but he got two hands to it and heaved. It gave
|
||||
a squeal of protest and slid back a few inches on its solid runner
|
||||
wheels. He peered through the gap.</p>
|
||||
|
||||
<p>"Can't see anythinmg," he answered the unasked question. He
|
||||
pulled back and his pal got a grip on the door and between them
|
||||
they rolled it open enough to let them inside. A pale pillar of
|
||||
light crossed the dusty floor and climbed up the wall, illuminating
|
||||
the centrefolds tacked to the wall.</p>
|
||||
|
||||
<p>Crawford pushed his way inside with Don clambering just behind
|
||||
him.</p>
|
||||
|
||||
<p>"Look at the tits..." he started to say craning forward to ogle
|
||||
a blond boasting a stupendous and quite improbable chest. Behind
|
||||
him Don grunted.</p>
|
||||
|
||||
<p>A loud thud shook the goods truck.</p>
|
||||
|
||||
<p>He turned round, only curious at that moment. Don came swinging
|
||||
up in front of him., moving fast, his pale frizzled hair catching
|
||||
the light.</p>
|
||||
|
||||
<p>"What the heck are you doing?" Crawford blurted in surprise.</p>
|
||||
|
||||
<p>Crawford grunted again. A tall figure loomed out from the
|
||||
shadow. He had Don by the neck. Crawford got a glimpse, no more, of
|
||||
thick fingers clamped against the back of the boy's head. His
|
||||
friend hit the side of the wagon. Don's bag flew off to the
|
||||
side.</p>
|
||||
|
||||
<p>"Donny...?"</p>
|
||||
|
||||
<p>The tall figure came lunging forward, his other hand reaching
|
||||
out. It seemed to happen in slow motion. Don went slamming against
|
||||
the side, flicking out of the light and disappearing into the
|
||||
gloom. The pale hand, massive and wide came expanding toward
|
||||
Crawford's face. It reached the pillar of light. The fingers
|
||||
brightened. Crawford jerked back reflexively, instinctively. His
|
||||
feet slipped and he fell to the floor. The hooked hand clawed the
|
||||
empty air.</p>
|
||||
|
||||
<p>"<em>Ungh</em>," Don said. His feet hit the side again. His head
|
||||
was almost at the curved roof of the wagon. Dreadful panic twisted
|
||||
in Crawford's belly. The hand lunged for him again, crossing the
|
||||
shaft of light once more. Crawford rolled. His bag slipped from his
|
||||
shoulder as his feet scrabbled on the wooden boards. He twisted
|
||||
again and, by a sheer miracle, he tumbled out of the wagon and into
|
||||
the daylight.</p>
|
||||
|
||||
<p>The man growled, almost as loud, almost as ferocious the pit
|
||||
bull. Crawford's shin scraped down the edge of the door runner,
|
||||
burning a sliver of fire up on the bone, but at that moment he
|
||||
hardly felt a thing. The awful sound that had come out of Don's
|
||||
mouth was ringing in his ears, even louder than the growl of the
|
||||
big man who had lifted his friend up by the neck and slammed him,
|
||||
one handed, against the side of the rail truck so violently that
|
||||
the whole thing had shook.</p>
|
||||
|
||||
<p>Crawford's foot shoved at the muddy ground, failed to grip. The
|
||||
panic burst inside him and he whimpered in fear. His foot got a
|
||||
purchase, pushed him forward. Something heavy - and he knew it was
|
||||
that reaching hand - hit him on the backside. He felt fingers
|
||||
hooking at the flannel of his pants, pulled away from it with a
|
||||
desperate heave. The material dragged away. He shot forward, got to
|
||||
his feet and crashed through the weeds. Behind him the man grunted
|
||||
again and snarled ferociously. Crawford reached the makeshift gate
|
||||
where he and Don had bent back the thin metal. They hadn't pushed
|
||||
it back into position and it was still open. He dived through, not
|
||||
trusting himself to squeeze between the uprights quickly enough.
|
||||
His hip hit the ground on the other side, abraded a red scrape into
|
||||
his skin, and then he was up and away.</p>
|
||||
|
||||
<p>Behind him there was a thud of something heavy hitting the side
|
||||
of the wagon. Almost immediately the weeds and bramble runners
|
||||
snapped as an even heavier mass pushed through them. Crawford's
|
||||
whimper became a wail of pure terror. He ran along the track, past
|
||||
the snarling greyhounds, pushed himself off a slatted wall to get
|
||||
round the corner and then went skittering down the final track
|
||||
towards the Lochend Road which curved in a long bend past the base
|
||||
of the path. He stopped, head swinging right and left. If he used
|
||||
the road, he had five hundred yards to get to the junction that
|
||||
would lead him back up to the front of the school.</p>
|
||||
|
||||
<p>Five hundred yards. Would he make it? Could he make it? His mind
|
||||
was jittering and jerking, not gauging consciously, but working it
|
||||
out none the less.</p>
|
||||
|
||||
<p>To the left, the entrance to the quarry gaped, an overgrown and
|
||||
rutted space between two perpendicular faces of stone where the
|
||||
rock had been blasted and chiselled. Between them, a thick bow of
|
||||
steel chain acted as a barrier against people who dumped rubbish on
|
||||
any vacant spot, or who dumped cars there too.</p>
|
||||
|
||||
<p>The quarry was forbidden to every pupil at the school, which
|
||||
meant that everyone, at least almost every boy had explored it at
|
||||
some stage and some of the older girls had made their own teenage
|
||||
explorations there too. There were paths up on the ledges, worn by
|
||||
the feet of countless boys taking a short cut or playing
|
||||
truant.</p>
|
||||
|
||||
<p>Behind him he heard the growling of the man coming after him.
|
||||
Feet thudded on the track, heavy and deadly. Crawford froze for a
|
||||
second, paralysed with fear and indecision, then he spun on his
|
||||
heel and ran hell for leather for the opening of the quarry. He
|
||||
reached the chain and leapt over it like a hurdler, his shirt-tail
|
||||
pulled out of his waistband and flying free.</p>
|
||||
|
||||
<p>The man came thundering down the track, moving so fast that when
|
||||
he reached the edge of the road his momentum carried him clear
|
||||
across to the far side of the road and almost into the line of
|
||||
trees. He looked left and right, much as Crawford had done, then
|
||||
the boy's flapping shirt caught his eye. It flashed in the shadow
|
||||
of the quarry like the tail of a startled fawn. He turned and went
|
||||
thundering after it.</p>
|
||||
|
||||
<p>Even in the height of summer, the south faces of the quarry
|
||||
never saw the sun. They were covered in ivy and moss and constantly
|
||||
dripped the dampness down into the trenches where the masons had
|
||||
carved the blocks way back at the turn of the century. Jumbled and
|
||||
tumbled piles of stones were covered in willowherb and wild
|
||||
rhubarb, while close to the sheer face, square blocks of stone,
|
||||
some of them ten feet tall, lay like dice thrown by a giant hand.
|
||||
Crawford ran for the nearest block, jinked round the side and
|
||||
squeezed between it and its neighbour. The narrow defile led to a
|
||||
series of steps which had been cut in the sandstone and he clawed
|
||||
his way up them, breathing hard and fast. He risked a look behind
|
||||
him and saw the big man come rushing in through the man-made chasm.
|
||||
All he saw was a shock of black hair and a flapping coat. He could
|
||||
hear the thud of boots on the hard ground and the angry, almost
|
||||
inhuman growl.</p>
|
||||
|
||||
<p>"Help," he bawled. The cry bounced off the sheer faces of the
|
||||
cut rock and faded to merge with the steady drip of the seeping
|
||||
water.</p>
|
||||
|
||||
<p>From higher up, beyond the flat edge, the schoolyard shrieks and
|
||||
shouts came louder as he scrambled up the narrow defile.</p>
|
||||
|
||||
<p>Behind him the man was growling words which were all mashed and
|
||||
jumbled together and made no sense at all. Crawford pushed himself
|
||||
up and through the cleft and onto the top of the first massive
|
||||
stone block. From there he could take a run and a short jump over
|
||||
the yard-wide cleft that would take him to the next block. The
|
||||
sound of the running man's boots came thudding up to him.</p>
|
||||
|
||||
<p>"Help," his voice was getting higher and the word seemed to
|
||||
squeak out from a dry throat. His heart was thudding and kicking
|
||||
against his ribs and his knees threatened to buckle under him.</p>
|
||||
|
||||
<p>Up on the top, where the grass was short and the paths leading
|
||||
away from the fence radiated in all directions, worn smooth by the
|
||||
feet of those years of truancy, there was a hollow depression that
|
||||
had once been the original quarry works when the stone was first
|
||||
cut out for an ancient farmhouse which stood on the land now
|
||||
occupied by the school. The hollow was bounded on three sides by a
|
||||
tangle birch trees and over-run by a thick matt of creeping ivy.
|
||||
From the school fence anyone inside the dip could not be seen.</p>
|
||||
|
||||
<p>Brenda Fortucci, a plump and dark-haired sixteen-year old whose
|
||||
attractions included a large and pallid pair of soft breasts and
|
||||
the fact that her uncle ran the cafe and snooker hall along Kirk
|
||||
Street, pushed herself away from Brian Grittan. In a couple of
|
||||
months a group of boys would use a scrag street-pigeon as a decoy
|
||||
while they robbed the store where Brenda's mother worked.</p>
|
||||
|
||||
<p>"Did you hear something?" she asked. Brian ignored the question
|
||||
and sneaked his hand back inside her school blouse to the smooth,
|
||||
yielding warmth.</p>
|
||||
|
||||
<p>"Sounds like a fight," he said quickly, in a voice that said he
|
||||
couldn't care about anything outside the hollow, or outside her
|
||||
blouse for that matter. He gently pushed her back down onto the
|
||||
grass and hunched over her to press his mouth against hers. She had
|
||||
a soft tongue and clumps of black hair under her armpits and Brian
|
||||
tantalised himself with the notion that between her thighs it was
|
||||
the same luscious dark shade. He hadn't risked putting his hand
|
||||
down there, not yet...</p>
|
||||
|
||||
<p>"Help, oh, please help me," Crawford Rankine bleated. The words
|
||||
came out all crimped and squashed together.</p>
|
||||
|
||||
<p>Behind him he could hear the ragged breath of the man who had
|
||||
lifted Don up by the neck and hit him against the wall. It was much
|
||||
closer now. He leapt over the space onto the next block and angled
|
||||
right up the steep track, hands scrabbling for purchase on the ivy
|
||||
roots.</p>
|
||||
|
||||
<p>Up in the hollow, Brenda pulled away again. "I did hear
|
||||
something," she said. Brian tried to fasten on to her again but she
|
||||
squirmed away. "Sounds like some kid."</p>
|
||||
|
||||
<p>"There's always kids around here." Brain was seventeen and was
|
||||
about to spectacularly fail in maths, French and physics because
|
||||
his mind had recently become so distracted from schoolwork. "Come
|
||||
on, Brenda, the bell's going to ring in a minute."</p>
|
||||
|
||||
<p>Over beyond the fence, a strangely hushed roar went up as the
|
||||
crowd around the fighting pair of boys reacted to the contest.</p>
|
||||
|
||||
<p>"Kick his head in," a loud voice rasped.</p>
|
||||
|
||||
<p>Closer, on the other side of the dell, a higher voice called
|
||||
out. Brenda sat up.</p>
|
||||
|
||||
<p>"There. That's it again. Don't you hear it?" She began to fasten
|
||||
her blouse, flicking off the dried grass that stuck to the
|
||||
material.</p>
|
||||
|
||||
<p>"It's only kids playing games."</p>
|
||||
|
||||
<p>Down below them, Crawford Rankine was climbing for his life.
|
||||
Here the quarry ascended in a series of man-high steps, most of
|
||||
them covered in ivy runners and bindweed. The boy pushed himself up
|
||||
and through another narrow gap. The man was closer now, climbing
|
||||
fast. The boy felt his sphincter clench and unclench as if he was
|
||||
going to mess his pants. His throat clicked dryly. In his mind's
|
||||
eye he saw Don's crinkly fine hair up close to the roof of the
|
||||
railwagon, while the white hand floated into the beam of
|
||||
sunlight.</p>
|
||||
|
||||
<p>"Ah...Ah....<em>AAAAAH!"</em> No words now, just a wavering,
|
||||
inarticulate cry. He reached the flat of the wide ledge where the
|
||||
birches leaned out of the face. There was a corner here with
|
||||
handholds, maybe twelve feet high. He had climbed it many a time
|
||||
without difficulty, taking a short-cut back into school. But he had
|
||||
never climbed it with a maniac chasing him up the side of the
|
||||
quarry. Behind him the man growled. Crawford launched himself at
|
||||
the corner and began to climb up, moving so fast and so desperately
|
||||
that his foot slipped on the smooth rock. He slid down two feet to
|
||||
the flat of the ledge again and started upwards once more.</p>
|
||||
|
||||
<p>Up in the hollow, Brenda got to her feet. She pushed her way
|
||||
through the tall stands of willowherb close to the edge.</p>
|
||||
|
||||
<p>"Watch that, or you'll go over," Brian warned. He was angry now,
|
||||
frustrated and disappointed all at once, but he didn't want to see
|
||||
her fall.</p>
|
||||
|
||||
<p>A hand clamped on Crawford's ankle.</p>
|
||||
|
||||
<p>It happened so suddenly that for a fraction of a second the boy
|
||||
thought his foot had snagged on a loop of ivy.</p>
|
||||
|
||||
<p>The fingers squeezed so hard on his tendon that a dreadful pain
|
||||
seared up the back of his leg. He thought he cried out but in fact
|
||||
no sound came out of his throat. He struggled away from the grip,
|
||||
managed to raise his foot six inches to the next little ledge.</p>
|
||||
|
||||
<p>Then he was down. The grip on his ankle simply jerked him off
|
||||
the corner of the rock. His head hit against a knuckle of stone and
|
||||
a white light flashed in front of his eyes. He came crashing to the
|
||||
flat and hit with such a thud that all of his breath came out in a
|
||||
whoosh of air. Another hand clamped on his neck and lifted him up
|
||||
just as abruptly as he had been slammed down.</p>
|
||||
|
||||
<p>"Got you," the man's voice growled, deep as rocks grinding
|
||||
together.</p>
|
||||
|
||||
<p>He was lifted up and turned, as if he weighed nothing at
|
||||
all.</p>
|
||||
|
||||
<p>"And he took him up to a high place," the man said slowly, in a
|
||||
strange, distant tone, as if he was talking to someone else. His
|
||||
dark hair was falling over his brow and his eyes blinked so rapidly
|
||||
it looked like a quick-fire series of tics.</p>
|
||||
|
||||
<p>A sudden and deadly knowledge sparked.
|
||||
<em>"Twi....twi...twi..."</em> The boy stammered.</p>
|
||||
|
||||
<p>"Call thy angels." The face loomed close. "And they will bear
|
||||
thee up."</p>
|
||||
|
||||
<p>Crawford dimly realised that the face had not moved. It was
|
||||
himself who had been drawn down wards towards it. The face moved
|
||||
away. Crawford felt himself rise up. The hands let go. He was still
|
||||
rising. The sun flashed over the rim of the quarry. He went up into
|
||||
the air.</p>
|
||||
|
||||
<p>And then he was falling.</p>
|
||||
|
||||
<p>Up at the edge where the brambles hung over the face, Brenda
|
||||
Fortucci screamed. The boy soared out from the cleft. All she saw
|
||||
were the arms windmilling for balance and the legs running in the
|
||||
air. The figure went flying out from the rock and plummeted
|
||||
straight down.</p>
|
||||
|
||||
<p>"Oh look...oh Brian....he's.."</p>
|
||||
|
||||
<p>"What is it?" Brian asked, bulling through the weeds. He reached
|
||||
her side and she turned into him, arms grabbing for his support
|
||||
breasts pressing into him.</p>
|
||||
|
||||
<p>"He fell," he bawled. "Oh, that boy. He fell."</p>
|
||||
|
||||
<p>A dull, somehow deadly thud rose up from below.</p>
|
||||
|
||||
<p>Brian peered over the edge. Down on a flat rock, fifty feet
|
||||
below, the boy was spread-eagled on a flat block of stone. His legs
|
||||
were shivering violently as if an electric current was running
|
||||
through them. In the space of a few seconds, a stain spread out
|
||||
underneath the boy's jacket, turning the rock dark.</p>
|
||||
|
||||
<p>"Oh Brian he's dead. I know he is."</p>
|
||||
|
||||
<p>He grabbed her by the hand and went running for the fence. Down
|
||||
on the hillside, one of the teachers had pushed his way into the
|
||||
centre of the crowd and was now hauling two bloodied boys out by
|
||||
the scruffs of their necks.</p>
|
||||
|
||||
<p>"Help," Brian Grittan shouted. "Mr Doyle!"</p>
|
||||
|
||||
<p>Brenda made a soft sighing sound and fell in a dead faint at his
|
||||
feet. Suddenly, without warning, Brian's gorge clenched, opened and
|
||||
he retched so violently his recent lunch sprayed all over the fence
|
||||
and his prostrate girlfriend.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
458
build/darkvalley/OEBPS/013.xhtml
Normal file
458
build/darkvalley/OEBPS/013.xhtml
Normal file
@ -0,0 +1,458 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>13</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>13</h1>
|
||||
|
||||
<p><em>August 1. 3.30pm...</em></p>
|
||||
|
||||
<p>"Look at that," Doug called out, pointing straight ahead. The
|
||||
others reached the low brow of the hill and stood beside him. Down
|
||||
the slope, the four black pools, each of them almost perfectly
|
||||
circular except for the last which was kidney shaped, descended in
|
||||
steps. They were evenly spaced and nearly identical in size, as if
|
||||
they had been dug for a purpose.</p>
|
||||
|
||||
<p>"Dead straight line," Billy said. "The bombers must have come
|
||||
right over the hills." He stuck his arms out and made a noise like
|
||||
a fighter plane in a dive and started to run down the hill
|
||||
zigzagging left and right. He stopped half way and beckoned to them
|
||||
with a wave of his arm.</p>
|
||||
|
||||
<p>The others started to follow him down towards the craters.</p>
|
||||
|
||||
<p>The first one was deep and ridged all around its rim where the
|
||||
earth had been thrown up by the force of the explosion twenty years
|
||||
before.</p>
|
||||
|
||||
<p>"Just like a crater on the moon," Corky said. A dragonfly came
|
||||
soaring towards them, buzzing like a miniature helicopter. It
|
||||
banked on clattering wings before it reached them and zoomed out
|
||||
across the still water.</p>
|
||||
|
||||
<p>"We must be close," Danny said. "If they were dropping their
|
||||
bombs up here."</p>
|
||||
|
||||
<p>Tom shrugged. "Could still be miles away." His face was still
|
||||
smudged with dust and ash and streaked with his tears. He had come
|
||||
along with them but he looked more reluctant to stay. Behind them,
|
||||
far in the distance, a pall of smoke still hung in the sky, but it
|
||||
was fading away now, just a smudge of grey against the blue. From
|
||||
where they stood, the town, three miles away, was hidden from view
|
||||
by the curve of the hill. The faint sounds of the foundry steam
|
||||
hammer and the clanging from the shipyard down in the distance had
|
||||
all but faded, leaving them only the piping of a curlew on the hill
|
||||
and the liquid sound of a lark rising on the hot air.</p>
|
||||
|
||||
<p>They ambled down towards the lowest crater-hole, this one
|
||||
completely round and deeper than all the others. The water was
|
||||
slick and patched with duckweed. Pond skaters slid on the surface
|
||||
while underneath them, water boatmen darted in search of prey. They
|
||||
dropped their bags in a heap and slung the tent beside them. All
|
||||
five of them lay on the sheep-shorn grass at the lip of the pond
|
||||
and peered down into the depths.</p>
|
||||
|
||||
<p>Danny reached out slowly and dipped his hand under the surface
|
||||
sending the slick of algae undulating in slow ripples. "It's warm.
|
||||
You could swim in it."</p>
|
||||
|
||||
<p>He moved his hand slowly very slowly, only an inch or two above
|
||||
the silt a foot below the surface close to the bank. Corky watched
|
||||
and saw a long black shape resting on the mud close to Danny's
|
||||
creeping fingers.</p>
|
||||
|
||||
<p>"What's that?" he started to ask, but just as he did, Danny
|
||||
lunged and hauled his hand clear of the water. Without hesitation
|
||||
he dropped the black shape on the grass. It was three inches long
|
||||
and wriggled furiously out of its element twisting its segmented,
|
||||
coal-black body this way and that.</p>
|
||||
|
||||
<p>"Dragonfly," Danny said and everybody crowded round.</p>
|
||||
|
||||
<p>"Can't be," Billy contradicted. "It hasn't got any wings. Creepy
|
||||
looking beastie."</p>
|
||||
|
||||
<p>"It's a larva. It's got to change first. It climbs up a stalk
|
||||
and breaks out."</p>
|
||||
|
||||
<p>"Metamorphosity." Corky said, knowingly.</p>
|
||||
|
||||
<p>"Ugly <em>baskit</em>," Doug said. "Bet it can't wait to grow
|
||||
up." They all laughed.</p>
|
||||
|
||||
<p>Danny broke a stem of reed and jabbed it close to the insect's
|
||||
bulbous eyes. Immediately the bottom jaw shot out with a tiny click
|
||||
sound. It looked like a long, jointed arm, jagged with grabbing
|
||||
spines. The underslung mandible clawed viciously.</p>
|
||||
|
||||
<p>"Jeez-o, it's a flamin' monster." Billy exclaimed.</p>
|
||||
|
||||
<p>The jaw snatched the reed and pulled at it, and they all crowded
|
||||
round to watch the alien wriggling thing twist and turn, viciously
|
||||
defending itself.</p>
|
||||
|
||||
<p>"There's a big water beetle that's got pincers," Corky said,
|
||||
holding his hands up at the side of his mouth and using his first
|
||||
fingers to imitate the motion of how those pincers worked. "Big
|
||||
enough to go right through your skin right into the bone. If it
|
||||
flies into you it can crack your skull."</p>
|
||||
|
||||
<p>"Well I'm not swimming in here," Tom said. "You could get bitten
|
||||
to death. It must be full of creepy crawlies like that. Probably
|
||||
piranhas as well.</p>
|
||||
|
||||
<p>Billy got to his feet and without warning he stamped down hard
|
||||
on the black larva. It crunched against the grass. "Something that
|
||||
ugly shouldn't be allowed to live," he said, grinning. Doug made a
|
||||
disgusted sound in the back of his throat.</p>
|
||||
|
||||
<p>"How would you like somebody to do that to you?" Danny asked,
|
||||
getting to his feet. The black larva twisted slowly now broken and
|
||||
burst, its legs clawing weakly at the air. Yellow liquid oozed out
|
||||
from the split in its abdomen.</p>
|
||||
|
||||
<p>"Nobody big enough," Billy said, wiping his foot on the grass.
|
||||
He grinned. "And I'm not ugly, neither."</p>
|
||||
|
||||
<p>He sauntered round the pool while Danny watched angrily, wishing
|
||||
he hadn't caught the insect, even if Billy was right. It was ugly
|
||||
and alien, something from a nightmare, but it would have gone on
|
||||
living if he'd left it, and some day it would have turned into one
|
||||
of the long , flickering streaks of black and gold that cruised on
|
||||
the summer air, hunting for insects.</p>
|
||||
|
||||
<p>Billy hunkered down. Something splashed in the water right in
|
||||
front of him. He reached, made a grab, missed his footing and
|
||||
stumbled forward into the pool. One foot sank into the soft
|
||||
mud.</p>
|
||||
|
||||
<p>"Dammit," he grunted. He reached again and snatched a bobbing
|
||||
shape up from the floating duckweed, then hauled himself out. His
|
||||
baseball boot and the leg of his jeans was red with mud. He shook
|
||||
his foot then turned and held up the fat green frog, waving it like
|
||||
a trophy.</p>
|
||||
|
||||
<p>"Hello <em>froggy,"</em> he sang, making his voice grate like a
|
||||
juvenile Louis Armstrong. He brought it across and thrust it in
|
||||
Tom's face. The smaller boy squirmed away from it.</p>
|
||||
|
||||
<p>"What, scared of frogs?" Billy demanded.</p>
|
||||
|
||||
<p>"No I'm not." Tom protested. "It's covered in slime,"</p>
|
||||
|
||||
<p>Billy giggled. "You can have great fun with frogs. Watch."</p>
|
||||
|
||||
<p>He searched around for a dried piece of reed and broke off a
|
||||
narrow stem, holding it up to the light to see if it was
|
||||
hollow.</p>
|
||||
|
||||
<p>"You have to watch for earwigs with these things. They crawl
|
||||
into your mouth and down your throat." He held the frog tightly
|
||||
while they watched. The creature jerked powerfully in an attempt to
|
||||
escape but Billy had its head in a strong grip. The legs pinioned
|
||||
helplessly.</p>
|
||||
|
||||
<p>"See its hole?" Doug agreed that he could see it. Billy jabbed
|
||||
the reed at it. The legs kicked desperately. There was a little pop
|
||||
sound and the end of the reed disappeared into the frog's vent.</p>
|
||||
|
||||
<p>"Aw, Billy," Corky protested. "That's bloody awful."</p>
|
||||
|
||||
<p>Billy grinned and raised his eyebrows up and down. "Now for the
|
||||
piece of the resistance," he said, grinning like Gomez Addams. He
|
||||
bent his head, put the free end of the reed in his mouth and blew
|
||||
steadily, puffing his cheeks out with pressure. .</p>
|
||||
|
||||
<p>The frog inflated. Billy squeezed the free end of the tube to
|
||||
close it and leaned back.</p>
|
||||
|
||||
<p>"You're lookin' swell, <em>froggy</em>," he sang. He breathed in
|
||||
through his nose and blew again. The frog blew up to the size of a
|
||||
tennis ball. The sun glinted on transparent skin. The round body
|
||||
swelled so much the spots on its pale belly had expanded to the
|
||||
size of shirt-buttons. The yellow eyes glared out from a distended
|
||||
head.</p>
|
||||
|
||||
<p>"Look at its face," Doug said.</p>
|
||||
|
||||
<p>It was an odd moment of fascination tinged with disgust and
|
||||
blackly cruel humour. Danny and Corky each screwed up their own
|
||||
faces, but they did not stop watching. Billy blew again and the
|
||||
frog expanded even more. "I can tell, <em>froggy!</em>"</p>
|
||||
|
||||
<p>"It's going burst," Doug said, shaking his head and taking a
|
||||
step back and holding his hands up protectively just in case. "Give
|
||||
it a break Billy."</p>
|
||||
|
||||
<p>"You're still growin', you're still <em>growin</em>' " Billy
|
||||
rasped.</p>
|
||||
|
||||
<p>"Oh, that's really rotten," Tom said, and then, without warning,
|
||||
he burst into horrified laughter. Danny looked at him, feeling the
|
||||
disgust rise inside himself. He turned to the frog. Its eyes were
|
||||
bulging now and it bore a look of complete and mute bewilderment. A
|
||||
hiccup of laughter bubbled up from inside him and he tried to
|
||||
swallow it down feeling a flush of shame at how hysterically funny
|
||||
he found this.</p>
|
||||
|
||||
<p>"Looks like Fat Sonia Kowalski," Corky said. Doug giggled then
|
||||
the two of them exploded with laughter. Billy turned and the frog
|
||||
slipped from his hands. It fell off the reed impaling its vent and
|
||||
landed on the water. Immediately bubbles came farting out in a
|
||||
steady stream. Its legs kicked out but it was still swollen to five
|
||||
times its size and they only paddled against air, hardly touching
|
||||
the water at all. It floated like a balloon on the duckweed,
|
||||
turning slowly in a little circle.</p>
|
||||
|
||||
<p>Billy let out a howl. Tom was holding his sides. Danny and Doug
|
||||
were holding on to each other, convulsing with laughter and Corky
|
||||
was lying on the ground doubled up. They were completely helpless
|
||||
for several minutes until the hysteria passed.</p>
|
||||
|
||||
<p>"God, that was really mean," Doug said, the manic laughter still
|
||||
in his eyes. He tried to keep his face straight and failed. "You
|
||||
should be done by the animal inspector."</p>
|
||||
|
||||
<p>"Look at it," Billy said. "It's as big as a flamin' football,
|
||||
and it's farting away like crazy."</p>
|
||||
|
||||
<p>"Fat Sonia," Doug said, remembering what Corky had said, and he
|
||||
was off again, bending over and holding his belly with both hands.
|
||||
"Oh, stop it," he pleaded. "Don't make me laugh."</p>
|
||||
|
||||
<p>"That's really rotten," Tom said, stifling his laughter. "It
|
||||
never did any harm."</p>
|
||||
|
||||
<p>"It's only a frog," Billy said, dismissively. "What are you
|
||||
worried about? They don't feel pain like us." He turned picked up
|
||||
his pack and started walking towards the lip of the valley.</p>
|
||||
|
||||
<p>The rest of them looked at each other. Danny felt flush of shame
|
||||
creep across his face, making it hot and red. It had been cruel,
|
||||
dreadfully cruel, but it had been funny and the frog <em>had</em>
|
||||
looked like Fat Sonia Kowalsky. The inflated frog was out in the
|
||||
midle, vainly trying to cross a patch of weed. It would die in the
|
||||
heat for sure. The flush of hot disgust, at the frog's torture and
|
||||
at his own laughter stayed with him.</p>
|
||||
|
||||
<p>"He's right off his head," Tom said with feeling. "I'm telling
|
||||
you. He's ten cents on the dollar."</p>
|
||||
|
||||
<p>Behind the next ridge of tussock grass, Billy turned. "Come on
|
||||
you lot. At the double."</p>
|
||||
|
||||
<p>Doug shrugged, sniffed. They moved on past the ridge of the
|
||||
crater, leaving the algae ripples to settle to silence, and the
|
||||
dragonflies snatching clegs and horseflies out of the air.</p>
|
||||
|
||||
<p>It was another hour before they got to the floor of the valley
|
||||
where the Blackwood Stream tumbled clear and fast over the smooth
|
||||
rocks. They had followed the contours of the hill, travelling
|
||||
parallel to the flow of the water, walking on the sheep-tracks
|
||||
until they reached the end of the thick forest that covered both
|
||||
sides. Beyond that, single trees and small clumps grew here and
|
||||
there, perched precariously on the steep sides of the valley,
|
||||
hazels and ash and some alders. The stream had cut the moorland
|
||||
into grooves here, deep gorges that fell away down to the twisting
|
||||
flow below. High on the sides, scrubby hawthorns and an occasional
|
||||
rowan clung to almost sheer walls. Branching tributaries bringing
|
||||
the winter melt water down from the Blackwood Hills to the west and
|
||||
the Langmuir Crags on the east side, cut the land into chevrons of
|
||||
gullies and fissures. The five boys trudged along the edge, tired
|
||||
and slow now and ready for a rest from carrying their bags and the
|
||||
increasingly heavy dead weight of the tent. The valley swooped
|
||||
below them, the steep sides lined and striated with alternating
|
||||
dark bands of thick shale sandwiched between hard mudstone which
|
||||
slashed white parallel lines in layers from the stream bed to the
|
||||
high ridge of the canyon lip.</p>
|
||||
|
||||
<p>"It's like something out of the movies," Doug said. They had
|
||||
caught up with Billy and nobody mentioned the frog. "Like cowboys
|
||||
and indians."</p>
|
||||
|
||||
<p>"Treasure of the Sierra Madre," Corky said. "That's what it's
|
||||
like." He turned to the others. "We don' have to show you any
|
||||
<em>steengking</em> badges," he said in a reasonable imitation of a
|
||||
Mexican bandido. Danny grinned widely at the impersonation and
|
||||
lopped the head off a nettle with his stick. Billy looked
|
||||
puzzled.</p>
|
||||
|
||||
<p>"It's a film," Corky explained. "Really good and scary too. The
|
||||
baddy gets it in the end. But the book's better. You should read
|
||||
one sometime."</p>
|
||||
|
||||
<p>Billy drew him a look that told them all he wasn't interested in
|
||||
books.</p>
|
||||
|
||||
<p>"It's like the grand canyon," Tom said. "I saw a picture of it
|
||||
in geography. It goes down for miles and it's got these lines all
|
||||
along the sides. I've never been up as far as this before."</p>
|
||||
|
||||
<p>"Right up in the wilds now, Tiny Tom," Billy said. "Miles from
|
||||
home. Only us mountain men and the wild frontier."</p>
|
||||
|
||||
<p>"There's bears and wolves and sabre-tooth tigers up here," Doug
|
||||
added, grinning his wide goofy smile.</p>
|
||||
|
||||
<p>"Tyrannosauruses and stegosaurs." Danny threw in.</p>
|
||||
|
||||
<p>"Giant spiders." Corky said, keeping it up. "Martians with three
|
||||
eyes."</p>
|
||||
|
||||
<p>"And window-lickers from the special school bus." Tom said. He
|
||||
rolled his eyes up and let his tongue hang out imbecilically.
|
||||
"That's you lot, that is. A bunch of morons if you believe all that
|
||||
stuff. And I bet you do, every one of you."</p>
|
||||
|
||||
<p>They started down the slope, reached the edge where the grass
|
||||
stopped and the steep shale fell away for more than a hundred feet
|
||||
at such a steep angle it seemed almost vertical from where they
|
||||
stood. Doug stepped back from the edge. "It's high, isn't it?"</p>
|
||||
|
||||
<p>"Not really," Tom said mildly. "Only from up here. It looks
|
||||
further than it is, I think."</p>
|
||||
|
||||
<p>"I don't like heights," Doug said. "I got stuck on the quarry
|
||||
once. Scared the shite out of me. It took me ages to get the nerve
|
||||
up to climb down and I missed most of the afternoon."</p>
|
||||
|
||||
<p>"What quarry, the one behind the school?" Danny asked. "Where
|
||||
Crawford Rankine fell off?"</p>
|
||||
|
||||
<p>Doug nodded gravely. "Yeah."</p>
|
||||
|
||||
<p>"Thrown off," Tom corrected. "They thought he fell at first, but
|
||||
he got thrown off. Same time as Don Whalen was caught. Brenda
|
||||
Fortucci saw it all."</p>
|
||||
|
||||
<p>Doug shrugged, not caring for the moment, though this was
|
||||
something they'd all discussed, and at length, in the long weeks
|
||||
running up towards the end of the school holidays. He looked down
|
||||
to where the Blackwood Stream meandered down there, a silver snake
|
||||
crawling through the steep valley. "I hate falling. I'd rather get
|
||||
shot."</p>
|
||||
|
||||
<p>"Like my old man," Billy said. "He got shot a couple of times.
|
||||
You don't feel it if it gets you in the head. You don't even hear
|
||||
it. He wiped out a whole Japanese patrol, so he did."</p>
|
||||
|
||||
<p>He stuck his hands in his pockets. "He could have taken Cammy
|
||||
Galt and Plooks McGill and your Phil all at the one time. He could
|
||||
have molocated old <em>Twitchy,</em> that's for certain. No
|
||||
bother."</p>
|
||||
|
||||
<p>Doug ignored him and looked away. They'd all heard it before.
|
||||
"Can we find somewhere that isn't so steep? You could fall and
|
||||
break your neck here."</p>
|
||||
|
||||
<p>"It's all right," Corky told him. "It's not as steep as it
|
||||
looks, and even if you fall, you won't go far. Watch."</p>
|
||||
|
||||
<p>Corky took a leap forward. Doug blurted a warning as his friend
|
||||
leapt off the edge. Corky yelled at the top of his voice and went
|
||||
plummeting down. He hit the slope feet first, sending up a bow-wave
|
||||
of shale and then went sliding down the scree on his backside,
|
||||
forcing a fountain of gravel into the air, leaving a deep groove of
|
||||
his passing. Danny went skidding right behind him and Doug was
|
||||
encouraged enough to follow. Billy took the rear, bouncing down
|
||||
heavily, leaving wide footprints with every stride. In only a few
|
||||
minutes, they reached the bottom and followed the stream until they
|
||||
reached a flat part at the conjunction with another of the feeder
|
||||
tributaries that had cut the chasms in the moor slope. The twin
|
||||
gorges angled away from each other, each of them filled with the
|
||||
echoing sound of running water. Danny stripped off his canvas shoes
|
||||
and threw his socks onto the grass. He rolled up the legs of his
|
||||
jeans and waded into the clear stream shallows just down from the
|
||||
deeper pool where the crystal water tumbled through a low cleft.
|
||||
Corky kicked off his old scuffed boots and followed him in.</p>
|
||||
|
||||
<p>"What's it like?" Doug asked, struggling out of his torn
|
||||
denims.</p>
|
||||
|
||||
<p>"Magic," Corky told him. He came out of the water and rubbed the
|
||||
droplets from his legs. Already he was getting some brown hairs on
|
||||
his calves. Danny, who had stripped off his own denims, looked at
|
||||
them enviously. His own legs were white and smooth.</p>
|
||||
|
||||
<p>"Let's get the tent fixed up," Corky said when he came back out,
|
||||
dripping water. "then we can light a fire."</p>
|
||||
|
||||
<p>"Bags me to light it," Billy demanded. "I can get a blaze going
|
||||
with one match."</p>
|
||||
|
||||
<p>"Yeah, we know that. Just so long as it stays in one place," Tom
|
||||
said rancorously. "You nearly killed us the last time."</p>
|
||||
|
||||
<p>"Oh, give it a rest, <em>Titch</em>," Billy rounded on him. "It
|
||||
was an accident, OK? He pulled his tee-shirt over his head, slung
|
||||
it behind him and ran up to the rocky ledge at the side of the
|
||||
pool. Without stopping he scrambled to the edge.</p>
|
||||
|
||||
<p>"Bombs away..."</p>
|
||||
|
||||
<p>His cry echoed down the valley. He leapt into the air, bunched
|
||||
his legs together and hugged his knees so that he curled into a
|
||||
tight ball and hit the water so hard the impact it sounded like a
|
||||
drum in the confines of the pool. An immense splash of water arched
|
||||
out on all sides, soaking the bags and the tent.</p>
|
||||
|
||||
<p>Billy came up to the surface, his black hair glistening in the
|
||||
sun. Underneath him the red mud which had dried on the leg of his
|
||||
jeans dissolved in the current and trailed downstream in banded
|
||||
clouds of ochre silt like streams of blood.</p>
|
||||
<hr />
|
||||
<p><em>August 1. 4pm.</em></p>
|
||||
|
||||
<p>He watched their progress from the cover of the thick trees on
|
||||
the other side of the valley, standing very still so that he
|
||||
betrayed no movement at all.</p>
|
||||
|
||||
<p>The fire had died away but there was still a musky smell of
|
||||
grass smoke on the dry air, mingled with the aroma of burned gorse
|
||||
and its perfumed pollen. The hills up beyond the farm rolled away
|
||||
into the distance, barren of trees up this high, covered in heath
|
||||
and heather and thick bracken fronds.</p>
|
||||
|
||||
<p>The five of them had followed the cattle track down to the pools
|
||||
and then they had moved on. He followed for a while, feeling the
|
||||
tide of heat swell inside him. He was in no hurry, none at all. The
|
||||
time was not yet right. There were still things to do, important
|
||||
things.</p>
|
||||
|
||||
<p>He hunkered down beside a fallen pine tree that had broken its
|
||||
back as it tumbled, and pulled a piece of dried meat from his
|
||||
pocket, smoked pork from the dry-store next to the farmhouse
|
||||
kitchen. He chewed on it absently, waiting until the troop of boys
|
||||
began to angle down the slope, like a patrol in the hills. If he
|
||||
listened he might hear them call out.</p>
|
||||
|
||||
<p><em>Dung fly.</em> There was no rush. Up here he had all the
|
||||
time in the world to do what he had to do. . There was no hurry for
|
||||
now. He would watch and he would wait. He would let them know, as
|
||||
some stage, when the time was right, who he was and why he had
|
||||
come.</p>
|
||||
|
||||
<p>He rose to his feet and went down into the trees, heading back
|
||||
towards the farm where the others were waiting for him. He blinked
|
||||
several three times in quick succession, and the world flickered in
|
||||
a strobe of flashes, intermittent light and dark. The boys were
|
||||
going along the ridge at the edge of the valley where the land fell
|
||||
away sharply in the narrow cleft down to the stream, and in a line,
|
||||
just like a troop of infiltrators. It was steep there. Maybe one of
|
||||
them might fall...</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
507
build/darkvalley/OEBPS/014.xhtml
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507
build/darkvalley/OEBPS/014.xhtml
Normal file
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>14</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>14</h1>
|
||||
|
||||
<p><em>June:</em></p>
|
||||
|
||||
<p>In the dark he could hear his own breathing, a watery snuffle.
|
||||
He could feel wet on his cheek and the dull throb that told him
|
||||
he'd been cut, but as yet there was no pain there. Not for now. The
|
||||
memory of pain hovered close in the darkness, but it was hard to
|
||||
remember anything else.</p>
|
||||
|
||||
<p>He'd been with Crawford and Derek. No, not Derek; <em>he'd</em>
|
||||
gone back on the other side of the fence, gone back to school.
|
||||
Crawford had been there. Where was he now?</p>
|
||||
|
||||
<p>He tried to think, but it was difficult. The dark wavered and
|
||||
broke up into small spangles of light when the numb dizziness came
|
||||
swirling in on him again. Going fishing. Taking the day off to cast
|
||||
a spinner in the river and test that big run of sea trout. Down the
|
||||
path, teasing the dogs, then through the corrugated sheet fence and
|
||||
past the tall weeds. The door had squealed open and he'd looked in
|
||||
and something had - <em>a man</em> - grabbed him. Hit him. It had
|
||||
happened so quickly that he hadn't even had time to react. Crawford
|
||||
had said something. The noise had come from the shadows. An image
|
||||
of balloon-like breasts hovered there on the wall and then the
|
||||
looming shape coming out of the dark.</p>
|
||||
|
||||
<p>The pain had been unbelievable. The shadow had slashed out and
|
||||
hit him right on the side of the head and the whole world had
|
||||
exploded into a fountain of whirling sparks. The pain had punched
|
||||
from one side of his skull to the other as his head smacked against
|
||||
the wooden planks. Another explosion, more fiery, more volcanic
|
||||
than the first, blossomed in a burst of heat and hurt.</p>
|
||||
|
||||
<p>"Look at the ti..." Crawford had said and then he'd stopped. To
|
||||
Don he had sounded suddenly far away in the distance.</p>
|
||||
|
||||
<p>Something had him by the neck but there were sparks bursting in
|
||||
front of his eyes and he couldn't see. All he could feel was the
|
||||
pain in his head and the rolling nausea bubbling up inside him.
|
||||
There was a pressure on his neck and he was flying into the air. He
|
||||
could remember his eyes, blind with the whirling lights, bulging in
|
||||
their sockets and he recalled the collapsing sensation of his
|
||||
windpipe.</p>
|
||||
|
||||
<p>The pain in his throat was coming back now and his head was
|
||||
throbbing. The metallic smell of blood was in his mouth and his
|
||||
nose and when he tried to cry out he found he couldn't make a
|
||||
sound.</p>
|
||||
|
||||
<p>Where was Crawford? Had something happened to him?</p>
|
||||
|
||||
<p>He tried to move but his shoulder screeched with pain so badly
|
||||
that the little lights started orbiting in the dark again. Outside,
|
||||
out there beyond the door, the angry sound of dogs barking started
|
||||
up. Somebody yelled and another boy laughed.</p>
|
||||
|
||||
<p><em>Crawford</em>? Was he and Derek coming back? He turned and
|
||||
smeared a trail of blood on the floor.</p>
|
||||
|
||||
<p>Somebody rattled a stick along a taut wire, making it jangle.
|
||||
The greyhounds started up their hysterical barking once more.</p>
|
||||
|
||||
<p>"Skinny big buggers," a boy's voice bawled. Another boy
|
||||
sniggered again. Not Crawford, not Derek. A metal sound, like a tin
|
||||
can banged against something hard, rang out tunelessly. The dogs
|
||||
went into a frenzy. He could hear the thud of running feet and the
|
||||
whoops of schoolboys, sounding just like himself and his pals, but
|
||||
they were out there, running up the track he had come down. They
|
||||
were heading back to school and he was, he was...</p>
|
||||
|
||||
<p>The bit bull terrier roared savagely and he could hear the
|
||||
protesting squeal of wire as it slammed against the fence, followed
|
||||
by the jeering laughter of the boys going up the hill. He tried to
|
||||
call out again but all he managed was a gurgle in the back of his
|
||||
throat.</p>
|
||||
|
||||
<p>He shivered involuntarily, smearing blood against the floor
|
||||
again and a bubble swelled at his nostril before bursting silently.
|
||||
Far off in the distance, he could hear the clamour of kids up on
|
||||
the hill behind the school, like the squalling of wheeling gulls,
|
||||
faint but clear. Here and there he could make out an individual
|
||||
hoarse cry, a higher yell. Somebody screamed like a girl. All the
|
||||
normal noises of school at lunch time.</p>
|
||||
|
||||
<p>The scream came again, high and wavering, distant, but closer
|
||||
than the school sounds. A moment later the bell rang, to tell
|
||||
everyone to line up and get ready for the afternoon classes.
|
||||
Crawford had disappeared. Don tried to think but he couldn't
|
||||
remember. Had he run away? He must have. He must have seen what had
|
||||
happened. He would be up there at the school getting help, getting
|
||||
a doctor, calling for an ambulance. Help would be here soon.</p>
|
||||
|
||||
<p>He tried to stop shivering, but he couldn't find a way and the
|
||||
heel of his black school shoe drummed an uneven rap on the hard
|
||||
floor. His throat spasmed and a sudden dread overtook him that it
|
||||
would lock shut and he would choke on the blood. He coughed and a
|
||||
saw-blade of hurt rasped into his shoulder. Of a sudden, Don
|
||||
Whalen's mind cleared enough to let him realise that he was in
|
||||
awful danger. Very slowly he got a hand to the floor. He could
|
||||
smell the blood and the dismal reek of human shit and he couldn't
|
||||
tell whether it was his own.</p>
|
||||
|
||||
<p>Crawford had gone to get help. That was for sure. Wasn't it? He
|
||||
eased his hand down. It pressed into a wet puddle that could have
|
||||
been anything, and then he gingerly levered himself up from the
|
||||
floor, one millimetre at a time, breath rasping, head pounding,
|
||||
shoulder screeching in protest. He got to a sitting position, still
|
||||
in the dark. The school sounds had faded, though they would have
|
||||
been hard to hear over the laboured rasp of his breath. Don pulled
|
||||
himself to the corner, where he thought the door would be and he
|
||||
raised his hand to press it against the planking.</p>
|
||||
|
||||
<p>His fingers left an almost perfect hand print. It was the full
|
||||
stop at the end of his tortuous two-yard crawl. Another smudge of
|
||||
dried blood showed where the sickness and pain and exhaustion had
|
||||
caused him to slip to the floor. Some time later, he couldn't tell
|
||||
how long, thudding footsteps roused him out of the dizzy
|
||||
stupor.</p>
|
||||
|
||||
<p>Don Whalen came almost awake when the door opened and a slender
|
||||
column of light widened to a thick pillar before being cut off
|
||||
again. The floor and the walls of the rail-wagon shuddered as the
|
||||
door rolled back on its casters and slammed shut with an awful
|
||||
finality. He still had not seen anything except the brief flash of
|
||||
light.</p>
|
||||
|
||||
<p>In the dark he could hear the rough sound of breathing,
|
||||
overlaying his own rasping breath and he knew he was not alone.</p>
|
||||
|
||||
<p>"Crawford?" he tried to say, though he somehow knew it was not
|
||||
his friend. He lay there, frozen in the sudden clench of fear. The
|
||||
breathing continued for a while, ragged and effortful, dreadfully
|
||||
close in the dark. Then a footstep shivered the floor and the
|
||||
breathing got louder.</p>
|
||||
<hr />
|
||||
<p>Derek Milne had turned back from the fence, got half-way to the
|
||||
wall and then stopped and turned back again. He'd an essay to hand
|
||||
in to Matt Bryson the English teacher, one which should have gone
|
||||
in two days ago, but which he had pretended to have forgotten,
|
||||
though in truth he hadn't even written it. His two friends had gone
|
||||
down the track and in half an hour, he knew they'd be at the Pulpit
|
||||
Pool on the river, casting for sea-trout.</p>
|
||||
|
||||
<p>Indecision stopped him in his tracks. It was a good June day,
|
||||
late for a run of trout, but last week's rain had raised the river
|
||||
level enough to give a decent head of water and bring fish in from
|
||||
the estuary. The afternoon stretched dismally ahead of him. A dull
|
||||
period of maths and another two, even duller, of English. He walked
|
||||
ten yards, stopped, looked back at the fence. Beyond there, he
|
||||
could hear the yapping of the greyhounds and the deeper growl of
|
||||
another dog and he knew his friends would be at the bottom of the
|
||||
track by now, heading past the quarry to get the fishing rods from
|
||||
Crawford's garden hut.</p>
|
||||
|
||||
<p>He turned back to the fence, swithered some more, torn between
|
||||
the desire to go fishing and the sense of self preservation which
|
||||
demanded he get down to school and write the essay for Matt Bryson.
|
||||
Derek even put his hands on the fence, ready to limbo under the
|
||||
bottom bar, when he changed his mind again and ruefully turned
|
||||
back, heading up the hill towards the Hump. He got over the rise
|
||||
and saw the milling crowd that had swelled to three or four times
|
||||
what it had been when he and the others had gone up the hill
|
||||
together. As soon as he crested the shoulder of the hill the noise
|
||||
had hit him like a physical force. Boys and girls too, were in the
|
||||
crowd, crushed together in a swarm. In the nucleus, from his height
|
||||
advantage, he could see a fist rise up and fall again. The crowd
|
||||
growled, like a single entity, a strange and eerily fierce sound, a
|
||||
mixture of alarm and primitive hunger.</p>
|
||||
|
||||
<p>"What's going on?" a man's voice bellowed. Mr Doyle, the junior
|
||||
maths teacher came hurrying up the slope on short, sturdy legs.</p>
|
||||
|
||||
<p>"Stop that this minute," he shouted, quite ineffectually. Nobody
|
||||
heard him. In the milling crowd, everybody was trying to get a
|
||||
ringside view of the two combatants. Derek made his way down the
|
||||
hill just as Mr Doyle was coming up. He got to the edge of the
|
||||
crowd as it swelled and contracted with a life all of its own,
|
||||
feeling the strange infection of excitement reach and invade
|
||||
him.</p>
|
||||
|
||||
<p>"All of you, move back from there," the teacher snapped, peeved
|
||||
at the lack of response. His face was red with effort as he came up
|
||||
the hill at a trot. A few of the girls closest to him peeled away
|
||||
from the crowd. One of them had lost a shoe and was hopping about
|
||||
trying to keep her white ankle-sock off the ground.</p>
|
||||
|
||||
<p>Another fist flew and a sound like a mallet-strike cracked in
|
||||
the air. The mob let out a collective groan of appreciation. A boy
|
||||
yelled, high and vicious. Another cried out, angry but also
|
||||
frightened.</p>
|
||||
|
||||
<p>Mr Doyle waded into the crowd, pulling bodies by the scruff of
|
||||
their blazers and the hoods of their anoraks, shoving them aside as
|
||||
he thrust his way to the nucleus. In a few seconds he was up to his
|
||||
shoulders in the press of pupils, as much part of the crowd as they
|
||||
were, jostled left and right by the wheeling mass. Finally he
|
||||
reached the centre. Derek Milne saw him duck down. He was almost
|
||||
knocked off his feet but he managed to steady himself and when he
|
||||
came up again, he had a boy in each hand, fingers clenched on their
|
||||
collars.</p>
|
||||
|
||||
<p>The crowd sighed its disappointment and immediately began to
|
||||
fragment as if some physical attractant had been switched off.
|
||||
Derek Milne strolled down the hill past the scattering clumps of
|
||||
pupils. The two boys were still charged up with anger and
|
||||
adrenaline and despite the dire warnings from the young teacher
|
||||
they were still trying to aim kicks at each other. Both of them had
|
||||
bloodied noses and their clothes were slick with mud. The taller of
|
||||
the two had a black eye swollen and closed over. The stockier one
|
||||
had a thin trail of blood leaking from his ear.</p>
|
||||
|
||||
<p>Derek moved past them, feeling the hot and somehow dangerous
|
||||
elation drain away from him, and walked down, bag swinging on his
|
||||
hip, towards the school.</p>
|
||||
|
||||
<p>Just as he reached the wall a girl screeched from the top of the
|
||||
Hump, up beyond where the fight had been. He turned and saw that Mr
|
||||
Doyle had stopped. The girl screamed again, but from the distance,
|
||||
Derek couldn't make out what she said. Mr Doyle let the boys go and
|
||||
went up the hill. They made good their escape before he had got ten
|
||||
yards. Derek grinned and turned into the doorway just as the bell
|
||||
rang shrill, heading for the maths class where, with some luck, he
|
||||
could sit at the back and write his essay. It was not until the
|
||||
middle of the afternoon that he heard the news.</p>
|
||||
|
||||
<p>"Rankine's fell off the quarry."</p>
|
||||
|
||||
<p>Derek stopped in his tracks. He was just coming out of the maths
|
||||
class and about to go up the stairs to Matt Bryson's room to
|
||||
present his delayed and hastily scrawled work when he heard a boy
|
||||
tell another with obvious shuddery relish:</p>
|
||||
|
||||
<p>"Broke his neck, so he did. There's blood all over the place, I
|
||||
heard."</p>
|
||||
|
||||
<p>"What's that?" Derek asked, more curious, not sure of what he
|
||||
had heard.</p>
|
||||
|
||||
<p>"Didn't you hear? Your pal Rankine fell of the quarry. Took a
|
||||
header."</p>
|
||||
|
||||
<p>"Nah," Derek said, "he couldn't have. He was nowhere near the
|
||||
quarry..." he stopped again. Crawford and Don had gone down the
|
||||
track to the back road. They would only have been yards away from
|
||||
the old quarry entrance.</p>
|
||||
|
||||
<p>"It's true, honest. Brian Grittan and big Brenda Fortucci saw
|
||||
him. They were up on the other side of the fence. She's down at the
|
||||
nurse screaming her head off."</p>
|
||||
|
||||
<p>"When did..." Derek started. "I mean..?"</p>
|
||||
|
||||
<p>The other boys looked at him. Everybody was buzzing with the
|
||||
news, the little horror that had happened to somebody else, all the
|
||||
more shivery and exciting because it had happened to somebody they
|
||||
knew. He got to the top of the stairs where the rest of the class
|
||||
were lined up outside the English room. Everybody was looking at
|
||||
him expectantly.</p>
|
||||
|
||||
<p>"Didn't you and Don go up to the fence with Craw?" somebody
|
||||
asked. Matt Bryson popped his head out of the doorway. Derek just
|
||||
turned round and ran down the steps.</p>
|
||||
|
||||
<p>"Milne, get yourself back here boy!" the teacher bellowed. "And
|
||||
you'd better have that essay."</p>
|
||||
|
||||
<p>Derek threw himself down the stairs and along the corridor,
|
||||
pushing smaller kids out of the way. He got to the east exit and
|
||||
went out, running hard now and by the time he got to the top of the
|
||||
Hump, he was gasping for breath. On the other side of the fence,
|
||||
the janitor and two of the teachers were standing close to the drop
|
||||
off. Beyond the tip, Derek could see nothing, but the blue winking
|
||||
light of an ambulance reflected repetitively from the damp stone
|
||||
face on the other side.</p>
|
||||
|
||||
<p>"Sir," he called out. One of the teachers turned round. "Sir,
|
||||
who was it got hurt?"</p>
|
||||
|
||||
<p>"Shouldn't you be in class?" Mr Doyle asked.</p>
|
||||
|
||||
<p>"Yes sir, but you have to tell me. Who was it?"</p>
|
||||
|
||||
<p>The teacher looked at him, considering. The boy was clearly
|
||||
agitated. He have a little shrug which conveyed kindly intent more
|
||||
than anything else.</p>
|
||||
|
||||
<p>"Crawford Rankine. Is he a friend of..."</p>
|
||||
|
||||
<p>"Sir is he dead?"</p>
|
||||
|
||||
<p>"That I can't tell you, sonny," Mr Doyle replied. Derek backed
|
||||
away from the fence, hot tears beginning to swim and blur his
|
||||
vision.</p>
|
||||
<hr />
|
||||
<p>Robert Doyle, known to the pupils as Wee Bob, had reacted very
|
||||
quickly when he'd got to the top of the hill. The two combatants
|
||||
escaped and ran away and he forgot all about them when he saw the
|
||||
prostrate girl on the other side of the fence. He scaled it with
|
||||
surprising agility and when he dropped to the far side where the
|
||||
boy was kneeling over the girl, he smelt the sour stink of
|
||||
vomit.</p>
|
||||
|
||||
<p>"What happened?" he asked. "Come on Brian, she's been sick. Has
|
||||
she eaten something? Drunk something?" The boy mumbled and then he
|
||||
threw up again. For a few seconds Bob Doyle thought they'd both
|
||||
been sick. But the boy wiped his mouth.</p>
|
||||
|
||||
<p>"No sir, she's fainted." He jerked his thumb over his shoulder.
|
||||
"It's the boy. He's dead."</p>
|
||||
|
||||
<p>The teacher looked at him, brows knitted together in puzzlement.
|
||||
On the grass the girl moaned. A couple of her buttons had loosened
|
||||
and a large white breast, marbled with blue veins, was trying to
|
||||
pop out under the pressure of its own weight. Bob Doyle drew his
|
||||
eyes away.</p>
|
||||
|
||||
<p>"Over there sir. He fell off the quarry." The boy's face
|
||||
contorted and his mouth spasmed in a wide retching gape, but he
|
||||
managed to contain it this time. "Brenda fainted. There's blood all
|
||||
over the place," he added.</p>
|
||||
|
||||
<p>Just as he said that, the girl's eyes fluttered open and she
|
||||
pushed herself upright. She took one look at Brian and fell back
|
||||
against the grass again. Mr Doyle got to the edge of the quarry and
|
||||
looked down. There was nothing to be seen down there. The base of
|
||||
the old diggings was far below, hidden in the shade and the clumps
|
||||
of brambles and tangled dog roses. The massive blocks of stone
|
||||
heaped on each other in a series of giant steps leading to the
|
||||
bottom. There was nobody down at the quarry bed, no bloody and
|
||||
broken body.</p>
|
||||
|
||||
<p>Brian Grittan came stumbling over to join him and the teacher
|
||||
grabbed the boy by the elbow, wondering if perhaps he and the girl
|
||||
had been drinking. He began to lean inwards to smell the boy's
|
||||
breath when the lad pointed down and to the left where the thick
|
||||
ivy rooted in a crevice. Bob Doyle followed the pointed finger. The
|
||||
flat surface of a block of red sandstone lay close to the vertical
|
||||
wall. He blinked and everything jumped into focus. It was no red
|
||||
sandstone. It was a red splash on the stone. The body lay
|
||||
spread-eagled close to the edge. Palms up, white face tilted to the
|
||||
blue sky.</p>
|
||||
|
||||
<p>"Oh my god," the teacher whispered.</p>
|
||||
|
||||
<p>He stared at the blood and at the still body for a few moments
|
||||
longer. Then he turned, grabbed the boy by the arm and walked him
|
||||
back to the fence. He told him to stay with the girl and not to let
|
||||
her near the edge, fearful that she might wake up and stumble over
|
||||
the precipice. That done, he clambered over the fence and ran down
|
||||
the hill and into the school. The ambulance got to the quarry in
|
||||
thirteen minutes and by the time the crew reached the flat rock,
|
||||
Father O'Connor, the school chaplain who had been giving a
|
||||
religious talk on the need for chastity in these devilish times,
|
||||
had clambered down with Bob Doyle and Jake Dennink the physical
|
||||
education teacher The priest was anointing the boy's bloodied head,
|
||||
hoping to speed his soul through the searing, unavoidable cleansing
|
||||
fires of purgatory.</p>
|
||||
|
||||
<p>As it happened, Crawford Rankine was not dead. He was one of the
|
||||
few people who had come in contact with the man with the twitchy
|
||||
eyes and survived. He lost four pints of blood and had a dreadful
|
||||
depressed fracture in his skull. His pelvis and both elbows were
|
||||
shattered and needed twenty seven pins in an operation described at
|
||||
the time as 'pioneering'. But he was not dead.</p>
|
||||
|
||||
<p>It was a surprise to the police that he woke up two days later
|
||||
and was able, despite his injury, to tell them what had happened,
|
||||
up to the point of climbing up the quarry with the man hot on his
|
||||
heels. After that, he could not remember anything. Neither did he
|
||||
know what had happened to his friend Don Whalen. He thought the man
|
||||
had hit him.</p>
|
||||
|
||||
<p>Derek Milne ran all the way to Crawford's place, still unable to
|
||||
believe what had happened, that his friend had been killed in the
|
||||
quarry. He sneaked in through the old wooden gate, hunching down
|
||||
out of sight behind the trimmed privet hedge, and round to the
|
||||
garden hut, knowing that the teacher had got it wrong, and that the
|
||||
rods would be gone, and somebody else, somebody he didn't really
|
||||
know, would be lying dead at the bottom of the cliff.</p>
|
||||
|
||||
<p>But the old Greenheart spinning rod and the even older
|
||||
split-cane wand were angled in the corner of the shed.</p>
|
||||
|
||||
<p>By now Derek was badly frightened. He hadn't waited around to
|
||||
ask what had happened to Don, but if he had been with Crawford in
|
||||
the quarry, then he was probably hurt as well. No matter what had
|
||||
happened, he himself, was in big trouble, because he knew they were
|
||||
dodging off school to go fishing. He had condoned it. If he had
|
||||
stopped them, Crawford would still be alive. (And if he'd gone with
|
||||
them, he too could be smashed on a rock in the quarry) He went
|
||||
round to Don's place and hung about, scared and guilty. His
|
||||
friend's young sister came home after four and got the key on the
|
||||
string inside the letterbox. She let herself in. Don waited for an
|
||||
hour. Mrs Whalen came come, carrying two bags of groceries. Later,
|
||||
Don's father came in, hands still black from the foundry. Derek
|
||||
went home and his mother, who had been on the verge of calling the
|
||||
police, demanded to know where he'd been. It was at this point that
|
||||
Derek burst into real tears and he told his mother that his friend
|
||||
had been killed.</p>
|
||||
|
||||
<p>At eight o'clock that night, Sergeant McNicol knocked on the
|
||||
door. The big uniformed policeman who was with him accepted a cup
|
||||
of tea and dwarfed Derek's father as they sat round the kitchen
|
||||
table, with Derek's pale face between them.</p>
|
||||
|
||||
<p>Angus McNicol's face visibly brightened when he heard Derek's
|
||||
story. It was bad, but it could have been worse.</p>
|
||||
|
||||
<p>"So the boys were going fishing and you turned back?"</p>
|
||||
|
||||
<p>Derek nodded.</p>
|
||||
|
||||
<p>"But they must have come back as well, taking the short cut to
|
||||
school," Angus prompted and the boy nodded again. "So with a bit of
|
||||
luck, then the other boy could still be in the quarry?"</p>
|
||||
|
||||
<p>Angus slapped the boy on the shoulder. He was grinning from ear
|
||||
to ear because as soon as he heard a boy had gone missing, he had
|
||||
feared the worst. Now there was a perfectly logical and reasonable
|
||||
explanation. Both boys had scaled the face of the quarry. If one
|
||||
had fallen, it was a fair assumption that the other had been with
|
||||
him. He could have tumbled, fallen into a crevice and if that was
|
||||
true, the chances were that he'd be hurt too, but possibly still
|
||||
alive. Even if he was dead, McNicol thought pragmatically, it would
|
||||
be better for all, better for the town if he'd fallen off a cliff
|
||||
and died, rather than been killed by the maniac who had taken the
|
||||
lives of Neil Hopkirk and little Lucy Saunders. Most likely, Angus
|
||||
thought to himself, as he admitted many years later, Don Whalen had
|
||||
got such a scare, seeing his pal crash onto the rock, that he'd
|
||||
simply run away and was hiding somewhere, probably still in a state
|
||||
of shock. He'd turn up.</p>
|
||||
|
||||
<p>"I've got good news, sonny," he told the pale and snivelling
|
||||
lad. "Young Crawford's hurt pretty sore, but he's still alive. You
|
||||
did the right thing not dodging school, especially with this bad
|
||||
fellow around the town, but I hope you've learned a lesson. You've
|
||||
got to stay with your mates, stay close, and don't be bunking off
|
||||
anywhere out of sight. This man's a nasty piece of work."</p>
|
||||
|
||||
<p>"Don't worry sergeant," Derek's father said. "He certainly has
|
||||
learned a lesson."</p>
|
||||
|
||||
<p>The police set up floodlights on the top of the quarry and
|
||||
angled them down, bathing the whole workings in silvery light and
|
||||
sending harsh shadows behind every bush and clump of ivy. The
|
||||
lights glistened from the damp sheen on the vertical faces. They
|
||||
brought the dogs in to search all over and a team of divers from
|
||||
the navy base came down in a big blue truck and searched all night
|
||||
in the narrow shafts that were filled with water. They found the
|
||||
carcass of a black Labrador dog that had fallen in and was now
|
||||
bloated with gas. At the bottom of one shaft they found a human
|
||||
foot, now bare bones, inside a remarkably well preserved boot and
|
||||
at first the police thought they had another murder hunt on their
|
||||
hands until it was proven to be fifty years old. It's former owner,
|
||||
a seventy five-year-old retired quarrier who stayed with his
|
||||
daughter in the far end of town, had lost it in a blasting accident
|
||||
just after the first world war and the foot had never been
|
||||
discovered until now.</p>
|
||||
|
||||
<p>There was no sign at all of Don Whalen.</p>
|
||||
|
||||
<p>Two days later, Crawford Rankine woke up and told the police
|
||||
about the man who had chased him. A tall man with dark eyes and
|
||||
thick black hair hanging below his collar and Hector Kelso, who was
|
||||
in charge of the murder hunt knew the man with the twitchy eyes had
|
||||
struck again.</p>
|
||||
|
||||
<p>"We're looking for a body," he told the team.</p>
|
||||
|
||||
<p>They did not find it for ten days.</p>
|
||||
|
||||
<p>Police Superintendent Kelso, using his genius for reconstructing
|
||||
the scene, worked out what had happened. The door of the railway
|
||||
truck was wide open, letting in the bright sunlight. He'd put down
|
||||
folded newspapers where he wanted to put his feet, even after the
|
||||
place had been sampled and dusted by the forensics team. He pointed
|
||||
out where the boy had been knocked against the wood, and where his
|
||||
shoe had hit the other side, leaving a scuff of mud.</p>
|
||||
|
||||
<p>"My guess is that the man came back pretty quickly," Kelso had
|
||||
said. "Maybe if the boy had more time, even just a couple of
|
||||
minutes, he'd have found the door, but I don't think he'd have
|
||||
opened it. But he was moving on his own all right. These prints are
|
||||
clean, not smeared, and you can see where he's been pushing himself
|
||||
along. He was hurt, but not dead. You can rely on that." Kelso
|
||||
looked around at the rest of them. "But I won't take any bets that
|
||||
he's alive now."</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
646
build/darkvalley/OEBPS/015.xhtml
Normal file
646
build/darkvalley/OEBPS/015.xhtml
Normal file
@ -0,0 +1,646 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>15</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>15</h1>
|
||||
|
||||
<p><em>August 1. 5 pm...</em></p>
|
||||
|
||||
<p>The bird flapped laboriously into the air, a grey shadow rising
|
||||
above the ferns bordering the stream. Without thinking, more an
|
||||
instinctive reaction, Danny threw his stick at the motion and his
|
||||
aim, quite uncharacteristically for him, was easily six foot wide
|
||||
of the mark. The stick flew though the air, making a whirring sound
|
||||
as it spun end over end.</p>
|
||||
|
||||
<p>The slow, whooshing wingbeats pushed the heron forward, the neck
|
||||
curved in a white serpent-shape and its long dagger-beak pointed at
|
||||
the sky. It flew straight into the path of the whirling piece of
|
||||
wood. The thrown stick caught it at the base of the neck and the
|
||||
bird simply stalled in its flight. The branch flipped onwards and
|
||||
landed in a hazel bush. A small white breast feather tumbled
|
||||
outwards. The heron dropped to the earth and hit with a thump. One
|
||||
wing flapped madly, while the other was clenched tight in against
|
||||
its body. The beating wing carried the big bird around in ungainly
|
||||
circles, a graceful thing now graceless, clumsy and broken.</p>
|
||||
|
||||
<p>"Bloody <em>great</em> shot," Billy whooped.</p>
|
||||
|
||||
<p>Danny's heart sank. He hadn't even known what he was throwing
|
||||
at. He had only seen a movement beside the ferns, a rabbit, maybe a
|
||||
hare. He'd lobbed plenty of rocks at plenty of rabbits for many a
|
||||
summer and he'd never succeeded in hitting any one of them.</p>
|
||||
|
||||
<p>Now the beautiful bird was down, its beak opening and closing
|
||||
like a slender trap, making no bird noise, but emitting a harsh and
|
||||
ragged hiss that made him think it was choking. Its head was
|
||||
twisted at an odd angle.</p>
|
||||
|
||||
<p>"Didya see that shot?" Billy yelled again. Doug, following
|
||||
behind, still stripped to his sting vest popped his head over the
|
||||
fern tops.</p>
|
||||
|
||||
<p>"What's happening?"</p>
|
||||
|
||||
<p>Danny ran forward, the soles of his thin canvas shoes pattering
|
||||
on the smooth stones as he crossed the stream at the shallows.
|
||||
Billy was right behind him, ignoring the stepping stones, splashing
|
||||
through the water.</p>
|
||||
|
||||
<p>The heron flapped madly with its one good wing.</p>
|
||||
|
||||
<p>"Kill it," Billy said. "Kill it before it gets away."</p>
|
||||
|
||||
<p>Danny froze. The bird was broken. The long and slender legs were
|
||||
stuck out below it as if they were incapable of taking the weight.
|
||||
A delicate crest of feathers flowed back from the smooth white
|
||||
head. The long, yellow dagger of a beak opened and closed with a
|
||||
faint snapping noise.</p>
|
||||
|
||||
<p>"I didn't mean it," Danny said.</p>
|
||||
|
||||
<p>"Did you hit it?" Doug called from the far side. "What is it? A
|
||||
cormorant?"</p>
|
||||
|
||||
<p>"It's a flamin' stork."</p>
|
||||
|
||||
<p>"A heron," Danny said lamely. He edged forward and picked up his
|
||||
stick. The bird hissed and its bright yellow eye fixed on him. It
|
||||
made a lunge to protect itself, the beak knifing forward, but its
|
||||
co-ordination went awry and the lunge took it a foot past Danny's
|
||||
toe. The beak slapped on the short grass like a mis-thrown knife.
|
||||
An unbidden tear sparked in Danny's eye and he blinked it
|
||||
back..</p>
|
||||
|
||||
<p>"I didn't mean it, honest," he protested. If he could have
|
||||
<em>un</em>thrown the stick, if he had simply waited for a second,
|
||||
the bird would have soared into the air, surprised by their
|
||||
approach, alarmed maybe, but it would have risen on those whooping
|
||||
wings and taken to the sky. The eye fixed on him again, bright
|
||||
yellow with a sparkling black pupil that widened then contracted to
|
||||
a pinpoint as the head turned towards the sun.</p>
|
||||
|
||||
<p>An awful feeling of wrongdoing settled upon him.</p>
|
||||
|
||||
<p>"Bloody brilliant shot," Billy was saying. "Got it right in the
|
||||
neck." He was dancing around excitedly, poking his own stick at the
|
||||
stricken bird. He knocked it on the beak and the heron snapped
|
||||
weakly at the piece of wood. "Look at the size of the thing. It's
|
||||
like a flamin' turkey. That could keep us going for a week."</p>
|
||||
|
||||
<p>"Can you eat them?"</p>
|
||||
|
||||
<p>" 'course."</p>
|
||||
|
||||
<p>Danny wasn't listening. All he could see was the bright, glazed
|
||||
eye that seemed to be hold him with an accusing glare, and the
|
||||
hissing rasp as the bird hauled for air through its damaged neck.
|
||||
An ominous sense of foreboding stole over him. He'd thrown the
|
||||
stick and hit the bird. He could see where its neck was broken,
|
||||
down at the base close to the shoulder. It was dying.</p>
|
||||
|
||||
<p>A small cloud passed over and dimmed the bright sunlight. It
|
||||
happened all of a sudden and Danny shivered inside himself as a
|
||||
sense of misfortune overtook him. It was as if the deed had been
|
||||
witnessed, the simple casual destruction of a heron, by some force
|
||||
of nature that had darkened the day because of the act. A tear of
|
||||
guilt and regret brimmed over Danny's eyelid and rolled down his
|
||||
cheek. None of the others noticed. Doug had come across the stream
|
||||
and was now crouched down some feet away. Danny knuckled the tear
|
||||
away.</p>
|
||||
|
||||
<p>"Bust its neck," Doug said. "Spot on. Never knew you were that
|
||||
good." There was no sense of regret in his voice, merely a
|
||||
curiosity and, of course, admiration.</p>
|
||||
|
||||
<p>"I didn't mean it," Danny insisted. The bird was still flopping
|
||||
around, though less frenziedly now. It whirled in a circle and then
|
||||
stopped. The beak opened and it sighed, or at least that's what it
|
||||
sounded like. From that long dagger, it had an oddly unnerving
|
||||
human quality.</p>
|
||||
|
||||
<p>"What'll we do?" Billy asked.</p>
|
||||
|
||||
<p>"It's dying," Danny replied. He could hear his own voice tight
|
||||
and cracking. "It's hurt." He took three steps forward and swung
|
||||
his stick in the air and brought it down in a fast arc. It caught
|
||||
the heron on the back of the head. The beating wing went into a
|
||||
spasm of frantic movement then it slowed to a shivering tremble.
|
||||
The beak opened once and then closed again very slowly. The
|
||||
lifelight faded from the yellow eye and the bird was dead.</p>
|
||||
|
||||
<p>It lay there on the short grass beside a clump of ferns. In
|
||||
death it took on a certain dignity and the twist in its neck, where
|
||||
the fine bones had been dislocated was not quite so apparent. It
|
||||
could have been sleeping - if herons ever did lie down to sleep -
|
||||
except for the fact that its sightless eye was wide open and fixed,
|
||||
still fixed accusingly on Danny Gillan.</p>
|
||||
|
||||
<p>He turned quickly and went across the stream again, this time
|
||||
ignoring the stepping stones. The small while cloud passed quickly,
|
||||
taking its shadow with it and the sunlight flooded back into the
|
||||
valley. But as Danny followed the path back down to where they'd
|
||||
stopped to camp, the strange and uncomfortable sense of foreboding
|
||||
followed him.</p>
|
||||
|
||||
<p>Corky had the fire lit and it crackled inside the ring of smooth
|
||||
stones they'd brought up from the stream. He and Tom were peeling
|
||||
potatoes and in an old dried milk can, blackened and with a bent
|
||||
wire for a handle water was bubbling away. Tom stood up when the
|
||||
others approached.</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"A heron," Doug said. "Danny hit it in the air. Must have been
|
||||
fifty yards away." Doug exaggerated. The bird had been much closer.
|
||||
"Knocked it right out of the sky."</p>
|
||||
|
||||
<p>"Big, isn't it?"</p>
|
||||
|
||||
<p>"You should have left it," Danny said. Corky was looking at the
|
||||
bird admiringly as Billy spread out the wide grey wings.</p>
|
||||
|
||||
<p>"Never seen one up close before," he said admiringly.</p>
|
||||
|
||||
<p>"I didn't mean it," Danny said again, and the others looked at
|
||||
him. "I wish I hadn't hit it. It'll have yunks in the nest waiting
|
||||
for it. They'll starve."</p>
|
||||
|
||||
<p>Billy held the slender neck up in one hand, letting both wings
|
||||
trail. The bird was as tall as Tom when it was stretched out. The
|
||||
blinkless yellow eye still found Danny.</p>
|
||||
|
||||
<p>"This one won't scare all the trout away," Billy observed.
|
||||
"We'll get all the fish we want. And we can eat this too."</p>
|
||||
|
||||
<p>"No," Danny said. "Hide it."</p>
|
||||
|
||||
<p>"What's the matter with you?" Corky asked reasonably. "It's only
|
||||
a bird."</p>
|
||||
|
||||
<p>Danny tried to tell him it was more than that. He'd seen the
|
||||
heron taking off, its neck coiled to rest the head on the shoulders
|
||||
while the great beak pointed at the sky. It had been a magnificent
|
||||
thing full of wild life and slender beauty and he'd thrown the
|
||||
stick and broken it. <em>Killed it.</em></p>
|
||||
|
||||
<p>He couldn't explain. They wouldn't understand. Billy stood there
|
||||
with the bird dangling from one hand, his dark hair gleaming in the
|
||||
sun and his tanned shoulders making him look more like a young
|
||||
Indian brave triumphantly showing a kill.</p>
|
||||
|
||||
<p>He turned and strode up to the gnarled hawthorn tree that spread
|
||||
its twisted branches out in a high arch in the hollow beside a low
|
||||
wall of rock. Before they'd gone off exploring the left side of the
|
||||
stream they'd gathered sticks and branches for firewood and stacked
|
||||
it in the rough natural shelf in case it rained. Billy put the bird
|
||||
down on one log, letting the head dangle over the side. He slipped
|
||||
his old knife from the leather sheath and started to hack away at
|
||||
the neck. It took several hits before the head fell away attached
|
||||
to six inches of white neck that ended in a bloody draggle of
|
||||
feathers.</p>
|
||||
|
||||
<p>He held it up, wagging his hand up and down trying to make the
|
||||
beak open and close.</p>
|
||||
|
||||
<p>"Look. I got it to talk," he called down. Doug laughed. Billy
|
||||
did a little dance that made him look even more like a tribal
|
||||
warrior, slapping his hand against his mouth to give a tribal yell.
|
||||
The ragged end of the neck jangled in his hand and thick droplets
|
||||
of blood splashed over his bare shoulders and chest. He looked down
|
||||
at the congealing splotches and pulled a face.</p>
|
||||
|
||||
<p>"Oh Jeez," he bawled.</p>
|
||||
|
||||
<p>"Heap big warrior, scared of blood," Corky said.</p>
|
||||
|
||||
<p>"It's horrible," Billy protested. He turned and stuck the head
|
||||
in the cleft between two branches of the hawthorn tree, leaving the
|
||||
beak pointing down towards the campfire. He came down towards the
|
||||
others. Out of the shade they could see the large drops of blood,
|
||||
scarlet freckles on his smooth skin.</p>
|
||||
|
||||
<p>Doug reached out and speared one with his finger, drawing a line
|
||||
of red down Billy's back. The other boy spun round angrily.</p>
|
||||
|
||||
<p><em>And they marked the lintels with the blood so that the angel
|
||||
of death would pass over</em>. The line from Exodus sprung unbidden
|
||||
into Danny's head, but the feeling of wrong-doing stayed with him,
|
||||
as if he'd broken more than the heron.</p>
|
||||
|
||||
<p>"Makes you more like an Apache," Doug said. He poked out again
|
||||
and smeared the blood on Billy's chest, leaving three thin
|
||||
trails.</p>
|
||||
|
||||
<p>"That's really horrible," Billy said. "And it stinks as well."
|
||||
He passed Corky who reached and smudged the lines, making a
|
||||
criss-cross pattern. Billy jerked away, crossing to the other end
|
||||
of the fire. Through the wavering air over the flames they saw him
|
||||
head down towards the stream. As he passed close to a small wild
|
||||
hazel bush, a small swarm of flies came buzzing out, danced in the
|
||||
air and went following the scent of blood.</p>
|
||||
|
||||
<p>Billy did a strange little dance as the flies whirled around
|
||||
him, suddenly taking him by surprise. He flapped them away and then
|
||||
slapped at his own skin. "Bloody flies. They're eating me
|
||||
alive."</p>
|
||||
|
||||
<p>"Heap brave warrior shitting his pants," Corky said and he and
|
||||
Doug and Tom cracked up with sudden laughter. Billy got to the
|
||||
stream, waded in without hesitation and then ducked right under the
|
||||
surface. When he came up, snorting for breath they saw him quickly
|
||||
wipe away the smears of blood. The coil of flies danced around him
|
||||
momentarily and then flew back into the bush again.</p>
|
||||
|
||||
<p>Billy came wading up to the campfire grinning widely.</p>
|
||||
|
||||
<p>"What, no war paint?" Corky asked sarcastically. "You'll get
|
||||
drummed out of the cubs."</p>
|
||||
|
||||
<p>"Out of the brownies, more like," Tom said.</p>
|
||||
|
||||
<p>"Honest to God, those flies are like vampires. See the fangs
|
||||
they've got?" Billy clenched his own teeth in a demonstration and
|
||||
then started to laugh. He came up close to the fire and the water
|
||||
splashing from his soaked jeans hissed on the hot stones.</p>
|
||||
|
||||
<p>"So what's for dinner?" he asked.</p>
|
||||
|
||||
<p>The heron's head still stared out from the fork in the tree, a
|
||||
trophy to Danny's great skill as a hunter. The staring, filmy eyes
|
||||
snagged him while Billy was wading in the stream, trying to escape
|
||||
the cloud of flies. The feeling of guilt and the underlying
|
||||
sensation of foreboding, having broken a taboo still hung around
|
||||
him.</p>
|
||||
|
||||
<p>"Come on, Danny boy," Billy called over. "Doug nicked a tin of
|
||||
corned beef. Want some?"</p>
|
||||
|
||||
<p>A few large black flies were hovering around the bloody stump of
|
||||
the dead bird's neck where it flopped across the log. Another one
|
||||
flew up to the head and alighted on the yellow eye, rubbing its
|
||||
forelegs together. Danny turned away, knowing he would have to take
|
||||
the thing down and hide it.</p>
|
||||
|
||||
<p>"Will we eat first or fix up the tent?" Corky asked.</p>
|
||||
|
||||
<p>"Eat first," Doug and Billy said simultaneously. Tom voted along
|
||||
with them. Danny came down from the tree and tried to put the
|
||||
feeling of guilt and odd apprehension away from him.</p>
|
||||
|
||||
<p>The potatoes were hard from not being boiled long enough and the
|
||||
beans were speckled with ash from the fire, but the boys wolfed the
|
||||
lot and then threw their tin plates in the stream to let the
|
||||
current clean them off. Danny and Corky dragged the tent out onto
|
||||
the flat a few yards away from the fire and untied the stays, to
|
||||
roll the heavy green canvas out. The bag of tent-pegs rolled to the
|
||||
side and thumped to the ground. Another tightly wound roll of
|
||||
burlap dropped and hit the hard turf with a clatter.</p>
|
||||
|
||||
<p>"What's that?" Corky asked. He unravelled the dirty piece of
|
||||
sacking and spilled the contents onto the grass.</p>
|
||||
|
||||
<p>"No wonder it was so heavy," he said. A heavy ballpeen hammer
|
||||
lay on top of the short black curve of a crowbar. Beside it lay a
|
||||
pair of electrician's heavy duty pliers with insulated handles and
|
||||
a long screwdriver with a crooked blade. Corky flipped the canvas
|
||||
so that all of the contents rolled out. Billy darted forward and
|
||||
grabbed a tightly-rolled magazine held in a cylinder with a rubber
|
||||
band. Doug picked up a shiny and expensive-looking Ronson varaflame
|
||||
cigarette lighter that was the height of technology of the day. A
|
||||
small box covered in black velvet revealed two gold cufflinks
|
||||
inlaid with black onyx. A smaller canvas bundle showed what Danny
|
||||
thought was a Luger pistol, but turned out to be an old pump-action
|
||||
airgun. Beside it a rattling tin held the lead slugs.</p>
|
||||
|
||||
<p>"No wonder he didn't want us to have the tent," Corky said.</p>
|
||||
|
||||
<p>"What do you mean?" Tom asked the obvious question.</p>
|
||||
|
||||
<p>"This is where he's been hiding his stash. And his gear."</p>
|
||||
|
||||
<p>"I don't get it? Tom insisted.</p>
|
||||
|
||||
<p>"It's his B&E gear. For getting into places. Like garages
|
||||
and bike sheds. Like people's houses?" He started meaningfully at
|
||||
Tom who looked blank.</p>
|
||||
|
||||
<p>"Breaking and entering. Like what Mole Hopkirk used to get up
|
||||
to. I never saw that lighter before, or the cufflinks. Or the
|
||||
airgun. He must have swiped them and hid them there."</p>
|
||||
|
||||
<p>"And I never saw tits like that before," Billy said, spreading
|
||||
out the magazine on the grass. "Look at the size of them." He
|
||||
turned the picture around to show the others. "That's Marilyn
|
||||
Monroe."</p>
|
||||
|
||||
<p>"No it isn't," Doug debated. "But it's like her." Unconsciously
|
||||
he dropped his hand to his crotch and fumbled himself into a
|
||||
comfortable position.</p>
|
||||
|
||||
<p>Corky gave the picture a glance. "Brenda Fortucci's got bigger
|
||||
ones."</p>
|
||||
|
||||
<p>"She's got bigger everything," Doug said. "And a face like the
|
||||
backside of a double-decker bus."</p>
|
||||
|
||||
<p>"We've seen better than that, eh Dan?" Corky asked, giving Danny
|
||||
a wink. Danny still had that picture of Jane Hartfield branded on
|
||||
his mind, every curve of her as she strode down the path with fire
|
||||
in her eyes and a flush on her face. Doug was about to ask what
|
||||
Corky was talking about when Billy whooped.</p>
|
||||
|
||||
<p>"A goddess," he said appreciatively, lowering his voice to what
|
||||
he thought sounded like a lecherous growl. "A livin' doll." He
|
||||
snatched the magazine up and formed his lips into a pout.</p>
|
||||
|
||||
<p>"Mmmm," he kissed the printed breasts then pecked at the red
|
||||
lips of the smiling woman then dropped his mouth to plant another
|
||||
smacker on the curve of her buttock.</p>
|
||||
|
||||
<p>"Wish you could see the front," Billy said.</p>
|
||||
|
||||
<p>"Wish you could see where that's been. Phil's probably had that
|
||||
under the blankets, and now you've kissed it."</p>
|
||||
|
||||
<p>"Argh," Billy said, drawing his face into a contorted twist of
|
||||
disgust. He spat quickly as if he'd eaten something foul.</p>
|
||||
|
||||
<p>"Oh, that's fuckin' awful. You don't think he <em>came</em> on
|
||||
it?"</p>
|
||||
|
||||
<p>Tom started laughing and even Danny started to giggle though the
|
||||
two of them were still below the cusp of puberty and while they'd
|
||||
heard plenty weren't exactly sure what the description entailed.
|
||||
Something came out and it was white and sticky, but what made that
|
||||
happen wasn't within their scope of experience yet.</p>
|
||||
|
||||
<p>"Yeah," Corky said. "Every night for a week. All over it, and
|
||||
now you've got it in your mouth."</p>
|
||||
|
||||
<p>"No. Don't say that," Billy pleaded. He held the magazine up to
|
||||
the light to inspect the pages. "No, he couldn't have. I can't see
|
||||
anything."</p>
|
||||
|
||||
<p>"That's 'cause it goes invisible," Doug said, keeping it up.
|
||||
"Just like germs, but it's worse than germs. If you get somebody's
|
||||
come in your mouth you get VD."</p>
|
||||
|
||||
<p>"What's that?" Tom asked.</p>
|
||||
|
||||
<p>"Venial disease," Doug said. "And it's fatal every time."</p>
|
||||
|
||||
<p>"No, don't say that," Billy begged. He stuck his tongue out and
|
||||
began to wipe it with his fingers.</p>
|
||||
|
||||
<p>"It rots your skin and it gets into your dick and makes it fall
|
||||
off," Doug pressed it home, winking at Corky, grinning broadly.</p>
|
||||
|
||||
<p>"And the only cure is to get a sharp spike with barbs on it.
|
||||
They put it right down and then rip it back out and it brings all
|
||||
the scabs with it, and all the poison and it feels like you piss
|
||||
broken bottles for about a year. Mybe more."</p>
|
||||
|
||||
<p>Billy winced, screwing up his face at the very thought. He
|
||||
crossed his legs in an involuntary protective motion against such
|
||||
an event.</p>
|
||||
|
||||
<p>"They call it the Wassermatter reaction. Phil told me about it.
|
||||
He knew a guy who had it done and it left his dick shredded to
|
||||
pieces and he had to sit down to pee after that."</p>
|
||||
|
||||
<p>"Oh Jeez," Billy said, his imagination running riot.</p>
|
||||
|
||||
<p>"And if you get it," Doug said, head turned away from Billy so
|
||||
that his grin couldn't be seen. "You can never get in the Commandos
|
||||
once you've had VD. They do an inspection right down your willy to
|
||||
see if you've had the scabs. And they can tell if you caught it
|
||||
from somebody else's spunk. I read that somewhere. You'd get done
|
||||
for being a queer-boy. Nobody likes them. They can even throw you
|
||||
in jail for that."</p>
|
||||
|
||||
<p>Doug was about to go on when he realised what he'd said. Jail
|
||||
was a taboo subject. He turned quickly to Corky.</p>
|
||||
|
||||
<p>"Sorry man. I didn't mean anything..."</p>
|
||||
|
||||
<p>Corky slapped him on the shoulder. "No problem Doug." He turned
|
||||
and indicated the pile of tools and goods on the grass. "If Phil
|
||||
gets caught with this lot, he'll be up in Drumbain himself." He
|
||||
gave a rueful grin and Danny thought he was being really big about
|
||||
it. "See, Billy? Once they catch you, you can have company in the
|
||||
cell. You and Crazy Phil banged up in the Drum.</p>
|
||||
|
||||
<p>"I wouldn't share a cell with that bastard if he was the last
|
||||
man on earth," Billy said with feeling. He spat again. "Not after
|
||||
what he's done."</p>
|
||||
|
||||
<p>"Oh, don't worry about it. It might not be VD at all. It might
|
||||
be <em>Siff</em>."</p>
|
||||
|
||||
<p>Billy raised his eyebrows hopefully. He might have been the
|
||||
biggest among them and the oldest, but he was the least well
|
||||
informed.</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"Don't you ever read anything except Commando comics?" Doug came
|
||||
back in. "It's even worse than VD. It rots your nose and then your
|
||||
skin it turns your brain to mush. You end up like a walking
|
||||
skeleton. Like a zombie."</p>
|
||||
|
||||
<p>"That's all right then," Tom said. "Nobody will ever
|
||||
notice."</p>
|
||||
|
||||
<p>Everybody looked at Tom. He looked back, face straight. Then all
|
||||
four of them burst out laughing, all doubled up and howling
|
||||
helplessly while Billy stood there, scraping his tongue against the
|
||||
edge of his teeth, wondering what they were laughing at, convinced
|
||||
he could already feel the contamination working inside him.</p>
|
||||
|
||||
<p>"What's this?" Doug asked. He'd lifted the box with the
|
||||
cuff-links and the little velvet holder had flipped out, revealing
|
||||
two oblong foil shapes. He held one up.</p>
|
||||
|
||||
<p>"Chewing gum?"</p>
|
||||
|
||||
<p>Corky reached for one. "It's a johnny," he said.</p>
|
||||
|
||||
<p>"What's that?" Tom asked, completely innocent.</p>
|
||||
|
||||
<p>"You put it over your dick so you don't get the siff," Corky
|
||||
said. "It's got germolene or something inside it. Penicillin
|
||||
maybe."</p>
|
||||
|
||||
<p>"Let's see," Doug said, snatching it back. He ripped the foil
|
||||
and pulled out the pink shape. The little nipple flopped outwards.
|
||||
"Couldn't even get Tom's little willy into that," he said and they
|
||||
all hooted, even Tom, who took no offence at all.</p>
|
||||
|
||||
<p>"Naw. I've seen used ones down at the sewer pipe," Billy said.
|
||||
"They're bigger than that."</p>
|
||||
|
||||
<p>Doug worked at it until the end began to unravel. He held it up,
|
||||
pale and translucent, stretching it between his hands. "It's a
|
||||
balloon," he said. "Who's stick their dick in a balloon?"</p>
|
||||
|
||||
<p>"Daft Phil would," Billy said and they all had a laugh at that.
|
||||
Doug brought the rubber up to his lips and blew into the thing. It
|
||||
inflated immediately, even quicker than the bewildered frog had
|
||||
done. He drew breath and blew in again until the rubber was the
|
||||
size of a football.</p>
|
||||
|
||||
<p>"That would fit me now," Tom said and this time Doug almost
|
||||
choked. The rubber slipped from his hands and flipped away on a
|
||||
bubbling fart of expelled air. It landed in the bush, just out of
|
||||
reach, dangling from the thorns like a thin skin. By this time they
|
||||
were all convulsed with laughter and Billy was actually rolling on
|
||||
the ground, holding his belly. Corky was rubbing tears from his
|
||||
eyes.</p>
|
||||
|
||||
<p>Eventually the laughter faded. Doug stuck the other condom into
|
||||
the pocket of his jeans and they cleared a space to erect the tent,
|
||||
spreading the guy lines out on either side under Corky's directions
|
||||
and getting the stout centre pole straight. The original cords had
|
||||
long since frayed and now the boys used a roll of rough and hairy
|
||||
baling twine that was coiled round a baton of wood. Another length
|
||||
of fine wire that they'd found last summer on a fence post at
|
||||
Cargill Farm stretched from the back pole to one of the trees
|
||||
behind, to keep everything steady. The ballpeen hammer came in
|
||||
handy for getting the tent-pegs hammered into the hard ground. In
|
||||
half an hour, much longer than it would have taken the boys in the
|
||||
scout troop, the old green tent was fixed up, a little swaybacked
|
||||
and with side closest to the stream flapping loosely, but it would
|
||||
take them all at a squeeze come nightfall.</p>
|
||||
|
||||
<p>Doug brewed some tea in the blackened milk-can and slung in a
|
||||
small sliver of wood which he said would help draw the fire-ash to
|
||||
the surface. They drank it in their old chipped mugs and while they
|
||||
had no milk, they were in the great outdoors, miles away from the
|
||||
town, miles away from the pressures of home and it tasted just
|
||||
fine.</p>
|
||||
|
||||
<p>"Does Phil really break in to places?" Tom asked.</p>
|
||||
|
||||
<p>Corky shrugged. "I wouldn't put it past him, but I wouldn't ask
|
||||
him neither, if I was you." He winked and then spiralled a finger
|
||||
around his own temple. "He's not so hot in the brains department,
|
||||
not like his handsome, intelligent kid brother."</p>
|
||||
|
||||
<p>"Ugly and thick brother," Billy responded automatically.</p>
|
||||
|
||||
<p>"Oh, the big chief hunter of flies has spoken," Corky said and
|
||||
gave Billy two fingers. "Up yours Harrison. Up to the elbow." It
|
||||
was all said without rancour, almost like an automatic litany of
|
||||
responses. He turned back to Tom.</p>
|
||||
|
||||
<p>"But he'll be mad as a wet hen when he finds out what
|
||||
<em>we've</em> found out. I'll have to think of something. Like
|
||||
tell him we didn't use the tent."</p>
|
||||
|
||||
<p>"Maybe we should go back and he'll never know we found it,"
|
||||
Danny ventured. It was the first time the thought had entered his
|
||||
mind. It just came up from nowhere and he'd simply uttered it. He
|
||||
didn't feel right about that heron. It had disturbed him, taken the
|
||||
shine off the day, put a shadow on the adventure. This morning Phil
|
||||
Corcoran had thrown a knife at him and his luck had saved him, let
|
||||
him off with a small bruise on the side of his head. Now he felt as
|
||||
if that luck wouldn't hold. He couldn't, if asked, have coherently
|
||||
explained why. Tom looked up at him, blew the steam off the surface
|
||||
of his tea. He nodded. "Maybe we should go back."</p>
|
||||
|
||||
<p>Corky shook his head. "Nah, not since we've come this far. That
|
||||
tent weighs a ton, and I'm not carrying it back. Phil can wait
|
||||
until we get home."</p>
|
||||
|
||||
<p>"Can't stop now," Doug agreed. "We must be at least half way
|
||||
there."</p>
|
||||
|
||||
<p>"Yeah we want to find the Dummy Village," Billy backed him up,
|
||||
the threat of disease forgotten and his face now animated. "We'll
|
||||
be the first. There might be guns left behind. Maybe even machine
|
||||
guns." He had dragged the flopped body of the heron away to the
|
||||
side and was pulling the broad flight feathers from the ends of the
|
||||
wings, each of them coming out reluctantly.</p>
|
||||
|
||||
<p>Danny looked at Tom. The feeling of apprehension was still
|
||||
there, but they had come this far. Tom was still unnerved from the
|
||||
gorse-fire. He'd had a real scare, and Danny could tell he really
|
||||
did want to go home, but that he didn't want to be the first to
|
||||
back out.</p>
|
||||
|
||||
<p>"Come on Danny boy," Billy said. "We can play commandos. It'll
|
||||
be just like in the war." He held up a bunch of the wide grey
|
||||
feathers. "Or even cowboys and injuns." He took a length of the
|
||||
baling twine and tied it around his head, then jammed some of the
|
||||
feathers through it, making them stand upright. The head-dress made
|
||||
him look even more like a young brave. He grinned proudly, waving
|
||||
the rest of them in his hands and doing a little shuffling
|
||||
dance.</p>
|
||||
|
||||
<p>Danny shrugged, and that committed Tom. Corky winked at him and
|
||||
slung an arm around Tom's neck, giving him a quick and friendly
|
||||
headlock. "The famous five ride again, amigos," he said.</p>
|
||||
|
||||
<p>When they finished their tea Corky loaded the air pistol and
|
||||
they spent a half an hour firing at the empty tin of corned beef
|
||||
which they set up on a stone on the far side. The steep sides of
|
||||
the deep gully spat the pistol-cracks back at them, but only Billy
|
||||
managed to hit the tin and even then, the spring on the old gun was
|
||||
so weak that it hardly made a dent. Finally Doug put a stone in his
|
||||
catapult and winged it at the can, hitting it dead centre and
|
||||
sending it tumbling into the air. The sun was high, edging over the
|
||||
east side of the valley to shine directly into the stream. The
|
||||
light spangled up from the ripples below the low falls.</p>
|
||||
|
||||
<p>"I vote we go and look for it now," Billy said. He'd taken off
|
||||
his feathers which were now looped over the tent-pole and he was
|
||||
now lying on his belly on the short grass, soaking up the sun,
|
||||
while Doug gently touched his skin with a stalk of grass. Every now
|
||||
and again Billy would bat away what he thought was a horse-fly.
|
||||
Doug grinned mischievously and kept up the nuisance.</p>
|
||||
|
||||
<p>"Too late now," Danny said. "If we start early tomorrow we'll
|
||||
have all day."</p>
|
||||
|
||||
<p>"How about exploring the stream?" Corky said. He pointed to the
|
||||
fork ahead where the two canyons met, joining from separate
|
||||
tributaries at a narrow angle. "I've never been up there."</p>
|
||||
|
||||
<p>"I was up once, catching trout last winter," Danny said. "Me and
|
||||
Al Crombie. There's a good bit like a wall right across the gully
|
||||
and the water comes out in big arch. You can get right behind the
|
||||
waterfall."</p>
|
||||
|
||||
<p>"I read that in a book," Corky said. "Hawkeye. Him and his pal
|
||||
Chingachgook were hiding under the falls. It was like a cave." He
|
||||
hauled himself to his feet. "Let's go see."</p>
|
||||
|
||||
<p>He bent quickly and slapped Billy hard on the reddening skin of
|
||||
his back just where Doug was mischievously trailing the ear of
|
||||
grass. Billy yelped.</p>
|
||||
|
||||
<p>"Big horsefly," Corky said. "Biggest I ever saw. Had to smack it
|
||||
off before it got you."</p>
|
||||
|
||||
<p>Billy glared at him, unsure of whether Corky was taking the
|
||||
mickey or not.</p>
|
||||
|
||||
<p>"Would I lie to you Billy-O?" Corky asked, knuckling the bigger
|
||||
lad on the shoulder. "I just saved your life, didn't I?"</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
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|
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
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<head>
|
||||
<meta name="generator" content=
|
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"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>16</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
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<link rel="stylesheet" type=
|
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|
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|
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<body>
|
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<div id="text">
|
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<div class="section" id="xhtmldocuments">
|
||||
<h1>16</h1>
|
||||
|
||||
<p><em>Interlude:</em></p>
|
||||
|
||||
<p>"The trail had gone cold by the time we really started looking,"
|
||||
Angus McNicol explained. "By God, it was difficult then and the
|
||||
whole town was in a panic. People were sending their kids away,
|
||||
rather than have them around here, and nobody could blame them.</p>
|
||||
|
||||
<p>"What threw us was the fact that the Rankine boy had fallen off
|
||||
the quarry and at first it looked just like an accident. There were
|
||||
always boys coming off the Castle ramparts or the Langmuir Crags,
|
||||
risking life and limb for the sake of birds eggs. You'll have done
|
||||
the same eh?"</p>
|
||||
|
||||
<p>His face broke into a knowing smile before he cocked an eye at
|
||||
the spinning reel in the Dictaphone and started talking again.</p>
|
||||
|
||||
<p>"We didn't start the search for young Whalen until night and we
|
||||
got the floodlights set up. It was well after midnight by the time
|
||||
the frogmen came. The dogs had scoured the whole of the quarry and
|
||||
there was no sign of the boy, but that didn't mean he wasn't there.
|
||||
Then there was the business with that boot and the severed foot
|
||||
which gave that frogman a right old scare.</p>
|
||||
|
||||
<p>"Anyhow, it was back down to the station in the early hours of
|
||||
the morning. We were coming round to the notion that the other boy
|
||||
hadn't fallen and maybe he'd had such a scare when his friend
|
||||
tumbled that he'd taken off in a panic. So, at that moment, we had
|
||||
a missing boy who had probably made himself missing. He'd be out at
|
||||
some friend's place, or hiding in a gang hut and he'd come home
|
||||
when he got hungry and even more scared..</p>
|
||||
|
||||
<p>"Then Hector Kelso came in now that the boy had been gone for
|
||||
well over twelve hours.</p>
|
||||
|
||||
<p>"Hector got a brief from the inspector. I remember he listened
|
||||
with a straight face. He asked where the boy's bag was, and said
|
||||
that if young Rankine had been dodging off school, then he'd likely
|
||||
have his bag with him unless he'd stashed it someplace. We did
|
||||
another search of the place and that took us the rest of the day. I
|
||||
could see Hector Kelso was getting worried, for Whalen never turned
|
||||
up on the second night and I spent a bit of time with the boy's
|
||||
mother. That's not a pleasant job, I can tell you. As every minute
|
||||
ticked away, you could see her nerves getting wound up tighter and
|
||||
tighter. There was something in her eyes that I'll never forget,
|
||||
and I swear to you that it was beginning to dawn on her, long
|
||||
before it dawned on anybody else with the exception maybe of Kelso,
|
||||
that she would never see the boy again. Not alive, that is.</p>
|
||||
|
||||
<p>"Then Crawford Rankine came round in the hospital. "The boy had
|
||||
a fractured skull and for a while they thought his brains would be
|
||||
like porridge in there, but he was pretty clear about what had
|
||||
happened. He told us about the railway wagon and how he'd been
|
||||
chased and had gone running. He remembered the man all right.</p>
|
||||
|
||||
<p>"I recall thinking the boy had a stammer. He was saying
|
||||
<em>twi-twi-twi</em> like a sparrow with a stutter. Took me a
|
||||
second to work out he was trying to say <em>Twitchy Eyes</em>..
|
||||
He'd known who was chasing him.</p>
|
||||
|
||||
<p>"We got back to the hill behind the school and down that track
|
||||
between the pigeon shacks, Kelso, myself, big John Fallon and a
|
||||
couple of others. I remember a big beast of a terrier trying to get
|
||||
at us through the fence and later Fallon had it put down, for there
|
||||
was a big septic ulcer on its nose where it had been pushing
|
||||
through the wire. We went down to the hut and inside we saw the
|
||||
blood handprint and all of us knew then that the killer had taken
|
||||
young Whalen away. The boy was gone and the next week was murder I
|
||||
can tell you, in more ways than one. By the next morning there was
|
||||
a team of pressmen camped outside the station and you couldn't move
|
||||
for flashguns popping in front of your eyes.</p>
|
||||
|
||||
<p>"That was in June, fairly close to the beginning of the month.
|
||||
Three dead, including young Whalen, all of them in the space of a
|
||||
couple of months or so. We had a pretty good so we had a fair idea
|
||||
of what the bastard looked like. The fingerprints matched the other
|
||||
sites and again there were pages of the bible crumpled about and
|
||||
not to clean either. Hector Kelso never liked the notion of anybody
|
||||
wiping his arse on the good book."</p>
|
||||
|
||||
<p>Angus raised his eyebrows. "Some folk seemed to think that made
|
||||
it even worse, but as far as I was concerned it was only paper, and
|
||||
it was a clue. Anything was a clue, but despite that, the trail
|
||||
went cold very soon and Bryce, the criminal psychologist started
|
||||
talking about <em>burn-out</em>, saying that the killer could be so
|
||||
filled with remorse that he'd killed himself. Hector Kelso didn't
|
||||
put much stock in that, and neither did I, as I've said before. He
|
||||
said Bryce was talking through a hole in his backside. But the
|
||||
killings <em>did</em> stop. For the next month or so there was
|
||||
nothing, at least as far as we knew, and even Kelso could have been
|
||||
forgiven for relaxing a little at the end of July.</p>
|
||||
|
||||
<p>"Then, sometime in August, just before the schools went back,
|
||||
Johnson McKay went up Blackwood Farm to find out why Ian McColl
|
||||
hadn't been picking up his mail from the box and the solids really
|
||||
hit the <em>punkah</em>, as the Commander used to say. What a
|
||||
mess."</p>
|
||||
|
||||
<p>Angus stopped talking and rubbed his chin. He dunked a biscuit
|
||||
in his coffee, took a bite, washed it down with a mouthful and
|
||||
started talking again.</p>
|
||||
|
||||
<p>"By this time, of course, we knew what happened to Whalen and we
|
||||
knew about the girl, and that took us by surprise. It must have
|
||||
been ten days later, less than a fortnight after the boy went
|
||||
missing. Once I've looked out my old papers from up in the loft
|
||||
I'll be able to tell you exactly.</p>
|
||||
|
||||
<p>"We knew nothing about the girl until we found her, for she'd
|
||||
never been posted missing. "Sandra Walters, her name was. She was
|
||||
nineteen and came from Lochend, as you'll probably remember. By the
|
||||
time we found her, she'd been dead about two weeks, which means she
|
||||
was killed sometime in May, near the end of the month, and that
|
||||
figured with the story we got from the family. Some big argument
|
||||
with her father and she walked out. Now I was in on it when we
|
||||
questioned them, in a tenement flat about a hundred yards down from
|
||||
the railway station, I recall. Donald Walters, I remember thinking
|
||||
there was something funny about him. It was only after the body was
|
||||
found that the mother came to us to say she was missing and it was
|
||||
the dental records that finally confirmed who it was, for the face
|
||||
was pretty much eaten away by the flies and the rats.</p>
|
||||
|
||||
<p>"Walters said she'd stormed out, but there was more to it than
|
||||
that. I got to know the look the more I worked on the force. There
|
||||
were three girls, two of them still in the house, about fifteen and
|
||||
thirteen, and the wife, she had the look of a mouse caught in a
|
||||
corner. The girls never looked at anybody, just sat there, heads
|
||||
down, scared to move, it seemed. Waters was cocky enough, a fast
|
||||
talking, skinny little runt of a fellow, and he was adamant the
|
||||
girl was a whore who'd been putting it about and he for one wasn't
|
||||
having any of that.</p>
|
||||
|
||||
<p>"Now when the post mortem was done, there was plenty of evidence
|
||||
to show that the girl was no virgin. Dr Bell found old scarring on
|
||||
the walls of the uterus which he said was classic evidence of
|
||||
unlubricated sex, or forced entry as he described it unofficially.
|
||||
We couldn't put anything down to Donald Walters at the time and it
|
||||
was pretty clear he hadn't killed his daughter, but Hector Kelso
|
||||
was pretty suspicious. The other girls said nothing and the wife,
|
||||
well she would have backed up everything he said. He hung himself
|
||||
from the rafters nine months afterwards, and I had a notion Kelso
|
||||
had been leaning on the little bastard and I can't blame him for
|
||||
that. There was something queer about Walters. After that the
|
||||
family moved away.</p>
|
||||
|
||||
<p>"Young Sandra, she'd been hirt bad. Awful. It didn't affect me
|
||||
as much as little Lucy Sunders broken and torn under the bridge,
|
||||
but this was bad. You'll get the details in the archives, and the
|
||||
pictures too, if you've the stomach for them. She's been terribly
|
||||
damage, and she had lasted a long time. Dr Bell showed us the marks
|
||||
around her ankles and wrists and the scarring on her throat where
|
||||
she'd pulled against a ligature. She broke the fuckin' rope. Pardon
|
||||
me for that, but after all this time I still don't like rememebring
|
||||
that."</p>
|
||||
|
||||
<p>Angus paused again, his eyes inflamed with the recollection of
|
||||
the dreadful damage. He absently took another swallow of coffee and
|
||||
swirled it around in his mouth as if it would take away the
|
||||
taste.</p>
|
||||
|
||||
<p>"Now there was another thing we knew about <em>Twitchy
|
||||
Eyes.</em> He was crazy and he was evil and he liked to cause pain.
|
||||
But he also waited around with the bodies, sitting vigil with them,
|
||||
for at least three days, probably more. By then, they'd be pretty
|
||||
well blown and that didn't seem to bother him.</p>
|
||||
|
||||
<p>"He waited until the maggots had hatched. He stayed until they
|
||||
were covered in flies."</p>
|
||||
<hr />
|
||||
<p><em>June:</em></p>
|
||||
|
||||
<p>A match flared in the dark, blinding bright, cut a flaming arc
|
||||
in the blackness and stopped. Don Whalen watched it waver through a
|
||||
film of tears as his eyes watered. They trickled hot down his
|
||||
cheeks and ran cold onto his neck. The light floated and a
|
||||
candle-flame swelled slowly to life, hardly flickering at all. He
|
||||
blinked away the tears, trying to stay still, wishing his heart
|
||||
would stop thudding against his chest. His shoulder shrieked with
|
||||
every movement he made and his throat was on fire.</p>
|
||||
|
||||
<p>He had listened to the sirens, huddled against the wall of the
|
||||
boxcar. The man had been there, a silent presence in the gloom, his
|
||||
breathing low and slow and unhurried. The sound of it carried
|
||||
infinite menace. Don tried to call out, tried to say something, but
|
||||
the pain in his throat burned in a caustic rasp and all he could
|
||||
manage was a hoarse whisper. It felt as if something was broken in
|
||||
there where the hand had squeezed him. The longer the silence went
|
||||
on, the more frightened Don Whalen became. He couldn't understand
|
||||
any of this. But the deadly silence was somehow even more
|
||||
frightening than the pain.</p>
|
||||
|
||||
<p>The sirens had wailed in the distance, howling urgency and
|
||||
emergency. They'd stopped for a while and then they'd started up
|
||||
again, rising to a crescendo as they passed along Lochend Road,
|
||||
before fading as they got to the old bridge. The silence had
|
||||
descended then, broken only by the fluttering of pigeon flocks as
|
||||
they took off from the nearby huts, and by the savage rumbling
|
||||
growl of the pit bull terrier, like a leopard in a bush. Much
|
||||
later, the bell had rung and there had been shouts and calls and
|
||||
the sounds of school spilling out. A crowd of boys came down the
|
||||
track, made the terrier snarl and pound the fence, and then they
|
||||
went on their way. The man had gone out, opening the door quickly
|
||||
and rolling it closed. When he came back, some time later, the said
|
||||
nothing at all. He roughly grabbed Don about the waist, dumped him
|
||||
on the flat of the wagon and quickly wrapped him up tight in a roll
|
||||
of something that might have been an old carpet. He felt himself
|
||||
being picked up and slung over a broad back and carried away. The
|
||||
material covered his eyes and he couldn't tell whether it was day
|
||||
or night. Don could hear the twigs crackle underfoot and he knew he
|
||||
was in trees. There was some traffic noise close by and he figured
|
||||
he was being taken along Lochend Road, but through the belt of
|
||||
trees that bordered the winding route to the west side of the town.
|
||||
Out of the trees, he sensed the clamber over rough ground and then
|
||||
the descent down a flight of stairs. A door squealed open and Don
|
||||
Whalen was lowered to the flat surface.</p>
|
||||
|
||||
<p>He was still wrapped tight in a rough bundle of thick material,
|
||||
slanted across a flat surface against a wall. Strong hands unrolled
|
||||
it. He felt his clothes ripped away from him until the cool air
|
||||
told him he was naked. The hands pushed him down onto a chair and
|
||||
then very quickly bound his hands behind him and tied his feet to
|
||||
upright posts that felt like chair legs. The smell in the air was
|
||||
dreadful, sickening and thick. The pain in his throat stopped him
|
||||
from retching.</p>
|
||||
|
||||
<p>The match flared and a dark shape moved out of the light, and a
|
||||
faint humming sound rose stronger. Black stars floated in front of
|
||||
his eyes and for a moment he thought he was going to pass out
|
||||
before he realised they were not stars, but flies hundreds of them
|
||||
wheeling in the air, disturbed by the light. He turned his head,
|
||||
just a little, trying to see the man, scared to let his eyes light
|
||||
upon him, deadly afraid of him taking him unawares again. His eyes
|
||||
swept round.</p>
|
||||
|
||||
<p>The thing on the table screamed silently at him.</p>
|
||||
|
||||
<p>For a second his mind refused to accept what it had seen. His
|
||||
eyes continued their sweep and then jerked back at the shape on the
|
||||
table. A catastrophic fright exploded inside him and his heart
|
||||
kicked violently behind his ribs, one solid <em>thump</em> that was
|
||||
so powerful his body spasmed sideways.</p>
|
||||
|
||||
<p>The head was twisted at the end of a scrawny neck and the mouth
|
||||
was open so wide it looked inhuman. An arm, grey in the dim light
|
||||
and bruise-mottled was stuck out straight, the fingers clawed.</p>
|
||||
|
||||
<p>Absolute terror rocketed through him. He was trembling
|
||||
violently, shuddering as uncontrollable fear rampaged through him,
|
||||
making his head tap against the wall in a rapid staccato. The eyes
|
||||
were crawling with flies. The skin shimmered and rippled with a
|
||||
life of its own.</p>
|
||||
|
||||
<p>The dead body's silent scream went on and on and on and the
|
||||
flies crawled over the skin. Don bucked against the string binding
|
||||
his wrists as the realisation hit him. He had been brought here by
|
||||
the man who had done that. His muscles convulsed in a violent
|
||||
contortion powerful enough to drive the thick twine into the skin
|
||||
of his wrists and open up two abraded lacerations.</p>
|
||||
|
||||
<p>He heard himself gibbering uncontrollably, incomprehensibly,
|
||||
though hardly a sound escaped his throat. In his mind he called out
|
||||
for his mother and his father and he prayed to God to get him out
|
||||
of this and all of the time he knew there was no way out.</p>
|
||||
|
||||
<p>The horror on the table screamed on and on and on and Don Whalen
|
||||
echoed that scream in his own mind. After a while the overload of
|
||||
terror and dread was too much and he passed out in a dead faint,
|
||||
banging his head against the wall, to leave yet another clue for
|
||||
Superintendent Hector Kelso.</p>
|
||||
|
||||
<p>When he came round he was lying on the table and the man was
|
||||
leaning down towards him. The eyes were blinking rapidly and Don
|
||||
Whalen dimly realised this was something he should remember.</p>
|
||||
|
||||
<p>He felt rough hands on him and tried fruitlessly to squirm away,
|
||||
His legs were spread-eagled and he knew his ankles were tied to the
|
||||
legs of the table and he felt a huge scream building up inside him.
|
||||
He twisted his head and saw the other scream, frozen and fly-blown,
|
||||
only a yard away, slanted against the back of the chair. The flies
|
||||
hummed busily and Don Whalen's pain began.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
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|
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|
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|
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|
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|
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<h1>18</h1>
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<p><em>July:</em></p>
|
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|
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<p>The stranger came knocking at the door in the early afternoon.
|
||||
Jean McColl didn't hear him at first, engrossed as she was in the
|
||||
delicate task of removing honeycombs from the hives at the back end
|
||||
of the vegetable garden where the bewildered and angry bees buzzed
|
||||
in clouds. The terriers heard him, as they heard everything and had
|
||||
set up a racket, insistently barking their high-pitched temper and
|
||||
eventually she had to lay down the smoke funnel and go round
|
||||
through the gate to the front yard to check.</p>
|
||||
|
||||
<p>"Looking for work, " the man said. He was tall and angular,
|
||||
though broad shouldered and his dark hair hung down over his eyes.
|
||||
In the warmth of the summer afternoon, he was wearing a log coat
|
||||
with a belt hanging loose, the kind they used to wear back in the
|
||||
fifties and it had seen better days. Over his shoulder, an old army
|
||||
tote bag showed the stains of many miles.</p>
|
||||
|
||||
<p>"Saw the sign, did you?" Jean was still wearing her broad straw
|
||||
hat with the muslin tucked into the neck of a man's chambray shirt.
|
||||
On her hands, a pair of her husband's protective gloves made her
|
||||
look almost comic, like a child dressed in adult's clothes. She
|
||||
unrolled the fine cloth and peered out from under the brim. "The
|
||||
sign on the gate?"</p>
|
||||
|
||||
<p>"I did," he said, nodding to affirm. He was standing with both
|
||||
feet planted apart. One boot's sole was peeling from the upper.</p>
|
||||
|
||||
<p>"Can you dig potatoes?"</p>
|
||||
|
||||
<p>"Sure I can. All day too." He hadn't shaved in a couple of days
|
||||
and he looked as if he needed a bath. In the angle of the sun, she
|
||||
couldn't see his eyes, but there was no particular need. Maybe the
|
||||
country was changing after the austerity of the years after the
|
||||
war, but there were still plenty wanderers who couldn't settle, men
|
||||
with no fixed abode and an itch in their feet, looking for seasonal
|
||||
work.</p>
|
||||
|
||||
<p>"Well, you look big enough," Jean said. She was fifty six years
|
||||
old, ten years younger than her husband Ian, and where he was wide
|
||||
and blocky, she was bird-like and quick. Her hair was pure white
|
||||
and her skin was clear despite a lifetime of helping to run the
|
||||
hill farm, out in all weathers. She squinted up at the big man.</p>
|
||||
|
||||
<p>"The labourer is always worthy of his hire," the man said. His
|
||||
voice was deep and slightly rasped, like he'd beeen breathing in
|
||||
the cornstalk dust. She couldn't place his accent.</p>
|
||||
|
||||
<p>"Amen to that," she said, picking up the context. He was a
|
||||
religious man. Good. "Blackwood should be back in a half hour or so
|
||||
and he'll tell you what's needed. But there's work to be done so
|
||||
he'll no doubt take you on." She turned and pointed round by the
|
||||
corner of the byre where a half dozen heavy red chickens were
|
||||
scratching in the straw, jerking their heads in nervous tics.
|
||||
"There's a space in the bothy where you can put your kit. Running
|
||||
water's from the tap on the wall."</p>
|
||||
|
||||
<p>"What's he paying?"</p>
|
||||
|
||||
<p>"Same as anybody else. A pound a ton and then he'll see how fast
|
||||
you go. You get bed and board, and if he takes a shine to you, well
|
||||
maybe there's some walling needs done for the winter, but that'll
|
||||
be up to him."</p>
|
||||
|
||||
<p>The big man said nothing for a moment, but remained standing
|
||||
there, almost in silhouette. The sun limned the edge of his hair,
|
||||
making it gleam blue black, like a red Indian's hair. He looked as
|
||||
if he'd been sleeping rough for the past few days. Maybe he was
|
||||
hungry.</p>
|
||||
|
||||
<p>"I suppose you could have a bite and a cup of tea while you're
|
||||
waiting. Give me ten minutes to finish with the bees and I'll put
|
||||
the kettle on."</p>
|
||||
|
||||
<p>"I'd appreciate that, ma'am," he said, nodding again. He hadn't
|
||||
said much at all but that wasn't unusual either. Many of the men on
|
||||
the roads just came out of nowhere and worked a few weeks,
|
||||
sometimes a full harvest season and disappeared again with hardly a
|
||||
word. It was possible, Jean knew, that one or two of them might
|
||||
have been running from trouble, with the police or the army, but as
|
||||
long as they could work, that was nobody's business but theirs. She
|
||||
came from old farming stock and farmers in this neck of the woods
|
||||
liked to preserve their own privacy. They respected the need in
|
||||
others.</p>
|
||||
|
||||
<p>Round at the home garden, she unshipped the last dripping slab
|
||||
of honeycomb while a few bees which had been out of the hive when
|
||||
she used the smoker came buzzing angrily around her head. The rich,
|
||||
thick honey dripped into the pan, sending up a luscious, exotically
|
||||
sweet scent that reminded Jean of every summer she'd spent on the
|
||||
farm. She smiled to herself, thinking of all those seasons that
|
||||
made up most of her life.</p>
|
||||
|
||||
<p>She was in the kitchen when the man came back, now stripped of
|
||||
his heavy coat. The sleeves of his shirt, a faded blue
|
||||
working-man's cotton, were rolled up to his elbows, showing a pair
|
||||
of long, muscular arms covered in a matt of black hair. He'd
|
||||
obviously bent to get his head under the hosepipe tap for his hair
|
||||
was now slicked back from heavy eyebrows and beads of water
|
||||
trickled down his cheek like sweat.</p>
|
||||
|
||||
<p>"Here, I made you a sandwich," she said, indicating the table.
|
||||
"Set yourself down while the tea's brewing."</p>
|
||||
|
||||
<p>Off in the distance, a low rumble told her the tractor was
|
||||
heading back up the rutted track. The stranger sat up straight,
|
||||
head cocked to one side. An odd, indecipherable look flicked across
|
||||
his face. He blinked a couple of times.</p>
|
||||
|
||||
<p>"That'll be Blackwood coming back," she said. It was a tradition
|
||||
in these parts, still is, for farmers to take the name of their
|
||||
spreads. Ian McColl farmed the highest land on the north side of
|
||||
the town, a mix of poor arable and high moorland where the bracken
|
||||
made further creeping inroads every year. They'd some cows which
|
||||
were pastured down on the edge of the barwoods and three hundred
|
||||
sheep and a small herd of shaggy highland cattle up on the heath
|
||||
and scrub of Blackwood hill and beyond. On the south facing fields
|
||||
below the trees where he'd spent three backbreaking years stripping
|
||||
out the thick gorse, there was a fair crop of early potatoes and a
|
||||
handy field of swedes, most of which would feed the beasts in the
|
||||
winter. It was a hard life up on the hill, both of them knew that,
|
||||
but for Jean, it was the only life, often rewarded by the late,
|
||||
dropping sun catching the rocks of Langcraig Hill in the distance,
|
||||
or gleaming up from the river estuary in the height of summer. The
|
||||
winters could be bad at this height, but then she'd see a spider's
|
||||
web hoar-frosted and glittering, or a white stoat go scampering
|
||||
across the rocks, and in the depth of January, she'd hear the first
|
||||
bleating sounds of the new life as the sheep dropped their lambs.
|
||||
It was no easy life, but there was a beauty and a symmetry and
|
||||
sometimes a magic in it all, as she would write in her neat hand in
|
||||
her diary.</p>
|
||||
|
||||
<p>She brought two big mugs to the table and filled them both. "The
|
||||
ham's my own. Smoked only last week, and the bread's fresh from the
|
||||
oven this morning."</p>
|
||||
|
||||
<p>Jean never tired of telling folk, even strangers looking for
|
||||
casual labour, about her bacon or her bread. She'd a store out the
|
||||
back with rough cheeses wrapped in muslin and maturing away in
|
||||
wooden rounds and a half a dozen demi-jons sealed up with last
|
||||
years vintage of elderberry wine. All of it, every fermentation,
|
||||
every batch of cheese was carefully noted in her book. Every new
|
||||
year she'd go down to the town, as long as the snows hadn't blocked
|
||||
the track, and buy a new diary. They were her pride and her record
|
||||
of thirty years up on Blackwood Farm. On winter nights, when the
|
||||
wind howled around the red-leaded struts of the haybarn, she would
|
||||
bring a book down from the loft and travel back in time to the days
|
||||
when she was young and dark haired; to when Ian McColl would take
|
||||
time off from the scything of the hay and chase her through the
|
||||
long grass and sometimes catch her.</p>
|
||||
|
||||
<p>Outside in the yard the tractor shuddered to a halt. The engine
|
||||
barked twice and Jean knew there would be a plume of blue exhaust
|
||||
smoke trailing away from its rear end. The stranger started back at
|
||||
the sound and his eyes blinked several times as if grit had got in
|
||||
under his eyelids.</p>
|
||||
|
||||
<p>"Och, it's only a backfire," she told him "You'll get used to
|
||||
that soon enough if you're here awhile."</p>
|
||||
|
||||
<p>The man looked at her, still blinking, as if he couldn't really
|
||||
see her and Jean wondered if he was all right. Just then her
|
||||
husband came in, wide shouldered and with a day's silver growth of
|
||||
beard ragged on his cheeks. He took off his hat and wiped a
|
||||
handkerchief over the red crown of his head.</p>
|
||||
|
||||
<p>"The heat would melt you out there," he avowed, and slung the
|
||||
hat onto the hook. He turned and saw the other man. "Looking for
|
||||
work I suppose?"</p>
|
||||
|
||||
<p>The big man nodded again. "Yes sir, I am that."</p>
|
||||
|
||||
<p>"Sound like an army man, eh?"</p>
|
||||
|
||||
<p>Another nod.</p>
|
||||
|
||||
<p>"So you'll not be scared of a bit of hard graft?" McColl said
|
||||
cheerfully. "Usual start rate's a pound a ton, and maybe a bit more
|
||||
on the up-slope when we reach it. There's a good two weeks work
|
||||
there on the early crop if you want it."</p>
|
||||
|
||||
<p>Jean McColl brought the tea across and Ian sat down, his scalp
|
||||
fiery and beaded with sweat. He still hadn't set eyes on his wife,
|
||||
but when she laid the cup and a plate of sandwiches down in front
|
||||
of him he took her fingers in his calloused hand and gave them a
|
||||
gentle squeeze that conveyed a whole sonnet of feeling. "Good lass.
|
||||
Saved a life."</p>
|
||||
|
||||
<p>The other fellow reached forward for his cup and as he did so
|
||||
his sleeve rose up close to his shoulder, just enough to expose a
|
||||
small tattoo on the outside of his arm below the shoulder.</p>
|
||||
|
||||
<p>"That your name? Lesley?" Ian asked, pointing at the blue
|
||||
scrolled word on the skin. Jean was over at th stove and missed the
|
||||
tattoo. The man had taken a drink of tea and he inclined his head
|
||||
forward. The farmer took it as confirmation.</p>
|
||||
|
||||
<p>"Right Les, if you want the work, then it's yours. You look as
|
||||
if you've got a strong back and I need the crop in by the end of
|
||||
the month for getting it down to the co-operative. On and after
|
||||
that, I've got some walling up on the moor that I'll need a hand
|
||||
with, so if you work out all right with the tatties, then you'll be
|
||||
welcome to stay."</p>
|
||||
|
||||
<p>"The labourer is worthy of his hire," the new hand repeated,
|
||||
almost whispering.</p>
|
||||
|
||||
<p>Ian eyed him up. "I'll be the judge of that, you can bet."</p>
|
||||
|
||||
<p>Jean came to the table with her own cup, a delicate fluted piece
|
||||
of china which looked like a part from a doll's tea set next to her
|
||||
husband's chipped pint mug. The men finished their snack and Ian
|
||||
McColl took the new man through the back to show him the potato
|
||||
field. The stalks were already tall and drying to yellow, bent
|
||||
eastwards by the gentle breeze of the past few days which had died
|
||||
down now to a sultry summer's day.</p>
|
||||
|
||||
<p>"The bothy's fine and dry and the missus is a good cook so
|
||||
you'll not want for a square meal or a place to sleep. You want
|
||||
anything from the town though, it's a bit of a hike. More'n five
|
||||
miles by the track. I don't manage down there myself much except
|
||||
for a delivery or for the auctions. You from around these
|
||||
parts?"</p>
|
||||
|
||||
<p>"Long time ago," the fellow said. "Long time. Before, you
|
||||
know?"</p>
|
||||
|
||||
<p>Ian McColl nodded. Some folk didn't give much away and he wasn't
|
||||
the one to push either, though it would have been good if the new
|
||||
hand was more of a talker. It was good to chew the fat across the
|
||||
table when the talk of farming was done and the work was finished
|
||||
for the day. From back in the kitchen, the sound of dishes being
|
||||
washed and stacked came back to them. Jean said something which
|
||||
neither heard clearly enough to make out, but from the tone was
|
||||
unmistakable. The terriers came scrambling out of the kitchen as if
|
||||
devils were chasing them. The door slammed shut.</p>
|
||||
|
||||
<p>"Never did like her kitchen getting messed up," Ian said.</p>
|
||||
|
||||
<p>The other man blinked again as if the sun was in his eyes.
|
||||
McColl moved off towards the tractor and got it started. He
|
||||
beckoned the stranger across and waited until the man hitched
|
||||
himself up behind the seat.</p>
|
||||
|
||||
<p>"Might as well get started," he said brightly, slinging his cap
|
||||
back on his head and shoving the peak up the way farmers do. The
|
||||
tractor coughed bronchially, spat smoke from its stack and lurched
|
||||
round by the byre.</p>
|
||||
|
||||
<p>Jean McColl watched from the window, thinking. Help was hard to
|
||||
come by this far up and almost anybody who came through the gate at
|
||||
harvest time got a job for the asking. But there was something
|
||||
about the stranger with the nervous blinking eyes that didn't
|
||||
settle with her. She tried to think what it was but couldn't get a
|
||||
finger on it. There was something about his face, gaunt and angled,
|
||||
that should have been expressive but wasn't quite, as if everything
|
||||
was being held down inside.</p>
|
||||
|
||||
<p>There was something about the man and his deep set, coal black
|
||||
eyes and his slicked back gypsy hair and the smell of woodsmoke on
|
||||
his clothes. Up around these parts, the tinkers, the travelling
|
||||
folk, were MacFees and MacFettridges, descendants of the refugees
|
||||
kicked off the land in the highland clearances. The new man had a
|
||||
travelling look about him, but he didn't look like a tinker.</p>
|
||||
|
||||
<p>Later that night, after the men had come home and eaten a heroic
|
||||
meal, she and Ian had sat at the table while he worked on the model
|
||||
ship he was building out of matchsticks, a labour of love that
|
||||
promised to keep him occupied right through the long dark nights
|
||||
until the end of winter when the ground would be soft enough to
|
||||
work. Jean was writing in her book.</p>
|
||||
|
||||
<p><em>New man started today. Big as a Clydesdale ploughhorse and
|
||||
with the looks of an Italian or maybe a Polish soldier. Says his
|
||||
name is Leslie, Leslie Joyce. Says he's from around these parts
|
||||
from way back. Looks strong enough for carting the potatoes and
|
||||
that should give Ian a fair hand and good for his back too. He
|
||||
won't go down to the doctor about it no matter how much I go on
|
||||
about it. Made five pounds of butter today and got six full jars of
|
||||
honey. Best collection yet, and not one sting this time. As ever, I
|
||||
couldn't help licking my fingers for the taste of heather.</em></p>
|
||||
|
||||
<p>She looked over at her husband, swinging her eyes from the one
|
||||
black-bound book to the next one, opened beside it. "You're a week
|
||||
early with the potatoes this year compared to last." she told her
|
||||
husband who was gingerly gluing a spar to a curved rib of the
|
||||
old-fashioned ketch. "And I'm a week ahead with the honey too."</p>
|
||||
|
||||
<p>"It's the heat since the start of summer. It's lasted a while.
|
||||
After the good rains in the late spring. Always gets things of to a
|
||||
fine start. A lucky year for us."</p>
|
||||
|
||||
<p><em>Ian says it's a lucky year,</em> she wrote down. <em>We've
|
||||
had our share of them, in between the bad ones.</em></p>
|
||||
|
||||
<p>She smiled at him though he never saw it, his red dome bent to
|
||||
the delicate task, thick gnarled farmer's fingers surprisingly
|
||||
agile, delicately gentle and Jean knew just how gentle he could be.
|
||||
It was safe enough to write some things down in her diaries. Now
|
||||
and again, she'd read him a piece out loud, an entry from previous
|
||||
years, making him grin with the accounts of young Ian's first
|
||||
tottering steps, or bringing the hint of a lump to his throat when
|
||||
she showed the dried wild rose she'd pressed between the pages, a
|
||||
small gift brought back from a foray down the valley to the
|
||||
Barwoods to round up the strays. But he would never read her diary,
|
||||
never go looking in her private place. That was hers.</p>
|
||||
|
||||
<p>Outside in the yard, the terriers barked. The bothy door closed
|
||||
with a dull thud and the dogs went silent again. Leslie Joyce (if
|
||||
that was his name) must have got up and gone to the outhouse.</p>
|
||||
|
||||
<p>The noise interrupted her train of thought. Where had she
|
||||
been?</p>
|
||||
|
||||
<p>Back ten years ago to the day she had pressed the rose in the
|
||||
book, a delicate pink with a powerful wild fragrance, a token,
|
||||
plucked in the passing, but a treasure for he'd brought it home for
|
||||
her. Another lucky year, just like this one. She wrote that thought
|
||||
down, savouring it and the memory it brought back, wondering what
|
||||
she'd think in ten years time, God sparing.</p>
|
||||
|
||||
<p>Out in the bothy, the free-standing stone shelter that served as
|
||||
a bunkhouse for the labourers, the man with the tattoos and the
|
||||
black eyes lay stretched out on the bed. The dogs had surprised him
|
||||
when he'd walked silently across the yard and leaned in at the
|
||||
corner to peer in the kitchen window, but no-one had come to the
|
||||
door. In the house the old woman was writing in a book and the
|
||||
farmer was bending over something on the table. The tall man turned
|
||||
away when the dogs started their yapping, high pitched chiding and
|
||||
he'd stared down at them. Without a word he moved soundlessly
|
||||
across the dry earth and cobbles of the yard and let the door
|
||||
spring back. It took forty steps from the window to the bothy and
|
||||
he counted them all, just in case he needed to know the paces.
|
||||
Overhead, the moon showed a sliver of silver in a velvet sky. In
|
||||
the dark of the bunkhouse he lay down on the straw mattress and put
|
||||
his hands behind his head, staring into the dark.</p>
|
||||
|
||||
<p>The dogs stopped barking and settled down at the front door.</p>
|
||||
|
||||
<p>The man with the tattoos lay silent but inside his mind, the
|
||||
thoughts were hot and dark and filled with memories.</p>
|
||||
|
||||
<p>After a while, in his thoughts, he heard the high-pitched voice
|
||||
and the steady drone and he knew it would not be long
|
||||
before....</p>
|
||||
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|
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<head>
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<meta name="generator" content=
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"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
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<title>19</title>
|
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<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
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<link rel="stylesheet" type=
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<body>
|
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<div id="text">
|
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<div class="section" id="xhtmldocuments">
|
||||
<h1>19</h1>
|
||||
|
||||
<p><em>July: Blackwood Farm.</em></p>
|
||||
|
||||
<p>Ian's gone and twisted his back again but he won't go to the
|
||||
doctor while there's a field yet to be cleared.</p>
|
||||
|
||||
<p>Jean McColl's script was clean and rounded and she had an
|
||||
artistic swoop on the tails of letters below the feint lines.
|
||||
Thirty years and more had aged the ink from a dark to a faded blue,
|
||||
but they had not diluted the fresh quality of the farmer's wife's
|
||||
account:</p>
|
||||
|
||||
<p>"He'll come in for his tea with a hand behind his back and his
|
||||
neck all red from bending away from it, just like last year and
|
||||
he'll say it's just stiff from sitting up on the tractor. God love
|
||||
him. He doesn't want me to worry and yet he'll never take a word of
|
||||
advice. I know where young Ian gets his stubborn streak. The new
|
||||
hand, Joyce, is working well enough though he hardly says a word
|
||||
and doesn't come in for his dinner, but takes it to the shed. They
|
||||
moved nearly ten tons of early Pentlands from of south field,
|
||||
though Ian thinks there's a chance of wireworm in the late crop
|
||||
since it's just been turned this year from old pasture.</p>
|
||||
|
||||
<p>Two tinkers have a tent down by the road and they're to get
|
||||
staying for a day or so while they sharpen the scythes and do a bit
|
||||
of fencing, but Ian says they look a bit shifty for his liking and
|
||||
that's why they're not staying in the outhouse with the new man.
|
||||
Must get the shutter fixed. I thought I saw something moving in the
|
||||
yard and it could have been my imagination but the labourer's a bit
|
||||
of an odd one, though he can dig potatoes. A letter from young Ian
|
||||
today, saying his barley harvest will keep him busy for the next
|
||||
few weeks, but he says he'll be coming to visit at the end of
|
||||
August. I wish he'd bring me news of a different kind of crop, but
|
||||
I'm supposed to be patient.</p>
|
||||
|
||||
<p>The cats have laid out four rats in a row behind the hayrick, as
|
||||
if they expect applause for doing their job. The owl in the barn
|
||||
took a weasel right on the path and that's one less to be in after
|
||||
the chickens. Morag's been lying in the sun behind the byre. I
|
||||
don't see her making another winter, poor old soul, so we'd better
|
||||
start training another collie soon for next year's rounding.</p>
|
||||
|
||||
<p>Picked peas today and shelled them all afternoon. I'll be seeing
|
||||
them in my sleep. There was a Flanders poppy growing in amongst
|
||||
them, a big scarlet flower standing above the pods. Inside it was
|
||||
the most delicate purple. Shame to pick it, but they only last a
|
||||
day. I wore a dress that shade of purple to the harvest dance the
|
||||
year I got engaged. Ian Blackwood looked me up and down as if I was
|
||||
royalty. I could have cried when I picked it, but it was lovely
|
||||
just remembering. Better look out the liniment for his back.</p>
|
||||
|
||||
<p>The Flanders poppy, each petal wide and veined like a
|
||||
butterfly's wings, was pressed flat between the leaves of the book.
|
||||
The red had turned to a deep brown. Beside it, just below the
|
||||
script, done in pencil, was a small sketch of a barn own, wings
|
||||
raised, legs outstretched beyond the heart-shaped head, talons
|
||||
spread wide. The weasel was in the act of turning, a slender and
|
||||
sinuous shape on a stony farm track. Both had been drawn by a deft
|
||||
and confident hand, a thumbnail etching of a small death at
|
||||
Blackwood Farm on a summer's day. All of the years since it was
|
||||
drawn had not diminished the action or the finality of the
|
||||
swoop.</p>
|
||||
<hr />
|
||||
<p>He had watched the woman. She had looked at him with her
|
||||
bird-quick eyes, and the pounding had started again in his
|
||||
head.</p>
|
||||
|
||||
<p>It had been hard work, trailing behind the rake spines of the
|
||||
tractor, hooking the potatoes out of the ground with the wide-blade
|
||||
fork, bending and lifting, exposing the white, almost skinless crop
|
||||
like lizard's eggs, to the light of day. It had been hot and
|
||||
sweaty, just him and the farmer out in the field, bending and
|
||||
lifting, then stacking the sacks on the trailer. They'd had a break
|
||||
at mid-morning, just enough time for a cup of tea from the flask,
|
||||
then back to work. Just after noon, they'd stopped again. Blackwood
|
||||
had turned the tractor around and they'd come trundling back to the
|
||||
farm to stack the sacks.</p>
|
||||
|
||||
<p>He had been here for three days, and he'd been watching them.
|
||||
The light stayed in the sky until late, darkening it down to a
|
||||
gloaming purple that hid movement. Through the narrow window, she'd
|
||||
be writing in her book and he would be hunched over his model boat,
|
||||
both of them, hardly saying a word, as if they knew that the shadow
|
||||
of death was upon them.</p>
|
||||
|
||||
<p>He could stand still, motionless so that the dogs stayed quiet
|
||||
and didn't start up their racketing as they had the first night. In
|
||||
the dark, he'd be invisible. The light inside would reflect back
|
||||
from the glass, making out opaque. He could stand here and he could
|
||||
watch and wait.</p>
|
||||
|
||||
<p>The shadow was on them. <em>The shadow of the valley...</em></p>
|
||||
|
||||
<p>When they came back from the field, the woman had left his meal
|
||||
on the barrel out by the door of the outhouse, a tray covered by a
|
||||
white linen cloth to keep the flies away. She had invited him
|
||||
inside to eat with them, but he wanted to eat alone, so she just
|
||||
left it for him. Strong cheese, light crusted bread and translucent
|
||||
strips of cured ham. A side dish of lettuce and spring onions and
|
||||
green tomato chutney. A ploughman's lunch.</p>
|
||||
|
||||
<p>He ate in silence, chewing carefully and washing every mouthful
|
||||
down with a drink of thick, warm milk from the jug. The light
|
||||
slanted through the old shutters of the shed where he sat on the
|
||||
low bunk. It formed brilliant chevrons against the wall.</p>
|
||||
|
||||
<p>He blinked against the glare, chewing. The light was in his eyes
|
||||
and he felt the pressure build.</p>
|
||||
|
||||
<p>She came out of the kitchen and into the yard lugging a steaming
|
||||
kettle which she placed on the ground beside a tin basin. The
|
||||
farmer followed her, patting his belly and then arching his back as
|
||||
if he wanted to stretch the kinks and knots away. From the shadow
|
||||
in the bunkhouse he saw them caught in the light. Their shadows
|
||||
puddled on the cobbles where two cats snoozed. Around them, he
|
||||
could see the dark aura that told him the shadow of death was on
|
||||
them. It was close at hand. He could sense it pressing in. The time
|
||||
was nearing.</p>
|
||||
|
||||
<p>The farmer went towards his tractor, heavy boots crunching on
|
||||
the slabs. The woman moved to the chicken coop. He could hear the
|
||||
rattle of the wire-mesh door and the cluck and flutter of the hens
|
||||
as she went among them. The smells of the farm came thick on the
|
||||
air. Beyond the coop, the manure heap, enclosed by walls of stone,
|
||||
angled away from the small byre, empty for now, but crowded with
|
||||
the half-dozen milking cows at four o'clock when they'd come
|
||||
shambling in from the pasture. Swallows came flicking in and out,
|
||||
red and blue streaks on the summer air. Overhead, squadrons of
|
||||
swifts wheeled and squealed. A mouse, or maybe a rat, rustled and
|
||||
scurried in the next-door tack room where the old bridles and
|
||||
harnesses lay in a heap or hung from rusted nails.</p>
|
||||
|
||||
<p>She came back, walking quickly, almost bird-like, holding a
|
||||
white chicken by the feet. It fluttered and flapped in a panic as
|
||||
she crossed the yard to the block. Without any hesitation she laid
|
||||
the chicken across it, pressing down so that it's head was over the
|
||||
edge of the block. She jiggled the hand-axe until the blade popped
|
||||
free of the wood, swung it up and then down. The chicken's wings
|
||||
whirred in a sudden spasm as blood spurted from the neck. The head
|
||||
spun away to land close to the door of the outhouse. Its yellow eye
|
||||
stared up into the dark of the doorway.</p>
|
||||
|
||||
<p>The smell of hot blood came wafting up.</p>
|
||||
|
||||
<p>The sunlight glared from the whitewashed walls of the kitchen.
|
||||
The light was in his eyes and he could see the shadow on the woman.
|
||||
He could hear the approach of the wings. There was a buzzing as
|
||||
flies circled the chicken's severed head. His eyes started to
|
||||
blink.</p>
|
||||
<hr />
|
||||
<p>It was as she expected. Ian had come in with a hand pressed to
|
||||
the small of his back but it hadn't dented his appetite. He'd left
|
||||
only one slice of the ham and two thick wads of bread, wolfing the
|
||||
rest with relish. She'd had some soup and a cup of tea and little
|
||||
else, not wanting to spoil her own appetite for dinner. Ian had
|
||||
been pleased about the crop which would be in at the end of the
|
||||
week and down to the co-op store. She said she'd kill a chicken for
|
||||
dinner and he'd nodded cheerfully.</p>
|
||||
|
||||
<p>"Make it a big one," he'd said, giving her a squeeze as she
|
||||
passed him on the way out with the freshly boiled kettle. "We'll be
|
||||
starving when we get back."</p>
|
||||
|
||||
<p>The chicken's head flew away and after the flurry of spastic
|
||||
wingbeats, the bird went still but for the slow clenching of the
|
||||
scaly feet into right talon-fists. Ian was over at the tractor,
|
||||
while she poured the boiling water over the carcass to loosen the
|
||||
feathers and damp them down. As she stood up, she had the strange
|
||||
sensation of being watched, but when she raised her eyes there was
|
||||
no-one there. Against the whitewash glare, the outhouse door was a
|
||||
black oval, like a bottomless hole.</p>
|
||||
|
||||
<p>Jeannie McColl plucked the chicken with deft, sure twists of her
|
||||
nimble hands, working from tail to neck. The axe lopped off the
|
||||
ends of the wings and within minutes the bird was bare and pimpled,
|
||||
steaming slightly as it gave up its heat. She slung the sodden
|
||||
feathers onto the dung-heap and took the chicken back to the
|
||||
kitchen. At the sink, she ran the water and opened the bird,
|
||||
watching the drain darken in a spiral as the blood flowed away.</p>
|
||||
|
||||
<p>She bent to the task. Already the leeks and carrots were lined
|
||||
up waiting to be cleaned and chopped and if she got the bird into
|
||||
the oven early, letting it cook in its own juices for a few hours,
|
||||
she'd manage to get the washing out and dried. It was still soaking
|
||||
in the stone tub in the washhouse where a trickle of smoke curled
|
||||
out of the boiler chimney.</p>
|
||||
|
||||
<p>The man they'd accepted as Les Joyce came walking out through
|
||||
the black hole of the doorway. The movement caught her eye and she
|
||||
looked up. He took two steps out and stopped, with his head cocked
|
||||
to one side. His eyebrows went up as if he was considering
|
||||
something. She saw his lips move and then the eyes blinked, twice,
|
||||
three times, very fast, screwed all the way closed as if he'd
|
||||
bitten into a bitter gooseberry.</p>
|
||||
|
||||
<p>Outside the cockerel crowed again and its rival challenged from
|
||||
the other side of the yard.</p>
|
||||
|
||||
<p>The man stopped and blinked some more, then he bent slowly and
|
||||
picked up the chicken head. He held it up, turning it in his hands
|
||||
as if he'd found something of great interest. A drop of blood fell
|
||||
to the cobble, leaving a stain that looked black on the stone.</p>
|
||||
|
||||
<p>Ian called from across the way, but the man seemed not to have
|
||||
heard. He had taken off his shirt and she could see the tattoo high
|
||||
on his arm, dark against smooth, lightly tanned skin. His lower
|
||||
arms were matted with hair. He stood up straight, tall and spare,
|
||||
his hair glistening so black it was almost blue. Ian called out
|
||||
again. The man turned and went back to the doorway. He raised the
|
||||
chicken head up to head height, holding the door steady with one
|
||||
hand while he scraped the severed neck across the paint-peeled
|
||||
wood.</p>
|
||||
|
||||
<p>Jean leaned forward, perplexed, leaving her own bloody
|
||||
hand-print on the window-sill.</p>
|
||||
|
||||
<p>The man repeated the motion twice and then he daubed the
|
||||
bloodied neck on the doorposts and on the wooden lintel above it.
|
||||
When he finished, he casually threw the chicken head over his
|
||||
shoulder. It bounced and skittered against an old trough.
|
||||
Immediately a twisting whirl of flies danced over it. The door of
|
||||
the outhouse closed and she saw what he'd done.</p>
|
||||
|
||||
<p>A dark red cross was slashed on the wood. Some of the blood was
|
||||
running in small dribbles, but the cross itself was plain enough.
|
||||
On either side and above it, splashes stained the grey wood.</p>
|
||||
|
||||
<p>The man with the tattoos turned slowly and walked in front of
|
||||
the byre. He reached the chopping block and stood there as if
|
||||
listening for something, head twisted, straining to hear. His hand
|
||||
reached out and worked the axe out of the wood again.</p>
|
||||
|
||||
<p>A cold sensation twisted in the pit of her stomach. She raised
|
||||
her hand further and pulled back the net curtain, leaving another
|
||||
stain. She leaned towards the window, craning to the left. Ian
|
||||
walked into view. He was saying something and wiping at his head
|
||||
with his handkerchief.</p>
|
||||
|
||||
<p>The man swayed backwards and his eyes twitched again. Ian leaned
|
||||
towards him. The axe came free. Ian turned towards the motion and
|
||||
the sucking sound of metal pulling from wood.</p>
|
||||
|
||||
<p>Jean called out, no words, just an inarticulate cry. Fear
|
||||
suddenly pulsed within her.</p>
|
||||
|
||||
<p>The man spun quickly, bringing the axe up and then down in a
|
||||
fast arc. Ian jerked away from it. The blade came down and caught
|
||||
him hard on the left shoulder.</p>
|
||||
|
||||
<p>"Oh," he said. He sagged to the left, head following the motion.
|
||||
His handkerchief fluttered to the ground.</p>
|
||||
|
||||
<p>The tall man stood blinking, face expressionless. Her husband
|
||||
spun away and went down on one knee. For an instant she thought the
|
||||
blade had missed him, that the man had only hit him with the wooden
|
||||
haft of the kindling axe. Ian turned and she saw the look of
|
||||
surprise on his face. His hat rolled from his bib pocket and down
|
||||
onto the cobbles. His arm was twisted at a strange angle and the
|
||||
fingers were twitching with a life of their own.</p>
|
||||
|
||||
<p>The big man took a step forward, flattening the white flutter of
|
||||
cloth into the muck. Ian lifted his head up and his mouth formed a
|
||||
perfect circle. The blood seemed to drain away from his red face.
|
||||
Joyce looked at him, bending forward from the waist, like a
|
||||
gardener inspecting a rose.</p>
|
||||
|
||||
<p>In the kitchen, Jean tried to call out again but the words
|
||||
wouldn't come. Over on the far side, against the wall of the byre,
|
||||
the cat sensed violence and slunk away. Ian let out a moan or a
|
||||
groan, loud enough to carry over to the kitchen. It was a dreadful
|
||||
sound of shock and gathering pain.</p>
|
||||
|
||||
<p>Joyce straightened up, twisted again and brought the hatchet
|
||||
down on Ian's other shoulder. Her husband cried out, a horrible
|
||||
animal bellow. Blood did not spurt. It simply washed down the front
|
||||
of his shirt in an instant flood, turning the blue chambray to a
|
||||
silky black.</p>
|
||||
|
||||
<p>A wave of sick dizziness engulfed her and she felt herself sag
|
||||
back from the window. The net curtain ripped at the corner under
|
||||
her weight. The dizziness passed over her. Her eyes opened and
|
||||
without warning she was sick. It came blurting up, hot and acid,
|
||||
only tea and the crumbs of a scone, some barley soup. It spat onto
|
||||
the surface beside the sink.</p>
|
||||
|
||||
<p>Ian was down on the ground. He toppled forward and one hand went
|
||||
out to stop himself falling, but there was no strength in the arm
|
||||
and it gave way under him. He twisted and fell hard, rolling over
|
||||
on to his back. He groaned, like an animal. His momentum carried
|
||||
him round and he got slowly to one knee, moving as if through
|
||||
treacle. The back of his shirt was soaked right down to where it
|
||||
was tucked into his bib-overalls. His head was angled to the side
|
||||
and she could see the sun glisten silver on the stubble of his
|
||||
cheek. The left arm was still jittering as if it wanted to fly
|
||||
away, but his shoulder was impossibly slumped and the stream of
|
||||
blood was right down the length of his sleeve to where it was
|
||||
rolled up at the elbow. Dark drops went splashing off to the
|
||||
ground. Ian got one foot under him, managed to push himself up onto
|
||||
one knee. Joyce took three steps back and watched him, blinking
|
||||
fast. Ian looked up, his face twisted in agony and shock, eyes wide
|
||||
and unbelieving.</p>
|
||||
|
||||
<p>Jean's sick paralysis broke. She turned away from the window,
|
||||
hauling for breath. Outside the cockerel crowed again. She went
|
||||
round in a complete circle, banged her hip against the heavy table.
|
||||
For a second she did not know what she was doing, and then her eyes
|
||||
lit on the blackened poker leaning against the oven. She bent and
|
||||
grabbed it, got her other hand to the warm metal handle and ran for
|
||||
the door.</p>
|
||||
|
||||
<p>Out in the sunlight the air was thick with the metallic scent of
|
||||
blood, but it smelled different from the thin chicken's blood on
|
||||
the worn stones. This was human blood, her husband's blood.</p>
|
||||
|
||||
<p>"<em>No Jean</em>," she heard him cry, though the words were
|
||||
hardly intelligible. They came out in a slobber and she saw a
|
||||
bubble of blood froth up. Joyce waded back in again and hit him on
|
||||
the jaw. For some reason the blade twisted and the axe hit flat-on
|
||||
with a hard clank.</p>
|
||||
|
||||
<p>This time Ian screamed. There was no other way to describe it.
|
||||
There were no words, just a high bleat of sound, like the pigs in
|
||||
the slaughter pen. His jaw fell to the side and another bubble of
|
||||
blood burst between his wide open sagging lips.</p>
|
||||
|
||||
<p>The dizziness threatened to come and carry her away, a dreadful
|
||||
rolling dark wave that made her knees want to buckle. She staggered
|
||||
forward and raised the poker. Ian's eyes opened wide. She could see
|
||||
the enormous chasms the axe had ploughed on either side of his
|
||||
neck, making both shoulders slump downwards. The blood pulsed up
|
||||
and out at the turned-down collar of his shirt. She went stumbling
|
||||
forward, gathering all of her strength.</p>
|
||||
|
||||
<p>A black and white streak flicked in front of her. She had heard
|
||||
it first, although in her horror and fear the sound had not managed
|
||||
to get through to her consciousness.</p>
|
||||
|
||||
<p>Morag leapt up, growling in fury. Her jaws opened and snapped
|
||||
shut on the man's upraised arm. Joyce was a big man and Morag, ten
|
||||
years old that summer, was an old dog, but he was taken by surprise
|
||||
and the weight of her charge throw him off balance. The collie
|
||||
snarled and sank her teeth in. Joyce grunted, but it was a grunt of
|
||||
effort, not of pain. He dropped the axe.</p>
|
||||
|
||||
<p>Jean did not stop, she ran straight in and swung the poker at
|
||||
the man's head. It missed but it slammed against his shoulder with
|
||||
enough force to send such a jarring vibration up her arm that the
|
||||
metal rod flew out of her hands and landed with a clatter in the
|
||||
yard. Joyce didn't so much as look at her. He turned again, grabbed
|
||||
the collie by the neck and dragged it off his arm.</p>
|
||||
|
||||
<p>Morag snarled. He didn't seem to notice. He pivoted on his foot
|
||||
and threw the dog down. Jean bent to pick up the axe, got her
|
||||
fingers around it and spun round. She swung it, even harder than
|
||||
she had swung the poker. Trying to crash the blade right into
|
||||
Joyce's blinking eyes.</p>
|
||||
|
||||
<p>The man's hand reached up and stopped the axe in mid thrust.
|
||||
With a simple twist of his wrist, he snatched it from her.</p>
|
||||
|
||||
<p>"The gun, Jeannie," Ian managed to blurt. "For pity's sake, get
|
||||
the gun. Save yourself.</p>
|
||||
|
||||
<p>Morag came streaking in again, lips drawn back in a ferocious
|
||||
snarl. Joyce whipped the axe down and split her skull. The old dog
|
||||
dropped like a stone and flopped to the cobbles.</p>
|
||||
|
||||
<p>"Oh," Ian said again, in a sick expulsion of air.</p>
|
||||
|
||||
<p>Joyce walked towards him and Ian's eyes widened. Blood dripped
|
||||
from the hatchet. Jean tried to cry out but no sound came.</p>
|
||||
|
||||
<p>"Gun," her husband muttered, still thinking of her, even in the
|
||||
extremity.</p>
|
||||
|
||||
<p>She turned, apron flapping, skittered into the kitchen. She
|
||||
bolted through, feet pattering on the hard slate floor and into the
|
||||
hallway. The gun-rack stood against the door. She opened it and
|
||||
grabbed the double-barrelled twelve-bore, pulled it away from the
|
||||
wood panel at the back of the rack. She stopped dead.</p>
|
||||
|
||||
<p>The chain pulled taut on the trigger guard. The gun was
|
||||
padlocked in the rack beside its neighbour, an ancient Spanish
|
||||
birdgun that Ian had inherited from his father. He'd always kept it
|
||||
locked, since their son had been small, just in case of accidents,
|
||||
just in case young Ian wanted to play with the guns. It had become
|
||||
a habit.</p>
|
||||
|
||||
<p>The nausea came looping again. A slimy spittle coughed form her
|
||||
mouth and stained the wood. The chain rattled but it would not come
|
||||
loose.</p>
|
||||
|
||||
<p><em>Find the key. Find the key</em>. It was on Ian's chain. It
|
||||
would be in his pocket!</p>
|
||||
|
||||
<p>Jacket or trousers? She scampered back to the kitchen. His
|
||||
jacket was on the back of the chair. She grabbed it, shaking it for
|
||||
the sound of jangling keys. A boiled mint sweet rolled out and onto
|
||||
the floor. The keys were not there.</p>
|
||||
|
||||
<p><em>Must be in his overalls</em>. The realisation came in a
|
||||
shiver of cold.</p>
|
||||
|
||||
<p>She groped her way to the window again and brushed the curtain
|
||||
back slowly, suddenly absolutely terrified for her own life. She
|
||||
might yet get the keys. She could get them and get the gun and
|
||||
shoot him and get Ian on to the tractor and down to the hospital at
|
||||
Lochend. She stood on tiptoe and peered out.</p>
|
||||
|
||||
<p>Joyce was walking towards the byre, his whole body leaning
|
||||
forward. If she could get the gun, she'd shoot him in the back. He
|
||||
wouldn't even see her.</p>
|
||||
|
||||
<p>Joyce walked further, coming fully into view. He was dragging
|
||||
Ian by the foot. Her husband's shoe had come off and his sock had
|
||||
rolled down. The friction of the ground had pulled his overalls
|
||||
back and several inches of white leg showed. The man was dragging
|
||||
him along, leaving a slick trail of blood on the cobbles. Two of
|
||||
the terriers who had been exploring at the rabbit warren down by
|
||||
the coppice came snuffling into the yard. They reached the trail of
|
||||
blood and bent to sniff it. They whined, confused. Joyce did not
|
||||
stop. He dragged Ian McColl into the byre. Jean watched, listening
|
||||
to the dreadful scrape of wet material against the ground. Her
|
||||
husband's head bumped against the low step and he made a low
|
||||
sound.</p>
|
||||
|
||||
<p>He was still alive.</p>
|
||||
|
||||
<p>His red head disappeared into the shadow and that was the last
|
||||
she saw of him.</p>
|
||||
|
||||
<p>Jean stood frozen, unable to comprehend what had happened. The
|
||||
dizziness rolled inside her again and her vision faded once more.
|
||||
She held tight to the sink, gasping for breath and in a moment her
|
||||
lungs were pistoning uncontrollably in a sudden spasm of
|
||||
hyperventilation. She fell over the old sink, feeling the edge
|
||||
press against her chest, and the spasm passed.</p>
|
||||
|
||||
<p>The gun. She could get it now. Joyce was in the byre. She forced
|
||||
herself to move, got away from the sink and made it to the door.
|
||||
The axe was lying in the middle of the yard. She darted out into
|
||||
the bright day, bent and snatched it up. Her husband's blood
|
||||
trickled down the handle. Her feet were in a puddle of it but she
|
||||
couldn't think about that now. She knew he was alive. He'd be in
|
||||
dreadful pain, and he had lost so much blood, but he could still
|
||||
make it. She could still make him live if she could get the
|
||||
gun.</p>
|
||||
|
||||
<p>The scraping, dragging sound echoed out from the byre. She
|
||||
squirmed from it and backed into the kitchen, following her route
|
||||
again. She got to the gun cabinet and saw the black barrels of the
|
||||
twelve-bore leaning outwards. Without hesitation she chopped at the
|
||||
chain, trying to hit it against the heavy oak shelf. Wood
|
||||
splintered. Twice the axe bit into the base of the rack and she had
|
||||
to jack it back and forth, making it squeal to release it again.
|
||||
She swung hard, managing to bite down on the chain, but there was
|
||||
no effect. The force of the blow merely pressed the steel links
|
||||
into the wood.</p>
|
||||
|
||||
<p>Sobbing sore, she tried again and again, swinging the hatchet
|
||||
down as hard as she could.</p>
|
||||
|
||||
<p>Out in the yard, the terriers set up a frenzied yapping. Jean
|
||||
stopped swinging the axe and looked out through the front door.
|
||||
Joyce was walking fast, coming diagonally from the barn to the
|
||||
house, heading straight for her. In his hands he swung the old
|
||||
chopping axe, the one Ian used for the winter logs. Even in the
|
||||
height of her terror and desperation she realised she would have no
|
||||
chance against it. Instinctively she slammed the door and hit the
|
||||
deadlock snib. Both shotguns were now leaning out from the rack,
|
||||
black and deadly and completely useless. She ran down the hall,
|
||||
went through to the living room, changed her mind and came back
|
||||
again. A shadow loomed at the door, wavering at the other side of
|
||||
the frosted glass and then the whole pane crashed inwards. The
|
||||
man's hand came through, reaching for the Yale handle and found it
|
||||
snibbed shut. She didn't wait, but dashed back to the kitchen,
|
||||
right through to the back room and straight up the wooden
|
||||
stairs.</p>
|
||||
|
||||
<p>A ferocious crash followed her, followed by the hard slam of the
|
||||
front door against the wall. Jean didn't stop. She got through the
|
||||
bedroom and into her work room, where her ironing board and sewing
|
||||
machine were laid out almost side by side, close to the old radio
|
||||
beside the rocking chair where she used to sit and crochet while
|
||||
listening to the evening plays. The door had a heavy iron latch
|
||||
which she clicked home. In here, with the shutters closed, it was
|
||||
dark and warm. A chink of bright sunlight knifed through a crack in
|
||||
the old wood and slipped a blade of silver across the room. Dust
|
||||
motes danced in the light.</p>
|
||||
|
||||
<p>The muffled thud of the axe came pounding up from the hallway
|
||||
and she shivered. He would kill her. He had killed her husband
|
||||
without a thought, chopped him down like an animal. Her jittering
|
||||
mind screened a picture of Ian trying to get to his feet with both
|
||||
shoulders horribly slumped away from his neck and the sheen of
|
||||
blood silken on his shirt.</p>
|
||||
|
||||
<p>Down there, beyond the workroom door, beyond the bedroom and
|
||||
down the stairs, the crashing noise came again. Once, twice, then
|
||||
another two thuds. There was a silence that stretched for a long
|
||||
time. She cold hear her heart beating fast against her ribs and
|
||||
both her hands fluttered uncontrollably. She moved unsteadily to
|
||||
the window, trying to slow her breathing, to make it be quiet. On
|
||||
the dresser, sliced by the blade of light, her diary lay angled
|
||||
towards her.</p>
|
||||
|
||||
<p>She moved towards it and right at that moment a thunderous roar
|
||||
shook the walls. Joyce had the guns. He had got them out of the
|
||||
cabinet.</p>
|
||||
|
||||
<p>In that moment, she knew she was dead. He was going to kill her.
|
||||
She could not get away.</p>
|
||||
|
||||
<p>Jean McColl slowly reached for the book and slid it towards her.
|
||||
Out in the byre, Ian let out a loud and shuddering cry and her
|
||||
heart almost broke in two.</p>
|
||||
|
||||
<p>Down in the hallway, she could hear Joyce walking about, his
|
||||
feet crunching on the glass where the window had caved in. He would
|
||||
come looking for her, that she knew. There was no escape for her.
|
||||
Ian groaned again and she tried not to listen to it. She prayed
|
||||
with all her heart for it to be quick and then she sat in the
|
||||
corner and made her hand be steady.</p>
|
||||
|
||||
<p>She began to write quickly in her book.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
715
build/darkvalley/OEBPS/020.xhtml
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build/darkvalley/OEBPS/020.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>20</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>20</h1>
|
||||
|
||||
<p><em>August 2. 11.30am.</em></p>
|
||||
|
||||
<p>"It's like the moon," Tom whispered. The breeze over the high
|
||||
ridge of the moor snatched his awe-struck words and carried them
|
||||
away. The others stood on the long edge of tussock grass looking
|
||||
down at the wide and barren basin of the heathland that seemed to
|
||||
stretch to the horizon. It was pock-marked and pitted with craters
|
||||
that really did give it a blasted lunar aspect. The black water in
|
||||
the depressions, each one ringed by a tumulus of heaved-up earth,
|
||||
made the craters seem like bottomless pits.</p>
|
||||
|
||||
<p>"Christ on a bike," Billy said, his voice reduced to a
|
||||
marvelling whisper. He stood up on a thick mound of peat and
|
||||
scanned left and right. "It goes on forever."</p>
|
||||
|
||||
<p>It was the eeriest, most spectacular sight any of them had ever
|
||||
seen. The basin of the moor swept down from where they stood on the
|
||||
rim. Fifty yards away, a rusted chain-link fence suspended betwen
|
||||
concrete posts that angled over, listing like wounded sentries,
|
||||
caught the wind and made it moan, adding to the sense of desolation
|
||||
and old destruction.</p>
|
||||
|
||||
<p>Far across the moor, maybe a mile off, but probably more, only
|
||||
the roofs of a clutter of shacks and shanties were visible beyond a
|
||||
lower ridge.</p>
|
||||
|
||||
<p>It had been further than they had thought, at least five miles
|
||||
up into the hills from the camp. They'd walked since early morning
|
||||
after a breakfast of cornflakes and slices of bread toasted black
|
||||
over the flames. Doug had woken first and had disturbed them all in
|
||||
his scramble to get out of the tent, twanging the guy ropes and
|
||||
almost collapsing the canvas on top of the others.</p>
|
||||
|
||||
<p>The fire had still been smouldering and it only took a handful
|
||||
of dry bracken and twigs to get the flames flickering and in no
|
||||
time at all the pinewood was crackling hot. They huddled around the
|
||||
campfire in the cool of the morning, drawing the heat into
|
||||
themselves and watching the magic transformation as the rising sun
|
||||
began to burn a fine valley mist away.</p>
|
||||
|
||||
<p>"We heard something last night," Corky said. "Sounded like
|
||||
somebody walking."</p>
|
||||
|
||||
<p>"It was like the sound you get if you walk over a racine rat's
|
||||
burrow," Danny confirmed although he hadn't actually heard that.
|
||||
Billy grinned.</p>
|
||||
|
||||
<p>"Oh, I'm really scared. Terrified even. You should have woke me
|
||||
up so I could have trembled all night."</p>
|
||||
|
||||
<p>"You were scared enough in the dark," Doug derided.</p>
|
||||
|
||||
<p>"It's true." Corky insisted. "Probably a cow, though. Just as
|
||||
long as it doesn't barge intp the tent when we're sleeping. We'd be
|
||||
flat as pancakes in the morning."</p>
|
||||
|
||||
<p>"Maybe it wasn't a cow," Tom said, still shivering in the cool
|
||||
of the morning. "I told you I saw a man when we were collecting
|
||||
firewood. I think there was somebody watching us."</p>
|
||||
|
||||
<p>"Bunch of pussies," Billy said. He went down to the stream with
|
||||
his mug and threw the dregs of his tea out into the stream. He
|
||||
turned and was about to come back up to the campfire when he
|
||||
stopped so suddenly that Doug and Danny noticed immediately. They
|
||||
asked him what was wrong. Billy crouched down and the others came
|
||||
sauntering over to the stream, expecting some silly joke.</p>
|
||||
|
||||
<p>"Was this here last night?" Billy asked. He was hunkered on the
|
||||
gravel, inspecting a wide footprint impressed deep into the
|
||||
surface. They could see the clear zigzag of heavy duty cleats. Doug
|
||||
bent down beside him.</p>
|
||||
|
||||
<p>"I don't think so. I think we would have noticed."</p>
|
||||
|
||||
<p>"Somebody's playing silly baskits," Billy said. He stood up and
|
||||
then stamped his foot down beside the print. His own baseball boot
|
||||
made only a slight indentation, hardly two thirds the size of the
|
||||
original print.</p>
|
||||
|
||||
<p>"Can't be us," Corky said. "You've got the biggest feet. And
|
||||
it's nowhere near that size."</p>
|
||||
|
||||
<p>"Did you draw this?" Billy asked Danny. "Did you fool around
|
||||
here and make this look like a footprint?"</p>
|
||||
|
||||
<p>"Don't be daft. It's the real thing." Danny came down the bank
|
||||
and got down on his knees. "But it looks old to me. Nobody's been
|
||||
up here in a long time, and it hasn't rained in a while. It's
|
||||
probably been there for weeks. Your boot hardly made a mark and
|
||||
this one's pretty deep. It must have been here before we came."</p>
|
||||
|
||||
<p>Danny wasn't sure of that, but he preferred to believe it, and
|
||||
the shale was hard-packed and fairly dry. The print could have been
|
||||
there a long time, since the last time it rained, sometime back in
|
||||
July. He didn't want to think of anybody passing through their camp
|
||||
in the middle of the night. He remembered Corky poking his head out
|
||||
of the flap. There had been a sound, a hollow thud.</p>
|
||||
|
||||
<p>And then a branch had snapped.</p>
|
||||
|
||||
<p>If it had been somebody, they wouldn't have made so much noise,
|
||||
Danny told himself, rationalising it out. It must have been a cow
|
||||
wandering among the trees.</p>
|
||||
|
||||
<p>"Yea, that's days old," he said, now near enough convinced.
|
||||
"Weeks even. There's nobody around here. Nobody daft enough to come
|
||||
all this way up the hill."</p>
|
||||
|
||||
<p>But Tom and Doug seemed less convinced. They were looking round
|
||||
warily, scanning the trees. Nothing moved. Far off in the distance,
|
||||
way down the valley where they knew Blackwood Farm was, a cockerel
|
||||
welcomed the day. Danny flapped his elbows and did a little strut,
|
||||
coaxing a grin from Doug and they all sat down again. They waited
|
||||
by the fire, toasting more bread on the ends of their sticks while
|
||||
they finished their tea, and then they started off on the trek.
|
||||
They followed the Blackwood Stream ever upwards, over narrow falls
|
||||
and through narrower gorges, up onto the high moor where the water
|
||||
cut its way through deep peat deposits and sometimes disappeared
|
||||
altogether under the thick cover of purple heather. Up at this
|
||||
height, the air was colder and a wind blew in from the west so that
|
||||
when they stopped walking, it dried their sweat on their backs and
|
||||
despite the power of the sun in a clear blue sky, it made them
|
||||
shiver.</p>
|
||||
|
||||
<p>The stream had become a rivulet, dwindled to a trickle and then
|
||||
they were beyond it, right at the source, into the damp bog
|
||||
draining the high moor where the clumps of sphagnum moss sank under
|
||||
their feet in soft sponges of marsh. Clusters of papery reed-moths
|
||||
flew up with every step and marshy gas bubbles gurgled and burst in
|
||||
stenchy little explosions. It had been slow going here, crossing
|
||||
the boggy land, sometimes sinking up to their knees and sometimes
|
||||
further than that in the stagnant pools where the mud was oozing
|
||||
and liquid. Corky told them he'd read in National Geographic, of a
|
||||
man's body found in a bog, preserved by the peat for thousands of
|
||||
years, still with the hair on his head and the leather tunic on his
|
||||
back.</p>
|
||||
|
||||
<p>"That's what the smell is," Billy said. "It would make you
|
||||
puke."</p>
|
||||
|
||||
<p>"You think there's bodies here?" Doug asked. Corky nodded.</p>
|
||||
|
||||
<p>"Sure. Dozens of them. They used to have battles up here.
|
||||
William Wallace and Rob Roy McGregor. All the clans in their kilts
|
||||
and claymores.</p>
|
||||
|
||||
<p>"Isn't that a land mine?" Billy wanted to know. "A
|
||||
claymore?"</p>
|
||||
|
||||
<p>"No, it's a sword," Corky explained patiently. "Used to hack
|
||||
each other to pieces. We're probably walking over the skeletons
|
||||
right now. They'll be lying down there all rotted and grunged up
|
||||
like something out of the Twilight Zone." He twisted his face into
|
||||
an approximation of a skeleton and curled his fingers into hooks.
|
||||
It looked not unlike Dougie's imitation of the creature from the
|
||||
Black Lagoon on the day they'd first thought of the expedition to
|
||||
find the Dummy Village.</p>
|
||||
|
||||
<p>Tom hauled himself out of a sinking hole and clambered onto a
|
||||
grassy mound that could take his weight. He had taken off his
|
||||
canvas shoes and had them hanging by the laces round his neck.
|
||||
"That's horrible," he said. "What if we stand on one?"</p>
|
||||
|
||||
<p>"It'll probably bite your toe off." Corky said matter of factly.
|
||||
Tom stayed up on the tussock, wobbling for balance, arms
|
||||
outstretched.</p>
|
||||
|
||||
<p>"Then spit it out again when it finds out its your stinky ol'
|
||||
foot," Doug chipped in, grinning his big-toothed smile, but careful
|
||||
to avoid placing his own feet in the muddy holes. They seemed to go
|
||||
down forever and up at this height, they probably sank for thirty
|
||||
feet.</p>
|
||||
|
||||
<p>Tom leapt from the mound to another, nimbly landing and swaying
|
||||
for balance as it shuddered under his feet. He jumped to the next,
|
||||
lost his footing and fell to the third one, landing on his belly.
|
||||
Billy dipped, quick as a cat, snatched a wet handful of moss and
|
||||
mud in his hand, then grabbed Tom's ankle. The small boy felt the
|
||||
cold, clammy grip and let out a howl of fright. He kicked
|
||||
backwards, landing his foot in the pit of Billy's belly. Billy
|
||||
gasped and stumbled backwards, stepped into a dip and his foot went
|
||||
right through the mossy covering into a slick swampy hole. His foot
|
||||
snagged on a buried root and for a moment he imagined bony fingers
|
||||
clawing on to <em>his</em> ankle. Without any hesitation at all, he
|
||||
heaved himself right out again before he fell on his face.</p>
|
||||
|
||||
<p>"I'll get you for that," he bawled hoarsely at Tom who had
|
||||
rolled over the mound and reached a thin strip of firmer
|
||||
ground.</p>
|
||||
|
||||
<p>"You and whose army?" Tom called back. Billy lumbered after him
|
||||
but for once the small boy had the weight advantage. Billy's feet
|
||||
kept sinking below the surface matting and all around him the
|
||||
floating marsh wobbled and shivered in his wake. The legs of his
|
||||
jeans were black with peaty mud.</p>
|
||||
|
||||
<p>"The creature from the black lagoon," Doug jeered. "Except
|
||||
uglier. And fatter."</p>
|
||||
|
||||
<p>"Piss off Nicol," Billy rasped. He clambered awkwardly over a
|
||||
mound of moss. "I'll get that little shit." He reached under his
|
||||
tee-shirt and pulled the pistol from his waist band.</p>
|
||||
|
||||
<p>Tom had made it to the solid ground and was fifty yards away
|
||||
while Billy was still floundering. The rest of them laughed at the
|
||||
blundering pursuit, and that only made Billy angrier. He struggled
|
||||
out of the marsh, breathing heavily and stopped to get his wind.
|
||||
Tom was half-way up the slope towards the ridge jumping up and
|
||||
down, taunting. His high voice carried down the hill. Billy raised
|
||||
the airgun and cocked the spring. He took aim.</p>
|
||||
|
||||
<p>"Christ Billy, don't..." Doug started to protest. Billy fired
|
||||
but Tom was too far away and the pellet travelled only forty yards
|
||||
before hitting the ground. Tom jumped up and down, jeering, and the
|
||||
others laughed raucously. By the time they reached the top of the
|
||||
ridge, Billy's quick anger had evaporated and his jeans were almost
|
||||
dry, though now caked with the black mud.</p>
|
||||
|
||||
<p>They stopped there, and below them the heathery lip of the wide
|
||||
depression, the pocked moonscape stretched out towards the low
|
||||
horizon in a swathe of broken landscape.</p>
|
||||
|
||||
<p>"We found it," Corky said. He pointed across the wide basin.
|
||||
"The Dummy Village." The way he said it gave the words capitals. "I
|
||||
never really believed it was there. I thought it was just a story
|
||||
somebody made up."</p>
|
||||
|
||||
<p>"I <em>always</em> knew," Billy said.</p>
|
||||
|
||||
<p>"You always <em>would</em>," Doug observed drily.</p>
|
||||
|
||||
<p>The craters dotted the whole of the plain, some of them solitary
|
||||
and isolated and others so closely packed that their embankments
|
||||
merged and gave them different shapes. The larger ones were deep
|
||||
and dark while those on the slope nearest them seemed shallower, as
|
||||
if the earth itself hadn't been deep enough. These were fringed in
|
||||
dark green reeds and choked with duckweed and algae. They stretched
|
||||
northward as far as the eye could see.</p>
|
||||
|
||||
<p>"The plan must have worked," Billy said. "Look at all those bomb
|
||||
holes. Must have dropped thousands of them up here. Millions. Bet
|
||||
the old Jerries were sick as pigs when they heard they'd all missed
|
||||
their targets." He put two fingers across his lip and made a mock
|
||||
nazi salute. "<em>Shweinhund dirty Brittischers</em>" he screeched
|
||||
in a commando comic German accent, making them all laugh.</p>
|
||||
|
||||
<p>He held his stick up like a rifle and aimed it at the sky,
|
||||
making hawking sounds at the back of his throat as if he was firing
|
||||
a machine gun. "They should have had anti-aircraft guns up here to
|
||||
blast them when came. That would have been great fun. You couldn't
|
||||
have missed from up here."</p>
|
||||
|
||||
<p>"I wouldn't like to have been here when they were dropping all
|
||||
that," Doug said. "You'd have been blown to pieces."</p>
|
||||
|
||||
<p>"I didn't think it really existed," Corky said, wonderingly.
|
||||
"Honestly I didn't. Not <em>really</em>. I thought it was just a
|
||||
story." Danny nodded in agreement and wonderment. He hadn't truly
|
||||
believed in the Dummy Village, but he'd <em>wanted</em> to believe.
|
||||
It was part of the schoolyard legends, like old Miss Dorrian who'd
|
||||
died of a stroke in Castlebank Primary school and now walked the
|
||||
empty corridors at night. It was like the tales of Cairn House, the
|
||||
oldest building in town, where a girl had once seen a white and
|
||||
bloodless face floating outside the window twenty feet above the
|
||||
ground, and where Mole Hopkirk had been found with the nails still
|
||||
growing on his dead fingers. The Dummy Village had as much
|
||||
substance as the three little girls who'd been playing skipping
|
||||
ropes and were killed down on Crossburn Street before the war when
|
||||
a cart horse had bolted and the overturned flatbed had crushed them
|
||||
against the wall. People said that when the mist came off the
|
||||
swampy lowland of the Rough Drain on Halloween night, you could
|
||||
hear them chanting their schoolyard rhymes as they skipped on
|
||||
through the night.</p>
|
||||
|
||||
<p>The Dummy Village, the decoy target for the wartime bombers had
|
||||
not been truly real, though it <em>should</em> have been. Now it
|
||||
was indeed real. They had trudged up the length of the Blackwood
|
||||
Stream, right up to its marshy source and clambered through the
|
||||
swamp of the bog and in the heat of the sun they'd slogged up the
|
||||
hill to a ridge miles from the town where the air was clear and
|
||||
there was no sound but the mewling of lapwings and the warbling
|
||||
song of lark rising into the blue.</p>
|
||||
|
||||
<p>It was here. A dilapidated <em>Shangri-la</em> on the far side
|
||||
of the low ridge in a wild moonscape.</p>
|
||||
|
||||
<p>"And we're the first," Danny said. " Nobody's ever been here
|
||||
before. Maybe not since the war."</p>
|
||||
|
||||
<p>Far overhead, a buzzard wheeled on broad wings, circling on the
|
||||
clear air. Its plaintive cry came down from the height.</p>
|
||||
|
||||
<p>And the boys started walking down the hill, towards the craters
|
||||
and the clutter of buildings.</p>
|
||||
|
||||
<p>Before the first of the pot-holes, the chain-link fence, red
|
||||
with rust at the places where the concrete stanchions stood upright
|
||||
caught the wind and moaned muted protest. At other places, the
|
||||
poles had sunk or listed into the peat and the wire was ripped and
|
||||
jagged, some of it flat on the ground with thick grass stalks
|
||||
growing through. On the periphery, tangles of stinging nettles
|
||||
swayed in the breeze. A square metal signpost with its sign
|
||||
obliterated by rust hung from a pillar, pock-marked with bullet
|
||||
holes that Billy claimed was from a soldier's Lee Enfield but which
|
||||
looked just like straight .22 shot to the others. Further along,
|
||||
once they had clambered through the defunct barrier, Tom found
|
||||
another sign, this one angled into the ground. Wind and rain had
|
||||
peeled back the paint on the side which had braved the elements,
|
||||
while a triangle of dirty red corrosion showed where it had been
|
||||
angled under the turf. The red mark eliminated the first letter of
|
||||
the warning.</p>
|
||||
|
||||
<p><em>ANGER!</em></p>
|
||||
|
||||
<p>the rest of the word warned. For some reason it seemed apt up
|
||||
here in this forgotten monument to the fury. Danny felt that shiver
|
||||
of foreboding again, although they could all fill in the missing
|
||||
letter.</p>
|
||||
|
||||
<p>"What do you think the danger is?" Tom asked.</p>
|
||||
|
||||
<p>"It's been up here since the war," Billy said. "It was the bombs
|
||||
coming down. It was to let everybody to know that if they stayed
|
||||
here they'd get bombed to pieces. Simple."</p>
|
||||
|
||||
<p>"I think it's the craters, telling people to stay away from
|
||||
them," Doug said. "Some of them must be pretty deep. If you fell in
|
||||
there they'd never find you again."</p>
|
||||
|
||||
<p>Tom let the ragged sheet of metal drop. It stuck back in the
|
||||
peaty turf again. They went on down, past the first of two shallow
|
||||
craters where dragonflies helicoptered out from the choking reeds.
|
||||
Beyond that, a large single hole, almost perfectly round, was bare
|
||||
of weeds. The water inside was black and there was a shimmering
|
||||
dirty iridescence of oil on the surface close to where the boys
|
||||
passed, giving it a poisonous, somehow evil aspect. They couldn't
|
||||
tell how deep it was.</p>
|
||||
|
||||
<p>At the next one, an oval pool caused by the close detonation of
|
||||
two wartime bombs, Doug spotted a boot lying upside down in a patch
|
||||
of reeds, its sole peeled away from the upper like an opening jaw.
|
||||
Billy stretched with his stick to haul it out of the thick
|
||||
growth.</p>
|
||||
|
||||
<p>"What if there's a foot in it?" Doug asked, with a snort of
|
||||
laughter. "Like the one in the quarry?"</p>
|
||||
|
||||
<p>Billy ignored him and brought the old boot to the edge. He
|
||||
up-ended it and they watched a sludge of water and algae gurgle
|
||||
out. Something black and many-legged wriggled in the flow and made
|
||||
it to the pool before Billy could hit it with his stave.</p>
|
||||
|
||||
<p>"If there was a foot in it, you'd have filled your pants," Doug
|
||||
said. Billy didn't bother to deny it. If there had been a foot in
|
||||
it, they'd all have run, yelling in fear, down the hill and back to
|
||||
camp.</p>
|
||||
|
||||
<p>Corky and Danny had moved on together, in a hurry to get to the
|
||||
huddle of buildings. They were half-way down the basin, though for
|
||||
some reason, the shanty town seemed no nearer. The others caught up
|
||||
with them and they trudged over the ridges and heaped earth where
|
||||
the old explosions had thrown up peat and boulders. Billy kept up a
|
||||
running commentary about the kind of planes that would have flown
|
||||
overhead and the bombs that would have rained down and the noise
|
||||
and the thunder and the excitement of it all.</p>
|
||||
|
||||
<p>They skirted another crater where Doug probed with his ash
|
||||
sapling and got a foetid and oily bubble of marsh gas for his
|
||||
pains. Here, another boot, identical to the first, was jammed
|
||||
against a plank of wood.</p>
|
||||
|
||||
<p>"Maybe somebody fell in," Tom suggested.</p>
|
||||
|
||||
<p>"Maybe it was somebody got bombed," Corky said. "Like a poacher.
|
||||
Or a shepherd up here all alone at night just minding his own
|
||||
business. Stuck here on his own in bad weather and he sees the
|
||||
Dummy Village and thinks 'there's a good place to shelter'. Maybe
|
||||
he sneaked inside and thought he was safe out of the rain and the
|
||||
snow. Probably a thunderstorm, with lightning all over the place
|
||||
and thunder. He was probably glad of the shelter and he's sitting
|
||||
there trying to stay warm and then <em>WHUMP....</em> before he
|
||||
knows it he's been blown right out of his boots."</p>
|
||||
|
||||
<p>"You really think that's what happened?" Billy asked, his face
|
||||
alight. "You reckon it blew him right out of them."</p>
|
||||
|
||||
<p>"No," Corky said. "Look at it. The sole's got a big hole in it.
|
||||
Somebody just threw them away."</p>
|
||||
|
||||
<p>Billy's excited expression collapsed into disappointment.</p>
|
||||
|
||||
<p>"But it was a good story," Corky said, and they all laughed. But
|
||||
as they moved away, Tom looked nervously over his shoulder just in
|
||||
case it <em>hadn't</em> been an old boot.</p>
|
||||
|
||||
<p>They got over the next small ridge and into the wide depression.
|
||||
There was another perimeter fence here, most of it rusted to pieces
|
||||
and there were sections where rolls of barbed wire, the kind Billy
|
||||
insisted had been used to snag prisoners of war, had been laid in
|
||||
long tangled cylinders. They followed it for fifty yards to find an
|
||||
opening, testing the rolls for breaks. In one of the tangles, a
|
||||
dead fox, its fur and most of the flesh rotted away, had been
|
||||
snared by the coils. Its frozen snarl of clenched teeth was still
|
||||
ferocious. Further on they came across the whitened skull of a ram
|
||||
which had suffered the same fate. The rest of the carcass was long
|
||||
gone, picked cleaned scattered by scavengers. The skull was pure
|
||||
bone and it bore a massive ridged pair of curled horns. Billy
|
||||
hooked it out of the wire and tried to set it up on his stick like
|
||||
a trophy. When they found a way through the fence he led them like
|
||||
a standard bearer with the skull held aloft as they finally strode
|
||||
in to the Dummy Village.</p>
|
||||
|
||||
<p>A flock of rooks watched them, huddled together like black
|
||||
vultures on a roof down the centre way. The five boys walked warily
|
||||
between the first of the buildings and the birds sat silent, all
|
||||
their heads turned to watch the approach. There was more than a
|
||||
dozen of them, squat and shiny black and somehow dangerous. Doug
|
||||
raised his stick and made <em>ack-ack</em> noises and the birds
|
||||
flew off in a clatter of wings and a protest of cawing. They
|
||||
swooped low, close to the tangled moor-grass and then rose over the
|
||||
nearby roof, gaining height until they reached a thick wire that
|
||||
bellied in a curve between two canted poles. They alighted on the
|
||||
wire in a flutter and settled down to observe the intrusion like
|
||||
wary guards in black uniforms.</p>
|
||||
|
||||
<p>"That's really creepy," Doug muttered, keeping his voice low.
|
||||
They had wandered through the gap between two buildings and could
|
||||
see down the centre way. For some reason the dereliction and
|
||||
isolation of the place hushed them to near silence. "Just like
|
||||
<em>The Birds</em>."</p>
|
||||
|
||||
<p>"You're too young to get in to see that," Billy argued.</p>
|
||||
|
||||
<p>"Me and Danny sneaked in at the intermission, didn't we Dan?</p>
|
||||
|
||||
<p>Danny nodded agreement. He was looking at the line of crows,
|
||||
black in colour, but now even blacker, silhouetted against the sky.
|
||||
He couldn't see their eyes and that made them seem as if they were
|
||||
blind, but he could sense their gaze. They huddled like judges
|
||||
deliberating on a sentence and he recalled the heron's fall and its
|
||||
broken, graceless ending.</p>
|
||||
|
||||
<p>"Scared the bejeesus out of me, I don't mind tellin' you," Doug
|
||||
said. "They were all sitting just like that, waiting to come down
|
||||
and peck people's eyes out." Danny agreed with that. The film had
|
||||
been disturbing, nature inverted and distorted and out of control.
|
||||
That night, as he lay in the dark he had wished he hadn't sneaked
|
||||
in to the old Regal picture house.</p>
|
||||
|
||||
<p>Corky found a rusted bolt in a pile of broken slabs. He lobbed
|
||||
it at the crows and they took off again, winging to the far end of
|
||||
the compound, settled on a roof and sat to wait once more.</p>
|
||||
|
||||
<p>The place was eerie. For a moment, when the crows had settled
|
||||
there was a pause of silence where nothing seemed to move and the
|
||||
wind dropped to a sudden stillness. They were in a ghost town. It
|
||||
was the only way to describe it. They stood there, five small
|
||||
gunslingers at the end of the derelict main street where the couch
|
||||
grass and rough reeds poked their way up from a gravel-bed road.
|
||||
The line of wooden shacks, grey with age and sagging under the
|
||||
weight of neglect angled in a straight line, dwindling in dismal
|
||||
perspective for several hundred yards. The corrugated iron roofs,
|
||||
intact on only a handful of them, were red with rust and peppered
|
||||
with holes where blasted stones had punched through. Others leaned
|
||||
into deep depressions where the ground had subsided, still others
|
||||
were tumbled and crumpled as if a giant hand had smashed them
|
||||
flat.</p>
|
||||
|
||||
<p>The place was eerie, a dead and decaying village, broken and
|
||||
picked clean like the ram's skull. It was creepy and shadowed. But
|
||||
it was magnificent in its desolation. They stood there abreast,
|
||||
Danny leaning on his stick, Doug in his string vest, his slingshot
|
||||
loose in his hand, Billy hip-shot in his mud-caked jeans, Corky
|
||||
with a thumb hooked on his belt, a casual arm around Tom's thin
|
||||
shoulders.</p>
|
||||
|
||||
<p>"Magic," Billy said, and for once he was right.</p>
|
||||
|
||||
<p>Just at that moment, the wind picked up and moaned through the
|
||||
wire. A metal tin clanked against a post like a tuneless bell and a
|
||||
piece of twisted galvanised sheet creaked in protest. The Dummy
|
||||
Village came alive again. Two swallows came darting in on
|
||||
flickering wings and swooped under a mouldering lintel. The faint
|
||||
twitter of squalling fledglings came from inside. A stream of gold
|
||||
wasps flew busily between two spars to a massive globe of papery
|
||||
nest suspended under a sagging grey eave.</p>
|
||||
|
||||
<p>"I never thought it would be so big," Doug said. "It's like a
|
||||
Dummy flaming <em>city.</em>" They started walking down the
|
||||
overgrown street until they reached an intact building with a
|
||||
gaping doorway. They went inside. The place smelled of oil and rust
|
||||
and of age. The floorboards creaked threateningly under their
|
||||
weight and the whole building seemed to shudder as the five of them
|
||||
crept inside. An old cobwebbed box lay in a corner and immediately
|
||||
Billy bent down to try the lid.</p>
|
||||
|
||||
<p>"It's an ammo box. Just like in the war," he said. The lid
|
||||
hauled up surprisingly easily. Inside, among a tatter of shredded
|
||||
wood, a vole squeaked and darted out through a gaping hole in the
|
||||
bottom. Billy tried to catch it but it disappeared under the
|
||||
sagging floorboards. Tom and Danny went outside and crossed the
|
||||
road to go into another shack. From the front, it looked almost
|
||||
intact, but once inside they could see that the whole of the back
|
||||
had fallen away into a pile of grey, rotting wood. Even the
|
||||
floorboards had disintegrated. Beyond the walls another row of
|
||||
buildings stood gaunt and crumpled. There was a space where a bomb
|
||||
had blasted a hole in the ground and the neighbouring shacks were
|
||||
smothered under the debris of turf and rocks.</p>
|
||||
|
||||
<p>The others joined them.</p>
|
||||
|
||||
<p>"Must have been really great," Billy said. He pulled the airgun
|
||||
out and aimed it at the sky the way he had done with his stick.
|
||||
"They must have come in low, over the top of the hills. You could
|
||||
have picked them off one by one. My old man was a gunner during the
|
||||
war." He cocked the gun, fired it and they watched the pellet climb
|
||||
into the air, hardly faster than a thrown rock. He re-loaded.</p>
|
||||
|
||||
<p>"Your old man must have been John flippin' Wayne," Doug snorted.
|
||||
"He was in everything except the town's brass band."</p>
|
||||
|
||||
<p>"What't that supposed to mean?" Billy demanded, rounding on
|
||||
Doug. "And what did your Dad do? Eh? Tell me that
|
||||
<em>Bugs</em>!"</p>
|
||||
|
||||
<p>"Jeez, would you grow up?" Doug said. "All we ever get is your
|
||||
old man and how he won the flippin' war." He turned away.</p>
|
||||
|
||||
<p>"Just what does that mean? " Billy bawled at Doug's back. "Come
|
||||
on! Buck-toothed <em>baskit</em>."</p>
|
||||
|
||||
<p>Doug spun round. He jabbed his hand up to his temple and tapped
|
||||
hard. "Think about it."</p>
|
||||
|
||||
<p>"Come on Doug. Leave it." Corky tried to defuse them.</p>
|
||||
|
||||
<p>"Leave what?" Billy wanted to know. Danny looked at Tom who
|
||||
looked back, trying to keep his face non committal. "What's Bugs
|
||||
bloody Bunny talking about?"</p>
|
||||
|
||||
<p>"Nothing," Doug said. He turned away again, feigning disinterest
|
||||
though the others could see the stiffness in his bony
|
||||
shoulders.</p>
|
||||
|
||||
<p>"No. It's not <em>nothing</em>. You're having a go at me, taking
|
||||
the mick." Billy's face was reddening. Corky tried again.</p>
|
||||
|
||||
<p>"Give it a break you guys," he said, cajoling. "We never came up
|
||||
here to fight. Come on." He looked from one to the other. "How
|
||||
about it?"</p>
|
||||
|
||||
<p>Doug shrugged. "Well tell him not to call me Bugs."</p>
|
||||
|
||||
<p>"Don't call him Bugs," Corky said to Billy, putting a laugh into
|
||||
his voice. Danny caught it and giggled.</p>
|
||||
|
||||
<p>"Or <em>Lugs</em>," Dougie insisted.</p>
|
||||
|
||||
<p>"Or Lugs then," Billy said. The tension drained away.</p>
|
||||
|
||||
<p>"Or Bugsylugs."</p>
|
||||
|
||||
<p>"That as well," Billy conceded. He grinned and the tension
|
||||
evaporated. Billy stuck his hand out and Doug shook it, both of
|
||||
them looking sheepish, simple as that, and it was over. Tom and
|
||||
Danny ambled away. They went down the street. Tom went through one
|
||||
of the decrepit shacks and out to the far side where the peat was
|
||||
ridges and grooved in gaping black slashes where the land had
|
||||
subsided. Danny found another swallow's nest, just a little cup of
|
||||
hard mud set against a beam. He got up onto an old oil drum to peer
|
||||
in and saw the gaping yellow beaks of the baby birds as they
|
||||
demanded food. Corky was in the hut opposite. He came out with an
|
||||
old beer-bottle. He set it up on a piece of angled iron and
|
||||
searched about for stones to pitch at it. Doug leaned in through
|
||||
the window of the next shack down, his skinny backside poking out.
|
||||
Corky couldn't resist it. He drew back the elastic and let fly. The
|
||||
small pebble spanged off Doug's buttock. He jerked, let out a yell,
|
||||
and toppled inside with a crash of splintering wood.</p>
|
||||
|
||||
<p>They heard him yell some more, while Corky and Billy rolled
|
||||
about, unable to control their laughter, and when he came out he
|
||||
was grey with dust.</p>
|
||||
|
||||
<p>"Who did that?" he demanded truculently. "Put me through the
|
||||
flamin' floor."</p>
|
||||
|
||||
<p>Corky tried to stand up, failed and sank to his knees in
|
||||
uncontrollable laughter.</p>
|
||||
|
||||
<p>"Was that you, Harrison?" Doug wanted to know.</p>
|
||||
|
||||
<p>Billy shook his head. "Honest, I never did a thing. Swear
|
||||
to...." his eyes opened wide. Danny and Tom were coming round the
|
||||
side of the building with something big and heavy weighed in their
|
||||
hands. "<em>Jeeesus kee-flamin'-rist</em> where did you get
|
||||
that?"</p>
|
||||
|
||||
<p>The two boys grunted as they lifted up the long brown, rusted
|
||||
thing, straining to get it to waist height. The four metal flight
|
||||
flanges stuck up like black fins where the end narrowed. A hex nut
|
||||
protruded from the blunt front end.</p>
|
||||
|
||||
<p>"It's a bomb," Tom said proudly. "We found it. And there's more
|
||||
of them."</p>
|
||||
|
||||
<p>Doug forgot the sting in his backside. Danny and Tom laid the
|
||||
bomb down gently on the turf. There was no mistake. It really
|
||||
<em>was</em> a bomb. It was more than two feet long and heavy
|
||||
enough to indent the ground. The flight blades at the tail were
|
||||
pitted with rust but there was a dark, wet patch close to the nose
|
||||
that still had a skin of paint on it. Some light-coloured letters
|
||||
in stencil form were barely visible.</p>
|
||||
|
||||
<p>"Is it a Jerry bomb? Or a Jap?" Billy asked, a-jitter with
|
||||
sudden excitement. War and the tools of war were a constant
|
||||
fascination to him. Proximity to a bomb from the war was just about
|
||||
the biggest thing that had happened to him so far. "Will it still
|
||||
work?"</p>
|
||||
|
||||
<p>They all stood around the thing. It was old and rusted at the
|
||||
back but it still looked somehow deadly, like a drowsy adder in the
|
||||
grass that should best be left undisturbed.</p>
|
||||
|
||||
<p>"It's probably worth a fortune," Doug said. "Maybe we could sell
|
||||
it."</p>
|
||||
|
||||
<p>"There's more of them," Tom said again. "They're stuck into the
|
||||
ground out there." He gestured with his arm. "The peat must have
|
||||
fallen away." Corky nudged the thing with his foot, trying to turn
|
||||
it over. It rolled slowly.</p>
|
||||
|
||||
<p>"Imagine that. Must have been a dud," Billy said.</p>
|
||||
|
||||
<p>"Might not be," Doug countered. "Remember that one up in the
|
||||
reservoir? Broke all the windows at the top end of Corrieside? That
|
||||
just hadn't gone off. It was still <em>alive</em>. Blew a rock
|
||||
right through McFarlane's barn roof, so it did."</p>
|
||||
|
||||
<p>"Maybe this one could go off," Billy said. He kicked the side of
|
||||
the thing and gave a loud yell like an explosion. Everybody jumped
|
||||
as if they'd been stung.</p>
|
||||
|
||||
<p>"Hells bells Billy," Corky said. "You scared the life out of
|
||||
me."</p>
|
||||
|
||||
<p>"Smell it? He's standing in it," Billy said knuckling Corky on
|
||||
the shoulder. "You're losing your nerve pal." Corky just grinned,
|
||||
not taking offence.</p>
|
||||
|
||||
<p>They followed Tom and Danny round the side of the building to
|
||||
where the land sloped away in a profusion of trenches and craters.
|
||||
All of the ground here seemed to be fissured and turned over. A
|
||||
jagged crack a hundred yards long in the peat showed where the
|
||||
summer's lack of rainfall had made it shrink and split, ten feet
|
||||
deep in places and just as wide. It was here that the bombs showed,
|
||||
sticking out from the soft earth of the sides of the small chasm.
|
||||
There were three of them, each maybe forty feet apart, all at the
|
||||
same angle. They had obviously gone into the ground, punching
|
||||
through the soft deposit when the surface had been wet and boggy.
|
||||
Further along, all that remained of another two bombs were their
|
||||
tail-flights. Doug hooked them out of the pit with his stick and
|
||||
tied them to the wood like a trophy. The others hauled the
|
||||
remaining bombs out.</p>
|
||||
|
||||
<p>"Can we take them back?" Billy asked. "A couple of them?"</p>
|
||||
|
||||
<p>"Sure. It's a long way," Danny said, "but we can strap them to a
|
||||
plank and take shots each at carrying them."</p>
|
||||
|
||||
<p>"Let's do it," Billy said. "We can make them work. We could blow
|
||||
half the valley to smithereens."</p>
|
||||
|
||||
<p>They spent the whole afternoon exploring the ruins. Tom found
|
||||
another sign with some lettering that was indecipherable but might
|
||||
have said that the land was a target area and that led to another
|
||||
discussion which led to another argument over whether it was a
|
||||
decoy site or merely a bombing range. They all preferred the decoy
|
||||
version and Tom slung the sign away, ending the argument with
|
||||
stunning logic. They searched every shack for more bombs or
|
||||
bullets. Billy was convinced there might be a gun left behind under
|
||||
floorboards, but all he managed to find was a brass buckle from an
|
||||
old Sam Browne web belt and an ancient zippo lighter that was
|
||||
clogged with muck and rust.</p>
|
||||
|
||||
<p>The sun was beginning to sink towards the west when they decided
|
||||
to head back to the camp. Danny got some wire and managed to secure
|
||||
three of the bombs to a long piece of wooden planking which he and
|
||||
Corky slung on their shoulders. Billy got his stick with the
|
||||
sheep's skull pinioned on its end and led the way out of the dummy
|
||||
village and up to the ridge. Behind them, the crows watched and
|
||||
waited and when the boys were far enough away, they flew down one
|
||||
by one to whatever dead thing they had been pecking at in the
|
||||
shallow depression dug out by a wartime bomb.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>21</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>21</h1>
|
||||
|
||||
<p><em>Interlude....</em></p>
|
||||
|
||||
<p>"We thought he'd gone away." Angus McNicol's voice, gruff with
|
||||
the years conveyed the regret that had hung about him since
|
||||
then.</p>
|
||||
|
||||
<p>"We all did, even the Commander and Dr Bryce who was a
|
||||
psychologist from the university. He was a new-fankled kind of
|
||||
expert, trying to get inside the man's head. My boss, Hector Kelso
|
||||
who was head of CID, he never put too much faith in Bryce and to
|
||||
tell you the truth, neither did I.</p>
|
||||
|
||||
<p>"You see, nothing had happened since the middle of June, a few
|
||||
weeks before the school broke up for the holidays and Bryce said
|
||||
that gave us two choices. He had either moved on, in which case we
|
||||
would have had more murders somewhere else, or he would have burned
|
||||
out and killed himself.</p>
|
||||
|
||||
<p>"Nobody really considered the truth. The killer just took a
|
||||
break between June and the end of July or he had killed somebody
|
||||
else who hadn't been reported missing. We never found a body, so
|
||||
probably he just took time off. Hell, everybody needs a holiday,
|
||||
don't they? Where he had been, nobody knows and I reckon John
|
||||
Fallon must have been the closest to guessing the truth when he
|
||||
said the man was probably ex-army, and used to living rough."</p>
|
||||
|
||||
<p>The former detective, now silver haired and only slightly
|
||||
stooped, looked up and his eyes were filled with remembering.</p>
|
||||
|
||||
<p>"Then Johnson McKay the postman got a bit concerned when the
|
||||
mail hadn't been collected from the box at the bottom of McColl's
|
||||
farm road and he took a stroll up there just to check. If it hadn't
|
||||
been for him being curious, then it could have taken another few
|
||||
weeks, maybe a month before anybody would have found out.</p>
|
||||
|
||||
<p>"I'll never forget his face and I'll never forget what we found
|
||||
there and down at the side of the trees alongside Blackwood Stream,
|
||||
not as long as I live. It was a slaughterhouse, a
|
||||
<em>shambles.</em></p>
|
||||
|
||||
<p>"I followed Hector Kelso around the whole day, and that man was
|
||||
damned good. Taught me everything I know. The only detective I ever
|
||||
saw who was any better was John Fallon's boy Jack, and it's a damn
|
||||
shame he's left the force after that trouble a year or so back, but
|
||||
that's another story. Anyway, Hector went round the place and gave
|
||||
me a running commentary, like a professor teaching a student. That
|
||||
was exactly how it was." Angus looked at the little machine on the
|
||||
table. The cassette spindle turned slowly. "I wrote everything down
|
||||
because we never had tape recorders then, and they'd have been a
|
||||
godsend to us, believe me. The boss was a hell of a lot better than
|
||||
the psychologist because he could follow a sequence right to its
|
||||
end and that's how he was able to tell me what had happened. He was
|
||||
a genius."</p>
|
||||
|
||||
<p>Angus closed his eyes, frowning with concentration.</p>
|
||||
|
||||
<p>"It was the blood on the curtain. Threw him for a bit, and for a
|
||||
while he thought the wife might have done it, despite the fact that
|
||||
she was a tiny wee thing. But then he figured it out quickly
|
||||
enough.</p>
|
||||
|
||||
<p>" 'Gus,' he says to me. 'Go stand out there on the other side of
|
||||
that patch on the ground.' I knew it was blood, we all did, and it
|
||||
had dried there to a crust on the cobbles. I stood there and the
|
||||
boss bent down, getting himself to about the same hight as Jean
|
||||
McColl. He leaned forward and took a hold of the curtain, pulling
|
||||
it to the side, then brought his other hand up and laid it on the
|
||||
sill.</p>
|
||||
|
||||
<p>"From then on, he just walked his way through it, as if it was
|
||||
some kind of a slow dance. He had that kind of mind. He could
|
||||
choreograph it all in his head.</p>
|
||||
|
||||
<p>"The chicken was still in the sink, crawling with flies and
|
||||
maggots and Hector realised she had been cleaning the bird when it
|
||||
happened. She must have had a ringside view from that window. She'd
|
||||
seen it happening, seen her man die right there in the middle of
|
||||
the yard."</p>
|
||||
|
||||
<p>The policeman had almost totakl recall of how the CID boss had
|
||||
worked it out, from Jean McColl seeing her husband cut down with
|
||||
the axe. He knew the killer had used the chicken head to mark the
|
||||
bothy doorposts and he could tell by the slant of the crossses how
|
||||
tall the killer was. "Hector talked it right through and he walked
|
||||
it right through, never stopping for a moment. He told us where
|
||||
McColl had fallen like a sack and how his wife had fought and how
|
||||
the collie had attacked the stranger. It was all written there in
|
||||
the clues, in the sequence, if you had the experience to look.
|
||||
Hector Kelso had the experience, and the way he told it, never
|
||||
showing any emotion until later, made it unravel like a
|
||||
nightmare.</p>
|
||||
|
||||
<p>"I can still remember Hector going through the motions, over six
|
||||
foot tall and built like a wrestler, trying to keep low, the same
|
||||
height as the wee woman. He runs into the farmhouse, through to the
|
||||
kitchen and then to the hall and he showed how the killer had
|
||||
broken the hasp the get at the shotguns</p>
|
||||
|
||||
<p>"I can tell you straight, we were all pretty damn concerned when
|
||||
we realised he had the guns. He'd shot a couple of holes in the
|
||||
ceiling, maybe just to make sure the gun worked and then gone
|
||||
looking for Mrs McColl. He'd about two weeks of a start on us, give
|
||||
or take a day or so.</p>
|
||||
|
||||
<p>"Dr Bryce, he said he was very close to the edge and it was
|
||||
likely he'd turned the gun around and blown his head off, but while
|
||||
we lived in hope, there was no evidence of that whatsoever. Kelso
|
||||
dismised it as so much hog wash.</p>
|
||||
|
||||
<p>"He asked the psychologist about the chicken's blood smeared on
|
||||
the door. Bryce said the scent of blood had probably enraged him,
|
||||
or maybe it had dredged up some childhood trauma, but he hadn't
|
||||
seen the other places where the man had done his killing. I reckon
|
||||
John Fallon got it right.</p>
|
||||
|
||||
<p>" 'Read the bible,' John suggested to me when we were standing
|
||||
there in the sun with all the flies buzzing around that crust of
|
||||
blood in the yard. He was never a smartarse was John, but despite
|
||||
his build, he was pretty clever. ' He wants the angel of death to
|
||||
pass over.'</p>
|
||||
|
||||
<p>"I reckon that was fair comment, from the pages of the bible he
|
||||
left lying around and all the other signs he left, most of them
|
||||
covered in shit. The press, they got the story about the Twitchy
|
||||
Eyes, and that's how the name stuck, but in the squad, over that
|
||||
summer when we were hunting for him, waiting for him to make his
|
||||
next move, we started calling him The Angel.</p>
|
||||
<hr />
|
||||
<p><em>July:</em></p>
|
||||
|
||||
<p>She wrote fast, almost tearing the page in her hurry, crabbing
|
||||
the letters together in a slant across the page. Her clear and
|
||||
rounded handwriting changed to a spidery scrawl, almost illegible.
|
||||
The wavering strokes showed how badly her hand was shaking.</p>
|
||||
|
||||
<p><em>He's killed Ian. God save me. Cut him down in the yard.
|
||||
Lesley Joyce. He hit him and took him into the byre. Got the guns.
|
||||
He's mad. Killed my man with axe. Cut down. Lesley Joyce.</em></p>
|
||||
|
||||
<p>The words began to repeat on the page, just as they were
|
||||
repeating inside her head, ricocheting around almost out of
|
||||
control.</p>
|
||||
|
||||
<p>Out beyond the workroom, beyond the bedroom and down the stairs,
|
||||
she could hear the heavy tread of the man's boots. The shotgun had
|
||||
blasted like a thunderclap and she had felt the whole house shake
|
||||
with the concussion. Her heart had almost stopped dead in her
|
||||
chest. She tried to write more, to put down in words what she had
|
||||
seen, but the fingers of her hand seized up in a tight clenched
|
||||
fist and the words wouldn't come. All she could see was the picture
|
||||
of Ian going down in the yard, making that awful deadly sound.</p>
|
||||
|
||||
<p>Nausea rolled and surged inside her and a trickle drooled from
|
||||
her open mouth as she tried to gulp it back, tried to clear that
|
||||
image from her head so she could think.</p>
|
||||
|
||||
<p>Downstairs she could hear the man muttering, at least that's
|
||||
what it sounded like in the distance, through the closed doors, but
|
||||
she knew he had to be talking aloud. It sounded like chanting.</p>
|
||||
|
||||
<p>Ian's bewildered face swam in front of hers refusing to vanish.
|
||||
His hat had rolled away on the stones and he had tried to crawl
|
||||
away, his eyes wide and blank, like a bewildered animal in pain. He
|
||||
had tried to crawl away, dripping blood onto the cobbles. He'd
|
||||
crawled away from where she was, even then attempting to draw him
|
||||
away, despite the pain and the shock and the sudden awful fear.</p>
|
||||
|
||||
<p>And even then he'd tried to warn her. She jerked, found she
|
||||
could still write:</p>
|
||||
|
||||
<p><em>Couldn't get the gun. Ian said to get the gun and shoot but
|
||||
it was locked. He has the guns and he's shooting.</em></p>
|
||||
|
||||
<p>Somehow her mind unhitched itself from the crazy ricochet of
|
||||
images and she managed to scribble more. She had slammed the book
|
||||
open, not pausing to flip the pages to the correct day and date.
|
||||
She'd found a blank page and started writing fast, knowing there
|
||||
was little time. No time at all.</p>
|
||||
|
||||
<p>The little window on the thick wall was slightly ajar. In the
|
||||
high summer, it let in the perfumed scent of sweet peas from the
|
||||
garden and the lazy humming of the busy bees, and in the mornings
|
||||
she got a slant of golden sunlight across the old dresser she used
|
||||
as a desk and a work station. She put the book down and laid the
|
||||
pen on the surface. It rattled from her shaking fingers. Outside
|
||||
she could hear the whine of the terriers and the lowing of the cows
|
||||
in the far side of the byre. They could smell the blood and the
|
||||
instinctive fear of the predator had spread among them. The
|
||||
terriers had sniffed at the pool of blood and they were confused
|
||||
and panicky, their tempers now stilled. Downstairs the man's
|
||||
hobnailed boots <em>crumped</em> on the slate floor.</p>
|
||||
|
||||
<p><em>Aaah</em>.</p>
|
||||
|
||||
<p>Ian's groan came drifting on the pollen scented air. A bee flew
|
||||
in the window, turning lazily by the latch.</p>
|
||||
|
||||
<p>Jean snatched up the pen again.</p>
|
||||
|
||||
<p><em>Still alive. He's alive now. Please save him God.</em></p>
|
||||
|
||||
<p>Footsteps came thudding up the narrow stair.</p>
|
||||
|
||||
<p><em>Coming now. Gun.</em></p>
|
||||
|
||||
<p>The bedroom door kicked open. She could hear the latch spring
|
||||
and the wood splinter and the slam of the heavy panel against the
|
||||
wall. It sounded loud as gunfire. Almost.</p>
|
||||
|
||||
<p>She dropped the book on the bed. The workroom, on the east gable
|
||||
of the house, was a low, square space with slanted walls that
|
||||
followed the pitch of the roof. Just above the dresser, a small
|
||||
trapdoor, barely two foot square, led to a crawlspace under the
|
||||
joists.</p>
|
||||
|
||||
<p>She could hear the man's breathing. He had kicked the bedroom
|
||||
door open and he was standing there. She could visualise his dark
|
||||
and blinking mad eyes.</p>
|
||||
|
||||
<p>Jean McColl clambered silently onto the dresser, pushed the
|
||||
hatch upwards, and despite her age and her freezing terror, she
|
||||
managed to haul herself up into the dusty space. She lowered the
|
||||
door closed again as silently as she could and began to crawl over
|
||||
the beams, careful not to slip and fall through the plaster of the
|
||||
ceiling until she got out of the narrow roof space above the
|
||||
work-room and into the loft proper. She crabbed her way though the
|
||||
narrow gap in the stone, onto the bare planks. Ahead of her
|
||||
something squeaked in the dark and she couldn't tell whether it was
|
||||
a rat or a mouse. Underneath her the workroom door blasted open and
|
||||
crashed against the wall, just as the bedroom door had done.</p>
|
||||
|
||||
<p>Footsteps, even louder now, thudded on the boards where the rug
|
||||
didn't cover. The tinkling of glass. A vase? The window? She
|
||||
couldn't wait. In her mind she kept seeing Ian trying to crawl
|
||||
away, mortally hurt, with the shadow of death reflected in his
|
||||
wide, stunned eyes. She heard again the dreadful animal groan.</p>
|
||||
|
||||
<p>Below her, the man called out, and whether there were any words
|
||||
or whether it was simply a bellowing cry of rage or anger or
|
||||
madness, she couldn't tell. She crawled further into the roof-space
|
||||
until there was enough room to let her gingerly get to her
|
||||
feet.</p>
|
||||
|
||||
<p>Thunder roared.</p>
|
||||
|
||||
<p>In the confines of the loft, that's what it seemed like. It was
|
||||
as if the world had exploded under her feet in one enormous
|
||||
blast.</p>
|
||||
|
||||
<p>Splinters of lath-wood and pellets of dry plaster erupted
|
||||
upwards from the floor just behind her. She tripped, rolled on the
|
||||
boards and the thunder crashed again, even closer. Instantly a hole
|
||||
maybe six inches wide appeared in the floor just beyond the limit
|
||||
of the planking. Dust and splinters blew out in a fountain and
|
||||
rapped against the slanted sarking-planks under the slates. Jean
|
||||
reeled back and hit her head on a jagged nail showing through the
|
||||
wood. It caught her behind the ear and an instant trickle of blood
|
||||
flowed. She spun round and saw the column of light, like a blazing
|
||||
pillar, reaching from the hole in the floor to the slant of the
|
||||
roof.</p>
|
||||
|
||||
<p>He could hear her moving. He could hear her moving and he was
|
||||
trying to follow the sound and blast her to death with the
|
||||
shotgun.</p>
|
||||
|
||||
<p>His footsteps clumped almost directly underneath her and sudden
|
||||
terror unfroze her legs. She whirled, using the light coming
|
||||
through the gaping blast-hole and ran for the corner, pushed
|
||||
through the second hatch to the space over the main part of the
|
||||
farmhouse and clambered over the trunks and boxes that had been
|
||||
stored there since before she was married. Beyond the clutter a
|
||||
dusty skylight showed a dull rectangle of light. Behind her the
|
||||
shotgun roared again, a vast and deafening sound in the close
|
||||
confines of the loft, but for the moment there was no danger of the
|
||||
blast coming through the old boxes of crockery and pre-war
|
||||
clothing. Dust billowed chokingly, making her fast breath rasp in
|
||||
her throat. At the far end of the attic there was a narrow wooden
|
||||
stairway that would lead down to the store-room where Ian stacked
|
||||
the potatoes and turnips and the clamps of carrots. She thought
|
||||
about reaching the stairs and following them down, but that would
|
||||
put her out into the closed yard where he could shoot her from
|
||||
almost any position.</p>
|
||||
|
||||
<p>She had to get away, get help. Against a man with a gun, against
|
||||
the crazy blinking man who had smashed Ian to the ground, there
|
||||
would be little chance, hardly a chance at all, but she had to try.
|
||||
If she could make it to the far wall without being seen she could
|
||||
use the hedge as cover and get down the track, escape to the
|
||||
Lochside Road only three miles down, heading west. If she could get
|
||||
to the road then she could make it and call the police and an
|
||||
ambulance.</p>
|
||||
|
||||
<p>Through the blast-hole, she heard the man's voice, rough and
|
||||
ragged and dreadfully angry. The shotgun's metallic clash came up
|
||||
to her over the growling rumble, a deadly and cold sound in itself.
|
||||
He was re-loading.</p>
|
||||
|
||||
<p>It snapped closed again and she knew there were two more shells
|
||||
in the chambers</p>
|
||||
|
||||
<p>Jean got past the collection of boxes and reached the skylight.
|
||||
The glass was festooned with cobwebs that had gathered so much dust
|
||||
they made the window almost opaque. She twisted the catch, got it
|
||||
free in a couple of seconds, and swung the heavy frame upwards. It
|
||||
squeaked alarmingly and then stopped when it was almost upright.
|
||||
Thankful that it hadn't crashed down onto the slates, she crawled
|
||||
out onto the slope of the slates. The shotgun boomed again,
|
||||
dreadfully loud, but not so deafening now that she was out. A puff
|
||||
of dust rolled out of the skylight like flour in the kitchen when
|
||||
she baked her bread. It smelled of lime and burning.</p>
|
||||
|
||||
<p>She managed to get a grip on the iron lip and swung herself up,
|
||||
moving gingerly lest she slip on the moss-covered shingles, reached
|
||||
the ridge of the roof and got to the downslope. From here she was
|
||||
hidden from the yard. The roof fell away to the pasture side, a
|
||||
long slide of black slate warmed by the sun. She negotiated it,
|
||||
trying to keep her feet flat on the surface to give her as much
|
||||
friction grip as possible, reached the far end where the farmhouse
|
||||
proper merged with the old barn. Here there was an old door at the
|
||||
corner, set high in the wall where Ian used to mount a block and
|
||||
tackle for hauling sacks of feed and bales of straw up to the high
|
||||
store. She got there and pushed at the door but it was locked.</p>
|
||||
|
||||
<p>Inside the house, the man was talking to himself. From where she
|
||||
perched it was just a low rumble. Ian had fallen silent and in a
|
||||
way that was better than the awful groaning. She wondered if he was
|
||||
dead and a part of her prayed, despite the devastation of that
|
||||
loss, that he was not suffering any more. Footsteps sounded below
|
||||
her and she turned away from the door, climbed back over the ridge
|
||||
to the end of the barn and let herself slide down to the level of
|
||||
the gutter. She managed to grab a hold of it and lower herself down
|
||||
to the window ledge and let herself in through the old shutters.
|
||||
Here, in the old swaybacked store-room, old tack lay in heaps,
|
||||
mouldering bridles from the days they'd kept Clydesdale horses for
|
||||
pulling the plough, giant horseshoes dusted with rust, a set of
|
||||
twisted and cracked traces hanging from nails. Rats scuttled and
|
||||
scurried in the shadows, alarmed at her passing, while down in the
|
||||
yard, the terriers had set up a strange, frightened howling. The
|
||||
tack balcony led to the space above the byre. She had to push aside
|
||||
a pile of old sacks, sending a family of mice squealing and running
|
||||
for cover and then she was through to the ledge overlooking the
|
||||
tiled butchering shed that was tacked on to the byre.</p>
|
||||
|
||||
<p>A shape moved close to the far door. Her heart lurched, thinking
|
||||
the man had discovered her and then it kicked hard in her chest and
|
||||
seemed to stop beating altogether.</p>
|
||||
|
||||
<p>It was Ian. He was hanging down from the hooks, head close to
|
||||
the ground. A spreading scarlet puddle caught the light beneath
|
||||
him. A sluggardly ripple showed that fresh blood was still
|
||||
dripping.</p>
|
||||
|
||||
<p>There was no sign of life. Jean leaned on the metal railing,
|
||||
breath locked in her throat. One of Ian's shoes was down there in
|
||||
the trough along with his blood and she could see where the
|
||||
butcher's hook had spiked through his heel. He'd been hung up like
|
||||
a carcass, spiked by the Achilles tendon, the way farmers hung pigs
|
||||
to let them bleed.</p>
|
||||
|
||||
<p>She started for the steps, knowing they would take her down to
|
||||
the yard when outside, right then, the shotgun thundered again. She
|
||||
flinched, expecting the blast to knock her off her feet, but
|
||||
immediately a screaming sound, like a stone saw cutting into
|
||||
granite, cut through the air. The dogs started up a frenzied
|
||||
yapping and the gun fired again and they went silent. A moment
|
||||
later, a shadow appeared at the butchery door and the man came
|
||||
backing through, dragging a heavy weight just as he'd pulled her
|
||||
bleeding husband over the step at the door. The cause of the sound
|
||||
was clear enough. He'd shot one of the yearling pigs. It was still
|
||||
alive, still screeching but there was a gaping hole in its side. He
|
||||
pulled it past Ian, put the gun down, hoisted the pink, shivering
|
||||
animal up to a hook and let it twist there. He picked up the gun
|
||||
and reached behind him for the knife he'd stuck down his belt. She
|
||||
watched as he leaned forward and slit the pig's throat. It kicked
|
||||
into a spasm, sending blood spurting all over the floor and all
|
||||
over her husband. She groaned aloud, an involuntary blurt of shock
|
||||
and fear.</p>
|
||||
|
||||
<p>The man whirled round. His eyes had stopped blinking. He looked
|
||||
up and those eyes were like pits, black and mad. She pulled away,
|
||||
went back the way she had come, heart bucking inside her. His feet
|
||||
clattered on the stone stairs. She got back through the window,
|
||||
tried to climb on the gutter, slipped back and her blouse snagged a
|
||||
rusted bracket which caught right through the material. Her feet
|
||||
scrabbled for purchase, slid off the stone wall and she slipped
|
||||
forward before being brought up sharp by the hook of metal. She was
|
||||
left hanging there.</p>
|
||||
|
||||
<p>The man reached out massive hand and gripped her arm. Without
|
||||
ceremony and with no hesitation at all, he pulled her back in over
|
||||
the window sill, ripping her blouse from collar to waist and
|
||||
leaving a white rag flapping on the bracket. He dragged her across
|
||||
the tack-room and down the steps to the byre. She tried to pull
|
||||
away but he clamped his hand on her neck, fingers and thumb almost
|
||||
toughting, and walked her past her dangling husband. Her feet
|
||||
splashed in Ian's blood. She tried to look to see if he was still
|
||||
breathing, but the hand held her tight, made her face straight in
|
||||
front. She felt as light as a feather as he propelled her across
|
||||
the yard, past the bodies of the three dogs and the dark patch
|
||||
where her husband had fallen, through the front door and into the
|
||||
farmhouse.</p>
|
||||
|
||||
<p>She awoke when it was dark and when she tried to walk she could
|
||||
not move. Dull and heavy pain throbbed inside her and stayed with
|
||||
her until the sun came up in the early morning. The light flickered
|
||||
in the sky, just visible through the open shutter and the bantam
|
||||
cocks were the first to greet the dawn. It seemed to take forever
|
||||
for the early light to creep round the corner of the byre and
|
||||
brighten the wall of the little slaughtering pen where Ian was
|
||||
dead.</p>
|
||||
|
||||
<p>She knew now that he was gone. There had been no sound, except
|
||||
for the grunts made by the insane man when he had finally left her
|
||||
alone and had gone out to the byre, swinging the big blade of the
|
||||
knife. He muttered to himself constantly and it seemed as if he was
|
||||
talking to someone standing beside him. She couldn't make out the
|
||||
words, but the tone of it sounded like conversation. The man would
|
||||
ask a question, cock his head as if awaiting a reply, and then he'd
|
||||
nod, or he'd shake his head in answer. He had gone out to the byre,
|
||||
swinging the knife and she'd heard him grunt with effort. There had
|
||||
been a dull crack, like the sound of a stone dropping on another,
|
||||
and then the man had gone walking away, muttering to himself.</p>
|
||||
|
||||
<p>Now she was huddled on the floor, something angled and hard
|
||||
pressed against her ribs but unable to do anything about that. A
|
||||
dark tide of despair welled up in her heart. Way off in the
|
||||
distance, the blast of the quarry rumbled like an approaching
|
||||
storm. It reminded her of the sound of the shotgun.</p>
|
||||
|
||||
<p>She closed her eyes, squeezing away a tear that was mingled with
|
||||
blood from a burst vessel at the edge of her eye.</p>
|
||||
|
||||
<p>And she prayed that he would come with the gun and stop the
|
||||
pain.</p>
|
||||
<hr />
|
||||
<p>In the night he had taken the head and put it on the top of the
|
||||
manure heap, waiting for the sun to come up. Every now and again he
|
||||
would hear the voice whisper to him, faint for the moment, and he
|
||||
would try to catch the words.</p>
|
||||
|
||||
<p>The smell of blood was still hot and thick and he remembered how
|
||||
the woman had stared at him, paralysed with fear, her whole body
|
||||
trembling uncontrollably. The owl hooted back in the barn and he
|
||||
waited under the moon, not cold and not hungry. The sun began to
|
||||
rise and when there was enough light in the sky he could see the
|
||||
flies crawling over the pale round face.</p>
|
||||
|
||||
<p><em>Dung fly...</em></p>
|
||||
|
||||
<p>Like Conboy. The eyes crawled with flies. Like the boy in the
|
||||
back room of the old house. Like the girl under the bridge. Like
|
||||
the boy who had come in through the door of the old wagon he'd
|
||||
taken over as his bivouac.</p>
|
||||
|
||||
<p>The flies buzzed and danced and as the day lightened and the
|
||||
morning mist trailed away, there were more of them, flying in from
|
||||
the trees, round the coppice at the far end of the pasture. Already
|
||||
the pool of blood in the yard was a crawling mass of them, coming
|
||||
to feed and coming to breed. He cocked his head to the side,
|
||||
listening to the small voice, one of the many that tugged for his
|
||||
attention whispering softly by the light of day. At night they'd
|
||||
maybe talk louder. After a while, he slowly got to his feet and
|
||||
went back into the house, leaving the farmer's crawling eyes
|
||||
staring at the sunrise.</p>
|
||||
|
||||
<p>The woman did not move. Her eyes followed him, devoid of all
|
||||
expression. He considered lifting her back up onto the table, but
|
||||
after another while, eyes blinking hard, he turned and went back
|
||||
outside. He picked up the gun and crossed the yard, climbed the
|
||||
fence and into the pasture.</p>
|
||||
|
||||
<p>Three of the cows were moaning, and two of the others were down
|
||||
on the grass twitching. Their udders were swollen like the bellies
|
||||
of dead children. He considered putting them out of their misery
|
||||
but then he blinked some more and went striding sunwards along by
|
||||
the wall and down towards the trees. A half a mile down he could
|
||||
still hear the crowing cock. The land sloped towards the stream, a
|
||||
densely wooded valley here, downsteam from the high moorland
|
||||
pasture, thick with oak and beech trees. He'd been here before, in
|
||||
the lush valley that reminded him of that other gorge, long
|
||||
before....</p>
|
||||
|
||||
<p>Up at the farm, the old man had glared at him, just as Conboy
|
||||
had done, through the crawl of flies that festered in his mouth and
|
||||
under his brows. The tongue protruded between grey lips, blackened
|
||||
and torn where the blow with the flat of the axe had sent the teeth
|
||||
snapping together, biting right through the flesh. There were
|
||||
thousands of them now, all laying their eggs, breeding fast on the
|
||||
glut. The head stared at him and he waited for it to speak but it
|
||||
stayed silent for the moment. He could wait. He sat there, in the
|
||||
sun, contemplating the thing on the dung heap, listening to the
|
||||
drone of flies, and then he went back to the house, to the kitchen.
|
||||
Here the smell was thick and heavy and the buzzing was loud in the
|
||||
confines. The woman was crumpled on the floor, her arms twisted
|
||||
awry, and her thighs stained black in streaks and dribbles. There
|
||||
were biscuits in the barrel and a joint of smoked ham up in the
|
||||
cold store. He cut a slice, not at all put off by the cloy,
|
||||
familiar scent of rotting flesh. He ate slowly, sitting on the
|
||||
table, then drank some tepid water from the tap.</p>
|
||||
|
||||
<p>He finished eating and laid the chewed ham bone down on the
|
||||
table then went back out to sit by the side of the dung heap to
|
||||
wait for a while. He could sit as still as stone.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
746
build/darkvalley/OEBPS/022.xhtml
Normal file
746
build/darkvalley/OEBPS/022.xhtml
Normal file
@ -0,0 +1,746 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>22</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>22</h1>
|
||||
|
||||
<p><em>August 2. 4pm:</em></p>
|
||||
|
||||
<p>Billy raised the air pistol from seven yards away, sighted down
|
||||
the barrel. He squeezed the trigger and the gun coughed a sound
|
||||
like a thin branch breaking. The slug smacked Doug in the left
|
||||
buttock and he let out a howl, more of surprise than pain.</p>
|
||||
|
||||
<p>"Great shot from dead-eye Harrison" Billy bragged. "Runs in the
|
||||
family." They'd been firing at the can again, trying to knock it
|
||||
off the rock, taking shots each while the potatoes and carrots
|
||||
boiled in the blackened pot. Billy and Doug had been niggling each
|
||||
other as usual and when the can tumbled from the stone, moved by a
|
||||
chance eddy of wind and not by any sharp shooting, Doug bent to
|
||||
re-set it. Billy aimed and fired at his skinny buttocks then
|
||||
laughed like a donkey while Doug did a skittery little dance.</p>
|
||||
|
||||
<p>"Christ sake," Doug said angrily. "Would you get a grip of
|
||||
yourself, you crazy fucker." He was rubbing the patched seat of his
|
||||
old jeans. "Swear to god, you should be in special school for
|
||||
<em>retardos</em>, you loony."</p>
|
||||
|
||||
<p>"First kill to the Commandos," Billy crowed. Corky looked at him
|
||||
sideways. Billy was jumping up and down, the airgun heavy, black
|
||||
and sharp-edged like a German Luger clenched in his hand. Even with
|
||||
the spring slack and useless, he should never have fired the gun at
|
||||
anybody, they all knew that. It was one of the rules.</p>
|
||||
|
||||
<p>"That's enough," Corky said. "Give me that before you put
|
||||
somebody's eye out." He held out his hand towards Billy.</p>
|
||||
|
||||
<p>"It's not yours."</p>
|
||||
|
||||
<p>"No, it's my brother's, and that makes it mine for now."</p>
|
||||
|
||||
<p>"And he stole it from somebody, didn't he?" Billy's voice was
|
||||
rising. "So it's not his."</p>
|
||||
|
||||
<p>Doug picked up a stone and lobbed it at Billy with a quick
|
||||
overarm flick. It hit him on the knee with a resounding crack.
|
||||
Billy dropped the gun and started hopping around on one foot,
|
||||
holding his knee with both hands and howling loudly. Corky snatched
|
||||
the pistol up from the ground and jammed the barrel into his
|
||||
pocket.</p>
|
||||
|
||||
<p>"Serves you right, fatso" Doug jeered. "That's the brave
|
||||
commando wounded. <em>Hopping</em> wounded, and crying like a
|
||||
baby."</p>
|
||||
|
||||
<p>"I'll get you for that," Billy bellowed, trying gingerly to put
|
||||
his foot down.</p>
|
||||
|
||||
<p>"You and your old man, eh? The big <em>war</em> hero?"</p>
|
||||
|
||||
<p>"You leave him out of it <em>Bugsylugs</em>." Billy said through
|
||||
clenched teeth and the pair of them were off again. "He did more
|
||||
than your old man, that's for sure. Fought the Japs <em>and</em>
|
||||
Jerries."</p>
|
||||
|
||||
<p>"So how come mine's got medals?" Doug demanded, grinning
|
||||
toothily. "Real medals." His ears had gone bright red again which
|
||||
was a sure indicator of his excitement and anger.</p>
|
||||
|
||||
<p>"My Dad won dozens of them," Billy retorted, still rubbing his
|
||||
knee, his face now as red as Doug's ears. "That's what my Mam says
|
||||
and you better not be calling her a liar if you know what's good
|
||||
for you. My Dad was a hero in the war."</p>
|
||||
|
||||
<p>"That's where you're wrong," Doug countered, his lip curling now
|
||||
into a sneer. "A hundred percent dead wrong on that."</p>
|
||||
|
||||
<p>Danny came wandering up from the stream, only half listening to
|
||||
the bickering voices. Doug and Billy were always at it, rubbing
|
||||
each other's fur up the wrong way. Next minute they'd usually have
|
||||
their arms round each other's shoulders, just like last time,
|
||||
digging each other in the ribs. They both had short fuses, but
|
||||
generally, as compensation they had even shorter spans of
|
||||
concentration.</p>
|
||||
|
||||
<p>"What are they on about now?" he asked innocently.</p>
|
||||
|
||||
<p>"Just telling this fat bastard his old man couldn't have died in
|
||||
the war," Doug snorted.</p>
|
||||
|
||||
<p>Everybody froze.</p>
|
||||
|
||||
<p>"Come on, Doug...." Corky broke in. His voice trailed away.</p>
|
||||
|
||||
<p>"What do you mean?" Billy finally asked. His voice had gone
|
||||
cold.</p>
|
||||
|
||||
<p>"Think about it, stupid-features. Can't you count?"</p>
|
||||
|
||||
<p>" 'course I can count. And multiply and subtract. Better than
|
||||
you any day of the week, <em>Bugs.</em>"</p>
|
||||
|
||||
<p>"That should make it easy for you, then." Doug's face was red
|
||||
and his lips drawn back from his big rabbit teeth in an angry
|
||||
snarl. Danny had never seen him look so much out of control and
|
||||
suddenly he knew with absolute certainty that Doug was going to let
|
||||
it slip; say what everybody except Billy himself knew as a
|
||||
fact.</p>
|
||||
|
||||
<p>"Okay. Try this one," Doug's voice was all tight and grating.
|
||||
"See if you can do it in that thick skull of yours. Mental
|
||||
arithmetic, if you <em>can</em> that is." Doug stopped. Corky took
|
||||
a step forward, trying to get in between them. Both Billy and Doug
|
||||
each held up a forestalling hand, telling him to keep out of it,
|
||||
that this was between the two of them, something they could sort
|
||||
out without interference. Corky looked at Danny, eyebrows raised in
|
||||
question, but there was nothing Danny could say. Everybody teetered
|
||||
on the sharp edge of the moment.</p>
|
||||
|
||||
<p>"When were you born," Doug demanded. "What year?"</p>
|
||||
|
||||
<p>"Nineteen fifty two. Same as you, why? You forget?"</p>
|
||||
|
||||
<p>"And when did the war end?" Doug kept it going.</p>
|
||||
|
||||
<p>"Nineteen forty five. Everybody knows that."</p>
|
||||
|
||||
<p>"And your old man died in the war! Seven years before you were
|
||||
born? Has nobody told you the facts of life?"</p>
|
||||
|
||||
<p>"Stone the crows," Corky whispered, shaking his head.</p>
|
||||
|
||||
<p>Billy stood there, fists clenched, lips just forming around his
|
||||
reply. His mouth tried to work, but no sound came out. Danny and
|
||||
Corky held their breath. Doug stood stock still, eyes wide, hands
|
||||
trembling. They could see Billy's mind, not especially fast at the
|
||||
best of times, but he wasn't stupid either, seizing the problem and
|
||||
working it over.</p>
|
||||
|
||||
<p>The silence stretched a few seconds longer. Finally Billy
|
||||
spoke.</p>
|
||||
|
||||
<p>"That doesn't mean..." he floundered to a stop, tried again.
|
||||
"Just because he...." The three of them on the sidelines could see
|
||||
that Billy had never really considered this glaring anomaly, or if
|
||||
he had, he had slung it to the back of his mind. Everybody in
|
||||
Corrieside knew that Maggie Harrison had got pregnant to a big
|
||||
American sailor from the NATO Base at Dunoon, from whom Billy had
|
||||
inherited his thick blue-black hair and his height. The Yank had
|
||||
finished his tour of duty and gone back to Arkansas and never
|
||||
written once.</p>
|
||||
|
||||
<p>Billy backed away from them and almost knocked Tom over.</p>
|
||||
|
||||
<p>"That's pure <em>shite</em>. It's all a load of crap." Real
|
||||
distress twisted his face. "I mean he was in the Commandos..." His
|
||||
voice sounded as if it was cracking. "And he fought the Japs and
|
||||
all."</p>
|
||||
|
||||
<p>Doug stood facing him, anger still suffusing his face. "Did he
|
||||
hell."</p>
|
||||
|
||||
<p>"That's enough Doug," Corky said quietly. "Quit it
|
||||
<em>now.</em>"</p>
|
||||
|
||||
<p>"Well he shouldn't have called me that. He's always going on and
|
||||
on and he shouldn't have shot me either. It's about time he wizened
|
||||
up. Somebody should wring his bloody neck. He's always bumming and
|
||||
bragging as if he's better than the rest of us. He thinks he's a
|
||||
big shot."</p>
|
||||
|
||||
<p>"Bigger than you are, you ragged bag of bones. And better."
|
||||
Billy was obviously still trying to digest the enormous truth of
|
||||
it, but his temper was still up and fighting. "At least my mother
|
||||
feeds me. Not like yours."</p>
|
||||
|
||||
<p>"Stop them Corky," Danny said, almost pleading. "This isn't any
|
||||
good." He could see it coming, rushing towards them like the great
|
||||
truth express, nobody at the brake. There were no real secrets in
|
||||
the street in Corrieside where they all lived.</p>
|
||||
|
||||
<p>"And at least my mother buys me decent clothes," Billy snarled.
|
||||
"Not rags like you get to wear all the time. You're like a tinker.
|
||||
She dresses me proper."</p>
|
||||
|
||||
<p>"From the money your <em>uncles</em> give her? Some uncles.
|
||||
Uncles my <em>arse!</em>"</p>
|
||||
|
||||
<p>"Jeez Doug, quit it." Danny begged in a futile attempt to
|
||||
prevent the head-on crash.</p>
|
||||
|
||||
<p>"Don't you start on my mother, Doug Nicol. Don't you bloody
|
||||
dare." Billy took two steps forward and raised his fist. Doug
|
||||
flinched back. The anger and fear was evident in his eyes and in
|
||||
the tightness of his voice and the taught hunch of his
|
||||
shoulders.</p>
|
||||
|
||||
<p>"Well it's true," he insisted. "You've got more uncles than I've
|
||||
had hot dinners."</p>
|
||||
|
||||
<p>"And what about your mother? Eh? Tell me that?"</p>
|
||||
|
||||
<p>Danny put his head in his hands. Corky stood transfixed. He held
|
||||
both of his hands up, like a referee in a boxing ring trying to
|
||||
keep the protagonists apart. But they were like fighting cocks now,
|
||||
angry roosters. They didn't even seem to notice his presence.</p>
|
||||
|
||||
<p>"Why is your old man in Toronto? And how come your wee brother's
|
||||
got ginger hair and freckles? Everybody else knows why."</p>
|
||||
|
||||
<p>"What are you trying to say?"</p>
|
||||
|
||||
<p>"Because he isn't your brother at all. Everybody knows about
|
||||
your Mam and that tallyman from the Housemarket Company, the one
|
||||
that used to come round for the money on a Friday. That's why your
|
||||
Da's gone to Canada. He's too ashamed to show his face in the
|
||||
town."</p>
|
||||
|
||||
<p>Billy's words hit like blows, worse than blows. Doug reeled
|
||||
back. The others could see his mind working the way Billy's had
|
||||
done. His big teeth were clenched together hard enough to crack. A
|
||||
spittle dribbled from his lip.</p>
|
||||
|
||||
<p>"That's not true," he finally gabbled, spitting the words out
|
||||
like bullets. "You're a fuckin' liar. You're just a big fuckin'
|
||||
<em>bastard.</em></p>
|
||||
|
||||
<p>But they could all see the dawning realisation on his face. The
|
||||
signs that he'd missed. His father's withdrawn silence, the raised
|
||||
voices in the living room late at night. The sounds of crying in
|
||||
the dark. And little Terry, red-haired and freckled, a dozen years
|
||||
his junior.</p>
|
||||
|
||||
<p>His mouth opened and closed, much as Billy's had done.</p>
|
||||
|
||||
<p>Corky moved right between them.</p>
|
||||
|
||||
<p>"That's enough," he said flatly.</p>
|
||||
|
||||
<p>"Piss off, Corcoran," Billy snarled. He tried to shove past him.
|
||||
"I'm not finished with that <em>bugsy</em> bastard."</p>
|
||||
|
||||
<p>"Yes you are " Corky told him in a soft voice that had suddenly
|
||||
gone very cold. He was a head shorter than Billy, but he stood with
|
||||
his feet planted apart and his back straight, body all set. Danny
|
||||
could sense that Corky knew he should have stepped in before, but
|
||||
hadn't known how. The moment had gone too quickly. Now Corky looked
|
||||
Billy straight in the eye, his own green-brown eyes bright and
|
||||
unblinking.</p>
|
||||
|
||||
<p>"It's finished." Danny could sense the quiet threat there. Billy
|
||||
was too far gone to hear it. He pushed at Corky's shoulder and the
|
||||
other boy simply held himself tight, not letting himself be moved.
|
||||
Doug's skinny chest was heaving with anger.</p>
|
||||
|
||||
<p>"It's over," Corky said. "I mean it." He took a hold of Billy's
|
||||
hand and dragged it down from his shoulder. He stared into the
|
||||
bigger boy's eyes for a long moment, forcing him to back down.
|
||||
Corky had that ability. He held the gaze until Billy dropped his
|
||||
and for a while before Billy conceded Danny thought he might even
|
||||
try to have a go at Corky. Finally he took a step backwards and
|
||||
Corky then turned to Doug.</p>
|
||||
|
||||
<p>"What are we trying to do? Kill ourselves? Haven't we all got
|
||||
enough problems?"</p>
|
||||
<hr />
|
||||
<p>The man watched them coming back to the camp. The boys stopped
|
||||
up on the narrow gully side where a rivulet had cut the ground into
|
||||
a deep and narrow chasm. They were out of sight round a dog-leg
|
||||
bend, but he could hear them yelling gleefully, the way they had
|
||||
when they had swum in the backed-up pool. Every now and again, one
|
||||
of them would yell <em>bombs away</em> and the rest of them would
|
||||
whoop and cheer. He could hear the heavy thuds of something falling
|
||||
on to the shale. After a while, they came on down the shoulder of
|
||||
the hill where the two streams met, carefully negotiating the
|
||||
narrow rocky point to descend into the valley. The biggest boy was
|
||||
in the lead, holding his long stick over his head. The bones of the
|
||||
ram's skull were stark white against the grey of the rock. He sat
|
||||
quietly, stock still, in the shadow of the hollow where the setting
|
||||
sun could not pick him out. One of the boys stopped dead and looked
|
||||
across the valley, seeming to look right into his eyes. He held the
|
||||
pose for ten seconds, maybe more, raised his hand over his brow to
|
||||
cut out the light. The man leaned further back into the shadows.
|
||||
The boy shook his head and continued down the ridge.</p>
|
||||
|
||||
<p>They arrived at the tent and the dark haired boy clambered into
|
||||
the natural amphitheatre below the steep face and spent several
|
||||
minutes fixing the sheep's skull into the hawthorn branches beside
|
||||
the deer's head and the pointed heron's beak. This done, he did a
|
||||
little Indian dance, and his whooping shouts echoed from the valley
|
||||
sides. The man watched, interest quickened. The flies erupted from
|
||||
the stag's face in a visible cloud, disturbed by the death
|
||||
dance.</p>
|
||||
|
||||
<p>The others lit the fire and the thin one balanced the blackened
|
||||
pot on the stones surrounding the flames. The sky was clear except
|
||||
for some long, pink clouds way out to the west, far beyond
|
||||
Blackwood Farm. The moon would be full tonight, pale and yawning.
|
||||
He watched them for a while more until he was satisfied that they
|
||||
would be here for the night and then, very slowly, he eased back
|
||||
into the bracken and silently followed the sheep track back up the
|
||||
hill.</p>
|
||||
|
||||
<p>At Blackwood Farm he ate some more of the dry meat and finished
|
||||
the hard bread. There were some jars in the pantry with fruit in
|
||||
syrup and there were eggs in the coop. He ate them in silence,
|
||||
listening to the buzzing of the flies as they whirled around the
|
||||
woman. The smell was thick and choking, but he was used to that. He
|
||||
had <em>got</em> used to that. When he finished eating, he went out
|
||||
to the manure heap and talked to the head. It buzzed back at him
|
||||
incomprehensibly. After a while, the moon rose and Conboy whispered
|
||||
to him from a velvet sky.</p>
|
||||
<hr />
|
||||
<p>It had been a magical day right up until the fight and then the
|
||||
magic had snuffed right out.</p>
|
||||
|
||||
<p>They had borne the bombs back to the camp on the plank litter,
|
||||
carrying three of them, taking turns as pall-bearers and Billy
|
||||
trying to avoid his share of the work by claiming to be standard
|
||||
bearer. It took them two hours to get back, though the going,
|
||||
downstream when they got past the smelly and stagnant bog, was much
|
||||
easier than the trip up to the Dummy Village. They had been elated
|
||||
and excited with their find, their own discovery of the fabled
|
||||
place. The fact that it was dilapidated and derelict had done
|
||||
nothing to diminish their sense of discovery and achievement, or
|
||||
detract from its fabled status. On the way back to the camp, they
|
||||
had agreed to start out as early as they could the next morning so
|
||||
they could explore the whole of it, right to the far end of the
|
||||
blasted moorland. Tom had said he'd rather go home, but again he
|
||||
was outvoted and he went along with it. It was a long walk back
|
||||
home and he didn't want to travel over the hill and down the other
|
||||
valley on his own, and besides, if he arrived without them, his
|
||||
mother would know he hadn't been with the scouts and he'd have hell
|
||||
to pay. Tom's mother was living on the edge of her own grief. She
|
||||
could not use any more. Apart from that consideration for his
|
||||
mother, and it was a real one in Tom's mind, the trees were thick
|
||||
and crowded and anybody could get lost on their own if they didn't
|
||||
know the place so well.</p>
|
||||
|
||||
<p>They followed the lip of the valley where sheep had worn a
|
||||
beaten track through the turf, staying up on the far side until
|
||||
they came level with the camp on the ridge which separated the
|
||||
stream from the tributary. Doug and Corky let down the plank with
|
||||
the three bombs and rubbed the stiffness out of their hands. Billy
|
||||
stuck his stave in the turf, letting the ram's skull gaze out over
|
||||
the gully.</p>
|
||||
|
||||
<p>"Let's try them now," he said.</p>
|
||||
|
||||
<p>"They won't work," Doug said. "If they'd have worked, they'd
|
||||
have gone off when they fell."</p>
|
||||
|
||||
<p>"You don't know that," Billy countered. "We could at least try
|
||||
one, and if it works, we could sell the others for a fortune."</p>
|
||||
|
||||
<p>"Who'd buy bombs?" Danny asked.</p>
|
||||
|
||||
<p>"The army, for one," Billy avowed. "Their bomb disposal squad
|
||||
take them away and defuses them. And gangsters. They could use them
|
||||
to blow up bank safes."</p>
|
||||
|
||||
<p>Doug laughed derisively at the notion, but Billy ignored him. He
|
||||
bent down and unwound the rusty wire which had strapped the nearest
|
||||
bomb to the plank. He worked at it, twisting the thin metal back
|
||||
and forth until it weakened and broke. The bomb slid free and began
|
||||
to roll down into the chasm. Billy lunged and stopped it with his
|
||||
foot. He grabbed the tail fin and hauled it back up, managed to
|
||||
lift it from the ground and raised it above his head. For a moment
|
||||
he looked as if he was making an offering to an unseen god on
|
||||
high.</p>
|
||||
|
||||
<p>"What if it does go off?" Danny asked.</p>
|
||||
|
||||
<p>"It'll go bang," Doug said. Danny looked at him. There was a
|
||||
moment's silence while Billy still stood with the bomb held over
|
||||
his head and then everybody just fell about laughing.</p>
|
||||
|
||||
<p>"Of course it'll go bang," Danny said when he got his breath
|
||||
back. Billy was trying to keep the heavy weight up, but the
|
||||
laughter had taken all the strength from his arms. He was giggling
|
||||
uncontrollably.</p>
|
||||
|
||||
<p>"But won't it be dangerous?"</p>
|
||||
|
||||
<p>They had all seen bombs explode in films. They went off like
|
||||
enormous firecrackers. People threw their hands up and somersaulted
|
||||
into the air. There was always a flash and a lot of dust thrown up
|
||||
in a black cloud. In Billy's Commando comics, the bombed Nazis
|
||||
cried <em>Himmel</em> and <em>Donner Und Blitzen</em>. They put
|
||||
their hands up in the air and were marched off as prisoners of
|
||||
war.</p>
|
||||
|
||||
<p>"No," Doug assured him. "It'll be great."</p>
|
||||
|
||||
<p>"I think we should move back a bit."</p>
|
||||
|
||||
<p>"What for?"</p>
|
||||
|
||||
<p>By now Billy's arms were sagging. He tried to hold the weight,
|
||||
but failed. The bomb tumbled out. Doug tried to grab it but only
|
||||
succeeded pushing it to the left. It thudded against Billy's thigh.
|
||||
Billy howled like a banshee. The bomb tumbled, hit the ground right
|
||||
at the edge of the ridge, landing tail first. For a second it
|
||||
seemed to balance on its own, like a miniature space rocket,
|
||||
teetering on the edge, and then it slipped over. Billy was still
|
||||
bawling and cursing Doug who was trying to explain that it was an
|
||||
accident. The others watched the bomb roll down the steep few feet
|
||||
of shale where the edge had eroded away. Below that there was a
|
||||
ledge of mudstone which stuck out two or three feet and overhung
|
||||
the much steeper drop to the trickling rivulet meandering through
|
||||
tumble of water-smoothed boulders below. It skidded down the shale,
|
||||
rolled on the ledge and paused again as if considering the next
|
||||
move.</p>
|
||||
|
||||
<p>"I'll get you for that," Billy was promising Doug.</p>
|
||||
|
||||
<p>"It's going," Corky said, voice rising.</p>
|
||||
|
||||
<p>"I think we better get back up," Tom advised, now apprehensive.
|
||||
The bomb flipped over and then it dropped. Billy caught the motion
|
||||
out of the corner of his eye and his cursing stopped. Everybody
|
||||
turned to watch. The black shape fell. It rolled several feet and
|
||||
then seemed to flip up and out. The tail fins wobbled and then the
|
||||
thing plummeted straight down.</p>
|
||||
|
||||
<p>"I'm getting out of here," Tom yelled. He turned and headed up
|
||||
the slope of the ridge, but his eyes were still glued to the bomb.
|
||||
His heels treaded at the slope, digging the shale away in small
|
||||
grooves, going nowhere.</p>
|
||||
|
||||
<p>Nobody else moved or said a word. They watched as the bomb went
|
||||
plummeting. Its fall took only a few seconds and for an instant,
|
||||
from up on the edge, it looked as if it would slam straight onto
|
||||
the rocks below. It missed by a good twenty feet and thumped onto
|
||||
the soft gravel with an almost silent thud. A cloud of dry dust and
|
||||
sand spewed up, leaving a small, shallow crater from which the
|
||||
bomb's tail stuck up straight in the centre.</p>
|
||||
|
||||
<p>"Damn and blast," Doug said.</p>
|
||||
|
||||
<p>"Damn and no blast," Billy corrected. "It didn't even go off.
|
||||
Must be a dud."</p>
|
||||
|
||||
<p>Tom breathed out slowly, relief written all over his thin,
|
||||
freckled face.</p>
|
||||
<hr />
|
||||
<p>"There's somebody here," Danny said later when they were heating
|
||||
the can of soup on the fire. "I'm sure of it. I thought I saw
|
||||
somebody in the bushes from up on the side when we were coming back
|
||||
from the village."</p>
|
||||
|
||||
<p>"Me too," Tom agreed. "Honest. When we were collecting
|
||||
wood."</p>
|
||||
|
||||
<p>"That's just your imagination," Billy said dismissively. His
|
||||
face was still tight with emotion.</p>
|
||||
|
||||
<p>"What if it's a guard?" Doug said. "Somebody from the Dummy
|
||||
Village. Maybe he saw us taking the bombs. We could get into big
|
||||
trouble."</p>
|
||||
|
||||
<p>"If there had been a guard he'd have kicked our arses and chased
|
||||
us," Corky said. "But there was nobody up there, unless there was a
|
||||
tinker sleeping rough. Can't see anybody staying up here, though,
|
||||
can you?"</p>
|
||||
|
||||
<p>"I still think there's somebody here," Danny said. "It gives me
|
||||
the creeps."</p>
|
||||
|
||||
<p>They had all calmed down to an uneasy truce after Billy and
|
||||
Doug's dreadful confrontation. That had been hours ago and still
|
||||
neither of them would look each other in the eye. The whole
|
||||
campsite was tense with the undercurrent of conflict. It had not
|
||||
gone away. It pulled and tugged at them with its own gravity. Billy
|
||||
and Doug needed to get away from each other, to get away from
|
||||
everybody. They had momentous things to consider. But it had been
|
||||
too late. Corky had used the force of his personality to cap it
|
||||
all, but it had been too late. The sizzling, almost palpable
|
||||
tension sparked from one to another.</p>
|
||||
|
||||
<p>They were all round the fire and Tom had stoked it up with pine
|
||||
logs so that it burned bright enough to force them all to sit on
|
||||
one side. Corky had used a long stick to get the soup on to the
|
||||
heat and then he'd poured it out onto the tin plates. The bread was
|
||||
hard and stale, but dipped in the thick broth, it tasted just fine.
|
||||
Even Billy ate hungrily. Doug stayed at the far side, looking down
|
||||
into his plate and eating steadily.</p>
|
||||
|
||||
<p>"We can explode them tomorrow," Danny ventured, trying to do
|
||||
something to remove the pressure. If they could get back to where
|
||||
they'd been in the morning, that would do fine with him. Nothing
|
||||
was perfect. Billy was changing and Danny did not know that this
|
||||
was a normal thing. Billy had hair on his balls and the beginning
|
||||
of bum-fluff turning dark on his top lip and he was becoming
|
||||
increasingly aggressive. He'd grown a head or more taller than
|
||||
everybody except Doug who had always been lanky and thin, and he
|
||||
was pretty powerful now, even if much of it was spare baggage.
|
||||
Danny did not know how long it would be before Billy put out a real
|
||||
challenge to Corky. He hoped that would not happen, though if Corky
|
||||
was aware of it, he didn't show it and seemed not to be concerned.
|
||||
It wasn't as if he'd put up a case for being the natural leader.
|
||||
That was just the way of it. He had nothing to prove.</p>
|
||||
|
||||
<p>"Yeah, we could maybe rig up a catapult up there on one of the
|
||||
trees, just like the Vikings," Tom came in, speaking fast, as if he
|
||||
too had the same notion.</p>
|
||||
|
||||
<p>"That was the Romans. The Vikings used a battering ram."</p>
|
||||
|
||||
<p>"Was that Kirk Douglas?"</p>
|
||||
|
||||
<p>"Who cares," Doug said from the edge. His head was still down.
|
||||
Above them, the moon was just peering over the top of the hill, as
|
||||
close to full as possible. It reflected on the burbling stream and
|
||||
gave everything a magical limning that only Danny and Corky
|
||||
noticed. The rest of them were wrapped up in their own thoughts.
|
||||
"Who gives a damn? Eh? It was just a film. Just make up."</p>
|
||||
|
||||
<p>"It was a good movie," Tom said. "I liked it. Especially at the
|
||||
end when him and Tony Curtis had the big fight."</p>
|
||||
|
||||
<p>"And remember them skipping along on the oars?" Danny came in.
|
||||
"That was a hoot."</p>
|
||||
|
||||
<p>Doug sniffed and slung his plate down to the grass. "Want some
|
||||
more?" Corky offered. Doug sniffed again and shook his head. Billy
|
||||
sat on the other edge, half turned away. He was looking at the
|
||||
ram's skull in the corner where the bush butted against the rock.
|
||||
The moonlight and firelight combined to light it up, making it seem
|
||||
to float ghostly in the dark, eye sockets staring out at them. The
|
||||
flies were humming still.</p>
|
||||
|
||||
<p>"I wouldn't waste it on the likes of him," Billy said sneeringly
|
||||
and Corky finally exploded.</p>
|
||||
|
||||
<p>"Bloody hell," he spat and even Danny jumped. "Look at the pair
|
||||
of you, would you? Just a couple of bloody morons, a couple of
|
||||
selfish, bloody <em>bastards</em>."</p>
|
||||
|
||||
<p>Tom and Danny looked at each other. Corky was tough as old
|
||||
boots, but despite his background he hardly ever swore. When he
|
||||
did, it was a real serious matter. Danny recalled him saying that
|
||||
to get on, you had to speak with a gobstopper in your mouth. Corky
|
||||
made an effort not to sound like his crazy brother Phil who would
|
||||
end up in Drumbain Prison for sure, or like Paddy Corcoran who was
|
||||
pretty guttural at the best of times. When Corky said
|
||||
<em>bastard</em> he was up and running, firing on all four.</p>
|
||||
|
||||
<p>He suddenly jumped to his feet and slammed his plate down on the
|
||||
stone at the edge of the fire. The thick soup gouted out and
|
||||
sizzled on the hot rock with a vicious cat-hiss. Everybody jerked
|
||||
back. Billy spun round, startled and Doug twisted in alarm.</p>
|
||||
|
||||
<p>"You keep your mouth shut, just for once," Corky said, his
|
||||
finger right up against Billy's face. Billy's mouth snapped closed.
|
||||
"<em>And you</em>," Corky rounded on Doug. His back was to the fire
|
||||
and they could all see the red in his face, made ruddier by the
|
||||
heat and the reflection of the flames.</p>
|
||||
|
||||
<p>"Don't you ever think?" he said, almost snarling, finger tapping
|
||||
his temple for emphasis. Danny heard the catch in his voice.</p>
|
||||
|
||||
<p>"Don't any of you ever think? <em>Jees</em>." He reached out
|
||||
both hands and held them up, palms open almost in supplication, and
|
||||
exasperation too. Danny put his plate down on the grass. Right at
|
||||
that moment, the air in the valley seemed suddenly even more
|
||||
charged than before. Corky took two steps forward, away from the
|
||||
fire, up onto the small grassy lip and walked out beyond them all
|
||||
before he turned. The flames danced on his face.</p>
|
||||
|
||||
<p>When he started speaking, his voice could hardly be heard over
|
||||
the cackle and hiss of the pinewood fire, but they never missed a
|
||||
word.</p>
|
||||
|
||||
<p>"Look at us," he said and in that moment he sounded achingly
|
||||
desolate. "Just look at us."</p>
|
||||
|
||||
<p>"You'd think it was tough enough, but no. Somebody's got to go
|
||||
and rip it all up and tear it all, and spoil it."</p>
|
||||
|
||||
<p>"But I didn't..." Billy spluttered. Corky turned his eyes on
|
||||
him, blazing in the red flamelight and Billy shut up. Doug thought
|
||||
better of whatever he was about to interject.</p>
|
||||
|
||||
<p>"It's not just you. Or Doug neither." Corky said.
|
||||
"<em>Listen!</em>. This is the first time we've been out for
|
||||
months. Really out. The whole summer, we've been stuck in, while
|
||||
they all shit themselves. Sometimes I think I'm going to get bored
|
||||
crazy. The whole summer! So we come up here for some fun and find
|
||||
the village and it should be great. But what happens? We start
|
||||
ripping it apart.</p>
|
||||
|
||||
<p>He held his hands up again. "This is all we've got. It's the
|
||||
only adventure some of us are going to get, <em>ever</em>."</p>
|
||||
|
||||
<p>He turned to Billy. "You think you've got it bad? Maybe. Tough.
|
||||
Same as me and Danny and Doug and Tom. We're all screwed. All of
|
||||
us. We've got damn all, we've got nothin'. If we all chipped
|
||||
together we couldn't buy a packet of smokes and Billy's the only
|
||||
one without a patch on the arse of his pants.</p>
|
||||
|
||||
<p>"We're jiggered."</p>
|
||||
|
||||
<p>They could hear the crack in his voice, ready to break. Corky's
|
||||
chest hitched and the fire blazed in his eyes as if he was burning
|
||||
up inside. He came walking slowly back towards the fire so they
|
||||
were all turned to face him.</p>
|
||||
|
||||
<p>"We're all up the same creek, aren't we? So there's no need to
|
||||
go picking each other off. That crazy shit's done enough of that
|
||||
with Mole Hopkirk and Don Whalen and that wee kid. If we can't back
|
||||
each other up, what the hell's the point?" He paused just enough
|
||||
for a breath and ploughed on.</p>
|
||||
|
||||
<p>"So who's got it bad?" He turned quickly, swinging to face
|
||||
Billy. "You Billy-O? Doug? Look at Tom. Shit, if I'd a wee sister
|
||||
and she died, I'd be half crazy, that's for sure. I'd be pure
|
||||
mental."</p>
|
||||
|
||||
<p>Tom flinched back as if stung. Corky had reached down into the
|
||||
taboo, Tom's private thing, and touched it. It was as if he'd
|
||||
scraped on raw flesh and Corky realised that immediately. He looked
|
||||
over at Tom, and gave him a look of such compassion, such fierce
|
||||
and honest sorrow, that Danny felt a dry lump swell hard his own
|
||||
throat.</p>
|
||||
|
||||
<p>"Sorry Tommy, just trying to say, okay?"</p>
|
||||
|
||||
<p>Tom had no words, not then, Corky turned away. "I know he must
|
||||
be all screwed up about it, really ripped open. So us, we got to
|
||||
give him a hand, give him back-up, because he's our pal, isn't he?
|
||||
Our mate. So we got to back him up. Us."</p>
|
||||
|
||||
<p>He stopped and then added for emphasis: "<em>All</em> of
|
||||
us."</p>
|
||||
|
||||
<p>Billy nodded guiltily, remembering how he'd chased Tom across
|
||||
the bog.</p>
|
||||
|
||||
<p>"And you Billy. So what? Your engine's all seized because your
|
||||
old man wasn't a great hero, or whatever he was who the hell knows?
|
||||
I'm sorry. We're all sorry, even Doug with his big mouth, he's
|
||||
sorry too. Sure youb are Doug?"</p>
|
||||
|
||||
<p>Doug looked up, opened his big mouth then thought better of it.
|
||||
He did look sorry. He looked wretched, blinking shiny eyes.</p>
|
||||
|
||||
<p>"You'll get over it. Believe me, fathers aren't all they're
|
||||
cracked up to be. We know that, don't we Dan? Look at me. My old
|
||||
man's up for swiping the pigeon club money. I've got to live with
|
||||
that, and so's my Ma. You can have a Da like mine if you really
|
||||
want. When he gets out he'll knock me arse for tit. You got
|
||||
worries? Shite on a bike, we've <em>all</em> got worries! Every one
|
||||
of us."</p>
|
||||
|
||||
<p>Corky was up now, going hell for leather, unable to pull back on
|
||||
the reins.</p>
|
||||
|
||||
<p>"You want to be like Tom, or me? How about Danny-boy? Jesus, he
|
||||
can't even open his mouth in his own house. Prayers all the
|
||||
time."</p>
|
||||
|
||||
<p>Danny cringed, feeling the other faces on him. He was suddenly
|
||||
exposed.</p>
|
||||
|
||||
<p>"You ever think about what that's like? Jesus <em>bloody-</em>H.
|
||||
Every time Dan farts they've got the priest round to him, that
|
||||
creep Father Fingers. Dan hardly ever gets out and when he's in,
|
||||
his old man's got him doing schoolwork all the time non-stop."</p>
|
||||
|
||||
<p>Corky's voice was tight with the pressure now and there was no
|
||||
stopping him. "We're all jiggered. Okay Doug, it's rough on you,
|
||||
but wee Terry's still your brother you've got nothing to be ashamed
|
||||
of. You'll be away in Toronto. At least you're getting to go
|
||||
someplace new where nobody knows you or where you're from. And Tom
|
||||
going to Australia. That's a chance. That's a real big chance."</p>
|
||||
|
||||
<p>He paused once more, and his voice went quiet, as if he was
|
||||
suddenly scared it would catch and stumble and throw him; as if he
|
||||
had come galloping along the edge to where it fell in a long sheer
|
||||
drop and he had to pull back hard.</p>
|
||||
|
||||
<p>"We won't get that chance, me and Dan and Billy, so we got to
|
||||
stay here and get on with it. But that's just it." His hands were
|
||||
right out in front of him, balled into fists. He looked as if he
|
||||
wanted to punch. "It's bad enough as it is without giving ourselves
|
||||
a bad time. So why should we be fighting over what we can't
|
||||
help?"</p>
|
||||
|
||||
<p>He paused and looked at them all, his eyes fixing each in
|
||||
turn.</p>
|
||||
|
||||
<p>"But up here, we're away from it all, just for a couple of days.
|
||||
It could be the last time. Probably is, and I don't want to
|
||||
remember it because we all blew apart. That's going to happen
|
||||
anyway, no matter what we do, so at least, just for now, we can
|
||||
stick together. It's us against the flamin' world, know what I
|
||||
mean? We're all in the shit."</p>
|
||||
|
||||
<p>He turned towards the fire, head down, shoulders shaking.</p>
|
||||
|
||||
<p>"After this summer, it's all going to break up. I want to
|
||||
remember this time. We came up here for a last chance and we found
|
||||
the Dummy Village and that's special. It's what I want to remember,
|
||||
because we don't have enough good things to remember. None of
|
||||
us."</p>
|
||||
|
||||
<p>He stopped talking and his shoulders slackened as if the tendons
|
||||
had been cut. The four of them sat there in silence, looking at
|
||||
Corky, stunned by the force of what he had said. He had touched
|
||||
them all, right inside of them. He'd been aware of everything,
|
||||
known all the dark secrets and until now he'd never said anything,
|
||||
not a word.</p>
|
||||
|
||||
<p>Danny looked from Billy to Doug to Tom. They were all sitting
|
||||
there on the short grass while the flames sent colour flickering on
|
||||
their faces. All of them were looking at John Corcoran, if waiting
|
||||
for him to say something else. None of them seemed capable of
|
||||
speech.. He had stunned them all.</p>
|
||||
|
||||
<p>Corky's shoulders heaved and his head went down into his hands
|
||||
and Danny felt a powerful ripple of shock. Corky was crying,
|
||||
standing in front of them all and he was crying, and that was
|
||||
something that had never happened before. He wanted to reach out
|
||||
and touch him.</p>
|
||||
|
||||
<p>Yet it was Tom Tannahill who stood up and walked forward, closer
|
||||
to the fire.</p>
|
||||
|
||||
<p>"Don't," he said. He reached up and put a hand on Corky's
|
||||
shoulder. "Please Corky."</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
782
build/darkvalley/OEBPS/023.xhtml
Normal file
782
build/darkvalley/OEBPS/023.xhtml
Normal file
@ -0,0 +1,782 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>**#**</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>**#**</h1>
|
||||
|
||||
<p><em>Interlude:</em></p>
|
||||
|
||||
<p>"Hector Kelso agreed with John Fallon." Angus McNicol said. "Our
|
||||
man had put the blood on the doorposts to ward off the angel of
|
||||
death, and that made him some kind of psycho. We knew that already,
|
||||
but Kelso disagreed with the shrink who still thought he'd put the
|
||||
gun barrel in his mouth. Hector said the killer thought he was
|
||||
possessed, and none of us on the investigation disagreed with that.
|
||||
He'd a devil in him.</p>
|
||||
|
||||
<p>"Old Jean McFall, she'd been a gutsy old lady. Kelso showed how
|
||||
she clambered through the attic and where he'd tried to shoot her
|
||||
through the lath and plaster of the ceiling. That must have been a
|
||||
nightmare chase and it took guts to stop and write in her diary. It
|
||||
wasn't until next day that we found what she'd written and that
|
||||
gave us better description of him, and maybe a name.</p>
|
||||
|
||||
<p>Angus McNicol's eyes were focussed far back in the past and the
|
||||
tape turned slowly, picking up his gruff voice and not missing the
|
||||
crackling emotion behind the words as he recalled the savage
|
||||
butchery at Blackwood Farm.</p>
|
||||
|
||||
<p>"Remember that song? <em>A nice wee lass, a fine wee lass, is
|
||||
bonny wee Jeannie McColl?</em> I saw the photographs on the
|
||||
mantelpiece and it could have been written for her. She'd been a
|
||||
looker in her day, fine bones, a lovely smile. When we found her
|
||||
against the wall she hardly even looked human.</p>
|
||||
|
||||
<p>"We found the back of her blouse on a piece of metal up there.
|
||||
He dragged her inside and down the stairs again, put her on the
|
||||
table and put it into her. He broke her arms, high up, close to the
|
||||
shoulder, and he tore all the ligaments and cartilage on her
|
||||
elbows. Doctor Bell and Hector Kelso agreed that he just
|
||||
spread-eagled her and put his weight down. But that didn't kill
|
||||
her. Looking at the bruising and the internal damage, Bell thought
|
||||
she probably didn't die until at least the next day. Can you
|
||||
imagine it? The team called him the Angel, but he was the devil
|
||||
incarnate, believe you me."</p>
|
||||
|
||||
<p>"He raped her, and then he used the logging axe to cut off Ian
|
||||
McColl's head and he stuck it on the dung heap. Whatever Bryce
|
||||
thought, this wasn't a man with any remorse. He waited for the
|
||||
flies to come."</p>
|
||||
|
||||
<p>We checked every lead, but the name we had never meant a thing.
|
||||
We must have pulled out the files on everybody called Leslie Joyce.
|
||||
Birth, army lists, even church congregations, hospital patients,
|
||||
and there were quite a few Les Joyces who got a visit. We even
|
||||
tried the Joyce Lesley's too, just to try to get a hook on this
|
||||
nutcase, but after Blackwood Farm, the man just disappeared and
|
||||
Bryce was crowing that he'd been right all along.</p>
|
||||
|
||||
<p>"But I never thought that bastard committed suicide. Not then
|
||||
and not <em>ever</em>. Maybe whatever was frying inside his brains
|
||||
finally burst and he fell down dead and if that's what happened,
|
||||
then it was an end he never deserved. But it was better for me and
|
||||
for all of us to think of him dead than to believe he would turn up
|
||||
again and see it start all over.</p>
|
||||
|
||||
<p>"We waited a long time, right through until the following year,
|
||||
past the next summer. The Angel, the one you lot called <em>Twitchy
|
||||
Eyes</em>, he simply vanished. Really I hoped he'd gone up onto the
|
||||
moor and got stuck in a bog and took days to die while the crows
|
||||
picked out his eyes."</p>
|
||||
|
||||
<p>"No matter what, the killer disappeared and the killings
|
||||
stopped. Nobody ever knew why."</p>
|
||||
<hr />
|
||||
<p><em>Interruption:</em></p>
|
||||
|
||||
<p>I could tell that Angus McNicol had spent a lot of time thinking
|
||||
about the killer. A lot of it had come back to me since I saw those
|
||||
eyes on the street, those flat and empty eyes that showed no spark
|
||||
and no recognition. There was a lot I'd buried down in the depths
|
||||
along with plenty more unwanted baggage from way back then. They
|
||||
say if you remember the sixties you weren't there, and that's the
|
||||
biggest crock of crap anybody ever made up. We were there. We were
|
||||
kids, but we knew, like Mick Jagger told us, this could be the last
|
||||
time, and it was, of course, because the world was changing and
|
||||
everything was blasting apart.</p>
|
||||
|
||||
<p>Up in a valley barely four miles from Blackwood Farm where a
|
||||
twitchy-eyed killer mutilated the farmer and his wife and sat until
|
||||
the flies ate their eyes out, a boy several months short of
|
||||
fourteen told his friends a truth about themselves.</p>
|
||||
|
||||
<p>Everything was changing, some of it for the better and a lot for
|
||||
the worse.</p>
|
||||
|
||||
<p>When The Who were the wild men of Rock n' Roll, Roger Daltry
|
||||
sang that he hoped he died before he got old, and of course, he
|
||||
didn't follow through. He just got rich. There were a few that
|
||||
summer who had the life taken from them and they weren't singing
|
||||
about it. It was a summer like none other. It would be another year
|
||||
at least before Jimmy Hendrix made the hairs on the back of my neck
|
||||
stand up when he played <em>Purple Haze,</em> and my mother had
|
||||
looked at him as if he was old Twitchy himself, acting the way
|
||||
mothers do when it comes to music, as if it could steal their
|
||||
children away and bury them in a cellar and damn their souls
|
||||
forever. Clapton and Bruce and Baker were about to put sounds
|
||||
together the way we'd never heard them before, but the flower power
|
||||
hadn't touched this little pocket of the world. We did not have a
|
||||
love-in, it was not groovy.</p>
|
||||
|
||||
<p>There were five boys just on the wrong side of innocence up
|
||||
there in the valley that day when.....</p>
|
||||
<hr />
|
||||
<p><em>August 3. Morning:</em></p>
|
||||
|
||||
<p>The man stepped out from the bushes and cast a shadow across the
|
||||
water of the stream.</p>
|
||||
|
||||
<p>It had been a fitful night in the aftermath of John Corcoran's
|
||||
soliloquy. The long silence after he finished speaking and stood
|
||||
with his head down and his shoulders jerking, stretched on and on
|
||||
while the flames of the fire dopplered down in a slow diminish from
|
||||
yellow to red and then to glowing embers that pulsed with a life of
|
||||
their own in the merest breath of warm night air. Corky stood
|
||||
there, staring into the flicker of light and Tom hovered beside
|
||||
him, a hand still to the shoulder, just a couple of silhouettes
|
||||
from Danny Gillan's viewpoint. Over to the side, Doug sniffed again
|
||||
a couple of times and Danny couldn't tell whether he was crying or
|
||||
not. Billy had his head in his hands, eyes fixed on the fire, like
|
||||
a big Apache, for once silent.</p>
|
||||
|
||||
<p>After a while, after what seemed a long time, Corky turned round
|
||||
and went to the tent. He came out with that old army blanket his
|
||||
old man had swiped from the territorials hall when he and Deek
|
||||
Galt, Pony's old man, had heisted a box of grenades for poaching
|
||||
the salmon up at the Witches Pots on the Corrie River where a
|
||||
generation later some folk would go hunting something else and burn
|
||||
the whole forest down to charred stumps.</p>
|
||||
|
||||
<p>"I'm going to sleep out here," he said, wrapping the blanket
|
||||
around his shoulders and lowering himself to the grass about six
|
||||
feet away from the fire. Everybody stood there, shaken, with the
|
||||
red of the fire on their faces, making them look wild and bleak and
|
||||
somehow feral, like young warriors, like young braves.</p>
|
||||
|
||||
<p>"Me too," Billy finally said in a soft voice that was unlike
|
||||
him. He and Tom crossed to the tent and got their own blankets.
|
||||
After a while, Danny and Doug did the same. The tent stood dark and
|
||||
empty while they all hunkered around the fire, huddled around their
|
||||
thoughts while the flames faded and slowed and turned the logs to
|
||||
mere glowing embers. Up on the moor a poor curlew bleated soulfully
|
||||
and the dented moon rose over the high sides to shine down into the
|
||||
open valley.</p>
|
||||
|
||||
<p>Some time in the night, Billy cried out and then subsided into a
|
||||
snuffled sob. The noise woke them all, but none of them could tell
|
||||
whether Billy was awake or asleep. Sometime in the night, Danny
|
||||
Gillan thought he heard footsteps downstream and woke up with a
|
||||
start, breathing quickly, nerves suddenly tight and alert. The fire
|
||||
had sunk down now to barely a glimmer which gave off some heat but
|
||||
not much. As he fetched some thick pine logs from the pile he and
|
||||
Tom had collected, he scanned the darkness down in the valley where
|
||||
the trees crowded blackly, holding their inky shadows. He could
|
||||
sense eyes upon him and he shivered in the cold night air. A
|
||||
trickle of apprehension rippled down his spine and he hurried back
|
||||
to the circle of the campfire where the others were dark huddled
|
||||
shapes on the ground. The logs quickly caught fire and sent the
|
||||
heat blazing out, but the cold trickle inside Danny took a long
|
||||
time to diminish.</p>
|
||||
|
||||
<p>In the morning, when he awoke, he was still tense and his hands
|
||||
were clenched into fists. His fingernails had dug red crescents
|
||||
into the skin of his palms.</p>
|
||||
|
||||
<p>Tom and Doug used the last of the sausages in the old pan,
|
||||
frying them up in their own sparking fat while the tin of beans
|
||||
with its saw-blade top angling up in a jagged halo sat at the edge
|
||||
of the fire, bubbling away in the heat. Billy took a while to rouse
|
||||
but as soon as the sausages, burned almost black, were on the
|
||||
plate, the smell brought him round as if he'd been slapped. Tom
|
||||
handed him his breakfast. Billy nodded his thanks, keeping his eyes
|
||||
down. Normally he'd be full of talk and blether in the mornings
|
||||
while everybody else was yawning and scratching and just trying to
|
||||
find their bearings, but now he was silent and for the moment there
|
||||
wasn't much to say.</p>
|
||||
|
||||
<p>They ate quickly and licked the plates clean. Danny said they'd
|
||||
have to set some more snares for rabbits and catch some trout in
|
||||
the stream if they planned to stay much longer. Doug had the notion
|
||||
he could find a pheasant's nest down in the trees and get some
|
||||
eggs, but at this late stage in the summer that idea was voted down
|
||||
with some derision. Most of the eggs would be hatched and the
|
||||
others would be addled with half formed chicks. Doug then
|
||||
remembered Mole Hopkirk clambering down from the railway arches
|
||||
with the pigeon's egg burst in his mouth, and the rousing derision
|
||||
when he'd puked it all up. It got a laugh, feeble in the light of
|
||||
what had happened to ol' Mole, and in the aftershock of the fight.
|
||||
They were all talking now, all except Billy who seemed still
|
||||
cocooned inside the happenings of the night before. When Dan went
|
||||
down to the stream to use the fine sand to wash the plates clean,
|
||||
Corky followed.</p>
|
||||
|
||||
<p>"You stick with Billy, right?" he said. "He'll be okay in a
|
||||
while."</p>
|
||||
|
||||
<p>"You reckon? He was pretty cheezed off last night. We all
|
||||
were."</p>
|
||||
|
||||
<p>"Yeah," Corky conceded, somehow sadly. "It had to be said though
|
||||
Dan. They'd have been at each others throats in a minute and then
|
||||
we'd all have been hooking and jabbing. That's the way it goes.
|
||||
Billy's a bit crazy these days. You know that. Not bad, just
|
||||
cracked."</p>
|
||||
|
||||
<p>Danny nodded down at the water where the rippling water broke
|
||||
his reflection into wavering patches of shadow. Up by the fire,
|
||||
Billy was trying to pick up some music on his radio, but all he got
|
||||
now was static. Tom and Doug were already half-way up the side of
|
||||
the valley heading for the heights where they'd left the bombs from
|
||||
the Dummy Village.</p>
|
||||
|
||||
<p>"He's always been a bit flaky, but now he can be pretty mean
|
||||
with it. I don't think he can help it, and what Doug said didn't
|
||||
help, did it? Jeez. It's like it's been building up though and I
|
||||
had to say it last night because if Billy explodes..."</p>
|
||||
|
||||
<p>"We'll all be covered in blood and guts and shite," Danny
|
||||
finished for him, wanting to keep it light now after the dismay of
|
||||
the night before. What Corky had said had got under his own skin,
|
||||
making him realise even more strongly than before, the limits of
|
||||
his own world and the constraints upon himself. The <em>Bad
|
||||
Fire,</em> his own nightmare. <em>Hell and damnation in the
|
||||
fire.</em> Corky had known without saying until last night, when it
|
||||
all came out. Corky had Crazy Phil on his back all of the time and
|
||||
would have his old man back out of Drumbain Jail soon and Corky
|
||||
would have to handle the regular knock on the head or the belt
|
||||
buckle. But was that really worse than the constant and inexorable
|
||||
weight of pressure and the never-ending litany of prayer and piety?
|
||||
Danny Gillan wanted out from under just as much as Corky needed to
|
||||
escape.</p>
|
||||
|
||||
<p>"Too true. And guts and hot air." Corky said and he laughed
|
||||
aloud, jerking Danny back to the moment. "Blood, guts and gallons
|
||||
of lard. The size of him, he'd cover the whole campsite."</p>
|
||||
|
||||
<p>They used the thick fishing line to make more snares which Danny
|
||||
set in the runs he'd found by the bushes further up the valley
|
||||
where they'd already seen some rabbits when they arrived. The line,
|
||||
Danny assured him, was better than the fencing wire because the
|
||||
rabbits wouldn't see it. When they'd finished, Corky went up the
|
||||
track to join Doug and Tom. The sun was rising fast and the heat
|
||||
was gaining on the day, bringing out the bees and damsels and the
|
||||
big dragonflies whirring in squadrons over the pools. Down in the
|
||||
trees, pigeons murmured sleepily and the slow water muttered, like
|
||||
conversations almost fathomed.</p>
|
||||
|
||||
<p>Billy and Danny went upstream to catch trout in the shallow
|
||||
pools and under the rocks where the water tumbled. Up on the
|
||||
plateau, close to where the natural dam had backed up the steam to
|
||||
form the long twist of Lonesome Lake, the others were whooping
|
||||
excitedly, the cares of the night forgotten, or at least banished
|
||||
under the heat of the sun.</p>
|
||||
|
||||
<p>"Bombs awaaaay." Tom's high voice came wavering down. There was
|
||||
silence, then more whoops and gales of laughter. Danny couldn't
|
||||
help but smile.</p>
|
||||
|
||||
<p>"You think they'll explode?"</p>
|
||||
|
||||
<p>"Hope so," Billy said. He'd his head down, hair trailing the
|
||||
burbling surface of the clear water, both hands jammed under a flat
|
||||
stone, eyes fixed with concentration. "Big one in here." He
|
||||
twisted, pushed further. Danny could see his shoulders working as
|
||||
he tried to get a hold of the trout. Finally he slowly withdrew his
|
||||
hand from under the rock, keeping his balance, brought out a thick
|
||||
spotted fish that twisted and torqued powerfully in his big
|
||||
hands.</p>
|
||||
|
||||
<p>"Beauty," he said through gritted teeth. "Bet that's nearly a
|
||||
pound." He held it tight in his left and hooked a forefinger into
|
||||
the trout's mouth while it bucked for freedom, pulled on the upper
|
||||
jaw until he mouth gaped and the head drew right back. There was a
|
||||
watery squelch and then a small crack. The fish shivered and then
|
||||
flopped to limp stillness, its neck broken. Danny watched
|
||||
dispassionately. They'd been catching trout since they were no size
|
||||
at all. It was different with fish. It was <em>normal.</em></p>
|
||||
|
||||
<p>Behind and above them, in the narrow chasm leading off the main
|
||||
valley, Doug and Corky were balancing the bombs on the branches of
|
||||
a twisted hawthorn tree that leaned out over the side of the drop.
|
||||
They were using some of the hay-baling twine from the roll that
|
||||
served as guy ropes for the old tent, and despite the straining
|
||||
effort, they'd managed to pull one branch right back until it
|
||||
touched the ground. Tom had snagged the twine around the tree's own
|
||||
root and he plucked it, making it sing like a deep guitar
|
||||
string.</p>
|
||||
|
||||
<p>"Try it now," Doug said. Tom got his old army knife with the
|
||||
spike for taking things out of horses hooves, opened the sharp
|
||||
blade. Gingerly he hacked at the hairy string, covering his eyes in
|
||||
case it whipped back and blinded him. The blade bit through before
|
||||
he expected it to and the branch uncoiled with a whiplash crack.
|
||||
The bomb went straight up in the air, maybe ten feet or more. Tom
|
||||
went sprawling back.</p>
|
||||
|
||||
<p>"Bombs away," he yelled, scrabbling for balance before he
|
||||
tumbled over the edge.</p>
|
||||
|
||||
<p>"Watch out," Corky bawled. Doug shrieked with laughter. The bomb
|
||||
went straight up and came straight back down again, tail first, but
|
||||
already beginning its turn. It hit the very spot where Tom had been
|
||||
only a second before, landing with an earth-shuddering thump on its
|
||||
side and then it toppled over the edge as the one had done the
|
||||
previous night to slide down the shale slope and come grinding to a
|
||||
silent halt.</p>
|
||||
|
||||
<p>They all burst out laughing together.</p>
|
||||
|
||||
<p>Danny and Billy, stripped to the waist and with their sloppy-joe
|
||||
sweat-shirts tied by the arms around their waists, had taken six
|
||||
fish in the first hundred yards, none of the rest as big as the one
|
||||
Billy had tickled from under the stone and now they were threading
|
||||
twine through the gills to carry them back to the camp.</p>
|
||||
|
||||
<p>"Did <em>you</em> know?" Billy had asked and Danny hadn't
|
||||
bothered, hadn't needed to ask what he was talking about. He'd been
|
||||
waiting for the question, uncomfortable in its proximity and unsure
|
||||
of what he would say when it came.</p>
|
||||
|
||||
<p>"Yeah," he finally said. "I knew. Stood to reason, didn't it?
|
||||
Doesn't matter though. None of us is bothered about it. We don't
|
||||
care."</p>
|
||||
|
||||
<p>"I never thought about it. Honest to God."</p>
|
||||
|
||||
<p>"We knew that, Billy."</p>
|
||||
|
||||
<p>"But my Ma's been lying to me all these years."</p>
|
||||
|
||||
<p>"Everybody's mother lies. She just wants you to feel good."</p>
|
||||
|
||||
<p>"But I <em>don't</em> feel good. She said he was a hero."</p>
|
||||
|
||||
<p>"And he could have been. Might have been. Who the hell knows?
|
||||
Look at Corky's old man, he's no hero, that's for sure. Nor mine.
|
||||
Corky was right. It's not worth fighting about. We've all got
|
||||
troubles."</p>
|
||||
|
||||
<p>"Yeah, but <em>Jeez,</em> I never thought. How stupid can you
|
||||
get? I could have belted Doug last night. I could have really
|
||||
gubbed him. I still could, you know? Because of what he said."</p>
|
||||
|
||||
<p>Danny saw Billy's shoulders twitch again, this time with the
|
||||
internal pressure of a held-back punch and he was immediately
|
||||
reminded of Corky's analogy. He did look as if he could explode.
|
||||
The twitch was like a small seismic shiver, but the body language
|
||||
so eloquent. In his mind, Billy was lashing out to land a fist on
|
||||
Doug's nose. Dany was glad it was still held in tight, glad it
|
||||
hadn't come to it. What Corky had done, what he had said had
|
||||
touched them all. He'd stopped it.</p>
|
||||
|
||||
<p>Billy bent to threading the string through the gills. Up on the
|
||||
hill, another cheer went up into the still air followed by yet
|
||||
another gaggle of laughter. Danny thought it would be a good idea
|
||||
if they dumped the fish down at the camp and went up the hill to
|
||||
join in. Once they got Billy laughing again, it would be okay
|
||||
(<em>until the next time</em>). He was just about to turn and
|
||||
suggest this to Billy when across the stream, where the hazel
|
||||
bushes crowded together, a trickle of gravel went hissing down the
|
||||
slope. Danny looked up.</p>
|
||||
|
||||
<p>And the man stepped out from the bushes.</p>
|
||||
|
||||
<p>Danny jerked back in surprise, his breath drawn in quickly in a
|
||||
hiss. Billy hadn't noticed. He was still crouched down,
|
||||
concentrating on the task of inserting the thick, fibrous twine
|
||||
inside the gill and out through the gaping, bloodied mouth.</p>
|
||||
|
||||
<p>The man stood there silently on the far side of the stream. He
|
||||
was tall, very tall and his hair was black as Billy's, though uncut
|
||||
and greasy. His eyebrows shadowed his eyes and he stood stock still
|
||||
in a long shabby coat that came down below his knees and looked too
|
||||
warm for the summer's day. He was wearing a pair of scuffed black
|
||||
boots laced up to the top with pieces of twine. One of the soles
|
||||
was peeling away from the upper.</p>
|
||||
|
||||
<p>"Bill," Danny whispered.</p>
|
||||
|
||||
<p>"Shouldn't have said it anyway," Billy muttered tightly still
|
||||
replaying the scene. "He was just having a go at me."</p>
|
||||
|
||||
<p>Danny nudged him and for a moment Billy just continued his
|
||||
self-bound conversation. Finally Danny reached and clamped his hand
|
||||
round the other boy's meaty wrist.</p>
|
||||
|
||||
<p>"What?" Billy said, turning his head. He saw Danny's eyes, fixed
|
||||
and unblinking, staring across the tumbling water. He slowly
|
||||
turned, caught a glimpse of the figure standing on the far bank.
|
||||
His head jerked up and his own eyes widened. His whole body started
|
||||
back in surprise.</p>
|
||||
|
||||
<p>The man stood there for a long moment, still as rock. Behind him
|
||||
the little shiver of shale trickled down the steep slope, possibly
|
||||
where his coat had brushed the dry surface. It sounded like a slow
|
||||
breath. In Danny's hand, one of the fish bucked, even though he'd
|
||||
been sure the blow on the head had killed it dead. It shuddered and
|
||||
then went limp. The man stared at them, though they couldn't see
|
||||
his eyes under the beetling brows. His face was craggy and angular,
|
||||
and his hair, thick and dark, hung down lank and turned up at his
|
||||
collar. It was spiked near the crown, as if he'd cut it himself and
|
||||
on either side of his mouth, deep furrows formed black, angry
|
||||
brackets.</p>
|
||||
|
||||
<p>The moment of contact stretched on. Neither of the boys knew
|
||||
what to do. Up on the hill they could hear the excited yelling of
|
||||
the others, but they couldn't call out to them while the man was
|
||||
staring at them. Was he a farmer? A gamekeeper?</p>
|
||||
|
||||
<p>Both of them knew he was neither. He was ragged and dirty and
|
||||
unwashed and unshaven. His work trousers were torn at the knee and
|
||||
covered in dark stains. His mouth was curved downwards. Danny
|
||||
touched Billy's arm again and moved backwards, still crouched on
|
||||
the grass by the bank. The fish on his string slithered towards him
|
||||
with the movement, its eye blinkless and dead, mouth agape. Billy
|
||||
scrambled back with him.</p>
|
||||
|
||||
<p>"Who is he?" he whispered out of the corner of his mouth.</p>
|
||||
|
||||
<p>"Don't know."</p>
|
||||
|
||||
<p>The sunlight on the moving water sent spangled reflections onto
|
||||
the steep slope behind the silent figure and dappled shimmering
|
||||
light on his threadbare coat. It flashed into his eyes and he
|
||||
blinked several times, very rapidly. He turned away from the light,
|
||||
quite slowly, as if it hurt his eyes, until his face was in
|
||||
profile, then he jerked once and seemed to galvanise into motion.
|
||||
He took a heavy step forward, crunching on the gravel and small
|
||||
stones by the side of the stream, took another step which put his
|
||||
foot right into the water with a loud splash. There were enough
|
||||
stones to allow him to step across and stay dry at this time of the
|
||||
year when it hadn't rained for more than three weeks and the water
|
||||
was low, but he ignored them. The dark brows had come down again to
|
||||
shutter the eyes, but they knew he was staring right at them, so
|
||||
intently he did not even seem to notice his boots were under
|
||||
water.</p>
|
||||
|
||||
<p>Danny and Billy cringed backwards. They got to their feet,
|
||||
hearts suddenly thumping. Behind and above, Tom and the others were
|
||||
hooting with laughter again.</p>
|
||||
|
||||
<p>"Mister we..." Billy started. "we're just catching some fish for
|
||||
our dinner. Honest."</p>
|
||||
|
||||
<p>Neither of them knew who the man was, or what power, civil or
|
||||
official he might wield but Billy was already working on
|
||||
mitigation.</p>
|
||||
|
||||
<p>"Fish."</p>
|
||||
|
||||
<p>The word came out in a soft hiss of breath, almost dreamily.
|
||||
"Fishes."</p>
|
||||
|
||||
<p>The man crossed the stream and came up the bank, mounting to the
|
||||
flat in two or three big strides. When he reached the turf where
|
||||
they'd been threading the trout he stood up straight, towering over
|
||||
them.</p>
|
||||
|
||||
<p>"I will make you fishers of men," he whispered, his voice
|
||||
slightly hoarse, as if he'd been shouting. The boys drew back a
|
||||
step, standing closer together now. The whispering voice made no
|
||||
sense, though Danny had heard the words before. The man was still
|
||||
staring at them, his face completely impassive, as if there was no
|
||||
emotion in him, as if he was looking both at them and right through
|
||||
them.</p>
|
||||
|
||||
<p>"What do you want?" Danny asked and both he and Billy heard the
|
||||
apprehensive little tremble in his voice. The man was just standing
|
||||
there and that was scary enough. They'd been chased by gamekeepers
|
||||
and bawled at by irate farmers and that was the way of things with
|
||||
boys. But this big scarecrow of a man had just whispered, not
|
||||
raised his voice, and that was somehow very unnerving.</p>
|
||||
|
||||
<p>"They said, <em>Lord, here is a boy with a few fishes</em>." The
|
||||
whispering became a grating rumble, coming up from deep inside the
|
||||
stranger. "A <em>few</em> fishes."</p>
|
||||
|
||||
<p>He took several steps forward, alarmingly quickly. Danny and
|
||||
Billy flinched yet again. The man reached and picked up the biggest
|
||||
of the fish, the one Billy had been trying to loop on to the
|
||||
string. He held it up to them. The still-wet scales threw back the
|
||||
light in iridescent sparkles. Without hesitation the man brought
|
||||
the limp trout up to his face, opened his mouth and bit down on its
|
||||
head.</p>
|
||||
|
||||
<p>Danny's heart seemed to drop like a stone.</p>
|
||||
|
||||
<p>"Jeez," Billy gasped, backing into the smaller boy and almost
|
||||
knocking him sideways. Danny had to grab his arm, to keep from
|
||||
falling.</p>
|
||||
|
||||
<p>The teeth came down on the head and they both heard it crunch
|
||||
wetly, almost with the sound of a boiled egg being cut open with a
|
||||
blunt knife. The fish flapped twice, the way the other trout had
|
||||
done, showing it was still, even if barely, alive. Danny could not
|
||||
believe his eyes. His throat clenched and he felt as if he was
|
||||
going to vomit. Close by, he heard the sound of Billy gulping for
|
||||
air.</p>
|
||||
|
||||
<p>The teeth clenched tight and they stood fascinated, mesmerised,
|
||||
unable to draw their eyes away. The head crunched and the man's
|
||||
head pulled back. A piece of flesh flipped out from between the
|
||||
teeth and then the rest of trout pulled away. They could see that
|
||||
the wide, grey head had been bitten clean through to just behind
|
||||
the eye. Black blood welled from the small braincase. Dark blood
|
||||
trickled down on the man's clenched teeth. He swung his head, in an
|
||||
animal motion, the way a dog does, and chewed hard. The sound of
|
||||
the fish head crunching, an innocuous little sound in itself, was
|
||||
suddenly appalling in the still air of the day. It was nothing and
|
||||
yet it was immense, of great importance; of earth shuddering
|
||||
consequence. Of a sudden, both of them, standing elbow to elbow,
|
||||
with the sun hot on their shoulders, felt completely and
|
||||
terrifyingly defenceless.</p>
|
||||
|
||||
<p>The man stared into them from the shadows under his brows and he
|
||||
chewed slowly and deliberately, letting them hear every disgusting,
|
||||
sickening sound. Then he swallowed and the lot went down his throat
|
||||
with not a shiver or a tremor.</p>
|
||||
|
||||
<p>Danny tried to turn to run but for some reason he was frozen to
|
||||
the spot, Billy was jammed up against him and he could smell his
|
||||
sweat, feel the peculiar shiver in the face of this craziness.</p>
|
||||
|
||||
<p>The man stepped forward and held the torn trout out. "Take this
|
||||
and eat it," he said to Billy, pinioning him with black eyes, now
|
||||
visible this close. He cocked his head to the side, a strangely
|
||||
dog-like gesture. "He took it and gave it to his disciples." Danny
|
||||
had also heard those words before, heard them many a time, read out
|
||||
in the nightly family prayers around the empty grate of the fire.
|
||||
Words form the bible, from the new testament. <em>This is the word
|
||||
of the Lord</em>.</p>
|
||||
|
||||
<p>For a moment he heard his own father's voice transposed on the
|
||||
raggedy man's low rumble.</p>
|
||||
|
||||
<p>Billy was backing away. The man stepped forward, jabbing the
|
||||
bloodied end of the fish at the taller boy. "Take this and eat it,"
|
||||
he repeated. The eyes were completely devoid of colour, like holes
|
||||
under the shelves of the brows. Billy whimpered.</p>
|
||||
|
||||
<p>"I don't like..." he started to say.</p>
|
||||
|
||||
<p>"Eat. Eat." The voice rumbled. The torn end, showing the curve
|
||||
where the eye had been ripped from the socket, rubbed against
|
||||
Billy's lips. He gagged, shaking his head in disgust.</p>
|
||||
|
||||
<p>"Come on Billy," Danny said, voice rising. He grabbed his friend
|
||||
by the arm and pulled him backwards. "Let's go."</p>
|
||||
|
||||
<p>Danny hauled hard enough to spin Billy round. The big boy
|
||||
turned, eyes wide in fright. A slick of blood and fish slime coated
|
||||
his mouth like a smeared, viscid lipstick and his normally sallow
|
||||
skin had turned fish-belly pale. Danny felt his heart flip
|
||||
helplessly like the jerking twitch of the dying fish. The sense of
|
||||
danger simply inflated inside him. He pulled again. Billy blinked
|
||||
once, twice.</p>
|
||||
|
||||
<p>"Come <em>on!</em>" Danny urged, pulling him. Billy seemed to
|
||||
lurch out of a dream. His muscles seemed to unlock. He jerked and
|
||||
then he was moving. Danny leapt down the slope to the next
|
||||
downstream level with Billy in front of him. All the while he could
|
||||
sense the man reaching for him, a big gnarled hand with fingers
|
||||
outspread to grab him by the skin of the neck. He could imagine the
|
||||
man's breath. He thought he could hear his big boots pounding after
|
||||
them.</p>
|
||||
|
||||
<p>Billy was moving, only a couple of feet ahead, his blue and
|
||||
white tee-shirt flapping like an apache breechcloth. His big, meaty
|
||||
arms were swinging and Danny could hear the panicked tremble in his
|
||||
breathing. His own breath was coming fast; short, gasped pants for
|
||||
air and it felt as if his heart had raised itself up about six
|
||||
inches to block his windpipe. The track beside the stream narrowed
|
||||
between two large boulders at the turn where Billy had caught the
|
||||
big one and they both went through the gap like startled rabbits.
|
||||
Off in the bushes a blackbird went clattering away in a scold of
|
||||
alarm. They smashed through, where before they had gingerly angled
|
||||
avoiding scratches from thistles, now crunching and crushing the
|
||||
hogweed and wild rhubarb. Billy was like a tank, heedless of any
|
||||
obstruction.</p>
|
||||
|
||||
<p>They came out of the shadow at the bend and into the sunlight.
|
||||
The other boys were high up on the edge, further up the gully of
|
||||
the tributary, oblivious for the moment to the drama down below.
|
||||
Billy ran as fast as he could, tasting the blood and raw slime from
|
||||
the fish, suddenly more afraid than ever before. It had happened so
|
||||
fast and it was so inexplicable it was truly terrifying. The fact
|
||||
that the man had bitten into the living head of the fish had been
|
||||
scary enough, <em>wrong</em> enough to be dreadfully shocking, but
|
||||
then he had forced the thing at Billy's mouth and if a man would do
|
||||
that, he had to be crazy for sure. He had just stared at them and
|
||||
then spoken in a harsh, creepy whisper. His eyes had blinked under
|
||||
the brows and Billy had thought.</p>
|
||||
|
||||
<p>Billy had thought there was something...</p>
|
||||
|
||||
<p>Billy thought</p>
|
||||
|
||||
<p><em>Twitchy Eyes.</em></p>
|
||||
|
||||
<p>He had never been quick on the uptake, but as soon as the fish
|
||||
had jammed into his mouth and he had caught the reflection of the
|
||||
light on the man's black eyes, seen the rapid fire blink, like some
|
||||
flickering morse, the image had come smacking into his head and his
|
||||
knees had almost given way.</p>
|
||||
|
||||
<p><em>Oh holy Jesus please-us</em> a childish voice had yelled
|
||||
inside his head and Billy had instantly felt very small and
|
||||
dreadfully vulnerable. Danny had been pulling at him and he'd
|
||||
frozen just for the moment, not able to make his feet work, while
|
||||
the smell of fish was thick in his nose and the back of his throat.
|
||||
And then he and Danny were running, him first, down the track and
|
||||
he knew if they could get to the next corner and down to the camp
|
||||
they'd get away because the man would see the others and he'd know
|
||||
he couldn't get away with anything if there were witnesses and
|
||||
everything would be...</p>
|
||||
|
||||
<p>They came scuttering round the corner, angling their bodies to
|
||||
take the bend. They made it past the clump of stinging nettles,
|
||||
past the cluster of dockens waving in no breeze the way dockens do
|
||||
in the summer. A hunting swallow flew right in front of them,
|
||||
jinking at the last moment in a flare of gunmetal blue-black.</p>
|
||||
|
||||
<p>Then Billy's foot stepped into a cowpat that wasn't old enough
|
||||
to be caked and dry. The top surface slid across the wet and greasy
|
||||
inside and his foot slipped with it.</p>
|
||||
|
||||
<p>It all went wrong just as quickly as that.</p>
|
||||
|
||||
<p>He put his foot down, still running at an angle, reaching with
|
||||
his left hand towards the stand of hazel saplings to get enough
|
||||
purchase to swing his weight around and next thing he was up in the
|
||||
air. His foot skidded out from under him and the other foot
|
||||
couldn't come back down quickly enough to regain his balance. He
|
||||
hit the ground with such a thud that his teeth gnashed together
|
||||
with a jar of sudden pain. Another pain jolted up from his backside
|
||||
to the top of his head as all his weight compressed the bones in
|
||||
his back. His breath came out on one loud whooping expulsion.</p>
|
||||
|
||||
<p>Danny was only three feet behind. He saw Billy go down, tumble
|
||||
and bounce and then he was flying over Billy's head. Both knees hit
|
||||
against the other boy's shoulder and his own momentum flipped him
|
||||
up and over. He landed with a numbing crash right at the edge of
|
||||
the track where the bank dropped about six feet to a shallow pool.
|
||||
It was only the fact that his torn jeans snagged a protruding hazel
|
||||
root that prevented him from plunging forward head first onto the
|
||||
rocks below.</p>
|
||||
|
||||
<p>Up above, on the rim, startled voices came rolling down.</p>
|
||||
|
||||
<p>"Hey, what's up? You OK?" Danny vaguely heard the drumming of
|
||||
feet as Corky and the rest came haring down the hardpack sheep
|
||||
track. Billy groaned, grunted, turned himself over, got to his
|
||||
knees. Danny eased himself to his feet, aware that he should be
|
||||
doing something, but momentarily dazed by the shock of the
|
||||
fall.</p>
|
||||
|
||||
<p>"Hey Dan!" Doug bawled.</p>
|
||||
|
||||
<p>The man came round the corner just as Danny got to his feet.
|
||||
Billy was still on his knees, facing downstream. He saw Danny's
|
||||
face go slack and his eyes raise themselves upwards, higher than
|
||||
Billy's own. Behind him, something brushed against fabric and then
|
||||
a cold, hard edge pressed against the curve of his jawline.</p>
|
||||
|
||||
<p>"Oh Billy," Danny said, but there was no need for explanation.
|
||||
Billy knew it was a gun.</p>
|
||||
|
||||
<p>"And again a little while and you <em>shall</em> see me," the
|
||||
man said and there was a hint of shivery laughter, a kind of cold
|
||||
glee in his rumbling voice.</p>
|
||||
|
||||
<p>Doug and the others came hurtling round the bottom bend. From up
|
||||
on the rim they had seen both boys tumble, but the track had curved
|
||||
down behind one shoulder of the slope and they had not seen the
|
||||
stranger pushing through the foliage.</p>
|
||||
|
||||
<p>They all skidded to a halt when they rounded the crumbling
|
||||
corner of the dog-leg of the valley, Doug first, Corky hard on his
|
||||
heels and Tom only a few feet behind.</p>
|
||||
|
||||
<p>Everything stopped dead still.</p>
|
||||
|
||||
<p>A lone cuckoo sang out downstream where the forest crowded down
|
||||
to the water, a lazy, somnolent summer sound, almost smoky in the
|
||||
warm air. Two black and gold dragonflies chased each other between
|
||||
the two frozen groups, for a long, extruded moment the only
|
||||
movement in that part of the valley. Three boys stood there in
|
||||
attitudes of sudden stop, hands out, bodies twisted, as if they'd
|
||||
been photographed at the beginning, or the end of a race. All of
|
||||
them were open mouthed, wide eyed.</p>
|
||||
|
||||
<p>Danny Gillan was further up the track, half turned, eyes fixed
|
||||
on Billy who was still down on his knees, his black hair in awful
|
||||
contrast to the now pure white of his skin. His own dark eyes
|
||||
looked like pits. The long, shining barrels of the shotgun had him
|
||||
just behind his ear, their gaping mouths a dark and infinite figure
|
||||
of eight laid on its side.</p>
|
||||
|
||||
<p>Billy's eyes were blinking fast, blinking almost in time to the
|
||||
tic in the gaunt man's own eyes. Everything was frozen in a tableau
|
||||
except for the eyes and the dragonflies whirring past about their
|
||||
own business, oblivious to the drama.</p>
|
||||
|
||||
<p>For a long, stretched moment of time there was no sound at all
|
||||
except the murmuring of the stream and the robber bird down in the
|
||||
trees.</p>
|
||||
|
||||
<p>"And so he came amongst them," the ragged man finally said, "and
|
||||
they got down upon their knees."</p>
|
||||
|
||||
<p>This time he laughed. It was the first time the other three had
|
||||
seen him, the first time they had heard his voice. John Corcoran
|
||||
felt a deadly cold chill trickle upwards on his spine and he knew
|
||||
instantly they were in the most appalling danger. For that long
|
||||
moment, he was frozen, yet on many levels he was aware of
|
||||
everything, even the far-off cuckoo and the mindless chattering of
|
||||
the stream. He gauged the distance back to the curve around the
|
||||
little knoll of rock on the shoulder, out of the line of fire of
|
||||
those long black barrels. Would the man shoot Billy? For a second
|
||||
he considered running, turning on his heel, thinking the same
|
||||
thought Danny had already considered, that the man would not dare
|
||||
shoot if there were witnesses free to point the finger.</p>
|
||||
|
||||
<p>In the man's other hand, he saw the dead trout, saw a trickle
|
||||
ooze down to the ground, wondered where it had come from. Billy's
|
||||
eyes were wide and pleading, not fixed on anything, but jittering
|
||||
left right, up and down, beseeching the very air. He looked as if
|
||||
he expected his own brains to come blasting out onto the grass.
|
||||
Danny was standing, hands shaking now, his whole body aquiver with
|
||||
tension, his back to the rest of them. He looked slight and fragile
|
||||
against the tall stranger whose shadow blocked the path.</p>
|
||||
|
||||
<p>"Oh shit, Corky," Doug said in a tremorous whisper. "He'll kill
|
||||
him."</p>
|
||||
|
||||
<p>The man stood stock still, the way he had on the far side of the
|
||||
stream when he'd come across Danny and Billy. Everything was
|
||||
frozen, a tableau of exquisite tension. Corky took in the whole
|
||||
scene, the gun close to Billy's neck, the look of absolute fear on
|
||||
his face, the shadows under the craggy brows on that gaunt face. In
|
||||
that split second he knew he could not run. They had come
|
||||
scampering down the hill and into madness on a summer's day. All
|
||||
the odds, all the distances, all the estimates of speed and flight
|
||||
evaporated. The man with the gun stood there, blinking in the
|
||||
bright light of the sun. There was no flight now, Corky knew with
|
||||
complete and instinctive certainty. The gun would simply blow Billy
|
||||
Harrison's head from his shoulders, and then it would talk to Danny
|
||||
and then....</p>
|
||||
|
||||
<p>The man leaned forward and put the dead, ungutted fish against
|
||||
Billy's mouth. The entrails were squeezing out of the hole where
|
||||
the mouth should be, little slithery green strings. The stranger
|
||||
leaned over and whispered something that none of them heard.
|
||||
Billy's belly muscles seemed to shiver. His head moved from side to
|
||||
side, but his mouth opened and his teeth came down on the trout and
|
||||
he bit into the gill covers. Purple blood splashed onto his
|
||||
cheeks.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
584
build/darkvalley/OEBPS/024.xhtml
Normal file
584
build/darkvalley/OEBPS/024.xhtml
Normal file
@ -0,0 +1,584 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>24</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>24</h1>
|
||||
|
||||
<p>Billy was sick.</p>
|
||||
|
||||
<p>He had taken two mouthfuls of the trout, skin, gills, bones and
|
||||
slick, cold entrails. They all heard the slush-crackle as he
|
||||
chewed, jaws working in a crazy stammer. He swallowed, eyes closing
|
||||
tight, mouth twisted in utter revulsion. The gulping sound he made
|
||||
turned Danny's stomach and for an instant he thought he would vomit
|
||||
the sausages he'd eaten for breakfast.</p>
|
||||
|
||||
<p>Billy beat him to it. He swallowed a second time and then his
|
||||
mouth opened and all of it came back up again in a projectile gush
|
||||
which propelled the glutinous mass out onto the grass.</p>
|
||||
|
||||
<p>The man laughed again, this time a fast, almost girlish giggle
|
||||
of sound as if he found the whole display completely hilarious and
|
||||
that laugh was just as chilling to Danny as the very fact that he
|
||||
had made Billy eat the slimy fish or jammed the gun against his
|
||||
friend's head. The whole day had flipped, in the space of a few
|
||||
seconds, into a surreal and terrifying kind of nightmare.</p>
|
||||
|
||||
<p>The man's next move surprised them all. He reached forward and
|
||||
took Billy by the hair and hauled him to his feet. Billy yelled in
|
||||
pain and fright. Danny took an instinctive step forward and the man
|
||||
speared him with a fathomless look, froze him to the spot.</p>
|
||||
|
||||
<p>"Don't mister," Billy yelped. "Ah, that's sore. Please. Let me
|
||||
g....."</p>
|
||||
|
||||
<p>He was up on his toes now, head back and eyes screwed up, both
|
||||
hands raised above his head, wanting to take the fingers out of his
|
||||
hair, afraid to touch them. He arched upwards trying to slacken the
|
||||
grip and take the dragging pain out of his scalp.</p>
|
||||
|
||||
<p>"Leave him alone," Corky bawled, body bent forward, needing to
|
||||
do something. "Get off him."</p>
|
||||
|
||||
<p>The man ignored him. Instead, he let Billy get both feet flat on
|
||||
the turf and pushed him, still gripping his hair in his left hand,
|
||||
making his head nod rapidly with the force of the sudden shove.
|
||||
Billy almost fell forward, got his balance, and the man walked him
|
||||
along the track. He raised the gun and pointed it at straight
|
||||
Danny's belly. The hollow black figure of infinity, the horizontal
|
||||
ebony eight at the gaping ends of the barrels loomed suddenly
|
||||
vicious. Danny's sphincter puckered into a tight little nub and he
|
||||
still felt everything might just let go. One squeeze on either
|
||||
trigger and that black mouth would roar and it would blow a
|
||||
plate-sized hole from front to back and kill him in a flash of
|
||||
light and noise.</p>
|
||||
|
||||
<p>"Come on, boy," the man said, very gently, almost sadly. "Let's
|
||||
all go down together."</p>
|
||||
|
||||
<p>Danny turned, his legs almost unable to bear his weight and led
|
||||
the way, all the time aware of the gun. The skin on his back
|
||||
puckered in dreadful expectation. His heart thudded with such
|
||||
sudden pressure that twin pains pulsed in his temples and his
|
||||
vision swam.</p>
|
||||
|
||||
<p>"You three," the man said, his voice louder, raising his face to
|
||||
Corky and the others on the higher track. "At the double."</p>
|
||||
|
||||
<p>Danny thought of Billy. That's what he had said after he'd
|
||||
crushed the dragonfly larva and thrown the bloated frog back into
|
||||
the crater.</p>
|
||||
|
||||
<p><em>Come on you lot. At the double.</em></p>
|
||||
|
||||
<p>That nowseemed like a long time ago. Now Billy was on his
|
||||
tip-toes, face contorted in pain. The tableau on the slope froze
|
||||
for an instant of dreadful indecision, then began to move again.
|
||||
Corky said nothing more.</p>
|
||||
|
||||
<p>They came down the hill, just ahead of Danny and they all went
|
||||
down together.</p>
|
||||
|
||||
<p>There was no sound but the burbling water and the thud of their
|
||||
footfalls on the short turf where the highland cattle and the
|
||||
black-faced sheep had cropped the grass to a short matte. But for
|
||||
that half-wild hill cow, and its half-baked cowpat, they could have
|
||||
been down stream and gone.</p>
|
||||
|
||||
<p>Behind him, Danny heard Billy grunt in pain or exertion, but he
|
||||
was too numbed to look round. He had seen the madness in the man's
|
||||
eyes. The fervour had reached out and touched him. The eyes were as
|
||||
black as the barrels of the twelve-bore shotgun, but their black
|
||||
was deeper, like holes in the world, as if there was a space behind
|
||||
them that went on forever and never stopped. It was only the
|
||||
rapid-fire blinking, as if they were burning with their own black
|
||||
intensity, that briefly cut off the pull of their awesome
|
||||
gravity.</p>
|
||||
|
||||
<p><em>Twitchy...</em></p>
|
||||
|
||||
<p>It had come to Danny as it had come to Billy, that epiphany, the
|
||||
sudden and apocalyptic recognition.</p>
|
||||
|
||||
<p><em>We know he's a tall man,</em> big John Fallon had said as he
|
||||
stood in front of the class with Sister Julia standing beside him,
|
||||
each in different versions of black and white uniform. She had
|
||||
looked up at him, half his size, a third his weight. They had all
|
||||
looked at him. <em>Maybe as tall as me,</em> the big sergeant had
|
||||
told them and they'd listened. <em>He's got black hair and he
|
||||
blinks as if he's got something wrong with his eyes.</em></p>
|
||||
|
||||
<p>John Fallon had been right. This man was big. God he was
|
||||
<em>huge</em>.</p>
|
||||
|
||||
<p><em>Twitchy Eyes</em></p>
|
||||
|
||||
<p>Billy Harrison had looked up from where he was threading the
|
||||
thong through the fish gills and the man had filled his entire
|
||||
vision. Now he filled his whole consciousness, his entire world.
|
||||
The hand gripping his hair held tighter, keeping his head pulled
|
||||
back, and the pain screwed into his scalp, making his eyes
|
||||
water.</p>
|
||||
|
||||
<p>Danny Gillan felt the skin on his back pucker and ripple all the
|
||||
way down his spine,. His whole consciousness was filled with the
|
||||
knowledge of the barrels upon him. One slip. One small tug of the
|
||||
finger, a squeeze, a stroke, and the gun would cut him in half. He
|
||||
could feel a whimper, a little animal sound that was born of pure
|
||||
fear, try to ripple up from his throat and push its way out of his
|
||||
mouth and he was afraid that if he made a sound the man</p>
|
||||
|
||||
<p>- <em>twitchy eyes -</em></p>
|
||||
|
||||
<p>would react just the way a cat does, jerk at the least sound and
|
||||
then...<em>oh then...</em></p>
|
||||
|
||||
<p>Behind him Billy grunted.</p>
|
||||
|
||||
<p><em>No Billy!</em> Danny silently pleaded.</p>
|
||||
|
||||
<p>Billy made a deeper animal sound. The man still had him by the
|
||||
hair. Without turning, Danny knew Billy's head was still hauled
|
||||
back in that merciless grip, his face white and open and slack.
|
||||
Ahead of him he could see Corky's shoulders, all tensed up, the way
|
||||
they got when he was angry. Danny could not remember Corky ever
|
||||
being really scared. He wasn't big, but he was strong enough and he
|
||||
had a profound depth of resources within him. He'd taken his licks,
|
||||
taken his beatings. He'd been turned over right royally on occasion
|
||||
by a couple of real experts and come bouncing back when the wounds
|
||||
healed and the bruises faded or so he let everybody know. Now he
|
||||
knew Corky was scared and angry all at the same time. He could read
|
||||
that in his tight posture.</p>
|
||||
|
||||
<p><em>Don't do anything stupid...please.</em> Danny heard the
|
||||
small and whimpering voice inside his head and he was too stunned
|
||||
and afraid to feel ashamed at the tremor in it.</p>
|
||||
|
||||
<p>Ahead of Corky, Doug was walking fast, head slowly swinging from
|
||||
side to side although he was trying to hide the motion.</p>
|
||||
|
||||
<p><em>Don't do it.</em></p>
|
||||
|
||||
<p>They were just coming to the edge of the bend where the stream
|
||||
took a dog-leg to the left beside the small cascade into the gravel
|
||||
pool. Here, another small tributary fed in through a narrow defile.
|
||||
Tom approached first, walking with his head down and his arms not
|
||||
swinging as they normally would. His shoulders were moving up and
|
||||
down and he might have been crying. Danny was more worried about
|
||||
Doug. He was thin and rangy, with long, stick-like legs, but he was
|
||||
also fast. Whenever they ran from trouble, from big John Fallon
|
||||
whenever a lucky - or unlucky - slingshot might crack the bowl of a
|
||||
street-light; from the big boys down on the Rough Drain when they
|
||||
decided it was their territory, when Doug ran from trouble there
|
||||
was never a chance of him getting caught. He could cover the ground
|
||||
like a startled deer. He was all limbs and angles, knuckles and
|
||||
knees when he walked, but when he ran, all of those angles smoothed
|
||||
and merged into a fluid grace, an effortless glide that was as
|
||||
sure-footed as it was fleet. Danny saw his head swing slowly as he
|
||||
reached the corner. Up that runnel, he could be hidden from view
|
||||
for four, maybe five seconds. That might be enough to get him most
|
||||
of the way up, even on the slope, to get to the rocks at the far
|
||||
end and the trees beyond. It was just a small and narrow gully and
|
||||
there would be some cover.</p>
|
||||
|
||||
<p><em>"Don't."</em></p>
|
||||
|
||||
<p>Danny clearly heard Corky's urgent whisper, over the sound of
|
||||
their footsteps and Billy's panicked grunts. Doug's head pulled
|
||||
back, just a fraction. Behind Billy, the man with the gun made a
|
||||
sound, maybe as if he was clearing his throat. Tom went past the
|
||||
mouth of the gully.</p>
|
||||
|
||||
<p>Corky had read the signs in Doug, as clearly as Danny had done.
|
||||
Doug's head swing again. His eyes glanced up the runnel, gauging
|
||||
the distance, knowing his own speed.</p>
|
||||
|
||||
<p><em>No</em>! Danny's mental plea came at exactly the same time
|
||||
as Corky's urgent hiss.</p>
|
||||
|
||||
<p>Doug might have been fast, but it was uphill all the way, over
|
||||
boulders and rocks, and a slick patch where the water flowed over a
|
||||
flat, smooth ledge of rock strata that was covered in slick algae.
|
||||
He might have been fast, but he only had seconds, and fast wasn't
|
||||
fast enough. He could run, but he couldn't outrun a gunshot. Danny
|
||||
knew that, with good reason. Down at the Whale's Back, the big spit
|
||||
of tidal sand at low tide on the Firth out from the gunbarrel sewer
|
||||
pipe beside Ardmhor Rock at Arden, Danny has seen what shotguns
|
||||
could do. His Uncle Mick has taken him down there on cold winter
|
||||
mornings to get the duck as they hit in, flying in rapid wedges,
|
||||
wings pumping hard, flickering on the surface. Uncle Mick would
|
||||
wait until they were level and then he'd haul up on his feet. The
|
||||
chevrons of duck would see the motion and then veer away, croaking
|
||||
alarm. They were fast, wings whistling as they scooped air, necks
|
||||
outstretched. Mick always took them on the back, once they were
|
||||
past, doing maybe fifty, maybe sixty. He said it was best to take
|
||||
them under the feathers rather than head-on, which might just wound
|
||||
the birds. The gun would roar like a thunderclap and the report
|
||||
would go reverberating in a harsh and strangely hollow ripple of
|
||||
noise across the flat of the tidal sand and up there in the sky the
|
||||
feathers would fly and the birds would tumble through the air, over
|
||||
and over and over until they hit the ground in hard thumps, ripped
|
||||
through by the lead shot.</p>
|
||||
|
||||
<p>Doug was fast, but not as fast as a fleeting widgeon, or a big
|
||||
sheldrake. He couldn't do fifty or sixty on the flat, never mind
|
||||
uphill, over rocks, over slick stones, over the moss at the top.
|
||||
The gully was a funnel. Anybody firing up there, with the spread
|
||||
pattern a twelve-bore had, would hit anything. For forty yards
|
||||
there was no cover at all.</p>
|
||||
|
||||
<p><em>No</em>! Corky hissed. <em>No!</em> Danny's mind bleated,
|
||||
already seeing Doug getting halfway to the trees before the twin
|
||||
barrels and their black infinity swung up the runnel (<em>and a
|
||||
small and shameful part of him wanted Doug to suddenly swivel and
|
||||
take off like a mountain hare because that would take the glare of
|
||||
those barrels off his back</em>) and the trigger pull back and the
|
||||
barrels spit thunder.</p>
|
||||
|
||||
<p>Corky reached and touched Doug. Danny's heart nearly stopped
|
||||
dead. Something like a giant hand gripped all the muscles in his
|
||||
belly and squeezed hard. Corky reached and touched Doug and Doug
|
||||
jerked as if he'd been stung. Any moment Danny expected to heard
|
||||
the apocalyptic roar.</p>
|
||||
|
||||
<p>Nothing happened. Doug's high, tight shoulders sagged to
|
||||
slackness and defeat. He continued walking, on past the mouth of
|
||||
the gully, following Tom's short, fearful steps, splashing across
|
||||
the inch-deep trickle of tributary water. In five strides he was
|
||||
past the chance of escape, and away from the certainty of
|
||||
retribution. Corky nodded, an involuntary motion that spoke
|
||||
eloquently of his relief and in that motion Danny read that Corky
|
||||
could not try anything either. His friend's back was still rigid
|
||||
with anger and tension and fear, but Corky was not going to dive
|
||||
into the bushes, or pick up a smooth rock and try to take this
|
||||
stranger's eye out. He had gauged all the chances and come up with
|
||||
a zero. At least for now.</p>
|
||||
|
||||
<p>In that glassy moment, the exquisite conjunction of reality and
|
||||
unreality, each of them were wholly and completely alive as they
|
||||
had never been before. A powerful survival instinct had kicked into
|
||||
them all, raising them up to heights of perception where every
|
||||
motion, every sound, was imbued with amazing clarity.</p>
|
||||
|
||||
<p>Corky had read Doug's posture too. Everything seemed to go in
|
||||
slow motion. The somnolent murmur of the water deepened to a low
|
||||
rumble. The lone cuckoo way down there in the trees hummed its
|
||||
diphthong, stretched-out and hollow, the sound trailing on and on
|
||||
as it faded to eventual silence. The dragonflies, twin pairs,
|
||||
striking in black and gold, came gliding over the water. On the
|
||||
side of the valley, a small stone, dislodged from the steep gravel
|
||||
rolled down to a ledge and then fell off, tumbling in the air to
|
||||
land with a bass thud of sound in the pile of soft shale close to
|
||||
the bank.</p>
|
||||
|
||||
<p>Corky's thoughts were flicker-fast, sharp as glass, clear as
|
||||
ice. <em>Not now.</em> He has thought. <em>Not now.</em> As if he
|
||||
could beam the words at Doug.</p>
|
||||
|
||||
<p>"You three, at the double." He had sounded like a soldier, like
|
||||
the sergeant down at the drill hall where his Da had hiked the
|
||||
grenades. The gun was gun jammed against Billy's neck, just under
|
||||
the jawline where his blue-black Indian hair curled thick and they
|
||||
had seen the man's stance and the sunlight had frozen on a summer's
|
||||
day.</p>
|
||||
|
||||
<p>Crazy, Corky thought. Anybody who would put a shotgun up against
|
||||
a boy's neck had to be loony-tunes. Anybody who would force him to
|
||||
eat a dead trout, straight out of the stream, with the blood and
|
||||
guts hanging out, they had to be non-<em>compost</em>-mentis as
|
||||
Billy would say. It stood to reason. A farmer might rant and rave a
|
||||
little, convinced you were worrying the sheep or stealing eggs. He
|
||||
might put the toe of his boot up your backside, the way big John
|
||||
Fallon might do if he caught you swiping stuff out of Woolworth's
|
||||
down on River Street. That was an accepted level of violence, the
|
||||
<em>quid pro quo</em>. A boy could take that, come and go, roll
|
||||
with it and blink back smarting tears before anybody noticed.</p>
|
||||
|
||||
<p>This was different. The whole texture of the day had cracked and
|
||||
splintered and then frozen over. The man had laughed that odd sound
|
||||
and his eyes had blinked in the sunlight and Corky had known.
|
||||
Anybody who stuck the barrels under Billy's chin would be crazy
|
||||
enough to shoot, because the very fact of it could get you thrown
|
||||
in Drumbain for a stretch.</p>
|
||||
|
||||
<p><em>Not now.</em></p>
|
||||
|
||||
<p>Corky had done his own calculation, his brain suddenly up there
|
||||
in the high levels of clarity where cold clear winds blew. He could
|
||||
see the big picture, the lines of contact, interconnecting them all
|
||||
in a lacy weave; Tom to Danny, Doug to Billy, to the crazy man with
|
||||
the blinking eyes</p>
|
||||
|
||||
<p><em>TwitchyEyes</em></p>
|
||||
|
||||
<p>and to Corky himself. If there was a time to move, it was not
|
||||
now. The wrong move would get that gun talking, sure as hell it
|
||||
would. There might be another chance.</p>
|
||||
|
||||
<p><em>And then again there might not,</em> a nasty little voice
|
||||
whispered. He shied away from it, though it seemed to echo
|
||||
persistently...<em>then again...then again</em></p>
|
||||
|
||||
<p>There might be another chance, once they'd all gone down
|
||||
together to the camp. Maybe they would go further, down into the
|
||||
trees.</p>
|
||||
|
||||
<p><em>Make it the camp,</em> Corky prayed. <em>Stop there.</em> Up
|
||||
here in the valley, they were still in the open, with only scrubby
|
||||
hawthorns and hazels clustered in the rocks and some thick ferns
|
||||
that came up to shoulder height or even higher, further up the
|
||||
slopes, but here it was mostly open to the sun. It was far up from
|
||||
the town, but there was something about it being open that instead
|
||||
of making him feel more vulnerable, seemed to convey a thin coating
|
||||
of protective cover.</p>
|
||||
|
||||
<p>Out in the open, you could be seen.</p>
|
||||
|
||||
<p>Down beyond the camp, there the trees began, there was dark and
|
||||
shadow under the spreading pines and the broad beech and oak trees.
|
||||
Nobody could see what was done down there. If he</p>
|
||||
|
||||
<p><em>Twitchy Eyes</em></p>
|
||||
|
||||
<p>took them down there beyond the line of the trees where even the
|
||||
water of the stream was deep and dark at the spate-carved pot-holes
|
||||
then he would do whatever he wanted.</p>
|
||||
|
||||
<p>They would die.</p>
|
||||
|
||||
<p>A shiver ran up and down Corky's back, hard enough to make him
|
||||
feel as if his Sloppy Joe shirt was visibly rippling and he tried
|
||||
to force the feeling away. He could not let them, Billy and Danny
|
||||
see he was scared. He could not let them know how scared, because
|
||||
if they knew, they'd panic and that would make him panic and if he
|
||||
did that he'd have no say at all, no choice and no chance</p>
|
||||
|
||||
<p>The big man with the gun was an all out shrieking screwball.
|
||||
Corky had seen it in the stuttering blink and the odd, head-cocked
|
||||
posture and the way he'd said, quite softly, that they'd all go
|
||||
down together. Corky did not want that man to see the ripple that
|
||||
he felt must be visibly writhing under the fabric for he'd know how
|
||||
scared he was and that would be a bad thing. You never let a dog
|
||||
see the fear. Not a <em>Mad Dog</em>.</p>
|
||||
|
||||
<p>Because then it would react. Then it would attack.</p>
|
||||
|
||||
<p>Say a prayer Danny Boy, an oddly cool third voice said, almost
|
||||
languidly, over the cold sparkle of his thoughts. <em>Now's the
|
||||
time to collect on the Hail Mary's and Glory-Be's round the
|
||||
fireplace.</em></p>
|
||||
|
||||
<p>A mental image came unbidden, of Danny going up with a slip to
|
||||
the window in the confessional like a punter collecting on a line
|
||||
from Harvey Bracknell's betting shop, trading it in for some saving
|
||||
grace. A little shivery giggle tried to bubble up inside him, like
|
||||
a pocket of poisonous gas in the bog. He swallowed it down hard, in
|
||||
case it rolled up to the surface and burst out. He didn't want to
|
||||
hear the sound he might make. It might sound a little high and
|
||||
shaky. A little hysterical and maybe mad.</p>
|
||||
|
||||
<p>Billy could see Corky only when his head happened to chance in
|
||||
that direction. The pain in his scalp, where the man had his hair
|
||||
in a vicious grasp felt like fire, like a bad Chinese rope burn
|
||||
that went from one ear to the other. Tears had already sparked then
|
||||
spilled and were cold on his cheek and his thoughts too were high
|
||||
and sparking. He was floating in a bubble of fright and pain and he
|
||||
could hear the blood pound in his ears with the same double beat
|
||||
rhythm of an old Zodiac engine with its big-ends gone.</p>
|
||||
|
||||
<p>The man was muttering something under his breath, but Billy
|
||||
couldn't make out the words. The taste of fish slime and blood, the
|
||||
texture of the fresh skin and hard gill-case, that had been awful,
|
||||
but not as shuddering awful as the plummet of pure fear when the
|
||||
gunbarrel had nudged cold under his chin. He had wanted to be a
|
||||
hero, all his life, as far as he could remember, knowing he had the
|
||||
stuff, had the guts to brave the worst. In the films, in all the
|
||||
war movies, he'd seen men shot and killed. They died like they did
|
||||
in the westerns, bravely, with honour, no fuss and with very little
|
||||
blood.</p>
|
||||
|
||||
<p>Now he knew. In an instant of clarity when his mind had come
|
||||
suddenly fully awake from the daydream that was his normal state of
|
||||
mentation, and now when it was as clear as glass, he realised it
|
||||
had all been a lie.</p>
|
||||
|
||||
<p><em>No hero no hero no hero.</em></p>
|
||||
|
||||
<p>His father had been <em>nobody</em> and in another ice-sparkle
|
||||
of clarity Billy Harrison knew that he had known that all the time.
|
||||
It had been an unwanted knowledge, lurking out there in the
|
||||
shadows, to be kept at arm's length. He had wanted a father maybe,
|
||||
needed one perhaps, and the one he wanted was not like Corky's Da,
|
||||
rolling drunk on Friday nights, blagging the pigeon club money for
|
||||
booze. Not like Danny's Dad either, ramrod straight behind the
|
||||
family in their Sunday best and a look of disdain for the boys
|
||||
smoking stolen cigarettes at the corner of the street. His father
|
||||
would have been a hero, <em>should</em> have been, like his mother
|
||||
said he was.</p>
|
||||
|
||||
<p>It was a lie. All of it. The films lied. Men didn't smile
|
||||
bravely when they were shot, and fall into comfortable positions
|
||||
and look tragically valiant. He had felt the barrels under his
|
||||
jawline and suddenly the real truth fell upon him like an enormous
|
||||
weight. The gun could blow his head clean off his shoulders in a
|
||||
splatter of blood and slime. It would leave him like the fish,
|
||||
shivering and headless and dead for ever.</p>
|
||||
|
||||
<p>Behind him the man spoke again, a muted, almost breathless
|
||||
mutter that was incomprehensible. The voice was low and rumbling,
|
||||
not the high and scary titter of a laugh.</p>
|
||||
|
||||
<p><em>Dumb fry</em> it sounded like.</p>
|
||||
|
||||
<p>Up ahead, Tom Tannahill was walking, head down on the track,
|
||||
keeping his body curved in as if by making himself even smaller, he
|
||||
could become invisible. He felt suddenly exhausted as if the fright
|
||||
had drained everything out of him. His legs were shaking so badly
|
||||
there was a real danger that they'd give way or that he'd lose his
|
||||
step and the man with the gun would think he was trying to run away
|
||||
and....He did not want to think of that.</p>
|
||||
|
||||
<p>It was enough just to concentrate on putting one foot in front
|
||||
of the other and keep walking. He felt light-headed and trickles of
|
||||
sweat were beading just under his hairline to spill down his
|
||||
temples. Every couple of seconds, a flush of heat swept through
|
||||
him, as if he was blushing madly, but it was worse than that
|
||||
because when that happened, there was a roaring noise in his head
|
||||
and the sounds of their footsteps faded away while little white
|
||||
sparkles appeared to dance in the corner of his vision.</p>
|
||||
|
||||
<p>Tom took a breath and heard it flutter as his chest hitched, the
|
||||
way it did after he'd been crying for a long time and that
|
||||
sensation made him think of Maureen and how he'd cried then, for
|
||||
days at a time, trying to get to grips with that appalling,
|
||||
incomprehensible loss.</p>
|
||||
|
||||
<p>Billy whimpered, just a shiver of inarticulate sound and Tom
|
||||
felt his lungs hitch again. His bladder wanted to let go. The
|
||||
pressure built up suddenly, fierce and urgent and he clamped his
|
||||
hand down on his crotch, pressing hard until the feeling subsided
|
||||
from a burning pain to a warm pulse. A deadly weight of
|
||||
hopelessness dragged down on him and he wished Corky would do
|
||||
something, anything, to get them out of this.</p>
|
||||
|
||||
<p>The man with the gun said something, a mutter of sound, barely
|
||||
audible, and Tom almost stopped, fearing an order had been issued
|
||||
and he'd missed it, but even more fearful right at that moment to
|
||||
make any mistake at all. Some instinct made him keep moving and he
|
||||
walked, legs boneless and trembling, sweat dripping down the sides
|
||||
of his face and the nagging pressure to piss rising to a twisting
|
||||
burn. He screwed up his eyes, the way Billy had done when the man
|
||||
grabbed his hair and forced himself to concentrate. He did not want
|
||||
to piss himself.</p>
|
||||
|
||||
<p>The thought of that, of the damp, hot stain spreading on his
|
||||
jeans, was unendurable.</p>
|
||||
|
||||
<p>"Convoy."</p>
|
||||
|
||||
<p>The sudden sound startled Tom so badly he almost slipped off the
|
||||
track and down the shallowing bank. Doug reached to help and the
|
||||
motion twisted him over on his ankle with a twisting snap of pain
|
||||
that flared like a match and made him gasp through gritted teeth.
|
||||
The pain flashed high and then faded. Doug bit back tears and
|
||||
limped after Tom. There was no sound at all from the others, not
|
||||
even a whimper from Billy. Their senses were wound up to a pitch of
|
||||
tension. All of them listening for what would come next.</p>
|
||||
|
||||
<p>The man did not repeat himself. Not then.</p>
|
||||
|
||||
<p>Convoy? It had sounded like that even to Danny who was nearest
|
||||
to him except for Billy held captive at arm's length. Did he mean
|
||||
we were all in line?</p>
|
||||
|
||||
<p>They all went down together in their convoy, past the slope of
|
||||
the turn at the white quartz rocks framing the head of the pool
|
||||
where Billy had first jumped into the water to clean the red silt
|
||||
off his jeans and stained the water in streaks of blood red. The
|
||||
water was cool and dark and clear now, the surface dimpled with the
|
||||
small swirls of turbulence. A brilliant blue damselfly wove
|
||||
silently over the moving surface, a silent line of coruscating
|
||||
light. They filed past the turn to where the canyon of the valley
|
||||
widened to the swathe of green where the tent stood, a little
|
||||
lop-sided, close to the shade of the rowan trees. A thin, blue line
|
||||
of smoke rose perpendicular from the embers of the morning's fire
|
||||
where the thick pine log was still smouldering lazily. Further
|
||||
down, a highland cow, russet and hairy but with a spread of horns
|
||||
like cattle on any western ranch turned slowly and watched with
|
||||
impassive black eyes while its calf nosed in at the udders.
|
||||
Eventually the animals moved off into the high ferns at the edge of
|
||||
a clearing, barging through the undergrowth with a crackling sound
|
||||
that reminded Danny of the noise down in the dark of the trees when
|
||||
they'd sat round the campfire talking about old Mole Hopkirk and
|
||||
the flies. Had that been a cow? In the dark, he had sensed eyes
|
||||
watching them, but that could have been imagination. Could have
|
||||
been.</p>
|
||||
|
||||
<p>But the doom-doom-<em>DOOM</em> sound that had woken him out of
|
||||
sleep, that had been no cow. He knew that for certain now. The man
|
||||
with the gun had been watching them from the cover and the shade
|
||||
while they had laughed and had fought. He'd probably heard Corky's
|
||||
tale about the rats under the bank, the <em>Racine rats</em> that
|
||||
came out and ate lonesome travellers beside the water. In the
|
||||
hypernatural clarity of the moment, Danny understood now about the
|
||||
footprint in the shingle and the booming sound coming up from the
|
||||
hollow bank downstream. The man had been announcing his presence,
|
||||
trying to scare them. He had been telling them he was here.</p>
|
||||
|
||||
<p>And now he <em>was</em> here.</p>
|
||||
|
||||
<p>They walked into the clearing and the man's footsteps boomed
|
||||
suddenly loud behind them and Danny knew that was his imagination.
|
||||
Everything about the moment was magnified, from the crackling
|
||||
blunder of the cow and calf to the shimmering streak of the
|
||||
damselfly and the smell of the pine smoke.</p>
|
||||
|
||||
<p>"Yeah tho' I walk through the valley of the shadow of
|
||||
death."</p>
|
||||
|
||||
<p>The voice spoke out, clear and boomingly succinct, a deep
|
||||
contrast to the snicker of the laugh up at the high pool.</p>
|
||||
|
||||
<p>"I will fear no evil."</p>
|
||||
|
||||
<p>Billy's foot slipped on a dried ball of sheep dung and he almost
|
||||
fell forward. The stranger's had pulled him back with a strong
|
||||
twist and another yelp escaped the boy. Pain flared in his scalp
|
||||
and tears sparked again in his eyes. If the man had let him go just
|
||||
at that moment he would have fallen forward right on to his
|
||||
face.</p>
|
||||
|
||||
<p>"Nearly there Convoy." This time the voice was almost a growl.
|
||||
Corky assumed he was talking to them. "Can you hear me?"</p>
|
||||
|
||||
<p>Corky nodded, risking a turn towards the man, letting him know
|
||||
he had heard and understood, but the stranger was turned away, his
|
||||
head cocked to the side, as if in conversation with someone
|
||||
else.</p>
|
||||
|
||||
<p>"You listening Conboy?"</p>
|
||||
|
||||
<p>Not convoy. Corky heard it clearly. <em>Conboy.</em></p>
|
||||
|
||||
<p>"He makes me lie down in green pastures; He leads me beside
|
||||
quiet waters. He restores my soul."</p>
|
||||
|
||||
<p>Danny heard the words and recognised them too, from long
|
||||
repetition. For some reason his heart sank even further, it felt as
|
||||
if it shrivelled inside him.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
911
build/darkvalley/OEBPS/025.xhtml
Normal file
911
build/darkvalley/OEBPS/025.xhtml
Normal file
@ -0,0 +1,911 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>25</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
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|
||||
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|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>25</h1>
|
||||
|
||||
<p>Billy fell headlong when the man released the tight grip on his
|
||||
hair. He went sprawling past Danny, arms pinwheeling in a fruitless
|
||||
attempt to regain his balance. He made a little croaking noise and
|
||||
the fingers of his left hand caught at Doug's shirt, almost managed
|
||||
to grab it, but only skimmed the fabric. He fell with a thump that
|
||||
knocked his breath out in a whoosh, rolled and fetched up face down
|
||||
on the turf next to the stones around the fire. Another foot and
|
||||
he'd have caved his skull in on the smooth rock. Another two and
|
||||
he'd be face down in the hot embers of the fire. Doug instinctively
|
||||
moved to help him and then froze, half bent with his arms
|
||||
outreached. Very slowly he drew them back to his sides again and
|
||||
pulled himself back. He turned round even more slowly. Danny did
|
||||
not move.</p>
|
||||
|
||||
<p>"Ahah," the man said and none of them knew whether he was just
|
||||
clearing his throat, though it sounded like the confirmation of
|
||||
preconceived suspicion.</p>
|
||||
|
||||
<p>Corky broke the stillness. He walked past Doug and bent to get a
|
||||
hand under Billy's armpit. Tom took two steps back and helped him.
|
||||
Billy gasped for breath as he got to his feet, both hands clamped
|
||||
to his belly and his face slack with the effort and hurt. A streak
|
||||
of ash had glued itself to the tears on his cheek and smudged
|
||||
there, making him look as if he'd a black eye. On the other side,
|
||||
two straight lines of soot had striped the skin, like Indian brave
|
||||
war-paint. But at that moment looked less Indian and less brave
|
||||
than ever.</p>
|
||||
|
||||
<p>"Well, well," the stranger said. Danny looked up a him and
|
||||
quickly looked away. Corky completely ignored the sound.</p>
|
||||
|
||||
<p>"You okay Billy-O?" he asked quickly, voice hushed. He had one
|
||||
hand on Billy's shoulder, an unconscious and eloquent gesture of
|
||||
solidarity and support. His other was under Bill's elbow, steadying
|
||||
him. Billy swayed a little.</p>
|
||||
|
||||
<p>"Yeah," he finally said in between gasps. "<em>Jeez.</em> That
|
||||
hurts."</p>
|
||||
|
||||
<p>Tom, on the other side, equally unconsciously and quite
|
||||
unceremoniously brushed some dried bracken off Billy's shirt.</p>
|
||||
|
||||
<p>"Thought you were diving into the fire there," Corky told him.
|
||||
"You were nearly a goner."</p>
|
||||
|
||||
<p>Danny could only stand amazed at how calm Corky sounded. It was
|
||||
as if they'd just been wrestling on the short grass and somebody
|
||||
had got winded. Danny could sense the man's eyes taking in the
|
||||
whole scene.</p>
|
||||
|
||||
<p><em>Yeah tho' I walk through the valley......</em></p>
|
||||
|
||||
<p>Psalm 23, verse two. Danny knew it off by heart. He'd heard it a
|
||||
thousand times, one of his father's favourites, one of the many
|
||||
engraved on Danny's brain through endless repetition, like the Hail
|
||||
Mary's and Glory Be's of the tedious rosaries. And acts of
|
||||
contrition.</p>
|
||||
|
||||
<p><em>I will fear no evil.</em></p>
|
||||
|
||||
<p>They had stopped in the valley. The sun was shining and the lark
|
||||
was rising on a pillar of song in the warm air but there was a
|
||||
shadow now here beside the stream.</p>
|
||||
|
||||
<p><em>Shadow of death....</em></p>
|
||||
|
||||
<p>Danny felt it clearly. He had looked up at the man and seen his
|
||||
eyes, not twitching, not then, but taking in the scene, flat and
|
||||
soul-less as the eyes of a dead trout, as if they stared into
|
||||
infinity. All down the path, he had felt the bore of the gun aimed
|
||||
on his spine, all the time expecting it to blast out and break him.
|
||||
It hadn't happened, but Danny could sense the proximity of death
|
||||
and the casual mindlessness of the violence inside the man.</p>
|
||||
|
||||
<p><em>I will fear no evil.</em></p>
|
||||
|
||||
<p>He feared evil. Oh sweet Jesus! He very much feared it. An evil
|
||||
indifference radiated from the man who stood there, his shadow
|
||||
between Danny and the sun, long and black, the gun now held in
|
||||
folded arms, cradled as if it were a baby. He was indifferent for
|
||||
now, but how long that last before he switched back his attention,
|
||||
Danny could not guess. But it would change and then he'd focus on
|
||||
them.</p>
|
||||
|
||||
<p><em>He makes me lie down in green pastures.</em></p>
|
||||
|
||||
<p>He had made Billy lie down on the green, thrown him flat with a
|
||||
move of his hand. Billy stood there waiting for the next move. They
|
||||
all did.</p>
|
||||
|
||||
<p>The man slowly swept his eyes round the clearing beside the
|
||||
stream.</p>
|
||||
|
||||
<p><em>Dumb fry.</em></p>
|
||||
|
||||
<p>It came out as a murmur, half strangled. They all heard it. It
|
||||
meant nothing, made no sense. He jerked his head to the side,
|
||||
cocked it again as if listening for something. Corky watched,
|
||||
keeping his expression flat, giving no cause for action or
|
||||
retribution. He'd taken a risk going to help Billy, but that had
|
||||
happened almost instinctively. A friend was down and hurt. He had
|
||||
moved without thinking. It was only now, afterwards, that he
|
||||
realised the man could have acted just as reflexively.</p>
|
||||
|
||||
<p>The intruder was talking to himself. A bad sign. Billy was
|
||||
breathing heavily as if he couldn't control it and beside him, Tom
|
||||
looked tiny and fragile, one hand pressed against his crotch.</p>
|
||||
|
||||
<p>"What do you want?" Corky finally said, hardly able to contain
|
||||
his own surprise that he'd found the nerve to speak.</p>
|
||||
|
||||
<p>The man seemed not to have heard at all.</p>
|
||||
|
||||
<p>"Mister?" Corky risked another venture.</p>
|
||||
|
||||
<p>The man turned, not towards Corky, but towards the stream. The
|
||||
sun was shining over the lip of the valley, up high where the
|
||||
mudstone strata poked out under the line of the high moorland turf.
|
||||
The light beamed from the water in coruscating flashes.</p>
|
||||
|
||||
<p>"<em>Dumb fry.</em> That right Conboy? <em>Only words they
|
||||
understand.</em> No souls. No damned souls."</p>
|
||||
|
||||
<p>He stared at the water and they all stared at him, wondering
|
||||
what would come next. Doug's narrow chest was rising up and down
|
||||
and his ears were redly translucent in the sunlight. Danny watched
|
||||
the man and the gun, fearful that he'd simply turn from the stream
|
||||
and shoot. There was a tension in the air, a sense of unbalanced
|
||||
and brittle craziness. The man blinked and muttered to himself as
|
||||
if he'd completely forgotten them.</p>
|
||||
|
||||
<p>Tom could wait no longer. The pressure was spreading over the
|
||||
top of his thighs and he thought again he's piss his pants and that
|
||||
was enough for him. He unzipped with a quick rasp, turned half
|
||||
around and let flow a stream. They all heard his instant sigh of
|
||||
sudden relief and then, just as instantly, the hiss of steam as the
|
||||
arc of bright water struck the hot rock. The stone steamed and a
|
||||
bubbling spot of urine sizzled on the stone sending up a sour hot
|
||||
billow. Tom stepped back, head jerking around to see if the noise
|
||||
had attracted the man's attention. In doing so, his body
|
||||
half-swivelled and he was still emptying his bladder. The motion
|
||||
caused him to spray a line right across Billy's scuffed shoe and
|
||||
under any other circumstances, such a lapse of judgement or aim
|
||||
would have merited him a rough knuckle on the scalp, or a head-lock
|
||||
or even a dead leg. Billy did not notice. His eyes were fixed on
|
||||
the man who stood with the gun cradled in his arms and his gaze
|
||||
looking down at the flashes on the surface of the water.</p>
|
||||
|
||||
<p><em>Twitchy Eyes.</em></p>
|
||||
|
||||
<p>Billy's mouth formed the words, though he made no sound, but
|
||||
they all heard him as if he'd shouted them at the top of his voice;
|
||||
all except Tom who was desperately trying to finish quickly to take
|
||||
any possible attention away from himself, yet found he had huge
|
||||
liquid reserves that kept coming and coming. The grass turned dark
|
||||
green with damp and then a puddle formed. For such a small person,
|
||||
he seemed to have a limitless supply. Everybody waited and finally
|
||||
Tom finished. He sighed audibly once again, zipped himself up and
|
||||
raised his eyes to look at the man.</p>
|
||||
|
||||
<p>The stranger blinked rapidly, and as he did so his whole face
|
||||
contorted. Deep lines formed round his eyes and Danny could see it
|
||||
wasn't so much a blink. It was more like a rapid tic. A twitch.</p>
|
||||
|
||||
<p>"What's he going to do?"</p>
|
||||
|
||||
<p>Doug's whisper could barely be heard above the burbling of the
|
||||
steam but all of them caught it. Danny shrugged, hardly a movement
|
||||
at all, just there merest hitch of his shoulders.</p>
|
||||
|
||||
<p>None of them knew what the man was going to do, but all of them
|
||||
knew they were in trouble.</p>
|
||||
|
||||
<p><em>Twitchy Eyes</em>, Billy mouthed once more, and this time
|
||||
Tom read the message. Billy was not telling them, merely talking to
|
||||
himself, snagged on his awful comprehension. He had one had on his
|
||||
scalp, gingerly rubbing at the tender place which still felt as if
|
||||
his hair was being pulled out. His face was slack and dreadfully
|
||||
scared. His eyes were not fixed on the man at all, but focused
|
||||
somewhere in the distance. Corky nodded and so did Danny. Tom's
|
||||
eyebrows went up in question and then the recognition dawned in his
|
||||
eyes too.</p>
|
||||
|
||||
<p>Beside the flashing water, the man's head was still twisted to
|
||||
the side. His coat was long and heavy, despite the heat of the day,
|
||||
and torn under the armpit and at the pocket as if too much weight
|
||||
had been put there. The hem hung right down to his calf, caked with
|
||||
dirt or mud and his boots were old and worn. One of them had a
|
||||
shark-mouth split where the sole was peeling away from the uppers
|
||||
and looked just like the boot they'd found up at the crater on the
|
||||
day they'd walked over the ridge and seen the devastation on the
|
||||
moor surrounding the ghost-shacks of the dummy village.</p>
|
||||
|
||||
<p>"What if there's a foot in it?" Doug had asked, giggling. He
|
||||
wasn't giggling now. He remembered telling Billy if there was a
|
||||
foot in it he'd have shit himself. Billy hadn't denied it then. He
|
||||
looked now as if he couldn't force the air out hard enough to make
|
||||
a sound. There was an association here that had sparked yet
|
||||
another. The divers had found a boot in the pool down by the quarry
|
||||
and there had been a foot inside it. That had been when Crawford
|
||||
Rankine had been thrown off the quarry and cracked his skull on the
|
||||
rock.</p>
|
||||
|
||||
<p><em>Twitchy Eyes...</em></p>
|
||||
|
||||
<p>This man had done it. Doug felt a sudden swoop of panic shudder
|
||||
through him and his breath back up in his skinny chest until his
|
||||
lungs couldn't hold any more.</p>
|
||||
|
||||
<p>He'd done it. Thrown Craw Rankine down from the ledge onto the
|
||||
flat rock and then he'd gone back and got Don Whalen and taken him
|
||||
away...<em>Oh Jeez...</em>suddenly Doug's lungs did want to work,
|
||||
tried to draw in more air and there was no more room. Everybody had
|
||||
heard what he did to Craw. He could feel his chest moving up and
|
||||
down while a heat of cramping pain started swelling under his
|
||||
armpits and he was making a sound like a distressed dog on a
|
||||
sweltering day.</p>
|
||||
|
||||
<p>The man turned round, away from the water, but his eyes were
|
||||
still blinking hard, still <em>twitching,</em> though they were
|
||||
looking well over their heads and not directly at the five boys.
|
||||
Doug tried to stop panting, but his muscles would not obey. His
|
||||
chest heaved even faster, small, shallow and violent breaths that
|
||||
shook his body, made his shoulders jerk up and down. His face was
|
||||
deathly pale, the way Billy's had been and even his ears had lost
|
||||
their red glow. Corky heard the noise get louder and stared at him,
|
||||
shaking his head very slightly but firmly, keeping his eyes locked
|
||||
on Doug's. He did not have to say it, the way he had spoken on the
|
||||
way down the valley. If anything was going to happen, it could be
|
||||
now. They all sensed it. But the more Doug tried, the faster the
|
||||
panting got. The lines of rock striations on the valley sides began
|
||||
to waver as a loop of dizziness brought on by the hyperventilation
|
||||
swept through him. A dry heat built up in his arid throat. In the
|
||||
corner of his eye, shadows flickered and he felt as if he was going
|
||||
to faint.</p>
|
||||
|
||||
<p>To his great surprise, Tom Tannahill stepped up beside him and
|
||||
grabbed him through his old vest, his small hand surprisingly
|
||||
strong. Tom gripped the fabric and a handful of skin and clutched
|
||||
so tight he felt something would rip. He just wanted Doug to stop
|
||||
panting.</p>
|
||||
|
||||
<p>A stab of pain lanced across Doug's ribs, sore enough to
|
||||
momentarily divert his attention, A cry built up way down inside
|
||||
him and he clamped his gaping mouth shut to keep it in. He grunted
|
||||
softly.</p>
|
||||
|
||||
<p>The man kept his eyes firmly on the distance, maybe on the sky
|
||||
or on the high valley sides where the scrub-alder and hazel mixed
|
||||
with the thick ferns. The gun gleamed, blue-black and shiny clean,
|
||||
a complete contrast to the raggedy stranger with his greasy hair
|
||||
and his gaping boot and the thick, sour smell from his coat. The
|
||||
real difference was that the gun could be put down on its butt end
|
||||
and it would hurt nobody by itself. This crazy man had a depth of
|
||||
hurt inside him, bursting to get out.</p>
|
||||
|
||||
<p><em>Should have run</em>, Doug thought, <em>while I had the
|
||||
chance.</em> His lungs still hurt but the panic panting was over
|
||||
and the dark shadows had faded away from his peripheral vision. His
|
||||
ankle pulsed painfully yet and he new he could not run now if he
|
||||
wanted to. Billy was still mouthing the same two words over and
|
||||
over again as if the sudden comprehension had engraved themselves
|
||||
on his consciousness. Corky looked like a cat, all tensed up, ready
|
||||
to jump one way or another. Tom had his hand still gripped to
|
||||
Doug's vest, but not clenched into his skin, when the man finally
|
||||
lifted his hand and pointed at Billy.</p>
|
||||
|
||||
<p>"You boy," he said, not yet looking down. "come over here to
|
||||
me."</p>
|
||||
|
||||
<p>Billy looked as if he would faint on the spot. His mouth opened,
|
||||
closed, opened again. Everybody heard the dry click of his
|
||||
throat.</p>
|
||||
|
||||
<p>"Mister..." Corky started in. The man turned his head towards
|
||||
him, eyes still fixed on the far distance, as if watching something
|
||||
happening elsewhere, maybe as if seeing visions. His hand was still
|
||||
raised up, fist tight and showing white knuckles. One long, thick
|
||||
finger was pointed straight at Billy's face.</p>
|
||||
|
||||
<p>"I said, come here." The voice was low and rumbling, with a
|
||||
slight accent, maybe from the east coast, but it could have easily
|
||||
been from the north. It was not a local accent, no glottal stop, no
|
||||
truncation of the endings.</p>
|
||||
|
||||
<p>Billy's mouth kept opening and closing as if he had strength
|
||||
enough to clench his teeth but not enough to hold his jaw tight.
|
||||
Doug started panting again and Tom gripped his skin once more until
|
||||
he subsided. Corky looked as if he might speak again, but the man's
|
||||
face was still towards him and he dared not risk it. Billy's feet
|
||||
moved him closer and Danny thought he looked like a rabbit faced
|
||||
with a stoat. He and Corky had seen that happening up on the
|
||||
moorland to Langcraig Hill, a stoat in autumn colours, dark and
|
||||
long with a jet black tip to its tail and eyes like beads of coal,
|
||||
weaving sinuous in front of a mesmerised rabbit which looked as if
|
||||
it had stopped breathing. The deadly predator swayed, up on its
|
||||
hind legs, body like a cobra, while the rabbit simply waited for
|
||||
the bite on the back of its skull, unable to escape. Billy was
|
||||
unable to escape. He took one slow step and the man's head turned
|
||||
and the black eyes fixed on him and in that moment Danny saw the
|
||||
stoat inside the man. His eyes had the same depths, and the same
|
||||
animal intensity. They bored into Billy and there was nothing the
|
||||
boy could do. He took another step, then another, walked across the
|
||||
turf from the edge of the fire to the edge of the stream. He got to
|
||||
within arm's reach and the man's arm simply dropped down and
|
||||
clapped on his shoulder with a soft thud. Billy did not faint,
|
||||
though Doug felt the strange nauseous wavering inside himself.</p>
|
||||
|
||||
<p>Billy stood rigid, face up.</p>
|
||||
|
||||
<p>They were fixed for maybe a minute in silence, joined by the
|
||||
man's reach.</p>
|
||||
|
||||
<p>"You hear it boy?"</p>
|
||||
|
||||
<p>"Hear....hear?"</p>
|
||||
|
||||
<p>"You hear it, don't you?"</p>
|
||||
|
||||
<p>"I don't know mister. I don't hear..."</p>
|
||||
|
||||
<p>"Oh, you will then," the man said. He starred straight into
|
||||
Billy's eyes for another long moment and then turned his head,
|
||||
ignoring the others, until he faced the hollow by the gnarled
|
||||
hawthorn.</p>
|
||||
|
||||
<p>"You'll see it too," he said, raising his hand off Billy's
|
||||
shoulder and holding it above his head before dropping it slowly,
|
||||
almost gently, to the dark hair. He patted first and then stroked
|
||||
down.</p>
|
||||
|
||||
<p>"Hurt you boy?"</p>
|
||||
|
||||
<p>Billy couldn't help but nod.</p>
|
||||
|
||||
<p>"Part of the process. All part of it. No need to fret." His
|
||||
voice dropped almost to a whisper, but they could all hear it.</p>
|
||||
|
||||
<p>"You see it boy. I know you do." He indicated to the hollow
|
||||
where the dead deer skull gnashed its teeth in a fixed and silent
|
||||
grind. The eye sockets were crawling with flies, masses of them,
|
||||
like a moving mat. The wasted nostrils, pulled back in flaps,
|
||||
showed a sliver of bone and a hollow dark space alongside the
|
||||
flaccid skin which moved with the abundance of maggots under the
|
||||
surface. The clogged eyes seemed to stare out of the shaded place.
|
||||
Above it, the imperious white skull of the ram on the pole was a
|
||||
stark ivory sculpture, white against the dark of the green, its
|
||||
eyes gaping and haunted and bracketed by the heavy ridged double
|
||||
curve of horns. Below them, the heron's severed head stared out,
|
||||
the delicate spear of the beak now shut, a useless and blunted
|
||||
weapon. Below it, the ragged neck had attracted its own swarm, but
|
||||
the yellow eye gazed blinklessly.</p>
|
||||
|
||||
<p>The eye caught Danny's own and a feeling of guilt swamped him.
|
||||
He hadn't meant to kill the thing but it had died anyway, neck
|
||||
broken, graceless and flapping before the final shiver of severed
|
||||
nerves.</p>
|
||||
|
||||
<p><em>It</em> did <em>bring bad luck,</em> he thought, aghast.
|
||||
Billy had cut off the head and the yellow eye had fixed itself
|
||||
accusingly on Danny, bright and glittering while the droplets of
|
||||
blood had sprinkled out onto the grass and onto Billy's skin. Danny
|
||||
had killed it and a cloud had shadowed the valley right then and it
|
||||
had felt completely wrong. Now the eye still stared, flat and
|
||||
lifeless and it felt worse now. The shadow was back in the valley
|
||||
in broad daylight, in the sultry burn of the noonday sun. They had
|
||||
fought last night, Billy and Doug telling each other terrible
|
||||
truths that should be better left unsaid and Corky telling truths
|
||||
that they all had to hear. More bad luck.</p>
|
||||
|
||||
<p>And now the man had started to move and was walking Billy out
|
||||
beyond the camp to the hollow where he'd set up his trophies. The
|
||||
gun was casually slung over his free shoulder, barrels pointing at
|
||||
the sky. He ignored the other four as if they did not exist. They
|
||||
stood frozen while the man and boy moved out along the second trail
|
||||
made by Billy's feet trampling down the short ferns there at the
|
||||
edge of the clearing. The flies were faintly audible, a soft murmur
|
||||
of sound, like someone moaning softly in the hollow. It was no more
|
||||
than thirty yards away, far enough for the smell not to carry down
|
||||
to the campsite.</p>
|
||||
|
||||
<p>The man led Billy ahead of him, the hand still laid on his head,
|
||||
but not twisting the hair now. He looked like a priest with an
|
||||
acolyte, with an altar boy. They got half way to the hollow when
|
||||
Corky slowly turned to Danny and whispered.</p>
|
||||
|
||||
<p>"We've got to get out of here."</p>
|
||||
|
||||
<p>"How?" Doug asked. "I've hurt my foot. Twisted my ankle."</p>
|
||||
|
||||
<p>"What about Billy?" Tom wanted to know. "What's he going to do
|
||||
to him?"</p>
|
||||
|
||||
<p>"It's that crazy guy, isn't it?" Danny said. He felt his own
|
||||
breath back up, as if his body didn't want to respond, to say those
|
||||
words. He compromised. "Him."</p>
|
||||
|
||||
<p>"Twitchy Eyes," Doug hissed. Corky nodded.</p>
|
||||
|
||||
<p>"Has to be him. That's why we've got to get out. Get help."</p>
|
||||
|
||||
<p>"But he's got a gun."</p>
|
||||
|
||||
<p>"Yeah, but he's not going to do anything right away, is he now?"
|
||||
Corky said. He waited until they had all digested that. "Not to all
|
||||
of us."</p>
|
||||
|
||||
<p>Danny was astonished at Corky's grasp of this situation. Like
|
||||
he'd done the night before, he had cut to the heart of it, through
|
||||
the gristle and connective tissue and laid it all bare. What was
|
||||
worse? Reality brought its own added terrors. They had all heard
|
||||
the stories that had run around the playground, brushfires of truth
|
||||
and surmise, but mostly truth. A town like Levenford could hold no
|
||||
secret for long. Every detail of what the man with the twitchy eyes
|
||||
had done had been gone over and been picked at, by men in the bars;
|
||||
by women over teacups; by boys braving it down on the edges of
|
||||
Rough Drain warily listening for the passage of strangers; by
|
||||
little kids scaring each other in school. The starkness of what
|
||||
Corky said, spoken in just a whisper that would not have carried
|
||||
for four yards, had the impact of a scream.</p>
|
||||
|
||||
<p>Mole Hopkirk had lain for a long time before he'd died, hurt and
|
||||
bleeding and alone and unable to call for help. Don Whalen had been
|
||||
carried away to the old bomb shelter in the scrub land where the
|
||||
old glue works had once stood down near the Highcross Road. The
|
||||
shelter had not been a place of refuge for him. The man had taken
|
||||
him down there and hurt him until he died beside the open-mouthed
|
||||
corpse of that girl from Lochend. And the killer had taken his time
|
||||
with Sandra Walters.</p>
|
||||
|
||||
<p>Corky was right. He would not do anything to them right away,
|
||||
not to all of them, not <em>right now</em>. But he would do
|
||||
something terrible if they didn't get away from here. The knowledge
|
||||
of who he was and what he had done was laid right on them by the
|
||||
bleak simplicity of Corky's statement.</p>
|
||||
|
||||
<p>Tom thought of the little kid under the bridge and was reminded
|
||||
of the story he'd read to his sister in the last days, <em>Billy
|
||||
Goats Gruff</em> with the nightmare hiding in ambush under the dark
|
||||
arch. He felt his bladder complain again and he concentrated until
|
||||
the protest faded. This man had killed the little girl under the
|
||||
bridge.</p>
|
||||
|
||||
<p>There was no doubt in any of their minds. They had seen the
|
||||
twitch. The man was big and - <em>oh jeesus please-us hug and
|
||||
squeeze us -</em> it was him all right and he was here. Tom felt a
|
||||
ripple of intense fear shudder through him and he thought about
|
||||
death again, not for the first time. He did not want to die like
|
||||
that girl under the bridge. He didn't want to die in his own
|
||||
piss.</p>
|
||||
|
||||
<p><em>My fault,</em> Danny thought, with the image of the heron
|
||||
crashing to the ground, broken and twisted, one wing carrying it
|
||||
round in stupid circles. He'd brought the bad luck. Everything had
|
||||
started to go wrong for them after that.</p>
|
||||
|
||||
<p><em>And Billy had hung the head up.</em></p>
|
||||
|
||||
<p>Now Billy was paying the price. He had stained himself with the
|
||||
blood which had splashed from the ragged neck</p>
|
||||
|
||||
<p><em>And they marked the lintels with the blood so that the angel
|
||||
of death would pass over</em>. The line from the bible came back to
|
||||
him, unbidden. He'd thought of that when Billy had cut the head off
|
||||
the bird, a <em>biblical</em> quotation. And the angel had not
|
||||
passed over. He'd come as if summoned and he was quoting the bible,
|
||||
a grotesque parody of Danny's own father. Danny shied away from the
|
||||
connection. His head was buzzing under the pressure of sudden
|
||||
overload. Corky's voice pulled him away and back to the here and
|
||||
now.</p>
|
||||
|
||||
<p>"What's he doing?"</p>
|
||||
|
||||
<p>"Talking to Billy," Doug said. He was up on tip toes, using Tom
|
||||
as a leaning post. The stranger was half hidden behind the first
|
||||
low clump of scrub. He leaned and put the gun against a flat face
|
||||
of rock, butt down on the grass. For the first time, hope
|
||||
swelled.</p>
|
||||
|
||||
<p>Over by the hollow, the man was talking, not very loud at first,
|
||||
but the words amplified by the hollow curve of the stone face. They
|
||||
could just make out what he was saying. Billy could feel himself
|
||||
shaking all through, as if he'd become a tuning fork. For some
|
||||
reason his stomach kept twisting all of its own and that made him
|
||||
belch constantly, little pockets of air bursting at the back of his
|
||||
dry throat.</p>
|
||||
|
||||
<p>"Hear them, eh?"</p>
|
||||
|
||||
<p>"What?" Billy managed to blurt.</p>
|
||||
|
||||
<p>"The flies boy. Children of Be-elzebub, purifiers of the dead.
|
||||
In the midst of death, they are life. You hear them? They talk to
|
||||
us all, those voices. You just need ears to hear."</p>
|
||||
|
||||
<p>The man brought his head down until his cheek was against
|
||||
Billy's ear. He could smell his breath, flat and cloying and
|
||||
rotten; he could smell his sour sweat. The man's beard bristles
|
||||
rasped against the side of his face and Billy had no strength to
|
||||
pull away.</p>
|
||||
|
||||
<p>"Got to go down into the valley and out the other side. Come
|
||||
through trials and tribulations to reach the great truth. You want
|
||||
to make that journey boy? You want to listen to the voice of the
|
||||
dead?"</p>
|
||||
|
||||
<p>"Crazy," Doug whispered. "He's off his flamin' head." Tom nodded
|
||||
slowly.</p>
|
||||
|
||||
<p>"We have to get out of here first chance," Corky said. "Soon as
|
||||
we can."</p>
|
||||
|
||||
<p>"Can you get help?" Doug wanted to know. "I can't run. I twisted
|
||||
my ankle." The bitter disappointment was etched on his face. If
|
||||
anybody could have gone for help, gone quickly, it would always
|
||||
have been him. That little stumble as he reached out to help Tom
|
||||
had cost him his speed. Cost them all.</p>
|
||||
|
||||
<p>"I <em>have</em> to get help," Corky said. His eyes were fixed
|
||||
on the enactment in the hollow by the old hawthorn. The man was
|
||||
leaning over Billy now and for a moment, they could have been
|
||||
father and son, both of them tall, though the stranger towered over
|
||||
the boy, and both dark-haired and sallow of skin. Not the father
|
||||
Billy would have wanted, not the hero.</p>
|
||||
|
||||
<p>"Watched you set this up, boy." The voice came, chilling in its
|
||||
casual matter-of-fact flatness. Billy couldn't speak. The stranger
|
||||
took the hand off his head and reached towards the deer's skull.
|
||||
Immediately a cloud of black flies peeled off and into the air in
|
||||
an angry little tornado. One of them landed on Billy's cheek, a big
|
||||
fat blue thing. It edged down towards his mouth and he got a whiff
|
||||
of the dead meat it had fed on.</p>
|
||||
|
||||
<p>"<em>Dung Fly,"</em> the man said. This time they all heard it.
|
||||
"Conboy knew. He knew what they meant, Godless heathens. Am I
|
||||
right?"</p>
|
||||
|
||||
<p>Billy nodded in quick response, though he hadn't a clue. None of
|
||||
them had. Corky looked straight at Danny, his mouth set in a grim
|
||||
line. They had both climbed up on the roof behind the old surgery
|
||||
at Cairn House and had seen the flies patter like rain against the
|
||||
window. They hadn't known then. They knew now.</p>
|
||||
|
||||
<p>"When?" Danny asked. Corky was about to say something when a
|
||||
high-pitched squeal pierced the air, startling them all. The
|
||||
stranger's head snapped up and he seemed to some out of that
|
||||
dreamy, far-off state.</p>
|
||||
|
||||
<p>"What's that?" he asked sharply. Billy looked up at him, face
|
||||
blank and open a picture of miserable bewilderment.</p>
|
||||
|
||||
<p>"I dunno," he finally managed.</p>
|
||||
|
||||
<p>Down at the bottom end of the clearing, where the low hazels
|
||||
crowded together with some tangled blackthorns, the cry came again,
|
||||
a squeal of pain or panic. The man moved backwards from the hollow,
|
||||
leaving Billy on his own. He turned and walked not towards the
|
||||
waiting group, but cut round the edge of the flat ground, head
|
||||
cocked, the way it had been before, but this time obviously
|
||||
listening for the noise. He reached the tent and skirted behind it.
|
||||
The sound came again and this time Corky recognised it.</p>
|
||||
|
||||
<p>"It's a rabbit," he said. "Maybe one of the snares worked."</p>
|
||||
|
||||
<p>The man seemed to have forgotten about them for the moment. He
|
||||
moved into the clump of blackthorn then beyond a thick hazel and
|
||||
disappeared from sight. They all stood stock still. The gun was up
|
||||
there at the rock, only yards from where Billy stood.</p>
|
||||
|
||||
<p>"Get it," Corky said between his teeth. He wanted to shout but
|
||||
couldn't risk it. The man had gone into the scrub about thirty
|
||||
yards away, but he was still closer to the gun than they were, or
|
||||
so it seemed. Billy was only a few feet from it. He had half turned
|
||||
towards them, but his whole attention was fixed on where the
|
||||
stranger had gone.</p>
|
||||
|
||||
<p>"Billy!" Corky hissed. Doug turned round and did the same,
|
||||
waving his hands for emphasis. None of them had the nerve to run to
|
||||
the hollow, just in case that's what the man was waiting for. Down
|
||||
in the cover the rabbit squeaked again, weaker now. They knew the
|
||||
noose would be caught on its cheeks and it would be trying to force
|
||||
itself free, drawing the fishing line snare tighter with every
|
||||
move. If it had been round its neck, the pressure would have
|
||||
strangled the sound.</p>
|
||||
|
||||
<p>"Billy," Danny gesticulated too. "Get it. Get the gun!" His
|
||||
uncle Mick had let him fire a few shots down on the whale's back
|
||||
sandbank on the estuary. They didn't even have to fire it at all,
|
||||
just threaten. Twitchy Eyes might be crazy, but he couldn't be so
|
||||
crazy he would ignore a gun threat.</p>
|
||||
|
||||
<p><em>But too crazy for Billy to risk going for the
|
||||
gun...</em></p>
|
||||
|
||||
<p>Danny's legs twitched, as if they wanted to get started, get
|
||||
moving, as if he was already running for it. Something inside of
|
||||
him wanted to see the barrel pressed up against the man's throat,
|
||||
to get revenge for the dreadful sensation of fear that had swamped
|
||||
himself when he had felt them aimed at his spine, ready to cut him
|
||||
in half.</p>
|
||||
|
||||
<p>The noise cut off. For a moment there was silence.</p>
|
||||
|
||||
<p>"Billy!" Tom hissed. Billy's attention was still fixed on the
|
||||
spot where the man had gone into the rough. Once again he looked
|
||||
like the rabbit mesmerised by the stoat. Off in the cover the other
|
||||
trapped rabbit had stopped crying.</p>
|
||||
|
||||
<p>Corky took two steps back. His head swung left and right,
|
||||
gauging the distance to the gun, to the stream. His hands balled
|
||||
into thick, tense fists and of a sudden his eyes glinted like
|
||||
emeralds.</p>
|
||||
|
||||
<p>"Wha..." Doug started to ask. Corky forestalled him.</p>
|
||||
|
||||
<p>"I got a chance," was all he said. He swivelled round to
|
||||
estimate the climb to the top of the rim, shook his head, crouched
|
||||
like a runner waiting for the gun, hands spread for balance. It was
|
||||
a high steep slope and the loose, shifting gravel would slow him.
|
||||
Both Danny and Doug could see that. The agony of indecision
|
||||
stretched out for what seemed like a long time, but must have been
|
||||
only seconds. He shook his head again, making the decision.</p>
|
||||
|
||||
<p>"I'll come back," he sad. "Honest. Try to..." he did not finish.
|
||||
Out in the scrub beyond the campsite, a low thudding sound punched
|
||||
out. Because of the dense foliage of fern and alder, none of them
|
||||
could say from what direction it came. It was enough, however, to
|
||||
galvanise Corky. He gambled on a downstream run. Despite his
|
||||
previous misgivings about being taken down into the trees - and
|
||||
they had been real fears - he worked out the best option. It was a
|
||||
downhill sprint, following the cow-track beside the stream, that
|
||||
would give him the advantage of speed. It was on the other side of
|
||||
the campsite from where the gun was, so even in if the man came
|
||||
blundering back and reached for it, he could easily be two turns of
|
||||
the stream ahead and out of the line of fire. If he reached the
|
||||
trees, they would give extra cover. He could hide in the shadow,
|
||||
use the shade and cover to get up to the edge of the valley and get
|
||||
down to the town. It was a <em>chance</em>. There was a good chance
|
||||
that the man would come after him and that would give the others
|
||||
the opportunity to scatter and the more of them that got away, that
|
||||
would give anybody else a better hope. Corky was only thirteen
|
||||
years old, but he had a bright instinct for odds and chances,
|
||||
honed, possibly by the years of sliding between his violent father
|
||||
and his loony brother.</p>
|
||||
|
||||
<p>He spun, leapt over the smouldering fire and hit the ground on
|
||||
the other side. He went down the slope like a hare, arms flashing,
|
||||
feet thrumming, racing along the bank.</p>
|
||||
|
||||
<p>Doom-doom-<em>doom.</em> Corky passed the overhang where the
|
||||
stream had dug under the edge and the noise of his passing echoed
|
||||
back to them. Hope leapt in Danny's chest. His heart did the same,
|
||||
beating so fast he could actually feel its pressure high up under
|
||||
his throat.</p>
|
||||
|
||||
<p>"Run for it, Corky," Doug muttered to himself, to the three of
|
||||
them. "<em>Go on, man</em>."</p>
|
||||
|
||||
<p>Corky made it down to the next pool. He skittered across the
|
||||
stones where the stream narrowed at the tight bend and then ran
|
||||
back across the shallows beyond, sending up a fine spray that
|
||||
caught the sun and made a series of brilliant rainbows. He reached
|
||||
the turn, grabbed on to the upright trunk of a slender sapling to
|
||||
propel himself round the corner.</p>
|
||||
|
||||
<p>The man came right out of the bushes at the side of the
|
||||
clearing.</p>
|
||||
|
||||
<p>For an instant Danny thought the big charging shape was a
|
||||
highland cow that had been startled by the sudden motion until he
|
||||
recognised the size and shape. The man came streaking out, almost
|
||||
silent but for a couple of twigs that crackled underfoot.</p>
|
||||
|
||||
<p>"Oh fuck," Doug said emptily.</p>
|
||||
|
||||
<p>The man had been further downstream that they had realised. They
|
||||
could have got to the gun if they'd known.</p>
|
||||
|
||||
<p>Corky caught the motion out of the corner of his eye. They all
|
||||
saw that. The black shape came streaking out of the bushes. Corky's
|
||||
face turned and one hand went up in a reflex protective action. He
|
||||
swerved to the side, too late, for he was hemmed in now by the
|
||||
steep valley side and had no room for manoeuvre. He tried to run
|
||||
faster, reached the flat turf at the edge of the stream, got one
|
||||
foot onto the shingle at the bottom end of the pool and the man
|
||||
lashed out with his foot and caught him a savage blow right on the
|
||||
hip.</p>
|
||||
|
||||
<p>They all heard the dreadful smacking sound as the toe of the
|
||||
boot connected. It sounded exactly like the noise they'd made when
|
||||
they swung the thick logs on the stones to break them into
|
||||
firewood. Corky made a sound that did not sound exactly human. The
|
||||
force of the blow knocked him right up into the air, legs twisting
|
||||
from under him. He flew in a low arc and landed on the shingle with
|
||||
another loud thud, scattering small stones as he ploughed into
|
||||
them.</p>
|
||||
|
||||
<p>"Jesus," Doug said.</p>
|
||||
|
||||
<p>Down by the pool Corky tried to get to his feet. They could see
|
||||
his left leg dig in at the shingle in a desperate attempt to raise
|
||||
himself up again and propel himself further down the valley, but
|
||||
his right leg was not moving at the same speed. A cry of pain or
|
||||
desperation or bitter defeat escaped him and came echoing up to
|
||||
where they stood. He got to the edge of the water, his left hand
|
||||
scattering shingle into the pool. The man took a step forward and
|
||||
kicked his backside. The blow wasn't as violent as the first one
|
||||
had been, and obviously wasn't even intended to be.</p>
|
||||
|
||||
<p>Corky lurched forward, off balance. His hand skidded out from
|
||||
under, making his body flop at the edge of the shallows. The
|
||||
stranger took another step and put his boot on the small of Corky's
|
||||
back.</p>
|
||||
|
||||
<p>"Jesus," Doug mouthed again. They had all moved forward, all
|
||||
except Billy, unable to stop themselves, getting to the lip at the
|
||||
edge of the slope, unable to draw their eyes away from what was
|
||||
happening further down the valley. The man leaned forward and
|
||||
Corky's arms thrashed in the water.</p>
|
||||
|
||||
<p>"He'll drown," Tom said in a shivery little bleat of panic.</p>
|
||||
|
||||
<p>Corky's head went under the water. It wasn't deep, maybe three
|
||||
of four inches, but with the weight of the man himself pressing
|
||||
down on him, driving him into the shale, it was deep enough. He
|
||||
raised his head up from the water, but hands splashing furiously,
|
||||
waving to get some purchase and once again sending up coruscating
|
||||
prism colours. He tried to pull himself from under but there was
|
||||
nothing to hold on to. His head flopped down and they all heard him
|
||||
gasp and splutter under the water.</p>
|
||||
|
||||
<p>"He's killing him," Tom said, almost in a whimper.</p>
|
||||
|
||||
<p>Corky yelled frantically as he exhaled, managing to lift his
|
||||
mouth and nose clear for an instant, just enough to haul in a
|
||||
breath. It was an inarticulate sound of no words but the
|
||||
desperation in it was clear and stabbed them all.</p>
|
||||
|
||||
<p>Danny was moving. He did not remember starting to move, or even
|
||||
deciding to do it. The animal sound Corky had made simply released
|
||||
something in him and before he knew it he was down the slope and
|
||||
belting along the track. Somebody shouted behind him and the sound
|
||||
seemed to draw itself out like warm toffee. It might have been Doug
|
||||
or Tom for Billy was probably still paralysed up by the altar of
|
||||
the skulls. Danny ran over the stones, travelling in a straight
|
||||
line the way Corky had done, then across the shallows at the first
|
||||
pool before he even realised what was happening and by that time
|
||||
everything was moving too fast including himself. Corky's head was
|
||||
down again and all of his limbs were thrashing about. The stranger
|
||||
was laughing or saying something. Unbelievably, he had a rabbit in
|
||||
his hand, about half grown, still alive and kicking, trying to
|
||||
squirm away much as Corky was doing. Danny was too far committed
|
||||
now, moving too quickly to turn round and tell Doug to get the gun.
|
||||
He would have cursed to himself if there had been time, because he
|
||||
should have got the gun and come down and shot the man but all he'd
|
||||
heard was that animal sound, a deadly noise of a drowning boy and
|
||||
inside Danny something had clicked like a thrown switch; like a
|
||||
pulled trigger. He'd got a vision of Paulie Degman rolling over in
|
||||
the water and the sick feeling of proximity to death came welling
|
||||
up in him and all of a sudden, he had no choice at all.</p>
|
||||
|
||||
<p>He splashed across the shallows of the upper pool, down the
|
||||
slope to the second, across the narrow part of the falls and landed
|
||||
with a thump on the shingle, scattering an arc of stones much as
|
||||
Corky had done when he fell. His momentum carried him forward, feet
|
||||
pattering through the few inches of water. Behind him somebody was
|
||||
screaming and he couldn't tell who it was. He skidded forward,
|
||||
barked against the man's right leg and almost fell. Despite the
|
||||
speed of the collision, the man hadn't even moved. Danny felt as if
|
||||
he'd run smack into a tree. He bounced, body twisting, feet
|
||||
skidding, but did not stop. He simply grabbed Corky's ankle, got
|
||||
his other hand to it, felt the powerful and desperate kick as his
|
||||
friend fought for air, fought for life, and dragged backwards. For
|
||||
a fraction of a second, nothing happened and then Corky jerked
|
||||
back, only a few inches, but enough to get his head clear of the
|
||||
water. His face scraped across the shingles, still pressed down on
|
||||
the ground. He hauled for breath, a great whoop of suction, coughed
|
||||
violently, retched, then whooped again. The man took his foot off
|
||||
his back and Danny's weight pulled Corky even further back from the
|
||||
water.</p>
|
||||
|
||||
<p>Danny fell on his backside, suddenly numbed by the enormity of
|
||||
what had happened. A loop of nausea bubbled up inside him, burning
|
||||
the back of his throat, then subsided without any conscious
|
||||
assistance. He started to get to his feet when the man's shadow
|
||||
fell on him.</p>
|
||||
|
||||
<p>"The earth trembled and it quaked," he said, very slowly and
|
||||
clearly, almost dreamily. "They trembled because he was angry."</p>
|
||||
|
||||
<p>A hand reached down and took Danny by the neck, lifting him to
|
||||
his feet in one swift, smooth motion. He felt something creak in
|
||||
under the grip and a twist of pain shot from one side to the other
|
||||
at the back of his skull. His feet came almost clear of the ground,
|
||||
the way Billy's had done when the man grabbed his hair. The fingers
|
||||
squeezed, not monstrously but enough to get the impression of great
|
||||
and irresistible strength. Danny remembered thinking he should
|
||||
shout to Doug or Tom to get the gun, but he was too scared to even
|
||||
open his mouth.</p>
|
||||
|
||||
<p>"Suffer little children to come unto me," the man said. He
|
||||
twisted Danny around and forced his head back so that he could look
|
||||
right into his eyes. He bent forward, blotting out the blue of the
|
||||
sky and locked on to Danny. The black eyes in that dark and seamed
|
||||
face seemed to expand by some alchemy. They fixed on Danny, black
|
||||
as night and held him tight. They were so dark that no pupil could
|
||||
be seen, only the depth of blackness, like holes. He leaned in
|
||||
close and the sour, unwashed smell enveloped Danny. The man was
|
||||
dirty and he was mad. The eyes held him, completely expressionless,
|
||||
not angry, not even mad-looking and that was creepiest of all.
|
||||
Danny was up on his tip-toes, while this man stared right into his
|
||||
soul with those black searchlights, leaning forward like a hungry
|
||||
animal.</p>
|
||||
|
||||
<p>"He's going to eat me..." a panicked and jittery thought bubbled
|
||||
up. <em>He bites people. Oh man he eats people...."</em></p>
|
||||
|
||||
<p>"Don't hurt him," Corky pleaded. He'd been coughing the water
|
||||
out of his throat when the man had turned and grabbed Danny. He
|
||||
lurched to his feet, biting down on the augur of pain that drilled
|
||||
right high on his hip where the blow had almost dislocated the
|
||||
joint. His leg was numb and stiff, like the worst dead-leg he'd
|
||||
ever had and everything from mid-thigh down was jittering and
|
||||
jiving of its own volition. He hauled himself upright and now he
|
||||
could see his friend caught by the neck and the raggedy man was
|
||||
bending over him. Corky pushed in, trying to get himself between
|
||||
Danny and the intruder. He was scared, dreadfully scared but he
|
||||
knew Danny had come for him and he had to go for Danny.</p>
|
||||
|
||||
<p>"Let him go, mister," he bawled, reaching up to grab the arm
|
||||
that had Danny by the neck. Danny was making little croaking sounds
|
||||
while the black, and for once blinkless eyes, seared into him.
|
||||
Corky dragged downwards, trying at least to get Danny's feet flat
|
||||
on the ground, just in case the man shook him and broke his neck.
|
||||
For some reason, the motion broke the connection. The man blinked
|
||||
once, as if coming awake, swivelled his head to look at Corky.</p>
|
||||
|
||||
<p>"What?"</p>
|
||||
|
||||
<p>"I said let him go," Corky said.</p>
|
||||
|
||||
<p>Without a word the man held up the rabbit by its hind legs. It
|
||||
jiggled there, trapped in his grip, making little reflexive running
|
||||
motions. Its brown eyes rolled in the sockets. A tiny pink tongue,
|
||||
like that of a new-born baby lolled softly.</p>
|
||||
|
||||
<p>Without warning the man jerked his hand. The animal swung in a
|
||||
brief arc and came down with whipping force. Its head connected
|
||||
with Corky's cow's-lick hairline at the top of his brow. There was
|
||||
a wet crunch. A metallic smell misted the air. A red stain pulped
|
||||
across Corky's head. He fell to the ground, landing on his backside
|
||||
with such a force that his teeth snapped together hard enough for
|
||||
Danny to hear. The man had lowered Danny's feet to the grass and
|
||||
the grip on his neck eased considerably. He twisted just enough to
|
||||
see what was happening. Corky was slipping backwards, eyes open,
|
||||
but with a wide bloodied mark right across his head. He grunted and
|
||||
it was the most deadly sound Danny had ever heard. It was an animal
|
||||
sound, mindless and helpless. It was the kind of sound the Aberdeen
|
||||
Angus bullocks made down in the slaughterhouse pens when the
|
||||
malletmen fired the bolt into their brains and they dropped,
|
||||
stumbling to the tiles with a grunt of expelled air, dead before
|
||||
they fell.</p>
|
||||
|
||||
<p>Corky made that awful animal noise.</p>
|
||||
|
||||
<p>Both his hands were on the ground. He rolled slowly and lay
|
||||
flat.</p>
|
||||
|
||||
<p><em>He's killed him. Oh!</em></p>
|
||||
|
||||
<p>Horror and shock wheeled right through Danny.</p>
|
||||
|
||||
<p>It had happened with such brutal force, such unexpected speed. A
|
||||
whip and a crack and Corky was down. The enormity of it was still
|
||||
trying to impinge itself on Danny's mind when Corky suddenly moved.
|
||||
He jerked, much as the man had done, as if coming awake. Both hands
|
||||
flew up to his head and dabbed gingerly. He blinked several times
|
||||
and then he moaned, not loud, but the way someone does when they've
|
||||
bumped their head or barked their shin. He winced as he did so. His
|
||||
hands came away bloodied and Danny expected him to find bits of
|
||||
skull and bone there too, at that part where his skull had been
|
||||
caved in.</p>
|
||||
|
||||
<p>Corky face twisted into an expression of disgust and he rubbed
|
||||
gingerly again at his scalp. Danny turned back, completely
|
||||
bewildered and saw the rabbit swinging in the man's hand. Its head
|
||||
was a red ruin. The little animal's skull was flattened and pulped
|
||||
and a trail of blood dribbled from the nose that had been twitching
|
||||
only seconds before. It was stone dead.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
878
build/darkvalley/OEBPS/026.xhtml
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build/darkvalley/OEBPS/026.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>26</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>26</h1>
|
||||
|
||||
<p><em>August 3. Night.</em></p>
|
||||
|
||||
<p>The moon rose over the high edge on the east side of the valley,
|
||||
a slow, bright dome, just a shave short of full. Doug had watched
|
||||
it from where he sat, up against the pole of the tent close to the
|
||||
open flap, seeing the coarse grass fringe limned in silver, then
|
||||
silhouetted against the light. The others, Danny, Tom and Corky who
|
||||
were at the back, could only see the effect on the valley and the
|
||||
water of the stream over by the falls where Billy had stuck the
|
||||
feathers.</p>
|
||||
|
||||
<p>The upstream curve of the valley gradually lightened as the moon
|
||||
rose higher, sending ink-blot shadows contracting slowly on the
|
||||
westward slides of the rocks and trees. The water at the falls was
|
||||
a flow of rippling quicksilver and even the small cascade itself
|
||||
seemed to be imbued by a kind of magic, softening its sound down to
|
||||
barely a whisper. The four feathers of the dead heron were narrow
|
||||
curved blades sticking up from the rocks. Danny turned his head
|
||||
from the silver stream, drawing his eyes down the bend to the edge
|
||||
of the campsite. The change in the light was perceptible over the
|
||||
distance, graduating from an ethereal moondew out in the basin of
|
||||
the valley, to a baleful red glow by the fire where the pine sticks
|
||||
crackled and spat and sparks rose up into the blackness above. The
|
||||
stranger sat hunched on the far side, close enough to the flames
|
||||
for them to reflect on the smooth gun-barrel. If he had not been
|
||||
there, the light would not have looked so hellish, merely warm. His
|
||||
presence changed everything and took the magic out of the
|
||||
moonlight.</p>
|
||||
|
||||
<p>Billy's face was a pale blur close to the man, flickering in the
|
||||
dance of the flames. He was huddled on the log he'd hauled himself
|
||||
as his camp bench. His old rusty Sheffield steel knife was still
|
||||
embedded into the grain at the end furthest from the fire. It
|
||||
wouldn't have done him any good even if he'd been able to reach
|
||||
it.</p>
|
||||
|
||||
<p>The man was silent for now.</p>
|
||||
|
||||
<p>He was only a yard or so from Billy, but he looked as if he was
|
||||
completely alone within himself. He sat still, solid as the rocks
|
||||
at the falls. Four Feather Falls, Billy had called it and they'd
|
||||
all recalled the little puppet show with the hero whose magic guns
|
||||
would swivel in their holsters and fire at the bad guys, mainly the
|
||||
Indians. The idea of a gun going off by itself was now a
|
||||
nightmare.</p>
|
||||
|
||||
<p>Billy huddled motionless. They could all see the red glint on
|
||||
the fire-side edge of the long barrel and the silver streak at the
|
||||
top where the moonlight reflected. Those parallel lines of
|
||||
flickering red and silver followed up from the stock to the far end
|
||||
which was jammed under Billy's jawline.</p>
|
||||
|
||||
<p>"We will all sit vigil," the man had said. "Pray that you will
|
||||
not fall into temptation."</p>
|
||||
|
||||
<p>Danny knew, from long experience what he was talking about. The
|
||||
image of the agony in the Garden of Gethsemane came to him.
|
||||
<em>Pray!</em> Corky hadn't had the same indoctrination, but he
|
||||
instinctively picked up the sense of it. Billy's eyes were red in
|
||||
the firelight, wide and scared. The man had sat him down and took
|
||||
some of the baling twine which he wrapped quickly round the ends of
|
||||
the barrels and then looped around Billy's neck to tie it back on
|
||||
the gunmetal again. The noose was not tight enough to strangle, or
|
||||
even cause serious physical discomfort, but the agony of
|
||||
anticipation should have been enough to make Billy sweat blood.</p>
|
||||
|
||||
<p>The business ends were right under his chin and the butt dragged
|
||||
on the ground. The trailing edge of the baling twine went under
|
||||
Billy's knees and the man quickly bound his hands there, once
|
||||
again, not savagely, just enough to make it difficult for Billy to
|
||||
move much. With the gun jammed against his neck, pointing straight
|
||||
up under his chin, Billy was too scared to move at all.</p>
|
||||
|
||||
<p>"Therefore keep watch, because you do not know the day or the
|
||||
hour," the man told them and the crazy emptiness was back in his
|
||||
eyes once more. They all shrank back from it.</p>
|
||||
|
||||
<p>He had made them build up the fire until it was a hot roar of
|
||||
heat. Doug and Corky had broken the logs which Danny and Tom had
|
||||
dragged down from the fallen spruce tree close to where the Corky
|
||||
had struggled for breath in the shallows of the pool. There was no
|
||||
escaping now, not while Billy's head was wired to the gun. The man
|
||||
knew it. He had them in his grip now an there was nothing they
|
||||
could do.</p>
|
||||
|
||||
<p>Corky wondered when he would start hurting them. He did not even
|
||||
consider that they had been hurt yet, despite what they'd been
|
||||
through. The rabbit's dried blood was smudged on his forehead and
|
||||
the bruise there throbbed warmly but not very painfully. The side
|
||||
of his face was swollen and angry and his shoulder and thigh hurt
|
||||
like all hell. It was possible that the shock had anaesthetised
|
||||
him. He leaned back, drawing his eyes from the outside to the dark
|
||||
of the tent. Danny's gaze was fixed on the man, half of his face
|
||||
pinked by the reflection of the fire, the other half in moonshadow.
|
||||
Tom was just a pale blur. Dougie's breathing was light, but
|
||||
shallow. They were still alive.</p>
|
||||
|
||||
<p>For a bad moment after his escape attempt, Corky had thought the
|
||||
man would kill them all. With the natural insight of one who had
|
||||
lived cheeck to jowl with a natural level of violence, he knew it
|
||||
had been close.</p>
|
||||
|
||||
<p>"What's he waiting for?" he wondered, not realising that he had
|
||||
whispered the words aloud.</p>
|
||||
|
||||
<p>"I dunno," Danny said. His stomach was rumbling emptily,
|
||||
although he did not feel hungry. He was thinking about Billy
|
||||
sweating blood and he wondered about the gun, whether it would go
|
||||
off if Billy slumped forward during the night. He wished the man
|
||||
would untie it. Danny's Uncle Mick who was his mother's brother and
|
||||
the black sheep of the family, his gun had a filed-down trigger
|
||||
lever that made it fire, so he said, if anybody looked at it the
|
||||
wrong way. If Billy fell, or even jerked to the side, would the gun
|
||||
go off? No wonder he was sitting there like a carved Indian statue.
|
||||
He looked as if he was scared even to breathe. The safety catch was
|
||||
off. <em>Now</em> it was off. Too late.</p>
|
||||
|
||||
<p>The man had hit Corky with the rabbit and Corky had dropped like
|
||||
a sack. The move had been so unexpected, so unnatural, that it had
|
||||
taken them all by surprise and Danny had thought Corky was dead.
|
||||
The enormity of that sudden loss was matched only by the fear that
|
||||
he himself would be next. For a moment everything went completely
|
||||
and utterly still. Then Corky had jerked as if coming awake and had
|
||||
rubbed at the red splash and they had both realised at the same
|
||||
time that it was only rabbit blood.</p>
|
||||
|
||||
<p>Corky had got to his feet, very slowly, as if he too was still
|
||||
surprised to be alive. The man had stepped forward and grabbed him
|
||||
by the neck the way he had seized Danny only seconds before.
|
||||
Without hesitation he propelled Corky back up the slope and across
|
||||
the stream, ignoring the stepping stones. His boots splashed in the
|
||||
water and Corky's splashed beside him, more dragged than stepping.
|
||||
He made no sound. Danny followed on, unable to do anything else.
|
||||
The man ignored him, as if he had forgotten all about him, but
|
||||
Danny knew that was not so. If he ran, the man would turn and catch
|
||||
him and this time he might not use the pulped rabbit to fell him.
|
||||
He might pick up one of the smooth stones by the river and smash
|
||||
him down with it and keep on smashing.</p>
|
||||
|
||||
<p>They got to the edge of the camp. Dougie was standing to the
|
||||
side of the fire, shoulders dropped in defeat, his ears red and
|
||||
translucent, his vest torn and sagging. Billy was over by the
|
||||
hollow, down on his hands and knees as if he had suddenly gone
|
||||
blind. His face was upturned and his eyes open, but they looked as
|
||||
if they were fixed, the way the stranger's had been, on the far
|
||||
distance. Tom was moving forward from the low rock wall. Danny
|
||||
hadn't noticed him at first. For a second he thought he might have
|
||||
run up stream and got away, gone for help before it was too late,
|
||||
but then he saw him moving forward and his heart lurched.</p>
|
||||
|
||||
<p>Tom had the big gun in his hands.</p>
|
||||
|
||||
<p>He had raised it up to his shoulder and the end of the barrel
|
||||
was waving around as if he was conducting a slow piece of music.
|
||||
The muzzle ends, the black infinity shape, swung round to Danny who
|
||||
winced in fright until it moved back to point at the man who was
|
||||
pushing Corky in front of him.</p>
|
||||
|
||||
<p>"Stop!" Tom's voice was high and thin, almost a bleat.</p>
|
||||
|
||||
<p>The weight of the gun looked too much for Tom's small frame. The
|
||||
end dropped slowly, rose, sagged again. His hands were shaking.
|
||||
Danny saw his finger on the front trigger. The muzzle wavered down
|
||||
again.</p>
|
||||
|
||||
<p><em>"No Tom,"</em> Danny tried to say but the words wouldn't
|
||||
come. His mental shout was just a clamour inside his head. If Tom
|
||||
fired, he'd surely hit Corky who was now being shoved up the
|
||||
incline to the campsite.</p>
|
||||
|
||||
<p>The man did not hesitate. He pushed Corky ahead, walking
|
||||
quickly, his boots thudding the turf and then without warning flung
|
||||
the boy ahead of him with a violent push. Tom's eyes followed his
|
||||
friend's progress, pulling his attention away from the real threat.
|
||||
The man strode forward and took the end of the gun in his hand with
|
||||
almost casual swiftness. Danny saw Tom's finger tighten reflexively
|
||||
on the trigger, but nothing happened. The end of the barrel was
|
||||
pointing straight at the man's head, <em>but nothing happened</em>.
|
||||
The gun did not roar, did not spit fire and lead shot. The big,
|
||||
dirty hand clamped on the end and drew it away from Tom. The man's
|
||||
other hand reached out and took the small boy by the face, thumb on
|
||||
one side, fingers on the other. The fingers flexed, squeezed hard
|
||||
until the ingrained knuckles showed white.</p>
|
||||
|
||||
<p>Tom made a small <em>oomph</em> sound as his face contorted,
|
||||
lips forming a vertical, squashed violin-shaped slash. A flick of
|
||||
spittle whirled out. The man squeezed harder and Tom's eyes bulged.
|
||||
He moaned in pain, face drawn upwards by the grip. Both his hands
|
||||
were shaking furiously and his feet did a jittery little dance.
|
||||
Over by the hollow, Billy was turning his head as if he'd just
|
||||
realised they were there.</p>
|
||||
|
||||
<p>Corky got to his feet, shook his head to clear it, saw what was
|
||||
happening and said something. It was just one word.</p>
|
||||
|
||||
<p>"Don't..."</p>
|
||||
|
||||
<p>That was as far as he got, but it was enough to save Tom's face
|
||||
from being crushed and broken.</p>
|
||||
|
||||
<p>The man let go, simple as that. Tom fell to the ground, both
|
||||
shivering hands immediately flying to his face which bore the full
|
||||
imprint of thumb on the left cheek and four fingers on the right.
|
||||
There was a vivid red mark just under the curve of the jaw where
|
||||
the man's smallest finger had dug into the skin, the dirty nail
|
||||
slicing through the surface. Tom let out a long drawn cry of pain
|
||||
and his eyes were closed tight, concentrating on the hurt the way
|
||||
boys do, so he did not see what happened next. Corky said his one
|
||||
word and the man dropped Tom, as if he'd just flicked something off
|
||||
his hand. He spun and to Danny it seemed as if it happened quite
|
||||
slowly, but hewas riding high on that ridge of fear and dread in
|
||||
which everything seemed to happen at a different speed from normal.
|
||||
Corky was suffering no such time distortion. Despite his wealth of
|
||||
experience in such matters, he never even saw the blow coming. The
|
||||
man spun and his hand swung with him, splayed open, palm first. It
|
||||
was the hand that had gripped Tom's cheek to the point of crushing
|
||||
his jaw, which was fortunate enough. The other hand was gripping
|
||||
the barrel of the gun and if he'd swung that, it would have taken
|
||||
Corky's head off at the neck.</p>
|
||||
|
||||
<p>Corky saw the blow coming, just like Pony's roundhouse punch,
|
||||
and he instinctively went with it, so that it sounded loud enough,
|
||||
but caused no damage. He did a little somersault and landed on his
|
||||
hands and feet and scuttled off out of reach. The man did not
|
||||
pursue him further. Danny heard Doug's breath catch. The man swept
|
||||
his eyes across them.</p>
|
||||
|
||||
<p>"Again a little time and you <em>shall</em> see me."</p>
|
||||
|
||||
<p>Corky looked up warily. They all held their breaths now,
|
||||
thinking now that this was it. The gun was up now in the crook of
|
||||
the man's arm, pointing at the sky.</p>
|
||||
|
||||
<p>"Could you not wait one hour with me?"</p>
|
||||
|
||||
<p>Danny heard the reference to the garden. None of it made sense.
|
||||
He waited for the barrels to dip once again, but again nothing
|
||||
happened. The man stared down at Corky who gazed up, unblinking, as
|
||||
if caught in the headlights. His eyes focused, locked on the man's
|
||||
own almost in challenge. Danny and Doug watched the exchange and
|
||||
later they thought it was the bravest thing they had ever seen, but
|
||||
at that moment, both of them were silently begging Corky to look
|
||||
away, to deflect the heat. The pair of them, man and boy stayed
|
||||
like that or several seconds, Corky's chest heaving up and down in
|
||||
rapid hitches, the man still as stone, looking as if he did not
|
||||
need anything as banal as air to exist. Finally he turned his head
|
||||
to the side, like a teacher who has decided to be lenient this
|
||||
time.</p>
|
||||
|
||||
<p>"Don't run again, boy," he said. "We have things to do. Wonders
|
||||
to perform." He turned away and Corky's eyes closed slowly as if he
|
||||
was suddenly exhausted. The side of his head was red and angry and
|
||||
swelling fast.</p>
|
||||
|
||||
<p>The man moved towards the fire and picked up the body of the
|
||||
rabbit and it was only then that Danny noticed the safety catch of
|
||||
the shotgun was pushed forward. Tom hadn't known about that. His
|
||||
fingers had definitely tensed on the trigger and nothing had
|
||||
happened because it had been locked. But Tom had pulled, whether by
|
||||
accident or design. He had a chance to get them out of it and the
|
||||
chance was gone. Yet deep inside Danny there was a sneaking
|
||||
suspicion that even if the gun had roared, the big ragged stranger
|
||||
<em>-Twitchy Eyes-</em> would still be standing there by the fire,
|
||||
holding the rabbit up by the ankles. There was something so
|
||||
depthlessly evil about him that he seemed to be indestructible.
|
||||
Corky had been right.</p>
|
||||
|
||||
<p>"He's not going to do anything right away, is he now?" he'd
|
||||
said. "Not to all of us."</p>
|
||||
|
||||
<p>But it was starting now and they were caught here, miles from
|
||||
the town. Beyond the man, the four feathers on the falls fluttered
|
||||
in a waft of breeze and Danny's stomach clenched.</p>
|
||||
|
||||
<p><em>Bad luck!</em> He'd brought this on them, hadn't he? He'd
|
||||
killed it and the shadow had come across the valley. <em>The valley
|
||||
of the shadow of death!</em> The luck had blown and flown. Tom had
|
||||
pulled the trigger and nothing had happened. Corky had run and the
|
||||
man had anticipated it. He'd stepped on his back while he sprawled
|
||||
in the water and Corky would have died.</p>
|
||||
|
||||
<p>Now it was night and the moon was over the edge and beaming down
|
||||
into the valley and the sparks from the spruce and pine were flying
|
||||
up on the updraught. Beyond the flames, they had heard the man gnaw
|
||||
hungrily at the rabbit, making animal feeding sounds. He'd made
|
||||
them gather the wood and break the logs on the stones, each smash
|
||||
sounding just like the sound of the rabbit's skull on Corky's
|
||||
forehead. <em>Twitchy Eyes</em>, there was now no doubt in any of
|
||||
their minds that this was the man who had done the dreadful things
|
||||
to the little girl under the bridge and to Donny Whalen and the
|
||||
others.</p>
|
||||
|
||||
<p><em>Twitchy Eyes</em>. He had gutted the rabbit and thrown the
|
||||
entrails onto the fire, watching them sizzle and shrink, like some
|
||||
crazed warlock casting an augury. The intestines and lungs
|
||||
shrivelled to charred lumps while he very quickly stripped off the
|
||||
skin, peeling it like a tight coat. He severed the head with one
|
||||
quick, frightening twist of his hands and put it to the side,
|
||||
looking over at the corner where the three other skulls hung in the
|
||||
hawthorn. Doug saw the look and knew the rabbit's head would end up
|
||||
there.</p>
|
||||
|
||||
<p><em>And whose else?</em></p>
|
||||
|
||||
<p>He shivered visibly. Oh <em>Jesus please us, chill and
|
||||
freeze-us</em>. His lips moved in the gloom but no sound came out.
|
||||
On the other side of the fire, limned by the flames, the man held
|
||||
up the skinned rabbit. Its limbs dangled and it looked like a
|
||||
new-born baby. The stranger looked like a red-eyed devil, hunched
|
||||
on the edge of the pit. He took one of the branches and skewered
|
||||
the little animal, stabbing it through the rectum and up to the
|
||||
gaping hole at the throat. Very expertly and without fuss, he fixed
|
||||
up two other branches on either side of the fire and put the meat
|
||||
across the edge beside the flames and above a hot section of
|
||||
glowing embers. In a matter of minutes the smell of cooking meat
|
||||
billowed out. Doug's mouth watered, but he was not at all
|
||||
hungry.</p>
|
||||
|
||||
<p>"What's he waiting for?" Corky had whispered a long time later
|
||||
and Danny hadn't known the answer. The moon had risen, only a
|
||||
couple of nights short of full, lighting the canvas of the tent
|
||||
enough for their night vision to let them see each other, however
|
||||
dimly. Corky's face was swollen on the right side as if he'd the
|
||||
mumps.</p>
|
||||
|
||||
<p>"We'll have to get out of here," Doug said.</p>
|
||||
|
||||
<p>"I tried, really I did. If you hadn't hurt your leg, maybe you'd
|
||||
have made it, but <em>Jeez</em> he was dead fast." Corky swivelled
|
||||
and tried to get his hands to the edge of his hip where the man's
|
||||
boot had caught him and knocked him flying. The baling twine
|
||||
whipped around his hands made any motion difficult. The bonds,
|
||||
roughly pulled tight, were connected to another loop around their
|
||||
necks. If they tried to squirm free, it choked them. It was very
|
||||
effective.</p>
|
||||
|
||||
<p>"I thought my leg was broken."</p>
|
||||
|
||||
<p>Despite what he'd been through, he sounded remarkably composed.
|
||||
Danny could see the dim light reflect in his eyes, could make out
|
||||
the concentration there. The sparking crackle of the fire was
|
||||
enough to cover their whispering.</p>
|
||||
|
||||
<p>"I thought he'd killed you," Danny said flatly.</p>
|
||||
|
||||
<p>"<em>You</em> thought? I never expected him to banjo me with a
|
||||
rabbit. Swear to God it was hard as a rock."</p>
|
||||
|
||||
<p>"Not as hard as your head though," Tom said, and for some
|
||||
reason, Corky started to giggle, not out loud, but in a whispery,
|
||||
suddenly uncontrollable heaving of his shoulders. The motion caused
|
||||
him to fall slightly to the left, against Danny and that in turn
|
||||
tightened the twine which was looped around his neck and fixed in
|
||||
turn to the tent-pole. The laugh cut off in a strangled gulp which
|
||||
they all heard. Corky raised himself back, tears running down his
|
||||
cheeks and a shadowed smile still stretched across his face.</p>
|
||||
|
||||
<p>"What are you laughing at?" Doug wanted to know and Danny felt
|
||||
the hysteria bubble up inside himself. He bit that down because he
|
||||
did not know if he could keep it quiet and he did not know that if
|
||||
it started, he'd be able to stop, or if it would be laughter for
|
||||
long. It might change into blubbering, snivelling tears. He felt
|
||||
close enough to them already.</p>
|
||||
|
||||
<p>"Not as hard as my head." Corky said, still grinning and in the
|
||||
light coming through the flap, he looked just a little mad. "No
|
||||
kidding. I heard that poor wee thing crack like a nut, and I
|
||||
thought it was my head caving in. Next think all I could see were
|
||||
sparkly stars right in front of my eyes."</p>
|
||||
|
||||
<p>"I saw the blood," Danny finally said. "I thought it was..."</p>
|
||||
|
||||
<p>"But it wasn't," Corky interjected, forestalling him. The look
|
||||
on his face had changed, the crazy grin gone in a wink. "It was
|
||||
just a slap. It was nothing. I've had worse from my old man. I'll
|
||||
look like old Quasimodo in the morning."</p>
|
||||
|
||||
<p>"But he nearly drowned you," Tom hissed, his voice as tremulous
|
||||
as Danny felt.</p>
|
||||
|
||||
<p>"But he didn't, did he?" Corky said sharply, and Doug's eyes
|
||||
flicked to the figure beyond the flames to see if he'd heard.
|
||||
Danny's memory brought him back a picture of his friend helpless,
|
||||
wriggling and fighting for breath. The hysteria tried to bubble
|
||||
upwards in a sudden release.</p>
|
||||
|
||||
<p>"He didn't. 'Cos Danny came and gave me a hand," Corky said and
|
||||
now they could all see the faint glint in his eyes. Doug looked
|
||||
down, all ears and teeth, not moving, but a picture of shame and
|
||||
embarrassment. Corky inclined his head as far as it could go
|
||||
without cutting off his breath again. Even in the dimness they
|
||||
could read his posture.</p>
|
||||
|
||||
<p>"Doug," he said, "I never meant you should have done anything.
|
||||
You'd have run if you could, but you couldn't, so don't worry about
|
||||
it. Sure it was me that stopped you on the way down, wasn't it? You
|
||||
were going to go up the side like a ferret up a drainpipe. Even
|
||||
with him and his gun at your back. That took guts. Plenty of
|
||||
them."</p>
|
||||
|
||||
<p>He nodded his head again. "Wee Tom here. <em>Jeez-o!</em> I
|
||||
thought he was going to shoot me. Bad enough Old Twitch knocking
|
||||
the feet from me, but Tom? Our pal?"</p>
|
||||
|
||||
<p>Corky grinned again, this time a quick flash and Danny
|
||||
understood, with a flash of desolate sadness, what he was doing. He
|
||||
was thirteen years old and he'd told them all great and terrible
|
||||
truths about themselves to hold them together and now he was doing
|
||||
the same thing. Holding them together with his own special
|
||||
power.</p>
|
||||
|
||||
<p><em>Old Twitch.</em></p>
|
||||
|
||||
<p>The man out there beyond the flicker of the fire, hunched only a
|
||||
hard away from where Billy sat motionless, the man who'd stalked
|
||||
ther town and done his killing.</p>
|
||||
|
||||
<p>Old Twitch.</p>
|
||||
|
||||
<p>"I couldn't get it to fire," Tom said.</p>
|
||||
|
||||
<p>"Safety catch was on," Danny explained.</p>
|
||||
|
||||
<p>"Just as well for me," Corky said, almost speaking aloud but
|
||||
checking himself quickly. "The way that gun was jiggling about, I'd
|
||||
have been a goner for sure. Try explaining that when you get home.
|
||||
Sorry Mrs Corcoran. I never knew the safety catch was on. That's as
|
||||
bad as 'I never knew the gun was loaded.' "</p>
|
||||
|
||||
<p>Beyond the fire, perched on his log, Billy sat still as stone
|
||||
while the man devoured the rabbit. He had thought he was going to
|
||||
die when the gun had been tied tight to his neck, either from the
|
||||
blast when it went off, or from the pounding of his heart which was
|
||||
so powerful, and so stuttering, that it felt like an engine firing
|
||||
on three cylinders. It felt as if it could burst inside of him and
|
||||
for a long moment, he was so scared to breathe that his peripheral
|
||||
vision took on the hue of the splash of dried blood still smeared
|
||||
on Corky's forehead.</p>
|
||||
|
||||
<p>He hadn't been able to move. Not then, not before even when the
|
||||
man had put his head down close to his cheek and spoken directly to
|
||||
him.</p>
|
||||
|
||||
<p><em>They talk to us all, those voices. You just need ears to
|
||||
hear.</em></p>
|
||||
|
||||
<p>The man brought his head down until his chin was against Billy's
|
||||
ear. He could smell his breath, flat and cloying and rotten; he
|
||||
could smell his sour sweat. The man's beard bristles rasped against
|
||||
the side of his face and Billy had no strength to pull away, no
|
||||
strength at all.</p>
|
||||
|
||||
<p><em>Got to go down into the valley and out the other side. You
|
||||
want to make that journey boy? You want to listen to the voice of
|
||||
the dead?</em></p>
|
||||
|
||||
<p>And he'd bent further and taken the soft skin at Billy's neck
|
||||
between his teeth, gently enough, but Billy had been waiting for
|
||||
dreadful pain of the bite.</p>
|
||||
|
||||
<p><em>Oh Jeez! Oh mammy! He'll eat me.</em></p>
|
||||
|
||||
<p>Like he'd eaten the fish, heedless of the head and eye and raw
|
||||
guts. Like he'd bitten the kid from school, bitten pieces out of
|
||||
him. Billy had felt his legs begin to buckle when the small screech
|
||||
had startled the man back. After that, everything had been a blur.
|
||||
One of them, had it been Danny? Corky? had run off, but Billy
|
||||
couldn't get his eyes to focus. Somebody had called his name, as if
|
||||
from a long distance, something about a gun, but by now his legs
|
||||
had given way and the world was just a haze in the pounding of his
|
||||
heart and the shudder of absolute fear. It had happened so fast and
|
||||
he was moving so slow and it was all jumbled up.</p>
|
||||
|
||||
<p>Parts of it came back to him, jerky little pictures, little
|
||||
flashes, blurred and fast, almost like half remembered dreams; Tom
|
||||
raising the gun; Danny yelling something down by the stream; Corky
|
||||
falling sideways and making a long low sound that seemed to go on
|
||||
and on.</p>
|
||||
|
||||
<p>Now he was beside the fire, eyes fixed on the flames. He could
|
||||
think now, but it was a slow process, as if his brain had become
|
||||
fogged with the same numbness that had slowed him during the day
|
||||
when the man had bent to his neck and promised him....</p>
|
||||
|
||||
<p>Over in the tent the others were together and he was alone,
|
||||
singled out again, the way he had been singled out when the man had
|
||||
stepped over the stream and forced the fish into his mouth, and
|
||||
when he'd led him to the hollow to watch the flies crawling over
|
||||
the dead skulls. Every now and again he imagined he could hear the
|
||||
others talking, over the whispering hiss of resin bubbling from the
|
||||
end of the spruce logs and the flutter of the flames. He imagined
|
||||
he could hear them whisper but he hoped they were all asleep.</p>
|
||||
|
||||
<p>Talk was dangerous. He knew that, even in his dull state of
|
||||
shock. If they were talking, they could be planning to escape, and
|
||||
if they tried that, there was a gun at his neck and even Billy knew
|
||||
that was a warning to them all. One wrong move, and the man
|
||||
would</p>
|
||||
|
||||
<p><em>bite!</em></p>
|
||||
|
||||
<p>reach for the gun and squeeze the trigger. He would make Billy
|
||||
come through trials and tribulations to reach that great truth.</p>
|
||||
|
||||
<p><em>You want to make that journey boy? You want to listen to the
|
||||
voice of the dead?</em> In his mind he could hear those words,
|
||||
played over and over again, the way his mother used to play those
|
||||
Western tunes on the old Dansette, like the song from High Noon. Do
|
||||
not forsake me. Oh my.</p>
|
||||
|
||||
<p>He'd been singled out, kept apart from the others.
|
||||
<em>Forsaken.</em> And that meant the raggedy man planned something
|
||||
for him, something different. He had wanted to plead and cry and
|
||||
beg for mercy and fall on his knees, but that hadn't happened, not
|
||||
until the man had followed the rabbit's squeal and walked away and
|
||||
then he'd been left on his own, forsaken again, with nothing to
|
||||
cling to. He'd been singled out and the man had told him what would
|
||||
happen. Not how, but what.</p>
|
||||
|
||||
<p>Want to hear the voice of the dead? They had all heard the
|
||||
stories of Don Whalen in the bomb shelter, stories told in graphic
|
||||
detail, because nothing stayed secret for long, even the secrets of
|
||||
policemen. They'd found him dead and stiff and fly-blown with his
|
||||
head twisted to the side, facing the screaming mouth of the
|
||||
girl.</p>
|
||||
|
||||
<p>When the man had asked him the question, that was the image that
|
||||
had flashed into his mind: Don Whalen listening to the dead scream
|
||||
of the dead girl. The <em>Voice of the dead</em>. And Don had made
|
||||
the journey, down in that squirming shelter, tied to an old table.
|
||||
Hadn't he?</p>
|
||||
|
||||
<p>On the fire, one of the logs rolled over and crashed into the
|
||||
ashes, startling him enough to make him jerk, but only for an inch.
|
||||
The weight of the gun stopped him, along with the sudden freezing
|
||||
that came with the knowledge of those barrels pressed against his
|
||||
flesh. A shower of sparks shimmered upwards on the hot draught of
|
||||
air.</p>
|
||||
|
||||
<p>Billy hauled for a difficult breath, wondering when it would
|
||||
happen. Beside him, the man gnawed at the rabbit, making little
|
||||
snuffling and gobbling noises as he did so, sounding like a pig in
|
||||
a sty. Every now and again he'd flick a bone into the red embers
|
||||
and listen to it crack and warp. The rabbit's head was off to the
|
||||
side, but too close to the heat to have attracted any flies.</p>
|
||||
|
||||
<p>After a while, the fire died a little and Billy's numbness slid
|
||||
into a kind of exhausted torpor. His eyes closed and his head
|
||||
drooped just a little, finally coming to rest against the muzzle of
|
||||
the shotgun.</p>
|
||||
<hr />
|
||||
<p><em>"Slitty eyed vermin!".</em></p>
|
||||
|
||||
<p>The man's sudden utterance woke Billy with such a start that he
|
||||
almost fell backwards off the log. Over in the tent, Danny and
|
||||
Corky, sitting side by side and both connected to the upright pole
|
||||
as well as to each other, banged heads.</p>
|
||||
|
||||
<p>"Wassamatter?" Tom asked dopily. Danny, just coming awake,
|
||||
hazily remembered Corky winding Billy up about the disease he could
|
||||
have caught from Phil's stash of pictures.</p>
|
||||
|
||||
<p>"Wassermatter reaction," he mumbled, beginning to smile, then he
|
||||
came fully awake as the loop of twine rasped against his neck and
|
||||
brought him right back to reality.</p>
|
||||
|
||||
<p>"Hush it," Corky hissed.</p>
|
||||
|
||||
<p>"<em>Am I right, Conboy</em>?" The voice was low, but jerky,
|
||||
like a sleep-walker's disjointed diction. "You can see them. See
|
||||
everything you do. Got a third eye now, eh? See all!"</p>
|
||||
|
||||
<p>"What's he saying?" Tom asked, a disembodied whisper in the dark
|
||||
corner furthest from the flap. The fire was still glowing, but not
|
||||
aflame now. The moon was almost directly overhead, sending its wan
|
||||
light through the thin stretched canvas of the old tent, and
|
||||
forming almost solid shafts of silver through the few puncture
|
||||
holes in the slant roof where they caught the motes of old
|
||||
dust.</p>
|
||||
|
||||
<p>"Dunno," Corky said. "Listen." He had not been quite asleep, but
|
||||
he'd been dozing fitfully, as had the other three, tired and
|
||||
drained from the events of the day but still in a state of fearful
|
||||
apprehension that precluded the possibility of deep sleep. The very
|
||||
fact that the man had started talking, after such a long silence
|
||||
worried him badly. Was it the start? He couldn't guess, despite the
|
||||
guessing he'd tried ever since the man had marched them all down
|
||||
together. Good or bad? He did not know. Bad probably, though the
|
||||
fact that Billy was still tied to the gun was good, depending on
|
||||
the standpoint. Corky had figured that as long as Billy was tied,
|
||||
he was a hostage for their good behaviour. The warning was clear.
|
||||
It was in all the best and worst of western movies.</p>
|
||||
|
||||
<p>One wrong move and the boy gets it.</p>
|
||||
|
||||
<p>Good for them. Bad for Billy. But the man was talking now and he
|
||||
was a crazy lunatic and the normal rules, if there could any normal
|
||||
rules in this tortured craziness, would not apply. Would it start
|
||||
now?</p>
|
||||
|
||||
<p>Danny was aware of Corky's tension. He could feel it through the
|
||||
twine that coupled them and he hoped Corky was all right. If Corky
|
||||
caved in then that was it. None of them would make it. Danny held
|
||||
his breath tight and tried to figure out, the way Corky had done,
|
||||
whether it was all going to start now.</p>
|
||||
|
||||
<p>"Not talking now, Conboy? Eh?" The voice rumbled over the murmur
|
||||
of the stream. "What's the matter? Flies got your tongue?"</p>
|
||||
|
||||
<p>The man laughed, not high this time, but almost as low as the
|
||||
voice itself, a kind of derisory, guttural sound.</p>
|
||||
|
||||
<p>"I know you can hear me. I know. Not long now Conboy. They'll
|
||||
come back soon, slitty eyed yellow scum. <em>Dung Fly</em>! We'll
|
||||
wait for them. Just you and me and we'll finish them all. Wipe them
|
||||
all out! Dung Fly. Only word they know."</p>
|
||||
|
||||
<p>There was a moment's silence, then the voice was back, a little
|
||||
louder, a little more jerky. "Only word. Hear what I'm telling you
|
||||
Conboy? You have to stay awake. Keep an eye out. Ha. An eye."</p>
|
||||
|
||||
<p>In the tent, Corky and Danny, side by side, shared the same
|
||||
posture, sitting with their heads back, cocked and listening. Over
|
||||
on the other side, Doug sniffed.</p>
|
||||
|
||||
<p>"Who's he talking to?"</p>
|
||||
|
||||
<p>"Who knows?"</p>
|
||||
|
||||
<p>"Is Billy okay?" Tom wanted to know, typical of him. Danny
|
||||
remembered him from the night before, even after Corky had reached
|
||||
and touched a finger in the jagged wound of Tom's loss, how Tom had
|
||||
reached to touch Corky and offer his support.</p>
|
||||
|
||||
<p>Doug leaned back, squinting through the flap. He moved slowly,
|
||||
held his position for some time, then turned back. "Still there.
|
||||
Can't see if he's asleep or not. The gun's still there."</p>
|
||||
|
||||
<p>"What about <em>him?</em>"</p>
|
||||
|
||||
<p>"Same place. He's finished the rabbit. Still sitting. Can't see
|
||||
his face. Maybe he's turned round."</p>
|
||||
|
||||
<p>"What do you think he'll do?"</p>
|
||||
|
||||
<p>Corky shrugged. So did Danny. Neither of them wanted to say what
|
||||
they thought.</p>
|
||||
|
||||
<p>Outside, the man's voice lowered a little and maybe he had
|
||||
turned round, for the words were hard to make out, and they'd a
|
||||
double-toned quality to them, as if they were echoing back from the
|
||||
steep sides across the steam. The tone had changed too, not quite
|
||||
so vehement. Danny strained to listen. It sounded as if a
|
||||
conversation was going on, almost furtively. It continued for some
|
||||
time, rising a little, falling some more and finally, after a long
|
||||
time, it slowed and stopped. The fire continued to glow.</p>
|
||||
|
||||
<p>Down in the forest, an own screeched like a banshee moorland
|
||||
ghost and its cry tapered away to a hollow moan. Later on, with the
|
||||
moon now crossing to the far side of the valley, something small
|
||||
squealed and died. The glow of the fire lessened.</p>
|
||||
|
||||
<p>It was much later, with the embers now a pink circle of light in
|
||||
the boundary of hot stones, that Danny woke up with a start. Corky
|
||||
had moved, perhaps, shifted enough to wake Danny.</p>
|
||||
|
||||
<p>He came swimming up, panicking, out of a fitful dream where he
|
||||
was alone in the valley and the night was coming down dark and
|
||||
heavy and all of the scrub alders and hazels had turned into
|
||||
gnarled thorn bushes with black spikes, all twisted into circlets,
|
||||
into crowns of thorns dripping blood. The sides of the valley
|
||||
soared up into the sky, steep and gravelly and seeming to curve in
|
||||
threateningly at the top, as if the edges would cave in and bury
|
||||
him under their weight.</p>
|
||||
|
||||
<p>An unseen voice was asking if he could not wait up an hour to
|
||||
pray and he did not know if it was his father talking to him or God
|
||||
or someone else, some other awful presence who was now striding
|
||||
like a giant down the valley of the shadow of death with a
|
||||
doom-doom-<em>doom</em> tread and a terrible blank and crazy look
|
||||
in his black eyes.</p>
|
||||
|
||||
<p>"Whatever you do to the least of these, you do also to me," the
|
||||
voice rolled out, echoing from the walls and the heron flew past
|
||||
him on ponderous wings and though he now tried to haul back, the
|
||||
staff in his hand whirled through the air and hit it in the neck.
|
||||
It floated to the ground, broken, its yellow eyes speared on him
|
||||
accusingly. The beak opened and instead of the harsh <em>kaark</em>
|
||||
call, it spoke to him in a voice he recognised.</p>
|
||||
|
||||
<p>"Done it now, Danny boy. You killed one of God's creatures and
|
||||
it's the <em>Bad Fire</em> for you. You're going to burn, boy. Burn
|
||||
<em>forever</em>."</p>
|
||||
|
||||
<p>He turned away form the searing eye and found himself clambering
|
||||
through the boiling liquid on the old linoleum floor, scrabbling
|
||||
for purchase and finding none while the heat ravened all the way
|
||||
down his back and he could feel his skin blister and sizzle while
|
||||
behind him Father Dower, smiling that wide toothy grin of his, was
|
||||
reaching to touch him and instead of hauling him out of the
|
||||
dreadful, scalding fire, he just rubbed his hands slowly over
|
||||
Danny's bare skin and chuckled softly.</p>
|
||||
|
||||
<p>Danny came out of sleep hauling for air as if he was drowning.
|
||||
Corky nudged him with an elbow, keeping it pressed in hard against
|
||||
his ribs, enough of a contact to let Danny know where he was.</p>
|
||||
|
||||
<p>"You okay?" he asked. Danny was still shivering as if he was
|
||||
cold, although despite the night, it was warm inside the tent. He
|
||||
blinked rapidly, almost the way the man had done, shaking away the
|
||||
remnants of the dream until he was just about free of it. The odd
|
||||
and hungry grin hovered in the near distance before it
|
||||
fragmented.</p>
|
||||
|
||||
<p>"Yeah. Suppose so," Danny whispered back. On the other side of
|
||||
the tent, Doug and Tom were leaning against each other, both
|
||||
asleep, their breathing shallow. Doug muttered something
|
||||
unintelligible and Tom stirred but not enough to wake
|
||||
completely.</p>
|
||||
|
||||
<p>"We have to get out of here."</p>
|
||||
|
||||
<p>Danny nodded in agreement. "You nearly made it. If that rabbit
|
||||
had got caught in the top snare you'd have had a good start and
|
||||
you'd have made it. It was just rotten bad luck."</p>
|
||||
|
||||
<p>"Yeah. Bad luck. It's always bad luck." Danny could hear the
|
||||
bitterness underlying Corky's whisper.</p>
|
||||
|
||||
<p>"It was my fault."</p>
|
||||
|
||||
<p>"Don't be daft. It's nobody's fault. Just that crazy nutcase out
|
||||
there. It's his fault."</p>
|
||||
|
||||
<p>"No," Danny insisted. "I knew when I killed the bird. The Heron?
|
||||
Remember?"</p>
|
||||
|
||||
<p>"Course I do. Great shot."</p>
|
||||
|
||||
<p>"I knew right then I shouldn't have done it. I knew something
|
||||
bad was going to happen, and it did. We all started fighting and
|
||||
then he...<em>him...</em>he turned up."</p>
|
||||
|
||||
<p>"Aye, and if you believe that, you believe in Santa Claus,"
|
||||
Corky said. His head was only inches away from Danny's and the
|
||||
sarcasm was thick in the sound of his voice. "No kidding Dan, you
|
||||
should listen to yourself. Ol' loony-tunes didn't need you to magic
|
||||
him up here. This must be where he's been hiding all this time. The
|
||||
bird was nothing to do with it. <em>Jeez.</em> I've lost count of
|
||||
the number of street-scrag pigeon chicks I've had to wring. And
|
||||
trout. And remember that time we got a half dollar for wringing the
|
||||
chickens at Boghead farm? It was just a bird."</p>
|
||||
|
||||
<p>"But it was..."Danny paused, tried to thing, remembering the
|
||||
slow whoosh of wings. The image of the dream came back, that yellow
|
||||
eye spearing him. "I dunno. It was special."</p>
|
||||
|
||||
<p>"Special my arse," Corky said. "No kidding Danny. It's got
|
||||
nothing to do with you.</p>
|
||||
|
||||
<p>"What do you think he'll do?"</p>
|
||||
|
||||
<p>"Christ knows. We can't hang around for it anyway. He's waiting
|
||||
for something."</p>
|
||||
|
||||
<p>"You think there might be two of them?"</p>
|
||||
|
||||
<p>Corky shrugged. "Up here there could be a whole army of them.
|
||||
Maybe he's been up here since the war. Shell-shocked or something.
|
||||
You know, with the bombs and stuff. Whatever it is, he's as mad as
|
||||
a wet hen. Honest to god, I thought I was a goner today when he
|
||||
stepped on me. I thought I was drowned for sure."</p>
|
||||
|
||||
<p>Danny recalled that Corky had veered off that subject when Tom
|
||||
had said the same thing earlier, when the man was eating by the
|
||||
fire. He recognised that this was for him only.</p>
|
||||
|
||||
<p>"One of us will have to get out. You reckon you can make
|
||||
it?"</p>
|
||||
|
||||
<p>"I'm not as fast as Doug."</p>
|
||||
|
||||
<p>"Nobody's as fast as him. He's built like a starved greyhound. I
|
||||
don't know what he'll be like in the morning. Maybe his ankle will
|
||||
have stiffened up."</p>
|
||||
|
||||
<p>"Maybe it'll have loosened off" Danny said, more in hope that it
|
||||
wouldn't have to be himself who took the risk.</p>
|
||||
|
||||
<p>"Aye. Maybe. But I don't know if this time he'll just freeze. He
|
||||
would have run this morning and if he'd done that..." Corky left it
|
||||
hanging for half a second, then changed tack. "Just in case. You
|
||||
think you can take off if we get the chance? Tom hasn't a hope, and
|
||||
my leg's going to be black and blue in the morning."</p>
|
||||
|
||||
<p>"Is it sore?"</p>
|
||||
|
||||
<p>"Only when I laugh, arseface." Corky said and turned to grin
|
||||
again. Danny knew he'd ask again and forestalled him.</p>
|
||||
|
||||
<p>"If I get the chance, I'll run. Maybe I could get into the
|
||||
bushes and up to the ferns. If I could get that far he'll have a
|
||||
job finding me. So long as he doesn't keep firing, 'cos that gun
|
||||
could fire through bushes no bother at all."</p>
|
||||
|
||||
<p>"He's not got enough cartridges I don't think. I had a look at
|
||||
him. He's got no bag with him and his pockets don't seem that full.
|
||||
I think he's just got a few. If you get to the edge of the woods,
|
||||
you could be up and away. That's where I was heading for."</p>
|
||||
|
||||
<p>"It'd be quicker to go up the top and down the moor. Quicker to
|
||||
get home."</p>
|
||||
|
||||
<p>"Sure, as long as you weren't out in the open for too long. If I
|
||||
had the chance, that's the way I'd go, so long as he didn't have
|
||||
the gun, and as long as he leaves us alone for a while. He'll have
|
||||
to take a piss sometime, or go for a shit. I was hoping that fish
|
||||
would give him food poisoning."</p>
|
||||
|
||||
<p>"I'm just glad he didn't make us eat the rabbit. Raw trout guts
|
||||
would be bad enough." Danny felt Corky twitch with spontaneous
|
||||
laughter and a bubble of hysteria swelled in his belly. He
|
||||
swallowed down on it.</p>
|
||||
|
||||
<p>There was a silence for a moment then Corky whispered: "Dan, I
|
||||
don't think we'll get a lot of chances. I don't know what's going
|
||||
to happen tomorrow. I think we're all right for the night, or he
|
||||
wouldn't have tied Billy up like that. He's got to sleep sometime
|
||||
too. But whatever he's waiting for, he's not going to wait long. If
|
||||
one of us gets home, he'll run because he'll know they're after
|
||||
him."</p>
|
||||
|
||||
<p>"He'll kill us," Danny said flatly and he was amazed when the
|
||||
words came out just like that. The enormity of it. The end of his
|
||||
life, contemplated and made concrete in three small words.</p>
|
||||
|
||||
<p>"Don't think that way," Corky hissed urgently, digging hard
|
||||
enough to hurt with his elbow. "Danny. Listen. He's crazy, for
|
||||
sure. It's the guy they've been looking for." Danny noticed he
|
||||
didn't spell it out, but he didn't have to. They all knew the list
|
||||
of names. Corky's voice had gone very cold and earnest and of a
|
||||
sudden he sounded all grown up. "We can't think about what might
|
||||
happen. If I did that all my life I'd be a nervous wreck by now.
|
||||
Billy's no use. You can see it in his face. He's thinking ahead and
|
||||
that's why he can't move. You see that in the fights at the back of
|
||||
the school when somebody doesn't want to. He's all seized up."</p>
|
||||
|
||||
<p>Corky dropped his voice even lower, so that there was no chance
|
||||
anybody but Danny could hear it. "I think maybe Tom and Doug might
|
||||
freeze as well. Honest, if my leg's okay I'll do it, but it might
|
||||
not be. I think that nutter nearly broke it."</p>
|
||||
|
||||
<p>He twisted round as far as he could, so he could just get a look
|
||||
at Danny.</p>
|
||||
|
||||
<p>"If we get a chance, Danny boy, we have to take it."</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
937
build/darkvalley/OEBPS/027.xhtml
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937
build/darkvalley/OEBPS/027.xhtml
Normal file
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>27</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>27</h1>
|
||||
|
||||
<p><em>August 4. 7am.</em></p>
|
||||
|
||||
<p>Danny came awake again, swimming up to the surface, this time
|
||||
pursued by no dreams that he could remember. It felt as if he
|
||||
hadn't slept at all. The tent was cold and his mouth was gummy and
|
||||
bitter. Corky was sitting upright, eyes closed and in the thin
|
||||
light, Danny couldn't tell whether he was awake or not. On the
|
||||
other side, Doug and Tom were huddled together.</p>
|
||||
|
||||
<p>The tent flap was still open on the left side. Danny squirmed,
|
||||
pulling against the loose loop of baling twine as it rasped against
|
||||
the skin of his throat, until he could see outside. For a moment he
|
||||
thought he was looking through a white veil, all colour leached
|
||||
from the early morning.</p>
|
||||
|
||||
<p>The world was dead still.</p>
|
||||
|
||||
<p>A ground mist, thick and pearlescent, had crept up from the
|
||||
stream to the campsite, dense enough to make the striations on the
|
||||
far side of the valley blurred and indistinct. Danny could see,
|
||||
through the small triangular space, the edge of the bank and the
|
||||
thick end of the log Billy had dragged up from the trees. The knife
|
||||
was still stabbed into the grain and the tendrils of mist grasped
|
||||
around it like ghostly fingers, creeping almost imperceptibly. The
|
||||
fire had almost completely burned itself out. In the circle of
|
||||
stones, the ash was grey and light, showing that the heat had
|
||||
lasted all night. The smooth boulders themselves would still be
|
||||
blistering hot, warm enough to cook on, but the embers had died
|
||||
down and there was now no smoke.</p>
|
||||
|
||||
<p>The valley, what he could see of it, had taken on an eerie and
|
||||
insubstantial quality, as if seen in a dream. Danny knew he was
|
||||
awake. The tent smelled of sweat, old and new, and mildew from long
|
||||
unaired days rolled up hiding Phil's stash of tools and stolen
|
||||
gear. Tom twitched, Doug's nasal breathing snuffled near the
|
||||
entrance. Corky was completely still.</p>
|
||||
|
||||
<p>There was no wind. The day was light, but it was early, in the
|
||||
shallows of the morning and the sun had not yet risen. It would be
|
||||
hours yet before it soared, the way the moon had done, over the
|
||||
eastern lip of the valley. For the moment, viewed through that
|
||||
triangle flap, the section of the valley looked like something from
|
||||
a fairy scene. Danny could not see the man, and from where he sat,
|
||||
Billy too was hidden from view. For all he knew, the man could have
|
||||
gone, vanished into the shadows of the night. Even as he thought it
|
||||
he knew that was not true. The crazy stranger would still be
|
||||
there.</p>
|
||||
|
||||
<p>But for the moment, in the strange solitude of the early
|
||||
morning, the mist smoothed the outlines and harsh edges, making it
|
||||
a soft and peaceful morning. It brought to mind the story he'd read
|
||||
in the book they'd swiped from the treasure chest at Overbuck
|
||||
House. Corky had shown him it on the first day they'd arrived here
|
||||
(and that seemed a million years ago) the passage about the
|
||||
legendary battle of the hero Cuchullain at the ford in the
|
||||
stream.</p>
|
||||
|
||||
<p>"Give me a song for a soft morning," he'd told his friends on
|
||||
the night before he bravely went down to single combat, a real
|
||||
hero, heedless of personal danger. Danny wished he could be the
|
||||
same, but the fear that had settled on them all had stayed with
|
||||
him, even during the fitful and uncomfortable sleep and it clung to
|
||||
him now.</p>
|
||||
|
||||
<p>This stolen minute, however, gave a semblance of tranquillity.
|
||||
The mist smothered the burbling tumble of the stream, fading it
|
||||
down to a distant murmur. No birds sang, not even the far-off
|
||||
cockerel, the little red rooster down at Blackwood farm whose early
|
||||
morning call sometimes drifted up to this height on the westerly
|
||||
breeze. Now there was no breeze, hardly a stirring of the air and
|
||||
for the moment, Danny Gillan was alone. The day seemed to hold its
|
||||
breath before wakening.</p>
|
||||
|
||||
<p>He wished the world would stay asleep. He did not want to think
|
||||
of the whispered, urgent conversation in the dark</p>
|
||||
|
||||
<p><em>You reckon you can make it?</em></p>
|
||||
|
||||
<p>I don't know. I don't know.</p>
|
||||
|
||||
<p><em>I don't want to.....</em></p>
|
||||
|
||||
<p>He didn't want to think about it. The man had come streaking out
|
||||
of the bushes and kicked Corky and nearly broke his leg. That had
|
||||
been without the gun. Danny stretched to see if Billy was still
|
||||
tethered to the barrels, but the string dug into his windpipe and
|
||||
he had to lean back under the tension before he choked and woke
|
||||
everybody.</p>
|
||||
|
||||
<p><em>If we get a chance, Danny boy...</em></p>
|
||||
|
||||
<p>He knew that. He tried not to think about his muscles freezing,
|
||||
like some kid who didn't want to fight in the yard. In his mind's
|
||||
eye, in the fitful pictures that had unreeled in his mind last
|
||||
night, despite how he'd tried to shake them away, he saw himself in
|
||||
the dreamscape sequences where his limbs locked in a strange and
|
||||
terrified paralysis, or where no matter how he run and jinked,
|
||||
every path, every sheep track through the ferns, somehow led him
|
||||
back to the camp and that black infinity at the end of the
|
||||
shotgun's muzzle. In the slow light of the morning, he shucked
|
||||
those images away and tried to breathe easy.</p>
|
||||
|
||||
<p>All the could-have-beens and might-have-dones. If. <em>If.</em>
|
||||
Billy Harrison was fond of the phrase: <em>If</em> is a very small
|
||||
word with a very big meaning.</p>
|
||||
|
||||
<p>Big consequences.</p>
|
||||
|
||||
<p>If they hadn't been gathered on the fallen elm tree that day. If
|
||||
Paulie Degman hadn't fallen into the river in the spring while the
|
||||
silver sparkle of light flashed from the back of Cairn House into
|
||||
Danny Gillan's eyes. If they hadn't been talking about the
|
||||
explosion in the quarry bringing the body to the surface. If they
|
||||
hadn't argued about the bomb the waterworks men found in the
|
||||
reservoir up on the Overbuck estate, they wouldn't have talked
|
||||
about the Dummy Village and if they hadn't conjured up that old
|
||||
legend they wouldn't be here.</p>
|
||||
|
||||
<p><em>If.</em> Might-have-beens and should-have-dones.</p>
|
||||
|
||||
<p>"I bet you wouldn't come down here at night," Billy had said and
|
||||
Tom had agreed with that.</p>
|
||||
|
||||
<p>"Not when the mist comes off the river," he'd said vehemently,
|
||||
because Tom was living with his own ghost. "You never know what's
|
||||
in there. It creeps like it's alive."</p>
|
||||
|
||||
<p>"<em>Gives</em> you the creeps," Billy had said, laughing. Now
|
||||
he was out there with the man with the gun and he was not laughing.
|
||||
The mist was crawling like it did own at the river, the one Corky
|
||||
said hid the ghost of lonesome Paulie Degman.</p>
|
||||
|
||||
<p>Danny closed his eyes, half hoping that when he opened them
|
||||
again he'd wake up from a dream and find that he'd imagined it all.
|
||||
When he opened them again, the triangle of grey pearly light was
|
||||
still there at the front of the tent and thin tendrils of mist were
|
||||
inching around the wooden pole. He was still here.</p>
|
||||
|
||||
<p>And <em>he</em> was still <em>there.</em></p>
|
||||
|
||||
<p>The brooding presence of the man with the black and twitching
|
||||
eyes, unseen, but somehow sensed, was still there on the other side
|
||||
of the circle of stones. All was silent until Doug snorted softly.
|
||||
Danny turned his head towards the sound, slowly swung back to look
|
||||
through the entrance.</p>
|
||||
|
||||
<p>A red squirrel stood four square on the short grass. Its stubby
|
||||
little legs were planted far apart on its four corners and its tail
|
||||
curled right over its back like a rich feather plume. Its head was
|
||||
up, nose sniffing the air in little twitches. At his movement in
|
||||
the shadow of the tent, its coal eye fastened on Danny's. It moved
|
||||
in rapid little jerks, halting to sniff then twisting in a flick of
|
||||
russet to examine something on the grass. It picked up something
|
||||
that looked like a baked bean, tested it quickly, then sat up on
|
||||
its hunkers, tail still curled in a cloak against the cool of the
|
||||
morning, and quickly ate it in a series of tiny, gnawing bites.
|
||||
Danny watched the whole process, unable to move in case he scared
|
||||
it. For a brief heartbeat, his fear was forgotten. The little
|
||||
squirrel, half the size of the big greys which ruled in the beeches
|
||||
and oaks further down the valley, searched around for more morsels,
|
||||
constantly on edge, alert for danger. It froze, spun in a blur at
|
||||
some motion beyond the camp and then disappeared in a silent, red
|
||||
russet streak.</p>
|
||||
|
||||
<p>Danny's heart kicked. Had the man moved? Was he awake now and
|
||||
coming for them?</p>
|
||||
|
||||
<p>He stretched against the loop, heedless of the pressure on his
|
||||
throat, trying to see what was happening out there. The mist was
|
||||
just beginning to lessen, thinning a little as the dawn slowly
|
||||
changed into a still day.</p>
|
||||
|
||||
<p>Something moved and his heart lurched again and that was when he
|
||||
saw it. He'd been staring right at it, unaware because it had been
|
||||
still as a statue, but when it moved, just at the edge of vision,
|
||||
stalking through the mist which was thicker down there at the
|
||||
water, he recognised the heron. It took one step, slow and graceful
|
||||
and silent, the head motionless at first and then slowly getting
|
||||
into position, its eye a piercing bright yellow, the only colour
|
||||
for the moment in the grey and white of the morning. It stepped
|
||||
again on its long, elegant leg, dipping the toes into the water
|
||||
with not a splash of sound. It stopped still, and for an instant,
|
||||
Danny thought the eye was looking straight at him, the way the
|
||||
squirrel had done, the way the dead eye up at Billy's altar of
|
||||
skulls had done before the flies settled upon it. The eye was round
|
||||
and almost fierce, full of life. The head came forward, very
|
||||
slowly. The tall, grey bird froze. The beak pointed at the water,
|
||||
then lanced down, quick as a blink, still with no sound, and came
|
||||
rising back up with a small trout flapping uselessly. The bird
|
||||
jerked, opening its beak so the fish was head-on, swallowed it with
|
||||
a second twitch and the beak closed with a soft <em>snick</em>.</p>
|
||||
|
||||
<p>"Move on," Danny urged silently. The bird would be the female
|
||||
whose lonely call had echoed down the valley from the dark in the
|
||||
night. It was the mate of the one he'd brought down. Now it crept
|
||||
upstream, hunting alone, only yards from the man with the shotgun.
|
||||
"Go," he mouthed. "Get out of here."</p>
|
||||
|
||||
<p>He wanted to see it gone, to get some of the luck back. No
|
||||
matter what Corky said, he could still feel the weight of
|
||||
prescience. The motion, no matter how stealthy, could catch the
|
||||
man's attention. He'd blast it out of the air in a puff of feathers
|
||||
and there would be no more herons on the stream. They only hunted
|
||||
in pairs in the summer and it would be a long time before a new
|
||||
pair of the fishing birds would come hunting on the Blackwood
|
||||
Burn.</p>
|
||||
|
||||
<p>"Go on," he whispered. "Skedaddle."</p>
|
||||
|
||||
<p>"What's that?" Doug said, not quite aloud, not quite awake. The
|
||||
bird turned round, cocking its head to the side, the eye now fixed
|
||||
on the tent. Danny nudged Doug with his foot. The bird watched for
|
||||
a drawn-out moment, then satisfied itself there was no danger. It
|
||||
took two more elegant and silent steps, a grey ghost in a white
|
||||
mist, and then was gone from view. Doug had come fully awake and
|
||||
watched it from where he sat, closer to the flap and with more of a
|
||||
view.</p>
|
||||
|
||||
<p>"It's the other one," he mouthed. Danny nodded slowly. He jerked
|
||||
his head, raising his eyebrows in question and Doug leaned as far
|
||||
as he could, eyes wide. Danny saw the recognition and sudden defeat
|
||||
in his posture. The man was still there. Doug's nod was
|
||||
redundant.</p>
|
||||
|
||||
<p>"Billy?" Danny asked. The other boy nodded.</p>
|
||||
|
||||
<p>"Still tied," he whispered. Tom stirred, blearily opened his
|
||||
eyes and looked around timidly then closed them again as if he
|
||||
would rather not stay.</p>
|
||||
|
||||
<p>"Is he sleeping?" Corky asked softly, surprising Danny who'd
|
||||
been completely unaware he had been awake all this time.
|
||||
"<em>Him.</em>"</p>
|
||||
|
||||
<p>Doug leaned again, pilling on the twine that connected him to
|
||||
Tom. He inclined his head. "I think so. I can't see his eyes. Looks
|
||||
like it. Wait a minute."</p>
|
||||
|
||||
<p>Very slowly, big teeth clenched on his bottom lip for
|
||||
concentration, he reached with his foot and raised the flap up
|
||||
further, letting more light into the tent, widening the opening.
|
||||
The swirl of air that came in was damp and morning cold. Both Danny
|
||||
and Corky stretched as far as they could. Tom huddled closer to
|
||||
Doug, his head twisted to see.</p>
|
||||
|
||||
<p>The man was still hunched on the little ridge of turf close to
|
||||
the fire. He was like a black scarecrow against the white of the
|
||||
<em>haar</em> mist and the light grey of the tall gravel bank on
|
||||
the far side. He'd draped a blanket around his shoulders, Tom's old
|
||||
red tartan one which had been left out since the previous night
|
||||
when they'd all slept around the fire after the big fight. For a
|
||||
moment, despite what Doug had said, Tom thought Billy had gone,
|
||||
escaped. He was no longer sitting on the pine log. His heart
|
||||
flipped in hope, a flutter against his ribs, and then dropped like
|
||||
a stone into the pit of his belly when he saw Billy huddled against
|
||||
the man's bulk. The gun was still looped against his neck, but it
|
||||
had loosened somehow, so that the barrels were pointing not under
|
||||
the chin, but past it. Billy's dark hair was tousled and his face
|
||||
pressed up against the man's chest. His eyes were closed. The
|
||||
stranger's arm was clamped around his shoulder, holding him close.
|
||||
In any other scene, they could have been taken for father and son.
|
||||
The heavy blanket was draped around them both.</p>
|
||||
|
||||
<p>Danny remembered the biblical quotations of the day before and
|
||||
shuddered. He'd made Billy sit vigil with him holding him close,
|
||||
like an affectionate parent protecting a child, like a shepherd
|
||||
with his sheep. Like Abraham with his son before the sacrifice of
|
||||
the morning.</p>
|
||||
|
||||
<p><em>Therefore keep watch, because you do not know the day or the
|
||||
hour.</em></p>
|
||||
|
||||
<p>Dougie brought him back to the here and now with a tap of his
|
||||
foot. His other long leg was still holding the flap up and he
|
||||
motioned outside. They all leaned as far as they could again.
|
||||
Nothing had changed. The heron was gone and Danny hadn't heard the
|
||||
whoop of its wings in the air, so it must have stalked off upstream
|
||||
and around the corner.</p>
|
||||
|
||||
<p>"What is it?" Corky wanted to know.</p>
|
||||
|
||||
<p>"The gun," Doug whispered. His eyes were wide and suddenly
|
||||
bright. "Look at it."</p>
|
||||
|
||||
<p>They looked. Corky started to ask again, then Danny stopped him
|
||||
with a dig of his elbow. He had seen it and his heart leapt in a
|
||||
surge of sudden and fearful excitement. The gun was broken open. He
|
||||
could see the dark curves at the stock-end of the barrels where it
|
||||
hadn't been closed properly. He strained to see, wishing now there
|
||||
was more light. He focused as hard as he could, trying to see if
|
||||
the shells had been taken out of the chambers. Sometime during the
|
||||
night the man, <em>Twitchy Eyes,</em> had moved Billy closer to
|
||||
him, taken him under his arm. He must have moved the gun, opened it
|
||||
to make sure it didn't go off accidentally and blow his hostage to
|
||||
kingdom come. Even with the safety on, that could be knocked out by
|
||||
a nudge.</p>
|
||||
|
||||
<p>Were the shells still in there? Could he simply snap the gun
|
||||
closed and fire the thing? Danny's heart was pounding furiously,
|
||||
somewhere up near his throat. He was now completely awake, and he
|
||||
could feel himself, his consciousness, begin to drift higher into
|
||||
those slow motion chilly heights of the adrenaline surge.</p>
|
||||
|
||||
<p><em>If we get a chance, Danny boy, we have to take it.</em></p>
|
||||
|
||||
<p>A chance. A possibility. He turned to Corky, eyebrows raised and
|
||||
Corky misread the question. He shrugged leaving it up to him. What
|
||||
Danny wanted to know, to his shame, in is fear, was whether Corky's
|
||||
leg was good enough this morning. He was about to ask, bit it back
|
||||
in a dry gulp.</p>
|
||||
|
||||
<p>"Look," Doug hissed again. He nodded once more and they all
|
||||
looked, the motion of the four of them making the tent poles
|
||||
quiver. The hunched figure was completely motionless. The gun was
|
||||
laid across the man's knee, with a big, horny hand resting on the
|
||||
stock. In at his side, Billy's face was pale and bloodless. "On the
|
||||
rock," Doug said insistently. Danny's eyes trailed away from the
|
||||
gun to the flat stone close to the ridge where the man sat. One
|
||||
shotgun cartridge sat in a small dip in its surface. The other one
|
||||
had rolled to the grass below and lay there, bright red against the
|
||||
grey green of the dew-damp grass.</p>
|
||||
|
||||
<p>Danny recognised it immediately. It was twelve-bore birdshot,
|
||||
going by the colour. Even from here he could read the lettering on
|
||||
the side. <em>Hy-max</em>. He couldn't make out the number, but he
|
||||
didn't have to. The colour was enough. His Uncle Mick, his mother's
|
||||
brother whom his father disliked because he cursed now and again
|
||||
and drank whisky, he used them all and the bright red ones were
|
||||
ideal for pigeons or woodcock. It was packed with light shot with a
|
||||
good spread for fast moving birds, not the heavy-grain for shelduck
|
||||
on the firth tidal banks or the ball-shot which could knock a
|
||||
Greylag goose out of the air, or put a hole through a mountain hare
|
||||
or even a roebuck. Birdshot would scatter wide, useless for big
|
||||
animals, great for fast birds. Up close though, you couldn't miss
|
||||
with that kind of filling. Up close it could easily cut a grown man
|
||||
in half.</p>
|
||||
|
||||
<p>Danny's heart was up there, bobbing and hopping, filling his
|
||||
throat and making it hard to breathe.</p>
|
||||
|
||||
<p>Corky swivelled to look at him and Danny knew Corky's leg was
|
||||
still hurting pretty bad. He gulped, made a little clicking noise
|
||||
that sounded like the heron's beak closing, managed to nod and saw
|
||||
the acceptance and maybe even a glint of admiration in Corky's
|
||||
eye.</p>
|
||||
|
||||
<p>"Can you get loose?"</p>
|
||||
|
||||
<p>Danny shook his head. "Who's got a knife?"</p>
|
||||
|
||||
<p>"What are you going to..." Tom started to say but stopped when
|
||||
Danny nudged him.</p>
|
||||
|
||||
<p>"Where's your knife?"</p>
|
||||
|
||||
<p>"In my pocket."</p>
|
||||
|
||||
<p>"Can you reach?" All of this in dry little shivery whispers. Tom
|
||||
shook his head. Corky looked at Doug.</p>
|
||||
|
||||
<p>Doug nodded that he'd try. He dropped his foot and let the flap
|
||||
fall, suddenly making the inside of the tent much darker despite
|
||||
the lightening of the sky over the valley. Somewhere beyond them,
|
||||
close to the place where Billy had hung the skulls, something
|
||||
rustled and Danny hoped it was the squirrel and not one of the big
|
||||
hill cattle lumbering down to drink from the stream. He wished it
|
||||
to silence, wished it away from here in case the sound woke up the
|
||||
gaunt man.</p>
|
||||
|
||||
<p>Doug was squirming to the left and Tom was stretching to the
|
||||
right, both of their hands wound round with the hairy baling twine.
|
||||
Tom lifted his skinny backside off the flattened grass and Doug's
|
||||
fingers found the lip of his front pocket, groped inside. Tom
|
||||
grunted with the effort of holding the position while the string
|
||||
tightened on his neck. They could see his arms quivering with the
|
||||
strain. Doug's eyes were closed and he was biting down on his lip
|
||||
again, his head across Tom's thin shoulder. He fumbled in the tight
|
||||
pocket, twisting his wrists hard enough to make the binding dig
|
||||
into the skin, then tensed. He torqued back and the knife came
|
||||
flipping right out, a black whirling shape. It landed with a dull
|
||||
little thump close to the door flap.</p>
|
||||
|
||||
<p>Everybody froze.</p>
|
||||
|
||||
<p>Doug's mouth was open, lips curled back from his big teeth, a
|
||||
picture of tension and dismay. Tom was still leaning back, holding
|
||||
his balance. The knife lay there by the edge while the all
|
||||
listened, wondering if the noise had woken the man. From out there,
|
||||
no sound came except the muted burbling of the stream. After a
|
||||
moment, Tom eased himself back up to a sitting position. Doug
|
||||
stretched his foot outwards, his old black and scuffed baseball
|
||||
boot missing one of its rubber ankle-guards. He tried to hook the
|
||||
army knife back towards him, almost got purchase by pressing it
|
||||
down into the ground to get his boot beyond it, but succeeded only
|
||||
in pushing it further away.</p>
|
||||
|
||||
<p>Danny's heart flipped again, in hope and in dismay, each tugging
|
||||
from a different direction.</p>
|
||||
|
||||
<p>"Careful," Corky snapped, more loudly than he meant. Doug shot
|
||||
him a look, tried for the heavy knife again, sent it another inch
|
||||
closer to the flap. Tom's breath let out in a long sigh. The knife
|
||||
sat there, almost out of reach.</p>
|
||||
|
||||
<p>"Anybody got another knife?" Corky demanded, eyes blazing.
|
||||
Billy's blade was still stuck in the grain of the log. Doug had
|
||||
lost his sometime between the day at the river and now.</p>
|
||||
|
||||
<p>"Hold it," he said, managing a quick grin. He drew his foot
|
||||
back, pulled his other up and shoved the heel with his toe. The
|
||||
tattered baseball boot squeaked and the old laces groaned as he
|
||||
stretched them. He pushed harder and they all watched the boot
|
||||
loosen off, pulling down past his heel. Doug applied more pressure,
|
||||
shoving really hard now and suddenly his boot came flipping off
|
||||
with a hollow sucking sound. Triumphantly he held his foot up
|
||||
again. His grey sock had a wide hole at the end, through which
|
||||
poked three skinny white toes.</p>
|
||||
|
||||
<p>"Watch this," he told them, stretched forward to his fullest
|
||||
extent, twisted to the side, and his two largest toes spread like
|
||||
fingers. He dipped them down on to the knife, curled them tightly
|
||||
and gripped it. Danny felt the bubble of hysteria ripple up again
|
||||
and he swallowed it down. A part of him was hoping Doug might drop
|
||||
it out of reach and that would mean he'd have no burden to bear.
|
||||
Corky was unconsciously easing his leg up and down, as if trying to
|
||||
loosen a cramp in his thigh. It was clear his injured leg had
|
||||
stiffened badly in the night.</p>
|
||||
|
||||
<p>Doug's prehensile toes gripped the knife, like a miniature
|
||||
grab-crane, swung it over and flipped it, with surprising
|
||||
expertise, towards the other two. It landed at Danny's side only
|
||||
inches from his fingers. He found it and worked it closer until he
|
||||
could grip it tight with one hand while his fingers worked on the
|
||||
awkwardly tight blade until he eased it open, almost splitting his
|
||||
thumbnail in the process. The big blade next to the spike for
|
||||
taking things out of horses hooves snapped back with a metallic
|
||||
click that was muffled between them. He managed to twist it
|
||||
upwards, felt the sharp edge against the skin of his wrist,
|
||||
manoeuvred it back and sawed it against the binding twine.</p>
|
||||
|
||||
<p>"Got it?" Corky wanted to know. Danny concentrated. Everybody
|
||||
waited.</p>
|
||||
|
||||
<p>The string snapped with the sound of a bowshot, not loud, but
|
||||
definite. Doug heaved a long sigh and managed a grin. Tom just
|
||||
looked worried. The blade cut quickly through the rest of the
|
||||
twine, each one parting with the same little tug and in less than a
|
||||
minute, Danny's hands were free. His wrists looked as if he wore
|
||||
scarlet bangles and the little ridges where the bonds had bit
|
||||
immediately started to itch. He rubbed them briskly, chafing the
|
||||
blood back, trying to loosen the stiff numbness from his wrists</p>
|
||||
|
||||
<p>"Good man," Corky said under his breath. He motioned to Doug,
|
||||
using head and eyebrows. Doug lifted the flap just a little, leaned
|
||||
to peer out, came back and winked an affirmative.</p>
|
||||
|
||||
<p><em>Okay.</em></p>
|
||||
|
||||
<p>Danny's heart was now tripping fast. He brought his hands
|
||||
forward and changed position, crawled forward just a bit, only to
|
||||
be brought up by the loop at his neck. With an almost vicious
|
||||
swipe, more in panic than in anger, he raised the knife and sliced
|
||||
the noose. Without hesitation he turned and cut Corky free, quick
|
||||
as he was able. Corky took the knife and started to move towards
|
||||
Tom and Doug, wincing hard as he did so. Danny read it. Corky
|
||||
looked at him and his expression did not change.</p>
|
||||
|
||||
<p><em>You reckon you can make it?</em></p>
|
||||
|
||||
<p>Danny felt a sweat trickle down his back, remembered the new
|
||||
testament quotation from the Garden of Gethsemane. He could have
|
||||
used an extract of his own, from the many that had been diligently
|
||||
and religiously drummed in.</p>
|
||||
|
||||
<p><em>Let this chalice pass.</em></p>
|
||||
|
||||
<p>The knife cut the others free. Danny moved to the front, peering
|
||||
out from the shadow. The man was motionless, his eyes closed. The
|
||||
gun hadn't moved, but some of the mist had thinned. The cartridge
|
||||
on the stone was still there, and the other one a few inches away
|
||||
on the grass. The air was now clearer and he could see the empty
|
||||
chambers of the barrels. The gun was not loaded. He breathed out
|
||||
slowly.</p>
|
||||
|
||||
<p>"What's happening?" Tom asked. Corky put a finger up to his
|
||||
lips. Danny moved to the back of the tent, into the shadows where
|
||||
their old haversacks were stored in a pile. At the far side,
|
||||
opposite to where they'd set the fire, opposite the man who held
|
||||
Billy close, he gripped the bottom edge of the tent with both hands
|
||||
and pulled hard. Nothing happened. He tried again, but the base
|
||||
stayed pegged and he remembered how they'd used the ballpeen hammer
|
||||
to set the old wooden pegs. They were driven down a foot into
|
||||
hardpack. It would take more than a few tugs to pull them out.</p>
|
||||
|
||||
<p>"Cut it," Doug whispered, realising what the problem was. He
|
||||
leaned out to make sure the man was still asleep, or at least, not
|
||||
rousing. He held his hand up, thumb perpendicular.
|
||||
<em>Okay.</em></p>
|
||||
|
||||
<p>The canvas slit straight down, parting with a soft scraping
|
||||
buzz, leaving a gash two feet long and dead straight. The tension
|
||||
of the fabric pulled the edges apart, letting in more daylight. An
|
||||
earwig fell through the hole and scuttled for shelter.</p>
|
||||
|
||||
<p>Doug's thumb was still up. Danny couldn't speak. His heart now
|
||||
felt as if it was kicking somewhere up around his ears, drowning
|
||||
out all other sound. He was convinced the whole valley must be able
|
||||
to hear it. He imagined flocks of woodpigeons clattering from the
|
||||
trees in alarm, crows rising in accusing squadrons, attracting
|
||||
attention, disturbed by the sudden noise. He swallowed hard, was
|
||||
distantly surprised that he was able to.</p>
|
||||
|
||||
<p>"Go," Corky whispered, feather soft. "Best of....."</p>
|
||||
|
||||
<p>Danny's head was outside, through the gap, and he did not hear
|
||||
Corky's blessing. Immediately the green, clean smell of morning
|
||||
suffused him. In the open, the sound of the stream was louder than
|
||||
it had seemed from inside the tent. There was still some mist,
|
||||
quite a lot of it pooled in the hollows and runnels further
|
||||
downstream. For a moment he was almost frozen with fear and
|
||||
apprehension. He turned back, eyes searching them all, and they
|
||||
were all fixed on him, none of them seeming to breathe. The moment
|
||||
stretched out, brittle as glass. A nerve in the back of his leg
|
||||
started to twitch and the sinews on is arms felt as tense as
|
||||
bowstrings. Corky's green eyes, now grey in this dim light, were on
|
||||
him, sharp and hard and full of anger and full of life. Danny
|
||||
locked with them and it did not make his fear go away, but it gave
|
||||
him enough impetus to swivel round without a word.</p>
|
||||
|
||||
<p>He crawled out, carefully lifting one knee then the other over
|
||||
the splintered tent-peg, making sure he didn't catch his feet on
|
||||
the shredded canvas. He turned his head, just able to make out the
|
||||
edge of the forest way downstream. There the mist was still thick
|
||||
and opaque, an almost solid wall, rising half way up the tall
|
||||
trunks. Down there would be shelter, but that was where the man was
|
||||
facing. There was little or no cover down to the second bend where
|
||||
Corky had been felled. Danny sat still, telling himself to calm
|
||||
down, forcing his brain to function.</p>
|
||||
|
||||
<p><em>It'd be quicker to go up the top and down the moor. Quicker
|
||||
to get home.</em></p>
|
||||
|
||||
<p>He felt that slow-motion treacle-time sensation begin to
|
||||
overtake him again, the almost dreamy clarity of unbearably high
|
||||
tension. Corky had put his finger on it. Over the top and down the
|
||||
hill, if he could get to the canyon lip without being seen. Danny
|
||||
knew he could walk quietly when he had to. Now he really had to. He
|
||||
swallowed down again on the pounding of his heart, found it was
|
||||
going slower than he thought, found he could make his legs move. He
|
||||
went round the back of the tent, keeping low, crawling silently on
|
||||
all fours, making sure he missed all the guy ropes which would have
|
||||
thrummed like bass-strings if he tripped over any of them. Beyond
|
||||
the farthest peg, still out of view from the ridge at the fire
|
||||
there were some low ferns close to a small clump of cow-parsley. He
|
||||
reached that, staying low now, until he got close to the wall where
|
||||
Billy had hung his skulls. The flies were slow and lethargic,
|
||||
waiting for the heat of the day, but they still clustered thickly,
|
||||
and this close to the deer's head, the smell was pretty fierce.
|
||||
Danny did not look up to see if the dead heron's eye was still
|
||||
fixed on him, He had seen its mate, fishing alone, its eye gleaming
|
||||
with bright life. He imagined he could feel the black twitching
|
||||
eyes of the mad stranger on his back, told himself he <em>was</em>
|
||||
imagining it before a tide of panic swamped him. Just beyond edge
|
||||
of the hollow, where there was a narrow cleft between two boulders
|
||||
that led up slope to the next level of the stream, he stood on a
|
||||
dead twig which snapped underfoot, loud in his ears as a
|
||||
cannon-shot. He froze, turned round slowly, every hair standing to
|
||||
attention on the back of his neck.</p>
|
||||
|
||||
<p>The stranger did not move. Danny could just make him out,
|
||||
hunched beside the ring of stones, like some Indian shaman, like a
|
||||
scarecrow waiting for the day. Billy was hugged in tight, both of
|
||||
his legs flopped lifelessly, jutting out in front of him. Danny got
|
||||
a sudden chill suspicion that Billy might be dead, that the man
|
||||
with the twitchy eyes had strangled him in the night. A sick
|
||||
feeling of nausea welled up and he choked it down, for he couldn't
|
||||
afford the noise of retching. After a moment, he unfroze, managed
|
||||
to get his limbs moving, and made it through the crevice.</p>
|
||||
|
||||
<p>For the next three or four yards, he was hidden from view, but
|
||||
to his left, another stone face, maybe a dozen feet high, stretched
|
||||
on towards a clump of moraine boulders that had been rolled down
|
||||
here by some distant spring flood. He couldn't scale it quietly,
|
||||
even though there were a few scraggly rowan roots hanging downwards
|
||||
to offer handholds. He kept low, still scuttering like a spider,
|
||||
trying to avoid the dried twigs and hollow saxifrage stems closer
|
||||
to the stream. He got to the end of the slope cover, came to the
|
||||
edge of the water, held his breath and raised his head slowly as he
|
||||
was able. Finally his eyes were above the low stone ridge. Down
|
||||
there, back where he'd come from, he could see the slit in the side
|
||||
of the tent. None of the others had followed, which was as well,
|
||||
because that would only increase the risk of attracting attention.
|
||||
He slowly swivelled his eyes until he could see the man sitting
|
||||
there, still as a rock. He looked ghostly and ghastly and even his
|
||||
motionless posture radiated awesome threat. Billy's arm hung down
|
||||
to the short grass, as if he was caught in a killer head-lock. From
|
||||
where he peered, Danny could not see the gun.</p>
|
||||
|
||||
<p>At this part of the stream, just up from the four feathers on
|
||||
the low falls which dropped down into deep the pool at the camp,
|
||||
there was a shallower pool which was maybe ten feet wide. It had
|
||||
some large quartz rocks in its centre, white as the morning mist,
|
||||
but no fish. Danny crawled down to the edge, to a margin of small
|
||||
flat stones, and began to cross, taking one step at a time,
|
||||
breathing shallowly as possible, mouth wide open so he couldn't
|
||||
snuffle and cough. There was some summer algae on the smooth bottom
|
||||
where a lip of mudstone protruded, and it was slick as spilled oil.
|
||||
Danny stayed on all fours, even when the water came up to his chin,
|
||||
to prevent himself from falling, and made it to the other side. He
|
||||
got to the bank and made his way upstream for about twenty yards
|
||||
before he realised that there was no cover for the next hundred.
|
||||
From where he sat, the man could see down to the second bend, and
|
||||
upstream along a relatively straight section of the valley to the
|
||||
runnel where Doug had almost made the decision to run. There was no
|
||||
cover and Danny was not sure he'd be able to get as far as that
|
||||
along the shingle and shale without making some sort of sound.</p>
|
||||
|
||||
<p>Corky's words came back. It would be quicker to go up the
|
||||
top.</p>
|
||||
|
||||
<p>Danny paused, feet squelching quietly. His jeans were wringing
|
||||
wet. For a few breaths he waited, unable to take his eyes off the
|
||||
figure sitting by the ring of stones. Up to his left, a shoulder of
|
||||
the ridge that separated the two narrow tributaries, shaped like
|
||||
the upside down prow of a ship, came down at a steep angle. The
|
||||
upstream tributary was the larger of the two and led to the natural
|
||||
dam which had plugged the basalt crevice at Lonesome Lake. The
|
||||
right side was shallower, but got steep a hundred feet back.
|
||||
Between them, on the ridge of the shoulder, there was a worn path
|
||||
where sheep had come down to drink at the stream. They'd used this
|
||||
before when they'd found the backed up lake, and again when they'd
|
||||
gone to find the Dummy Village. There was no choice now. Danny's
|
||||
legs locked for a panicked moment and then he started to climb.
|
||||
When he reached the top, he'd be out of sight, and then he'd have a
|
||||
run down the moor, just a few miles to the barwoods, down past the
|
||||
pylons, through the blackened gorse and down to the town and help
|
||||
from Sergeant Fallon.</p>
|
||||
|
||||
<p><em>And I'm never coming back here again,</em> he swore to
|
||||
himself.</p>
|
||||
|
||||
<p>He went up the path, hand over hand, moving as quickly as
|
||||
possible, as silently as he could and the more he climbed, the more
|
||||
muted came the sound of the stream below. The daylight was
|
||||
brightening fast and the mist seemed to be sneaking away from the
|
||||
light, oozing into the shadows of the edge of the trees which
|
||||
crowded further down the valley. Danny moved upwards, trying not to
|
||||
pant, but it was hard going, twenty feet, forty, fifty. The hill
|
||||
seemed to go on forever, up a compacted shale incline, over a ledge
|
||||
of mudstone, round to the bare face to miss out a steeper climb
|
||||
where he could slip. A couple of times he did slide backwards,
|
||||
losing two yards, but he gained them back fast as he could.</p>
|
||||
|
||||
<p>He got to the first level of the shoulder. From here it got
|
||||
steeper, maybe seventy feet up from the floor, no more than that.
|
||||
He risked a glance down and it looked further. The tent was a dark
|
||||
green oblong against the lighter green. The circle of smooth stones
|
||||
was as clear as a clock face, with the dark shadow of the man
|
||||
sitting at eight o'clock. Danny's breath started to thump. He was
|
||||
getting there, getting close to the high edge. Once over he had one
|
||||
feeder valley to traverse, a slide down and a scramble up and then
|
||||
he'd be away, well out of sight, running hell for leather down to
|
||||
safety.</p>
|
||||
|
||||
<p>He was getting there, only forty feet or so from the top. He
|
||||
edged round the corner away from a thin layer of white mudstone,
|
||||
edging into the second tributary, when something moved, caught in
|
||||
peripheral vision. Danny's head whipped round in a panicked jerk
|
||||
just in time to see the grey heron take of, as the first one had
|
||||
done, in a powerful sweep of wings. The sudden motion itself had
|
||||
made him take a step back.</p>
|
||||
|
||||
<p><em>Kaark!</em> The bird called out loudly, and its cry was
|
||||
funnelled by the tight confines of the narrow chasm and amplified
|
||||
in a hollow and accusing double echo.</p>
|
||||
|
||||
<p>"Oh, no," Danny said aloud, still moving, trying foolishly to
|
||||
get the bird to hush. Its head was drawn back, beak pointed to the
|
||||
sky, its left wing close enough to the gully side to sweep of some
|
||||
fine grains of shale. Danny's foot slid on a piece of stone,
|
||||
lifted, shuffled for balance, and found a ledge. He reached to grab
|
||||
a firmer handhold when the flat ledge he'd stepped on crumbled
|
||||
under his foot. There was a muffled click, like wet wood breaking,
|
||||
and the piece of mudstone simply sprung away, a piece about a foot
|
||||
square. Danny quickly grabbed for it, got half a grip, but the fine
|
||||
dust on the smooth surface slipped through his fingers and the rock
|
||||
rolled out, slid down the soft shale slope for five feet or so and
|
||||
hit the other line of rock with a harsh clunk.</p>
|
||||
|
||||
<p>"Hell!" Danny huissed. His foot was still slipping from lack of
|
||||
purchase and for a moment he had to ignore the fallen stone. The
|
||||
heron was a blur to his right now, pinioning its way into the sky.
|
||||
Danny got a grip, pushed himself upwards onto the steeper part of
|
||||
the slope, moving round the spur to the steep gravelly slope they'd
|
||||
slid down when they first came over the rise and down into the
|
||||
valley. Below him the tumbling rock hit another, bounced out into
|
||||
the air. He turned, saw that it had dislodged the other stone. The
|
||||
two of them bounded, whirling together out from the slope, landed
|
||||
one after the other on the soft shale like dull footsteps, digging
|
||||
twin furrows, rebounded again over a ledge and fell twenty feet in
|
||||
tandem. Danny watched them go, unable to move. His whole attention
|
||||
was focused on the tumbling rocks as they hurtled down the side.
|
||||
Way down at the bottom, in the curve of the stream there was a
|
||||
mound of soft sediment which had trickled down the steep side of
|
||||
the valley and piled up in a hollow. If the stones landed there,
|
||||
they might stop with hardly a sound. Danny knew he should keep
|
||||
going, but the stones held his attention and would not let him
|
||||
go.</p>
|
||||
|
||||
<p>Some distance up from the valley floor, the mudstone boulders
|
||||
flipped out over the shale, now spinning in the air. They seemed to
|
||||
fall in slow motion. For a moment Danny thought they were dropping
|
||||
straight for the soft gravel pile, but from where he clung to the
|
||||
spur, the angle was deceptive. The rocks plunged down and smashed
|
||||
on to a hard stone ledge with two harsh cracks. The sound was like
|
||||
gunfire in the valley.</p>
|
||||
|
||||
<p>The hammer blows ricocheted from one side to the other, so loud
|
||||
that Danny almost lost his grip. He twisted to look down at the
|
||||
camp. For a brief moment there was complete stillness.</p>
|
||||
|
||||
<p>Then the man moved. His head turned towards where the rocks had
|
||||
smashed on the ledge, while the echoes of the impact were still
|
||||
reverberating along the curves of the canyon. The rocks had smashed
|
||||
on the harder stone and scattered like shrapnel on the smooth
|
||||
surface of the shallow pool he'd crawled across. For a second, no
|
||||
more, he looked at the water, then his head angled up. Danny saw
|
||||
the pale oval of the man's face as it turned towards him.</p>
|
||||
|
||||
<p>They stared at each other across the distance, one looking up,
|
||||
the other staring down.</p>
|
||||
|
||||
<p>Then the man was moving. Danny turned, panicking, started
|
||||
scrambling up the scree. He reached the next level, feet slipping
|
||||
and sliding on the crumbly surface, whimpering in fear and
|
||||
desperation, and clawed for the top up the almost vertical incline.
|
||||
He got to the nearest level of strata, managed to get over it,
|
||||
feeling as if his whole body was shivering violently enough to
|
||||
throw him backwards, but miraculously keeping his grip.</p>
|
||||
|
||||
<p>Down below somebody screamed and somebody else shouted. The
|
||||
man's hoarse voice bawled out and Danny could not prevent him head
|
||||
from turning, even as his feet tried to find purchase on the
|
||||
crumbling shale.</p>
|
||||
|
||||
<p>Down at the camp, the man was on his feet, standing dead still.
|
||||
Beside him, on the short cropped grass beside the ring of stones,
|
||||
Billy was on his knees, body arched back. somebody else was
|
||||
sprawled and motionless on the grass. Close by two of the others
|
||||
were waving their hands and yelling frantically. Danny turned back,
|
||||
managed to get another two feet higher, stopped, swung back again
|
||||
as his brain registered what his eyes had seen.</p>
|
||||
|
||||
<p>The man had the gun in his hands. It was swinging round towards
|
||||
the slope.</p>
|
||||
|
||||
<p>Hot panic exploded inside him. Danny scrabbled at the slope,
|
||||
nails digging into the surface. He had only a dozen feet to go
|
||||
before he reached the top edge and safety. Only a dozen feet. It
|
||||
could have been so many miles. He sobbed in sudden fury and fear
|
||||
and bitter disappointment, eyes fixed on the skyline above.</p>
|
||||
|
||||
<p>Up and over. <em>Up and over.</em> His internal voice was
|
||||
bleating it out, a jittery litany. Behind him, other voices were
|
||||
screaming, high and urgent and fearful.</p>
|
||||
|
||||
<p>"Go Danny! <em>Go</em>!"</p>
|
||||
|
||||
<p>He sensed the gun swinging upwards, his back completely exposed.
|
||||
A dreadful cold shudder rippled down his spine. And he forced
|
||||
himself another step, another.</p>
|
||||
|
||||
<p><em>Up and over. Oh please.</em></p>
|
||||
|
||||
<p>Ahead of him, in the morning sky, the heron was just a distant
|
||||
shadow.</p>
|
||||
<hr />
|
||||
<p>Doug and Corky had been watching for him from the dark inside
|
||||
the tent, knowing that he would not try a downstream run this time.
|
||||
Danny had slipped out through the slit and although he'd moved as
|
||||
silently as he could, they could hear the occasional rustle and
|
||||
scuffle as he made his way towards the hollow and the cleft between
|
||||
the stones that would take him up to the next level. Doug was
|
||||
holding his breath, listening for more sound, but once Danny had
|
||||
gone through the cleft, there was nothing more to be heard, except
|
||||
for the muttering of the water. They slowly crawled to the front of
|
||||
the tent again, while Tom held back in the shadows trying to calm
|
||||
his breathing. The day was already lightening perceptibly, though
|
||||
it was still early and the smell of the dew was thick and damp. The
|
||||
mist was thinning quickly.</p>
|
||||
|
||||
<p>Doug caught the motion first, on the far side, just up from the
|
||||
low falls. Danny was on the sheep track, heading up the spur. He
|
||||
seemed very small against the grey mass of the jutting ridge. Doug
|
||||
pointed and Corky peered out.</p>
|
||||
|
||||
<p>"I see him," he whispered. "Go man, go."</p>
|
||||
|
||||
<p>Tom came up alongside them but did not look out. He just hoped
|
||||
Danny would make it out. That left only four of them and there was
|
||||
no guarantee that when the stranger discovered one of them had
|
||||
escaped, that he would not go into a frenzy and hurt them all.</p>
|
||||
|
||||
<p><em>Or worse.</em></p>
|
||||
|
||||
<p>But there was nothing else to do. If they all tried to make a
|
||||
run for it now, they couldn't stay silent and that would wake the
|
||||
man up and then all hell would erupt.</p>
|
||||
|
||||
<p>The other two followed Danny's progress, higher and higher.
|
||||
Doug's eyes kept flicking to the dark hunched shape by the
|
||||
fireside, watching for signs of stirring. If Danny moved fast, he
|
||||
could be down in the town in an hour, and have help up here before
|
||||
the sun had really risen. There was a chance that he'd be back
|
||||
before the crazy man woke up. A chance.</p>
|
||||
|
||||
<p>Then the heron had sent out its shrill cry and Danny had
|
||||
dislodged the rock. The pair of them had stared up, unable to
|
||||
believe the bad luck of it. The stone had knocked the other out and
|
||||
they'd both come bounding downwards and the double crack of thunder
|
||||
when they hit was deafening in the morning silence.</p>
|
||||
|
||||
<p>"Oh fuck," Doug said, stupidly.</p>
|
||||
|
||||
<p>By the fire, the man jerked awake. Twisting left then right,
|
||||
trying to get a bearing on the sound which echoed back now from all
|
||||
the sides and curves of the slopes. He spun to the pool where the
|
||||
shards of broken stone were falling like hailstones and then he
|
||||
looked up.</p>
|
||||
|
||||
<p>Danny was pinioned to the steep slope, hands spread wide for
|
||||
purchase, his head almost turned round completely. He seemed only a
|
||||
short distance from the valley edge.</p>
|
||||
|
||||
<p><em>Go man go!</em> Corky silently urged.</p>
|
||||
|
||||
<p>The man roared wordlessly. He jerked to his feet, snatching the
|
||||
gun up as he did so. Billy squawked, only half awake. The noose
|
||||
tightened around his neck as the stranger hauled at the gun,
|
||||
forgetting how he'd tied it the night before. Billy was hauled to
|
||||
his feet, flipped like a rat caught by an angry terrier, but hands
|
||||
up at his neck. A strangled sound blurted out.</p>
|
||||
|
||||
<p>"He'll kill him," Corky bawled, aghast. Without thinking about
|
||||
it, he pushed his way out of the tent, Doug was right behind him.
|
||||
Over on the short grass, Billy had stumbled to the ground, his
|
||||
hands still trying to force themselves between the twine and the
|
||||
skin of his neck where the loop had tightened ferociously. He had
|
||||
fallen over the log where he'd sat for some of the night, his
|
||||
backside landing with an audible thump.</p>
|
||||
|
||||
<p>The stranger growled savagely, jerking at the gun. Billy
|
||||
flopped, hauled this way and that, and the man seemed not to be
|
||||
aware of his presence except as a weight hindering his use of the
|
||||
gun. The boy gagged, making a strange and somehow deadly rattling
|
||||
sound in the back of his throat, but the man ignored that. Without
|
||||
any hesitation he brought his foot down onto Billy's shoulder,
|
||||
pressed hard, while he dried to drag the gun away.</p>
|
||||
|
||||
<p>"Leave him alone," Corky bawled, trying to overcome the
|
||||
stiffness in his thigh and get to his feet. He tripped over a guy
|
||||
rope, rolled and crawled for two yards. Doug was jabbering
|
||||
incoherently just behind him.</p>
|
||||
|
||||
<p>Billy's breath was cut off completely and his face suddenly went
|
||||
purple. The man pulled again and for a moment, Corky was convinced
|
||||
the twine would cut right through his neck like a cheese wire. In
|
||||
his mind's eye he saw Billy's head come tumbling off his shoulders
|
||||
to roll on the grass.</p>
|
||||
|
||||
<p>Then the man saw the old knife jammed into the grain of the log.
|
||||
He dropped Billy to the ground, reached for the sheath knife and
|
||||
pulled it from the wood with one quick wrench. He twisted it and
|
||||
swung the blade in against Billy's neck. The string parted and
|
||||
Billy went rolling away, still making those deathly sounds in his
|
||||
throat. Corky was bawling at the stranger but Doug was crawling
|
||||
past him, trying to get to his feet, stumbling towards the flat
|
||||
stone. The man was just turning away from where Billy writhed. He
|
||||
raised the gun up the slope. Doug reached the stone and grabbed the
|
||||
red cartridge which sat in the little hollow on its surface. He
|
||||
swung round and threw it, hard as he could, away from them. It
|
||||
whirled in the air, like a miniature red stick of dynamite and
|
||||
plopped into the pool below the feathers on the falls. He was
|
||||
turning for the other one which had fallen onto the grass when the
|
||||
man spun, realising the gun was unloaded, saw what the boy had done
|
||||
and crossed the flat in a few strides, he lifted the shotgun and in
|
||||
a smooth and brutal jabbing motion, smashed the butt end against
|
||||
Doug's head. It made a sound like wood on stone.</p>
|
||||
|
||||
<p>Doug stumbled away. Corky was crossing the flat towards him. Tom
|
||||
veered across to where Billy was rolling about, face purple, hands
|
||||
scrabbling at the string still twisted around his throat. Doug took
|
||||
two faltering steps to the left, as if he'd lost all sense of
|
||||
direction. He fell down on his backside, got a hand to the ground,
|
||||
raised himself up, head turning, and halfway to his feet again. The
|
||||
man had hit and walked past him, now slotting the one cartridge
|
||||
into the chamber. The barrels snapped closed with metallic
|
||||
finality. He was raising the gun.</p>
|
||||
|
||||
<p>At the edge of the campsite Doug got halfway to his feet, tied
|
||||
to say something, then pitched forward heavily onto his face. Tom
|
||||
snatched up the knife and was straddling Billy, trying to get him
|
||||
to stay still while Billy, almost twice his weight, bucked in blind
|
||||
and desperate panic, almost throwing the small boy off. Tom got the
|
||||
blade under the twine and worked it back and forth. The sharp tip
|
||||
scored two small punctures in Billy's neck, not deep, but bleeding
|
||||
freely. The string parted with a twang and Billy's breath instantly
|
||||
howled inward. Corky was running towards the man, yelling
|
||||
frantically. He hadn't even thought about it. All he saw was the
|
||||
gun swinging up towards Danny who was pinioned on the steep slope,
|
||||
completely exposed. He was moving past Doug who lay spread-eagled
|
||||
on the grass, beyond Tom and Billy, running to try to snatch the
|
||||
gun, to give Danny one chance.</p>
|
||||
|
||||
<p>The gun thundered.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
413
build/darkvalley/OEBPS/028.xhtml
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build/darkvalley/OEBPS/028.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
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|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>28</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
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|
||||
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|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>28</h1>
|
||||
|
||||
<p><em>August 4. 9am</em></p>
|
||||
|
||||
<p>White hot fire seared across Danny Gillan's back.</p>
|
||||
|
||||
<p>The excruciating pain was like a splash of molten metal, an
|
||||
incandescent surge of agony. He was slammed by a giant hand against
|
||||
the steep shale slope only yards from the top and freedom. His face
|
||||
drove in against the soft surface with stunning force before he
|
||||
could even scream.</p>
|
||||
|
||||
<p>He had just been reaching for the next handhold when all the
|
||||
world turned to flame.</p>
|
||||
|
||||
<p>Somewhere in the distance, a clap of dreadful thunder shook the
|
||||
valley in a cannonade of shattering sound, following on the searing
|
||||
pain that ripped across Danny's shoulders and on his spine. His
|
||||
nose drove into the gravel, burst like a tomato with a wet sound,
|
||||
but he was soaring so high on the surge of the other unbelievable
|
||||
hurt that he felt nothing of that.</p>
|
||||
|
||||
<p>His whole body jerked even as his hands tried to dig into the
|
||||
surface. The noise went on and on and on, rolling up and down the
|
||||
valley, reverberating from the chasm walls and Danny was surrounded
|
||||
by nose and pain, completely encased in it for what seemed like an
|
||||
eternity.</p>
|
||||
|
||||
<p>He was burning. He was on fire.</p>
|
||||
|
||||
<p><em>Oh God don't let me...</em></p>
|
||||
|
||||
<p>It had all happened in the blink of an eye. The man had turned,
|
||||
raising the gun. Corky had been screaming something unintelligible
|
||||
but utterly clear in its meaning. He had been bawling at Danny to
|
||||
move, to climb, to get up and over. And the gun was swinging up
|
||||
wards and the hot, sour panic had erupted and the shudder of
|
||||
anticipation had shaken him from the bottom of his spine to the top
|
||||
of his head. He'd scrambled desperately for that top ridge, feet
|
||||
sending out avalanches of shale, fingers clawing at the incline,
|
||||
knowing the black barrels were swinging up on him.</p>
|
||||
|
||||
<p>The pain had hit before the sound had swallowed him and he had
|
||||
been batted against the slope by an enormous force and he was on
|
||||
<em>fire</em>.</p>
|
||||
|
||||
<p>That first instant seemed to stretch on and on, trapping him
|
||||
inside a vast and implacable bubble of pain. His vision went black
|
||||
and he knew he was dead. Dead and gone. There was just the pain and
|
||||
the noise and he was burning. Dead and judged.</p>
|
||||
|
||||
<p>The fire consumed him. He was being burned away, cauterised,
|
||||
scorched, scalded. All down his back a molten river was eating into
|
||||
him, corroding the skin and muscle. Inside the bubble of time and
|
||||
pain, he was catapulted back ten years, crawling on that slick
|
||||
linoleum and the boiling liquid which hate into his hands and the
|
||||
tender surface of his knees while on his back the skin was peeling
|
||||
and bubbling like tar. Around him, through the thunder, he could
|
||||
hear again his sister's scream mingling with his own and his limbs
|
||||
jerked.</p>
|
||||
|
||||
<p>He was dead and this was the bad fire. This was the burning. He
|
||||
was searing and shrivelling, skin warped and contorting. The noise
|
||||
went on and on and on and somebody was screaming and it wasn't his
|
||||
sister Agnes who was making the noise. It was John Corcoran,
|
||||
somewhere far below screeching like a banshee while Danny was
|
||||
burning up.</p>
|
||||
|
||||
<p>And he was falling.</p>
|
||||
|
||||
<p>The pain did not diminish, but the strange, timeless bubble that
|
||||
had encapsulated him suddenly burst and he was not dead at all.
|
||||
Fire raced across his back, huge gouts of it, but he was not dead.
|
||||
He coughed and gravel and blood spat out. His hands were clawing
|
||||
away, working on their own, trying to get a grip, but he was
|
||||
falling. He felt himself peel away from the slope while his hands
|
||||
clawed at the air and the thick taste of metal was clogged in the
|
||||
back of his throat. He dropped, almost in slow motion, to the
|
||||
gravelly surface, ploughed a boy-wide furrow, tumbling head over
|
||||
heels. He landed on his feet, twisted, came down on his shoulder,
|
||||
still somersaulting as he dropped from the high ridge.</p>
|
||||
|
||||
<p>All the time, despite the dizzy spinning of the world the
|
||||
enormous burning consumed him and noise went on and on. His
|
||||
shoulder hit a spur of mudstone and he flipped on and out into the
|
||||
air, arms wheeling, legs kicking. There was sky and then green,
|
||||
grey of the slope and then blue sky again. Everything whirled as he
|
||||
spun out into the air. No sound escaped him. There was no time. His
|
||||
hands were still trying to grab at the shale slant way above him.
|
||||
He fell the way the stones had fallen, bouncing, tumbling and then
|
||||
out into the air and he realised that the pain would end.</p>
|
||||
|
||||
<p>He was falling to the rocks below and it would all end here and
|
||||
there would be no more fear.</p>
|
||||
|
||||
<p>Corky was screaming his name and he wanted to close the pain off
|
||||
for a moment to tell him not to worry, but there was no time for
|
||||
anything at all. The ground leapt up at him, the canyon walls
|
||||
whipping by in flickering striations if grey and white, like candy
|
||||
stripes. He fell.</p>
|
||||
|
||||
<p>The belly flop into the deep pool knocked all the breath from
|
||||
him. The force of the flat impact was like hitting a wall. His nose
|
||||
took another blow and both his knees drove right into the sediment
|
||||
at the bottom of the pool..</p>
|
||||
|
||||
<p>Danny was so stunned he did not even know he'd landed in the
|
||||
water. Everything went black and for a wonderful moment all pain
|
||||
was snuffed out for the second time he believed he was dead but now
|
||||
he simply welcomed the cessation of hurt.</p>
|
||||
|
||||
<p><em>And he fell for forty days and forty nights.</em> His
|
||||
father's voice came to him from a long distance. <em>Forty days and
|
||||
forty nights without stopping, cast out to the exterior
|
||||
darkness.</em></p>
|
||||
|
||||
<p>He'd been falling, burning up in the fire and he'd hit and it
|
||||
had been easy. He'd hit and the pain had gone and he floated in the
|
||||
dark, slowly turning. Paulie Degman's face floated beside him.</p>
|
||||
|
||||
<p>"<em>All right, Dan</em>?"</p>
|
||||
|
||||
<p>He tried to answer but he couldn't say anything because he had
|
||||
no mouth. Paulie opened his own mouth and a bubble, silvered and
|
||||
wavering, rolled up to the far surface.</p>
|
||||
|
||||
<p>"<em>Are you in a state of grace, Danny boy</em>?" Paulie wanted
|
||||
to know, all white and bloodless and twisting in the current. His
|
||||
voice sounded like the noise water made when it tumbled down under
|
||||
the heather runnels, cold and hollow. There was a buzzing behind
|
||||
the words and Danny knew it was the flies, sent by Be-elzebub, the
|
||||
Lord of the Flies, one of those who had fallen forty days and forty
|
||||
nights with the searing incandescence of Lucifer falling with
|
||||
them.</p>
|
||||
|
||||
<p><em>And there will be weeping and gnashing of teeth,</em> Paulie
|
||||
was saying, in Danny's father's voice and the buzzing got louder he
|
||||
did not want the flies to come and lay their eggs in him when he
|
||||
was dead and he did not want his hair and nails to grow, the way
|
||||
Mole Hopkirk's nails and hair had grown in that room at the back of
|
||||
Cairn house.</p>
|
||||
|
||||
<p><em>Danny!</em></p>
|
||||
|
||||
<p>Paulie was calling to him, calling him down into the mud. The
|
||||
pain was starting up again in his back and there was a new pain in
|
||||
his face and the taste of blood in his mouth and that was funny
|
||||
because except for the fire, you weren't supposed to feel pain at
|
||||
all when you were dead.</p>
|
||||
|
||||
<p><em>Danny!</em> The voice called him and he tried to turn away
|
||||
form it and the buzzing had changed into a hissing sound, like
|
||||
millions of bubbles bursting on a shingle beach, then a muffled
|
||||
roar that sounded just like water cascading and his hand was
|
||||
snagged on something. He couldn't do anything about it. He tried to
|
||||
breathe and an awful cold flooded his throat and he suddenly
|
||||
choked. In that instant his consciousness surged back to him and
|
||||
his slack muscles instantly galvanised. Somebody was pulling him by
|
||||
the arm while the pain still rippled and burned across his back,
|
||||
now heating back up again after a brief cool respite.</p>
|
||||
|
||||
<p><em>Danny!</em> Not dead Paulie, but John Corcoran. Corky was
|
||||
bawling his name at the top of his voice, dragging him up from
|
||||
where Paulie's face was wavering into the dark.</p>
|
||||
<hr />
|
||||
<p>The gun had roared. A sudden punch of sound that slammed into
|
||||
Corky's head. He was only feet away, reaching for the barrels that
|
||||
were raised up towards the far wall. Everything had suddenly gone
|
||||
mad. The butt had taken Doug on the side of the head, a swift and
|
||||
vicious jab and he had stumbled away, got up then drifted sideways
|
||||
before falling down to the ground, and Tom was over with Billy who
|
||||
was writhing and choking and the man was raising the gun. Corky had
|
||||
watched amazed as the first cartridge had gone flickering through
|
||||
the air to land with a quick plop in the pool, amazed at Doug's
|
||||
sudden comprehension and his dash to get them away from the crazy
|
||||
man. He had almost made it. Danny, high up on the side where the
|
||||
slope got steeper before the fringe of couch grass at the edge of
|
||||
the moor, he had almost made it. He only had yards to go.</p>
|
||||
|
||||
<p>But then Doug was down and out and Billy was rolling on the
|
||||
ground and the barrels went up and Corky tried to get them down
|
||||
again. He was diving, hands outstretched, bawling at Danny to get a
|
||||
move on, to get up and over the top and out of the way and then the
|
||||
gun had roared and a noise like thunder hit him so hard he heard
|
||||
only the first explosion followed by a repeated clapping sound and
|
||||
a high pitched ringing inside his head. Even in the brightening
|
||||
morning he saw the flash of fire at the end of the muzzle and then
|
||||
sudden belch of smoke just a shade darker than the fading mist. His
|
||||
head had swung upwards and Danny's arms had suddenly shot out just
|
||||
as a hundred small eruptions of gravel for two yards on either side
|
||||
of him where the spread of lead peppered the steep slope. Danny
|
||||
seemed to shove himself forward right onto the shale face with both
|
||||
arms out on either side as if he'd been kicked hard right between
|
||||
his shoulderblades. The hands were scrabbling at the face, trying
|
||||
to catch a grip as he slid for thirty feet down the steep shale,
|
||||
then he simply peeled away and began to tumble backwards. It all
|
||||
happened in the space of a split second.</p>
|
||||
|
||||
<p>There was no sound but the strange internal crackling inside his
|
||||
head and the reverberating thump that could have been his heartbeat
|
||||
or his mind's echo of the devastating blast. He was trying to shout
|
||||
Danny's name, over and over, but he could not hear his own voice.
|
||||
He moved past the man, head up, oblivious to the danger.</p>
|
||||
|
||||
<p>Danny fell away from the high side of the spur, flipping right
|
||||
over in a complete somersault. He landed twenty feet down, on his
|
||||
feet but now facing outwards, much like a ski-jumper. His momentum
|
||||
drove a wide furrow in the soft gritty marl, sending up a bow wave
|
||||
of powdery rock and then he tumbled over again, arms pinwheeling,
|
||||
face just a white blur. His shoulder glanced off the ledge twenty
|
||||
feet up and then he was falling straight down. Corky froze. His
|
||||
friend was coming down, twisting in the air, heading straight for
|
||||
the quartz rocks at the head of the pool where the four feathers
|
||||
still stood. Despite the silence, he knew there would be a
|
||||
deafening, deadly thud then Danny hit and then nothing, no cry, no
|
||||
moan. Nothing.</p>
|
||||
|
||||
<p>Danny missed the rocks by scant inches and hit the water with a
|
||||
smack that sent up a wide, curving splash.</p>
|
||||
|
||||
<p>He disappeared under the foaming surface, right in at the deep
|
||||
basin where Billy had jumped in on the first day to clean the mud
|
||||
from his jeans. Corky's legs got him to the edge. The wave of
|
||||
Danny's entry had splashed right up onto the stones on either side
|
||||
and sent a little roller curving up over the shingle at the shallow
|
||||
end. Danny's tee-shirt was a red blur down in the depths, his hands
|
||||
pale fish. For a second Corky though the dye was coming out of the
|
||||
shirt in a thin cloud, the way the red grime had come washing off
|
||||
Billy. He reached the edge, jumped in across the shingle, up to his
|
||||
knees, kept moving, up to his waist. The basin sloped away and he
|
||||
was under the water, bawling Danny's name, now hearing the words,
|
||||
but as if they were far off. He ducked down, got a hand to one of
|
||||
Danny's and started hauling him up to the surface. The hand was
|
||||
slack and lifeless. Under the water Danny's head turned round and
|
||||
in the blur Corky could see the red smoke billowing out from the
|
||||
front of his face and knew it was blood.</p>
|
||||
|
||||
<p>Had he been shot in the head?</p>
|
||||
|
||||
<p><em>Oh my god Danny oh my god</em></p>
|
||||
|
||||
<p>For an instant he panicked, thinking that Danny's head must have
|
||||
hit the rocks, must have caved in on the sharp quartz edges, or
|
||||
maybe the shot had blasted through from front to back. He felt his
|
||||
heart buck wildly and very quickly, out of control. Everything
|
||||
seemed to shrivel in the pit of his belly. He pulled, got a foot to
|
||||
the shallows and a hand to one of the edging rocks, dragged his
|
||||
lifeless friend upwards, away from the dark at the bottom of the
|
||||
pool while the blood trailed out and faded in the moving current.
|
||||
He made it to the near side, knowing it didn't matter which side,
|
||||
got Danny's head out of the water. For a long count Danny was
|
||||
completely still. Blood was pouring quite freely from mouth and
|
||||
nostrils as he hung, slumped over the stones close to the shallows,
|
||||
and then, by a miracle, his shoulders hitched violently. A gout of
|
||||
water came sneezing out, coloured by blood and snot. He coughed,
|
||||
tried to turn, raise himself up, much as Doug had tried to do,
|
||||
managed to get to his knees.</p>
|
||||
|
||||
<p>He raised his hand towards Corky, his streaming eyes wide open
|
||||
and blind, mouth gaping. He gasped, coughed, gasped again and then
|
||||
he let out the most pitiful whimper of pain Corky had ever heard.
|
||||
Danny started to fall forward and Corky waded back behind him to
|
||||
get a hand round his shoulder and help him up. But as soon as he
|
||||
touched his back, high up close to the neck, Danny squealed like an
|
||||
animal and sank to his knees. The blood, what was left of it,
|
||||
drained out of his face and he looked as if he would faint. Corky
|
||||
ducked, managed to get his own shoulder under Danny's belly,
|
||||
grabbed him behind the knees and with a monstrous effort, got to
|
||||
his own feet, carrying his friend on his shoulder. He waded
|
||||
backwards out of the pool, gasping now for a breath of his own,
|
||||
oblivious of the man who stood there watching the whole thing,
|
||||
motionless and silent.</p>
|
||||
|
||||
<p>The noise was still reverberating in Corky's ears. Water sloshed
|
||||
in his boots. Over by the ring of stones Billy was sitting, legs
|
||||
spread, hands at his throat, coughing uncontrollably. Tom was now
|
||||
tending to Doug, gently raising his head up. Doug was grinning or
|
||||
grimacing, his big front teeth pressed against his bottom lip. His
|
||||
hands were shaking like fluttering birds trying to take
|
||||
flight..</p>
|
||||
|
||||
<p>Corky put Danny down, gently as he could despite the weight, in
|
||||
the lee of the slope at the cleft where he'd crawled through on his
|
||||
failed escape attempt. Danny's eyes were dazed, focused far off,
|
||||
not quite aware of what was happening. Corky was amazed that he was
|
||||
still alive.</p>
|
||||
|
||||
<p>"The heron," Danny mumbled dreamily. "I saw the heron."</p>
|
||||
|
||||
<p>"Very good Dan," Corky said. He sat him down. Twin trickles of
|
||||
blood were running down from each nostril and dropping onto the
|
||||
tee-short, making hardly a stain against the deep red of the
|
||||
fabric. Danny sat back but as soon as his shoulder touched the soft
|
||||
moss he yelled aloud and twisted violently to the side.</p>
|
||||
|
||||
<p>"He shot me, Corky," he managed to squeeze out. "Bloody shot
|
||||
me."</p>
|
||||
|
||||
<p>Over by the side of the stream the man still stood motionless,
|
||||
watching them all curiously. After a while he turned and slowly
|
||||
walked back to the ridge where he'd been sitting and eased himself
|
||||
down again, in exactly the same spot, holding the gun the same way,
|
||||
across his knees. It was somehow animal, somehow mindless, the way
|
||||
he moved back to the same place, as if nothing much had happened.
|
||||
He hunched there, seemingly oblivious to them all now, waiting.</p>
|
||||
|
||||
<p>The stillness of him was somehow even more scary.</p>
|
||||
<hr />
|
||||
<p><em>August 4. 10am.</em></p>
|
||||
|
||||
<p>Danny was crying. Tears were steaming down his face and he
|
||||
twitched violently while Tom held his hand tightly. Billy watched
|
||||
with strange, glazed eyes, while Doug held his own head in his
|
||||
hands and sat quite still as if any movement would bring pain. This
|
||||
was true. The back of his head felt as if it was coming apart.
|
||||
There was no blood, but the thumping pain was almost enough to
|
||||
bring tears to his eyes and his neck ached abominably. The only
|
||||
thing he could do for the moment was sit still and keep his eyes
|
||||
closed until it faded. He'd felt sick for a while, but that had
|
||||
passed. The pain was lessening beat by beat, but still each beat
|
||||
was a pounder.</p>
|
||||
|
||||
<p>Danny had lain for a long time, trying not to move, lying more
|
||||
on his front than on his side, head twisted to the right to keep
|
||||
his aching nose off the soft moss. It was tender and bloody but
|
||||
that was the least of his concerns. The pain was burning into his
|
||||
back, a sheet of relentless heat like a blowtorch flame on his
|
||||
skin. He imagined he could smell himself burning. Corky risked
|
||||
crossing from to the stream fill the can with water and give first
|
||||
him and then Doug a cool drink.</p>
|
||||
|
||||
<p>"Shot me," Danny bleated again. His tee shirt was already drying
|
||||
in the sun. It was plastered to his back and Corky could see no
|
||||
bullet wounds and he wondered where the damage was.</p>
|
||||
|
||||
<p>"I'll have to have a look," he said. "Where does it hurt." He
|
||||
was speaking in a muffled murmur again, not wishing to attract the
|
||||
attention of the gaunt man who sat like a crow beside the dead
|
||||
fire.</p>
|
||||
|
||||
<p>"My back. Oh, <em>shit</em> Corky. It's really bloody sore."</p>
|
||||
|
||||
<p>"Hold still and I'll have a look," Corky whispered, hushing him
|
||||
as best he could.</p>
|
||||
|
||||
<p>Tom held Danny's hand, clasping his fingers with surprising
|
||||
strength. Corky started to raise the tee-shirt, peeling it away
|
||||
until he had exposed the middle of Danny's back. That's where the
|
||||
bruise started. There were a few puckered little dents in the
|
||||
fabric up between Danny's shoulderblades and three smaller holes.
|
||||
He eased the cloth upwards, and heard Tom's sharp intake of breath
|
||||
at the dreadful discoloration of the puffy skin which had swollen
|
||||
under the tight cloth. Further up he peeled it away, with Danny
|
||||
wincing and sobbing all the while. Finally, up high on the back, he
|
||||
had to pull gently but firmly where the weave formed the small
|
||||
pitted dents. It was only then that he realised what had
|
||||
happened.</p>
|
||||
|
||||
<p>The birdshot, tiny lead pellets had slammed into Danny's
|
||||
sweat-laced shirt, hard enough to drive him against the face, but
|
||||
from far enough away not to kill him. The spread-out pattern had
|
||||
lost enough force and his damp shirt had acted as a buffer. Even
|
||||
so, some of the shot had driven the fabric right into the skin,
|
||||
causing those small dents in the swollen flesh. Corky had to ease
|
||||
each of the slugs out one by one, pulling gently but firmly, and as
|
||||
each of them came out of their embedding craters in the unbroken
|
||||
skin, Danny howled in agony and the tears ran freely down his
|
||||
face.</p>
|
||||
|
||||
<p>"Easy Dan," Corky tried to say, but by this time, he was crying
|
||||
too and Tom's face was a picture of silent misery. Tears were
|
||||
trickling in the dust down his cheeks and dripping slowly from his
|
||||
chin. He held Danny's hand tight as he could, for both their sakes.
|
||||
When it was finished, Corky managed to ease the whole shirt off and
|
||||
he rolled it up to jam it under Danny's face as a pillow. They let
|
||||
him lie there until the sobbing stopped. The bruises on his back
|
||||
were violet and risen, like bursts of thunder on the white of his
|
||||
skin. Between the shoulderblades were three small dark spots which
|
||||
did not bleed. They looked like ink-marks. Corky realised that some
|
||||
of the little pellets had driven through the skin. There was
|
||||
nothing he could do about that.</p>
|
||||
|
||||
<p>Tom filled the canteen again and brought it over, again braving
|
||||
the attention, but ignored by the man who sat still as stone, as if
|
||||
waiting for something to happen. He gently poured it on to Danny's
|
||||
back while Corky held his quivering wrists.</p>
|
||||
|
||||
<p>The cold was at first a terrible explosion of pain, and Danny
|
||||
stiffened as if a bolt of high tension power had arced through him,
|
||||
but then it settled into a gentle, soothing coolness which helped
|
||||
take the burn out of his back. Tom kept it up, letting the cool
|
||||
stream water trickle over the hurt to help the swelling go down and
|
||||
after a while the heat began to fade a little.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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|
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<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
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<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>29</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
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<link rel="stylesheet" type=
|
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"application/vnd.adobe-page-template+xml" href=
|
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|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>29</h1>
|
||||
|
||||
<p><em>Interlude:</em></p>
|
||||
|
||||
<p>Angus McNicol eased himself back, put the bottle down on the
|
||||
table and unscrewed the top.</p>
|
||||
|
||||
<p>"Put some of this in it," he said. "The sun's well past the
|
||||
yardarm now. Coffee'll keep me up all night unless I take it with
|
||||
my medicine." The big old policeman grinned, just a burst of white
|
||||
before it was closed off again in his remembering. He poured two
|
||||
hefty shots of whisky into the half-cups of coffee, put the bottle
|
||||
down, raised a cup and clunked it against the other. He took a
|
||||
manful swallow, savoured it, swallowed, then let out the gruff sigh
|
||||
of someone who's appreciated a drop of scotch for half a
|
||||
century.</p>
|
||||
|
||||
<p>"Takes the bad taste out of the mouth as well." Another quick
|
||||
flash of teeth and then his eyes changed and it was obvious he was
|
||||
looking a long way back into the past once more. Once he'd started,
|
||||
he'd been able to talk for a long time.</p>
|
||||
|
||||
<p>"I thought it was all dead and buried and gone, you know. Should
|
||||
be, too. Oh, I still recall it sometimes, even now, but I have to
|
||||
tell you now son, it's not the kind of thing I like to dredge
|
||||
up."</p>
|
||||
|
||||
<p>He looked over the table, over the rim of the cup and drew his
|
||||
brows together.</p>
|
||||
|
||||
<p>"Why the interest now? There's better stories to tell about this
|
||||
town. Not many worse, except that business with John Fallon's boy
|
||||
few years back. He got himself hurt pretty sore when he went after
|
||||
that fellow O'Day. That was the year I quit the force, on doctor's
|
||||
orders. To tell you the truth, I was glad in a way. You don't know
|
||||
you've had enough until it's over and then you realise you never
|
||||
ever want to see another mother's face when you tell her a child's
|
||||
dead and gone."</p>
|
||||
|
||||
<p><em>Dead and Gone.</em> Angus McNicol had used that phrase
|
||||
twice, each in a different context. It should have been all dead
|
||||
and gone. Should have been, but the world's full of what should
|
||||
have been and never was. It should have been gone, but it kept on
|
||||
coming back, like the bad penny; certainly in the bad dreams. I had
|
||||
managed to bury most of it, deliberately so, because it was
|
||||
something I never wanted to remember and dwell on, not as long as I
|
||||
lived, and then once I had kids of my own, it was something I
|
||||
wanted to keep down there under lock and key. You just can't begin
|
||||
to think that history might repeat itself and that one of your own
|
||||
might ever be touched by a madman. Can you?</p>
|
||||
|
||||
<p>I'd managed pretty well until I saw those dulled eyes swivel in
|
||||
my direction down on River Street and then pass on with hardly a
|
||||
flicker or blink and some of it all came back in such a rush I felt
|
||||
my belly drop a hundred feet, or so it seemed, and there was the
|
||||
smell of raw fish in the air and the scent of pine smoke and dead
|
||||
meat and a crazy man's sour sweat; in my ears I heard the old, lazy
|
||||
buzzing of busy flies and the murmuring of slow water in a stream
|
||||
and I was instantly back <em>then</em>.</p>
|
||||
|
||||
<p>It doesn't take much to trigger those switches. Some things
|
||||
don't stay buried; some things don't stay dead.</p>
|
||||
|
||||
<p>Yet I <em>had</em> managed to bury it all for a while, shoved it
|
||||
down there in the depths where it was kept bound and gagged to stop
|
||||
it clawing its way up and eating at me. Then, on the sunny morning
|
||||
on River Street, with the light reflecting from the skylights on
|
||||
the roof of the old boatyard down at Keelyard Road where a bunch of
|
||||
boys had talked of a drowned boy in the river and had first planned
|
||||
to take a trip to the mythical Dummy Village, I looked into the
|
||||
empty depths of a pair of eyes and it all broke free, like some
|
||||
beast in a cellar.</p>
|
||||
|
||||
<p>No matter what I did, I could not put this old thing back in a
|
||||
box. It was out and growling and it was pawing and clawing and the
|
||||
only thing for it was to meet it face to face, to go right back to
|
||||
the start and take it from there.</p>
|
||||
|
||||
<p>I had to know.</p>
|
||||
|
||||
<p>Crazy? Possibly, but I'd <em>seen</em> crazy. I'd looked into
|
||||
its blinking, twitching eyes. I had to know.</p>
|
||||
|
||||
<p>I had no real answer for Angus McNicol. I said I was researching
|
||||
a book, and there was a sliver of truth in that. He looked at me
|
||||
over the top of the cup and he took another sip, swallowed, and
|
||||
began to talk again. Who knows, maybe the old policeman had his own
|
||||
ghosts to bury.</p>
|
||||
|
||||
<p>"Dead and gone. Too many people over the years, I can tell you,"
|
||||
he said. The tape was running again. "But not dead and gone in
|
||||
here." He raised his free hand and tapped the side of his head.</p>
|
||||
|
||||
<p>"The one thing Hector Kelso drilled into me when I had
|
||||
transferred over to plain clothes, was to remember everything.
|
||||
Remember everything and keep your own records forever, he always
|
||||
said. He used to stand there and never move a muscle except in his
|
||||
eyes. He never wanted anybody to touch anything, not a thing, until
|
||||
he'd been there and seen the lie of the land. If you did that, you
|
||||
got a picture in your head that had everything in it, even the
|
||||
sounds and the smells. I can still close my eyes and conjure up old
|
||||
Ian McColl's head on that dung-heap and I can remember that it was
|
||||
mostly cow dung, but there was a dead chicken there as well. It's
|
||||
got a different smell. I can still taste the dust in the tack room
|
||||
where old Jean McColl was dragged down the stairs.</p>
|
||||
|
||||
<p>"I remember thinking that the man, your <em>Twitchy Eyes</em>,
|
||||
was probably ex-army. We found a place down at the east end of the
|
||||
Rough Drain, the place that's still all overgrown with. It was a
|
||||
bivouac. We knew it was him from the pages of the bible. He'd used
|
||||
them to wipe his backside."</p>
|
||||
|
||||
<p>Hector drained his cup and put it down, eyes still focused
|
||||
back.</p>
|
||||
|
||||
<p>"We worked round the clock, going through every army record, but
|
||||
at that time, there were thousands of boys and men just out of
|
||||
national service. There were more thousands who'd been in the war
|
||||
and trained to kill and were still young enough to have been this
|
||||
beast. It was a broad field we were ploughing up. We turned up
|
||||
Scots soldiers who'd been to Aden and done some terrible things
|
||||
themselves. There were a few people who'd survived the Jap death
|
||||
railway and a few of them were as crazy as all get out, but there
|
||||
was nothing we could pin on this devil.</p>
|
||||
|
||||
<p>"We really wanted to nail him. We went through parish records
|
||||
but we still drew blanks. I was beginning to think he had just come
|
||||
out of nowhere. Maybe he did. Maybe he just did. Maybe he was a
|
||||
devil. Remember the Whalen boy? He was snatched on June sixth,
|
||||
sixty six. All the sixes. Some of us thought that was some kind of
|
||||
ritual thing. Who knows? Maybe it was.</p>
|
||||
|
||||
<p>"There was claim and counter-claim over what drove him on, but I
|
||||
thought it was just sheer and utter badness. He was evil. I think
|
||||
it was just depravity. The man had a taste for killing and hurting.
|
||||
If Charlie Saunders had caught him, he'd have ripped him apart with
|
||||
his two hands for what he did to that wee girl of his. Big John
|
||||
Fallon, he was just as worried as anybody about his boy and girl
|
||||
and if he came on this Twitchy Eyes first, there was a good chance
|
||||
it would never get to the High Court.</p>
|
||||
|
||||
<p>"But we never did get him. We rounded up a few ex-soldiers and
|
||||
anybody with any record at all for flashing or peeping through
|
||||
bedroom windows or stealing underwear off the washing lines. We had
|
||||
a couple of identity parades and all for nothing. The man came out
|
||||
of nowhere. He always seemed to be one jump ahead. We sweated out
|
||||
the whole summer wondering where it would happen next. It was a
|
||||
while before Johnson McKay came careening down that farm track in
|
||||
his old post van.</p>
|
||||
|
||||
<p>"All we had to go on then was a description from the girls he'd
|
||||
tried to pick up the first time and a name from Jean McColl's
|
||||
diary. She said his name was Leslie Joyce, though the spelling
|
||||
changed to the female version, but that was when he was stalking
|
||||
her. There was every chance he'd just made it up, but we had to
|
||||
check that too. We turned up half a dozen of them, spelled
|
||||
whichever way, and four of them had been in the army. One was a
|
||||
woman who'd been a sergeant in the WRAC's. Two were old men and one
|
||||
was in a wheelchair. The fifth was a Free Kirk minister from up by
|
||||
Creggan and I can tell you he got the fright of his life when me
|
||||
and a couple of the CID boys grabbed him in his greenhouse when he
|
||||
was watering his tomatoes. He'd been an army chaplain in the war.
|
||||
He was five foot tall and he'd a withered arm from childhood polio.
|
||||
He couldn't have punched his way out of a wet paper bag. The sixth
|
||||
one had been banged up in Drumbain for five years for a smash and
|
||||
grab. That was the way of it.</p>
|
||||
|
||||
<p>"Our killer, he could have been anybody. Anybody at all. But he
|
||||
wasn't any of the people we found called Leslie Joyce. We never got
|
||||
close, though we even did a trawl in the local parish year books to
|
||||
see if anyone of that name had been baptised, but still we got no
|
||||
closer."</p>
|
||||
<hr />
|
||||
<p><em>August 4....7pm.</em></p>
|
||||
|
||||
<p>"Unless a man be born again, and cleansed of sin." The man's
|
||||
voice was clear and rumbling. He was standing at the edge of the
|
||||
stream, both feet in the water. The gun was five yards away. Billy
|
||||
was standing beside him, his skin pale in the dimming light. Danny
|
||||
wondered if he could reach the gun. Corky wondered the same thing.
|
||||
Tom and Doug watched the scene at the water, each of them wondering
|
||||
what would happen.</p>
|
||||
|
||||
<p>It had been a long day since the gun had spoken, since their
|
||||
talk in the shade of the line of low hawthorns that led to the
|
||||
hollow.</p>
|
||||
|
||||
<p>"You okay, Dan?" Corky had asked.</p>
|
||||
|
||||
<p>He spoke low, but not in a whisper. Danny twisted and that cost
|
||||
him a wrench of pain between his shoulderblades, but if he moved
|
||||
slowly, it wasn't too bad. Occasionally the light breeze would
|
||||
feather across his skin and trail a sensation like pins and
|
||||
needles, but for the most part, the bruises, swollen and risen
|
||||
though they were, stayed numb. The fire had damped well down, but
|
||||
Danny could still remember the awesome burn of it.</p>
|
||||
|
||||
<p>"He <em>shot</em> me!" the enormity of that hovered over him and
|
||||
weighed him down. Over and over he saw the world spin and saw the
|
||||
white quartz of the rocks rushing up towards him. His nose ached
|
||||
for the moment, where he had driven it into the shale. It pulsed
|
||||
more fiercely than did the bruises on his back. Another throb of
|
||||
pain beat out from his shoulder, where it had hit the outcropping
|
||||
of mudstone that had probably saved his life by twisting him just a
|
||||
little downstream so that he fell straight into the deepest part of
|
||||
the pool and missed the rocks where the heron feathers stood.</p>
|
||||
|
||||
<p>"Thought you were a goner," Corky said again. Beside him, Tom
|
||||
silently agreed. His face still bore the faint imprint of the man's
|
||||
fingers and he had a dark bruise on his jawline. Every now and
|
||||
again he opened his mouth and moved the jaw to the side, as if
|
||||
testing for fractures. It helped take the stiffness out of it.</p>
|
||||
|
||||
<p>"Thought <em>I</em> was a goner," Doug said. He drew his fingers
|
||||
down the side of his head, just behind his right ear, rubbing
|
||||
slowly. "I think I still am."</p>
|
||||
|
||||
<p>"But you got the cartridge away. Honest to god, Doug, that was
|
||||
brilliant. And it really took a lot of guts an'all."</p>
|
||||
|
||||
<p>"Thought I was going to <em>puke</em> my guts," Doug said, and
|
||||
he gave a strangely fearful grin. His big protruding teeth made him
|
||||
look gawky. His sting vest was torn now under his armpit and hung
|
||||
on him like a tattered net.</p>
|
||||
|
||||
<p>"But if you hadn't pitched it in the pool, Danny would have got
|
||||
the both barrels for sure. You should have seen him, Danny
|
||||
boy."</p>
|
||||
|
||||
<p>Billy said nothing. He was sitting just to the side, closer to
|
||||
the hollow where he'd hung the stag's head on the thorn branches.
|
||||
He was absently massaging the skin of his throat. It was raw and
|
||||
inflamed. He had that faraway, lost look in his eyes that Danny
|
||||
found somehow scary. It reminded him again of the rabbit and the
|
||||
stoat, as if Billy had somehow accepted all of this, as if he knew
|
||||
what would happen and was just dumbly waiting for the inevitable.
|
||||
Tom glanced over at him. He'd panicked for an instant, suddenly
|
||||
more frightened than he'd even been in his life, even more so than
|
||||
when the man had grabbed his face and squeezed.</p>
|
||||
|
||||
<p>Billy had been down on the ground, making gagging, hissing
|
||||
sounds in his throat, the kind of sound the heron had made when its
|
||||
neck had been broken and for that instant, Tom had thought he was
|
||||
dead, even though his heels were drumming into the turf. Doug had
|
||||
been down too.</p>
|
||||
|
||||
<p>Danny was falling in the air towards the rocks. Corky was
|
||||
running towards the man and Tom was certain the stranger would turn
|
||||
and swing the gun on him. At that range he'd cut him in half and
|
||||
Tom would be left alone. It had all happened so unbelievably
|
||||
fast.</p>
|
||||
|
||||
<p>In his mind's eye they were all dead, all except him, up here in
|
||||
the valley with the man with the twitchy eyes. The knowledge froze
|
||||
his insides to slush and for an instant his vision wavered.</p>
|
||||
|
||||
<p>Then reality, even colder than the fear, cut through the fear
|
||||
like a shard of ice. Billy had both hands up at his neck and he was
|
||||
breathing raggedly. Tom found his hand reaching for the knife and
|
||||
in a few seconds of bewildering violence as Billy blindly fought
|
||||
him, he had cut the noose and Billy was hauling for breath. All of
|
||||
this unreeled again as they whispered together.</p>
|
||||
|
||||
<p>"And Tom," Corky said, recalling it at the same instant. "He cut
|
||||
Billy free. He would have strangled otherwise. Did good there,
|
||||
Tom-Tom."</p>
|
||||
|
||||
<p>Danny was amazed at how calm Corky sounded. Even Doug, with his
|
||||
big stupid grin, sounded close to normal. Just a few hours ago,
|
||||
they'd been crying, and dying. Danny knew that Corky was trying to
|
||||
keep them all calm, waiting for the next chance, if they could
|
||||
<em>get</em> a chance. If it came, Danny did not know if he'd be
|
||||
able to move, and that scared him badly, as much as Billy's scary
|
||||
far-distance stare. Doug might have made it downstream if he hadn't
|
||||
twisted his ankle. Corky might have made it up the slope if he
|
||||
hadn't been hurt making his first run. Danny could have got to the
|
||||
top but for the heron flying out of the gully. Tom wasn't fast
|
||||
enough and Billy just couldn't move.</p>
|
||||
|
||||
<p>If the chance came, what chance would they have?</p>
|
||||
|
||||
<p>Danny shook his head, sending a wave of dull pain across his
|
||||
back, over his shoulder and another wet pulse into his tender nose.
|
||||
He couldn't think like that, no matter how hopeless it seemed. He
|
||||
didn't want to be like Billy, sunk so deep in the swamp of his own
|
||||
fear that he couldn't move. If he worked at it, he could keep the
|
||||
fear battened down, and try to keep at a distance the recollection
|
||||
of the gun barrels raising up towards him.</p>
|
||||
|
||||
<p>"Where's the knife?" Corky was asking, this time in a whisper.
|
||||
Tom used his eyes to indicate the curve of root just beside him.
|
||||
The bone handle was barely visible. Very surreptitiously, Corky
|
||||
eased his way towards it, reached even more slowly, and then drew
|
||||
the knife towards him.</p>
|
||||
|
||||
<p>"I don't think that'll do any good," Tom said. Corky shrugged.
|
||||
His eyes had that thoughtful look again. No matter what happened,
|
||||
Corky wasn't going to wait for it. Standing straight, he barely
|
||||
came up to the man's chest, but he was still thinking of how to get
|
||||
them out of this.</p>
|
||||
|
||||
<p>The man had opened one of the corned beef tin cans, the last
|
||||
they'd swiped from the self-service shop round on Braeside. Corky's
|
||||
stomach was twisting savagely and he could smell the meat on the
|
||||
air. They'd only drunk some water Tom had brought up from the
|
||||
stream in the canteen. None of them wanted to risk attracting
|
||||
attention yet by trying to get some food.</p>
|
||||
|
||||
<p>Over by the little ridge, the man sat still. He'd eaten the
|
||||
block of beef, gnawing into it just the way he'd eaten the rabbit,
|
||||
making little snuffling noises. Corky's mouth had watered and he'd
|
||||
actually dribbled. The stranger had ignored them. Occasionally he'd
|
||||
cock his head and then mutter something, always speaking over his
|
||||
left shoulder, to whoever he saw there.</p>
|
||||
|
||||
<p>"Unless a man be born again, of water," the man said now that it
|
||||
was late and the sky was beginning to darken. The moon was not yet
|
||||
up and Corky had an idea that it might be full tonight and he
|
||||
thought maybe that was what the man was waiting for.</p>
|
||||
|
||||
<p>He had surprised them all when he'd stood up and taken his coat
|
||||
off, letting it slip, almost theatrically, to the grass. He'd
|
||||
turned then, just as dramatically and they all looked in his
|
||||
direction, suddenly scared again. He stood looking at them for some
|
||||
time, as if pondering his next move. Danny felt his heart beat
|
||||
faster. Billy stayed frozen. Finally the man came walking towards
|
||||
them.</p>
|
||||
|
||||
<p>"You hear them?" he asked, quite softly. He was standing with
|
||||
his back to the fading light and his eyes looked like holes in his
|
||||
head. He inclined his head towards the hollow. The flies were
|
||||
humming busily. He angled his head and stared down at Billy.</p>
|
||||
|
||||
<p>"Listen to them, boy. They're talking to you and me." He crossed
|
||||
to the fire and picked up the rabbit's head by one flopped ear. A
|
||||
trail of flies whirled upwards and headed for the hollow. "Another
|
||||
trophy? You now what to do with it, don't you?" Billy took it
|
||||
without a word, crossed to the hollow where the heron's eye was now
|
||||
a seething mass of insects, and put the head in the nearest fork.
|
||||
They could see him look around, left and right, as if seeking a way
|
||||
of escaping, but he did not seem to have the wherewithal to risk
|
||||
it. He came back to the tent and sat down again. The man reached
|
||||
down and took him by the edge of his tee-shirt. Billy whimpered, a
|
||||
little animal sound, but when the man pulled him upwards, he went
|
||||
with the motion without a word and got to his feet.</p>
|
||||
|
||||
<p>"Those voices. You just need ears to hear." Billy gave a little
|
||||
shiver.</p>
|
||||
|
||||
<p>The man bent down as he had done before, when he'd walked Billy
|
||||
towards the gaunt skull suspended in the branches.</p>
|
||||
|
||||
<p>"Must go down into the valley and through to the other side.
|
||||
There will be weeping and gnashing of teeth and then the great
|
||||
truth. You know it boy. You want to walk down the valley with me?
|
||||
Conboy knows the truth, he sees it with his magic eye. Wait 'til
|
||||
you see all the things he can show you. Beelzebub's millions; the
|
||||
Lord's minions."</p>
|
||||
|
||||
<p>Billy stood completely motionless but his whole body seemed to
|
||||
be vibrating with tension. His mouth was open and for a moment his
|
||||
breathing stopped completely. The man held him with his eyes.
|
||||
Billy's breath caught and then he was hauling in fast, panting like
|
||||
a panicked animal.</p>
|
||||
|
||||
<p>"In the midst of death, they are life. I saw you build the
|
||||
altar. Watched you. I choose you now."</p>
|
||||
|
||||
<p>He bent down and put the gun butt first on the turf with the
|
||||
barrels resting on the ridge by the stream bank. He clapped Billy's
|
||||
shoulder. "So now prepare ye the way. Make straight the path. "</p>
|
||||
|
||||
<p>Very gently he reached and took the bottom edge of Billy's
|
||||
tee-shirt and raised it up. It was like a parent with a child,
|
||||
Billy dumbly raised his hands and the man slid the shirt up then
|
||||
let it fall silently to the grass. He unbuckled Indian-bead belt,
|
||||
pulled his jeans down. It all had the slow quality of a ritual.
|
||||
Billy stepped out of his baggy underpants leaving them white on the
|
||||
grass. The man put his hand on the boy's back, then slid it over
|
||||
his shoulder, almost tenderly, drawing him close beside him.</p>
|
||||
|
||||
<p>Danny felt Tom shiver beside him. His own heart was clattering
|
||||
away inside him, almost out of control. Corky's teeth were
|
||||
grinding, quite audibly. Doug was totally silent.</p>
|
||||
|
||||
<p>Billy was led down to the water.</p>
|
||||
|
||||
<p>"Unless a man be born again, of water, he may not pass through."
|
||||
The man's deep voice echoed from the far side. Danny recognised the
|
||||
mix of quotations. It was a distortion of all that he had learned
|
||||
from the countless Sundays. The man dropped his hand from Billy's
|
||||
shoulder and took his shirt off and unlaced his own boots. They all
|
||||
watched, fascinated, wondering what would happen next. Only Danny
|
||||
had any idea.</p>
|
||||
|
||||
<p>Billy's skin was pale in the dimming light. Beside him the man
|
||||
was almost completely naked. He had a line of dark hair running
|
||||
down between his shoulderblades, and a pair of black tattoos up on
|
||||
the tops of his arms, one on each arm. From where they sat, Corky
|
||||
and Danny could read one name: Lesley. The evening was far from
|
||||
dark, but the sun was down beyond the western rim of the valley and
|
||||
the long shadows of the trees downstream had crept up to the edge
|
||||
of their camp. The quartz rocks at the falls seemed to glow against
|
||||
the grey shade of the far bank.</p>
|
||||
|
||||
<p>The man waded into the shallows. He held Billy by the arm and
|
||||
forced him ahead of them. The ripples spread out to the far side
|
||||
shingle. Up on the moor the poor curlew bleated again and some
|
||||
slight breeze drifting between the hawthorn spikes sent a cloud of
|
||||
flies buzzing upwards in a furious little whirlwind. The strange
|
||||
pair in the stream were further out, into deeper water. It was up
|
||||
to Billy's waist, then up to his navel, up to his chest, just in so
|
||||
many steps. The man guided him further.</p>
|
||||
|
||||
<p>They heard Billy gasp for breath as the cold of the stream
|
||||
curled around his ribs. They saw him shiver, not in the
|
||||
high-tension way that Tom's body was vibrating, but a deep shudder
|
||||
of cold and fear. His breath was coming in harsh spikes and the man
|
||||
was mumbling something, speaking into his ear. None of the others
|
||||
could hear what was said, not then. Billy stumbled and the water
|
||||
lapped his chin. He got to his feet again, gasping harder, a
|
||||
jittery, panicked sound.</p>
|
||||
|
||||
<p>"What's he doing?" Doug asked, out loud. They were all still
|
||||
sitting, almost paralysed with apprehension over beside the wall of
|
||||
rocks where the scrubby roots looped and twisted into the small
|
||||
crevices. They hadn't moved.</p>
|
||||
|
||||
<p>In the stream the man waded forward and now the water really was
|
||||
up to Billy's chin, rippling around the stranger's broad back at
|
||||
chest level. He looked like some old water god, something out of
|
||||
the adventures Danny and Corky had read from the book they'd found
|
||||
at Overbuck stables.</p>
|
||||
|
||||
<p>"Prepare ye the way," the man said, now speaking aloud. He
|
||||
raised his head and looked up at the darkening sky. Billy's head
|
||||
was just a dark shape on the surface, at the centre of the ring of
|
||||
ripples, the man had his hand on the crown. He leaned forward and
|
||||
pushed Billy's head under the water. Billy panicked. His hands flew
|
||||
upwards and thrashed wildly as he tried to lever himself up for
|
||||
air.</p>
|
||||
|
||||
<p>"He's killing him," Tom cried. Corky scrambled to his feet. Both
|
||||
his hands were balled into fists. Danny felt a great urge to jump
|
||||
up and run down to the stream and grab the man's arm, but an even
|
||||
greater urge to keep himself away from the crazy stranger
|
||||
overwhelmed it completely. Doug was jabbering something
|
||||
unintelligible. Down at the steam, Billy was struggling
|
||||
frantically.</p>
|
||||
|
||||
<p>"Unless a man be born again, of water," Twitchy Eyes was
|
||||
bellowing. "He shall not cross over."</p>
|
||||
|
||||
<p>Billy lunged upwards, spluttering and gasping, his mouth a wide,
|
||||
dark circle. Water sprayed out from his nose. The man simply forced
|
||||
him down again. The four of them were on their feet now, Corky
|
||||
closest to the water. They could see Billy's pale shape under the
|
||||
surface, arms flailing, body heaving, but the man was too strong.
|
||||
He held him there. A big bubble of air rose up and burst on the
|
||||
surface carrying with it the hollow bellow of Billy's terrified
|
||||
cry.</p>
|
||||
|
||||
<p>"Leave him alone...you loony <em>bastard!</em>"</p>
|
||||
|
||||
<p>Corky's yell echoed back and forth from the sides, repeating his
|
||||
last word over and over in a diminishing sequence.</p>
|
||||
|
||||
<p>"He's killing him," Doug wailed.</p>
|
||||
|
||||
<p>Corky turned to face them all, eyes blazing. "We have to do
|
||||
something," he raged.</p>
|
||||
|
||||
<p>"What?" Doug asked. The gun was over by the downward edge of the
|
||||
pool, beside the ride. They would have to circle the pool to reach
|
||||
it. The man was only five steps away from it.</p>
|
||||
|
||||
<p>Danny's hands were trembling with the need to act. He turned
|
||||
away from the stream, just at the same time as Corky did, both of
|
||||
them heading in opposite directions. Danny picked up a smooth
|
||||
stone, turned and threw it with all his strength, right at the
|
||||
man's head. The motion sent a searing, white hot pain across his
|
||||
back as his skin stretched under the torsion of his muscles. The
|
||||
white stone, a piece of stream-rounded quartz flashed across the
|
||||
distance and, like the stick that had killed the heron, would have
|
||||
connected with the back of the man's head if the stranger had not
|
||||
bent down to force Billy further under the water. The stone whirred
|
||||
past, missing him by a mere inch. The man twitched, as if buzzed by
|
||||
a wasp. The stone carried on, smacked against the boulders at the
|
||||
head of the pool where the falls tumbled, smashed into half a dozen
|
||||
fragments with a loud crack. A splinter knocked the nearest heron
|
||||
feather out of its crevice and into the air. The man began to turn.
|
||||
Both of Billy's hands came out of the water, waving
|
||||
desperately.</p>
|
||||
|
||||
<p>"Let him go, you big dirty crazy <em>bastard!</em>"</p>
|
||||
|
||||
<p>Corky had crossed almost to the edge of the stream yelling at
|
||||
the top of his voice, even louder than before. When the stranger
|
||||
had stopped, Danny's heart felt as if it had stopped as well. He
|
||||
had thrown the stone on impulse, on instinct, the way he had thrown
|
||||
at the bird and with his usual accuracy. But when the man froze and
|
||||
then began to turn, he realised that he had made himself the next
|
||||
target for punishment. Then Corky had butted in, diverting
|
||||
attention once again, and Danny felt a shameful surge of relief
|
||||
once more.</p>
|
||||
|
||||
<p>"Come on then," Corky bawled, his voice cracking with the
|
||||
effort. Danny swivelled and saw he had Billy's knife in his hand.
|
||||
The old rusty blade was held out in front of him, knife-fighter
|
||||
style. Corky's legs were spread, and despite the fact he was half
|
||||
the man's size, he looked suddenly ferocious. He looked like a
|
||||
young warrior.</p>
|
||||
|
||||
<p>The man finished turning and stopped dead. His eyes swept across
|
||||
Danny, past Doug and Tom, lighted on Corky. The eyes started to
|
||||
blink rapidly. Billy came spluttering up to the surface, coughing
|
||||
and gagging, unaware of what was happening.</p>
|
||||
|
||||
<p>"Yeah, you big fuckin' creep," Corky was screaming now. "Come
|
||||
on. Let's see what you've got." His left hand made a come-on
|
||||
gesture, a man-to-man invitation.</p>
|
||||
|
||||
<p>The man smiled slowly. He took a step forward then another,
|
||||
pushing a bow wave in front of him. Danny could see the name on the
|
||||
other tattoo now. For some reason it held his eyes. He did not want
|
||||
to see the feral grin on the man's face. Just below the blue
|
||||
lettering, a series of rips had been chewed into the skin, like
|
||||
saw-teeth cuts, the scars still dark and fresh. Tom and Doug shrank
|
||||
back. Billy was stumbling to the other side of the pool, towards
|
||||
the shallows, sending out great splashes of water to the shale
|
||||
bank. The eyes were blinking like dark strobes now.</p>
|
||||
|
||||
<p>"What's this, Sergeant Conboy? See this?" he cocked his head,
|
||||
still grinning, still twitching.</p>
|
||||
|
||||
<p>Corky held his ground and the man came up the bank. His shorts
|
||||
had slipped, dragged by the weight of water. His penis,
|
||||
unshrivelled by the cold water pushed out to the side, like a dark,
|
||||
thick, club. Coarse hairs ran up to his belly and down his thighs.
|
||||
He looked like a savage giant. He came out of the water, went
|
||||
straight towards Corky who stood his ground until the man was a
|
||||
yard away, then backed off, still holding the knife up. There was
|
||||
no contest. The man reached. Corky swiped with the knife in a low
|
||||
arc and the man's left hand came up and hit him on the side of the
|
||||
head. Corky reeled to the side and the man simply reached again,
|
||||
grabbed his wrist, bent his hand downwards with a violent jab and
|
||||
the knife went tumbling out, spinning in the air, towards the clump
|
||||
of roots where Corky had picked it up in the first place.</p>
|
||||
|
||||
<p>He did not hit Corky again. Instead, he turned, still dripping,
|
||||
towards the ridge. Corky was breathing fast and the others on this
|
||||
side of the stream swung their gaze from him to the stranger.</p>
|
||||
|
||||
<p>Twitchy Eyes picked up the gun.</p>
|
||||
|
||||
<p>Nobody moved. He picked it up, turned, quite purposefully and
|
||||
with none of the dramatic, ritual slowness he'd displayed as he led
|
||||
Billy down to the water. He walked back over the gravel from the
|
||||
low turf ridge, swinging the butt upwards, one hand to the barrel.
|
||||
His fingers locked on the stock. Danny stood there, breathing hard,
|
||||
chin up defiantly. The rest of them were scared speechless.</p>
|
||||
|
||||
<p>"And again he defied him," Twitchy Eyes growled. "For a second
|
||||
time."</p>
|
||||
|
||||
<p><em>Denied him.</em> Danny mentally corrected. He was back up in
|
||||
those realms of icy clarity brought on by yet another burst of
|
||||
extreme fear. <em>Not</em> defied <em>it's denied</em>! He almost
|
||||
expected the cockerel down at Blackwood farm to crow again, in some
|
||||
parody of punctuation for the biblical quotation, and if it did,
|
||||
Doug might burst into his red rooster strut just to complete the
|
||||
picture of unearthly craziness.</p>
|
||||
|
||||
<p>"Don't," Doug breathed. He was not strutting now. Tom's spastic
|
||||
dry swallow was just a series of throaty clicks. Even Billy was
|
||||
silent now. The man turned his head towards Danny and speared him
|
||||
with those black, jittering eyes.</p>
|
||||
|
||||
<p>"Let he who is without sin throw the first stone," he rumbled.
|
||||
"Are you without sin, boy?"</p>
|
||||
|
||||
<p>Danny couldn't speak. It was as if his own throat were bunged
|
||||
full of dry paper.</p>
|
||||
|
||||
<p>"Are you in a state to meet eternity?"</p>
|
||||
|
||||
<p>He stared on for a long, drawn out moment, the eyes screwed up,
|
||||
hardly twitching at all now, then he turned away from them. Tom
|
||||
groaned like someone in pain. The eyes swung back to Corky and
|
||||
transfixed him.</p>
|
||||
|
||||
<p>"And again he defied him." The voice was rising now, getting
|
||||
back up to that creepy, dreamy level. "For the second time."</p>
|
||||
|
||||
<p>He bent closer. "You afraid boy? You scared?"</p>
|
||||
|
||||
<p>Corky said nothing. His teeth were still clenched together and
|
||||
his lips drawn back as if he was holding himself all together with
|
||||
a tremendous effort. His chin was still up.</p>
|
||||
|
||||
<p>"You will cross over boy. You will know what waits on the other
|
||||
side. Prepare ye the way."</p>
|
||||
|
||||
<p>The gun came up, barrel pointing at the sky then swung down. The
|
||||
man was less than six feet from where Corky stood with his arms
|
||||
held out to the side, like a miniature wrestler who didn't know yet
|
||||
which way to swivel. The man slowly stepped forward and brought the
|
||||
muzzle right up against Corky's cheek.</p>
|
||||
|
||||
<p>There was no movement. They all watched that barrel maw as if it
|
||||
was a poisonous snake completely mesmerised. It rose up, a
|
||||
centimetre, an inch. It was directly over Corky's eye. Danny could
|
||||
see the other eye, looking up, unblinking, still somehow defiant.
|
||||
He could not quite believe what was happening.</p>
|
||||
|
||||
<p>The man's finger tightened on the trigger. "If thine eye offends
|
||||
me."</p>
|
||||
|
||||
<p><em>NO!</em></p>
|
||||
|
||||
<p>The scream rang inside his head, high and desperate and echoing
|
||||
on and on, but his mouth could not form the word. His lungs
|
||||
couldn't force the air out. He was caught in the ice of freezing
|
||||
terror.</p>
|
||||
|
||||
<p>The fingers squeezed. The voice almost wheedled now. "Pluck it
|
||||
out."</p>
|
||||
|
||||
<p>Silence fell. The trigger pulled back. The silence stretched
|
||||
out.</p>
|
||||
|
||||
<p>A loud metallic snap cracked the silence. The shotgun's hammer
|
||||
pin slammed down onto an empty chamber with a sound that was
|
||||
suddenly deafening.</p>
|
||||
|
||||
<p>John Corcoran swayed backwards. Very slowly his legs buckled
|
||||
under him. He slumped to the ground and his eyes rolled up so far
|
||||
only the whites were visible.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
629
build/darkvalley/OEBPS/030.xhtml
Normal file
629
build/darkvalley/OEBPS/030.xhtml
Normal file
@ -0,0 +1,629 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>**#**</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>**#**</h1>
|
||||
|
||||
<p><em>August 4. Night.</em></p>
|
||||
|
||||
<p>The moon rose high in a cloudless sky, now almost completely
|
||||
full.</p>
|
||||
|
||||
<p>The night was full of noises. Far down in the dark of the
|
||||
valley, a pheasant hawked in alarm, sounding like a tin can scrape
|
||||
on rough stone. Far up on the heathery moor a grouse croaked. Up on
|
||||
the slope-side, some small thing, maybe a weasel, dislodged a small
|
||||
stone and sent a trickle of gravel down in a whispery hiss. The
|
||||
stream murmured. The fire, now hot and red, crackled and
|
||||
sparked.</p>
|
||||
|
||||
<p>Billy Harrison sobbed. The pitiful sound of it, hardly muffled
|
||||
at all by the canvas of the tent, tore at them. It was the sound of
|
||||
utter despair and dejection and it was the sound of pain.</p>
|
||||
|
||||
<p>Corky sat silent, staring at the flames of the fire his eyes
|
||||
glinting and reflecting the flickering red. He had not said a word
|
||||
for hours. He had the same faraway look that Billy had in his own
|
||||
eyes earlier that day, the mesmerised glazed stare of someone who
|
||||
has recognised the closeness of his own end. They had all seen
|
||||
Corky's end when their captor had squeezed on the trigger, but the
|
||||
gun hadn't roared and bucked. The gun's firing pin had slammed down
|
||||
on the empty chamber with a solid crack. Corky had fallen to the
|
||||
ground as if all the nerves in his body had failed, as if all his
|
||||
sinews had been cut.</p>
|
||||
|
||||
<p>Now it was night and the moon was up and the sounds of the
|
||||
valley were overlaid with the sound of a boy's crying.</p>
|
||||
|
||||
<p>The knife was over in the gloom beside the boulders where it had
|
||||
landed. It would do them no good now anyway.</p>
|
||||
|
||||
<p>Corky had lain there, still as death, arms spread-eagled for
|
||||
nearly a minute and they had all stood there immobile, just looking
|
||||
at him. None of them had been brave enough to move to help him.</p>
|
||||
|
||||
<p>"It's empty," Doug was thinking. Despite the fact that Corky was
|
||||
down on the ground, he knew he wasn't dead. All he could think
|
||||
about was the fact that the gun had been empty all this time. Since
|
||||
the morning when Danny had gone clambering up the slope and he
|
||||
himself had managed to get a hand to the second cartridge and send
|
||||
it flipping into the pool, he could not remember the man reloading.
|
||||
He'd assumed the lunatic had jammed another two shells into the
|
||||
breech, but he must have forgotten. If he'd done that, then Corky
|
||||
would still be lying there, but the rocks behind them would be
|
||||
painted red with the insides of his head. Sudden relief made his
|
||||
legs feel boneless.</p>
|
||||
|
||||
<p>The man had slowly lowered the gun and looked down at Corky,
|
||||
almost curiously, as if surprised that the gun hadn't fired, as if
|
||||
only mildly astonished that the boy's head hadn't been blown right
|
||||
off his shoulders. The mad anger that had been in his eyes was now
|
||||
replaced by a mad incredulity. He had stood there, possibly
|
||||
contemplating his next move and the three of them had stood around
|
||||
him, all of them wanting to run, none of them daring to, even
|
||||
though they knew the gun wasn't loaded. Water dripped down the
|
||||
man's legs. The word <em>Joyce</em> stood out clearly on the side
|
||||
of his brawny biceps. Finally he turned his head and gave a little
|
||||
shrug, as if that was this scene over and his interest in it was
|
||||
done. He crossed to the stream, went down to the shallow part where
|
||||
Billy was crouched on low, flat stone, pale and shivering, and took
|
||||
him by the hand.</p>
|
||||
|
||||
<p>Corky's eyelids fluttered and his eyes rolled down so that the
|
||||
white crescents disappeared. He gave a little start, like somebody
|
||||
just coming awake and raised his head dopily, as if unaware of his
|
||||
surroundings. He shook himself, making his eyes focus, remembered
|
||||
where he was and jerked up, spinning as he did, to get to his
|
||||
knees.</p>
|
||||
|
||||
<p>"Take it easy," Danny hissed at him, getting a hand to his arm.
|
||||
Tom stepped forward to help him to his feet. Corky's face was slack
|
||||
and pale. He turned to Tom, as if he didn't recognise him either,
|
||||
swung round to Danny, but he didn't look at him., he looked
|
||||
<em>through</em> him, his gaze fixed on something in the faraway
|
||||
distance.</p>
|
||||
|
||||
<p>"Corky?" Danny asked. Tom was slapping his friend's knuckles,
|
||||
the way people were supposed to do with folk who'd fainted. Corky
|
||||
didn't seem to notice.</p>
|
||||
|
||||
<p>"You okay? Hey?"</p>
|
||||
|
||||
<p>Very slowly, Corky nodded, but it was almost automatic. Billy
|
||||
came up, led by the hand, his height and robust build still slight
|
||||
by comparison to the man. He was shivering visibly and droplets of
|
||||
water dripped from his elbows and from his chin. His hair was sleek
|
||||
and plastered to his head and goosebumps had risen all over his
|
||||
skin. He seemed entirely unaware that he was completely naked. The
|
||||
man pointed at Doug and Danny, then flicked his hand to include the
|
||||
other two.</p>
|
||||
|
||||
<p>"Fire," he said. "Get it going." He pulled Billy over to the
|
||||
where his clothes were lying and told him to get dressed. Billy did
|
||||
so without a word. He did not look at any of them, not then. It was
|
||||
as if he had become isolated, by the depths of his fear, by the
|
||||
fact that somehow the man had singled him out specially, no matter
|
||||
what he'd done to the others. The man pulled on his shirt and
|
||||
denims, jammed his feet in the old boots and then slung his coat
|
||||
around Billy and made him sit down.</p>
|
||||
|
||||
<p>The others had backed off, Tom pulling Corky as they went, down
|
||||
to the pile of logs they'd dragged up the previous day and began
|
||||
hauling them up to the circle of stones. Corky moved slowly, as if
|
||||
he'd not come entirely awake. The embers had cooled to grey ash,
|
||||
but Phil Corcoran's stolen Ronson lighter was still in the burlap
|
||||
bag and they used that to light the bundles of dry bracken to get
|
||||
the fire started. The twigs caught quickly and soon the flames had
|
||||
spread to the thicker branches, wavering bright, casting a glow
|
||||
around the clearing and once again sending trails of sparks into
|
||||
the sky. They dragged more logs up from the pile while the man
|
||||
heated the last tin of oxtail soup.</p>
|
||||
|
||||
<p>By this time, Doug was faint with hunger and it may have been
|
||||
that which made him go to his own rucksack and take out the bag of
|
||||
potatoes they'd swiped from the field. There were still a few left.
|
||||
He risked close proximity to the crazy man, edging close to the
|
||||
fire, holding one arm across his face to shield it from the heat of
|
||||
the blaze, while he stuffed the big early potatoes in to the ashes
|
||||
by the side of the stones. The man finished his soup in silence,
|
||||
dipping the now-stale bread into it and wolfing it down like an
|
||||
animal. He offered some to Billy, but got no response at all. The
|
||||
others sat down, closer to the tent, waiting for what would happen
|
||||
next and the valley got darker as night begam to fall. After a
|
||||
while, half an hour, maybe a bit more, the stranger stood up and
|
||||
used one of the branches to scrape the potatoes from the fire. He
|
||||
rolled the largest one clear of the others and trundled it closer
|
||||
to where he sat. Doug didn't wait. He took that as tacit permission
|
||||
and used a twig to get the rest free, leaving little trails of ash
|
||||
as he manoeuvred them back from the heat. They had to wait a while
|
||||
until they were cold enough to handle. They were black and
|
||||
carbonised on the outside. They were still a bit solid and uncooked
|
||||
in the centres, but to Dougie and Danny and Tom, those three baked
|
||||
potatoes were the best food they could remember. Corky ate his
|
||||
slowly and in complete silence. He was still distant, his mind far
|
||||
away, or so it seemed. Danny wondered if maybe he'd cracked, and he
|
||||
knew that if the crazy stranger had pointed the gun up to his eye
|
||||
and pulled the trigger, he'd have shit himself, pissed his pants
|
||||
and <em>then</em> cracked. The pain of the birdshot at more than a
|
||||
hundred yards had been bad enough.</p>
|
||||
|
||||
<p>They ate and despite everything, they felt better for it. There
|
||||
were three potatoes left in the trail of ashes and the man took the
|
||||
other two. He thrust one at Billy, told him to eat, and finally
|
||||
Billy took it. The others watched him slowly consume it, black skin
|
||||
and all, until it was done.</p>
|
||||
|
||||
<p>An another half hour of silence stretched on while the shadows
|
||||
lengthened up towards them and finally darkened everything except
|
||||
for the circle around the fire. Eventually the man stood up and
|
||||
stretched, yawned loudly and looked up at the sky. The moon was
|
||||
still unrisen. Over by the corner of the tent was the roll of
|
||||
fencing wire and the twine that had been used to loop them together
|
||||
the previous night. Now the man took the thin wire and began to
|
||||
unravel it.</p>
|
||||
|
||||
<p>"You're welcome to stay the night," he said to Doug, and his
|
||||
voice sounded so normal, so ordinary, that it startled them.</p>
|
||||
|
||||
<p>Danny almost blurted out the instant reply that sprung to his
|
||||
lips: "<em>No, it's okay. We'd better be going now.</em>"</p>
|
||||
|
||||
<p>He said nothing because the man simply took a hold of Doug's
|
||||
shoulder and pushed him backwards, herding them all across to the
|
||||
wall where they'd sat in the heat of the day after Danny's failed
|
||||
escape attempt. He made them sit down again then fastened a loop of
|
||||
wire around a thick root that coiled from a crevice in the rock.
|
||||
Very quickly and expertly he slipped another around Doug's neck,
|
||||
quickly twisting it until it was tight, then braided it before he
|
||||
repeated the motion with Tom, then Danny and finally a silent and
|
||||
slow-moving Corky. The loose end he whipped around the trunk of
|
||||
another gnarled hawthorn stump, leaving them hobbled together,
|
||||
separated only by braided strands of wire. The nooses were tight
|
||||
enough to prevent real movement, but not biting like the garrotte
|
||||
that had almost taken Billy's head off earlier in the day. The
|
||||
knife was well out of reach and even if they could have got to it,
|
||||
the old blade couldn't have cut through the metal wire. They were
|
||||
caught, like rabbits in a snare. If they moved, they'd choke and
|
||||
strangle.</p>
|
||||
|
||||
<p>After more of a while, the moon finally rose over the high edge.
|
||||
The man with the twitchy eyes was facing it this time, sitting on
|
||||
the tent-side of the fire, on one of the flat stones. Billy was
|
||||
close by, like a pet, but unleashed. There was no need of a tether
|
||||
when the man had some sort of mental noose that had already roped
|
||||
him and bound him.</p>
|
||||
|
||||
<p>"Almost there, Conboy," he said. "Down in the valley again."</p>
|
||||
|
||||
<p>They all listened, because there was nothing else to do.</p>
|
||||
|
||||
<p>"What's that? Oh yes. You can sit there smiling if you like, but
|
||||
they'll be back again. Yellow godless vermin. Not long now, but
|
||||
we'll be waiting. Nowhere else to go."</p>
|
||||
|
||||
<p>He laughed again and Doug shuddered because the laugh just
|
||||
sounded mad. "Flies got you Conboy, but you still smile on through,
|
||||
because you know, don't you? You can see through."</p>
|
||||
|
||||
<p>He giggled and Danny felt a cough tickle in his throat and he
|
||||
tried to breathe with his mouth wide open to prevent it. The
|
||||
stranger was gone again, gone to wherever Conboy was, and he did
|
||||
out want to attract attention. The moonlight glinted off the gun
|
||||
barrels again.</p>
|
||||
|
||||
<p>"Dung fly. <em>Dung fly!</em> Conboy. I hear them again." He
|
||||
raised the gun up in an expectant, protective way, peering into the
|
||||
far on the far side of the stream. The conversation went on like
|
||||
that for a long time while the moon crossed the stretch of sky that
|
||||
hung over the valley. Every now and again, they'd hear the strange
|
||||
cry: <em>Dung fly.</em> None of them knew what it meant. Danny
|
||||
expected the man to fire into the shadows, because he knew he
|
||||
couldn't have many shells left and if they had any chance at all,
|
||||
they'd have to take it. It was just the second day since the man
|
||||
had stepped across the stream while he and Billy were fishing, but
|
||||
he knew now, with a desperate certainly, that there would not be a
|
||||
third night. He was not sure they'd even survive this one, though
|
||||
despite everything, the wire holding nooses around their necks were
|
||||
actually a good sign, but they'd be dead by the time the full moon
|
||||
climbed into the sky.</p>
|
||||
|
||||
<p>The man's rumbling voice tailed off into a guttural,
|
||||
incomprehensible jabber which became a muttering and then a silence
|
||||
for a while. Doug had dozed off and Tom snuggled against Danny for
|
||||
warmth. Corky's eyes were open. Danny could see them if he squirmed
|
||||
round to look. They reflected the firelight and hardly blinked at
|
||||
all and Danny quailed at the thought that Corky might have lost his
|
||||
marbles and be unable to think, unable to act when they had to.
|
||||
Corky was the one who could think on his feet and the one who could
|
||||
lead them when they needed to be led.</p>
|
||||
|
||||
<p>"You okay?" he asked very quietly, nudging his friend. Corky
|
||||
never blinked, but he did nod slowly. Finally, after what seemed
|
||||
like a long time, he turned round, taking his eyes off the man.</p>
|
||||
|
||||
<p>"Don't you worry about me, Danny boy. Get some sleep if you
|
||||
can." Relief surged. Corky hadn't gone crazy. He'd looked death
|
||||
straight in the eye, the bravest thing any of them had ever seen
|
||||
and by rights he should be dead. He'd maybe just taken a while to
|
||||
come to grips with that idea.</p>
|
||||
|
||||
<p>A half an hour passed and the flames were beginning to die down
|
||||
a little. Doug was snoring very softly, his big buck teeth catching
|
||||
the light. Tom was still jammed against Danny's side when the man
|
||||
got up and without ceremony, lifted Billy by the collar. Billy, who
|
||||
was almost asleep, whimpered in sudden fright, but the man ignored
|
||||
it. He hefted the gun in his other hand and crossed over to the
|
||||
tent, dragging Billy behind him through the ashes beside the
|
||||
stones. With not a word, he bent and went into the tent, pulled the
|
||||
boy behind him. The flap slipped down and closed.</p>
|
||||
|
||||
<p>"What's he doing?" Tom asked. He had woken with a start, digging
|
||||
an elbow into Danny's back and the sudden flare of pain had almost
|
||||
brought a blurting yell that was only just swallowed back.</p>
|
||||
|
||||
<p>Billy whimpered again. The tent was just along dark oblong
|
||||
against the deeper dark of the hollow. Only the front was visible.
|
||||
There was a knock and a vibration as something jarred against the
|
||||
upright pole. The man said something low, and Billy wailed. It was
|
||||
just a soft sound, but it was a wail. None of them had heard him
|
||||
make that sound before.</p>
|
||||
|
||||
<p>"What is it?" Tom wanted to know. He was pulling against the
|
||||
wire and it gave his voice a strange, tight quality that would
|
||||
otherwise have been funny and now just sounded strangled.</p>
|
||||
|
||||
<p>"Just take it off," the man said, now quite clear.</p>
|
||||
|
||||
<p>"Dirty bastard," Doug hissed. "He's touching him."</p>
|
||||
|
||||
<p>They couldn't know that for sure. Billy made that little
|
||||
childlike noise again, the way a kid will when it's forced to do
|
||||
something it doesn't want to do. It reminded Tom of his little
|
||||
sister Maureen. She hadn't liked the taste of the medicine and
|
||||
she'd shaken her head, moaning like that, trying to let it dribble
|
||||
out of her mouth. He jerked against the wire, suddenly tense and
|
||||
shaking.</p>
|
||||
|
||||
<p>"He's touching him," Doug repeated. He's a dirty
|
||||
<em>bastard!</em>" In the light of the fire his face was twisted
|
||||
into a snarl that managed to convey disgust, anger and horror. They
|
||||
all knew that anyway, from what had happened to Mole Hopkirk, from
|
||||
the awful damage whispered in the classrooms and street corners,
|
||||
not quite fully understood by boys just on the cusp of
|
||||
comprehension.</p>
|
||||
|
||||
<p>The man said something else, almost in a whisper, almost
|
||||
wheedling and Billy began to cry. It was soft enough, but it was a
|
||||
desolate sound. Doug made a little growling sound in the back of
|
||||
his throat, probably unaware that he made any noise at all. There
|
||||
was nothing any of them could do. The wire held them by their
|
||||
necks, like tethered animals.</p>
|
||||
|
||||
<p>"What for?" Danny asked stupidly. He knew, albeit vaguely, about
|
||||
queers, the kind of people who wanted to touch boys and stick their
|
||||
dicks in their backsides although he didn't quite understand why
|
||||
they would want to do so.</p>
|
||||
|
||||
<p>"Because he's a fuckin' dirty homeo <em>bastard</em>," Doug
|
||||
grated.</p>
|
||||
|
||||
<p>Over in the tent the sounds stopped and Doug froze. Corky had
|
||||
his head cocked to the side, just listening, sitting completely
|
||||
motionless. Tom was trembling quite violently now, though the night
|
||||
wasn't cold. Danny's back was throbbing again and the skin felt
|
||||
tight and strained, as if it might suddenly split into cracks and
|
||||
fissures.</p>
|
||||
|
||||
<p>"No," Billy said in a small, pleading voice, not at all like his
|
||||
robust, bragging cockiness that aggravated all of them most of the
|
||||
time.</p>
|
||||
|
||||
<p>"It's all right." Soothing, strangely more frightening than
|
||||
ever.</p>
|
||||
|
||||
<p>"No but..." Billy's voice rising in panic.</p>
|
||||
|
||||
<p>"Shut up boy." There was a thud which could have been a fist on
|
||||
a face, or a head hitting turf. Billy grunted, much the same way
|
||||
Doug had done when he'd been knocked to the ground by the gun butt
|
||||
He cried out and the man snarled something incomprehensible. Fabric
|
||||
ripped. At first Danny thought it was the scrape of a zip
|
||||
unfastened violently, then he saw the pale hand gripping the fabric
|
||||
of the tent at the ragged edge where he'd cut the canvas to crawl
|
||||
through. The canvas ripped further and the opening yawned blackly
|
||||
before the hand was suddenly whipped away and the two edges sprung
|
||||
back together again.</p>
|
||||
|
||||
<p>Billy screamed. Corky jerked forward and was pulled back,
|
||||
gasping, hands up to protect his neck.</p>
|
||||
|
||||
<p>"Jesus," he gasped.</p>
|
||||
|
||||
<p>The man grunted, a sound like a beast in the dark and Billy
|
||||
screamed again, high and girlish and sharp as glass, a dreadful
|
||||
sound that cut into the still air. The man grunted again, deep and
|
||||
hoarse, a guttural wordless groan of effort.</p>
|
||||
|
||||
<p>"He's killing him," Tom cried, voice on the verge of cracking
|
||||
into tears.</p>
|
||||
|
||||
<p>"Bastard," Doug said. He was quivering like a bowstring, his
|
||||
long arms out in front of him, hands curled into impotent, bony
|
||||
fists.</p>
|
||||
|
||||
<p>Billy could cry all he wanted. He could scream for help and
|
||||
screech and howl, but nobody would hear him. Up here, this far from
|
||||
town, nothing could be heard. Here in the cleft of the valley so
|
||||
far up beyond the Barwoods, the clatter of the trains, or the
|
||||
clanking of the steam hammer down at Castlebank shipyard, or the
|
||||
screech of hot metal in the old forge, none of the noises of town
|
||||
penetrated this far. The screams of a hurt boy wouldn't carry much
|
||||
into the dark of the trees before it was smothered by the shadows
|
||||
and the leaves. From a few hundred yards down in the forest, it
|
||||
would just sound like an injured fox.</p>
|
||||
|
||||
<p>The sounds he made were dreadful, harsh and frantic, cutting
|
||||
right into the others, punctuated only by the mindless sounds of
|
||||
the man in the shadow of the tent.</p>
|
||||
|
||||
<p>"Stop it!" Tom whinnied. "Stop it stop it <em>stop it!</em>" he
|
||||
had his eyes tight closed and his hands up at his ears, knuckled
|
||||
right into them to cut out the awful sounds. Gentle Tom who hadn't
|
||||
wanted this adventure, who had wanted to stay at home and try to
|
||||
get by, and find some accommodation with his aching loss. He'd
|
||||
stood and put his hand on Corky's shoulder on the night everything
|
||||
was blowing apart and had somehow managed to keep the bonds from
|
||||
breaking, but he could not cope with any more of this. Tears were
|
||||
squeezing out between screwed up lids and catching the red of the
|
||||
fire and the white of the moon. For that moment, he had lost his
|
||||
fear for himself. He just wanted Billy to stop crying and to stop
|
||||
hurting.</p>
|
||||
|
||||
<p>The grunting sound was coming faster and Danny could visualise
|
||||
the old boar at McFall's farm, a great heavy brute with mean eyes
|
||||
and slanted teeth that could cut through an ash sapling in one
|
||||
snap. Other farmers would put it to their sows and half the time it
|
||||
would try to hook them with its tusks, gouging thin slashes up
|
||||
their flanks. Then it would mount them quickly and it would grunt
|
||||
and snort, dribbling snot from it's snout and saliva from its oddly
|
||||
grinning jaws. Danny had seen it get ready, with its long spiral
|
||||
dick punching in and out, twisting like a vicious corkscrew. In his
|
||||
mind's eye, he imagined the crazy man on top of Billy, just like
|
||||
the pig and despite having seen the crazy stranger's penis swing
|
||||
like a club, he imagined the corkscrew boring in to flesh and
|
||||
blood, ripping and rending. He shivered and his own sphincter
|
||||
puckered and tightened of its own volition.</p>
|
||||
|
||||
<p>Billy screamed again and the grunts and porcine snorts were
|
||||
coming faster. The noise was getting louder too. Danny wanted to
|
||||
shut it out and began to raise his own hands up when he felt a tug
|
||||
on the wire, hard enough to pull it firmly against the skin of his
|
||||
neck. He twisted round, wincing against the sudden flare between
|
||||
his shoulderblades and stopped dead.</p>
|
||||
|
||||
<p>Corky had arched his neck out of the loop, pushing so far
|
||||
forward that the fencing wire was biting into the skin just inside
|
||||
the collar of his shirt. Danny could see the white line where the
|
||||
wire was dug right in. Corky's body was twisted and his hands were
|
||||
pulling at the wire to let him get his jaw down to the braided
|
||||
piece that connected him to Danny. His face was screwed up into a
|
||||
grimace of concentration that looked like pain and <em>was</em>
|
||||
pain as far as Danny could tell. His teeth were flashing in the
|
||||
moonlight.</p>
|
||||
|
||||
<p>The tug came again, a metallic thrumming sound that sent a
|
||||
vibration across the wire to Danny's own neck. Danny had to twist
|
||||
almost as uncomfortably to see what was going on and even then it
|
||||
took several seconds for it to dawn on him.</p>
|
||||
|
||||
<p>Corky was trying to gnaw through the wire.</p>
|
||||
|
||||
<p>Danny could hear the grind of teeth on metal, a dreadful
|
||||
scraping sound that was like fingernails on a blackboard, chalk on
|
||||
glass. It made the hairs on the back of his neck stand up in
|
||||
unison. Corky's eyes were closed and his teeth were gritted on the
|
||||
wire and he was working the metal back and forth, desperately
|
||||
trying to chew his way through the tough steel. The sight of it
|
||||
made Danny quail. It was as much animal as the grunting pig sounds
|
||||
from inside the tent, and the awful mindless screech of pain from
|
||||
Billy.</p>
|
||||
|
||||
<p>It was like a rabbit caught in a snare, or a fox caught in a gin
|
||||
trap. They could gnaw their way through their own foot, biting
|
||||
through fur and skin and gristle and bone to get free, no matter
|
||||
what the cost. Danny could hear the thrumming of the wire every
|
||||
time Corky's teeth slipped off the thin brain and the jarring clash
|
||||
of his teeth as they ground together.</p>
|
||||
|
||||
<p>If Corky was desperate enough to try to gnaw his way through the
|
||||
wire, then he must be really frantic, Danny realised. The thought
|
||||
of such desperation brought a sudden surge of black fear that
|
||||
swamped him to numbed stillness.</p>
|
||||
|
||||
<p>Tom was shuddering now, making little jerky movements while he
|
||||
cried silently. Doug was snuffling and rocking back and forth to
|
||||
the extent that the wire noose would let him. Danny sat still and
|
||||
thought about what Corky was doing and what the man was doing and
|
||||
he wished he could close his eyes and make it all go away. A
|
||||
deadly, lethargic tiredness was dragging over him, brought on by
|
||||
the brutal attack of freezing terror. For a moment the sounds faded
|
||||
down to hardly anything and the light of the fire diminished. All
|
||||
he could feel, for a while, was the thrumming of the wire as Corky
|
||||
tried to bite his way free.</p>
|
||||
|
||||
<p>After a while all the sounds stopped. Corky slumped back,
|
||||
exhausted with the effort. His neck audibly creaked and he moved
|
||||
his shoulders up and down to get the cramp out of them.</p>
|
||||
|
||||
<p>Billy started to sob. The loud and frenzied pain-scream had
|
||||
faded now to a shuddering, liquid moan inside the tent, a desolate,
|
||||
lost sob of profound despair and hurt that was as bad as the shrill
|
||||
cry of pain. The man spoke, now soothing again, that creepy, oily
|
||||
sound they'd heard before the dreadful grunting. Doug was still
|
||||
rocking, like an animal in a cage, needing to move.</p>
|
||||
|
||||
<p>The tent rustled. Some scuffling sounds followed and the man
|
||||
came out again and went towards the fire. He was naked from the
|
||||
waist up. His skin glowed red in the firelight and he looked up,
|
||||
like some primitive savage, at the moon now half-way across the
|
||||
black sky. Danny expected him to howl at it, but he said nothing at
|
||||
all. He looked at the moon for a long while, then ambled across to
|
||||
the lower rocks, opened his trousers and sent out a crescent of
|
||||
piss that glittered in the moonlight. After a while he came back
|
||||
towards the tent. He stopped close by and looked over at them.</p>
|
||||
|
||||
<p>"Peaceful night," he said, quite solemnly, with no hint of a
|
||||
grin or a mad smile. He bent down and went back into the tent.</p>
|
||||
|
||||
<p>Billy was sobbing softly. The night noises, silenced by his
|
||||
screams, had started up again in the trees and on the moor where
|
||||
the curlew piped its lonely notes. The night wore on and the fire
|
||||
began to fade as Billy's snuffling tapered to silence. The moon
|
||||
crossed further and the fire-glare died to a warm glow, dopplering
|
||||
down through the levels of red while the logs settled as they
|
||||
turned to ash.</p>
|
||||
|
||||
<p>After a while Tom snuggled back into Danny's side again and Doug
|
||||
crouched with his head rested in his hands, dozing lightly. Corky
|
||||
arched his neck again, pulling at the wire, and started to gnaw
|
||||
once more.</p>
|
||||
|
||||
<p>"You'll never get through it," Danny whispered.</p>
|
||||
|
||||
<p>"No such thing as never," Corky pulled back from the wire,
|
||||
breathing heavily with the effort. His opened and closed his mouth
|
||||
several times, easing the straining muscles.</p>
|
||||
|
||||
<p>"Not in one night," Danny said. "You'll need a week. Can't you
|
||||
reach the knife."</p>
|
||||
|
||||
<p>Corky shook his head. "No. It's too far. And we don't have a
|
||||
week. We've got to get out of here. He's hurt us all, but I think
|
||||
he'll get worse. He's waiting for something."</p>
|
||||
|
||||
<p>"What?"</p>
|
||||
|
||||
<p>"Christ knows," Corky said. "Full moon or something. He's a
|
||||
bloody vampire or a werewolf. He's off his head."</p>
|
||||
|
||||
<p>"But you'll never get through that tonight," Danny said,
|
||||
unhelpfully.</p>
|
||||
|
||||
<p>"You got a better idea?" Corky's hiss sounded hard and
|
||||
angry.</p>
|
||||
|
||||
<p>Danny shook his head. Corky's eyes gleamed, almost ferociously.
|
||||
"Me neither. Wish I had. I should have stabbed him today. I could
|
||||
have. I could maybe have hit him with it. Stuck it in his throat if
|
||||
I'd thrown it."</p>
|
||||
|
||||
<p>"You can't throw for peanuts," Danny said and a strange, panicky
|
||||
little laugh tried to bubble up inside him. "You're as bad as
|
||||
Phil."</p>
|
||||
|
||||
<p>"Thought you were a goner today Dan, honest to God." Corky
|
||||
changed the subject, giving Danny a quick and almost desperate
|
||||
grin. "Scared me to death when you came off that slope. Thought you
|
||||
were dead for sure. I couldn't believe it when you hit the water,
|
||||
and then I couldn't believe it even more when you weren't plugged
|
||||
full of lead."</p>
|
||||
|
||||
<p>"Me too," Danny agreed. In his mind the world still whirled as
|
||||
he fell. On his back, the pain pulsed, not hot, but steady and
|
||||
warm.</p>
|
||||
|
||||
<p>"And I thought <em>I</em> was dead today. Jesus, I really
|
||||
did."</p>
|
||||
|
||||
<p>"Me too," Danny repeated. "Scared the shite out of me."</p>
|
||||
|
||||
<p>"I never knew it wasn't loaded. It was all happening. He was
|
||||
drowning Billy and I just got angry and I couldn't stop myself and
|
||||
then when he pointed the gun at me, I don't know what happened. I
|
||||
just stayed angry and I wasn't going to let him know I was
|
||||
scared."</p>
|
||||
|
||||
<p>"Weren't you? I was really shitting myself."</p>
|
||||
|
||||
<p>"Honest to god Danny, I don't remember. I was looking him in his
|
||||
eye and right up the end of that gun with the other and I heard it
|
||||
go off. Like <em>boom.</em> It hit eyebone and I thought it had
|
||||
fired and that was it. I just fell down dead. I couldn't believe it
|
||||
when I opened my eyes and saw Doug's over there. The sun was
|
||||
shining through his ears and it was kind of funny looking. I must
|
||||
have fainted I suppose. I never fainted before. It's not all that
|
||||
bad."</p>
|
||||
|
||||
<p>He paused for a moment, looked up at the moon, then turned to
|
||||
Danny.</p>
|
||||
|
||||
<p>"It was Doug that saved me. If it wasn't for him, I'd be a
|
||||
goner, or you would be. If he hadn't got that other cartridge and
|
||||
slung it in the water, you'd have had both barrels, or I'd have had
|
||||
it in the head. That took guts, real guts."</p>
|
||||
|
||||
<p>Danny was picturing Corky snatching up the knife to challenge
|
||||
the crazy man, sweeping it in front of him as he approached, not
|
||||
flinching at all. He was thinking about the look in his eye as the
|
||||
gun barrel trailed up to the other one, unblinking, not giving an
|
||||
inch.</p>
|
||||
|
||||
<p>"Not as much as you," he said vehemently. "I hope I never see
|
||||
anything like that as long as I live. I couldn't even speak, I was
|
||||
so scared. Weren't you frightened?"</p>
|
||||
|
||||
<p>"Course I was, but it was really weird. I thought that was it
|
||||
for me. I really did, and I went all sort of cold, like numb, you
|
||||
know? Everything was really slow. His eyes were twitching away, and
|
||||
I thought, 'This is it Corky' and you'll never believe it, but you
|
||||
know Cuchullain. The hero? I thought about him and what he'd do,
|
||||
and I thought I'm not going to let him see I'm feart."</p>
|
||||
|
||||
<p>"You really thought that?"</p>
|
||||
|
||||
<p>"I think so. But maybe I dreamed it when I fell down. I just
|
||||
remember looking into his eye and everything was frozen cold. But I
|
||||
know something now."</p>
|
||||
|
||||
<p>"What's that?"</p>
|
||||
|
||||
<p>"If I get out of here, I'm never going to be scared of anything
|
||||
again in my life. Not Phil, not my old man. Nobody and nothing. If
|
||||
I can beat him, I can beat <em>anything</em>."</p>
|
||||
|
||||
<p>"Hells flaming bells, Corky," Danny said, feeling the mad ripple
|
||||
of laughter trying to erupt again, "I never thought you were scared
|
||||
of anybody anyway."</p>
|
||||
|
||||
<p>"Shows you what a good actor I am, don't it?"</p>
|
||||
|
||||
<p>He smiled quickly, suddenly boyish for that one moment, then he
|
||||
arched his neck to get his teeth to the wire. He started to gnaw
|
||||
again, making that awful grinding sound. After a while he had to
|
||||
lean back and take a break from the exertion.</p>
|
||||
|
||||
<p>"Dan," he said, easing his jaw once more, and panting heavily.
|
||||
"I didn't mean just me. Getting out of here, that is. We'll make
|
||||
it, honest we will. Bet you any money. You and me, we got a
|
||||
miracle, so we did. We're still alive when the both of us should be
|
||||
dead, so I know for sure we'll get another chance."</p>
|
||||
|
||||
<p>He looked over again, and any boyish grin was gone. "But it has
|
||||
to be tonight, because he won't give us another chance after
|
||||
this."</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>31</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>31</h1>
|
||||
|
||||
<p><em>Interlude:</em></p>
|
||||
|
||||
<p>"We called him Gideon," the old soldier said.</p>
|
||||
|
||||
<p>The name gave me a shiver. It somehow fit. He was remembering
|
||||
and so was I. It had taken me a while to track him down, an old
|
||||
trooper from one of the old Highland regiments. I had an advantage
|
||||
now over Angus McNicol, for by this time I'd listened over and over
|
||||
to his gruff voice on the tapes, and I'd looked through a bunch of
|
||||
papers I'd managed to turn up along with the ones he gave me. Old
|
||||
Jean McColl's wild poppy petal was still pressed between the pages
|
||||
of her diary, a distant memory captured. The pages of Doc Bell's
|
||||
pathology reports on Jean and Little Lucy Saunders and the others,
|
||||
those pages were yellow now with age. The words on them, however
|
||||
were still stark and somehow still deadly. The catalogue of ruin
|
||||
carried out at the hands of a true madman, was appalling. Forgive
|
||||
me if I don't list them here. You don't want to know.</p>
|
||||
|
||||
<p>I spent some time taking notes and asking questions, because I
|
||||
had to know. I was driven along. There were clues I knew, clues I
|
||||
hadn't thought about in a long time, but now, in hindsight, they
|
||||
stood out like beacons. Those tattoos, for instance. <em>Lesley
|
||||
Joyce</em>. Old man McColl had read them wrong first time. Jean had
|
||||
seen them on the day she died and that's why she'd underlined them
|
||||
in her frantic message. Poor doomed woman had been trying to tell
|
||||
them.</p>
|
||||
|
||||
<p>Lesley and Joyce. Probably old girlfriends from way before the
|
||||
madness.</p>
|
||||
|
||||
<p>And Sergeant Conboy, the name the man kept muttering, twitching
|
||||
his head every time he called it out. Another clue. McNicol had
|
||||
thought the man was army and I put two and two together. A
|
||||
newspaperman can talk to anybody. For the price of a few beers,
|
||||
most folk will talk their heads off. I knew it had to be a soldier,
|
||||
somebody who had served abroad. It took a while to find the old
|
||||
army lists and some time longer to search them all. There were four
|
||||
Sergeant Conboys way back in the fifties, and I travelled a bit to
|
||||
find some of the men who had served with them.</p>
|
||||
|
||||
<p>Finally I found the man I wanted to talk to.</p>
|
||||
|
||||
<p>"Gideon. He always had his nose stuck in the bible and he was
|
||||
always quoting tracts. The name just stuck. I'm telling you, he was
|
||||
one scary nutter. He thought the locals were animals, less than
|
||||
beasts. We were with the Gordons, but most of us were on national
|
||||
service, just two-year men. It was two years I could have done
|
||||
without."</p>
|
||||
|
||||
<p>Albert McAulay was a barrel of a man with a full head of
|
||||
iron-grey hair cut in an old fashioned crew-cut, the kind you see
|
||||
on German colonels in old war movies. He drank pints of Guinness
|
||||
slowly and steadily, sitting in the corner of the Horseshoe Bar up
|
||||
in the city. At first he was a bit hazy, saying he couldn't
|
||||
remember that much, but it was clear he just hadn't thought about
|
||||
it for a long time, or maybe didn't want to. When he did start
|
||||
talking, once he got into gear, he couldn't stop.</p>
|
||||
|
||||
<p>"I real lunatic. I remember that Vietnam stuff, you know, that
|
||||
My-Lai carry-on where the Yanks shot up a village? When that
|
||||
happened I thought it must be more common than you'd think. A lot
|
||||
of bad things happen in wars.</p>
|
||||
|
||||
<p>"Gideon, he went really crazy some time in the second year, when
|
||||
we were jungle-bashing in Malaya. We were somewhere in south
|
||||
Selangor, on patrol, hunting the CT's, what we called the communist
|
||||
terrorists, and you never knew who was who. They all looked the
|
||||
same and they all spoke the same. Some of our boys called them the
|
||||
Dung Fly people, because that's what they said all the time. It
|
||||
meant something like "we're friends" or "don't shoot". Nobody knew
|
||||
what. Or cared. It was hot and sticky and we were scared shitless
|
||||
most of the time. You couldn't see a yard in front of your face
|
||||
until you got to a clearing and then you had to watch for grenades
|
||||
or crossfire. It was murder."</p>
|
||||
|
||||
<p>Albert wiped his florid face and took a deep pull on his
|
||||
beer.</p>
|
||||
|
||||
<p>"<em>Non tare roger</em>. That's what the signals man said on
|
||||
the radio. Nothing to report. And sometimes there <em>was</em>
|
||||
something to report. We were to deny food and comfort to the enemy.
|
||||
We rounded up villagers and put them in trucks and took them fifty
|
||||
miles down the road. That was to drive the bandits deep into the
|
||||
jungle, but that was bad for us who had to go in and get them, us
|
||||
and the Iban scouts who could scent a trail like dogs. They were
|
||||
nothing much more than animals.</p>
|
||||
|
||||
<p>"So one time we came across this place, deep in at
|
||||
<em>Ipoh</em>, a village at the bottom of a steep valley. Me and
|
||||
Sergeant Conboy and crazy old Gideon, we took the right flank, and
|
||||
all of a sudden, there was gunfire and the shit was hitting the fan
|
||||
and everybody was yelling. Smoke from a couple of flares, and a lot
|
||||
of confusion. The village was pretty big - pigs and kids an running
|
||||
about, screaming like banshees. Gideon he came out from the side
|
||||
and let rip. Me and Conboy saw him. He just raked a whole group of
|
||||
kids and I remember the grin on is face. Conboy pulled him back,
|
||||
trying to shout over all the noise and despite that, yon mental
|
||||
bastard turns round and grins.</p>
|
||||
|
||||
<p>"Heathens," he says and I heard it clear as day. "Worse than
|
||||
animals."</p>
|
||||
|
||||
<p>"He just turned back with his gun. Two women were running for
|
||||
cover and he shot them both, laughing all the while. Just then, two
|
||||
of the locals came out with parangs, big machetes, and came running
|
||||
for us. There were shots behind them and we thought it had to be
|
||||
bandits, so we opened fire and put the men down. By this time the
|
||||
bible thumper had vanished and we were in the middle of it. It
|
||||
wasn't until later that we found him round the back of a burning
|
||||
hut with a girl. He'd been giving her one, just a little kid of ten
|
||||
or eleven, and he had cut her. Swear on a stack of bibles, he had
|
||||
cut her little tits off and slit her mouth from ear to ear. She was
|
||||
still moving."</p>
|
||||
|
||||
<p>Albert drank deep, remembering now.</p>
|
||||
|
||||
<p>"I'm telling you, it gave me the shivers. I was still fired up,
|
||||
still all going from the excitement, and it didn't shock me the way
|
||||
it normally would, but I still had the shivers. Conboy pulled him
|
||||
away. God, he nearly hit him with his rifle, and the big fellow, he
|
||||
just turned round, grinning, as if he'd just told a good joke.</p>
|
||||
|
||||
<p>"After that, we had to keep an eye on him, until we got back to
|
||||
the platoon base. Nobody said anything, but Conboy had been called
|
||||
back to operations and Major Cantley told him to take Gideon with
|
||||
him, just to get him out. In those days, out in the jungle, what
|
||||
happened was left there. Things didn't leak out the way they would
|
||||
now. Official secrets and all that. Anyway, Conboy's in the truck
|
||||
and they head off an that's the last anybody hears of them for
|
||||
three weeks. They sent search parties out, but it was needle in a
|
||||
haystack stuff over there. We heard the RAF, lost a flight of five
|
||||
transports just forty miles from HQ, and one of them were ever seen
|
||||
again. That jungle was thick, man.</p>
|
||||
|
||||
<p>"The Suffolks in the south, they got word. Some tribesmen came
|
||||
out and said two or three of their boys had been killed by a
|
||||
soldier. They checked it out and sure enough, they found your man
|
||||
and Conboy in the truck. It had gone off the road and rolled down
|
||||
to the edge of a river and Conboy, he was as dead as a dodo. He'd
|
||||
been shot in the head and his brains were all gone. The Suffolks
|
||||
told us there was nothing left of him. The flies and the ants there
|
||||
are pretty fierce and they keep themselves busy. Gideon, if he was
|
||||
crazy before, he was really gone now. He'd kept himself alive by
|
||||
catching the little fish and eels in the water that came right up
|
||||
to his waist in the rains and he'd blown a couple of the natives to
|
||||
kingdom come when they came to investigate. I remember the brass
|
||||
were pretty suspicious, because Conboy's head injury looked like a
|
||||
close-up shot, but by that time an investigation would have been a
|
||||
waste of time. Gideon was round the twist. Completely barmy.</p>
|
||||
|
||||
<p>"After that he was shipped home, mad as a fuckin' hatter. Last I
|
||||
heard, he was in Chessington, where they take all the army head
|
||||
injuries. After that, I dunno. Maybe it was Broadmoor or some other
|
||||
loony bin.</p>
|
||||
<hr />
|
||||
<p><em>August 4. Midnight:</em></p>
|
||||
|
||||
<p>"None of your damned business, Conboy. You just sit there
|
||||
watching, that's all you have to do. Flies in your eyes."</p>
|
||||
|
||||
<p>The voice boomed out from the hollow. The stranger was just a
|
||||
black shadow, hunkered down now in front of the stag's head. The
|
||||
flies were silent in the ark. A breeze of wind in the cooling night
|
||||
air carried the scent of carrion past the man and over to the line
|
||||
of boys looped together beside the low wall of rock. It was greasy
|
||||
and foul, the stench of corruption.</p>
|
||||
|
||||
<p>"They crossed over too, dirty heathens. Dirty. <em>Dung
|
||||
Fly!</em> You can see them. Shouldn't have tried to stop me
|
||||
neither, should you? <em>Non Tare Roger</em>. Got another eye to
|
||||
see with now."</p>
|
||||
|
||||
<p>He had been talking for a while now, over in the dark where his
|
||||
shape was just a shadow in the rest of the shadows. His voice rose
|
||||
and fell. One minute he would quote a passage from the bible, and
|
||||
the next he'd be talking to his imaginary listener. None of it made
|
||||
any sense.</p>
|
||||
|
||||
<p>None of the tethered boys risked talking. Over in the tent,
|
||||
Billy's whimpering had slowed down and stopped. Corky's efforts on
|
||||
the wire had ceased for the moment. He was leaning back as far as
|
||||
the noose would let him, with the side of his head against a
|
||||
tussock. Doug was still sitting with his head resting in his hands.
|
||||
He was breathing shallowly.</p>
|
||||
|
||||
<p>After a while the man's hoarse babbling died away and there was
|
||||
silence for a while, broken only by the night noises and the
|
||||
tumbling water of the stream at the falls where now only three
|
||||
heron feathers stood. After more of while, the man's shape appeared
|
||||
quite suddenly, his face caught by the moonlight as he walked
|
||||
silently from the hollow. He was quite naked, like a primitive
|
||||
warrior, his broad frame glistening with sweat despite the cool of
|
||||
the night. He stood looking at them for a moment, as if considering
|
||||
what to do, or maybe just checking that they were still there and
|
||||
that the wore would hold them until morning, then went back inside
|
||||
the tent. The moon slipped down beyond the west side of the valley,
|
||||
casting their glade into deep darkness that was alleviated only by
|
||||
the silver light in the sky and the dying embers of the fire.</p>
|
||||
|
||||
<p>Danny dreamed.</p>
|
||||
|
||||
<p>He was falling. He was tumbling over and over with the fire
|
||||
searing and burning across his back while his skin shrivelled and
|
||||
melted.</p>
|
||||
|
||||
<p>"Defied me thrice. <em>Thrice!</em>" It was the voice of the
|
||||
twitchy eyed stranger, yet at the same time, impossibly, it was his
|
||||
father's voice, echoing down from on high, forbidding and
|
||||
reproving. "Forty days and forty nights did they fall to the
|
||||
exterior darkness where there was weeping and gnashing of
|
||||
teeth."</p>
|
||||
|
||||
<p>Up where the moonlight rippled on the surface, he could hear the
|
||||
boom of the cannons on the ramparts of the old castle, fired to
|
||||
bring the bodies to the surface. Dead Paulie Degman's face swam in
|
||||
front of him.</p>
|
||||
|
||||
<p>"<em>Yeah</em>, we are in the valley of death, Danny, and
|
||||
<em>yeah</em>, we fear evil. Prepare ye the way. Make good the
|
||||
path, for he comes when you do not expect him and he will
|
||||
cut..."</p>
|
||||
|
||||
<p>No! Danny tried to scream. It was all wrong. In his ears, the
|
||||
beat of his heart was like a drum and he struggled for breath,
|
||||
panicked, flailed to get away from Paulie. The dead boy's eyes were
|
||||
pale in the dark, pale and blind and the lips were flapping in the
|
||||
flow of the river water.</p>
|
||||
|
||||
<p>"Defied me thrice, defied me thrice," another voice was rasping
|
||||
out and Danny closed his ears to it, because if he defied thrice
|
||||
something would happen and that would mean it was.....</p>
|
||||
|
||||
<p>He woke with a start and a scream half blurted on dried lips.
|
||||
The wire was pulling right into his neck and he gasped aloud,
|
||||
hauling for a painful breath. He had slipped down and his back was
|
||||
scraping on the old twigs and thorns that had fallen from the
|
||||
hawthorn tree, setting his swollen bruises aflame.</p>
|
||||
|
||||
<p>"You OK Danny?" Tom asked softly.</p>
|
||||
|
||||
<p>For a moment Danny was unfocussed, disoriented. The moon was
|
||||
gone and the fire nearly dead. He realised he was still alive and
|
||||
not drowning and not falling and that ghostly Paulie had only been
|
||||
in his dream. He turned round quickly, rasping his neck and back in
|
||||
the process, to check Corky, still able to see his wasted face
|
||||
floating in front of him, grinning sadly.</p>
|
||||
|
||||
<p>"I think so," he whispered back, very shakily.</p>
|
||||
|
||||
<p>"He took Billy out. I saw him. Billy needed the bathroom and he
|
||||
let him out. They went down to the stream and he washed him down
|
||||
with water." Tom's voice was thin and shivery. The night had gone
|
||||
cold. "What's he going to do to us?"</p>
|
||||
|
||||
<p>"I dunno," Danny said. Even at this stage, after all that had
|
||||
happened, it was still hard to believe that the man would really
|
||||
kill them. All the evidence to the contrary was there. He had shot
|
||||
at Danny and would have killed Corky as he had done to Mole Degman
|
||||
and the others, but even then the flare of hope and disbelief was
|
||||
in them. They were just boys.</p>
|
||||
|
||||
<p>"What's Corky doing?"</p>
|
||||
|
||||
<p>"He's asleep I think."</p>
|
||||
|
||||
<p>"Can he get through the wire?"</p>
|
||||
|
||||
<p>Danny shook his head, sending a negative vibration to Tom.
|
||||
"Nobody can."</p>
|
||||
|
||||
<p>Tom squirmed, a little shudder that Danny picked up by return.
|
||||
"What's the matter?"</p>
|
||||
|
||||
<p>"I need....I have to have a pee."</p>
|
||||
|
||||
<p>"Well go."</p>
|
||||
|
||||
<p>"I can't," Tom said. "Not here."</p>
|
||||
|
||||
<p>"Sure you can, Danny whispered. "our hands aren't tied."</p>
|
||||
|
||||
<p>"But I can't here. There's nowhere for it to go. I'll be in it.
|
||||
Sitting in it."</p>
|
||||
|
||||
<p>"That's the least of your worries," Danny whispered tightly. He
|
||||
didn't understand what Tom's problem was.</p>
|
||||
|
||||
<p>"No. I can't," Tom insisted. His voice was rising above a
|
||||
whisper.</p>
|
||||
|
||||
<p>"Why the hell not?"</p>
|
||||
|
||||
<p>There was a silence. Tom gulped hard. Both of his hands were
|
||||
forced down on his crotch again, the way he'd been when they had
|
||||
all come down the valley at gunpoint.</p>
|
||||
|
||||
<p>"It's Maureen," Tom said and this time his voice did crack again
|
||||
into a half sob. "My wee sister." Danny nodded, remembering the
|
||||
thin little girl with thin arms and skin like quartz underlain with
|
||||
dull, cloudy bruises. Tom pushed his hand into his crotch, like a
|
||||
toddler holding in the need. He let out a little moan.</p>
|
||||
|
||||
<p>"When she...." he started. "I mean. I was <em>there</em>."</p>
|
||||
|
||||
<p>Danny didn't have to say anything. Everybody knew Tom had been
|
||||
there. His old man had been working up at Lochend on the new road,
|
||||
digging drains with the team of navvies and Tom's mother, a small,
|
||||
spare woman with the same pale freckles Tom had and the same washed
|
||||
out curly hair, she'd had to go out to the shops. Tom had been left
|
||||
in with Maureen and that was something he never minded at all,
|
||||
because she was his kid sister and she was sick and she liked him
|
||||
to read stories to her. Danny had been with him when he'd swiped
|
||||
the book from the library in the winter, stolen it so he wouldn't
|
||||
have to give it back, and he remembered it had been Billy Goats
|
||||
Gruff, the one about the troll under the bridge. He recalled Tom
|
||||
getting badly upset when somebody mentioned little Lucy Saunders
|
||||
under the bridge at Ladyburn Stream near the outlet at the Rough
|
||||
Drain.</p>
|
||||
|
||||
<p>"I was there, just me on my own," Tom said. "Mo, our Maureen,
|
||||
she was pretty sick. She'd been up in the night, but my mum had to
|
||||
go down town to get something. I think it was the cough mixture for
|
||||
Mo because the thing she had, it made her cough all the time and
|
||||
she had a sore throat."</p>
|
||||
|
||||
<p>Tom raised one hand to wipe away a tear. "I was in with her,
|
||||
playing with my dinky toys on the floor and she asked me to read
|
||||
the story again. Remember that book I nicked? She loved that one.
|
||||
She always said it made her go all squirmy and every time I read
|
||||
it, she squealed like she was scared but she wasn't really. She
|
||||
loves the bit where the thing says: '<em>Who's trip tap tapping on
|
||||
my bridge</em>.' "</p>
|
||||
|
||||
<p>Danny picked up the slip of tenses. <em>She loves.</em> Little
|
||||
Mo had died before Christmas. Danny had experience of death, the
|
||||
whole town had by now, but it was all second hand and at a
|
||||
distance, even counting Paulie down by the river. He had not lost
|
||||
anybody he loved. Not like a sister or anything.</p>
|
||||
|
||||
<p>"And I said OK, I'll read a bit. I never minded, 'cos she really
|
||||
liked it and it made her laugh. She was all right, and that's why
|
||||
my Ma went out. She had to get things and it wasn't her fault she
|
||||
wasn't there. But I didn't know what to do." Tom choked up a little
|
||||
and Danny sat silent. Tom sniffed and started again.</p>
|
||||
|
||||
<p>"I was reading and she was all scrunched up in the pillows, and
|
||||
I was just getting to the good bit when she said she had to go to
|
||||
the bathroom. It was dead quiet the way she said it and I said hold
|
||||
on a minute and I'll just finish this bit and she looked up at me.
|
||||
She had these big dark bits under her eyes, like a panda, you know,
|
||||
like somebody had skelped her a couple of good ones. She said it
|
||||
was film-star's make up and she was going to be like Audrey Hepburn
|
||||
when she grew up, except she said Audie Hebum 'cause she couldn't
|
||||
speak right with her front teeth out and I said it would be Audie
|
||||
Murphy and she never knew what I was talking about. Only she wasn't
|
||||
going to grow up, was she?"</p>
|
||||
|
||||
<p>Danny heard the bitterness of loss and bleak hopelessness in
|
||||
Tom's voice.</p>
|
||||
|
||||
<p>"So I said, wait until I've finished the page and she looked up
|
||||
at me and said: '<em>I have to go to the bathroom, can you help me
|
||||
Tommy?</em>'"</p>
|
||||
|
||||
<p>"It was just like that. She was kind of smiling and kind of
|
||||
frowning, like she was thinking hard and her eyes were open and I
|
||||
got up to get the pot from the corner. She could only use the pot
|
||||
because she was too sore to get to the bathroom, you know? I went
|
||||
to get the pot and she was still staring like that. I never even
|
||||
knew. Honest to god Danny, I never knew. I thought maybe if I
|
||||
hadn't finished the end of the page, maybe I could have....."</p>
|
||||
|
||||
<p>The tears were catching the last of the dying fireglow.</p>
|
||||
|
||||
<p>"I lifted her up, and she had wet the bed. She was lying in her
|
||||
own pee. I could smell it and I never even knew then. She was still
|
||||
staring at me, that funny way, dead still and I was trying to lift
|
||||
her up. There was a puddle underneath her and it made a noise and I
|
||||
never even knew. Oh shit Danny. She said she needed to go, but
|
||||
she'd already done it and she was lying in it. My wee sister.
|
||||
Maureen."</p>
|
||||
|
||||
<p>Now Danny realised why Tom hadn't wanted to hear about little
|
||||
Lucy Saunders. She had died under the bridge, in the muck in the
|
||||
hollow of the concrete chamber, in a puddle of her own piss. The
|
||||
story had gone round the school like a brush-fire, the first
|
||||
killing, so far as was known at the time, at the hands of this
|
||||
twitchy-eyed killer who was now in the dark of the tent with Billy
|
||||
Harrison.</p>
|
||||
|
||||
<p>"I couldn't do anything," Tom was saying. "I never knew."</p>
|
||||
|
||||
<p>He began to sob softly. Hand still pressed in hard. "And I can't
|
||||
do it here. I don't want to sit in it. Not here. I don't want to
|
||||
die in my own piss."</p>
|
||||
|
||||
<p>"Jees, Tom, I never knew that's what happened." Doug's voice was
|
||||
low, coming from his shadow on the far side. They hadn't realised
|
||||
he was awake. "You should have said."</p>
|
||||
|
||||
<p>"I couldn't say. Nobody should die in their own pee, nobody,
|
||||
especially a wee kid like Maureen. I told my Ma I would die to
|
||||
bring her back. She was screaming blue murder and she hit me, but
|
||||
there was nothing I could do. I <em>would</em> have died to bring
|
||||
her back, you know. Honest I would. I can still hear her talking.
|
||||
Every night when I go to bed, I can hear her asking for that story
|
||||
and then I can hear her telling me she needs to go to the bathroom.
|
||||
And now I can't do it. Not here."</p>
|
||||
|
||||
<p>"That's okay Tommy," Doug whispered. They heard him fumble in
|
||||
his pocket and then, a few moments later, the snick of something
|
||||
tearing. Danny smelled a peculiar odour on the air. Doug fumbled
|
||||
some more, then reached out. Something thin and floppy dangled from
|
||||
his hand.</p>
|
||||
|
||||
<p>"Piss into this," he said. Danny stretched to see. Doug's teeth
|
||||
were glinting in the light. In his hand, Phil Corcoran's second
|
||||
condom dangled. Tom looked at it for several seconds before he
|
||||
realised what it was. He slowly reached his free hand and took it,
|
||||
unzipped his jeans. They all watched, though in the dark there was
|
||||
nothing to see. They heard a hiss of water spurting. The condom
|
||||
expanded very quickly and they smelled its odd scent mixed with the
|
||||
hot smell of urine. After about a minute, Tom let out a long sigh.
|
||||
He lifted the ballooning rubber by the neck. It wobbled a little.
|
||||
Very quickly he tied the neck to seal it, reached out beyond the
|
||||
little hollow and put it on the ground. It rolled several feet
|
||||
until it got half-way to the tent. There it hit something sharp and
|
||||
burst without a sound except for the sudden gurgle of water which
|
||||
drained into the dry grass.</p>
|
||||
|
||||
<p>"Thanks Doug."</p>
|
||||
|
||||
<p>"Don't mention it," Doug said. "I wasn't going to use it anyway.
|
||||
It's too bloody big."</p>
|
||||
|
||||
<p>He was silent for a while and all three of them sat still while
|
||||
they listened to the night noises, the rustlings and the occasional
|
||||
distant cry of a wild bird far off in the gloom of the trees.
|
||||
Finally Doug spoke up again.</p>
|
||||
|
||||
<p>"You think he's all right? Billy, I mean."</p>
|
||||
|
||||
<p>They knew who he meant. "I think so," Danny said, more in hope
|
||||
than in any certainty. They had listened to Billy's heartbreaking
|
||||
sobs for a long time after his squeals of pain had diminished. The
|
||||
man, <em>Twitchy Eyes,</em> he didn't seem to notice the noise, or
|
||||
if he did, it didn't bother him. Billy had been snuffling when the
|
||||
man had come out to hunker by the skulls and speak to a man who
|
||||
wasn't there.</p>
|
||||
|
||||
<p>"I never meant this to happen to him," Doug said. "I wished I
|
||||
never said he should have his neck wrung. I was just pissed off,
|
||||
know what I mean?"</p>
|
||||
|
||||
<p>They all knew what he meant. It had been a dreadful, brittle and
|
||||
dangerous moment.</p>
|
||||
|
||||
<p>"Christ a'mighty, I should never have told him about his old
|
||||
man. But he was always having a go at me. All the time. But honest
|
||||
to God, I never wanted this to happen to him. I mean, it was just
|
||||
because I was angry when he said that about Terry. That was a
|
||||
really rotten thing to say."</p>
|
||||
|
||||
<p>"Yeah. And you were rotten to him," Tom said. "But it's
|
||||
finished. It doesn't matter."</p>
|
||||
|
||||
<p>"I'd take it back if I could. No kidding. I don't want Billy to
|
||||
get hurt again. Not from that dirty bastard. If I could take it
|
||||
back I really would. It doesn't matter about Terry. He's my
|
||||
brother, isn't he? What difference does it make? Nothing! I still
|
||||
love the little creep, no matter what. And my Mum and Dad, they'll
|
||||
be okay, won't they? In Toronto?"</p>
|
||||
|
||||
<p>Danny and Tom could hear Doug was laying it out like a grid,
|
||||
wishing it to happen.</p>
|
||||
|
||||
<p>"Maybe they'll stop arguing all the time. It scares me
|
||||
sometimes. It used to be okay, but now it's not. I always knew
|
||||
there was something wrong, but it's not Terry's fault. He's a great
|
||||
kid. He always gives me a kiss every night when he goes to bed.
|
||||
Every night. I don't mind telling you that."</p>
|
||||
|
||||
<p>He went silent for a while, then spoke again. "Corky was right.
|
||||
We have to stick together while we can. It doesn't matter, does it?
|
||||
All the things that happen and we can't do anything about it? They
|
||||
don't matter. Corky was right sure enough. See the way he looked in
|
||||
that bastard's eyes? I never saw anything like that in my life. If
|
||||
I get the chance, I want to be as brave as that.</p>
|
||||
|
||||
<p>"And when I get home, I'm going to hug my mum. Don't mind
|
||||
telling you that. I'm going to give her a hug and tell her I love
|
||||
her and my old man both."</p>
|
||||
|
||||
<p>Tom sniffed in sympathy. Danny sat very silently, aware of pangs
|
||||
of loss inside him that he could not explain at all, even to
|
||||
himself. <em>Hugging</em> and <em>loving.</em></p>
|
||||
|
||||
<p>The earth turned and the night got darker and colder, though it
|
||||
was still summer. Sometime in the night, Corky woke up from his
|
||||
exhausted slumber and started working on the wire again, making
|
||||
that awful grinding noise with his teeth on the metal. Tom cried
|
||||
out in his sleep, just a wordless whimper that startled them all
|
||||
awake. Billy was silent the whole time through the long night.</p>
|
||||
|
||||
<p>Danny fell in and out of sleep, trying to keep awake, hoping
|
||||
against hope that Corky would make it through the wire. He was
|
||||
deadly afraid of what the morning would bring and in his mind,
|
||||
Corky's words kept getting mixed up with Mick Jagger's strutting
|
||||
rasp.</p>
|
||||
|
||||
<p><em>This could be the last time....maybe...maybe...maybe...I
|
||||
don't know.</em></p>
|
||||
|
||||
<p>Again, sometime later, Danny dreamed of his father and heard him
|
||||
read from the prayer book and he imagined himself crawling through
|
||||
pools of scalding custard while his father talked about the bad
|
||||
fire that would go on forever. He saw John Corcoran's wasted face,
|
||||
one eye glaring at him and the other a red ruin. The wire was tight
|
||||
on Corky's neck and when he opened his mouth to speak, his teeth
|
||||
were all chipped and broken.</p>
|
||||
|
||||
<p>"I tried, Danny-boy. I tried, honest to god. But there's no way
|
||||
out, even if you <em>can</em> talk posh."</p>
|
||||
|
||||
<p>Somewhere in the shadows, a deep and echoing voice rumbled out:
|
||||
"Defied me thrice. Defied me <em>thrice.</em>"</p>
|
||||
|
||||
<p>And Danny knew he was waiting in the dark in the Garden of
|
||||
Gethsemane in an agony of fearful expectation of a dreadful thing
|
||||
about to happen.</p>
|
||||
|
||||
<p>"Denied." He insisted. "It's not defied, it's
|
||||
<em>denied.</em>"</p>
|
||||
|
||||
<p>As soon as he said it a cold sensation of doom flowed into him.
|
||||
Before the cock crows twice...it was written in the testament. It
|
||||
couldn't be thrice, because that would mean the cock would crow and
|
||||
it would be.....</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
665
build/darkvalley/OEBPS/032.xhtml
Normal file
665
build/darkvalley/OEBPS/032.xhtml
Normal file
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>32</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
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|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>32</h1>
|
||||
|
||||
<p><em>.....morning.</em></p>
|
||||
|
||||
<p>Day was dawning and it was early morning. Danny Gillan jerked
|
||||
awake to the distant sound of the cockerel crowing far off down the
|
||||
slope of the moor in the direction of Blackwood farm.</p>
|
||||
|
||||
<p>"Whassamatter?" Tom snuffled, almost incoherent, cringing in
|
||||
against Danny for warmth. Corky was slumped the other way, against
|
||||
the damp mound where the hawthorn roots twisted their way into the
|
||||
moss. The wire was across this throat, but not digging in the way
|
||||
it had in the dream. His eyes were closed and he was breathing
|
||||
shallowly.</p>
|
||||
|
||||
<p>The cock crowed, distant but still audible, a strange, fierce
|
||||
and challenging cry coming out of the mist which had gathered in
|
||||
the dark for the second time and now shrouded the world in a fuzzy
|
||||
blanket which blunted all the sharp edges which would be later
|
||||
homed by the rising sun..</p>
|
||||
|
||||
<p>"...<em>And the cock crew...</em>" The well-learned words were
|
||||
ringing in Danny's head, in the shivery aftermath of the dream,
|
||||
fading now, but still powerful and ominous. Day was dawning but it
|
||||
was still dark and the mist was almost solid downstream where the
|
||||
valley formed a scooped cup before the thick tangle of the forest.
|
||||
The trees were just a dark and impenetrable wall. It was still dark
|
||||
enough, but it was not night any more, and they had survived
|
||||
another one. They were still alive. Four of them anyway. Across in
|
||||
the tent, there was no sound yet. Danny shivered again. Feeling the
|
||||
damp of morning cold steal through him. His legs were stiff and his
|
||||
backside numb and wet from sitting hunkered in the moss and
|
||||
grass.</p>
|
||||
|
||||
<p>They had survived a second night, but what Corky had said
|
||||
sneaked in on him while he was trying to shake off the disabling
|
||||
drag of the dream. <em>It has to be tonight, because he won't give
|
||||
us another chance after this.</em></p>
|
||||
|
||||
<p>And Corky had fallen asleep, tired and hurt and exhausted like
|
||||
the rest of them and they'd missed their chance. Night had come and
|
||||
gone and they were still here, braided together with the
|
||||
fence-mending wire. Danny huddled still, trying to keep the instant
|
||||
panic down. For a moment, despite the closeness of the other three,
|
||||
his solitude was vast. Nothing moved in the valley except the near
|
||||
tendrils of mist which rose, wraith-like from the pool in small,
|
||||
translucent columns to condense into the thick billows against the
|
||||
far wall, then flowed like some magical ectoplasm around the roots
|
||||
of the alders and hawthorns, crept into the hollows behind the
|
||||
boulders and the narrow ravines which fed the tributaries into the
|
||||
main valley.</p>
|
||||
|
||||
<p>Far up on the moor, an early lark was singing into the morning
|
||||
sky. High up on the east, there was a tinge of opalescent pink to
|
||||
break up the grey, a promise of another hot summer day. Here in the
|
||||
valley, it was still shadowed, but bright enough see the carpet of
|
||||
dew on the grass, like a frost. The air was clean and earthy,
|
||||
redolent of moss and heather roots and nearby uncurling ferns.</p>
|
||||
|
||||
<p>A soft morning.</p>
|
||||
|
||||
<p>Danny slowly raised his head to the far rim, on the west side
|
||||
where the bracken grew almost to the rim, fringed by tussocks. For
|
||||
a moment his eye was transfixed by the exotic fringe of glowing
|
||||
silk which undulated in the merest breeze, trailing like a white
|
||||
and lustrous flag across the edge of the canyon. He stared at it,
|
||||
puzzled, for a while longer and the sight of it, ethereal and
|
||||
magical on this cool and shrouded morning, helped damp down the
|
||||
rising tide of black fear.</p>
|
||||
|
||||
<p>The gossamer of a million tiny spiders, their gliding threads of
|
||||
silkweb, waved in the slow air, picking up the reflection of the
|
||||
roseate flush of dawn in the early sky. Danny gazed, mesmerised in
|
||||
a moment of rare beauty. The whole west rim of the valley, from the
|
||||
trees right on up past the hollow of rock, was limned with the
|
||||
slowly undulating silken tide. It was as if the world had been
|
||||
bedded in the cotton wool of mist and then wrapped in a cocoon of
|
||||
silk. The threads, rippling in glimmering sheets, seemed to bring a
|
||||
hush to the morning, giving an illusion of peace and harmony. As he
|
||||
watched, the top filaments caught the first sparkle of sun and up
|
||||
on the east edge, the sky flared in a spectacular flash of green
|
||||
and then pink, like an aurora, heralding the beginning of true
|
||||
day.</p>
|
||||
|
||||
<p>Way off, down at Blackwood, the cock crowed faint and far off
|
||||
again, to cut through the gossamer wrapping and the moment of magic
|
||||
died as Corky's warning came suddenly back on the biblical echo of
|
||||
the dream.</p>
|
||||
|
||||
<p><em>He won't give us another chance after this</em>.</p>
|
||||
|
||||
<p>Danny swivelled, nudging Tom who gave a little shiver and tried
|
||||
to squeeze further in under his armpit, reluctant to come awake. He
|
||||
forced himself round towards Corky and sought the wire where he had
|
||||
tried to break through. A line of indentations roughened the metal
|
||||
about six inches from the loop around Corky's neck. In some places,
|
||||
the dull patina had been scraped away far enough to show the bright
|
||||
silver of metal underneath, showing how hard, how desperately Corky
|
||||
had worked and struggled in the dark of the night. Only the gouges
|
||||
and the shiny metal and the memory of the dreadful creaking sound
|
||||
remained.</p>
|
||||
|
||||
<p>Danny sighed slowly. Over to the right, the condom that Tom had
|
||||
filled was lying limp, like a shiny piece of intestine ripped from
|
||||
the raw fish. Doug still sat frozen, head still cupped in his
|
||||
hands, elbows braced on his knees.</p>
|
||||
|
||||
<p>"I tried, Danny," Corky's whispered voice jarred into the
|
||||
silence. For an awful moment Danny thought he was still dreaming.
|
||||
He jerked back, almost strangled himself on the wire, suddenly
|
||||
terrified in case Corky's teeth would be cracked stumps in bleeding
|
||||
gums.</p>
|
||||
|
||||
<p>"Couldn't get through," he said. His face was pale, with his
|
||||
freckles standing out like sepia ink-spots. His eyes seemed grey in
|
||||
the light, and they looked bitterly forlorn. "We're stuffed," he
|
||||
added.</p>
|
||||
|
||||
<p>Danny shook his head. "Don't say that," he insisted.</p>
|
||||
|
||||
<p>"Say what?" Tom mumbled, coming awake. He shivered violently,
|
||||
strangled down a cough. Doug was blinking dopily. He sniffed and a
|
||||
thin trickle on his lip disappeared.</p>
|
||||
|
||||
<p>"Is Billy okay?" he asked. Danny shrugged.</p>
|
||||
|
||||
<p>"I think so. I haven't heard anything."</p>
|
||||
|
||||
<p>"Doug, can you reach the end of the wire," Corky asked. He
|
||||
couldn't see past Tom and Danny.</p>
|
||||
|
||||
<p>"No. I tried last night." Doug's voice was just sift hiss,
|
||||
barely above a whisper. In the silence of the valley, it sounded
|
||||
loud, too loud. "It's out of reach."</p>
|
||||
|
||||
<p>"Give it another go," Corky said. He was stretching to see if
|
||||
his fingers could reach the root where the end of the baling twine
|
||||
was tied. His hand got to within six inches, but no amount of
|
||||
straining would expand the wire the way they'd been able to stretch
|
||||
the twine. It had been looped, right over left, then left over
|
||||
right, so even if they had risked trying to spin to unravel it, the
|
||||
turns around their necks would only have tightened with every turn.
|
||||
Doug tried once more, but couldn't get close. He was pulled away to
|
||||
the right, arm stretched out, face twisted into a toothy grimace.
|
||||
His outreaching fingers flexed in the air as he pulled as far as
|
||||
possible, reaching the very limit of give in the wire. He pulled
|
||||
further and his leg slipped on the wet grass, shooting right out in
|
||||
front of him. His toe hit the canvas back which slid away with a
|
||||
tinny clank. Doug slipped back with a sudden, surprised gulp,
|
||||
pulling them all downwards with the drag on the wire. Tom gasped
|
||||
and tried to ease the stricture at his neck and Doug scrambled
|
||||
backwards to get to a sitting position before his air was cut off
|
||||
completely.</p>
|
||||
|
||||
<p>"Doug," Danny hissed. "Don't move." This came out in a harsh
|
||||
rasp and despite the discomfort, Doug immediately froze.</p>
|
||||
|
||||
<p>"What is it?" he managed to get out.</p>
|
||||
|
||||
<p>"Look." Danny said urgently. "At your feet." Doug got to his
|
||||
elbows and looked down at his outstretched foot. The old torn bag
|
||||
was only a foot or so from his toe.</p>
|
||||
|
||||
<p>"Can't see," Corky said, straining to edge past Danny who leaned
|
||||
back just an inch or two, as much as he could. His breathing was
|
||||
now coming fast, excited.</p>
|
||||
|
||||
<p>"Bloody hell. It's been there all night," Corky almost snarled
|
||||
in an anger that boiled up on a sudden swell of hope.</p>
|
||||
|
||||
<p>"Can you get it,?" Danny asked, hardly daring to speak, hardly
|
||||
daring to hope at all. Doug looked up at him, brows puckered up in
|
||||
a puzzled from of incomprehension. Danny nodded at the bag.</p>
|
||||
|
||||
<p>"The tools!"</p>
|
||||
|
||||
<p>Light dawned. Doug's brows shot right up to disappear under his
|
||||
fringe of blond hair and his mouth dropped open. Tom started to
|
||||
shake again and suddenly the air was charged with that enormous,
|
||||
unbearable and brittle tension. Danny sensed time beginning to
|
||||
stretch out again on the surge of adrenaline and he felt all of his
|
||||
senses crystallise to glassy sharpness.</p>
|
||||
|
||||
<p>Doug lowered himself back down to the grass again and stretched
|
||||
his foot outwards. His toe touched the bag and he grinned
|
||||
hugely.</p>
|
||||
|
||||
<p>"Easy," Corky hissed. Doug stretched and the bag moved.</p>
|
||||
|
||||
<p>"Can you hook it?" Danny asked, now feeling the panic rise up
|
||||
once more. Doug nodded, grunted, stretched until the wire was
|
||||
pulling right under his chin, digging in so far it was just a black
|
||||
line, as if his head had been cut off and stuck back again. A white
|
||||
bubble appeared from his nose, burst silently, and a lick of
|
||||
spittle flecked his lip where his teeth bit in tight. He
|
||||
concentrated in pushing and on ignoring the sudden hot strangle on
|
||||
his neck. They all watched in an agony of needing, each of them
|
||||
focused on that outstretched scuffed canvas boot that had seen
|
||||
plenty of better days. The toe got to the edge of the bag, barely
|
||||
to the corner. Doug made a low grunting sound that was all effort
|
||||
and concentration. The bag moved two inches, turning on the wet
|
||||
grass as it did so. Doug's foot slipped on the corner, came
|
||||
whipping across the side and the bag slid away. Doug fell back
|
||||
heavily. They all heard the creak of the wire. Tom, still shaking
|
||||
with the wound-up tension, reached quickly and eased him up before
|
||||
he really did choke.</p>
|
||||
|
||||
<p>Danny's heart sank like a stone. The bag had pushed out of
|
||||
reach, beyond Doug's ability to get his toe around it again and
|
||||
ease it backwards towards them.</p>
|
||||
|
||||
<p>"Shit," Danny blurted. Corky said nothing. He was suddenly
|
||||
desperate to get the bag, to get a last chance, because he knew
|
||||
with complete conviction that this <em>would</em> be the last time,
|
||||
and that the crazy man with the twitchy eyes would do something
|
||||
terrible today. Today would be the end.</p>
|
||||
|
||||
<p>Just then, right at that moment, a movement downstream caught
|
||||
Danny's eye. He his head and, and the others caught the sudden
|
||||
motion.</p>
|
||||
|
||||
<p>The heron came flapping down into the valley. It skirted the
|
||||
tall trees and swooped along the rim, stirring the silken gossamer
|
||||
spiderwebs with its passing. They sparkled and gleamed in the
|
||||
slanted rays of the rising sun, like filamented jewels. The big
|
||||
grey bird swerved, banked, then swooped low, over the top of the
|
||||
pooling mist close by the trees, then beat its wings slowly as it
|
||||
came flying upstream towards them.</p>
|
||||
|
||||
<p>"No," Danny hushed. The heron followed the line of the stream,
|
||||
curving round at an angle at the point where Corky had been felled
|
||||
at the shallows of the lower pool. They all sat like stone and all
|
||||
Danny could think about was that harsh alarm call. If it cried out
|
||||
it would wake the man, wake Twitchy Eyes and they wouldn't have a
|
||||
chance.</p>
|
||||
|
||||
<p>The bird came flapping onwards. They could see the yellow of its
|
||||
eye, fixed and unblinking, and heard the low whoosh of its broad,
|
||||
slow wings. Danny waited, more acutely aware of the danger than the
|
||||
others. The heron had startled him and made him stumble up there on
|
||||
the high slope. His back still flared with the burn of the swollen
|
||||
skin.</p>
|
||||
|
||||
<p>"Shhhh." He hushed at it, as if speaking to a child, as if he
|
||||
could will it to silence.</p>
|
||||
|
||||
<p>It came level with them, twisted in the air, as if suddenly
|
||||
aware of their presence, though none of them had moved a muscle. It
|
||||
veered sharply, pounding hard to gain height. Danny knew it would
|
||||
call out: <em>Kaark-kaaark,</em> knew that his bad luck would be
|
||||
back again, and final too.</p>
|
||||
|
||||
<p>But it did not call out. The sweep of its wings trembled the
|
||||
three feathers of its dead mate in the mist at the waterfall,
|
||||
making them flutter like flags and then it was gone, beyond their
|
||||
line of vision, beyond the low ridge where they sat under the
|
||||
roots. Corky breathed out.</p>
|
||||
|
||||
<p>"Try again," he almost snarled. "Go again Doug." All he could
|
||||
think about was the big pair of insulated pliers that Phil had
|
||||
jammed in with the rest of his stash. They could cut through mild
|
||||
steel. They could cut through baling twine, no bother at all.</p>
|
||||
|
||||
<p>Doug tried again. He lowered himself back down again until he
|
||||
was lying almost flat, hands out to the side to brace himself. His
|
||||
foot went out to its full extent. He closed his eyes and gritted
|
||||
those teeth again. Me made a little squeaking sound of effort and
|
||||
his long, bony frame seemed to elongate even further. Tom's eyes
|
||||
flicked from his foot to the wire around his neck, wondering how
|
||||
much more pressure Doug could take. Doug's face went red, then
|
||||
almost purple, shading down by degrees. He hooked his toe again,
|
||||
got it to the bag. Jerked. It slipped again.</p>
|
||||
|
||||
<p>Tom sighed in dismay. Corky said something under his breath that
|
||||
sounded like a curse. Doug did not give up. He stretched even
|
||||
further, now making a gurgling sound in the back of his throat. His
|
||||
foot snicked the side of the bag and the old canvas handle flopped
|
||||
right down from the top side to land on top of his toe. Danny's
|
||||
heart was fluttering like a bird's, all out of control. He could
|
||||
feel the need to pant for breath, countered by the equally powerful
|
||||
compulsion to hold it in. Doug concentrated so hard his face was
|
||||
twisted as if it had been mashed. He eased his foot back and up.
|
||||
The loop of the handle followed, drew upwards tight. Tom could see
|
||||
the wet canvas slipping over the rubber toe of the old baseball
|
||||
boot. Doug must have felt it and made a momentous decision. He
|
||||
kicked upwards. Something in the bag clunked again, muffled under
|
||||
the canvas and the bag itself came right up off the ground.</p>
|
||||
|
||||
<p>For a heartbeat, it looked as if it would go tumbling off and
|
||||
land on top of the tent. Tom almost wailed in dismay. But at the
|
||||
very last moment, Doug managed to get enough purchase to flick it
|
||||
backwards. It took all of his strength and as soon as that
|
||||
manoeuvre was finished, he flopped back, gasping for breath, Tom
|
||||
got his hands to the wire and slid his fingers between the metal
|
||||
and Doug's neck. Doug's face was suffused and swollen.</p>
|
||||
|
||||
<p>The bag came flipping backwards and hit Corky square on his
|
||||
chest with a heavy thud, hard enough to jar him backwards. Despite
|
||||
the sudden punch on his ribs, the joyful expression on Corky's face
|
||||
was incandescent. He raised his knees, almost reflexively, to
|
||||
prevent the bag from falling back, managing to cup it on his lap.
|
||||
He got a hand to the catch, loosened it with two blurring
|
||||
movements, dived his hand inside. For a scary split second, his
|
||||
mouth dropped open blankly as he fumbled inside, then lit up again.
|
||||
He drew his hand out, gripping the thick red pliers like a
|
||||
weapon.</p>
|
||||
|
||||
<p>Danny breathed out, sucked air back in again. "You flippin'
|
||||
beauty," he managed to mouth. He lifted the bag from Corky's lap
|
||||
and opened it out. A few tent pegs remained, along with the
|
||||
ballpeen hammer they'd used to stick them into the turf. Doug's
|
||||
catapult lay in the bottom, along with Phil's old airgun. He took
|
||||
them out and laid them on the grass, searching for something else
|
||||
to cut the wire. There was nothing.</p>
|
||||
|
||||
<p>Corky raised the pliers up to the braid, gritting his teeth.</p>
|
||||
|
||||
<p>Before he even got a chance to squeezes, something shook the
|
||||
tent. A dull knocking sound came from inside, muffled by the
|
||||
fabric. The man snorted, as if just coming awake.</p>
|
||||
|
||||
<p>They all froze, nerves suddenly jangling, wound up tight as
|
||||
banjo strings.</p>
|
||||
|
||||
<p>The man's deep voice rolled out, though they couldn't make out
|
||||
the words. Corky's expression was suddenly stony and desolate, he
|
||||
was still sitting with both hands cocked up, gripping the inside
|
||||
jaws of the pliers against the twist of wire.</p>
|
||||
|
||||
<p><em>Bad luck,</em> Danny thought, almost saying the words aloud.
|
||||
The heron had woken the man, somehow warning him of their escape
|
||||
attempt. Without thinking, he twisted his head round to look at the
|
||||
other heron's skull hanging in Billy's collection, what the man
|
||||
called his altar, half expecting the yellow eyes to be glaring at
|
||||
him mockingly. A flicker of white caught his eye. For an instant he
|
||||
couldn't make it out, then saw what it was. Pages of a book had
|
||||
been stuck to the spread of stag horns. Each page had been pierced
|
||||
with a sharp tine and left there like flags.</p>
|
||||
|
||||
<p>In that moment Danny realised it was the pages of the bible,
|
||||
pinned by horn and in the same moment he realised that Corky would
|
||||
indeed be proved right. The man had torn pages of the bible and
|
||||
left them when he had killed people. He must have torn them last
|
||||
night in the dark, over by the skulls where he spoke to the
|
||||
shadows, talking to a man who wasn't there. If he'd torn the pages
|
||||
out, then he must be going to really do it.</p>
|
||||
|
||||
<p>"Oh Jeez," he muttered. Corky looked at him. Tom was cringing in
|
||||
again for heat or comfort or protection and Danny felt he had none
|
||||
left to give. An emptiness yawned. Doug just stared at the tent,
|
||||
like that rabbit with the stoat.</p>
|
||||
|
||||
<p>Another rumble came out, very low. Billy said something. It
|
||||
sounded like a question. The man repeated whatever he said and
|
||||
Billy whimpered. Doug's teeth ground together like glass beads. A
|
||||
segment at the side of the tent bulged slowly and the whole thing
|
||||
shivered. The slit opened, expanding like a cat's eye and something
|
||||
white flashed in the interior darkness.</p>
|
||||
|
||||
<p><em>There will be weeping and gnashing of teeth...</em>the words
|
||||
came back to Danny and he tried to shuck them away.</p>
|
||||
|
||||
<p>Doug jerked so hard that the wire creaked. Inside Danny the huge
|
||||
tidal wave of panic and utter dread was swelling to an enormous
|
||||
pressure. Both temples were pounding to the twisting beat of his
|
||||
heart. Tom was shaking once more, a human tuning fork.</p>
|
||||
|
||||
<p>Corky put the pliers down onto the grass and for a moment the
|
||||
others wondered what he was doing. Very quickly he reached down,
|
||||
gripped the bottom of his shirt and hauled it up and over his head.
|
||||
A small green button flew off to the side and landed silently in
|
||||
the grass. Corky, working blind, placed the shirt up and over the
|
||||
braid of wire. He reached for the pliers, got them in under the
|
||||
bundled garment, wrapped the whole fabric tight around it so that
|
||||
both hands were hidden from view. The realisation struck Danny and
|
||||
his surge of panic subsided under the fierce blast of admiration
|
||||
for Corky's practical thinking.</p>
|
||||
|
||||
<p>Corky closed his eyes, as if in prayer. His stocky shoulders
|
||||
flexed, tanned and muscular. Up under his shirt, a metallic click
|
||||
jarred out, very loud in their ears, too loud. As soon as the jaws
|
||||
of the pliers cut the wire and met, all Corky heard was the sound
|
||||
of the shotgun's firing pin slamming down on the empty chamber. The
|
||||
sounds were almost identical. A flare of anger suddenly seared
|
||||
inside him. Without any hesitation, he unrolled the shirt, put the
|
||||
pliers down and got his fingers to the braid of wire, working at
|
||||
the twists to unravel them. They jangled musically, but in only a
|
||||
few seconds, he had reached the braid at his neck, spun the wires
|
||||
and was free. The thin strands dropped away with a slight
|
||||
vibration.</p>
|
||||
|
||||
<p>There was no hesitation now. Danny was jittering, feet moving up
|
||||
and down on the turf in a frantic little dance that was close to
|
||||
hysteria. Corky got to his knees, twisted, brought his shirt up
|
||||
again. Danny could see he had two bruises on his ribs, the size of
|
||||
fists, where he had fallen when the man kicked him. His eyes were
|
||||
alight and alive and suddenly glittering with determination and
|
||||
anger. He insulated the pliers again in the roll of shirt, squeezed
|
||||
hard. The metal snicked again, more quietly than before, right in
|
||||
against Danny's neck. He felt all the braids part in a snap. One of
|
||||
the edges stuck into the skin of his neck with a needle burn, but
|
||||
there was no pain and no blood.</p>
|
||||
|
||||
<p>Over in the tent, the man snored or snorted again, like a pig in
|
||||
a thicket.</p>
|
||||
|
||||
<p>Quickly yet very deliberately, Corky moved past Danny, did the
|
||||
same for Tom, moved on and snapped the cutting jaws down to free
|
||||
Doug who raised his hands up to his neck. The bite of the metal had
|
||||
left a thin, fierce red mark, exactly as if his head had been stuck
|
||||
back on again.</p>
|
||||
|
||||
<p>The tent vibrated. Maybe the man had rolled his weight against
|
||||
the nearest pole.</p>
|
||||
|
||||
<p>"What about Billy?" Tom asked in a tight little whisper.</p>
|
||||
|
||||
<p><em>Leave him!</em> Danny's first, dreadful thought bubbled up
|
||||
before he had time to get a hold of it and stuff it back down.
|
||||
<em>We could get away!</em> Corky looked at them all, his eyes now
|
||||
more green than grey, his chest heaving. He put his cord shirt back
|
||||
on, pulling it fast over his head. Sweat was dripping from his brow
|
||||
and soaking his cows-lick hair into little spikes.</p>
|
||||
|
||||
<p>"We have to get him," Doug said, and it was probably the
|
||||
bravest, the most selfless thing, that any of them had ever heard.
|
||||
Billy and Doug had always been at loggerheads, were forever sniping
|
||||
at each other. On the last night before the twitchy-eyed stranger
|
||||
had appeared, they had savaged one another, stripping each of a
|
||||
protective coat, using a dreadful and devastating knowledge as
|
||||
weapons. Now, in one short phrase, Doug Nicol redeemed anything he
|
||||
had said in a display of the most selfless and courageous
|
||||
altruism.</p>
|
||||
|
||||
<p>Danny bit down on the shameless little voice of unreasoning
|
||||
fear.</p>
|
||||
|
||||
<p>Corky raised a finger to his lips, quite superfluously
|
||||
demonstrating the need for silence. He moved like an Indian, feet
|
||||
making no sound, away from the little ridge where they'd sat all
|
||||
night, first towards the corner where Billy's old sheath knife had
|
||||
been thrown. He picked it up, jammed it into his belt, and then
|
||||
came half-way back again. The mist by the stream was almost gone,
|
||||
trailing its way downstream as the sun rose. Danny got a flash of
|
||||
iridescence from up on the east ridge where the gossamer sparkled
|
||||
in sunlight that was risen over on the moor. The morning grey was
|
||||
already melting to blue.</p>
|
||||
|
||||
<p>Without any hesitation, Corky moved, deliberately but stealthily
|
||||
towards the pile of logs they'd hauled up from the trees.</p>
|
||||
|
||||
<p>Over in the tent, the noise came louder. A bulky shape of a
|
||||
shoulder pushed against the wall of the tent. The man was awake. Or
|
||||
he was waking.</p>
|
||||
|
||||
<p>Tom was still shaking, looking around them in confusion and
|
||||
fear, wondering what to do.</p>
|
||||
|
||||
<p>Corky lifted a thick spruce branch that had been pulled out from
|
||||
the trunk and had a heavy knot at the thick end. Most of the
|
||||
branches were that shape, because the limbs always split away like
|
||||
that when a tall conifer falls. He hefted it like a club, which
|
||||
indeed it was. Danny realised what he intended and hurried across,
|
||||
denying and defying the creepy little voice that ordered him to
|
||||
run, to get up that slope and over the top and away home. He
|
||||
reached the firewood pile, selected a thick branch a yard long,
|
||||
pulled it out. The rest of the branches tumbled to the side in a
|
||||
scuffle of wood. Everybody froze yet again. Over in the tent, there
|
||||
was a silence, only for a few seconds. The man snorted again. A
|
||||
round shape, up from the shoulder, bulged the canvas, moving in
|
||||
slow rhythm</p>
|
||||
|
||||
<p>Corky crept up again, holding the branch like a twisted baseball
|
||||
bat. He got to the side where the slit opened and close to the
|
||||
pushing of the shape inside. He bent down, suddenly tense, like a
|
||||
squat hunter facing a leery, spooked and dangerous beast that could
|
||||
charge out from a thicket. Inside, in the shadows, he saw movement.
|
||||
There was the red of Billy's tee-shirt and beyond that the curve of
|
||||
a thick elbow. The one tattooed word stood out clearly, even in the
|
||||
shadow.</p>
|
||||
|
||||
<p>He stood up, turned to them. He nodded very solemnly across the
|
||||
short distance, and they saw his eyes were set like polished
|
||||
stones, glaring with a light of their own. His mouth drew back at
|
||||
the edges until his gritted teeth could be clearly seen. He eased
|
||||
the branch forward, head nodding a little to some beat only he
|
||||
could hear. Danny realised he was timing it with the motion inside
|
||||
the tent.</p>
|
||||
|
||||
<p>"Fucking bastard," he grated in a low, hoarse voice, swinging
|
||||
the heavy branch up and then down in a fast arc, putting all of his
|
||||
strength into it. The heavy knot of wood at the club-end slammed
|
||||
against the rounded curve which pushed out against the fabric.</p>
|
||||
|
||||
<p>A noise like a pistol shot cracked out, a sharp shock in the
|
||||
charged air. Corky's club splintered and the thick end broke off
|
||||
and went spinning away towards the undergrowth, making a whirring
|
||||
sound, like dragonflies wings, as it flew. On the other side of the
|
||||
canvas, a deep, somehow mindless groan rumbled out. The rounded
|
||||
hump in the fabric slid down towards the ground. Billy whimpered,
|
||||
high and quivering. Danny stepped past Corky who was standing there
|
||||
with only the shaft of his stick in his hands. He raised his own
|
||||
club, slammed it down on the shape. It was not as loud as the first
|
||||
whiplash crack, but duller, somehow deadly. Another groan, more a
|
||||
whoosh of expelled air, followed. Danny felt his club strike
|
||||
something hard which moved only a little with the blow. Again he
|
||||
remembered the sound of the bullocks down in the slaughterhouse
|
||||
chamber when the malletmen fired the bolt into their brains.</p>
|
||||
|
||||
<p>The tent quivered. A violent blow rocked it and then there was a
|
||||
thud and the sound of splintering wood. Something snapped the far
|
||||
upright and the whole thing tilted, caving in at one side,
|
||||
billowing at the side where Danny had cut the escape slit. Billy's
|
||||
hand reached out, palm down, then withdrew. He cried out. Two of
|
||||
the ropes snapped with sudden high, almost musical notes and a
|
||||
tent-peg came shooting out of the ground to spin right over the
|
||||
tent and land by the circle of stones round the cold fire. The
|
||||
canvas pulled away from the groundsheet. The butt of the shotgun
|
||||
lay half exposed.</p>
|
||||
|
||||
<p>Tom grabbed the gun. He stood there for strange a moment,
|
||||
baffled and undecided. The tent collapsed with a sudden snap of
|
||||
more ropes. The man was groaning now, <em>really groaning</em>,
|
||||
like an animal. The sound was deadly and awful, even more mindless
|
||||
than before. A large hand appeared under the frame of the bottom
|
||||
edge, fingers spread wide. A shape slumped against the billowing
|
||||
side. Billy's legs, feet still in his baseball boots, were sticking
|
||||
out on the front side, knees scrabbling for purchase. Tom spun the
|
||||
gun around, so that it was butt first and ran in, now moving
|
||||
quickly and smoothly. He raised it up, swung it hard. The edge
|
||||
slammed the head-shape.</p>
|
||||
|
||||
<p>And the gun roared.</p>
|
||||
|
||||
<p>The noise was like sudden, catastrophic thunder, this close in
|
||||
and in the confines between the tent and the hollow. Tom felt an
|
||||
enormous punch jar though his arm. He felt the sear of fire from
|
||||
the end of the barrel as the shot belched scant inches away from
|
||||
his side. By a sheer miracle, when the butt connected, both barrels
|
||||
in his hands had not been pointing directly at him. The shot would
|
||||
have cut him in half. The gun jumped out of his hands.</p>
|
||||
|
||||
<p>Less than twenty yards away, the rotten deer's skull and its
|
||||
decoration of bible pages, exploded into fragments as the spread of
|
||||
shot knocked it straight out of the hawthorn branches. The white
|
||||
sheep's head tumbled down and cracked against a hard rock,
|
||||
splitting into two halves. The heron's pointed head disappeared,
|
||||
along with half the foliage from the tree. The altar, in one
|
||||
cataclysmic blast, was gone.</p>
|
||||
|
||||
<p>The roar of the gun echoed on and on, as it had the first time,
|
||||
crackling in their ears. In the ruins of the tent, the twitchy eyed
|
||||
stranger slumped down to the ground. Tom stood transfixed, face now
|
||||
white as the quartz. Corky ran in, grabbed the gun, turned it
|
||||
around and put the barrel down to the hidden head, jamming it right
|
||||
against where the ear would be.</p>
|
||||
|
||||
<p>Billy came out of the fallen tent, crawling fast. Danny saw his
|
||||
face. It was blank and awful. There was a streak of dark on his
|
||||
leg.</p>
|
||||
|
||||
<p>"See how you like it, you crazy fucking <em>bastard!</em>" Corky
|
||||
grated, not screaming, but low and straight and somehow deadly.
|
||||
When he swore, he really meant it. He held steady, squeezed the
|
||||
trigger. All of them, except Billy who was still stumbling to his
|
||||
feet, now dumbly trying to get into his jeans, braced themselves
|
||||
for the close blast.</p>
|
||||
|
||||
<p>Nothing happened. The hammer clicked again on the empty chamber.
|
||||
The metallic sound was not as loud as it had seemed the first time.
|
||||
The man was groaning loudly now, and rocking about under the
|
||||
canvas, blundering his way around. Corky looked at the gun as if
|
||||
he'd been betrayed, standing stock still for several seconds. Then
|
||||
he moved, broke it open, looked into the empty chambers.</p>
|
||||
|
||||
<p>"Only had one shell," he said. Danny felt a sudden seethe of
|
||||
resentment against Tom for wasting the last one, but it died
|
||||
instantly. Corky dropped the gun. The man groaned again, this time
|
||||
much louder and his head nodded up and down, jammed in against the
|
||||
corner. A stain of blood spread on the canvas. Danny could smell
|
||||
it. Billy was on his feet.</p>
|
||||
|
||||
<p>"Kill him," he said in a shivery voice. "Kill him, somebody.
|
||||
<em>Please</em>."</p>
|
||||
|
||||
<p>The tent rolled to the side and the man's feet could be seen
|
||||
now, pushing against the trampled grass and ferns, scraping to get
|
||||
a purchase. He was struggling to get out, groaning and moaning
|
||||
wordlessly the whole time, like a wounded bull, trying to get free
|
||||
of the constraint. Doug ran to the fire, picked up a smooth rock in
|
||||
both hands, came striding back, straight towards the commotion
|
||||
inside the tent. He raised it up high, using his whole body,
|
||||
brought it down, crouching as he did. The rock hit something which
|
||||
snapped like a branch. This time the man roared, like a mad bull.
|
||||
His legs kicked out. One foot caught Doug on the shin and almost
|
||||
felled him. The stone rolled away.</p>
|
||||
|
||||
<p>"Kill him," Billy quavered, very softly, but as powerful as any
|
||||
shriek. "<em>Kill him</em>."</p>
|
||||
|
||||
<p>Doug backed off to stand beside Tom who was holding on to Danny.
|
||||
Corky ran forward, tugging at the knife at his belt, leapt upon the
|
||||
humping shape. They could see his elbow jerk back. Once, twice,
|
||||
three times, each movement followed by a forward punch and a
|
||||
sudden, thudding sound. The canvas blossomed a flower of dark, wet
|
||||
sheen.</p>
|
||||
|
||||
<p>The man's roar stopped dead. He led out a long wavering moan
|
||||
that tailed away.</p>
|
||||
|
||||
<p>"Jesus, oh fuckin' Jesus God." This from Doug who stood there,
|
||||
mouth agape. Corky backed of. Everything stopped for several
|
||||
seconds. The man's feet went still. His shape, rolled up in the
|
||||
bundle of canvas lay long and prone. The blood formed a patch a
|
||||
handspan wide at the far end. Halfway down, an even wider patch
|
||||
glistened and spread very quickly.</p>
|
||||
|
||||
<p>"Is he dead? Is he dead?" Billy was asking. He'd pulled his
|
||||
jeans up, but Danny could still smell the blood on him, and the
|
||||
cold, stale sweat of the stranger. His face was strangely slack, as
|
||||
if all the nerves had gone to sleep, but his eyes were dark and
|
||||
feral, almost the way the twitchy man's had been when he looked at
|
||||
the brightness in the water.</p>
|
||||
|
||||
<p>He spun, crossed to the bag, grabbed up the ballpeen hammer that
|
||||
lay on the grass and ran towards the prone man. He raised it up and
|
||||
slammed it down, not aiming, just hitting. It made meaty thuds
|
||||
where it landed. Billy's arm raised up and plunged down half a
|
||||
dozen times, before he stumbled back, panting very hard. He stood
|
||||
up, eyes fixed at first on the still shape.</p>
|
||||
|
||||
<p>Everybody turned to look at Billy. For a moment, he was fixed on
|
||||
the prostrate form, as if he wanted to continue, to keep on hitting
|
||||
with the hammer. A trickle of saliva drooled from his mouth and in
|
||||
that moment, he looked completely mad. After a moment, he dropped
|
||||
the hammer. He backed off, and then realised they were all looking
|
||||
at him. An odd flicker crossed his face. Danny recognised it as
|
||||
deep and devastating shame and his heart went out to him. Corky put
|
||||
a hand out and touched him on the shoulder, the way Tom had done to
|
||||
himself on the night of the big argument. It was just a touch, but
|
||||
it said a huge amount. In his other hand, Corky held the knife.
|
||||
Despite what he had done with it, the blade was surprisingly
|
||||
clean.</p>
|
||||
|
||||
<p>There was a silence for a long moment.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
613
build/darkvalley/OEBPS/033.xhtml
Normal file
613
build/darkvalley/OEBPS/033.xhtml
Normal file
@ -0,0 +1,613 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>33</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>33</h1>
|
||||
|
||||
<p>Corky stuck the knife back in the loop of his belt. His chest
|
||||
was heaving up and down with the huge effort. They were all panting
|
||||
like wolves after a long chase and a desperate fight. They were
|
||||
stunned to immobility at the enormity of what they had done. The
|
||||
stain spread on the canvas. Some blood pooled where the grass had
|
||||
been flattened by the groundsheet. It was surprisingly dark.</p>
|
||||
|
||||
<p>"Jesus God," Doug finally murmured, awe-struck.</p>
|
||||
|
||||
<p>"Is he dead?" Billy whispered. His face was still white and
|
||||
bloodless. His hands were now trembling, fluttering like birds.
|
||||
Tom's mouth opened, closed, opened again. No sound came out.</p>
|
||||
|
||||
<p>"Hope so," Corky said, with awful grim finality. "Come on. We'd
|
||||
better get out of here."</p>
|
||||
|
||||
<p>"What about him?" Danny asked. "We can't just leave him, can
|
||||
we?"</p>
|
||||
|
||||
<p>"Why not?" Doug said. "He's going nowhere." He went to the bag
|
||||
and picked up his slingshot and the gun. He handed the pistol to
|
||||
Tom who took it soundlessly and let it dangle from his hand.</p>
|
||||
|
||||
<p>"We should burn him," Billy said and they all stopped. "We
|
||||
should make a fire and burn him. Nobody would ever know." Danny
|
||||
looked at him and recognised the bleak and terrible shame at what
|
||||
the man had done to him in the tent.</p>
|
||||
|
||||
<p>"What do you think, Corky?" Doug asked, deferring now. They had
|
||||
all hit, all of them. But Corky had been the first, and then he'd
|
||||
gone in with the knife to make sure, right up close, <em>man to
|
||||
man</em>, where he could actually touch the twitchy eyed madman,
|
||||
stabbing through the canvas sheet.</p>
|
||||
|
||||
<p>Corky turned and his face was still hard and set, bleaker even
|
||||
than Billy's. He was considering the best option. His eyes stared
|
||||
into the far distance, his mouth drawn down. After a while he
|
||||
nodded.</p>
|
||||
|
||||
<p>"That might be the best idea," he said. "Get all the gear
|
||||
together."</p>
|
||||
|
||||
<p>Without hesitation, no arguing now, they starred collecting
|
||||
their haversacks, trying not to look at the collapsed tent and the
|
||||
butterfly bloodstain on the fabric, but unable to keep their
|
||||
glances from straying. It pulled them like a magnet. Doug put the
|
||||
hammer back in the bag. "What about the tent?"</p>
|
||||
|
||||
<p>"It stays. Burn it all. Phil can swipe another," Corky said. His
|
||||
voice was distant and somehow coldly implacable. They'd never use
|
||||
the tent again.</p>
|
||||
|
||||
<p>Tom stuck the gun in his own belt-loop and gingerly approached
|
||||
the rumple of canvas where the pole had broken and speared right
|
||||
through the top. His own bag was lying half concealed by the old
|
||||
groundsheet, tucked on the grass that had been blanched by the four
|
||||
days without sunlight. He reached, got a hand to the strap, pulled,
|
||||
but the bag stayed where it was. He lifted a torn flap, found the
|
||||
strap was looped round the bottom of the broken spar and reached to
|
||||
free it when the whole tent suddenly bucked. Tom's feet were pulled
|
||||
from under him and he fell on top of the pile.</p>
|
||||
|
||||
<p>A hellish roar boomed out, the huge bellow of a wild beast. Tom
|
||||
squawked in alarm and Billy got such a shock he stumbled backwards
|
||||
and tripped over the rock Doug had used as a weapon.</p>
|
||||
|
||||
<p>The man screamed, in anger or in pain, none of them could tell.
|
||||
A hand clawed out, clamped itself on the first thing it touched. It
|
||||
was Tom's leg. The fingers gripped like a vice and Tom yelled out
|
||||
in real pain and awful fright. His left leg kicked out at the
|
||||
wrist, trying to break free.</p>
|
||||
|
||||
<p>Corky ran forward on the far side, grabbed the gun, raised it up
|
||||
quickly and slammed it down on the bucking shape. He couldn't reach
|
||||
the hand that was holding Tom, otherwise the blow would easily have
|
||||
broken a wrist. The harsh and ragged roar cut off instantly and the
|
||||
fingers snapped open. The shape under the canvas rolled and Tom had
|
||||
to scramble out of the way. Both feet were now out from the
|
||||
encumbrance, digging into the ground as the man tried to force
|
||||
himself up to his knees. Despite the blood, he was twisting and
|
||||
turning with incredible strength.</p>
|
||||
|
||||
<p>He bellowed, a howl of fury, clawed his way out of the far end
|
||||
until his head pushed through the rent in the fabric. One eye was
|
||||
horribly <em>slumped</em> as if the whole eyebrow and half the
|
||||
cheekbone had caved in. It made him seem to look in two different
|
||||
directions. Blood was streaming from both nostrils and his mouth
|
||||
was dripping both blood and saliva. He was snarling now, jerking
|
||||
from side to side to free himself from the restraint and he fixed
|
||||
his good eye on Corky, who backed away fast.</p>
|
||||
|
||||
<p>Doug and Tom had backed further and faster, right to the edge of
|
||||
the stream. Danny was helping Billy to his feet, scared almost
|
||||
witless, but still able to feel the jittery vibration that was
|
||||
making Billy's whole body quiver like a bowstring.</p>
|
||||
|
||||
<p>There were no words now, just the guttural, feral snarl of the
|
||||
man they'd thought was dead. The fact that he had come alive again,
|
||||
was even more frightening. It made him, despite the appalling dent
|
||||
in his head and the pooling of the blood on the hard ground,
|
||||
somehow invincible and indestructible. He was fighting his way out,
|
||||
now halfway to his feet, one hand and arm completely free. He
|
||||
pushed violently and the canvas ripped with a high whine. Doug
|
||||
backed into Tom who almost fell into the stream. The man pointed at
|
||||
Corky, still grunting and snarling, pointed straight at him. The
|
||||
threat was shockingly eloquent.</p>
|
||||
|
||||
<p>The other hand came up now, and in it was a large knife they had
|
||||
not seen before. Corky saw it flash in the morning light. It looked
|
||||
like a butcher's knife. The blade came down and slashed at the
|
||||
canvas, slitting it like paper.</p>
|
||||
|
||||
<p>Corky turned, pushed at Danny and Billy. "Run," he bawled. Tom
|
||||
and Dog needed no urging. They went pattering across the stream,
|
||||
sending up spray. Danny and Billy followed, moving fast, crossed
|
||||
the water in four strides and got up the low bank on the far side.
|
||||
Behind them, the man was screeching now, his mad fury echoing from
|
||||
the high sides in a stuttering reverberation of noise.</p>
|
||||
|
||||
<p>Up the bank and along the low path on the far side, they
|
||||
scrambled, now panicked into flight. The crazy man had the knife
|
||||
now and no matter what had happened, they were still just boys.
|
||||
Danny pushed at Billy who was whimpering now. A dark stain had
|
||||
appeared on the seat of Billy's jeans and Danny realised it was
|
||||
blood. He urged him on, and behind him, Corky was trying to get
|
||||
them to go faster. He shoved him in the back, sending a howl of
|
||||
pain down the length of Danny's spine.</p>
|
||||
|
||||
<p>They got to the track that led up the narrow gully. Doug reached
|
||||
the broad part first, and despite his fear, he risked a look back.
|
||||
The man was right out of the ruined tent now, half naked, with his
|
||||
dirty jeans pooled around his feet. He hauled them up, still
|
||||
snarling, and somehow managed to fasten them without dropping the
|
||||
knife. As soon as he finished that motion, he was moving, running
|
||||
across the turf, over the ridge where he'd sat with Billy roped to
|
||||
the shotgun, down the shallow bank and started across the stream.
|
||||
They all heard the splashing of his progress and Tom yelped in
|
||||
panic.</p>
|
||||
|
||||
<p>"Move!" Corky bawled. "Come on. We can go faster than him."</p>
|
||||
|
||||
<p>Whether he believed that was another matter, but he urged them
|
||||
all on, up the slope. He knew that if they couldn't kill the a man
|
||||
with the hammer and the clubs and the stone while he was rolled up
|
||||
and trapped in the tent, or if he wouldn't die with a knife blade
|
||||
stabbed three times into him, they had no chance when he was on his
|
||||
feet and crazier still with pain and anger. He sounded like a
|
||||
wounded tiger and Corky had read all the stories about wounded
|
||||
animals. He looked up at the top of the ridge, estimated the sounds
|
||||
of splashing behind him, gauged the distance.</p>
|
||||
|
||||
<p>They might make it. They just <em>might</em>.</p>
|
||||
|
||||
<p>Doug, followed by Tom, were on the broad turn into the gully
|
||||
where they'd discovered the backed up lake behind the narrow cleft.
|
||||
Here the slope was very steep and the track narrowed to six inches,
|
||||
the kind of groove sheep make when they climb to the high pasture,
|
||||
or down to the stream for a drink. The grit was dry and powdery,
|
||||
occasionally broken by a line of pale hard mudstone which gave
|
||||
firmer footing, but the surface still kept slipping from under
|
||||
their feet.</p>
|
||||
|
||||
<p>Billy made the flat and got to the track, Danny pushing him all
|
||||
the way, with Corky right on their heels. The man was about forty
|
||||
yards behind them, now snarling words which were all jammed
|
||||
together until they were totally incomprehensible. None of the
|
||||
fleeing boys mistook their content.</p>
|
||||
|
||||
<p>They scampered across the steepening slope, traversing it,
|
||||
moving like startled roe-deer. Even Billy was going at a rate. He
|
||||
was sobbing now, in fear and despair, and if Danny hadn't been at
|
||||
his back, goading him like a mule-driver, he could have collapsed
|
||||
in terror and waited for the end.</p>
|
||||
|
||||
<p>The gully took a turn here, allowing them a downhill run first
|
||||
of all to scutter across the shallow rivulet and up the far side
|
||||
which was steeper than this one. They all went down in a tight
|
||||
line, panting for breath, using the momentum to get as far up the
|
||||
other side as they could. Shale and grit slid out from under them.
|
||||
Tom slid back two yards and Doug stopped in his flight, leaned
|
||||
back, bracing his foot on a stone slab, to haul him back again.</p>
|
||||
|
||||
<p>The man came lumbering round the bend. Danny glanced back, saw
|
||||
the red stain on his side, just under the curve of ribs. Blood was
|
||||
soaking the waistband of the jeans. The caved-in face looked even
|
||||
more insane, like a monstrous gargoyle, but the man was still
|
||||
coming after them. Danny's heart tried to leap into his mouth and
|
||||
an awful pounding started up in his temples again. His foot slipped
|
||||
and he lost some height. Corky blocked him, preventing him sliding
|
||||
further and pushed hard, getting him back up again.</p>
|
||||
|
||||
<p>They clambered up the slope, now so steep that one wrong step
|
||||
would tumble them down. The whole face was slipping and sliding
|
||||
with the vibration of their passage. Tiny avalanches of shale
|
||||
hissed and whispered, dislodged to trickle down towards the
|
||||
rivulet. By sheer luck and sheer determination, they got closer to
|
||||
the top. Beyond the fringe of bracken at the edge, there was a
|
||||
grassy corrie that went back for several yards to a hollow
|
||||
rock-filled basin before another much steeper climb up onto the
|
||||
moor.</p>
|
||||
|
||||
<p>Doug made it to the lip, clambered over, turned, hauled Tom up
|
||||
with one brutal and surprisingly strong heave that flipped him
|
||||
right up from the slope to land on his belly. Billy reached up.
|
||||
Doug clasped the hand in his own in a desperate handshake. He
|
||||
braced himself for Billy's weight, leaned back, grunted, and
|
||||
dragged the heavy boy up to the flat. Corky pushed Danny up and
|
||||
Danny then turned, offered his hand. Corky took both it and Doug's.
|
||||
Together they heaved him over. Down the slope, just crossing the
|
||||
rivulet, the man came blundering on, still ranting at the top of
|
||||
his voice.</p>
|
||||
|
||||
<p>Corky quickly spun round, searched the flat turf. Over by the
|
||||
next steep wall he found a hand-sized piece of mudstone which he
|
||||
grabbed and hefted. Danny picked up a thick stick that had fallen
|
||||
from one of the trees that had managed to find root on the almost
|
||||
sheer face. He turned. Corky braced himself, pivoted on one foot on
|
||||
a movement just like a baseball pitcher, and lobbed the stone. It
|
||||
whirred audibly in the air, spinning at it flew.</p>
|
||||
|
||||
<p>It missed by a good yard and the man ignored it. Corky turned
|
||||
away, pushed Doug. "Come on," he yelled. Tom had crossed the flat
|
||||
and down into a little dip of a hollow at the base of the corrie
|
||||
and was just beginning to go up the slope. Small stones rolled out
|
||||
from under his feet. Danny crossed to the edge. The man was only
|
||||
thirty yards behind them now, almost vertically below them. He
|
||||
swung the curved branch in an easy loop and winged it downwards. It
|
||||
spun like a boomerang, spun like the stick that had dropped the
|
||||
heron out of the sky.</p>
|
||||
|
||||
<p>It took the man right on the side of the head, where his eyebrow
|
||||
and cheekbones were caved in and knocked him backwards. The man's
|
||||
hands shot out and the knife spun away. He peeled away from the
|
||||
shale face the way Danny had done, but he only fell backwards onto
|
||||
the soft scree of the lower slope, his shoulders digging into the
|
||||
gravel. Particles of shale dropped on top of him and glued
|
||||
themselves to the slick trail of blood on his side and on the top
|
||||
of his jeans.</p>
|
||||
|
||||
<p>"Great shot," Corky gasped. He favoured Danny with a look of
|
||||
rueful admiration, gave him a quick, desperate grin. "Come on now.
|
||||
Let's go." Danny backed away from the edge, still hoping that the
|
||||
man might had broken his back in the fall, but even before Corky
|
||||
hauled him back, across the level area of the little corrie towards
|
||||
the far face and the last climb, he saw the man shake himself and
|
||||
roll over, stumbling to his knees, to his feet. He scraped away the
|
||||
shale where the knife had landed, uncovered it, snarled even more
|
||||
ferally and came on, pushing his way up the slope. Danny had gained
|
||||
them maybe twenty yards.</p>
|
||||
|
||||
<p>The final climb was a killer, but it was the only way to the
|
||||
top. Here the slope was powdery soft, up at the height where there
|
||||
was no drain-water to bind it. Pieces of mudstone flipped out and
|
||||
went rolling down under their feet, but there was no other way to
|
||||
go. This part of the climb narrowed in at an angle to the place
|
||||
where they'd played before. The rock on each side of the angle were
|
||||
sheer and offered no handholds save the gnarled and dead roots of
|
||||
old hawthorn trees that hadn't survived the impossibly precarious
|
||||
hold, but they were too far apart, and would probably pull out of
|
||||
the anchorages at the first tug. The only way up was on the steep
|
||||
gravel slope where they could dig their feet in for purchase and
|
||||
push and haul at each other.</p>
|
||||
|
||||
<p>It was hard going. The first climb had tired them all out, and
|
||||
the fear and panic inside them was even more exhausting. Tom,
|
||||
smallest, weakest of them all, was beginning to flag. His knees
|
||||
were shaking so violently he was convinced he'd simply pitch off
|
||||
the side and go tumbling down to the scattered scree rocks in the
|
||||
corrie. He was breathing hard and fast, hauling for air. Behind him
|
||||
Doug sounded like the old pair of bellows in the organ in the
|
||||
church hall. Some thick saliva had stuck at the back of his throat
|
||||
and was making a little musical monotone. He kept pushing at Tom,
|
||||
forcing him on, getting him higher.</p>
|
||||
|
||||
<p>Billy was struggling now because his heavier weight crushed the
|
||||
shale footholds to powder and made it easier for him to slip
|
||||
backwards but Danny and Corky shoved at him, holding him up. Danny
|
||||
could smell the blood on him. Billy was whimpering in between
|
||||
breaths, loud and blubbery.</p>
|
||||
|
||||
<p><em>Up and over. Up and over.</em> The litany was going through
|
||||
Danny's head, the way it had done when he tried to climb the last
|
||||
time, before the heron startled him and sent the rock crashing down
|
||||
to wake the man and wake the gun. His back was burning now, rasping
|
||||
with the scrape of his tee-shirt across the skin, but it was only
|
||||
hot, not agony. He and Corky were almost level, clambering up as
|
||||
best they could while goading Billy on.</p>
|
||||
|
||||
<p>Tom got to the top. This time he made it over the high edge with
|
||||
a desperate shove from Doug. He turned to help Doug over, stopped
|
||||
and pointed straight down.</p>
|
||||
|
||||
<p>"Come on, Danny. <em>Move!</em>" His high-pitched cry was urgent
|
||||
and fearful. Danny couldn't risk looking back. He could hear the
|
||||
man's growling, not speaking any more, but just making savage
|
||||
snarling sounds in the back of his throat. If Tom could see him,
|
||||
that meant he was over the corrie edge and heading for the slope.
|
||||
Danny felt the unbearable urge to stop and look, just in case the
|
||||
man was <em>on</em> the slope. His muscles wanted to freeze solid.
|
||||
He felt like the rabbit hunted by the stoat.</p>
|
||||
|
||||
<p>"Move it, Danny boy," Corky said through gritted teeth. "We can
|
||||
make it."</p>
|
||||
|
||||
<p>Up at the top, Tom and Doug were bawling, jumping up and down,
|
||||
so close to the edge that one stumble would tumble them down to the
|
||||
corrie again, to land them right at the man's feet. They were
|
||||
yelling desperate encouragement. Billy was ten yards from the lip,
|
||||
almost completely exhausted. It was getting harder for the others
|
||||
to push him.</p>
|
||||
|
||||
<p>The sneaky little coward's voice tried to over-ride the litany
|
||||
inside Danny's head.</p>
|
||||
|
||||
<p><em>Leave him! We can make it!</em></p>
|
||||
|
||||
<p>He tried to ignore it despite the huge surge of fear at the
|
||||
knowledge that <em>Twitchy Eyes</em> was right behind him with that
|
||||
big butcher's knife in his hand, ready to cut and slice the way
|
||||
he'd cut and sliced Don Whalen and that girl in the dark of the
|
||||
bomb shelter. And underneath it all was the paralysing dread that
|
||||
the man was unstoppable; that he would not tire, that he'd keep on
|
||||
coming. Danny recalled the almighty crack of the club on the man's
|
||||
head, a devastating blow that should have felled anybody, and yet
|
||||
despite the caved in bone and the <em>slump</em> of his head, he
|
||||
was still after them, like a monster from some terrible myth.</p>
|
||||
|
||||
<p><em>Up and over.</em> The top edge was ten yards away. <em>Leave
|
||||
him. We can make it.</em> He pushed on, felt Corky's hand on his
|
||||
back. <em>Up and over.</em> <em>Jesus please us, oil and grease
|
||||
us.</em> Nine yards, eight. Corky slid back and Danny got him by
|
||||
the waist band. The knife wobbled in its makeshift holder, but
|
||||
stayed put. Danny pushed him hard and Corky gained a yard. The edge
|
||||
loomed. Behind him, the growling was getting louder as the man saw,
|
||||
with his one good eye, that they would reach it before he caught
|
||||
them. Tom and Doug could see him about a hundred feet behind. He
|
||||
had taken a run at the slope, slipped, fallen several feet and
|
||||
started up from a standstill just above the little scoop of the
|
||||
hollow.</p>
|
||||
|
||||
<p>Billy got to the top. Both boys dragged him over, with the other
|
||||
two pushing from behind. He got over, flopped and lay still, his
|
||||
feet sticking out over the drop. Danny made it, helped Corky up,
|
||||
crawled forward through the couch grass, fingers snatching at the
|
||||
tussocks to pull himself along. His chest ached with the shale dust
|
||||
that had rasped his windpipe and lungs. He was panting like an
|
||||
animal. Corky fell beside him, retched violently, but brought
|
||||
nothing up.</p>
|
||||
|
||||
<p>"Come on," Doug begged. "Corky. Danny. Come <em>on</em>
|
||||
now."</p>
|
||||
|
||||
<p>"Get up Billy," Tom was cajoling on the other side. Billy was
|
||||
gabbling, unable to speak, arms flapped out on each side, as if all
|
||||
of this strength had gone. He looked finished. Tom hauled his
|
||||
exposed feet over the edge and onto the grass, Billy twisted,
|
||||
turning his face up to the sky.</p>
|
||||
|
||||
<p>The morning sun was just rising into the blue over the slope of
|
||||
the high moor and the whole sky was ablaze with light.</p>
|
||||
|
||||
<p>Corky got to his feet, pushing himself with his last reserves.
|
||||
He went back to the ledge and peered down. The man was less than
|
||||
seventy feet below them, coming on with dreadful doggedness. He
|
||||
seemed to have huge reserves and they had drained theirs. Corky
|
||||
looked back at the long slope of the moor ahead. It was not a huge
|
||||
climb, but it was still a height and uphill all the way to the
|
||||
shoulder before the long run down to the barwoods and the old bomb
|
||||
craters and then down to the edge of town. If he kept on coming, he
|
||||
could catch them, one or two of them, before the brow.</p>
|
||||
|
||||
<p>"Why doesn't he stop?" he gasped.</p>
|
||||
|
||||
<p>Doug whipped out his catapult and loaded a small stone, pulled,
|
||||
fired, and hit <em>Twitchy Eyes</em> a glancing blow on the
|
||||
shoulder. He completely ignored it. Danny dragged Billy to his feet
|
||||
and pulled his arm round his own shoulder, doing his best to
|
||||
silence the creepy little voice in his head which told him Billy
|
||||
wasn't worth it. They staggered along the path towards the tree
|
||||
whose roots overhung the steep ravine where they'd played
|
||||
before.</p>
|
||||
|
||||
<p>Below them, the man was snarling again, forcing his way upwards.
|
||||
Doug could see that his eyes, at least the one eye that looked up
|
||||
at them, was flickering away with its madness. Fear and fury made
|
||||
Doug hawk and spit, but nothing came out of his dry mouth. They
|
||||
were going past the tree, moving as fast as they could, all in a
|
||||
line, with Danny still helping Billy when Corky suddenly shouted at
|
||||
them to hold up.</p>
|
||||
|
||||
<p>"We'll never get away, not up there," he said, pointing at the
|
||||
remorseless rise of the moor. "He'll catch us for certain unless we
|
||||
stop him."</p>
|
||||
|
||||
<p>"How can we stop him?" Doug wanted to know. "He's got the
|
||||
knife."</p>
|
||||
|
||||
<p>"What about this?" Tom said, pulling the gun from his waistband.
|
||||
It had stayed fixed there the whole time they'd climbed, despite
|
||||
slips and falls.</p>
|
||||
|
||||
<p>Doug grabbed it, pulled the lever which opened it. There was one
|
||||
slug in the slot, despite the fact that he couldn't remember
|
||||
anybody loading it since the time Billy had fired one at his
|
||||
backside and sparked off the big argument. He turned on his heel,
|
||||
with Corky beside him and went back to the edge. The man had
|
||||
gained, clambering sideways to traverse the flat, steep face of the
|
||||
slope, getting right underneath them, the good eye still twitching
|
||||
madly.</p>
|
||||
|
||||
<p>"Let me," Corky said.</p>
|
||||
|
||||
<p>"You couldn't hit a barn if you were inside it," Doug said,
|
||||
biting down on his bottom lip. The low morning sun caught his big
|
||||
cupped ears and made them redly translucent. He closed one eye,
|
||||
took aim and fired.</p>
|
||||
|
||||
<p>A small crack, like a thin whip, and the gun bucked. The lead
|
||||
slug, slowed by the weak spring, flicked in the sunlight, just a
|
||||
blur but it hit the man in the grotesque, damaged eye and he
|
||||
screeched, clawing up with his free hand. The noise of his bellow
|
||||
echoed out from the cup of the corrie and right along the valley.
|
||||
He slid back five yards, and despite whatever pain the pellet had
|
||||
caused, he still dug in at the shale with the knife to brake his
|
||||
fall. He bellowed again, turned, and began traversing once
|
||||
more.</p>
|
||||
|
||||
<p>"Good shot, Doug," Corky said. The gun was empty and there were
|
||||
no more slugs.</p>
|
||||
|
||||
<p>"We could make it up there," Doug said.</p>
|
||||
|
||||
<p>"You and me and Dan," Corky admitted. "But not Billy or wee Tom.
|
||||
He'd cut them to bits."</p>
|
||||
|
||||
<p>"Maybe he'll stop."</p>
|
||||
|
||||
<p>"No," Corky said, dreadfully convinced. "This one won't ever
|
||||
stop. He's a fuckin' devil."</p>
|
||||
|
||||
<p>He pulled back from the edge and went along the track, casting
|
||||
about for rocks to roll down, but here, the thick turf of the
|
||||
moorland grass covered everything. There were no rocks here. The
|
||||
others were at the tree now, where they'd been playing, the three
|
||||
of them, when the man had stepped across the stream and made Billy
|
||||
eat the fish. They scurried past, urging the others on, when Danny
|
||||
held up his hand and stopped them.</p>
|
||||
|
||||
<p>"What's that?" he asked, pointing at the tree.</p>
|
||||
|
||||
<p>The two black weights sat on the thick branches that had been
|
||||
pulled back from the forked double trunk and tied to the curving
|
||||
roots.</p>
|
||||
|
||||
<p>"It's the bombs," Tom said. "Come on. Come on."</p>
|
||||
|
||||
<p>"Hells bells," Doug said. Corky moved forward.</p>
|
||||
|
||||
<p>"We can use them," he said. "Brain the bastard." The baling
|
||||
twine was looped round the branch that had been pulled back so far
|
||||
that it almost formed a complete circle, and several thick strands
|
||||
had been needed to lash it to the root. It was four inches thick
|
||||
and it had taken all their muscle to pull it back to the root.
|
||||
Corky drew the sheath knife from his belt and started hacking at
|
||||
the string.</p>
|
||||
|
||||
<p>"You go on," he said, turning to Tom and Billy. The two of them
|
||||
turned away, but as soon as Corky started sawing at the thick
|
||||
twine, they stopped. Corky hacked and cut and all the while, over
|
||||
the edge, they could hear the grunting breath of the man's
|
||||
progress. Danny could visualise him, covered in blood and shale
|
||||
dust, his caved eye looking down at his cheek, the knife glinting
|
||||
in the early morning sun. He could visualise him trailing after
|
||||
them up the moor, slashing and cutting, hacking away at them,
|
||||
snarling like a beast all the while.</p>
|
||||
|
||||
<p>"Come on!" he begged Corky, itching to be away, to be off and
|
||||
running.</p>
|
||||
|
||||
<p>Three strands parted with a machine-gun stutter and the branch
|
||||
uncoiled by about six inches. Corky cut again, got a fourth string
|
||||
to break, a fifth. The bomb rolled out of the fork where it had
|
||||
lain and tumbled to the ground. It started to roll down the
|
||||
gradient towards the edge.</p>
|
||||
|
||||
<p>"Get it, quick!" Corky yelled. Doug dived, got both hands to the
|
||||
rolling shape. It slipped, rolled more and he caught it again,
|
||||
managing to stop it before it flipped uselessly over the side. He
|
||||
gasped with effort, heaved it back and Corky went to help him.
|
||||
Together they lifted the heavy, deadly shape into their arms and
|
||||
together they carried it to the edge. Corky peered down.</p>
|
||||
|
||||
<p>"Where is he?" Doug tried to shrug, but with the weight in his
|
||||
arms, he failed in the attempt.</p>
|
||||
|
||||
<p>Just at that moment, the sixth and seventh strings broke with a
|
||||
sudden, unexpected crack and the bent back branch lashed forward,
|
||||
so violently it smacked against another, thicker bough and the
|
||||
whole tree shuddered to its roots. Several stones dislodged by the
|
||||
vibration shot out from under the overhand and went tumbling down
|
||||
the face. Just then the stranger appeared in to view, round the
|
||||
little jutting point that had hidden him from up above. He looked
|
||||
up, saw the small avalanche, pulled back and waited until it was
|
||||
gone. He was crossing this part of the face, right under the tree,
|
||||
over the basin of the little corrie, maybe forty feet below
|
||||
them.</p>
|
||||
|
||||
<p>"I'll tell you when," Corky said. This time Doug nodded. "One
|
||||
two three and go?"</p>
|
||||
|
||||
<p>Another nod. Doug sniffed. Tom and Billy stood watching, unable
|
||||
to move.</p>
|
||||
|
||||
<p>The man was crossing the curve now. Corky gauged the distance,
|
||||
counted it out to himself, then looked at Doug. He counted it aloud
|
||||
this time, each number accompanied by a swing forward, each swing
|
||||
greater than the last.</p>
|
||||
|
||||
<p>"Go," Corky bawled. They both grunted with the effort and the
|
||||
heavy bomb sailed out, fins back. It turned in the air, fins up,
|
||||
dropped straight down.</p>
|
||||
|
||||
<p>The man looked up, saw the black shape plummet towards him. He
|
||||
jerked backwards and the bomb missed him by less than a foot. Had
|
||||
it connected, it would have slammed him right off the slope to
|
||||
tumble to the rocks below. It might even have killed him.</p>
|
||||
|
||||
<p>But it missed. The man spun, and began to slide slowly
|
||||
downwards, trying to grab for a hold, but gathering speed, losing
|
||||
almost all of the height he had gained. He came to rest in a little
|
||||
pile of accumulated shale, digging into its soft surface.</p>
|
||||
|
||||
<p>Corky said nothing. His disappointment was almost overwhelming.
|
||||
He spun away from the edge, hands balled into tight fists.</p>
|
||||
|
||||
<p>"Nothing's going to stop him," he grated through teeth that were
|
||||
clenched into a straight line.</p>
|
||||
|
||||
<p>"Going to get you," the man bellowed up. "Going to get you all.
|
||||
The flies are going to get every one of you." He laughed, high and
|
||||
manic, as insane as ever. Doug felt another shiver travel up and
|
||||
down his spine. Corky ignored the noise. He stormed over to the
|
||||
tree, raised a hand and slammed it against Billy's chest.</p>
|
||||
|
||||
<p>"I thought I told you to move?" he bawled. Billy took a step
|
||||
back. "You want him to catch you? Get a bloody move on!"</p>
|
||||
|
||||
<p>Once again, Billy moved back. Corky looked at him, made a little
|
||||
motion of his head to let Billy know it was just the anger and the
|
||||
hurt and the madness of it all. He turned back to the tree. The
|
||||
second bomb was on its own branch which was lashed the same way, to
|
||||
the thick loop of roots.</p>
|
||||
|
||||
<p>"The next one might work," Corky said. "Want to try it?"</p>
|
||||
|
||||
<p>Danny and Doug both nodded. The beast had slipped down the
|
||||
slope. They had gained yards. They had gained moments.</p>
|
||||
|
||||
<p>Corky took the knife and cut at the twine as before, sawing back
|
||||
and forth, peering down between the roots. Below him he could see
|
||||
the top of the man's head. He was moving on all fours, even more
|
||||
animal now than before, gabbling non-stop.</p>
|
||||
|
||||
<p><em>Kill you. Kill all of you. Nothing left. Not a
|
||||
thing.</em></p>
|
||||
|
||||
<p>He was right below the tree, gaining some height, close to the
|
||||
bottom of the slope. The other bomb was about twenty yards to the
|
||||
right, beyond the lip of the little corrie, lying on its side, two
|
||||
fins dug into the shale. It looked like a small beched submarine.
|
||||
Corky sawed and again, three strands stuttered apart. The jerk as
|
||||
the branch jerked straighter by two inches shook the tree once
|
||||
more. This time, little stones bulleted out from underneath the
|
||||
overhang in a series of punchy little flicks. Corky cut again,
|
||||
reaching out over the drop. As he did so, his foot slipped, just
|
||||
enough to throw him off balance. Danny reached to grab him by the
|
||||
collar and stop him falling over the edge.</p>
|
||||
|
||||
<p>The motion altered Corky's swipe with the knife. It swung round
|
||||
in an arc and caught the pieces binding the branch to the root,
|
||||
slashing through more than half of them. There was another fast
|
||||
series of snaps, one after the other, as the thick twine parted in
|
||||
staccato, ripping sequence. Corky reached out for the bomb which
|
||||
sat on the branch, thinking he could pull it free.</p>
|
||||
|
||||
<p>Below them <em>Twitchy Eyes</em> was coming, grunting and
|
||||
yammering. The tree creaked. They could see the branch, arm-thick
|
||||
and torqued, try to unbend in a slow-motion flex.</p>
|
||||
|
||||
<p>"Corky," Danny bawled. "Watch out. The whole thing's going
|
||||
...<em>it's going to....</em></p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
252
build/darkvalley/OEBPS/034.xhtml
Normal file
252
build/darkvalley/OEBPS/034.xhtml
Normal file
@ -0,0 +1,252 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>34</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>34</h1>
|
||||
|
||||
<p>....<em>It's going to.....</em></p>
|
||||
|
||||
<p>The bindings parted with a savage crack. All of them gave at the
|
||||
same time and the thick branch whipped up, swiping through the air
|
||||
in a vicious whoop. It unleashed in a blur, uncoiling as all the
|
||||
latent tension punched upwards, like the arm of a siege catapult.
|
||||
The sudden violent motion threw Corky backwards.</p>
|
||||
|
||||
<p>"....<em>Go!</em>"</p>
|
||||
|
||||
<p>Danny blurted the word just as Corky slammed into him. Both of
|
||||
them landed beside Doug on the short, tough grass only inches from
|
||||
the drop-off. Danny instinctively grabbed a thick tuft to stop the
|
||||
pair of them rolling over the edge and tumbling down the scree</p>
|
||||
|
||||
<p>The forked branch carried the bomb up, reached the end of its
|
||||
travel, slammed against the cross-trunk and once again the whole
|
||||
tree shook from the roots upwards in a seizmic shudder. A
|
||||
scattering of leaves exploded outwards. The branch hit the trunk,
|
||||
rebounded, slammed in again and stopped dead, but the bomb simply
|
||||
kept on travelling, almost straight up into the air, thrown off its
|
||||
cradle with the huge and sudden acceleration.</p>
|
||||
|
||||
<p>It went on up, a black and heavy shape, soaring into the sky,
|
||||
wobbling just a little on its tail. The fins were clearly outlined
|
||||
against the cloudless blue of the morning.</p>
|
||||
|
||||
<p>"Christ on a bike, I thought it got you," Doug gasped, but only
|
||||
Danny heard him, and that very faintly. His attention was fixed on
|
||||
the rising black bomb. Corky was lying athwart him, face up, mouth
|
||||
agape. Over on the far side, beyond the tree, Billy and Doug stood,
|
||||
eyes wide, stunned by the catapult crack that had sounded so much
|
||||
like a pistol-shot, sounded too much like the sound of a club
|
||||
against a skull.</p>
|
||||
|
||||
<p>The bomb was travelling upwards, thick and massive, a solid
|
||||
black zeppelin, defying gravity. Its ascension transfixed them
|
||||
all.</p>
|
||||
|
||||
<p>Danny's breathing stopped and the whole world seemed to freeze
|
||||
into a sludgy, slow motion. The bomb rose up and up.</p>
|
||||
|
||||
<p><em>"It's going to...it's going to..."</em> His own words were
|
||||
still ringing in his ears, along with the air-shattering crack of
|
||||
the branch slamming the cross-trunk, and Doug's blurt, all of them
|
||||
jangled together, encapsulated in the focus of that single moment
|
||||
of time.</p>
|
||||
|
||||
<p>Billy Harrison saw the thing soar, unable for the moment to
|
||||
comprehend what had happened. Tom's body was in the act of turning,
|
||||
as if flinching from the whiplash of the tree. A deep vibration
|
||||
shivered in the ground, almost able to be heard in a thrumming
|
||||
tremor. Hawthorn leaves floated in a wide slow halo of green around
|
||||
the tree and pieces of old bark scattered like shrapnel from the
|
||||
trunk. The bomb soared upwards and it snared Billy's eyes, a black
|
||||
and powerful silhouette, shark fins jutting out from the tail.</p>
|
||||
|
||||
<p><em>"What's happening?"</em> he heard his own voice ask, inside
|
||||
his head. The moment was somehow charged with a inexplicable and
|
||||
powerful energy. His heart was beating, still fast, squeezing
|
||||
inside his chest, but he felt it like a slow pulse and the harsh
|
||||
whiplash of the tree seemed to stretch out and develop a bass thrum
|
||||
which matched the deep vibration under his feet.</p>
|
||||
|
||||
<p>"<em>Want to cross over? Eh boy?"</em></p>
|
||||
|
||||
<p>The monster had dragged him into the tent and broken him.</p>
|
||||
|
||||
<p><em>Tried to kill him!</em> He had lashed out with the ballpeen
|
||||
hammer, feeling it hit in meaty thuds, wanting to break and shatter
|
||||
and destroy.</p>
|
||||
|
||||
<p>The mad man had taken him down to the water he had gone down
|
||||
into the valley, into the shadow, and death had been hovering
|
||||
nearby. Pain throbbed up from the tender, torn skin and the bomb
|
||||
was going up and up, expanding, rather than diminishing in his
|
||||
consciousness, powerful and mesmerising. Billy stood slack-jawed,
|
||||
watching it, as if his life depended on it; unable to look away,
|
||||
despite the need to be up on the moor and gone.</p>
|
||||
|
||||
<p>Tom Tannahill was half turned and his face tilted to the sky.
|
||||
The panic and exhaustion had squeezed at him so tightly that a
|
||||
little dribble of urine had spurted out to stain the front of his
|
||||
jeans. The bomb rose up.....</p>
|
||||
|
||||
<p><em>"Sorry Tommy, just trying to say, okay</em>?"</p>
|
||||
|
||||
<p>Corky had looked over at him with eyes like fine glass, so
|
||||
fragile they could break and shatter and they focused on him with
|
||||
such powerful regret and sorrow that it had reached and soothed a
|
||||
cooling balm into the raw open wound of his hurt.</p>
|
||||
|
||||
<p><em>Read me the story Tom, would you?</em> Little Maureen's slow
|
||||
voice and the bruises under her eyes and the paunchy, sick swelling
|
||||
of her skin. <em>I need to go to the bathroom Tom. I need to
|
||||
go.</em> And she had gone and everything in his life burst
|
||||
asunder.</p>
|
||||
|
||||
<p>Now the bomb was going up and it held him, held everything that
|
||||
he was, in that one brittle fragment of time. He held on to it, the
|
||||
fear magically numbed away.</p>
|
||||
|
||||
<p>Doug Nicol was on the grass, braced for balance, behind Danny
|
||||
and Corky. <em>Hells bells!</em> It was going up, heavy and
|
||||
thunderous, rising like a black stone.</p>
|
||||
|
||||
<p>The rock had gone up, raised high in his two hands and then it
|
||||
had come slamming down and something had snapped with the sound of
|
||||
a branch cracking, like the sound of the string breaking, the noise
|
||||
of the hawthorn limb smashing upwards against the trunk. The bomb
|
||||
was up.</p>
|
||||
|
||||
<p>The first one had missed and they could have got him this time,
|
||||
but the knife had sliced wrong and their last weapon was gone. They
|
||||
could have used it like the campfire stone, just a weight to crush
|
||||
and break.. Now the bomb was up, on its own course, not theirs,
|
||||
dragging his eyes with it.</p>
|
||||
|
||||
<p><em>Bugsylugs, Bugsylugs,</em> Billy's voice taunted in the
|
||||
background of his mind and he ignored it. That had been then,
|
||||
before this <em>now</em>. The taunt was meaningless, its power
|
||||
gone.</p>
|
||||
|
||||
<p>There was a red pain across his neck, where the wire had bit
|
||||
into him. It had been worth it.</p>
|
||||
|
||||
<p><em>Did my best, honest to God.</em> He had done his best.
|
||||
Together they had almost beaten him. Almost. Nearly. The bomb rose
|
||||
up and up, for that strange and unreal moment filling the entire
|
||||
sky.</p>
|
||||
|
||||
<p>John Corcoran watched it, sharp black against the light blue,
|
||||
black as the gaping barrel of the shotgun up against his eye. The
|
||||
crack of the branch had been like the crash of the pin against the
|
||||
empty chamber; world shattering, devastating. Numbing.</p>
|
||||
|
||||
<p><em>Nothing happened. Nothing happened!</em></p>
|
||||
|
||||
<p>The air had whooped when the bough had uncoiled like the strike
|
||||
of some knotted brown snake. He watched the bomb float up and away,
|
||||
heavy and blunt and somehow mindlessly vicious.</p>
|
||||
|
||||
<p><em>See how you like it, you crazy fucking</em> bastard!</p>
|
||||
|
||||
<p>The pin had come down on an empty space again. <em>Nothing
|
||||
happened</em>.</p>
|
||||
|
||||
<p>"<em>Kill him</em>." Somebody had said from far away. Under his
|
||||
back, the earth shuddered violentlyThe crack of the parting string
|
||||
and the crack of the shotgun's firing pin resounded inside him,
|
||||
with the jar of his teeth on wire, on and on and on, a mental
|
||||
ricochet that seemed as if it might go on forever.</p>
|
||||
|
||||
<p>"<em>Kill him!"</em> Somebody had demanded and he had not
|
||||
hesitated, because the voice had really been his own and this could
|
||||
be the last time, this <em>would</em> be the last time and Corky
|
||||
felt the quivering violence and he'd punched forward, felt the thud
|
||||
and then the fruity slide as the blade went in and the blood came
|
||||
out to make a butterfly pattern on the tent.</p>
|
||||
|
||||
<p>He'd done it again, twice, thrice.</p>
|
||||
|
||||
<p><em>And again he defied him.</em> The voice had been mad and
|
||||
dreamy, black and rising, like the bomb soaring into the air.</p>
|
||||
|
||||
<p><em>You afraid boy? You scared?</em> Not of you, you creepy mad
|
||||
cunt! But he was afraid. Really and truly. He could feel it in the
|
||||
grind of his teeth.</p>
|
||||
|
||||
<p><em>If thine eye offends me. Pluck it....</em>And the black
|
||||
rising shape held him now.</p>
|
||||
|
||||
<p>The bomb went up and Danny Gillan watched it, black as the
|
||||
valley of the shadow of death. Danny soared with it, numbed. <em>Up
|
||||
and over, up and over,</em> the litany that had kept him going up
|
||||
the slope while exhaustion and pain dragged at him and fear tried
|
||||
to paralyse him.</p>
|
||||
|
||||
<p><em>Denied me thrice.</em> The night had been filled with the
|
||||
sounds of weeping and gnashing of teeth on a hard steel wire.
|
||||
<em>Bad luck, Danny Boy.</em> He had knocked the heron out of the
|
||||
air and brought bad luck down upon them all.</p>
|
||||
|
||||
<p>The bomb was floating there, huge in the sky above them.
|
||||
<em>Dung fly!</em></p>
|
||||
|
||||
<p>What did <em>that</em> mean? <em>What....?</em></p>
|
||||
|
||||
<p>The bomb found the reach of its trajectory, slowing down at the
|
||||
apex, the tail now beginning to rise up. It wobbled, seemed to stop
|
||||
still in the air, then, just as slowly, tilted, turned, began to
|
||||
drop.</p>
|
||||
|
||||
<p>The strange little bubble of time that had held them, it burst
|
||||
silently, threw them clear.</p>
|
||||
|
||||
<p>"Watch out," Doug found his voice. A spittle of saliva spat out
|
||||
with the words. "It's going to..."</p>
|
||||
|
||||
<p>He flinched back. The bomb fell straight down, all of two yards
|
||||
out from the edge. It had seemed to go straight up, but the
|
||||
uncoiling branch had thrown it forward too. It dropped like a
|
||||
stone, still wobbling a little, blunt end down. They turned to
|
||||
follow its progress. Down below, something pale fluttered, it was
|
||||
the man's face twisting upwards towards the sky and the black
|
||||
shape.</p>
|
||||
|
||||
<p>The bomb plummeted towards him. His mouth opened and he yelled
|
||||
something, jumped backwards with both arms outstretched, his skin
|
||||
white against the grey of the shale, streaked scarlet with blood.
|
||||
He missed his footing, rolled and skittered halfway down.</p>
|
||||
|
||||
<p>The bomb hit the soft slope, dug in a little, but its momentum
|
||||
ploughed it forward and it bounced out, somersaulting once, heading
|
||||
for the ledge of mudstone rubble twenty yards from where the first
|
||||
one had landed, but close to where the third bomb from the previous
|
||||
attempts had rolled in the shale. It hit the mudstone, tail first.
|
||||
A piece of tailfin flicked off and it too spun, whirling, straight
|
||||
for the soft shale bank.</p>
|
||||
|
||||
<p>The man bellowed in lunatic triumph, despite the fact that he'd
|
||||
slid down the incline almost as far as the basin of the corrie.</p>
|
||||
|
||||
<p>The bomb bounced fast straight towards where the other stubby
|
||||
black shape lay. They watched it, all five of them, high on the
|
||||
side of the gorge, unable to draw their eyes away.</p>
|
||||
|
||||
<p>It hit.</p>
|
||||
|
||||
<p>The whole world turned a brilliant, searing, blinding white.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
386
build/darkvalley/OEBPS/035.xhtml
Normal file
386
build/darkvalley/OEBPS/035.xhtml
Normal file
@ -0,0 +1,386 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>35</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>35</h1>
|
||||
|
||||
<p><em>The whole world exploded</em>.</p>
|
||||
|
||||
<p>The detonation was so vast, so colossal, that there was no
|
||||
sound, not at first. The narrow gorge erupted in a sea of blinding
|
||||
light that turned everything white and burned dark and cracking
|
||||
lines into the backs of their eyes. The very air slammed up at
|
||||
them, turned solid by the enormity of the explosion, catching them
|
||||
in a stunning body blow that threw them right off their feet and
|
||||
into the air.</p>
|
||||
|
||||
<p>It was worse than they had imagined, more apocalyptic than
|
||||
anything they <em>could</em> have imagined. The whole earth leapt
|
||||
upwards under their feet at the same time as the searing, hardened
|
||||
air came punching up from downslope.</p>
|
||||
|
||||
<p>In the first split second, there was no noise at all because the
|
||||
quality of the very air had changed in the instant of the
|
||||
explosion. The earth came up at them, shucked them off and the
|
||||
blast carried them away. A monstrous hand reached up and snatched
|
||||
at Doug who was lower down the slope, nearer the sharp edge toward
|
||||
which the man had been climbing. The hot hand grabbed at him,
|
||||
pressing against every inch of his skin and squeezed so hard he
|
||||
felt his eyes popping outwards. The hand lifted and threw him and
|
||||
he went sailing through the blinding sky, arms and legs
|
||||
flailing.</p>
|
||||
|
||||
<p>Danny and Corky, lying in a tangle beside the tree were thrown
|
||||
up, along with the ledge of turf on which they sprawled, in a
|
||||
sudden reverse of gravity. They went rolling straight up the hill
|
||||
one over the other in a tangle. Tom was slammed against Billy so
|
||||
hard that his nose burst against Billy's ribs and the two of them
|
||||
were punched over the low rise and dumped onto the thick
|
||||
heather.</p>
|
||||
|
||||
<p>The noise came then.</p>
|
||||
|
||||
<p>It was louder than anything they'd heard, louder than the
|
||||
explosions up in Drumbeck Quarry, or close thunder in a summer
|
||||
storm beating its way up the firth. It made the shotgun blast pale
|
||||
to a whisper. It was louder than anything in the world. It blasted
|
||||
into their heads in a sudden, excruciating blare that drove out all
|
||||
thought in a stunning, catastrophic concussion.</p>
|
||||
|
||||
<p>It was nothing like the movies at all. It was no fireworks. The
|
||||
earth itself simply exploded.</p>
|
||||
|
||||
<p>The blast wave drove under the roots of the hawthorn tree which
|
||||
had catapulted the bomb into the air and ripped it, roots and all,
|
||||
from where it clung to the edge of the gorge, lifted it straight
|
||||
into the air. Corky was tumbling upwards, landing on his shoulder,
|
||||
crashing onto his backside. His teeth crunched together and up at
|
||||
the back, one of them cracked in a soundless, painless crunch. The
|
||||
sky was white and the noise was crackling inside his head now, for
|
||||
he had gone deaf once more. All he could hear was the concussion
|
||||
and the glassy crackle inside the bones of his skull. There was no
|
||||
time to breathe, no time to yell and every nerve in his body was
|
||||
slammed numb. He saw the hawthorn tree fly upwards like a jagged
|
||||
rocket, tumbling as it flew, the one trunk ripping away from the
|
||||
other, scattering leaves and twigs. He landed on the heather with a
|
||||
thud which might have knocked his breath out, but he couldn't tell.
|
||||
Danny landed half on top of him, on his backside. His eyes were
|
||||
wide and unblinking and his pupils seemed to have disappeared so
|
||||
that only blue showed.</p>
|
||||
|
||||
<p>The blast went on and on, rocking through them, while the earth
|
||||
danced and jumped as if it was alive and it seemed as if the
|
||||
explosion would never end. Corky managed to turn, found his breath,
|
||||
sucked in air that was hot and burning. The world smelt as if it
|
||||
was on fire.</p>
|
||||
|
||||
<p>Doug had landed over to the left, feet up, head down, flipped by
|
||||
the explosion up to the same level, but out from the protection of
|
||||
the heathery gradient. He was rolling back, trying to get a grip on
|
||||
the shale surface, sliding downwards as he did so, slipping
|
||||
straight towards the sheer drop.</p>
|
||||
|
||||
<p>"Doug!" Corky bellowed, but no sound at all came out, although
|
||||
he knew he had shouted. Doug didn't hear him. Danny was rolling
|
||||
over now, eyes trying to focus, a trickle of blood dripping from a
|
||||
burst lip. He saw Doug start to slide, saw the shale crumble under
|
||||
him. The lip was now closer than it had been before. Beyond it was
|
||||
the drop to the corrie below and the cauldron of white where the
|
||||
bomb had cracked the world.</p>
|
||||
|
||||
<p>Corky crawled over, forcing his numbed limbs to move. Danny
|
||||
scrambled past, mouth working violently as if he too was
|
||||
screeching. Danny got a hand to Doug's ankle. Corky grabbed his
|
||||
other leg and Doug stopped slipping. He rolled quickly, grabbed
|
||||
Danny's shoulder and spun onto the relative safety of the turf.</p>
|
||||
|
||||
<p>All of this happened in bare seconds. The noise was still
|
||||
ripping inside their heads, and they were entirely unaware that
|
||||
each of them was bawling. Up the slope, Tom and Billy, further away
|
||||
from the blast and less concussed, had landed together on the low
|
||||
rise at the highest vantage over the main valley and all the
|
||||
runnels which fed it. They were both winded and numb.</p>
|
||||
|
||||
<p>The tree went sailing upwards, even higher than where they
|
||||
sprawled. It was spinning and twirling and scattering its confetti
|
||||
of leaves and pieces of thorn in a spectacular ballet into the
|
||||
white.</p>
|
||||
|
||||
<p>Rocks and pieces of mudstone blasted upwards, some of them
|
||||
trailing dust or smoke, up and out, in a spectacular eruption,
|
||||
mixed in with red-hot pieces of metal which burned through the sky
|
||||
like meteors in reverse. The rocks went up in a fountain and came
|
||||
back down as black hail.</p>
|
||||
|
||||
<p>Below the edge of the gorge, the face they had crawled up in
|
||||
panic, where Danny had slung the curved stick to knock the man off
|
||||
his feet, the whole slope shivered, shuddered, then all of it
|
||||
peeled away in an avalanche of rock and shale. The edge where Danny
|
||||
and Corky had sprawled slowly slipped away with a huge roar and Tom
|
||||
was surprised that he could hear it. It was not as loud as the
|
||||
percussion of the bomb, but the earth shivered even more violently.
|
||||
Corky and Danny held on to Doug as the ground began to slide from
|
||||
under them. They could feel the rumble of it moving, the bucking
|
||||
dance of ground in motion. Doug turned, crawled upwards, making his
|
||||
feet move faster than the sliding surface. Corky hauled on his
|
||||
collar.</p>
|
||||
|
||||
<p>From their vantage point, Tom and Billy could see the narrow
|
||||
ridge shatter and crack on the far side, the thin shoulder that
|
||||
separated this gorge from the next, where they had discovered the
|
||||
backed-up lake. The whole top end, a hump of volcanic basalt rock
|
||||
maybe some twelve feet high and six wide, was pushed outward by the
|
||||
enormity of the blast.</p>
|
||||
|
||||
<p>The three others scrabbled desperately to avoid being dragged
|
||||
down in the avalanche into the corrie below them. They got to solid
|
||||
earth, pushed themselves up onto the bracken, kept coming. Tom
|
||||
could hear them yelling frantically, but his eyes were fixed on the
|
||||
far side. Beside him Billy stood like stone, legs braced, eyes
|
||||
wide, mouth even wider.</p>
|
||||
|
||||
<p>Corky reached them, his face grey with shale dust. He had Doug
|
||||
still by the collar as if he was unable to let it go. Blood was
|
||||
trickling from Danny's mouth. Tom's burst nose gave him no pain
|
||||
yet.</p>
|
||||
|
||||
<p>They all turned.</p>
|
||||
|
||||
<p>Down below, where the lip had started to slip and side, the
|
||||
whole side of this gorge bulged outwards, undercut by the blast.
|
||||
The ringing in Corky's ears stopped suddenly. He saw Danny push his
|
||||
palms against his own ears as if trying to clear the pressure. For
|
||||
an instant there was an absolute silence and then something popped
|
||||
and Corky heard the bass rumbling thunder.</p>
|
||||
|
||||
<p>The slope bulged, swelled as if a gigantic bubble were inflating
|
||||
underneath the ground. The lip where they'd been sliding just
|
||||
dropped from sight. Jagged, horizontal cracks, more or less
|
||||
parallel, appeared in steps above that and almost instantly, in a
|
||||
jagged succession, they fell away in slices. The ground bucked
|
||||
again , almost hard enough to throw them off their feet.</p>
|
||||
|
||||
<p>"Back!" Tom bleated and everybody heard him this time except
|
||||
Doug, but Corky still had a hand to his collar and he simply
|
||||
dragged him further up into the heather.</p>
|
||||
|
||||
<p>Over on the far side of the defile, another series of horizontal
|
||||
cracks appeared, broken by vertical fissures that suddenly raced up
|
||||
the opposite face towards the ridge. The great boulder at the top
|
||||
shuddered and then rocked, not slowly, but surprisingly fast,
|
||||
twisting as it did.</p>
|
||||
|
||||
<p>Streamers of debris and shrapnel were falling down around them
|
||||
and there was no cover. The hawthorn tree was tumbling through the
|
||||
air, both trunks in pirouette around each other. Rocks hit all
|
||||
around them. Further up the slope, behind them so they did not see
|
||||
it yet, a blazing piece of metal had set the dry summer couch grass
|
||||
alight. It would eventually burn eastwards and blacken miles of the
|
||||
moorland. The five of them stood there, transfixed once more. Tom
|
||||
pulled a numb Billy down beside him. By a miracle, the outsplash
|
||||
hit none of then, though all around them it was rapping and
|
||||
thudding on the grass in a deadly hail, like shot from the gun.</p>
|
||||
|
||||
<p>On the far side, the rock shoulder slumped. A series of mudstone
|
||||
boulders shot out like squeezed pips in a cannonade powerful enough
|
||||
to spit them across the gorge to smack into the other side which
|
||||
was now a full-blown avalanche. The noise of grinding, rolling rock
|
||||
was unbelievable.</p>
|
||||
|
||||
<p>The ridge twisted under its own weight, then fell away, slowly
|
||||
at first, then falling into the next gully. Sharp cracks of broken
|
||||
stone came out like grenades and then the ridge just fell from
|
||||
sight.</p>
|
||||
|
||||
<p>"<em>Christ on a bike!</em>," Doug bawled, and his words were
|
||||
almost strangled by the death grip Corky had on his collar. Danny
|
||||
was speechless.</p>
|
||||
|
||||
<p>Below them the rockface slumped down into the corrie with a huge
|
||||
grinding. Over on the opposite side, the rock ridge toppled out of
|
||||
sight and slammed against something with such force that they felt
|
||||
the shock of it tremble under their feet from almost eighty yards
|
||||
away.</p>
|
||||
|
||||
<p>The shiver caused more of the ground on this side to slip. Danny
|
||||
pulled Corky who dragged Doug without any ceremony. Tom and Billy
|
||||
followed on. They scurried, stiff, sore and numb, but miraculously
|
||||
alive, along the edge of the heather, gaining height on the curve
|
||||
of land which connected the twin, narrow gorges. From that distance
|
||||
they could turn and see what was happening.</p>
|
||||
|
||||
<p>"Look at that," Danny yelled. Corky held a hand up to his
|
||||
ear.</p>
|
||||
|
||||
<p>"What?"</p>
|
||||
|
||||
<p>Danny pointed and everybody looked. The side of the valley, the
|
||||
one they had scrambled up in panic and fear, was sliding down in
|
||||
one huge sheet of shale and mudstone. Small pieces of rock were
|
||||
shooting out to tumble down to the little rivulet beyond the basin
|
||||
of the corrie.</p>
|
||||
|
||||
<p>Over on the other side of the ravine, they could now see from
|
||||
the vantage point of the high ground, the great rock on the ridge
|
||||
shoulder had rolled down to crash against the basalt walls which
|
||||
virtually bisected the valley. Behind them, Lonesome Lake stretched
|
||||
blackly, pocked by falling pieces of stone and twigs. The immense
|
||||
block of stone had rolled close to the top end of the wall where it
|
||||
bedded into the side of the valley, and now it was rocking
|
||||
massively back and forth.</p>
|
||||
|
||||
<p>"It's going to.....," Corky bawled.</p>
|
||||
|
||||
<p>The huge stone swung forward, back, teetered and then seemed to
|
||||
reach a point of equilibrium. Underneath its weight, the layer of
|
||||
mudstone began to crumble. Shards spat outwards on puffs of
|
||||
pulverised dust. The rock jarred, swung and then rolled. It all
|
||||
seemed to go in ponderous slow motion, but it took only a couple of
|
||||
seconds for it to tumble down the steep slope.</p>
|
||||
|
||||
<p>It hit the wall where the trees and twigs and muddy peat had
|
||||
formed the natural dam, hit it with such a colossal jarring blow
|
||||
that the basalt dyke shivered under the impact. One side of it, a
|
||||
foot back from the water-worn crevice that had been cut by
|
||||
thousands of years of tumbling water, cracked and splintered,
|
||||
sending fissures growing up it like instant black branches. A
|
||||
squirt of fine water hosed out from the blockage, maybe ten feet up
|
||||
from the base. Lower down, where the new cracks spiderwebbed the
|
||||
rock wall a fine spray hissed, almost invisible. Another spurted
|
||||
out, black and dirty, arcing out into the narrow gully. The edge of
|
||||
the wall bulged the way the side of the face had done. It seemed to
|
||||
breathe, stop, breath again. Behind it millions of gallons pushed
|
||||
with irresistible pressure. The cracks on the weakened wall close
|
||||
to the plug of twigs and branches, feathered out, flaked. There was
|
||||
a heartbeat of a pause when nothing happened.</p>
|
||||
|
||||
<p>Then the dam burst.</p>
|
||||
|
||||
<p>It exploded outwards, taking the barrier of logs and everything
|
||||
else with it. The thick trunk that had formed the main blockage
|
||||
went tumbling out like a caber, end over end. It smacked into a
|
||||
rock fifty feet down the gorge and snapped like a dead twig.</p>
|
||||
|
||||
<p>The water came out behind it in a roar that sounded somehow
|
||||
alive and ferocious. The wall of water came pushing out in a
|
||||
foaming cascade, taking rocks and sticks and everything with it. It
|
||||
shot straight out, hit the right hand bend in the gully where it
|
||||
turned to empty into the valley, and the bounding debris simply
|
||||
carved its own way through. Pieces of quartz and old red sandstone
|
||||
rolled along in blocks six feet high, carried by the enormous bore
|
||||
of water. The noise was cataclysmic.</p>
|
||||
|
||||
<p>The five of them watched, stunned once more to silence as the
|
||||
dam burst and the huge front of water went rushing down the defile.
|
||||
The two halves of the jagged trunk which had blasted out were
|
||||
picked up again and thrown into the air, tumbling again. One thick
|
||||
section speared the shale on the far side, embedded into the ground
|
||||
before the water caught it again, plucked it free, and dragged it
|
||||
down onto the valley. The avalanche of water, stone and silty mud
|
||||
came crashing out into the main valley of Blackwood Glen in a vast
|
||||
torrent that unleashed all the pent-up weight and power that had
|
||||
been the deeps of Lonesome Lake. Down there, they could see the
|
||||
little ridge where the hawthorn trees grew in a line, the place
|
||||
where the four of them had sat out the long night while Corky
|
||||
gnawed grimly at the wire. The front hit the hawthorns and simply
|
||||
swept them sway. They could see the branches and the roots wave
|
||||
violently as they tumbled before it, then tumbled inside it. The
|
||||
next second, the flood swept over the campsite, a wall of brown and
|
||||
white that was ten feet deep, surging with foam, the colour of mud.
|
||||
The tent flipped up. An enamel plate spun into their air like a
|
||||
frisbee. In a split second the campsite was gone. The circle of
|
||||
stones was scattered like billiard balls. The torrent smacked
|
||||
against the alders and hawthorns on the far side, splintering
|
||||
trunks and uprooting the ferns. A whole section of turf simply slid
|
||||
down, undercut by the sharp stones which were dragged and scraped
|
||||
along like a rasp-file.</p>
|
||||
|
||||
<p>The rampart of water reached the turn where Corky has been
|
||||
ambushed by the raggedy man, flinging stones ahead of it to embed
|
||||
themselves in the opposite slope, then the flood hit the trees,
|
||||
snapping the first ones like matchwood, great spruce trees, tall
|
||||
and straight, that had stood a hundred years and more, sending up a
|
||||
fusillade of gunshot over the roar of the devastation. The gully
|
||||
they had followed to reach the dam which held the backed up lake
|
||||
was changed forever, two of the turns, left and right, had simply
|
||||
been ground away to form a straight gash.</p>
|
||||
|
||||
<p>The camp site was gone, taking with it the ruined tent and their
|
||||
old haversacks and the deer's rotted head, the gun, every shred of
|
||||
evidence that they had ever been there.</p>
|
||||
|
||||
<p>Over on the gorge to the left, where they had climbed the face,
|
||||
pursued by the madman, the geography had utterly changed.</p>
|
||||
|
||||
<p>The steep slope was no longer there. It had peeled and slid,
|
||||
taking with it the lip where the hawthorn tree had clung, and where
|
||||
Doug and Danny and Corky had fallen and tumbled before clambering
|
||||
for their lives after the blast. There was no slope, only a new,
|
||||
sheer face where the lines of mudstone sandwiched the thicker
|
||||
layers of gravel from the last ice age. It dropped almost a hundred
|
||||
feet into what once had been the little basin of the corrie that
|
||||
they'd reached after the scrambling, desperate climb up the shale
|
||||
slope.</p>
|
||||
|
||||
<p>The corrie was gone.</p>
|
||||
|
||||
<p>In its place, a huge mound of rubble and stone and gravel
|
||||
remained, hundreds, maybe thousands of tons of rock, still steaming
|
||||
and smoking and billowing dust. Trickles of rocks and stones ran
|
||||
down the flanks in miniature avalanches as the slip shuddered and
|
||||
settled under its own weight.</p>
|
||||
|
||||
<p>Above them, a vast cloud of smoke was roiling in the once blue,
|
||||
once white sky, turning it black, shrouding them in its shadow.</p>
|
||||
|
||||
<p>Below them, where the corrie basin had been, was a vast spoil
|
||||
heap of rock and shale, altered forever from what it had been in
|
||||
the nightmare chase, the panicked, desperate dash for freedom.</p>
|
||||
|
||||
<p>The man with the twitchy eyes was underneath it. He was buried
|
||||
under this new hill.</p>
|
||||
|
||||
<p>For a long time they stood there, listening to the crackling in
|
||||
their ears, listening to the scouring roar of Lonesome Lake as it
|
||||
drained away, scraping the valley clean of everything that had been
|
||||
there, alive or dead, carrying it all down in a cataclysmic swathe
|
||||
of destruction through the forest downstream. In the distance, they
|
||||
could see the tops of the trees whipping back and forth as the
|
||||
torrent shook them to their roots.</p>
|
||||
|
||||
<p>After a while, the noise began to subside and the flow began to
|
||||
lessen. They still stood there, frozen, numb, rooted, hardly able
|
||||
to breathe, while around them the dust billowed and the smell of
|
||||
burning was hot on the air.</p>
|
||||
|
||||
<p>The grey, bare mound that now covered the corrie drew their eyes
|
||||
towards it like a magnet. They had buried him.</p>
|
||||
|
||||
<p>Far off, way down the slope on the other side, in the direction
|
||||
of Blackwood farm, a cock crew. Closer in, but still some distance
|
||||
away, a big grey bird flapped into the sky above the trees, gaining
|
||||
height, obviously startled by the rushing torrent of water. Danny
|
||||
Gillan thought he could hear the hoarse cry of a heron.</p>
|
||||
|
||||
<p>Down in the depths, where the campsite had been, there was
|
||||
nothing to show that anybody had been there, neither boys nor
|
||||
madman.</p>
|
||||
|
||||
<p>After a long time, as one, the boys of them turned to head for
|
||||
home. For an even longer time, nobody said a word.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
417
build/darkvalley/OEBPS/036.xhtml
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build/darkvalley/OEBPS/036.xhtml
Normal file
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>36</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
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|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h1>36</h1>
|
||||
|
||||
<p><em>Reminiscence:</em></p>
|
||||
|
||||
<p>For a long time, as we trudged up the moor, beyond the burning
|
||||
grass and heather which trailed white smoke into the now still air,
|
||||
nobody said a word. Nobody could. We breasted the hill and headed
|
||||
down the slope towards the distant Barwoods which formed the first
|
||||
barrier between the moor and the high farmland. Over the east, the
|
||||
sun had now risen well up beyond Langmuir Crags, soaring bright
|
||||
into a clear blue sky. Behind us, as we could see, every time we
|
||||
turned around (and none of us could resist doing that) the pall of
|
||||
smoke had risen up in a huge column that flattened out at the top.
|
||||
We had seen clouds like that before, in newsreels in the old Regal
|
||||
Cinema.</p>
|
||||
|
||||
<p>We had gone down into the valley five days before, and we had
|
||||
come out again, and life would never be the same again, not for any
|
||||
of us. Every now and again, one would turn back to look at the
|
||||
rising pillar of smoke, the black and transient marker of what had
|
||||
happened, but mostly we looked over our shoulders just in case the
|
||||
raggedy, bloodied and somehow unstoppable monster with was
|
||||
clambering up the moor after us, waving that butcher's knife and
|
||||
repeating his own mad mantra.</p>
|
||||
|
||||
<p><em>Dung fly...dung fly....</em></p>
|
||||
|
||||
<p>We were all hurt and we were all bruised, both inside and out.
|
||||
Whatever <em>Twitchy Eyes</em> had done he had reached inside each
|
||||
of us in one way and another and left his mark on our souls.
|
||||
<em>Jesus</em>, we were only thirteen years old.</p>
|
||||
|
||||
<p>Nobody said a word for a long time and that's how it stayed. We
|
||||
never, despite what happened after that, we never spoke about it to
|
||||
anybody else. Not ever. During that hot, crazy summer and the
|
||||
strangely bitter, unstable aftermath of the autumn which followed,
|
||||
we lived in the shadow of the man with the twitchy eyes. A few
|
||||
mothers in our town lived in this shadow too, and sisters and
|
||||
brothers and devastated families, but we had <em>seen</em> him.
|
||||
<em>We</em> had heard the sound of his voice, felt his touch.</p>
|
||||
|
||||
<p>We had looked into those eyes.</p>
|
||||
|
||||
<p>Back down the hill after those five days, carrying less in our
|
||||
hands than we had taken there, and weighed by so much more in our
|
||||
souls. We couldn't go home, not right away, so we stayed, huddled
|
||||
together for comfort in the heat of the afternoon, down in the damp
|
||||
shade of Rough Drain, waiting until the old bus came back with the
|
||||
rest of the scouts, and mostly waiting until we could face another
|
||||
human being who was not one of us. Nobody knew.</p>
|
||||
|
||||
<p>Strange, isn't it? Nobody knew. Nobody suspected. Boys get away
|
||||
with murder, near enough. You come in with the knees torn out of
|
||||
your jeans and your furious Ma wants to know where she'll get the
|
||||
money for another pair, never mind torn skin. She asks what you've
|
||||
been doing and you tell her you fell and that's fine. You could
|
||||
have fallen off a cliff, but all she can see are holes in the
|
||||
jeans.</p>
|
||||
|
||||
<p>You get a scrape or a cut and you say you fell. A bloody nose?
|
||||
Fell. Mothers just don't look and most times they don't ask, and
|
||||
fathers don't notice at all unless it concerns other business. You
|
||||
get a scrape or bruise every other day. A torn shirt or ragged
|
||||
denims can hide a multitude of sins and plenty of damage. They can
|
||||
hide what Billy needed to hide. They can cover forever the flaring
|
||||
then dying splashes of a shotgun blast. A kick from a madman's
|
||||
boot.</p>
|
||||
|
||||
<p>Scrapes and cuts are a boys lot. Nobody really cares that much.
|
||||
Nobody sees. Boys hide it all, because that's the way boys are, and
|
||||
mostly that's the way men are too. We came back with the scouts and
|
||||
we took our knocks for damaged clothes and we hid our damaged
|
||||
souls.</p>
|
||||
|
||||
<p>The killings that had begun in the spring with the slaying of
|
||||
daft Mole Hopkirk, who would never, despite his stated ambition,
|
||||
have become The Greatest Cat Burglar in the History of Crime, those
|
||||
killings stopped. Some people, it seems, had their own theories as
|
||||
to why.</p>
|
||||
|
||||
<p>Little Lucy Saunders was long buried, laid to rest in a dry
|
||||
coffin, cleaned of the mud and her own mess. Don Whalen's mother
|
||||
spent two years in Barlane mental hospital, racked by the image of
|
||||
her son's gaping face and its covering of flies. Jeff McGuire, who
|
||||
found Mole's mutilated body, he was in and out of Barlane like a
|
||||
yo-yo, a strange and affected youth with an odd, distant look in
|
||||
his eyes.</p>
|
||||
|
||||
<p>Up at Blackwood Farm, where the cock had crowed, master of all
|
||||
it surveyed for two weeks one far-off summer, they cleared up the
|
||||
pieces that had been Ian McColl and his tiny, brave wife.</p>
|
||||
|
||||
<p>The killings stopped. After a while, the town tried to get back
|
||||
to normal, still looking over its collective shoulder, the way we
|
||||
had done on the strange, numbed trail down from the high moor that
|
||||
we'd climbed to get out from under, to find the Dummy Village of
|
||||
legend. Just in case. <em>Just in case.</em></p>
|
||||
|
||||
<p>Nobody could really believe he was gone, but <em>we</em> knew.
|
||||
We knew why, and we never told a soul because we couldn't. Simple
|
||||
as that. There were five boys whose lives had been altered,
|
||||
infected by the touch of the man with the twitchy eyes. We tried to
|
||||
put it away, tuck it into a dark corner, but if you're reading
|
||||
this, you'll know that things that lurk in dark corners come out,
|
||||
and they always go for the throat. We could not tell anyone what
|
||||
had happened to Billy Harrison. We could all remember the
|
||||
deathliness in his voice when he stood there beside the crumpled
|
||||
tent.</p>
|
||||
|
||||
<p><em>Kill him!</em></p>
|
||||
|
||||
<p>We couldn't tell, not then. It's hard enough even now, after all
|
||||
this time.</p>
|
||||
|
||||
<p>Doug Nicol's father came home in the autumn, and a fortnight
|
||||
later, they had emptied the house along Braeside Street and gone
|
||||
off to Toronto. The last I saw of Doug, he was standing, blinking
|
||||
tears from his eyes, holding on to little Terry's hand, sniffing
|
||||
hard so that his big teeth showed. The sun was turning his ears
|
||||
pink. My throat was dry. He reached out and touched me on the
|
||||
shoulder and I put a hand on his and I still remember that touch. I
|
||||
always will.</p>
|
||||
|
||||
<p>I remembered him, remember still, how he had turned to the rest
|
||||
of us, when we could all have got away clean, while the man was
|
||||
still grunting like an animal in the tent, and I can recall the
|
||||
words he said in that deadly low whisper.</p>
|
||||
|
||||
<p><em>We have to help him.</em></p>
|
||||
|
||||
<p>Skin-and bone, thirteen years old, and he would have laid down
|
||||
his life for his friend. Greater love has nobody, than that.</p>
|
||||
|
||||
<p>I remember Doug Nicol when he stretched out, choked by the wire,
|
||||
to get his foot to the bag, nearly killing himself for us all. He
|
||||
had run forward to snatch the shells away before the madman could
|
||||
load the shotgun. Then he had strode forward, raising that smooth
|
||||
stone up, to slam it down again. Doug Nicol. I never saw him again
|
||||
after he left town, never heard from him again, but I'll never
|
||||
forget him as long as I live. I hope he is happy. I really hope to
|
||||
God he is.</p>
|
||||
|
||||
<p>Billy Harrison's mother, who'd doted on her boy and filled his
|
||||
head with heroic tales of derring-do, myths of a hero father who
|
||||
did not exist, she met another sailor, not an American one, and
|
||||
moved to Portsmouth, met yet another, came back up north again and
|
||||
stayed, dragging Billy with her. They settled in Kirkland, a few
|
||||
miles along the Creggan Road and she took to drink and died
|
||||
sometime in the late seventies. Billy was never the same after that
|
||||
week in the valley. God, none of us were, for sure. Many years ago,
|
||||
I saw him coming out of a bar, in another place, another city, with
|
||||
another guy who was tall and black haired, taller than Billy
|
||||
himself, and for a moment, my heart just stopped. Billy had a dog
|
||||
chain around his neck and the other man held the free end. Years
|
||||
after that, I hadn't heard but I found out later, he got a five
|
||||
year stretch after a police raid on a child porn ring. There was
|
||||
talk that some of the videos weren't just sex, but nothing of that
|
||||
was ever proved in court. Billy went down to Drumbain Jail. He
|
||||
hanged himself in his cell.</p>
|
||||
|
||||
<p>I only found this out after I'd come back myself, for my own
|
||||
personal reasons, and by then I'd seen what sparked all this off
|
||||
again, uncovering the memories I'd tried to bury down deep. I later
|
||||
discovered, from the records of the inquiry, that he'd hung himself
|
||||
with a tightening loop-noose made from baling twine from the prison
|
||||
farm's harvester.</p>
|
||||
|
||||
<p>I remember Billy Harrison on the ground, while the man hauled at
|
||||
him, trying to get the gun, a prostrate shape, flopped and
|
||||
flapping. I remember his heartrending cries of desperate terror in
|
||||
the dark of the night. I recall his triumphant return from the
|
||||
Dummy Village far up on that bleak moor with the ram's skull
|
||||
paraded on top of his stave, like a Roman standard. I remember the
|
||||
wet patch spreading on his jeans as he climbed up the hill. I can
|
||||
still see the dreadful lost and barren look in his eyes down in the
|
||||
valley when he realised he had been singled out as the first
|
||||
special victim.</p>
|
||||
|
||||
<p>Whatever drove him on after all that, the man with the twitchy
|
||||
eyes was behind it, and for that alone, I hope he is burning in the
|
||||
everlasting fire. Billy Harrison was maybe a crazy kid, big in the
|
||||
mouth, tough in the talk, but he was never a bad one, just a bit
|
||||
<em>troubled</em>. Whatever else the man with the Twitchy Eyes had
|
||||
done, he'd touched Billy Harrison and passed on some of the
|
||||
infection of his own appalling sickness.</p>
|
||||
|
||||
<p>A year after Billy Harrison died, I met Tom Tannahill, by sheer
|
||||
coincidence. He was still small, still thin, and his curly hair was
|
||||
getting thinner still, but he was wiry and there was a toughness
|
||||
about him that was quiet and strong and it was good. He had been
|
||||
working in a hospital in Rwanda, right in the middle of the
|
||||
madness, all that killing. He had led a party of kids out, through
|
||||
the bush, through the wilds, past the marauding bands of bandits
|
||||
with machine guns and Kalashikovs and machetes, got them out to
|
||||
Zaire and to safety. He'd adopted one of them, a little girl,
|
||||
barely three years old, a girl he called Maureen. When he told me
|
||||
that, he looked me in the eye and something passed between us and
|
||||
that was enough. The next month he went back to Rwanda, where
|
||||
thousands were dying every day, and he was never heard of
|
||||
again.</p>
|
||||
|
||||
<p>Tom. Tiny Tom with his high voice and his shaking hands.</p>
|
||||
|
||||
<p>I remember him in the night, trying not to piss his pants
|
||||
because he did not want to die in his own mess. <em>Jesus</em>. He
|
||||
was thirteen, same age as me. I remember him swiping that book from
|
||||
the library so he could read a story to the little sister who was
|
||||
dying. Billy Goats Gruff. I recall, like it was yesterday, how he
|
||||
swung the gun by the barrel and I can still hear the thunder as the
|
||||
shot missed him by barely an inch. I remember him turning, despite
|
||||
his terror, at the top of the ledge, to reach down and help Billy
|
||||
up. Fixed in my memory is the picture of him facing up to the
|
||||
Twitchy Eyed madman, raising the gun in his hands, trying to
|
||||
protect the rest of us.</p>
|
||||
|
||||
<p>Greater love hath no man than this.</p>
|
||||
|
||||
<p>And John Corcoran. Corky to his friends.</p>
|
||||
|
||||
<p>His old man, Paddy Corcoran, came out of jail even more crooked
|
||||
and a whole lot meaner and within a year he was back in for a
|
||||
two-year stretch for an assault on Corky's mother. One prophesy
|
||||
came true. Corky's shoulder was dislocated again and the court
|
||||
heard that had happened when he squared up to Paddy Corcoran, a
|
||||
big, blundering man with fists like hams who had thrown him around
|
||||
the room the way a terrier throws a rat. Corky told me about it
|
||||
later, grinning that slow, hard way of his, telling me it was worth
|
||||
it, because he'd got out from under. His mother was in hospital for
|
||||
a little while and when she got out, she left Paddy and abandoned
|
||||
Phil who was just as much out of control. She and Corky and his
|
||||
aunt moved to a house up on Cargill Farm Road, only a couple along
|
||||
from the bungalow where big John Fallon lived with his son and
|
||||
daughter.</p>
|
||||
|
||||
<p>Corky stayed on at school for an extra year to get the maths
|
||||
qualification he needed to become an engineer. He'd given up on the
|
||||
idea of making movies, though he was the natural, the one with all
|
||||
the imagination. When I walk by the canal at Barloan Harbour, I can
|
||||
still hear the <em>doom-doom-</em>doom echo up from the tunnels dug
|
||||
by those Racine rats. Corky never got make movies, but he hauled
|
||||
himself out from under. And he was never going to be scared of
|
||||
anybody ever again.</p>
|
||||
|
||||
<p>The words <em>up and over</em> somehow repeat themselves and
|
||||
maybe they're more appropriate. Corky got up and over. Big John,
|
||||
the police sergeant, gave him a solid recommendation to the
|
||||
shipyard at Barloan Harbour and he started his apprenticeship. He
|
||||
hauled himself up by the bootstraps, slogging away at night
|
||||
classes, determined to make something of himself. He got a good
|
||||
engineering degree, and he never bothered to learn to talk proper,
|
||||
the way the <em>toffs</em> did. Cargill Farm Road wasn't too far
|
||||
away and Corky and I stayed close in our teens. After a while,
|
||||
after the first few months, we never talked about what happened up
|
||||
in the valley, but it was something that held us together,
|
||||
something we had. Something private. We saved it for later.</p>
|
||||
|
||||
<p>A couple of years back, before my walk down on River Street, the
|
||||
first I'd taken in this town for a long time, a <em>wheen of
|
||||
years,</em> as we used to say, John Corcoran was the chief engineer
|
||||
on a big gas rig out in the North Sea. You'll recall it went up
|
||||
like a bomb, and remember, I know about bombs.</p>
|
||||
|
||||
<p>Corky stayed back, no surprise, getting men onto the lifeboats,
|
||||
waiting until the last minute, until the rest were safe. All of
|
||||
this is documented. It was in the middle of the night and a gale
|
||||
was blowing. The fireball had swept through the turnhouse and the
|
||||
sleeping quarters and Corky had been the one who got them out of
|
||||
there so that only four men, the ones caught in the blast, were
|
||||
killed.</p>
|
||||
|
||||
<p>A young Norwegian, one of the cooks, he was coming across the
|
||||
gantry, while behind him, the metal of the walls was buckling and
|
||||
twisting in the heat. The rungs had started to pop out and the boy
|
||||
was slipping, hanging over a hundred foot drop. Corky turned away
|
||||
from the boat and crawled over the framework, risking his own life,
|
||||
grabbed the boy by the collar and dragged him back. Just then a
|
||||
stanchion higher up gave way and the whole side of the rig
|
||||
collapsed, taking John Corcoran and the boy with it, tangled in the
|
||||
safety rope. It slid down the leg and crumpled like a child's toy,
|
||||
dragging both men under the water. The young Norwegian says John
|
||||
Corcoran somehow got his knife out and cut the rope, still under
|
||||
the water, and pushed him to freedom. The lifeboat got to the scene
|
||||
a few minutes later, but it took them too long to shift the twist
|
||||
of metal and free John Corcoran, trapped just under the surface.
|
||||
When they brought him up, he was still alive, but lack of oxygen
|
||||
had caused dreadful and irreparable brain damage.</p>
|
||||
|
||||
<p>Those thirty long minutes under the freezing waters of the north
|
||||
sea, they burned out the flash and the fire and the brave
|
||||
determination that was our Corky.</p>
|
||||
|
||||
<p>Greater love hath no man than this. That he lay down his
|
||||
life.</p>
|
||||
|
||||
<p>I remember those eyes flashing with fear and anger, damned
|
||||
righteous anger, feet spread, knife out, challenging the crazy,
|
||||
twisted killer who was baptising Billy in the pool in Blackwood
|
||||
Stream, preparing him for sacrifice. I remember him looking into
|
||||
that infinity of death and not flinching. I remember the awful
|
||||
grind of his teeth on the wire as he tried to free us all. I can
|
||||
still see his elbow jerking back twice, three times, to put the
|
||||
knife into the twitchy-eyed beast. In my mind I hear his soothing
|
||||
whisper as he pulled the damp tee-shirt away from the searing skin
|
||||
of my back, taking the embedded pellets with it one by one.</p>
|
||||
|
||||
<p>John Corcoran. Corky to his friends. He had laid down his life
|
||||
many a time in that one summer.</p>
|
||||
|
||||
<p>I saw him, picking up litter on River Street and his eyes looked
|
||||
into mine, through mine, with not a flicker of recognition, and of
|
||||
all the losses, that was the most painful of all. I could feel
|
||||
tears stinging in the back of my eyes and suddenly I could not
|
||||
swallow.</p>
|
||||
|
||||
<p><em>Hey arse-face. How's it hanging?</em> The words stuck to the
|
||||
back of my throat and they still do. I remember those eyes flashing
|
||||
and I think of the dreadful waste of it all. The unfairness.</p>
|
||||
|
||||
<p>Some memories don't fade, no matter how you try to diminish them
|
||||
and push them down into tight little boxes with heavy lids. The
|
||||
memories have their own way of breaking free, beasts in the night,
|
||||
struggling to come back, because memories have a life of their own.
|
||||
I can still see the looks on their faces the day the man came
|
||||
clawing is way up the hill after us, roaring like a mad beast,
|
||||
madness in his eyes and murder in his mind.</p>
|
||||
|
||||
<p>For many years, I kept the memory right down and let it slumber
|
||||
fitfully, shying away from it, maybe hoping it would fragment and
|
||||
wither for lack of attention. For a while I succeeded, because
|
||||
you're supposed to go on, to grow up, to overcome. But then
|
||||
something would happen, a chance meeting, a record from those days,
|
||||
<em>Red Rooster</em> or <em>My Generation</em>, played on good old
|
||||
Radio Clyde, a cutting from an old newspaper, even an old movie
|
||||
like <em>Deliverance</em>.</p>
|
||||
|
||||
<p>Or something like the eyes of John Corcoran who sweeps the
|
||||
streets and doesn't now have the brains he was born with. Something
|
||||
like that would happen and in a second, in the twitch of an eye, I
|
||||
would be a thirteen-year-old boy again, with a faded sloppy-joe and
|
||||
torn jeans and scuffed canvas shoes. Memories come back.</p>
|
||||
|
||||
<p>Angus McNicol, the old policeman, he poured me a couple of
|
||||
whiskies and talked into the recorder, and probably exorcised a few
|
||||
of his own ghosts in the process. He asked me why I was asking all
|
||||
the questions, and while I spun him a yarn, by then I really
|
||||
thought I knew why.</p>
|
||||
|
||||
<p>I needed to know who he was, the gaunt man who had come across
|
||||
the stream while we were guddling for trout.</p>
|
||||
|
||||
<p><em>Twitchy Eyes.</em></p>
|
||||
|
||||
<p>On River Street, where the first killing had happened, the
|
||||
murder of Mole Hopkirk in the back room of Old Cairn House, it had
|
||||
all come back, all of it in a rush, a crazy torrent like the one
|
||||
that had scoured the valley on the day the bombs exploded and burst
|
||||
the dam at Lonesome Lake. It came back clear as day, so powerful
|
||||
that I could smell the heather bloom and the sweat and the pine
|
||||
smoke from the fire. I could hear the flies buzzing over in the
|
||||
hollow where Billy had made his altar and the far-off crowing of
|
||||
the cock was still shrill. I could feel the searing burn of the
|
||||
pellets embedded in the swollen skin, the cold of the water, and I
|
||||
could see the parliament of crows judging me from the old swaying
|
||||
wire up in a deserted ghost village. It came back so powerfully I
|
||||
could feel panic rise in my chest and a hand squeeze in my belly
|
||||
and I had to know, to put a name to it. Now I have got a name, or
|
||||
at least I'm sure I do.</p>
|
||||
|
||||
<p>It hasn't made a blind bit of difference, knowing that. I know
|
||||
<em>who</em>, but I don't know <em>why</em>. Who the hell knows
|
||||
what madness is? Maybe we all have a little bit of it inside of
|
||||
us.</p>
|
||||
|
||||
<p>I know that I saw madness, absolute insanity in a killer's eyes
|
||||
and I lived to tell the tale. Who knows how life would have been if
|
||||
we hadn't gone up there to find the Dummy Village. Or if the
|
||||
twitchy-eyed monster had picked another town to work his evil.</p>
|
||||
|
||||
<p>Late at night, or maybe in the dark and cold shallows of the
|
||||
morning when the light is murky, the colour of river water down at
|
||||
the old quayside, I wake up, heart pounding, from a dream, from
|
||||
<em>the</em> dream, the one where I see that grey and rotting hand
|
||||
come crawling like a diseased spider out of a bank of shale. Little
|
||||
trickles of gravel whisper down the steep slope and the fingers
|
||||
flex with a life of their own. The sifting granules are calling out
|
||||
to me.</p>
|
||||
|
||||
<p><em>Dung fly...dung fly..</em>.in the dream I understand what
|
||||
that whispering hiss means.</p>
|
||||
|
||||
<p>In the dream, my legs won't move and my feet won't climb and I
|
||||
can't move. I am nailed by my own dreadful fear.</p>
|
||||
|
||||
<p>On top of the ridge, a lone grey heron stands and fixes me with
|
||||
its staring, yellow eye.</p>
|
||||
|
||||
<p><strong>THE END</strong></p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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|
||||
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|
||||
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|
||||
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|
||||
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|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>Dedication</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
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|
||||
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|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h3>About the author</h3>
|
||||
<p>Joe Donnelly was born in Glasgow, in Scotland, close to the
|
||||
River Clyde, but at a very young age he came to live in Dumbarton,
|
||||
which is some miles from the city and close to Loch Lomond, Ben
|
||||
Lomond and the Scottish Highlands.</p>
|
||||
<p>At the age of 18, he decided to become a journalist and found a
|
||||
job in the Helensburgh Advertiser, a local paper in a neighbouring
|
||||
town where he learned the first essential of writing: how to type.
|
||||
Quickly.</p>
|
||||
<p>A few years later, at the age of 22, he became editor of his
|
||||
local newspaper, the Lennox Herald in Dumbarton, before moving to
|
||||
the Evening Times and then the Sunday mail in Glasgow where he
|
||||
became an investigative journalist.</p>
|
||||
<p>During his career he won several awards for newspaper work
|
||||
including Reporter of the Year, Campaigning Journalist and Consumer
|
||||
Journalist.</p>
|
||||
<p>It was while working in newspapers that he wrote his first
|
||||
novel, <em>Bane</em>, an adult chiller, which was followed by eight
|
||||
other novels, mostly set in and around the West of Scotland and
|
||||
loosely based on Celtic Mythology.</p>
|
||||
<p>This was followed by <em>Stone</em>, <em>The Shee</em>,
|
||||
<em>Shrike</em>, <em>Still Life</em>, <em>Havock Junction</em>,
|
||||
<em>Incubus</em> and <em>Dark Valley</em>.</p>
|
||||
<p>Recently he decided to write for children, although he says his
|
||||
books are aimed at "young people of all ages, those with some
|
||||
adventure in their soul."</p>
|
||||
<p>The <em>Jack Flint Trilogy</em> is his first venture at telling
|
||||
stories for the young at heart.</p>
|
||||
<p>Joe is now working on two novels: A chiller for adults, and
|
||||
another rollicking adventure for young people, based on Nordic
|
||||
mythology.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
31
build/darkvalley/OEBPS/blurb.xhtml
Normal file
31
build/darkvalley/OEBPS/blurb.xhtml
Normal file
@ -0,0 +1,31 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
|
||||
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>Dedication</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h3>Dark Valley</h3>
|
||||
<p>A town locked down. Police are hunting a mad, bad stranger whose
|
||||
shocking deeds have put fear into the hearts of every mother; fear
|
||||
for their children.</p>
|
||||
<p>In the hot summer, the oppressive atmosphere nears breaking
|
||||
strain. And five young friends need to get out from under. They
|
||||
plan a camping trip, to find an old wartime relic high on the
|
||||
moors.</p>
|
||||
<p>They don't know that their every move is being watched. Not
|
||||
until the stranger stalks out of the trees and into the valley.</p>
|
||||
<p>And for five trapped boys, the nightmare has just begun.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
120
build/darkvalley/OEBPS/content.opf
Normal file
120
build/darkvalley/OEBPS/content.opf
Normal file
@ -0,0 +1,120 @@
|
||||
<?xml version="1.0"?>
|
||||
|
||||
<package xmlns="http://www.idpf.org/2007/opf" unique-identifier="dcidid" version="2.0">
|
||||
|
||||
<metadata xmlns:dc="http://purl.org/dc/elements/1.1/"
|
||||
xmlns:dcterms="http://purl.org/dc/terms/"
|
||||
xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
|
||||
xmlns:opf="http://www.idpf.org/2007/opf">
|
||||
<dc:title>Dark Valley</dc:title>
|
||||
<dc:language xsi:type="dcterms:RFC3066">en</dc:language>
|
||||
<dc:identifier id="dcidid" opf:scheme="URI">http://www.impera-media.com/darkvalley.epub</dc:identifier>
|
||||
<dc:subject>Horror</dc:subject>
|
||||
<dc:description></dc:description>
|
||||
<dc:relation>http://www.impera-media.com/</dc:relation>
|
||||
<dc:creator>Joe Donnelly</dc:creator>
|
||||
<dc:publisher>Impera Media Limited</dc:publisher>
|
||||
<dc:date xsi:type="dcterms:W3CDTF">2011-05-17</dc:date>
|
||||
<dc:rights>Copyright (c) 2011, Joe Donnelly. All rights reserved</dc:rights>
|
||||
<meta name="cover" content="cover" />
|
||||
</metadata>
|
||||
|
||||
<manifest>
|
||||
<item id="ncx" href="toc.ncx" media-type="application/x-dtbncx+xml" />
|
||||
<item id="pt" href="page-template.xpgt" media-type="application/vnd.adobe-page-template+xml" />
|
||||
<item id="css" href="imperaWeb.css" media-type="text/css" />
|
||||
<item id="title" href="title.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="contents" href="contents.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="bio" href="bio.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="blurb" href="blurb.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter01" href="001.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter02" href="002.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter03" href="003.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter04" href="004.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter05" href="005.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter06" href="006.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter07" href="007.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter08" href="008.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter09" href="009.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter10" href="010.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter11" href="011.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter12" href="012.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter13" href="013.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter14" href="014.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter15" href="015.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter16" href="016.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter17" href="017.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter18" href="018.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter19" href="019.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter20" href="020.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter21" href="021.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter22" href="022.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter23" href="023.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter24" href="024.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter25" href="025.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter26" href="026.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter27" href="027.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter28" href="028.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter29" href="029.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter30" href="030.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter31" href="031.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter32" href="032.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter33" href="033.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter34" href="034.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter35" href="035.xhtml" media-type="application/xhtml+xml" />
|
||||
<item id="chapter36" href="036.xhtml" media-type="application/xhtml+xml" />
|
||||
|
||||
<item id="logo" href="logo.jpg" media-type="image/jpeg" />
|
||||
<item id="ak" href="ak.jpg" media-type="image/jpeg" />
|
||||
<item id="other" href="other.xhtml" media-type="application/xhtml+xml" />
|
||||
</manifest>
|
||||
|
||||
<spine toc="ncx">
|
||||
<itemref idref="title" />
|
||||
<itemref idref="bio" />
|
||||
<itemref idref="blurb" />
|
||||
<itemref idref="chapter01" />
|
||||
<itemref idref="chapter02" />
|
||||
<itemref idref="chapter03" />
|
||||
<itemref idref="chapter04" />
|
||||
<itemref idref="chapter05" />
|
||||
<itemref idref="chapter06" />
|
||||
<itemref idref="chapter07" />
|
||||
<itemref idref="chapter08" />
|
||||
<itemref idref="chapter09" />
|
||||
<itemref idref="chapter10" />
|
||||
<itemref idref="chapter11" />
|
||||
<itemref idref="chapter12" />
|
||||
<itemref idref="chapter13" />
|
||||
<itemref idref="chapter14" />
|
||||
<itemref idref="chapter15" />
|
||||
<itemref idref="chapter16" />
|
||||
<itemref idref="chapter17" />
|
||||
<itemref idref="chapter18" />
|
||||
<itemref idref="chapter19" />
|
||||
<itemref idref="chapter20" />
|
||||
<itemref idref="chapter21" />
|
||||
<itemref idref="chapter22" />
|
||||
<itemref idref="chapter23" />
|
||||
<itemref idref="chapter24" />
|
||||
<itemref idref="chapter25" />
|
||||
<itemref idref="chapter26" />
|
||||
<itemref idref="chapter27" />
|
||||
<itemref idref="chapter28" />
|
||||
<itemref idref="chapter29" />
|
||||
<itemref idref="chapter30" />
|
||||
<itemref idref="chapter31" />
|
||||
<itemref idref="chapter32" />
|
||||
<itemref idref="chapter33" />
|
||||
<itemref idref="chapter34" />
|
||||
<itemref idref="chapter35" />
|
||||
<itemref idref="chapter36" />
|
||||
<itemref idref="other" />
|
||||
</spine>
|
||||
|
||||
<guide>
|
||||
<reference type="title-page" title="Title Page" href="title.xhtml" />
|
||||
<reference type="toc" title="Table of Contents" href="contents.xhtml" />
|
||||
</guide>
|
||||
|
||||
</package>
|
52
build/darkvalley/OEBPS/contents.xhtml
Normal file
52
build/darkvalley/OEBPS/contents.xhtml
Normal file
@ -0,0 +1,52 @@
|
||||
<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<title>Dark Valley : Contents</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
||||
<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
|
||||
</head>
|
||||
<body>
|
||||
<div id="contents">
|
||||
<h1>Contents</h1>
|
||||
<ul>
|
||||
<li><a href="001.xhtml">Chapter 1</a></li>
|
||||
<li><a href="002.xhtml">Chapter 2</a></li>
|
||||
<li><a href="003.xhtml">Chapter 3</a></li>
|
||||
<li><a href="004.xhtml">Chapter 4</a></li>
|
||||
<li><a href="005.xhtml">Chapter 5</a></li>
|
||||
<li><a href="006.xhtml">Chapter 6</a></li>
|
||||
<li><a href="007.xhtml">Chapter 7</a></li>
|
||||
<li><a href="008.xhtml">Chapter 8</a></li>
|
||||
<li><a href="009.xhtml">Chapter 9</a></li>
|
||||
<li><a href="010.xhtml">Chapter 10</a></li>
|
||||
<li><a href="011.xhtml">Chapter 11</a></li>
|
||||
<li><a href="012.xhtml">Chapter 12</a></li>
|
||||
<li><a href="013.xhtml">Chapter 13</a></li>
|
||||
<li><a href="014.xhtml">Chapter 14</a></li>
|
||||
<li><a href="015.xhtml">Chapter 15</a></li>
|
||||
<li><a href="016.xhtml">Chapter 16</a></li>
|
||||
<li><a href="017.xhtml">Chapter 17</a></li>
|
||||
<li><a href="018.xhtml">Chapter 18</a></li>
|
||||
<li><a href="019.xhtml">Chapter 19</a></li>
|
||||
<li><a href="020.xhtml">Chapter 20</a></li>
|
||||
<li><a href="021.xhtml">Chapter 21</a></li>
|
||||
<li><a href="022.xhtml">Chapter 22</a></li>
|
||||
<li><a href="023.xhtml">Chapter 23</a></li>
|
||||
<li><a href="024.xhtml">Chapter 24</a></li>
|
||||
<li><a href="025.xhtml">Chapter 25</a></li>
|
||||
<li><a href="026.xhtml">Chapter 26</a></li>
|
||||
<li><a href="027.xhtml">Chapter 27</a></li>
|
||||
<li><a href="028.xhtml">Chapter 28</a></li>
|
||||
<li><a href="029.xhtml">Chapter 29</a></li>
|
||||
<li><a href="030.xhtml">Chapter 30</a></li>
|
||||
<li><a href="031.xhtml">Chapter 31</a></li>
|
||||
<li><a href="032.xhtml">Chapter 32</a></li>
|
||||
<li><a href="033.xhtml">Chapter 33</a></li>
|
||||
<li><a href="034.xhtml">Chapter 34</a></li>
|
||||
<li><a href="035.xhtml">Chapter 35</a></li>
|
||||
<li><a href="036.xhtml">Chapter 36</a></li>
|
||||
</ul>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
70
build/darkvalley/OEBPS/imperaWeb.css
Normal file
70
build/darkvalley/OEBPS/imperaWeb.css
Normal file
@ -0,0 +1,70 @@
|
||||
/* Impera Media Style */
|
||||
body { color: #000; background-color: #FFF; font-family: serif; line-height: 1.4em; text-align: left; text-indent: 0; border: 0 none; margin: 0; padding: 0; }
|
||||
|
||||
.edge { color: #FFF; background-color: #000; }
|
||||
|
||||
#cover img { text-align: center; font-style: italic; font-size: 90%; margin: 0 auto; padding: 0; }
|
||||
|
||||
#header img { border: 0 none; margin: 0; }
|
||||
|
||||
#header div a, #footer div a { color: #FFF; background-color: #000; text-decoration: none; }
|
||||
|
||||
#author { margin-bottom: 1.5em; }
|
||||
|
||||
#licensenotice { font-size: .9em; line-height: 1.2em; }
|
||||
|
||||
#abstract { text-align: justify; }
|
||||
|
||||
#contents ul ul, #contents ol ol, #contents ul ol, #contents ol ul { margin-left: 2em; }
|
||||
|
||||
#contents ul li, #contents ol li { margin-top: .5em; margin-bottom: .5em; }
|
||||
|
||||
.section { margin-bottom: 6em; text-align: justify; }
|
||||
|
||||
h1 { font-size: 3.5em; line-height: 1em; font-weight: 400; margin-top: 0; margin-bottom: 1em; }
|
||||
|
||||
h2 { font-size: 2.5em; line-height: 1em; font-weight: 400; margin-top: 0; margin-bottom: .5em; }
|
||||
|
||||
h3 { font-size: 1.5em; line-height: 1.2em; font-weight: 400; margin-top: 1em; margin-bottom: .5em; }
|
||||
|
||||
h4 { font-size: 1.2em; line-height: 1.2em; font-weight: 700; margin-top: 1em; margin-bottom: 0; }
|
||||
|
||||
h5 { font-size: 1em; line-height: 1.2em; font-weight: 700; margin: .5em 0; }
|
||||
|
||||
h6 { font-size: 1em; line-height: 1.2em; font-weight: 700; float: left; margin: 0 1.5em 0 0; }
|
||||
|
||||
p { text-indent: 0; margin-top: .5em; margin-bottom: .5em; }
|
||||
|
||||
pre { font-family: monospace; font-size: .85em; line-height: 1.2em; text-align: left; white-space: pre; margin-top: 1em; margin-bottom: 1em; border: 1px #000 solid; padding: 1.5em; }
|
||||
|
||||
ol, ul { margin: .5em 2em .5em 3em; padding: 0; }
|
||||
|
||||
.plainlist { list-style-type: none; }
|
||||
|
||||
dl { margin: .5em 2em; }
|
||||
|
||||
table { font-size: 1em; line-height: 1.4em; margin-top: 1em; }
|
||||
|
||||
img { border: none; position: absolute; top: 0; left: 0; margin: 0; padding: 0; }
|
||||
|
||||
#references ul li { margin-top: 1em; margin-bottom: 1em; }
|
||||
|
||||
code, tt { font-family: monospace; }
|
||||
|
||||
.codeblock { font-family: monospace; font-size: .85em; line-height: 1.2em; text-align: left; margin-top: 1em; margin-bottom: 1em; border: 1px #000 solid; padding: 1.5em; }
|
||||
|
||||
.codeblock .codeblock { font-size: 1em; border: 0 none; padding-top: 0; padding-bottom: 0; margin: 0; }
|
||||
|
||||
li, dt, dd { margin-top: .25em; margin-bottom: .25em; }
|
||||
|
||||
dt { font-weight: 700; }
|
||||
|
||||
a { color: #000; background-color: #FFF; }
|
||||
|
||||
.highlight { color: #000; background-color: #e0e0e0; }
|
||||
|
||||
#heading, #preface, #contents { margin-bottom: 6em; }
|
||||
|
||||
#e, #timestamp { margin-bottom: .5em; }
|
||||
|
||||
#contents ul, #contents ol, #references ul { list-style-type: none; margin-left: 0; }
|
BIN
build/darkvalley/OEBPS/logo.jpg
Normal file
BIN
build/darkvalley/OEBPS/logo.jpg
Normal file
Binary file not shown.
After Width: | Height: | Size: 5.0 KiB |
35
build/darkvalley/OEBPS/other.xhtml
Normal file
35
build/darkvalley/OEBPS/other.xhtml
Normal file
@ -0,0 +1,35 @@
|
||||
<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
|
||||
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml">
|
||||
<head>
|
||||
<meta name="generator" content="HTML Tidy for Windows (vers 14 February 2006), see www.w3.org"/>
|
||||
<title>Other books</title>
|
||||
<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
|
||||
<style type="text/css">
|
||||
p { text-align: center; }
|
||||
|
||||
.i {
|
||||
display: block;
|
||||
margin-left: auto;
|
||||
margin-right: auto }
|
||||
</style>
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<p>Other books by the author available on</p>
|
||||
<img class='i' src='ak.jpg' alt='Amazon Kindle'/>
|
||||
|
||||
<p><a href="http://j.mp/RgVy9h">Full Proof</a></p>
|
||||
|
||||
<p><a href='http://j.mp/TjevrC'>Shrike</a></p>
|
||||
|
||||
<p><a href='http://j.mp/lTrdOF'>Incubus</a></p>
|
||||
|
||||
<p><a href='http://j.mp/darkvalley'>Dark Valley</a></p>
|
||||
|
||||
<p>All available now on the Amazon Kindle</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
47
build/darkvalley/OEBPS/page-template.xpgt
Normal file
47
build/darkvalley/OEBPS/page-template.xpgt
Normal file
@ -0,0 +1,47 @@
|
||||
<ade:template xmlns="http://www.w3.org/1999/xhtml" xmlns:ade="http://ns.adobe.com/2006/ade" xmlns:fo="http://www.w3.org/1999/XSL/Format">
|
||||
|
||||
<fo:layout-master-set>
|
||||
<fo:simple-page-master master-name="single_column" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-body/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:simple-page-master master-name="single_column_head" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-before extent="8em"/>
|
||||
<fo:region-body margin-top="8em"/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:simple-page-master master-name="two_column" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-body column-count="2" column-gap="3em"/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:simple-page-master master-name="two_column_head" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-before extent="8em"/>
|
||||
<fo:region-body column-count="2" margin-top="8em" column-gap="3em"/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:simple-page-master master-name="three_column" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-body column-count="3" column-gap="3em"/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:simple-page-master master-name="three_column_head" margin-bottom="2em" margin-top="2em" margin-left="2em" margin-right="2em">
|
||||
<fo:region-before extent="8em"/>
|
||||
<fo:region-body column-count="3" margin-top="8em" column-gap="3em"/>
|
||||
</fo:simple-page-master>
|
||||
|
||||
<fo:page-sequence-master>
|
||||
<fo:repeatable-page-master-alternatives>
|
||||
<fo:conditional-page-master-reference master-reference="three_column_head" page-position="first" ade:min-page-width="80em"/>
|
||||
<fo:conditional-page-master-reference master-reference="three_column" ade:min-page-width="80em"/>
|
||||
<fo:conditional-page-master-reference master-reference="two_column_head" page-position="first" ade:min-page-width="50em"/>
|
||||
<fo:conditional-page-master-reference master-reference="two_column" ade:min-page-width="50em"/>
|
||||
<fo:conditional-page-master-reference master-reference="single_column_head" page-position="first"/>
|
||||
<fo:conditional-page-master-reference master-reference="single_column"/>
|
||||
</fo:repeatable-page-master-alternatives>
|
||||
</fo:page-sequence-master>
|
||||
</fo:layout-master-set>
|
||||
|
||||
<ade:style>
|
||||
<ade:styling-rule selector="#header" display="adobe-other-region" adobe-region="xsl-region-before"/>
|
||||
</ade:style>
|
||||
|
||||
</ade:template>
|
34
build/darkvalley/OEBPS/title.xhtml
Normal file
34
build/darkvalley/OEBPS/title.xhtml
Normal file
@ -0,0 +1,34 @@
|
||||
<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<title>Dark Valley</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
||||
<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
|
||||
</head>
|
||||
<body>
|
||||
<div id="header"><img src="logo.jpg" alt="Impera Media Limited logo"/></div>
|
||||
<div id="heading">
|
||||
<div id="title">
|
||||
<h1>Dark Valley</h1>
|
||||
</div>
|
||||
<div id="author">
|
||||
<h4>Joe Donnelly</h4>
|
||||
</div>
|
||||
<div id="uri"><a href="http://www.impera-media.com">http://www.impera-media.com</a></div>
|
||||
<div id="e">books@impera-media.com</div>
|
||||
<p id="timestamp">2011-05-17</p>
|
||||
|
||||
<p id="version">1.01 - 2012-10-29</p>
|
||||
|
||||
<div id="copyright">Copyright (c) 2011, Joe Donnelly.
|
||||
<p>All rights reserved</p>
|
||||
|
||||
<p>The moral right of the author has been asserted</p>
|
||||
|
||||
<p>This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser</p>
|
||||
</div>
|
||||
<div id="licensenotice">This work is copyright.</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
262
build/darkvalley/OEBPS/toc.ncx
Normal file
262
build/darkvalley/OEBPS/toc.ncx
Normal file
@ -0,0 +1,262 @@
|
||||
<?xml version="1.0"?>
|
||||
<!DOCTYPE ncx PUBLIC "-//NISO//DTD ncx 2005-1//EN" "http://www.daisy.org/z3986/2005/ncx-2005-1.dtd">
|
||||
|
||||
<ncx xmlns="http://www.daisy.org/z3986/2005/ncx/" version="2005-1">
|
||||
|
||||
<head>
|
||||
<meta name="dtb:uid" content="http://www.impera-media.com/darkvalley.epub"/>
|
||||
<meta name="dtb:depth" content="2"/>
|
||||
<meta name="dtb:totalPageCount" content="0"/>
|
||||
<meta name="dtb:maxPageNumber" content="0"/>
|
||||
</head>
|
||||
|
||||
<docTitle>
|
||||
<text>Shrike</text>
|
||||
</docTitle>
|
||||
|
||||
<navMap>
|
||||
<navPoint id="navPoint-1" playOrder="1">
|
||||
<navLabel>
|
||||
<text>Title Page</text>
|
||||
</navLabel>
|
||||
<content src="title.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-2" playOrder="2">
|
||||
<navLabel>
|
||||
<text>About the Author</text>
|
||||
</navLabel>
|
||||
<content src="bio.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-3" playOrder="3">
|
||||
<navLabel>
|
||||
<text>About the Book</text>
|
||||
</navLabel>
|
||||
<content src="blurb.xhtml"/>
|
||||
</navPoint>
|
||||
|
||||
<navPoint id="navPoint-4" playOrder="4">
|
||||
<navLabel>
|
||||
<text>Chapter 1</text>
|
||||
</navLabel>
|
||||
<content src="001.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-5" playOrder="5">
|
||||
<navLabel>
|
||||
<text>Chapter 2</text>
|
||||
</navLabel>
|
||||
<content src="002.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-6" playOrder="6">
|
||||
<navLabel>
|
||||
<text>Chapter 3</text>
|
||||
</navLabel>
|
||||
<content src="003.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-7" playOrder="7">
|
||||
<navLabel>
|
||||
<text>Chapter 4</text>
|
||||
</navLabel>
|
||||
<content src="004.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-8" playOrder="8">
|
||||
<navLabel>
|
||||
<text>Chapter 5</text>
|
||||
</navLabel>
|
||||
<content src="005.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-9" playOrder="9">
|
||||
<navLabel>
|
||||
<text>Chapter 6</text>
|
||||
</navLabel>
|
||||
<content src="006.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-10" playOrder="10">
|
||||
<navLabel>
|
||||
<text>Chapter 7</text>
|
||||
</navLabel>
|
||||
<content src="007.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-11" playOrder="11">
|
||||
<navLabel>
|
||||
<text>Chapter 8</text>
|
||||
</navLabel>
|
||||
<content src="008.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-12" playOrder="12">
|
||||
<navLabel>
|
||||
<text>Chapter 9</text>
|
||||
</navLabel>
|
||||
<content src="009.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-13" playOrder="13">
|
||||
<navLabel>
|
||||
<text>Chapter 10</text>
|
||||
</navLabel>
|
||||
<content src="010.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-14" playOrder="14">
|
||||
<navLabel>
|
||||
<text>Chapter 11</text>
|
||||
</navLabel>
|
||||
<content src="011.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-15" playOrder="15">
|
||||
<navLabel>
|
||||
<text>Chapter 12</text>
|
||||
</navLabel>
|
||||
<content src="012.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-16" playOrder="16">
|
||||
<navLabel>
|
||||
<text>Chapter 13</text>
|
||||
</navLabel>
|
||||
<content src="013.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-17" playOrder="17">
|
||||
<navLabel>
|
||||
<text>Chapter 14</text>
|
||||
</navLabel>
|
||||
<content src="014.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-18" playOrder="18">
|
||||
<navLabel>
|
||||
<text>Chapter 15</text>
|
||||
</navLabel>
|
||||
<content src="015.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-19" playOrder="19">
|
||||
<navLabel>
|
||||
<text>Chapter 16</text>
|
||||
</navLabel>
|
||||
<content src="016.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-20" playOrder="20">
|
||||
<navLabel>
|
||||
<text>Chapter 17</text>
|
||||
</navLabel>
|
||||
<content src="017.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-21" playOrder="21">
|
||||
<navLabel>
|
||||
<text>Chapter 18</text>
|
||||
</navLabel>
|
||||
<content src="018.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-22" playOrder="22">
|
||||
<navLabel>
|
||||
<text>Chapter 19</text>
|
||||
</navLabel>
|
||||
<content src="019.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-23" playOrder="23">
|
||||
<navLabel>
|
||||
<text>Chapter 20</text>
|
||||
</navLabel>
|
||||
<content src="020.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-24" playOrder="24">
|
||||
<navLabel>
|
||||
<text>Chapter 21</text>
|
||||
</navLabel>
|
||||
<content src="021.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-25" playOrder="25">
|
||||
<navLabel>
|
||||
<text>Chapter 22</text>
|
||||
</navLabel>
|
||||
<content src="022.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-26" playOrder="26">
|
||||
<navLabel>
|
||||
<text>Chapter 23</text>
|
||||
</navLabel>
|
||||
<content src="023.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-27" playOrder="27">
|
||||
<navLabel>
|
||||
<text>Chapter 24</text>
|
||||
</navLabel>
|
||||
<content src="024.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-28" playOrder="28">
|
||||
<navLabel>
|
||||
<text>Chapter 25</text>
|
||||
</navLabel>
|
||||
<content src="025.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-29" playOrder="29">
|
||||
<navLabel>
|
||||
<text>Chapter 26</text>
|
||||
</navLabel>
|
||||
<content src="026.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-30" playOrder="30">
|
||||
<navLabel>
|
||||
<text>Chapter 27</text>
|
||||
</navLabel>
|
||||
<content src="027.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-31" playOrder="31">
|
||||
<navLabel>
|
||||
<text>Chapter 28</text>
|
||||
</navLabel>
|
||||
<content src="028.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-32" playOrder="32">
|
||||
<navLabel>
|
||||
<text>Chapter 29</text>
|
||||
</navLabel>
|
||||
<content src="029.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-33" playOrder="33">
|
||||
<navLabel>
|
||||
<text>Chapter 30</text>
|
||||
</navLabel>
|
||||
<content src="030.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-34" playOrder="34">
|
||||
<navLabel>
|
||||
<text>Chapter 31</text>
|
||||
</navLabel>
|
||||
<content src="031.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-35" playOrder="35">
|
||||
<navLabel>
|
||||
<text>Chapter 32</text>
|
||||
</navLabel>
|
||||
<content src="032.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-36" playOrder="36">
|
||||
<navLabel>
|
||||
<text>Chapter 33</text>
|
||||
</navLabel>
|
||||
<content src="033.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-37" playOrder="37">
|
||||
<navLabel>
|
||||
<text>Chapter 34</text>
|
||||
</navLabel>
|
||||
<content src="034.xhtml"/>
|
||||
</navPoint>
|
||||
<navPoint id="navPoint-38" playOrder="38">
|
||||
<navLabel>
|
||||
<text>Chapter 35</text>
|
||||
</navLabel>
|
||||
<content src="035.xhtml"/>
|
||||
</navPoint>
|
||||
|
||||
<navPoint id="navPoint-39" playOrder="39">
|
||||
<navLabel>
|
||||
<text>Chapter 36</text>
|
||||
</navLabel>
|
||||
<content src="036.xhtml"/>
|
||||
</navPoint>
|
||||
|
||||
<navPoint id="navPoint-40" playOrder="40">
|
||||
<navLabel>
|
||||
<text>Other Books</text>
|
||||
</navLabel>
|
||||
<content src="other.xhtml"/>
|
||||
</navPoint>
|
||||
</navMap>
|
||||
</ncx>
|
1
build/darkvalley/mimetype
Normal file
1
build/darkvalley/mimetype
Normal file
@ -0,0 +1 @@
|
||||
application/epub+zip
|
6
build/incubus/META-INF/container.xml
Normal file
6
build/incubus/META-INF/container.xml
Normal file
@ -0,0 +1,6 @@
|
||||
<?xml version="1.0"?>
|
||||
<container version="1.0" xmlns="urn:oasis:names:tc:opendocument:xmlns:container">
|
||||
<rootfiles>
|
||||
<rootfile full-path="OEBPS/content.opf" media-type="application/oebps-package+xml"/>
|
||||
</rootfiles>
|
||||
</container>
|
54
build/incubus/OEBPS/Incubus-contents.xhtml
Normal file
54
build/incubus/OEBPS/Incubus-contents.xhtml
Normal file
@ -0,0 +1,54 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>Incubus : Contents</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="contents">
|
||||
<h2>Contents</h2>
|
||||
<ul>
|
||||
<li><a href="incubus01.xhtml">Chapter 1</a></li>
|
||||
<li><a href="incubus02.xhtml">Chapter 2</a></li>
|
||||
<li><a href="incubus03.xhtml">Chapter 3</a></li>
|
||||
<li><a href="incubus04.xhtml">Chapter 4</a></li>
|
||||
<li><a href="incubus05.xhtml">Chapter 5</a></li>
|
||||
<li><a href="incubus06.xhtml">Chapter 6</a></li>
|
||||
<li><a href="incubus07.xhtml">Chapter 7</a></li>
|
||||
<li><a href="incubus08.xhtml">Chapter 8</a></li>
|
||||
<li><a href="incubus09.xhtml">Chapter 9</a></li>
|
||||
<li><a href="incubus10.xhtml">Chapter 10</a></li>
|
||||
<li><a href="incubus11.xhtml">Chapter 11</a></li>
|
||||
<li><a href="incubus12.xhtml">Chapter 12</a></li>
|
||||
<li><a href="incubus13.xhtml">Chapter 13</a></li>
|
||||
<li><a href="incubus14.xhtml">Chapter 14</a></li>
|
||||
<li><a href="incubus15.xhtml">Chapter 15</a></li>
|
||||
<li><a href="incubus16.xhtml">Chapter 16</a></li>
|
||||
<li><a href="incubus17.xhtml">Chapter 17</a></li>
|
||||
<li><a href="incubus18.xhtml">Chapter 18</a></li>
|
||||
<li><a href="incubus19.xhtml">Chapter 19</a></li>
|
||||
<li><a href="incubus20.xhtml">Chapter 20</a></li>
|
||||
<li><a href="incubus21.xhtml">Chapter 21</a></li>
|
||||
<li><a href="incubus22.xhtml">Chapter 22</a></li>
|
||||
<li><a href="incubus23.xhtml">Chapter 23</a></li>
|
||||
<li><a href="incubus24.xhtml">Chapter 24</a></li>
|
||||
<li><a href="incubus25.xhtml">Chapter 25</a></li>
|
||||
<li><a href="incubus26.xhtml">Chapter 26</a></li>
|
||||
<li><a href="incubus27.xhtml">Chapter 27</a></li>
|
||||
<li><a href="incubus28.xhtml">Chapter 28</a></li>
|
||||
<li><a href="incubus29.xhtml">Chapter 29</a></li>
|
||||
<li><a href="incubus30.xhtml">Chapter 30</a></li>
|
||||
<li><a href="incubus31.xhtml">Chapter 31</a></li>
|
||||
<li><a href="incubus32.xhtml">Chapter 32</a></li>
|
||||
<li><a href="incubus33.xhtml">Chapter 33</a></li>
|
||||
</ul>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
36
build/incubus/OEBPS/Incubus-title.xhtml
Normal file
36
build/incubus/OEBPS/Incubus-title.xhtml
Normal file
@ -0,0 +1,36 @@
|
||||
<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
||||
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
||||
<head>
|
||||
<title>Shrike</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css"/>
|
||||
<link rel="stylesheet" type="application/vnd.adobe-page-template+xml" href="page-template.xpgt"/>
|
||||
</head>
|
||||
<body>
|
||||
<div id="header"><img src="logo.jpg" alt="Impera Media Limited logo"/></div>
|
||||
<div id="heading">
|
||||
<div id="title">
|
||||
<h1>Incubus</h1>
|
||||
</div>
|
||||
<div id="author">
|
||||
<h4>Joe Donnelly</h4>
|
||||
</div>
|
||||
<div id="uri"><a href="http://www.impera-media.com">http://www.impera-media.com</a></div>
|
||||
<div id="e">books@impera-media.com</div>
|
||||
<p id="timestamp">2011-04-11</p>
|
||||
|
||||
<p id="version">1.02 - 2015-07-15</p>
|
||||
<p id="version">1.01 - 2012-10-29</p>
|
||||
|
||||
|
||||
<div id="copyright">Copyright (c) 2011, Joe Donnelly.
|
||||
<p>All rights reserved</p>
|
||||
|
||||
<p>The moral right of the author has been asserted</p>
|
||||
|
||||
<p>This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser</p>
|
||||
</div>
|
||||
<div id="licensenotice">This work is copyright.</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
BIN
build/incubus/OEBPS/ak.jpg
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BIN
build/incubus/OEBPS/ak.jpg
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51
build/incubus/OEBPS/bio.xhtml
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51
build/incubus/OEBPS/bio.xhtml
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|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
|
||||
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>Dedication</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h3>About the author</h3>
|
||||
<p>Joe Donnelly was born in Glasgow, in Scotland, close to the
|
||||
River Clyde, but at a very young age he came to live in Dumbarton,
|
||||
which is some miles from the city and close to Loch Lomond, Ben
|
||||
Lomond and the Scottish Highlands.</p>
|
||||
<p>At the age of 18, he decided to become a journalist and found a
|
||||
job in the Helensburgh Advertiser, a local paper in a neighbouring
|
||||
town where he learned the first essential of writing: how to type.
|
||||
Quickly.</p>
|
||||
<p>A few years later, at the age of 22, he became editor of his
|
||||
local newspaper, the Lennox Herald in Dumbarton, before moving to
|
||||
the Evening Times and then the Sunday mail in Glasgow where he
|
||||
became an investigative journalist.</p>
|
||||
<p>During his career he won several awards for newspaper work
|
||||
including Reporter of the Year, Campaigning Journalist and Consumer
|
||||
Journalist.</p>
|
||||
<p>It was while working in newspapers that he wrote his first
|
||||
novel, <em>Bane</em>, an adult chiller, which was followed by eight
|
||||
other novels, mostly set in and around the West of Scotland and
|
||||
loosely based on Celtic Mythology.</p>
|
||||
<p>This was followed by <em>Stone</em>, <em>The Shee</em>,
|
||||
<em>Shrike</em>, <em>Still Life</em>, <em>Havock Junction</em>,
|
||||
<em>Incubus</em> and <em>Dark Valley</em>.</p>
|
||||
<p>Recently he decided to write for children, although he says his
|
||||
books are aimed at "young people of all ages, those with some
|
||||
adventure in their soul."</p>
|
||||
<p>The <em>Jack Flint Trilogy</em> is his first venture at telling
|
||||
stories for the young at heart.</p>
|
||||
<p>Joe is now working on two novels: A chiller for adults, and
|
||||
another rollicking adventure for young people, based on Nordic
|
||||
mythology.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
32
build/incubus/OEBPS/blurb.xhtml
Normal file
32
build/incubus/OEBPS/blurb.xhtml
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@ -0,0 +1,32 @@
|
||||
<?xml version="1.0" encoding="utf-8"?>
|
||||
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
|
||||
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
|
||||
<html xmlns="http://www.w3.org/1999/xhtml">
|
||||
<head>
|
||||
<meta name="generator" content=
|
||||
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
||||
<title>Dedication</title>
|
||||
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
||||
<link rel="stylesheet" type=
|
||||
"application/vnd.adobe-page-template+xml" href=
|
||||
"page-template.xpgt" />
|
||||
</head>
|
||||
<body>
|
||||
<div id="text">
|
||||
<div class="section" id="xhtmldocuments">
|
||||
<h3>INCUBUS</h3>
|
||||
<p>It begins as two separate investigations. An elderly woman
|
||||
collapses, dying in a shopping mall, screaming for her baby. A
|
||||
young girl disappears on the same day. For detectives David Harper
|
||||
and Helen Lamont the two cases seem to have no link.</p>
|
||||
<p>Except for the baby.</p>
|
||||
<p>The baby that the missing girl seemed to be carrying.</p>
|
||||
<p>A very demanding baby.</p>
|
||||
<p>And the question isn't: What sort of woman would steal a
|
||||
baby.</p>
|
||||
<p>It is: <em>What sort of baby would steal a mother?</em></p>
|
||||
<p>The kind of baby no woman ever wants to meet.</p>
|
||||
</div>
|
||||
</div>
|
||||
</body>
|
||||
</html>
|
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