mirror of
https://gitlab.silvrtree.co.uk/martind2000/booksnew.git
synced 2025-01-11 10:45:08 +00:00
708 lines
40 KiB
HTML
708 lines
40 KiB
HTML
<?xml version="1.0" encoding="utf-8"?>
|
|
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
|
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
|
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
|
<head>
|
|
<meta name="generator" content=
|
|
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
|
<title>Chapter 14</title>
|
|
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
|
<link rel="stylesheet" type=
|
|
"application/vnd.adobe-page-template+xml" href=
|
|
"page-template.xpgt" />
|
|
</head>
|
|
<body>
|
|
<div id="text">
|
|
<div class="section" id="xhtmldocuments">
|
|
<h2>14</h2>
|
|
<p>Over the weekend, the temperature plummeted. Saturday brought
|
|
the first flurries of snow hitting in from the north west, and by
|
|
morning, Langmuir crags were blanketed in white. Jack awoke at
|
|
nine, later than he'd intended and had a quick plate of bacon and
|
|
eggs before shrugging on his padded jacket and stepping out into a
|
|
world that had changed overnight. The snow was blinding under a
|
|
clear, hard sky, and all the sharp outlines of winter, the bare
|
|
black branches and the rocky outcrops at the edge of the muir
|
|
cliffs were fuzzed in white. Everything looked soft and peaceful.
|
|
The wind had died and had drifted the virgin snow to soften the
|
|
jagged edges. Jack walked carefully round to the back of the house
|
|
where the land at the far end of the garden fell away steeply to
|
|
the little stream that used to turn the wheel of Cargill farm mill
|
|
before Jack had been born. The water which normally tumbled down
|
|
through the narrow gorge was now almost silent, just a musical
|
|
tinkle. Icicles hung down from the lip of the falls, slender
|
|
jewelled stalactites reflecting the low light of the rising sun. A
|
|
robin whistled robustly close by and blurred red as it came to land
|
|
on the fence post almost within arm's reach. It cocked its head to
|
|
the side and fixed him with a sparkling black eye.</p>
|
|
<p>"And good morning to you," Jack said.</p>
|
|
<p>The little bird, a bright red contrast against the snow hopped
|
|
onto the strand of wire, bobbed jauntily at him and piped a
|
|
warbling challenge. If Jack had reached his hand, he could have
|
|
touched the robin. It sat and glared at him defiantly, feathers
|
|
puffed out, its beak a little dagger, spindly legs apart.</p>
|
|
<p>"Alright," Jack said, with a laugh. "I'm going." The bird sang
|
|
after him as he walked, feet padding silently in the soft snow back
|
|
to the house. He called the office to say he was going out to speak
|
|
to someone and would be in later. It was a minor lie. He went back
|
|
into the kitchen, took a handful of stale slices from the bread-bin
|
|
and went back into the garden. The robin was now perched like a
|
|
lookout on the garden fork that had been stabbed into the soil
|
|
since October, when the last of the turnips were lifted. Jack
|
|
ripped the dry bread into small pieces and scattered them onto the
|
|
flat place where the short grass waited for spring. The robin flew
|
|
down immediately and pecked. By the time Jack reached the house,
|
|
the garden was teeming with sparrows and starlings. They were
|
|
feeding hungrily, and the image took him back to the years when
|
|
he'd sat at the back door, binoculars hard up against his eyes,
|
|
identifying all the birds as they fluttered and squabbled over
|
|
whatever he'd left for them. Here at Cargill Cottage, right out on
|
|
the far side of town, there were still plenty of birds. Twenty
|
|
years on, Jack remembered them all.</p>
|
|
<p>He walked to his car, brushed the snow from the windscreen and
|
|
got in. He eased the car out through the gap in the hedge and
|
|
started downhill, keeping in high gear, careful not to skid on the
|
|
slope. A hundred yards down the farm road, he turned left onto
|
|
Berry Avenue, which hadn't been there when he was a boy. Then it
|
|
had been a jumble of old bramble thickets where mothers and kids
|
|
spent September and October collecting enough to make jam and jelly
|
|
to last the winter.</p>
|
|
<p>Julia lived at the far end, where the road came to an abrupt
|
|
halt. Beyond that, a pair of sycamore trees stood like bare
|
|
sentries to the path which led down the long slope to Langmuir
|
|
Burn, a wide stream which drained from the bog way up in the hills
|
|
and meandered down to skirt the town and empty itself into the
|
|
Clyde near the Castle Rock.</p>
|
|
<p>Davy leapt about like an excited puppy when he opened the door
|
|
to find Jack stamping the snow from his cleated boots.</p>
|
|
<p>"Can we take the sledge? Eh, uncle Jack. Can we go down the
|
|
hill?"</p>
|
|
<p>Jack ruffled his hair. Julia came out of the kitchen, still in
|
|
her dressing gown, as she had been the day before. She was tall,
|
|
and had the same jet black hair Jack had. She was five years
|
|
younger than her brother and under normal circumstances, she was a
|
|
pretty level-headed and easygoing woman. She looked better than she
|
|
had on the Friday morning, but as she leaned forward to kiss Jack
|
|
on the cheek and say hello, he could hear she was still choked with
|
|
the cold.</p>
|
|
<p>"Shouldn't you be in your bed?"</p>
|
|
<p>"Not with that wee tornado," she replied with a watery smile.
|
|
"I've got no energy at all, and he's been given an extra helping.
|
|
Whatever he's on, I could use some of it."</p>
|
|
<p>"Well, get back upstairs and I'll bring you some tea."</p>
|
|
<p>"Oh, I'll be alright."</p>
|
|
<p>"Do what you're told girl," he ordered with feigned severity.
|
|
"I'll take him out for an hour or so. I have to get to the office
|
|
later, but I need some fresh air."</p>
|
|
<p>"You want to get back to your childhood again," she said and
|
|
laughed weakly, then whipped out a tissue just in time to catch a
|
|
sudden sneeze. Jack shoo-ed her upstairs and put the kettle on.
|
|
Davy danced around him until Jack confirmed they would go sledging,
|
|
then raced off to get his snowsuit and boots. Ten minutes later,
|
|
Julia was in bed with tea and a magazine. Jack and the small boy
|
|
went out, dragging the old iron sledge behind them. It bumped over
|
|
the roots between the old sycamores and beech trees of the bar-wood
|
|
which separated cargill farm land from the small line of houses on
|
|
Berry Avenue, then, when they were through the barrier, it glided
|
|
smoothly on the virgin snow of the field.</p>
|
|
<p>The air was clear and nippy and the sun, now higher, sent
|
|
slanting rays onto the hillside which bounced them back in millions
|
|
of coruscating sparkles.</p>
|
|
<p>They reached the lip of the hill and Jack angled the sledge to
|
|
aim it along the natural curve of a dip which swung as it descended
|
|
to the flat pasture beside the stream. He had an old, battered,
|
|
Russian soldier's hat with a stiff brim and flaps which covered his
|
|
ears. He pulled it tight down onto his head, partially to shade his
|
|
eyes from the glare and also to prevent a repeat of last winter's
|
|
accident.Wee Davy snuggled between his legs, both hands gripping
|
|
Jack's knees and then they were off.</p>
|
|
<p>The sledge moved slowly at first. They could hear the runners
|
|
whisper on the dry snow as Jack pushed with both hands to get them
|
|
moving and then they were down over the lip and accelerating. Davy
|
|
squealed with excitement as they hurtled down the gulley, following
|
|
the natural track. On either side, the snow was a blur and the
|
|
runners sent up a fine spray of crystals as they shot along. Jack
|
|
could feel the boy's fingers dig into the skin of his legs as the
|
|
slope dropped away from them for the final swoop down into the
|
|
flat.</p>
|
|
<p>"Yee-hah!" Davy yelled, and Jack bawled along with him. They
|
|
were hammering along, just hitting the level field. Here the cows
|
|
had grazed the grass flat and only a few brown dockens and thistles
|
|
punctuated the pasture. By luck, they passed them all without
|
|
obstruction and were heading straight for the pool in the stream
|
|
when Jack leaned his weight to the right and the sledge started to
|
|
curve in its headlong flight. They veered parallel to the edge,
|
|
slowing down now, when the left runner hit a mole-hill frozen hard
|
|
as rock. The sledge bounced. Jack made a grab for Davy, missed, and
|
|
the boy flipped up and over and landed in a drift with hardly a
|
|
sound. The sledge bounced on, riderless as Jack was thrown to the
|
|
left, landed on his hip with such a jar his breath was socked right
|
|
out, tumbled over the edge and slid down on his backside onto the
|
|
ice on the pool, spinning as he skittered like a curling stone. He
|
|
ground to a halt halfway out from the bank, head spinning.</p>
|
|
<p>He clambered to his knees, backside aching from slamming it
|
|
against something hard on his slide down the steep bank.</p>
|
|
<p>"Great, uncle Jack," Davy pealed. "That was magic."</p>
|
|
<p>The boy appeared round the side of a gorse bush, snow clinging
|
|
like thick icing to his one-piece winter suit. His face was red
|
|
with excitement and he was grinning from ear to ear. "Can we do it
|
|
again?" He was certainly none the worse for his fall.</p>
|
|
<p>"Come on, Uncle Jack. can we go up to the top again?"</p>
|
|
<p>"Yeah," Jack said. "Just let me get my breath back."</p>
|
|
<p>"How did you get out there? Did you slide all that way."</p>
|
|
<p>"Sure I did."</p>
|
|
<p>"Is the ice safe?"</p>
|
|
<p>"I think..." Jack started to say, just as an ominous metallic
|
|
creak shocked the still air.</p>
|
|
<p>Jack felt the ice tremble under his feet.</p>
|
|
<p>"Uncle Jack. I think..." Davy shouted.</p>
|
|
<p>There was one monumental <em>crack</em>, and Jack dropped like a
|
|
stone. The ice had opened up and swallowed him. One second Jack was
|
|
standing on the flat ice and the next he was foundering in the
|
|
freezing stream, gasping for breath, snatching for something to
|
|
grab hold of. Fortunately, by the time he realised what had
|
|
happened, he was only standing in three feet of water. The ice had
|
|
broken in the shallow end of the pool. It took him several minutes
|
|
of splashing and spluttering to get to the bank, as every step of
|
|
the way, the fractured ice kept giving way and he couldn't get his
|
|
feet on anything solid.</p>
|
|
<p>All the time, he was cursing under his breath, and with every
|
|
farcical step he could hear wee Davy break out into another burst
|
|
of hysterics. When he finally made it to the bank and clambered up
|
|
to the flat, his nephew was lying belly up in the snow, holding the
|
|
said belly and laughing so hard he almost choked.</p>
|
|
<p>Jack walked towards him, feet squelching and jeans flapping wet
|
|
and cold against his legs.</p>
|
|
<p>"Oh, so you think that was funny, do you?"</p>
|
|
<p>Davy continued laughing uncontrollably. Every time he tried to
|
|
speak, he pointed at Jack, then pointed at the water where the
|
|
broken segments of ice were now bobbing and clattering against each
|
|
other, scraping and tinkling like plates of glass. When he did that
|
|
he'd immediately double over so far his face was almost in the
|
|
snow. Jack's feet were beginning to freeze.</p>
|
|
<p>He strode across to the boy, leaving big footprints in the
|
|
snow.</p>
|
|
<p>"Laugh at your uncle, would you?" he demanded. He grabbed the
|
|
small boy by one ankle and one wrist and swung him round, pivoting
|
|
on his heels as he did.</p>
|
|
<p>"One...two...three..." he yelled when, for the third time, the
|
|
lad was whirling towards the stream, still screaming with
|
|
laughter.</p>
|
|
<p>And just at that moment, Jack's foot slipped. He went down on
|
|
his backside again. Davy, who was at the apex of the swing, crashed
|
|
down on top of him and the pair of them went slipping and sliding
|
|
down toward the stream again. Jack managed to grab the boy before
|
|
he disappeared under the ice, but Jack went in again, feet first,
|
|
backside next. When he ground to a halt, he was sitting in six
|
|
inches of water and Davy was high and dry and still laughing hard
|
|
enough to break a rib.</p>
|
|
<p>They spent another exhausting hour - exhausting for Jack whose
|
|
job it was to haul the sledge to the top of the hill after every
|
|
run - until the cold water in his boots froze his feet to such en
|
|
extent they began to hurt. Finally he had to insist, against Davy's
|
|
protestations, on going home again. Ten minutes later, he was
|
|
sitting with his feet in a basin of warm water, feeling his skin
|
|
itch and burn as the circulation came back into them. Neither Julia
|
|
nor her son could keep a straight face. In all, it was the best
|
|
hour Jack had spent since the night of the bonfire
|
|
celebrations.</p>
|
|
<p>An hour later he was down in the station. John McColl met him
|
|
halfway up the stairs.</p>
|
|
<p>"Been trying to get you for ages. Superintendent's looking for
|
|
you," he greeted in a low voice. "Looks as happy as a pig with
|
|
piles."</p>
|
|
<p>"So what else is new?"</p>
|
|
<p>"The boys think he wants you off."</p>
|
|
<p>"He's always wanted me off. Want to work for him?"</p>
|
|
<p>"No fear. You're the devil we know. And he couldn't find his
|
|
arse in the dark with both hands."</p>
|
|
<p>Jack had, yet again, to caution John on respect for his
|
|
superiors, which he knew was a futile excercise, but he couldn't
|
|
keep the smile from his face. McColl wouldn't change, didn't care.
|
|
What he said, however, was as as much of a vote of confidence as
|
|
Jack could expect.</p>
|
|
<p>"Got a few things you'll be interested in," John went on.
|
|
Ralph's in with the rest of them."</p>
|
|
<p>Jack steered the sergeant into his own office and sat down on
|
|
the chair by the window. Big flakes of snow were feathering down
|
|
against the glass to pile up on the sill.</p>
|
|
<p>"Could have used this on Barley Cobble the other night. At least
|
|
we might have had a footprint."</p>
|
|
<p>John nodded as he handed over a sheaf of papers.</p>
|
|
<p>"What've we got?" Jack asked, flicking through them quickly,
|
|
taking in just the headings.</p>
|
|
<p>"Initial forensic on the Campbell girl. Nothing great. A few
|
|
nail scrapings that won't get us much further. Oh, and there's
|
|
something from Dr Cattanach on the Toner case. You'll see that
|
|
further down."</p>
|
|
<p>"Yeah, I'll come to it later. What've we got that I can't get in
|
|
the reports?"</p>
|
|
<p>"Good question. Ralph debriefed the night-shift on door-to-door.
|
|
Absolutely nothing. I think we've got a psycho."</p>
|
|
<p>"It's always been a psycho, no matter what," Jack asserted.
|
|
"There's a connection between the two kids, but the difference is
|
|
that the second one occasioned violence. That mean's we've most
|
|
likely got a shooting star..."</p>
|
|
<p>"A what?"</p>
|
|
<p>"Somebody on burnout. Most psychopaths are very careful. They're
|
|
not like your common or garden maniac. They're lucid and thoughtful
|
|
and they tend to experiment with new things as they wreak their way
|
|
along. You don't get sudden changes in method and style, more a
|
|
gradual evolution. Then you get the shooting stars who get a taste
|
|
for it and flare up out of control. I reckon that's what we have
|
|
here. It's just a feeling."</p>
|
|
<p>"Is that good or bad?"</p>
|
|
<p>"Good <em>and</em> bad," Jack said after a while. "<em>Good</em>
|
|
because they don't plan too much. They become opportunistic and
|
|
they make mistakes and we catch them a little quicker. <em>Bad</em>
|
|
because they can do an awful lot of damage before they burn out.
|
|
Remember the case back in the sixties?"</p>
|
|
<p>"Before my time," John claimed.</p>
|
|
<p>"And mine. But I read up on the paperwork. Place was in an
|
|
uproar then. Five kids killed. I was at school at the time, just a
|
|
nipper. But I never forget the feeling in town. Everybody was
|
|
scared. That was a slow mover. He didn't burn out, at least not so
|
|
far as anybody knew. He just disappeared. Everybody said he'd
|
|
killed himself out of remorse. But I've had a look at the old
|
|
pictures. <em>That</em> was a psychopath."</p>
|
|
<p>"And?"</p>
|
|
<p>"With a psycho, there's no such thing as remorse."</p>
|
|
<p>"You don't think it's the same one?"</p>
|
|
<p>"No. I don't. The kids called him <em>Twitchy Eyes</em>. I
|
|
remember it clearly. One of the beat men went round all the classes
|
|
telling the kids to watch out for a man with a twitch in his eye.
|
|
That's going back more than thirty years. He'd be an old man by
|
|
now, and I don't think an old man could have taken Shona Campbell's
|
|
face off with a swipe, do you?"</p>
|
|
<p>"So what do you think?"</p>
|
|
<p>"We keep going round the doors. We have to find somebody who saw
|
|
something. Anything at all. Unless we get one hint, then it's going
|
|
to happen again, and then the shit's going to hit the fan."</p>
|
|
<p>"I've got a feeling it has already," John said. Jack nodded
|
|
reluctant agreement.</p>
|
|
<p>The day shift were waiting in the muster room. Jack went over
|
|
what they had. He hadn't had the time to go through the reports in
|
|
the folder, but on first glance there wasn't anything
|
|
earth-shattering that the team had to be told of.</p>
|
|
<p>In fifteen minutes, they were back out again, stamping the snow
|
|
from their feet as they knocked on doors asking the same questions
|
|
again and again.</p>
|
|
<p>Jack went back to the folder.</p>
|
|
<p>The forensic evidence provided more questions that answers. He
|
|
brought out Robbie Cattanach's preliminary report from the autopsy.
|
|
Robbie's few sentences were clear. The girl had suffered massive
|
|
trauma to the left side of her face. Most of the flesh had been
|
|
stripped from the crown of her head to her cheek and her occipital
|
|
orb and cheekbone had been crushed inwards. Several small shards of
|
|
bone had lodged in the brain and there was massive damage to brain
|
|
tissue. Had she survived, Robbie said, she would have certainly
|
|
have been paralysed down the right side of her body and she would
|
|
have been profoundly mentally disabled. What puzzled the doctor was
|
|
the nature of the blow.</p>
|
|
<p><em>"Three deep indentations,"</em> his report continued
|
|
"<em>Descend from the temple to the chin. The parallel striations
|
|
appear not just in skin and muscle tissue, but continue as grooves
|
|
on the bone itself. The only similar groovings of this nature, as
|
|
far as I recall, have come from injuries caused by large
|
|
bears."</em></p>
|
|
<p>As the bottom, in a personal note, Robbie asked: "<em>Have you
|
|
checked the zoo in case they've lost one?</em> "</p>
|
|
<p>Jack pulled his lips back from his teeth and sucked in air. He
|
|
remembered only the previous week - though it seemed much further
|
|
in the past than that - Ralph Slater asking him a similar question
|
|
when they were going through the house in Latta Court. That time,
|
|
because of the height of the verandah, Ralph had suggested they
|
|
should be looking for a gorilla.</p>
|
|
<p>A gorilla and a bear. Both trained to steal babies. And one
|
|
trained to kill a young mother with a cataclysmic swipe. Jack would
|
|
have preferred it to have been either. An animal could be caught
|
|
and captured quickly. It couldn't plan and it couldn't cover its
|
|
tracks.</p>
|
|
<p>But Jack knew that was too much to hope for. He was looking for
|
|
a human. A sick human, maybe. But a dangerous one who would try it
|
|
again. What concerned him, much more than anything else, was the
|
|
certainty that the killer would strike again, and soon. He was not
|
|
concerned about the bayings of the press. A double abduction made
|
|
national news any day of the week. He couldn't care less about the
|
|
backbitings of the likes of Ronald Cowie who saw every event as an
|
|
opportunity for advancement or apportioning of blame. He only saw
|
|
his job from the point of view of one who had to catch the killer
|
|
before he took another life. He had to catch him and put him away.
|
|
Somewhere in Levenford there were, he was sure enough to bet his
|
|
life on it, two small bodies lying hidden. In this town there were
|
|
too many nooks and crannies, too many sheds and huts and outhouses,
|
|
a warren of derelict buildings out by Slaughterhouse Road where the
|
|
land gave way on to the marshes, and old crumbling factories from
|
|
the bad old days huddled round the west edge of Rough Drain, the
|
|
local name for the extent of tangled wasteland at the east end of
|
|
town.</p>
|
|
<p>There were places aplenty to hide two tiny bodies. There were
|
|
places a killer could huddle and wait. All Jack Fallon and his
|
|
overworked men could do was wait for a sliver of evidence that
|
|
could act as a lodestone to point them in the right direction.</p>
|
|
<p>His own view had changed since the theft of little Timmy Doyle.
|
|
Then, it could have been anyone, although there was nothing to show
|
|
exactly <em>how</em> it had been done. The surmise was that someone
|
|
had climbed up or down from balcony to balcony on the sheer face of
|
|
Latta Court to snatch a baby from its pram. Yet there were no
|
|
prints, no hairs or scraps of clothing to give any pointers. Worse,
|
|
Jack Fallon could figure out no motive. This was beyond the range
|
|
of anything he had dealt with in the past, and in the past he had
|
|
dealt with many a baffling and confusing crime.</p>
|
|
<p>In his own mind, he had ruled out a woman. At first, there had
|
|
been a tenuous connection - after a fashion - between both the baby
|
|
snatch and Marta Herkik's brutal killing. But then Shona Campbell's
|
|
baby had been wrested from her arms on a cold night and she had
|
|
been hit so hard she'd died of it. This one could not be laid at
|
|
Sipmson's door, because he had taken his own gruesome way the day
|
|
<em>before</em> the abduction.</p>
|
|
<p>Jack was opening the folder from Ralph Slater as he eyed the
|
|
sequence graph on the wall. It displayed names and dates in his
|
|
plain capitals, with arrows joining one set of words to another.
|
|
There was as yet no clear pattern. Jack knew a pattern would help,
|
|
but if one <em>did</em> develop, it would mean another killing,
|
|
another theft of a child. That worried him more than anything.</p>
|
|
<p>Ralph Slater's report was badly typed, but clear enough. The dog
|
|
handlers had come up with nothing. There was no scent trail to
|
|
follow. From the position of the body - and the photographs in
|
|
stark black and white under the glare of the flashgun left nothing
|
|
to the imagination - it was clear that the woman had been felled by
|
|
one tremendous blow to the head. She had dropped like a sack and
|
|
she had stayed where she'd fallen. The pool of blood showed that
|
|
beyond doubt. There had been some material under her nails, but it
|
|
was not skin and it was not hair, as might have been expected from
|
|
a mother fighting for her baby. Ralph had rushed this through the
|
|
forensic lab at headquarters and came back with a riddle.</p>
|
|
<p>The preliminary report described the scrapings as
|
|
<em>keratin</em>. Jack knew enough not to have to look the word up.
|
|
He knew it was the substance which made up fingernails and horses
|
|
hooves and the scales of lizard skin. The stark and brief report
|
|
came to no conclusions as to the source. Ralph's men had taken
|
|
samples of a wet patch which had frozen on the shoulder of Shona
|
|
Campbell's leather Jacket. This too had only raised a conundrum. It
|
|
was neither human nor mammal saliva. Whoever had analysed the
|
|
substance - and there was only a scrawled signature at the bottom
|
|
which Jack couldn't make out - said there had been some
|
|
similarities between the sample and amphibian saliva, though the
|
|
resemblance was remote. Also, he added, there were no antibodies
|
|
nor bacteria, at least none identifiable or that he could culture,
|
|
which was unlike any other known secretions. Another puzzle within
|
|
the puzzle. There was nothing else to be gleaned from the report.
|
|
Jack stuck it back into the folder and laid it down on the
|
|
desk.</p>
|
|
<p>Craig Campbell's story stood up and walked. He'd been hanging
|
|
over the bar in the Castlegate until close to midnight and could
|
|
remember virtually nothing about it, but there were enough people
|
|
who had some brain cells that were not numbed with drink who
|
|
remembered him. Big Tam Finch confirmed that he'd escorted Campbell
|
|
to the door.</p>
|
|
<p>"Legs like rubber, the daft bastard," was what Tam Finch
|
|
actually said. "Seen it before with him. Getting set to boak all
|
|
over the floor. Better he does it outside than have the cleaners
|
|
scrape it up in the morning. He couldn't have put a nut in a
|
|
monkey's mouth, but that's just the usual for Bunnet Campbell. His
|
|
missus was down here regular every paynight to take his wages off
|
|
him before he gave it all to me. Race against time every week. The
|
|
man drinks at the gallop. Different story getting him out the door,
|
|
I can tell you."</p>
|
|
<p>Tam Finch could tell plenty. He ran the roughest, toughest bar
|
|
on the riverside and kept a big, gnarled harry Lauder walking stick
|
|
hanging up by the gantry to keep order. What he said put Craig
|
|
Campbell in the clear, though in Jack's mind, there was never any
|
|
serious question that he'd murdered his wife. Jack had spoken to
|
|
him only hours after the girl had been found and the man was too
|
|
befuddled to realise what was happening. He didn't sober up
|
|
properly until after she'd died and when he was given the bad news
|
|
he took another dive right into a bottle to blot it out again.</p>
|
|
<p>The neighbours, as in the Timmy Doyle case, were next to no
|
|
help. Apart from the one isolated scream in the shadows of Barley
|
|
Cobble, nobody had seen a thing. In both cases, there had been a
|
|
quick strike and a fast and silent getaway. There were few
|
|
clues.</p>
|
|
<p>By mid-day, the snow was blizzarding from the north again and
|
|
Jack was up to his armpits in paperwork, collating the reports. It
|
|
wasn't until then that he reached the note on Jock Toner. Robbie
|
|
Cattanach had put it in a separate envelope.</p>
|
|
<p>As he scanned the few short lines, his eyebrows drew together,
|
|
creating a furrow between them.</p>
|
|
<p>"<em>Did a check on the blood on Toner's jacket. It is NOT his.
|
|
Your forensic people will be able to tell, maybe. The sample was
|
|
Rhesus negative. Hope it helps.</em> "</p>
|
|
<p><em>Rhesus negative.</em> Jack sat still and thought about that.
|
|
Robbie had already told him that he believed Jock Toner had not
|
|
fallen from the gantry, because of the force with which his head
|
|
had met the upper edge of Isobel McIntyre's window. The pathologist
|
|
had suggested that he had jumped or been thrown. Jack thought some
|
|
more. There was a <em>different</em> type of blood on the man's
|
|
clothing, and that meant there had to have been someone else there,
|
|
unless of course, the man had had a fight with somebody on the
|
|
ground first, and then hoisted himself up on the cradle. That did
|
|
not ring true. Jack checked the notes on the interview with the
|
|
clerk of works. Toner had grumbled about having to stow the gear at
|
|
the end of his shift, but apart from that, he had seemed perfectly
|
|
normal. That had been just after five at night. The body wasn't
|
|
discovered until morning, and the preliminary investigation put his
|
|
death at two hours after he'd last been seen, although that was
|
|
merely a guess. It was hard to tell if the stiffness in his frozen
|
|
body had anything to do with rigor mortis. A woman living in the
|
|
second top storey told Ralph Slater that she'd heard the gantry
|
|
winder go past her window just after seven, and that tended to back
|
|
up the findings.</p>
|
|
<p>"So, what kept him up there for two hours?" Jack asked the empty
|
|
room.</p>
|
|
<p>He stared at the snow flurries as they wheeled past his
|
|
window.</p>
|
|
<p>Either he was with someone, and they'd had a fight, Jack
|
|
thought, but he shook his head. Jock Toner was used to heights but
|
|
he'd have to be crazy to fight someone on a swinging pulley-gantry
|
|
a hundred feet up the side of a building. Jack had been on the roof
|
|
less than an hour after the body had been found, slowly turning on
|
|
the rope in the freezing air. He'd looked over the side and he'd
|
|
felt his stomach give that old familiar lurch of vertigo. It was a
|
|
long way down. Mentally, he ruled out a fight, though stranger
|
|
things had happened. There was something else in Robbie's note.
|
|
Jack looked it over again, frowning all the while.</p>
|
|
<p><em>Rhesus Negative</em>. The blood type. As had happened many
|
|
times before, something <em>clicked</em> inside Jack's head and he
|
|
made a small connection.</p>
|
|
<p>He rummaged through the pile of manilla folders, scattering them
|
|
across his desk until he fond the one he was looking for. He opened
|
|
it and riffled through the few pages and discovered the sheets
|
|
stapled together. John McColl had pulled the baby's medical files
|
|
from the health centre. There was little to read. Forceps delivery.
|
|
Seven pounds, slight jaundice. Blood type Rhesus negative. Slight
|
|
factor eight deficiency. Two months after the birth, a bout of
|
|
scarlet fever and a bad cough which turned out not to be whooping
|
|
cough. It was all there, what little there was of a baby's life
|
|
catalogued in weights and illnesses.</p>
|
|
<p>Jack hooked the phone and called a number from memory.</p>
|
|
<p>A telephonist paged Dr Cattanach and he took a minute to come on
|
|
the phone.</p>
|
|
<p>"I'm up to my neck at the moment," he told Jack.</p>
|
|
<p>"Just a second," Jack insisted. "A quick question. I got your
|
|
note on the blood traces."</p>
|
|
<p>"Yes. definitely not his."</p>
|
|
<p>"I got that. Can you give me any pointers?"</p>
|
|
<p>"Narrows the field, Jack. Rhesus negative is not common."</p>
|
|
<p>"How uncommon?"</p>
|
|
<p>"Very low percentage, if I remember my haematology."</p>
|
|
<p>"That's a start. I just have to scan nearly thirty thousand to
|
|
come up with likely suspects. Anything else?"</p>
|
|
<p>"Well, whoever it is. He's a bleeder?"</p>
|
|
<p>"Come again?"</p>
|
|
<p>"A haemophiliac. Didn't I mention that? There was enough blood
|
|
to put it through the works. It's not surprising there was a fair
|
|
amount of it. There's a lack of blood clotting agent which means
|
|
any cut continues to bleed. In severe cases, it just doesn't
|
|
stop."</p>
|
|
<p>"That should narrow it gain. Hang on, Robbie."</p>
|
|
<p>Jack put the phone down and crossed the room to open the door.
|
|
John McColl came out when he heard his name bawled down the
|
|
corridor.</p>
|
|
<p>"I need lists of local haemophiliacs," Jack told him.</p>
|
|
<p>"Right away?"</p>
|
|
<p>"Day before yesterday."</p>
|
|
<p>John rolled his eyes and went back into the operations room.</p>
|
|
<p>Jack lifted the phone. He was still frowning. Something else
|
|
tugged at the back of his mind.</p>
|
|
<p>"Listen Jack, I've really got to go..." Robbie began.</p>
|
|
<p>"One more thing. What's factor eight?"</p>
|
|
<p>"That's what I was telling you. It's the clotting agent in human
|
|
blood. Without it a paper cut will make you bleed to death.;"</p>
|
|
<p>"Shit." Jack barked.</p>
|
|
<p>"What?" Robbie's voice came tinnily from the earpiece.</p>
|
|
<p>"Nothing. Last thing. How many people with that type of blood
|
|
and none of the clotter?"</p>
|
|
<p>"Damn few. One in umpteen thousand, I suppose."</p>
|
|
<p>"Just what I thought. I'll talk to you later Robbie. And
|
|
thanks."</p>
|
|
<p>Jack slammed the receiver down and sat for the space of several
|
|
seconds, staring at the roiling snow as the turbulence cartwheeled
|
|
them past the window. A picture developed in his mind. He held it
|
|
there while he shoved his chair back and bounded for the door
|
|
again, calling for John McColl as soon as he snatched it open.</p>
|
|
<p>The sergeant came out of the other room, eyebrows raised.</p>
|
|
<p>"Just getting on to it chief," he said.</p>
|
|
<p>"Hold that result," Jack said quickly. "Get Ralph and tell him
|
|
to meet me up at Loch View.</p>
|
|
<p>John looked at him blankly.</p>
|
|
<p>"And I mean now." Jack said.</p>
|
|
<hr />
|
|
<p>The door opened and swung back with such force that it slammed
|
|
against the wall. Janet Robinson saw her mother's bulk come ramming
|
|
past the jamb, her cane in one hand, held up like a sword. In her
|
|
other hand, a crumpled piece of paper crushed in a fierce, white
|
|
knuckled grip.</p>
|
|
<p>"You slut," the old woman hissed, and Janet realised that her
|
|
mother was not <em>old.</em> She was a big-boned woman, heavy
|
|
breasted and wide hipped, and she carried all the weight of
|
|
authority that had dominated Janet's life since she could remember.
|
|
Her eyes were slits between the clenched brows and screwed cheeks,
|
|
but they glittered with that righteous anger.</p>
|
|
<p>"You dirty little slutter. You <em>whore</em> that you are." her
|
|
mother came striding towards where Janet had been sprawled on the
|
|
bed, but was now cringing against the head. The cane jerked with
|
|
every word.</p>
|
|
<p>"Mother, I..." Janet squawked.</p>
|
|
<p>"Don't you <em>dare</em> call me <em>mother</em>," the old woman
|
|
said. Her short-cut frizzy hair seemed to stand up a grizzled halo.
|
|
"I found what you've been hiding, and I've read it."</p>
|
|
<p>She advanced two more steps, oddly bull-like for a woman.</p>
|
|
<p>"I've read it and it is <em>filth</em>."</p>
|
|
<p>She raised the sheet of paper up and waved it with triumph and
|
|
disgust.</p>
|
|
<p>"It's my letter," Janet managed to say. "You opened my
|
|
letter."</p>
|
|
<p>"And good thing I did girl. Just in time to save your immortal
|
|
soul." She held the letter out from her and her knuckles whitened
|
|
further as she crushed it to a tattered ball, then, with a little
|
|
flick of her hand, as if she were ridding her hand of slime, she
|
|
shucked it to the floor.</p>
|
|
<p>"I know what you've been doing. It's all there in black and
|
|
white. You've been seeing a <em>boy.</em> And worse, you've been
|
|
<em>doing things</em>."</p>
|
|
<p>"No mother, I didn't do anything."</p>
|
|
<p>"Don't lie to me girl. Don't you <em>dare</em> lie to me. I read
|
|
what he said. You've been doing things behind my back. You've been
|
|
doing things with a boy, you dirty little whore slut."</p>
|
|
<p>Janet pushed herself back against the headboard. It creaked with
|
|
her slight weight.</p>
|
|
<p>The big woman advanced, silhouetted by the light in the hallway,
|
|
towering over the bed.</p>
|
|
<p>"I'll teach you to let a boy touch you."</p>
|
|
<p>"But he didn't," Janet protested in a voice that was almost a
|
|
whimper.</p>
|
|
<p>"Did so. Did so. I read it. He wrote it. He <em>touched</em>
|
|
you."</p>
|
|
<p>"He only held my hand, mother. We were just walking. We were
|
|
only talking."</p>
|
|
<p>"And where were you walking? Out by the marshes where nobody
|
|
could see. Out without telling me, eh? Where he could put his hand
|
|
up your skirt."</p>
|
|
<p>Janet tried to reply, faltered, then cringed shrank back from
|
|
the onslaught, but there was nowhere left to retreat. She was
|
|
jammed up against the old wooden board, one hand drawn up to her
|
|
mouth, the other held out in mute appeal, in dumb protection.</p>
|
|
<p>Her mother's shadow blocked out the light. The cane went up in
|
|
the air, making a moaning sound through the air, followed
|
|
immediately by a whistle as it came down again.</p>
|
|
<p>Pain sizzled on Janet's thigh and she jumped as if a jolt of
|
|
high voltage had shot through her. Her squeal of pain bounced back
|
|
from the ceiling. She twisted away and the thin whipping stick
|
|
caught her on the upraised hand, driving down between her knuckles
|
|
into the soft web of skin. It made a noise like a nutcracker and an
|
|
unbelievable hurt lurched from her hand to her elbow.</p>
|
|
<p>"No mother," she shrieked. "Oh <em>please!</em>"</p>
|
|
<p>The dark outline of her mother's arm rose quickly and came down
|
|
in a blurred strike. The banshee whoop as it cut the still air
|
|
ended in the crack of the bamboo on her back. Janet leaped in an
|
|
involuntary spasm as silver pain cascaded from her shoulder to her
|
|
hip. Her legs kicked out and she could hear herself screaming,
|
|
though the sound seemed to be coming from far away, from someone
|
|
else. Her mother's bulk leaned over her and her arm went up and
|
|
came down again and again and all the time she was bawling at her
|
|
daughter that she would never see the boy again, she would never
|
|
ever see <em>any</em> boy again. With every blow the pain expanded
|
|
exponentially until she felt her vision turn grey and clouded and
|
|
the dark came and swallowed her mother first and then she herself
|
|
fell into it and...</p>
|
|
<p>Janet Robinson woke with a cry strangled in her throat. She was
|
|
shivering with cold and with fright, and face was beaded in sweat.
|
|
The blinds were pulled and the curtains drawn over them, darkening
|
|
the room to a gloomy grey. She groped her way to the side of the
|
|
bed and fumbled for the clock, pictures still whirling up to the
|
|
fore front of her mind, images of her mother's towering bulk
|
|
leaning over her in righteous wrath, in holy hatred, punishing
|
|
again for something the old woman had imagined she'd done. It was
|
|
not the first time she been wakened by her own screams and her own
|
|
fear. It had happened every night since she had fled,
|
|
panic-stricken from Marta Herkik's room in Cairn house.</p>
|
|
<p>She shivered again, still able to feel the heat-strokes and the
|
|
burning lines from where her mother had sliced at her with her
|
|
cane, still quaking in the aftermath of the abject terror under the
|
|
onslaught of her mother's anger. She held the clock in her hands,
|
|
shaking her head to try to will the visions away.</p>
|
|
<p>It was one o'clock in the afternoon. She'd slept all the
|
|
morning. Groggily, almost timidly, she eased herself out from the
|
|
damp sheets. Her hands were trembling as if she had a fever, but
|
|
she knew it was just the kick-back from the dream.</p>
|
|
<p>Her mother's image still shadowed the back of her mind. A big,
|
|
domineering and hateful woman who had done everything in her power
|
|
to cage her daughter and mould and meld her to her own use. She had
|
|
succeeded. In her teens, the few boys who had expressed an interest
|
|
never came back after the first secret meeting. Her mother had
|
|
<em>always</em> found out and her rage had been apocalyptic. Since
|
|
Janet had been old enough to remember, there had been only the two
|
|
of them. The old woman never <em>ever</em> spoke of Janet's father.
|
|
There had been the two of them, mother and daughter, the one
|
|
determined to crush whatever individuality and whatever spirit the
|
|
girl possessed, the other desperate to flee, frightened to make a
|
|
move. And so it had gone on, into her lacklustre twenties, into
|
|
grey thirties, while the old woman's bulk shrivelled in inverse
|
|
proportion to the poison of her tongue, and finally she had died of
|
|
a cancer that ate away at her belly and withered her down to a
|
|
whispering rickle of bones and yellow skin, too weak to whimper,
|
|
and Janet had been racked with guilt that she was <em>glad</em> her
|
|
mother was finally suffering the pain she'd suffered as a child, as
|
|
a girl, and as a woman. When finally the old woman had rattled her
|
|
last, Janet, now forty five and conditioned to be completely
|
|
dependent on the woman who had moulded her life in cruel hands,
|
|
felt vast relief and terrible fear. Approaching an early
|
|
middle-age, she ached for the chance to do things she wanted
|
|
(although she wasn't really sure what they actually were). She had
|
|
long since given up hope of forming a relationship with a man, and
|
|
in actual fact, such was the enormous pavlovian force of
|
|
conditioning that she was almost overcome by nerves if she happened
|
|
to speak to <em>any</em> man. But there were other things. She
|
|
could buy the clothes she chose, instead of the shapeless and grey
|
|
and hideously out-of-fashion <em>old woman's</em> garments her
|
|
mother would buy and insist she wore. She could go to the cinema,
|
|
might even buy a television. And most of all, there were women in
|
|
the offices where she worked who she thought she could become
|
|
friends with. Real people whom she could maybe, one day, invite
|
|
back to her own house, without the old vulture scaring them away
|
|
with her razor tongue and her poison words.</p>
|
|
<p>That had been the hope, but the weight of her mother's memory
|
|
had been so heavy that it still ground Janet Robinson down. It was
|
|
as if the old woman lurked in every corner of her mind, scolding
|
|
her whenever she had a rogue thought or any faint idea of self
|
|
improvement. She heard her mother's rasping voice, unrelentingly
|
|
critical of her every move.</p>
|
|
<p>Then someone had told her about Marta Herkik and she had gone
|
|
along with two of the women from the office to have their tarot
|
|
cards read and the idea had come to her that she wanted to know
|
|
that the old woman was really dead, really <em>gone</em>. She'd
|
|
gone back, not just once, but four times, for consultations with
|
|
the tiny Hungarian woman, and then she'd gone to the seance because
|
|
by this time she believed that the little foreign woman could
|
|
really confer with the departed. Janet Robinson hadn't wanted to
|
|
confer. She just wanted to snap the bonds and to break free.</p>
|
|
<p>She'd gone to Marta herkik's house, with the five other people
|
|
and she had sensed <em>their</em> needs.</p>
|
|
<p>And then the terrible thing had happened in the apartment three
|
|
floors up in Cairn House and they had run, hearts thumping in
|
|
fright, while the nightmare noises in the room had followed them
|
|
down the narrow spiral staircase.</p>
|
|
<p>Since then, Janet Robinson had heard her mother's voice every
|
|
night in her dreams. There were days when she would again feel the
|
|
glacial <em>cold</em> steal through her, emptying the warmth from
|
|
her bones, and she would <em>feel</em> the presence of the old
|
|
woman.</p>
|
|
<p>The awful, terrifying realisation was that she could sense her
|
|
mother's presence, and it was as if the old woman was
|
|
<em>inside</em> her, taking control of her own body, taking control
|
|
again of her mind.</p>
|
|
<p>When Janet woke into the dark of the room on the Saturday
|
|
afternoon, she waited until the fright and the shock of the dream
|
|
had passed on, and paused until the trembling had ceased. Yet all
|
|
the waiting in the world could not rid her of the growing sense
|
|
that she was losing herself in her mother, that the old woman was
|
|
taking her over from within.</p>
|
|
<p>She groaned softly and turned to the clock, still clenched in
|
|
her left hand. The luminous dial blurred as she looked into the
|
|
face and the dim light of the room faded to black.</p>
|
|
</div>
|
|
</div>
|
|
</body>
|
|
</html>
|