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<title>Chapter 2</title>
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<h2>7</h2>
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<p>Jack had been back up to Marta Herkik's house again. He was
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convinced he must have missed something, some tiny clue which would
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give him something of a lead. His mind was tugged in two
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directions, because of the Timmy Doyle abduction, and he could have
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done without that. Angus McNicol had insisted on it, although Jack
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had protested that it would stretch his own resources too far, but
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there was no gainsaying the Chief Superintendent, who also carried
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the rank of Commander in the regional force. Jack was the man for
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the job, mostly because of his years of experience in the city's
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murder squad, and also because he was the best qualified man on the
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local force. Angus sidestepped the protests from Ronald Cowie, the
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second in command who technically should have been in charge of at
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least one investigation. McNicol did not rate Cowie's ability, and
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he did rate Jack Fallon. That was another problem, he knew, for the
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man now hunting a killer and an abductor who was also potentially a
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killer. Cowie had friends inside and outside of the force. Angus
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hoped he wouldn't have to slap the man down. He also knew that Jack
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did not care a tuppeny damn if he made enemies or not. Everybody
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knew he had very little to care about except for his work.</p>
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<p>For half an hour, sitting alone beside the table that still bore
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the black traces of dried blood, Jack sat, huddled in his big coat,
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trying to think, trying to imagine what had happened on the night
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Marta Herkik had been mutilated.</p>
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<p>The clues were many and various, but their significance
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obscure.</p>
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<p>The killer, from all the evidence, must have had plenty of time
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to operate. He'd taken down two strips of wallpaper - a bizarre act
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in itself - so carefully the neighbouring strips hadn't been torn
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or scratched, and he'd daubed two words, both of them obscure, in
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that oddly slanted writing, smeared in now-caked blood.</p>
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<p><em>Heteros</em>: The Other. Straight from the Greek. Jack had
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found that easily by asking the classics teacher at Castlebank
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Academy. <em>Etheros</em>. That was more of a conundrum. There was
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no such word, not in any language. He'd checked with the languages
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department in the University. But there were pointers. It could, he
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was told, have something to do with <em>ether</em> as in air, or
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<em>ethereal</em>,like a phantom or a wraith. Or maybe, Professor
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Walker had pointed out, it was simply a mis-spelling.</p>
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<p>"Anagram possibly," the academic, who was a lot younger than
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Jack would have expected, said from behind a plume of cigarette
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smoke.</p>
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<p>"Like in a crossword. I do the Times every morning on the train.
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Never finished it on the journey yet, but I'm still hoping."</p>
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<p>Jack smiled along with him.</p>
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<p>"It's got all the same letters, so maybe they're just a jumble.
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Perhaps even the first one is an anagram of something."</p>
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<p>"Like what?"</p>
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<p>The professor took another draw of his cigarette and scratched
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his head. "I dunno. Maybe <em>The Sore,</em> or <em>The Rose.</em>
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It could even be a woman's name, Hortense."</p>
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<p>"That would need another letter," Jack pointed out. Walker
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nodded amiably.</p>
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<p>"Word blindness, that's my trouble. A real pain in a job like
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mine. Anyway, I can't see too many words you could form out of it.
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Just an idea. Etheros isn't quite a word, but if it's no anagram,
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I'd lean towards the phantasm idea."</p>
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<p>"Any reason?"</p>
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<p>"Just the fact that the first word means <em>an other,</em> or
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<em>the other</em>. Like in terms of something other worldly.
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That's what you'd take <em>ethereal</em> to mean."</p>
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<p>"Could it be indicating that it's an indication of being
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heterosexual?"</p>
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<p>"Could be anything. But if etheros means airy, it could indicate
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<em>fairy</em>. There's a million choices, well, at least a dozen,
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depending on how you look at it."</p>
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<p>Jack had sat looking at the words, wondering what had been used
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to write them. It could have been a finger, a very narrow finger,
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but there were no prints. There was nothing left behind that had
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been used to daub them. That meant the killer had taken it with
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him. He'd also taken whatever he'd used to strip the wallpaper.
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That was a real puzzle. Nobody yet, nobody in forensics, even at
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the central lab, had any suggestions as to how it had been done.
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there was no sign of commercial stripper, not even hot water or
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detergent.</p>
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<p>He looked at the column of writing again, cocking his head to
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read them properly. Each of the letters were about equal in size,
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though obviously written in haste. They were all canted over on the
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right side. It looked to Jack as if the killer had started up high
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on the wall, but hadn't been standing upright. It seemed as if he'd
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been bent across, somehow perched horizontally to daub each letter.
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Jack couldn't figure how that had been done either, not without a
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ladder and a platform. If anybody had left the building with a
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ladder, or some scaffolding, no matter what time of night or day it
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had been, someone would have seen him, and no-one had.</p>
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<p>The scratch marks on the table were an easier proposition. They
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had been caused by Marta Herkik herself. The blood was hers and two
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of her nails were embedded right under the thin veneer, stopped at
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the ends of the grooves in the wood. She had done it alright, but
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why she had done it was a mystery. Possibly her killer had come up
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behind her and dragged her backwards. She could have tried to pull
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away, scratching at the table, been hauled back with her nails
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digging for purchase. He tried to picture it in his mind's eye, but
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the image wouldn't come. It wouldn't have happened like that. The
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instinctive reaction would be to pull the hands away, to twist and
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turn, not to plough up the veneer of the table.</p>
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<p>There were several other options for some of the damage. One was
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that the killer had gripped her by the throat, which might account
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for some of the damage to the windpipe, no matter what Robbie
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Cattenach's report said. Perhaps she'd tried to get away, to
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<em>claw</em> herself away from the murderer. Or maybe the pressure
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on her neck had made her muscles go into a kind of spasm. Robbie
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had said that was possible, not likely, but he couldn't discount
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it.</p>
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<p>If that had been the case, then the old woman had been slung
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against the fireplace. The crystal ball, or whatever it was had
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been smashed and then the splinters driven into her head by some
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unknown means, and them the woman had been beaten with a very heavy
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instrument, breaking several of her bones and rupturing most of her
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insides. The blunt instrument had also been removed from the
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scene.</p>
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<p>Whoever had done this, Jack agreed with himself, had taken
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plenty of time. That meant he was no ordinary killer, no
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opportunist. He had been in a frenzy, of that there was no doubt,
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but he hadn't been panicked. He had to be some kind of psychopath,
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and there hadn't been one of them around in Levenford for a while.
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It would make him even more difficult to catch.</p>
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<p>Jack had spent days trying to get into the man's mind and had
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failed completely. He could find no motive. The method was clear
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enough, even if half the evidence was missing. Why anybody would
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have wanted to kill the old Hungarian woman and then mutilate her
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so obscenely, was as yet beyond him.</p>
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<p>The room was still lined with books, despite the numbers that
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had been torn from the shelves and shredded like confetti. Almost
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all of them had something to do with the occult. There was an old
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copy of Friel's <em>Ley Lines,</em> and a big illustrated edition,
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leather-bound and well thumbed, of Crowley's <em>Goetia</em> lying
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open on a small table next to the central one. Some of the
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paragraphs in the page had been marked off in black ball-point, and
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there was a long pencilled notation in the margin. The other books
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gave explanations of tarot cards, instructions on the use of ouija
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boards, old directories of palmistry and phrenology along with
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dozens on astrology. None of the books made any sense to Jack
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Fallon, though he thumbed through a few of them. Marta Herkik, he
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knew, charged a few pounds for palm readings and tarot divination,
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none of it declared on any in her tax return. There were a few
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spey-wives around. The local newspaper even used one of them in its
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weekly star-gazing column. All of the advice was ambiguous. Jack
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considered them all charlatans, but harmless enough at that.</p>
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<p>So she had been an old Hungarian woman reading futures. That was
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hardly a reason for dying like that. And she obviously wasn't so
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good at reading her own, or she might have seen this coming, Jack
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thought, remembering what Ralph Slater had said.</p>
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<p>There was no rhyme or reason. Nothing. Not even a <em>feel</em>
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about the case, except for a cold, baffling sensation of
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<em>wrongness</em> as Jack sat alone in the room where the woman
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had met her death. He did not jump at shadows, he did not believe
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in ghosts. In fact Jack Fallon believed in very little and hadn't
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for some time when his faith in anything had fragmented in the time
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it took a window to shatter. Yet there was something out of kilter
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about Marta Herkik's death. He told himself there was no normality
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about <em>any</em> killing, and he'd seen more than his share, but
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it was more than that. He tried to dredge up what his intuition was
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trying to tell him, the little unseen observer inside his mind that
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managed to pick out seemingly random and unconnected facts and
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string them together like beads on a thread until he got the spark
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of an idea that would take him in the right direction.</p>
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<p>Nothing came, except a cold shiver.</p>
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<p>"Been sitting too long," Jack muttered to himself. The case was
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going nowhere, and that angered him. He got to his feet, pulled his
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collar up, and with a quick motion swept back the hank of black
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hair that had flopped down over his brow. He opened the door and
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let himself out of the flat. The fresh air gusting up the circular
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stairwell was cold and sharp in his nose. He breathed deeply,
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clearing out the <em>death</em> smell, and started to walk down the
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stairs to the street door.</p>
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<p>Jack crossed the road, feeling the bite of the west wind numb
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his left ear, and went into Dickson's newsagent's shop where the
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old fellow behind the stacked counter remembered him from his
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younger days.</p>
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<p>"Heard you were back again Jackie," he said as he counted out
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the change coin by coin. "Get fed up with the big city?"</p>
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<p>"Something like that."</p>
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<p>Old Wattie Dickson looked him up and down. "Grown about three
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feet since I last saw you. Bigger than your faither was an'
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all."</p>
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<p>Jack smiled. His father had been a huge man with iron-grey hair
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cropped in a short spike. He'd been a sergeant for twenty years at
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College Street station and had never seemed to have any ambition to
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claw his way up the promotional ladder, though he'd been proud as a
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peacock over his son's progress. He had looked as hard as nails, a
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big craggy face on a mountain of a frame, but the looks had belied
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his appearance. John Fallon had been the fairest, most gentle and
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patient man Jack had ever known. He'd never once in his career used
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the black truncheon, and if there was a disturbance down in Mac's
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Bar or the Castlegate round at the quay where Friday night fights
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were par for the course, John could joke and cajole a violent drunk
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out into the street and persuade him up to the station to sleep it
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off. There was hardly a need for charging a hungover man in the
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morning, he always told his son. Jack had only seen his father
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fight once, when some of the Buist clan had come out of the bushes
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in Clydeshore Road, out for a reckoning over one of their number
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who had been banged up in Drumbain jail for three months over an
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aggravated assault, following an arrest by big John.</p>
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<p>Jack had been seven years old at the time, on his way up the
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road with a jar full of small fish he'd caught in the tidal pools
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down on the foreshore. He'd turned the corner and stopped dead when
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he saw the six Buist brothers with their backs to him, all standing
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in an arrogant line in front of the big man in the dark
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uniform.</p>
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<p>His father had spotted him the moment he'd come round the bend
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and had given a tiny jerk of his head, telling Jack to be off about
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his business. The boy had backed away, a little scared, but more
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curious and then he'd crawled behind the thick privet hedge,
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peering between the branches.</p>
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<p>"Right boys," John had said. "I know you're a wee bit upset, and
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all, but let's keep it peacable now."</p>
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<p>"You put our Billy in the jail."</p>
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<p>"No Bobby, he did that to himself all right. Let his temper run
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away with him, instead of taking a bit of a breath first. Now, why
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don't you all just go home and take deep breaths yourselves,
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eh?"</p>
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<p>"Why don't you take a flying fuck to yourself!"</p>
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<p>"Now, now boys. I'll ignore the language. But here I am keeping
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the peace on a nice morning."</p>
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<p>"You'll get no peace from us," Bobby Buist slung back.</p>
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<p>"Well, I'll have to caution you against anything you might be
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thinking of."</p>
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<p>"What, going to sling all of us in Drumbain?"</p>
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<p>"Och, I don't think it should come to that. Not if you're
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sensible," big John had said in calm and measured tones. The
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Buist's were well known in town. They were of farming stock, but
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they'd come off the land. Now there was a squad of them, big broad
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men with sandy hair and hands like hams. They operated on the
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fringes on the east of town. Odd jobs, scrap cars and the
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occasional pit-bull fight.</p>
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<p>"It'll come to it all right," Bobby Buist said, moving two steps
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closer. His two brothers and three cousins sidled out in a flanking
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motion. John Fallon stood stock still, eyes still calm.</p>
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<p>"So is it six to one, or are you Buist boys man enough to
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shorten the odds."</p>
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<p>"Like you did for Billy?" This from one of the men circling to
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the policeman's left. Without warning, he swung his hips and aimed
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a kick at John's crotch. The big man's hand snapped down on the
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ankle six inches before the toe of the boot connected. He took one
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step with his left, in towards the man, stamping down hard with the
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edge of his policeman's boot to rake it down the fellow's shin. The
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foot crunched the other man's toes and stayed there. In the same
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movement, John Fallon raised the attacker's leg by the ankle in a
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swift jerk. From his hiding place, young Jack heard a sound like a
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greenwood branch twisted from the trunk. The man screamed and John
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dropped him just as the others lunged in. The policeman's fist shot
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out and slammed against Billy Buist's cheek and the man fell like a
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sack. The punch sounded like a mallet on wood. John took two steps
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forward. Gave a right and a left so quickly his immense hands were
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like blurs and another two went down.</p>
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<p>The final pair stood hesitantly, fists raised.</p>
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<p>"Now which is first, or are we going to have a peaceful
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morning?"</p>
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<p>They had turned and ran, tackety boots sending sparks up from
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the cobbles. On the ground around John, three of the Buist boys
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were rolling or groaning. Bobby Buist was out for the count.</p>
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<p>John had straightened his tunic and rubbed a palm across his
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knuckles.</p>
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<p>"Right boy, you can come out now," he called over to the hedge.
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Young Jack, with his jar of tiny fish, came slowly out from the lee
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of the hedge. He walked up to his father, admiration written all
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over his face.</p>
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<p>The big policeman had bent down from an immense height, hands on
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his hips.</p>
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<p>"Now young feller. When I give you the nod to be off about your
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business, I mean it, eh?"</p>
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<p>Jack had nodded.</p>
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<p>"That way you don't have to see any of this nonsense." He had
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stuck out a hand and clapped it on his son's shoulder and walked
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him up Clydeshore Road, leaving the straggle of men on the road.
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Two years later, big John had dived into the Leven after a spring
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thaw when the river was in spate and had hauled out Tommy Buist,
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who was then ten, and the bane of Jack's life at school, risking
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his life for the son of one of the men who had ambushed him down
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the Clydeshore. That was the kind of man he'd been.</p>
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<p>When old Wattie Dickson had told him he was even bigger than his
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father had been, the memory of that day had come back to him in a
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flash of real pleasure. Nobody had ever been bigger than his
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father. Despite his rank, Jack Fallon did not think he could truly
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fill his old man's boots. It was not a thought that concerned him
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unduly. He wouldn't even have tried.</p>
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<p>"I read it in the paper," Wattie said, indicating the stack of
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gazettes piled on the old wooden counter. Very little about the
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shop had changed since Jack was small, except for the fact that
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there were fewer home-made sweets in the sugar-dusted glass jars,
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and along the top shelf, there were a selection of glossy
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biological magazines positioned out of reach of the young.</p>
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<p>Jack pocketed his cigarettes. He'd managed to give up a few
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years before, and had started again. He knew he shouldn't have, but
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the past while had not been easy. He fumbled in his pocket for
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change and took one of the papers from the pile.</p>
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<p>"Sounds like a lot of trouble in the old town," Wattie said.
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"That poor old biddie across the road. Always came in every morning
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at eight for a bag of mints. Who would ever want to kill her?"</p>
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<p>"I don't know Wattie. There's a lot of bad folk around."</p>
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<p>"Aye, and more and more the older I get. They're all at the drug
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taking up by Overwood. Wee kiddies of school age too. World's gone
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to hell if you ask me."</p>
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<p>Jack didn't ask him, but he tended to agree. There had been a
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time, when he was young, when the local policeman would give a boy
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a boot on the arse, an experience likely to make the lad think
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twice before stealing apples, or hoisting a bar of chocolate from
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the counter when old Wattie had his back turned. Not any more, and
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the place was worse for it in Jack's opinion.</p>
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<p>"Well I hope you get the bugger who did this. He should be
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hung."</p>
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<p>"I'll do my best," Jack promised him as he folded his paper and
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jammed it in the pocket of his coat. He crossed the road again,
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walking about fifty yards along River Street and took a right turn
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down Quay lane to where somebody had opened a coffee shop on the
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site where the old brewery store had stood twenty years before. The
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bell clanged above the door when Jack walked in. There were two old
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women in hats sitting in the far corner. They looked up when jack
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came in. He chose a seat next to the curtained window where a
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pretty girl with a short spiky haircut took his order for a coffee,
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and brought if a few minutes later. It was hot and strong and very
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very good.</p>
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<p>Jack unfolded the Levenford Gazette and saw himself staring out
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from the front page.</p>
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<p><em>Triple Tragedy!</em> The black headline didn't so much blare
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as shout at the top of the Gazette's voice. Jack had spoken to the
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young reporter who looked as if he'd just left school and from the
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questions he'd asked, probably just had.</p>
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<p>He read the story:</p>
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<p><em>Levenford was rocked this week by three separate tragedies
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which claimed the lives of five people in four days.</em></p>
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<p><em>On Monday, elderly Marta Herkik, a former bakery worker and
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amateur astrologer was found bludgeoned to death in her third floor
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home in River Street.</em></p>
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<p><em>A day later, nine-month-old baby Timothy Doyle was abducted
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while he slept in his pram on a tenth-floor balcony in Latta Court
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on Towpath Way.</em></p>
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<p><em>And last night a fire claimed a father and three children in
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Murroch Street.</em></p>
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<p><em>The town was in a state of shock at the death toll. Provost
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Stanley Moor said: "I'm stunned. It is a tragedy."</em></p>
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<p>Jack smiled and read on. The young reporter managed to get as
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much shock, horror and drama into the story as he could. To a
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certain extent, it was no exaggeration, although as yet, Jack had
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seen no evidence of the townsfolk rocking and reeling. The young
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reporter had attributed Jack with a couple of words he hadn't quite
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said, but not enough to change the meaning. Police were
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investigating. The Gazette said they were working round the clock,
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|
which was fair enough. The picture of him had been one of the press
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|
office send-outs when he transferred from the city back to his home
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|
town three months before. It made him look five years older, and
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|
his hair was shorter. The caption read: <em>Inspector John
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|
Fallon...leading the murder hunt</em>.</p>
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|
<p>The story went into the kind of detail small town newspapers
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|
revelled in. Jack knew, before he even turned to it, that the back
|
|
page would be a solid block of births, deaths and marriages. The
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|
police court section would be filled with dross, like drunks having
|
|
a pee in public, drunks being locked up or being incapable, and
|
|
drunks breaching the peace. Jack learned nothing new.</p>
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|
<p>He flicked through the paper, got to the centre pages which
|
|
showed some blurry photographs of the local theatre group strutting
|
|
the boards, when his eye caught a heading and he began to read.</p>
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|
<p><em>Cairn House: - A History of Violence</em>. The by-line named
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Blair Bryden, the newspaper editor. He'd been in the class above
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|
Jack at school, and they'd played football together in their teens.
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|
Jack had spoken to him several times since he'd come back to work.
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|
Blair was smart, and he knew his town. Jack read on:</p>
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|
<p><em>History has repeated itself in Levenford's oldest known
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|
building, with the brutal death of Marta Herkik.</em></p>
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|
<p><em>Older readers will remember a similar tragedy in 1965 when
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|
the body of a young man was discovered in a back room on the third
|
|
floor of Cairn House. This was part of the apartment where Marta
|
|
Herkik had lived for the past fourteen years following the death of
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|
her brother Sandor, the well known cobbler.</em></p>
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|
<p><em>A mystery still surround the death of Neil Hopkirk who had
|
|
been missing for three months in the summer of '65. He was later
|
|
discovered bound and gagged under the sink. Police at the time said
|
|
he had died of starvation and thirst, although he too had been
|
|
badly beaten and also sexually assaulted.</em></p>
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|
<p><em>But even that was not the first tragedy of Cairn House,
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|
which records show was built in 1462, about the time of the
|
|
extension to the Burgh Charter, and partially rebuilt in the
|
|
eighteenth century, adding the upper storeys. The building was the
|
|
original Tollbooth in town, where prisoners were jailed pending and
|
|
after trial. Those guilty prisoners were hanged from a gibbet
|
|
attached to its east gable wall, and records show sixteen such
|
|
hangings in 1532 alone. After reconstruction, the house became
|
|
church property for two decades, until the minister, the Rev Andrew
|
|
Scally hanged himself from a beam...again on the third floor in
|
|
1807. Three decades later, a bolt of lightning struck the
|
|
chimney-stack which fell through the roof and crushed to death
|
|
council leader Provost Thomas Latta and a seamstress who lived in a
|
|
room in the rear of the building.</em></p>
|
|
<p><em>After World War I young officer Wallace MacNicol was found
|
|
shot to death in the same room. Gazette records show that he died
|
|
of six bullet wounds in his head. This caused intense speculation
|
|
and the mystery of how he was able to shoot himself so many times -
|
|
the gun was found in his hand, and the room was locked from the
|
|
inside - was never solved.</em></p>
|
|
<p><em>In 1948, another clergyman, the Rev Alistair Conn, who was
|
|
visiting a young sick girl in Cairn House fell to his death after
|
|
crashing through a sash window into River Street. The girl, whose
|
|
family later left Levenford, was never able to fully explain what
|
|
had happened.</em></p>
|
|
<p><em>Now, the death toll of Cairn House continues. Professor
|
|
Andrew Toye, head of the Paranormal Studies at Glasgow University
|
|
said: "These things could very well be co-incidences. Some
|
|
buildings do gather unfortunate reputations over the years. One
|
|
wouldn't like to volunteer an explanation without more
|
|
evidence.</em> "</p>
|
|
<p>The story ran on for a few more paragraphs, and Jack smiled at
|
|
Blair Bryden's quotes from Andy Toye, whom Jack knew from his law
|
|
studies at the university. He had even considered calling on the
|
|
professor himself, to get some hint of what might have taken place
|
|
at Cairn House before the old woman died. He read on and something
|
|
else caught his attention. It was a simple ten paragraphs about a
|
|
young girl who had foretold the fire at Murroch Street.</p>
|
|
<p>Jack raised his eyebrows and sipped his coffee slowly as he read
|
|
the account of the librarian at a party who had been reading
|
|
tea-leaves. One of the guests, the paper said, claimed she had gone
|
|
into some kind of seizure and then told another woman to get home
|
|
because her house was on fire. It had turned out to be true. The
|
|
girl named in the story had refused to comment on the matter. Jack
|
|
smiled again. There was always somebody trying to make a few
|
|
pennies, even out of tragedy.</p>
|
|
<p>He closed the paper, finished his coffee and left some coins
|
|
under the saucer rim. The bell clanged again as he went out and
|
|
turned into River Street.</p>
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