mirror of
https://gitlab.silvrtree.co.uk/martind2000/booksnew.git
synced 2025-01-29 02:46:19 +00:00
583 lines
33 KiB
HTML
583 lines
33 KiB
HTML
<?xml version="1.0" encoding="utf-8"?>
|
|
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
|
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
|
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
|
<head>
|
|
<meta name="generator" content=
|
|
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
|
<title>1</title>
|
|
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
|
<link rel="stylesheet" type=
|
|
"application/vnd.adobe-page-template+xml" href=
|
|
"page-template.xpgt" />
|
|
</head>
|
|
<body>
|
|
<div id="text">
|
|
<div class="section" id="xhtmldocuments">
|
|
<h2>10</h2>
|
|
<p>"She always came home, or if she was staying out she'd always
|
|
call. But she never came home again and her dinner got burned in
|
|
the oven."</p>
|
|
<p>Neither of them knew it, but the old woman was repeating almost
|
|
word for word what Virginia Marsden's mother had told Helen Lamont.
|
|
Her name was Catriona McDougall. She had just been told that her
|
|
daughter had died in a shopping mall in a city the old woman had
|
|
never visited. The voice was tremulous and quavery and every now
|
|
and again, it would break off into a sudden silence as if the air
|
|
had been cut off. The pain was thirty years old but it had not
|
|
diminished in any way. Any comparison between the old woman's grief
|
|
and what Winnie Marsden was suffering would show not a whit of
|
|
difference.</p>
|
|
<p>David had driven across rolling country to get to this village,
|
|
an old place where the buildings had crow-stepped gables and the
|
|
streets were narrow and rutted from past decades of trundling
|
|
cartwheels and iron-shod hooves. The village was a huddle of houses
|
|
in the lee of a hill that might have been the spoil heap of an old
|
|
mine. The people were squat, broad shouldered, like mining people,
|
|
and their accents flat and dour. A small church had a graveyard in
|
|
the lee, sheltered from the wind, where old headstones canted and
|
|
slumped, and David knew that if he scraped the moss from them he
|
|
would read names that would be the same as the ones on the doors of
|
|
the low houses.The town was clean, scoured by cold blasts from the
|
|
sea a few miles distant, but country-clean, as if it had some pride
|
|
left, unlike the rest of the mining villages that had been left
|
|
forlorn and dying in the past years.</p>
|
|
<p>The old couple lived in a small cottage tacked on to a row of
|
|
houses off what could have been the main street. The house backed
|
|
on to sloping fields where the grass was weighed down by hard
|
|
frost. There was no sign of life in the fields, and few passers by
|
|
in the streets. David got the impression that this was a self
|
|
contained place, where people huddled together, like the houses
|
|
they lived in, and kept their own council. An outsider would stick
|
|
out in a village like this.</p>
|
|
<p>Despite that, the old woman, old Catriona McDougall had invited
|
|
him in, pressing herself against the wall to let his bulk pass her
|
|
tiny frame in the narrow hallway and had made him a cup of tea and
|
|
offered thick scones. Her mantelpiece bore a picture of a
|
|
shy-looking girl with three tiny moles in a line on her cheek.
|
|
David knew he would have to tell an old woman that her daughter was
|
|
dead.</p>
|
|
<p>"Never came home," the old man, said, parroting his wife. He was
|
|
sitting hunched in his seat, a rickle of big bones in a hollow
|
|
skin, pale blue rheumy eyes fixed on his massive, faltering hands
|
|
lying like dead roots on his knees. "Not never." His face was
|
|
quivering very slightly, as if there was an awesome tension within,
|
|
but David knew it was the palsied tremble of senility.</p>
|
|
<p>"It was in all the papers," the old woman said, "and we had the
|
|
police here day in, day out, always coming to ask another question,
|
|
or show us a picture of this man or that one to see if we could
|
|
spot somebody that might have done it, but it never made a bit of
|
|
difference. She never came home again. She just vanished. It was
|
|
about the same time as the baby was killed up there at Duncryne
|
|
Bridge.</p>
|
|
<p>"Not never," the gaunt man repeated, though his expression
|
|
didn't change.</p>
|
|
<p>"It broke him in half," Catriona McDougall went on, nodding in
|
|
her husband's direction. Her shaky voice still held the trace of
|
|
the highland accent she'd grown up with, the soft lilt of the west
|
|
coast. "Broke us all in two and that's the truth. She was our only
|
|
one, you see. It was a great shame that we could never have another
|
|
one, but Callum said it was fine, as long as she was healthy and
|
|
whole. He said no matter what we'd love her just like a whole tribe
|
|
of them. She was our only one and she never came home."</p>
|
|
<p>The old woman was about ninety. She was tiny in comparison with
|
|
the huge scarecrow of a man who sat motionless but quivering on the
|
|
seat by the small coal fire. Outside, a smatter of hailstones
|
|
rapped against the window, driven in the east wind that came
|
|
straight over from Siberia and down across the North Sea to chill
|
|
the whole of the shoreline on the Firth of Forth. The wind moaned
|
|
down the chimney and the old woman reached over to pull the heavy
|
|
blanket around her helpless husband's shoulders, gently smoothing
|
|
down the old woollen fabric with a stroke of her hand which
|
|
conveyed, in that one soft movement, the enormous love and loyalty
|
|
they'd shared during the good times and the barren days and still
|
|
burned strong in her heart. The capacity for human love, David
|
|
thought right then, must be unfathomable.</p>
|
|
<p>He was reminded of old Mrs Whalen, a few doors down from where
|
|
the dead woman, this woman's daughter, had lived. There was the
|
|
same compassion and concern, the same old, warm love that bound two
|
|
people together. David Harper could only marvel at the strange and
|
|
powerful drives that kept two people linked so unbreakably long
|
|
after the flush and the heat were gone. He wondered it such a thing
|
|
could happen to him. There was a difference though, between the two
|
|
old women who looked after their ruined old men. Mrs Whalen had
|
|
brought eight children into the world and raised them through the
|
|
good and bad times and seen them off into their own lives, reaping
|
|
the harvest of grandchildren.</p>
|
|
<p>Old Catriona McDougall had given birth to the one, a difficult
|
|
and harrowing birth that had almost killed her and the baby both
|
|
and she'd never been able to have any more.</p>
|
|
<p>And then that one, whom she'd cared for beyond the normal span
|
|
of years of motherly care, had been taken from her and her
|
|
mother-love still burned within her, a torch of sadness and hope
|
|
and prayer and need that would never be extinguished.</p>
|
|
<p>"After Thelma went, Heather was never the same again. They'd got
|
|
so close, and it was Thelma who got her out of herself. You know
|
|
what I mean. Heather was always the shy one." Catriona McDougall
|
|
pointed to the picture of her daughter on the mantelpiece, right in
|
|
the centre, in contrast to Mrs Whalen's array of descendants. The
|
|
three little birthmarks, set in a slant like the stars in Orion's
|
|
belt, and equally spaced apart, were exactly like the ones in the
|
|
other photograph which he'd seen of the dead woman, eyes half-open
|
|
and blind in death, on the slab. The moles provided the only visual
|
|
similarity, though there had been other identifying marks. Like the
|
|
picture in the old newspaper cutting, the young woman in the
|
|
picture looked nothing like the raddled, oddly proportioned corpse
|
|
in the mortuary.</p>
|
|
<p>"Oh, don't get us wrong. Thelma was wild in her way and
|
|
sometimes we'd worry that she'd lead our girl astray, but Heather
|
|
told us she was old enough to make up her own mind, and it was
|
|
true. We just never wanted to see her getting hurt, or into
|
|
trouble, you know?"</p>
|
|
<p>David agreed that he understood.</p>
|
|
<p>"Never came back," the old man chimed in a voice that was as
|
|
hollow as his skin.</p>
|
|
<p>"But after what happened, she just seemed to crumble. It was
|
|
like the light went out of her life, and that's what happened to
|
|
Callum here. The light went out of his, so I lost the both of them
|
|
really, more or less. They never ever found her, so they could
|
|
never say for certain what happened. Oh, sure, everybody said it
|
|
was the same beast that killed Thelma must have done away with
|
|
her."</p>
|
|
<p>The old woman's eyes filled suddenly with tears and she broke
|
|
off, turning to dab a small embroidered handkerchief there.</p>
|
|
<p>"I couldn't bear to think about it. We knew what had happened to
|
|
the poor girl. Stabbed and mutilated that was, it was dreadful,
|
|
just animal, and if they'd caught the man who did it, he'd have
|
|
been torn limb from limb by the folk around here. But they never
|
|
found him and they never found Heather. The police asked if maybe
|
|
she would have run off with the man and I remember I got angry and
|
|
nearly threw them out of the house for ever suggesting such a
|
|
terrible thing. Thelma was younger than our Heather, but she was
|
|
good for her, we realised later, because we'd brought her up close,
|
|
you know. Sheltered. Because she was the only one we had and we
|
|
were always scared of her getting hurt. But Thelma really was good
|
|
for her and she'd never have had anything to do with anybody who
|
|
hurt her friend.</p>
|
|
<p>"It was after that the police, yon big man that Callum knew from
|
|
the bowling club, Superintendent Cutcheon, told us that it was
|
|
likely she'd been killed and we shouldn't expect to see her
|
|
again."</p>
|
|
<p>The old woman looked over at David who sat patiently, holding a
|
|
saucer in one hand and a half-empty cup in the other. "But I never
|
|
gave up hope, for there was something inside of me that could still
|
|
feel her. Oh, I could never explain it to anybody and I can't
|
|
explain it to you neither. You don't know what a mother has inside
|
|
of her. I knew from the moment..." She stopped and looked over at
|
|
the ruin of her husband, slack mouthed and empty eyed, and a look
|
|
of wonderful tenderness came over her face. The love conveyed in
|
|
that one look was so powerful that in that instant David could see
|
|
the young woman behind the wrinkles of the ancient face.</p>
|
|
<p>"....I knew from the moment she was conceived. That's hard to
|
|
believe, but I knew then that I was carrying her. She was a part of
|
|
me from that night, a living part of me. I felt her grow. What does
|
|
the bible say? I felt her <em>quicken</em> in me and I said a
|
|
prayer of thanks. Callum, he just laughed the next day, the big
|
|
lump and he was off to the war two days later before the sickness
|
|
started and he'd have laughed on the other side of his face if I'd
|
|
have got a hold of him then. But I'm telling you, Mr Harper, you
|
|
know when a part off you has died and I never felt that until,
|
|
now."</p>
|
|
<p>David raised his head as if startled. "Pardon?"</p>
|
|
<p>"I was making the dinner, just a piece of boiled fish, for
|
|
that's about all he can manage these days, and I was bending down
|
|
to take it off the stove when I fell down. I was there on the floor
|
|
and I thought this was it, that my maker was calling on me while I
|
|
was making the dinner and I thought it was not a good time and then
|
|
I got scared thinking of what Callum would do because he'd just be
|
|
sitting there and never know what happened."</p>
|
|
<p>Mrs McDougall dabbed her eyes again and sniffed. "But then,
|
|
right at that moment, I saw Heather standing in front of me, just
|
|
the way she was. She was waving to me like she did in the mornings
|
|
when she went off to work and then she was gone and she really was
|
|
gone. I couldn't feel her inside of me and I cried and cried, just
|
|
like I'm doing now, silly old woman. I don't know what happened,
|
|
but since that moment, not even a week ago, I've known she was
|
|
gone. Maybe I just couldn't admit it to myself all those years, but
|
|
I don't think so. The light just went out and the torch inside of
|
|
me that would have lit her steps back home went out along with
|
|
it."</p>
|
|
<p>She stopped sniffing and turned her eyes on David. They still
|
|
glistened, but they were still bright with intelligence.</p>
|
|
<p>"And then you turn up on my door asking questions," she
|
|
said.</p>
|
|
<p>"The bridge," he said. "That's what I wanted to ask about. It's
|
|
in the old files."</p>
|
|
<p>"Not so old, Mister Harper. It's as clear as yesterday to me.
|
|
And probably to him an' all," she said, nodding in her husband's
|
|
direction. "For he isn't in the here and the now."</p>
|
|
<p>She looked up, remembering. "That's where they found Thelma.
|
|
Hardly buried at all, just covered with leaves and all cut up by
|
|
that madman. He could still be living, but I'd sooner he was
|
|
burning in hell, may God forgive me. It was up by the bridge at
|
|
Duncryne. It's not far away, just a half a mile along the road and
|
|
then a sharp turn to the right that takes you up the valley. It was
|
|
Lord Duncryne built it in the old days, before my time even, and
|
|
that's a <em>wheen</em> of years ago, I can tell you."</p>
|
|
<p><em>I'm going to go up to the bridge tomorrow, because wherever
|
|
Thelma is, she'll be laughing and she'll make me laugh
|
|
again.</em></p>
|
|
<p>The lonely, rending words in the diary came back to him. Heather
|
|
McDougall had decided to go up the bridge and it was clear from the
|
|
diary that she'd intended to throw herself off and drown herself.
|
|
He hadn't been up there yet, though his curiosity would drag him in
|
|
that direction, nothing surer, but he knew beyond a shadow of a
|
|
doubt that there was deep water under that bridge and if she had
|
|
jumped off she would have drowned.</p>
|
|
<p>His thoughts flicked back to the rest of the story in the
|
|
newspaper, the tag-on filling around the tale of the missing girl.
|
|
There had been another death at the bridge, and something more
|
|
besides. Somebody had gone over the parapet and had almost drowned
|
|
in the pool there way back in the sixties, at the same time as
|
|
Heather McDougall had disappeared.</p>
|
|
<p>Now he knew that she had not been abducted. Not murdered.
|
|
Neither had she thrown herself from the bridge in a despairing
|
|
reaction to the brutal death of her friend.</p>
|
|
<p>She had simply disappeared and she had been gone for thirty
|
|
years, using her dead friend's name, living, for some of the time
|
|
in a damp and cramped little apartment in a city on the other side
|
|
of the country.</p>
|
|
<p>And this mystery planted its daughter mysteries, more conundrums
|
|
and riddles. Old Catriona McDougall, a highland woman who had the
|
|
lilt of Gaelic in her voice had obviously inherited a touch of the
|
|
second sight. She had never truly believed her daughter was dead.
|
|
Not until only a few nights past, the very night when the woman
|
|
travelling under Thelma Quigley's name had fallen to the floor of
|
|
the mall.</p>
|
|
<p>The thoughts were tumbling and whirling now, too many questions
|
|
and no answers at all. A part of him considered it would be better
|
|
if he dropped the whole thing, went back to Donal Bulloch and
|
|
Professor Hardingwell with the information he had gathered and at
|
|
least allow the police in this side of the country to close an old
|
|
case that was still technically open.</p>
|
|
<p>Old Catriona might have had some of the second sight, but he too
|
|
had an extra sense. He called it a hunch, an intuition. Whatever it
|
|
was, it was sounding of an alarm bell inside his head and prickling
|
|
the hairs of his forearms. He had always had faith in his hunches
|
|
and he decided he had to trust the feeling now.</p>
|
|
<p>______</p>
|
|
<p>Helen Lamont knocked on the door and waited in the cold for a
|
|
reply. She could have sent a uniform patrol round to check up on
|
|
the address, but it was on her way back to the station and after
|
|
seeing the despair in Winnie Marsden's eyes, she had decided to
|
|
make a special effort. David had gone through to Edinburgh that
|
|
morning while she was getting the photograph copied for inclusion
|
|
in the bulletin for the beat men and the patrol squads to show
|
|
around the doors.</p>
|
|
<p>There would be a lot of footslogging on this one, she realised,
|
|
because Ginny Marsden had been popular and she'd been busy.
|
|
Everybody she knew, from colleagues to friends, to the girls at the
|
|
aerobics class and the night school would have to be interviewed.
|
|
The girls at Kellacher and Frick, the solicitor's office down on
|
|
the Riverside, had been little help, until the very end, but that
|
|
hadn't been their fault. They were just teenagers with their minds
|
|
on Christmas and boys and nail varnish and little else. None of
|
|
them were at night school for a business diploma.</p>
|
|
<p>"Oh, what about Celia?" one of them asked.</p>
|
|
<p>"Celia Barker?" Helen had taken a note of the name at the
|
|
Marsden house. "Isn't she on holiday?"</p>
|
|
<p>"Yes, she is. Greece I think. I'm sure it's Greece. Or maybe
|
|
Ibiza. Oh, it doesn't matter. But Ginny was thinking about going
|
|
with them and then she changed her mind."</p>
|
|
<p>"And?" Helen asked encouragingly, hurrying the girl along.</p>
|
|
<p>"And I think she asked Ginny to feed her pets. I'm sure she did.
|
|
They were good pals, and Celia always got somebody to look after
|
|
the animals. She's got a cat and a goldfish with funny names. Minky
|
|
and Dinky. No, Mork and Mindy, but I don't know which is
|
|
which."</p>
|
|
<p>Helen took a note of the address. She'd planned to ask about the
|
|
Barker girl, simply because she was Ginny Marsden's closest friend
|
|
and there had been a possibility, a long shot maybe, that she had
|
|
changed her mind at the last moment and was now too scared to phone
|
|
her parents to tell them she was on an island in the Mediterranean.
|
|
It was a long shot that had bottomed out anyway. The girls
|
|
confirmed that Celia had flown off the day before the Marsden's had
|
|
put their daughter's dinner in the oven to keep it warm. Ginny had
|
|
been at work all day and the other girls in the office reckoned she
|
|
had gone down to the mall for some last minute shopping. The one
|
|
who remembered the pets' names recalled walking down to the corner
|
|
with her. The description she gave of the missing girl matched the
|
|
one Ginny's mother had given.</p>
|
|
<p>Helen jotted the date and time down in her book. She looked at
|
|
the figures, drew her eyes away, looked again. Something tried to
|
|
snag her mind. She reached for the vague connection, failed to
|
|
grasp it. It would come back later, she told herself.</p>
|
|
<p>The line of low houses on Dunlop Street were shaded by pollarded
|
|
lime trees which protected them just a little from the swirling
|
|
frost. It was getting late by the time Helen got there and while
|
|
she would have killed for a hot cup of tea she was conscientious
|
|
enough to get out of the car and push open the wooden gate on the
|
|
garden of the house at the end of the row. There were no lights on
|
|
in this house, or the one next to it, and Helen knew it was
|
|
unlikely there would be anything here worth bothering about, but
|
|
she had already called in her intended movements and it was best to
|
|
do this step by step. Ginny had apparently intended to go to her
|
|
friend's house some time to feed the cat, so it was logical to
|
|
check it out. The possibility that she had a secret boyfriend her
|
|
parents and Tony didn't know about had occurred to her. This place
|
|
might have been the ideal place for a clandestine meeting.</p>
|
|
<p>"Rather catch you getting a leg-under than find you lying in the
|
|
bushes," Helen said almost aloud, speaking to the image of the
|
|
missing girl she had got from the photograph. She chuckled to
|
|
herself. Better that, better all round than put Tony through he
|
|
hours of questions he'd face if Ginny didn't turn up very soon. He
|
|
was next on her agenda, right at the top of the list. The poor sod
|
|
didn't know what was about to hit him.</p>
|
|
<p>She knocked on the door and waited in the cold for a reply,
|
|
feeling the rasp of the winter chill in her throat.</p>
|
|
<p>Something scuffled inside the house. It was just a small scrape
|
|
of noise, but it was unexpected and made Helen jump. She knocked
|
|
again.</p>
|
|
<p>"Hello?" She bent down to peer through the letterbox. Inside
|
|
there was darkness and shadows.</p>
|
|
<p>A floorboard creaked.</p>
|
|
<p>Helen's heart rate edged up.</p>
|
|
<p>There had been a noise, a movement. She had heard it twice. She
|
|
stood up, wondering what to do. She started to bend to look through
|
|
the letterbox then changed her mind. The noise had been small, just
|
|
a scrape of sound, so it was probably the cat. But there was a
|
|
chance that there was someone behind the door. She straightened up,
|
|
thinking, then turned and went back to the car for a
|
|
flashlight.</p>
|
|
<p>"Call in," she told herself, but another voice said that would
|
|
be stupid and could make her look foolish. The torch was big and
|
|
heavy in her hand. The gate creaked when it opened again, the
|
|
hinges contracted with the cold. Instead of going to the door, she
|
|
walked along the flagstones towards the window. The curtains were
|
|
mostly drawn, but there was a space she could peer through. The
|
|
beam reflected from the glass, but she shaded her eyes with a hand
|
|
bridged from her brow to the pane. Inside a long couch and a small
|
|
coffee-table were visible, more. Back at the door she knocked again
|
|
and, standing back she pushed the letter-flap open with her
|
|
fingers, keeping at arms length just in case something sharp and
|
|
blinding came lunging through the gap. It had happened before,
|
|
everybody knew that, a stab through a letterbox that had punctured
|
|
eye and brain. Only nobody knew <em>who</em> it had happened
|
|
to.</p>
|
|
<p>"Ginny Marsden?" she asked. The words were swallowed up in the
|
|
darkness inside. She waited a moment or two, then repeated the
|
|
girl's name. There was no reply.</p>
|
|
<p>Helen was about to raise herself up from her crouch in front of
|
|
the slot in the door where the flashlight beam angled through and
|
|
found only a shadowed hallway with a tall coat stand on which a
|
|
coat and hat made an eerie representation of a hanged man.</p>
|
|
<p>Then the sound came again. A little creak as if a slow foot had
|
|
gone down on a board, putting just enough weight for the old wood
|
|
to protest.</p>
|
|
<p>A shiver went up Helen's back.</p>
|
|
<p><em>Call in!</em></p>
|
|
<p>She thought about it again. It could be a burglar, somebody
|
|
who'd seen the curtains drawn for a day or two, somebody local who
|
|
knew the girl was off on holiday. Possibly it could be Ginny
|
|
Marsden herself, caught with another boy perhaps?</p>
|
|
<p><em>Call in.</em> It was always safer. If necessary she could
|
|
have a squad around here. She could even get a warrant to have the
|
|
place searched. But she could see the look on the patrolmen's faces
|
|
when they turned up, the big boys, the macho cavalry, who weren't
|
|
afraid of noises in the dark. She cramped down on the mental
|
|
insistence. She could do this. It was only a house.</p>
|
|
<p>Slowly she let her fingers draw back from the hinged flap. The
|
|
force of the spring made it snap against the frame and she stood
|
|
up. Diamonds of frost were dancing in the torchlight and her breath
|
|
plumed out into the cold night air. She swung the beam to the left,
|
|
following the path around the side of the house and then she
|
|
followed the beam, keeping it low and covering most of it with her
|
|
hand to make it less obtrusive. A wicker gate at the side opened
|
|
without any problem and hardly a rustle from the scraggly
|
|
honeysuckle festooned around it. She reached the back of the small
|
|
house. Overhead, an overflow pipe grew a long and deadly spike of
|
|
ice suspended over her like a sword. She moved out from under just
|
|
in case, past a small window which was shuttered by venetian
|
|
blinds. Here at the back of the house, the ice crystallising in the
|
|
air became a thicker mist curling in around the eaves and the
|
|
downpipe. It softened all the outlines but it crowded in along with
|
|
the shadows, moving in thick translucent tendrils and slowly
|
|
billowing rolls of fog.</p>
|
|
<p><em>Get a hold of yourself Lamont,</em> she ordered herself. It
|
|
was only a small terrace house on the end of a row. There were no
|
|
suspicious circumstances other than the fact that a girl had gone
|
|
missing. A cat-flap was a pale white against the dark of the door
|
|
and she remembered now. <em>Mork or Mindy.</em> The other was a
|
|
goldfish, according to the girl in the lawyer's office. Helen tried
|
|
the handle, turning it very slowly, pleased and somehow relieved
|
|
that it made no sound at all. She knew she should knock, identify
|
|
herself, but she tried the handle anyway, assuming the faint scrape
|
|
of noise had probably been made by the cat.</p>
|
|
<p>The door opened with brushing rasp. She froze, taken by
|
|
surprise. Her breath plumed out again and she realised it had
|
|
backed up unconsciously. Helen thumbed the torch, keeping the beam
|
|
down on the ground and swung it slowly forwards, through the two
|
|
inch gasp. The floor was tiled. She waited for another five
|
|
breaths, ignoring the nagging mental command to call in and get a
|
|
uniformed patrol round to the door.</p>
|
|
<p>She swung the door open until she stood in the frame. The
|
|
kitchen was cold and empty. Beside the sink there was a bowl with a
|
|
name printed on the side. A collection of pots hung from hooks on
|
|
the wall. A dishtowel had slipped to the floor beside the sink,
|
|
black and white on the red tiles, just out of the direct beam of
|
|
the light. Helen took a step forward, two. She was inside.</p>
|
|
<p>The mist followed her in, twisting creepily in the light, like
|
|
an uninvited, insinuating ghost.</p>
|
|
<p>A small noise came from beyond the door, which was not quite
|
|
closed. Just a slither of sound, fabric on fabric and it was
|
|
followed by the faintest mewling sound, hardly more than a
|
|
squeak.</p>
|
|
<p><em>Damned cat,</em> she breathed. It was the cat. Of course it
|
|
was the cat. A strange relief oozed inside of her, draining away
|
|
the tension. She turned, moving towards the door.</p>
|
|
<p>"Here puss," she called softly, in the tone that every human
|
|
being uses. "Puss puss puss." She pursed her lips and made little
|
|
kissing sounds. She reached a hand forward to push the door open,
|
|
expecting the cat to come squeezing through the gap. Just at that
|
|
moment, something registered in her brain. She froze again.</p>
|
|
<p>It was the dish towel on the floor beside the sink, a black and
|
|
white shape crumpled on the floor. She was in the act of turning
|
|
towards it when a sudden rap of noise came from down in the
|
|
darkness of the hallway beyond the door. In that instant the skin
|
|
puckered down the length of her back as if a cold finger had
|
|
trailed between her shoulderblades. The flashlight beam jerked. She
|
|
was still in the act of turning when the light caught the scrap of
|
|
cloth on the floor.</p>
|
|
<p>It was no dishcloth. The cat was lying sprawled against the
|
|
little hatch under the sink. A puddle of blood had pooled out
|
|
around its head, black against the light colour of the tiles,
|
|
glistening in the beam. It was lying on its side, half turned so
|
|
that one paw jutted up, tensed in the final spasm of death, every
|
|
sharp claw unretracted, forced out in vicious little curves. Its
|
|
lips were drawn back in a death-snarl, pulled so tightly that the
|
|
sharp teeth were clearly visible top and bottom as if the animal
|
|
was frozen in a screech of hate. It made the little cat fierce and
|
|
feral in death.</p>
|
|
<p>But there was more to it than that and despite the little rap of
|
|
sound that had impinged upon her senses, a somehow menacing knock
|
|
in the still darkness beyond the door, part of her mind was clearly
|
|
and completely focused on the dead animal. It was not the yawning
|
|
scream fixed in rigor mortis or the hooked claw that made it look
|
|
as if it was caught in the act of a final vicious swipe.</p>
|
|
<p>It was the dark and ragged pits where the pet's eyes had been.
|
|
The head was twisted right round on the neck so that it stared up
|
|
towards the ceiling, but its stare was blind and cavernous. There
|
|
were no eyes, nothing but deep holes on either side of what once
|
|
had been a cute button nose. The eyes were gone, and in the gaping
|
|
recesses there was nothing but the glint of congealed blood or some
|
|
other glutinous fluid that caught the light of the torch and threw
|
|
it back. A flap of skin had been peeled away from the cheek, skin,
|
|
fur and muscle, leaving a hole where the bone showed through.</p>
|
|
<p>"Oh my..." she muttered, trying to draw her eyes away from the
|
|
mutilated little animal.</p>
|
|
<p>Down in the hallway another board creaked and the sense of
|
|
danger simply exploded inside her. She turned away from the door,
|
|
heart suddenly pounding, one part of her mind fixed on the cat with
|
|
its eyes torn out of its black sockets and another focused on the
|
|
noises down the hallway and yet another, deeper part of her mind
|
|
was suddenly awash with the fear of the unknown and the uncanny and
|
|
the supernatural. The child-fear of creatures in the dark swelled
|
|
within her, threatening to blot out everything but the need to turn
|
|
and run.</p>
|
|
<p>"Get a grip," she hissed to herself, trying to make her suddenly
|
|
pounding heart go quiet. The rush of blood soughed in her ears and
|
|
her throat clicked dryly.</p>
|
|
<p>It couldn't be the cat. It could be a burglar, someone caught in
|
|
the wrong place at the wrong time, surprised in the act of
|
|
ransacking the empty house.</p>
|
|
<p><em>And if it's only a burglar why are you so damned
|
|
scared,</em> she demanded to know. A burglar she could handle. She
|
|
snicked the torch off, though it still shook in her hand, and
|
|
gripped the handle tight raising it protectively to shoulder
|
|
height.</p>
|
|
<p><em>Not a burglar.</em> Housebreakers didn't pluck the eyes from
|
|
pet cats. <em>Then what?</em> For some reason she could not have
|
|
explained, she did not think of <em>who.</em></p>
|
|
<p>Her heart wouldn't slow down despite her best efforts. The
|
|
powerful occult sense inflated and she tried to flatten it down,
|
|
but it was uncanny and unexpected and so primitive that her
|
|
conscious mind could not squash it. Her legs were quivering with
|
|
the tension of it, trembling with awful apprehension. It was
|
|
completely incomprehensible, inexplicable, but it was real.</p>
|
|
<p>"This is the police," she called out, forcing the words through
|
|
her teeth and they sounded very quaky there in the dark of the
|
|
kitchen.</p>
|
|
<p>"Do not move, do <em>not</em> try to run." Helen went into
|
|
professional mode and that made her voice a bit stronger. She held
|
|
the flashlight tight and put one finger on the button ready to make
|
|
it shine. She took a step forward, through the doors and into the
|
|
hall.</p>
|
|
<p>Something mewled. It was a faint sound from down in the dark.
|
|
There was a rough edge to it, like the cry of a small animal. It
|
|
repeated, a little louder. Helen's heart thudded again, making
|
|
itself flop inside her chest. She took a second step forward,
|
|
another.</p>
|
|
<p>The smell came then, a powerful wave of scent billowing in the
|
|
dark, thick as the mist that had followed her inside. She
|
|
recognised it instantly. It was the smell of the house where the
|
|
dead woman had lived in the clutter of ripped and torn blankets and
|
|
the mounds of toy animals with their beady little eyes all
|
|
reflecting the light.</p>
|
|
<p>Her eyes stung and her nose smarted and her throat tried to
|
|
close itself against the stench. She blinked hard, trying to clear
|
|
the sudden spark of tears that made the dark shadows waver.
|
|
Something scraped roughly down there and the sound registered in a
|
|
series off dwindling vibrations, as if every element of the noise
|
|
had been slowed down and separated into a rasping chain of
|
|
sound.</p>
|
|
<p>Helen pulled back and the smell was everywhere, so thick it
|
|
could almost be felt, much stronger than it had been in Thelma
|
|
Quigley's house. She turned, trying not to breath it in, but
|
|
sensing the musky particles settling on her skin and entering her
|
|
pores. She was in the act of turning when colours erupted in her
|
|
wavering vision. They simply exploded in a series of shimmering
|
|
pulses, as if all of the rods and cones in the receptors at the
|
|
back of her eyes had fired up simultaneously. The colours danced in
|
|
her vision, sparkling and luminous.</p>
|
|
<p><em>Poison!</em> The recognition hit her the way it had come to
|
|
David Harper in the other house when he had dragged her to the
|
|
window. It had to be some sort of nerve gas.</p>
|
|
<p>The colours expanded in putrid shades of orange and yellow,
|
|
lava-reds and pulsing purples. Shapes swelled and fragmented. A
|
|
green face went whirling past her eyes, dripping sparks of watery
|
|
silver.</p>
|
|
<p>A child screamed far off in the distance, a high and piercing
|
|
sound that went on and on and on, ululating madly before tailing of
|
|
in a series of heartrending sobs. Off to the right, the sound of a
|
|
blocked sink, the sound she had hated as a child, came gurgling up
|
|
through the floor, rekindling an old fear of swamps and wet
|
|
darkness. Her foot kicked against the door and the thud chimed in
|
|
her ears in a loop of sound that echoed from wall to wall. She
|
|
turned away, heart kicking madly against her ribs and her fingers
|
|
paralysed on the flashlight, unable to make it switch on. The sink
|
|
by the window twisted and warped out of shape and the taps turned
|
|
to powder and crumpled into the maw of the drain. The cat on the
|
|
floor rolled over and stood up on its hind legs and reached out
|
|
that one paw, each of the nails hooked to rend and slash, while in
|
|
the blank sockets of its eyes she could see a phosphorescent light
|
|
glaring balefully.</p>
|
|
<p>Helen tried to call out again but there were no words. Her
|
|
throat managed a dry croak before it closed over in a strangled
|
|
clench. In the dark she saw her grandmother turn towards her, face
|
|
cobwebbed and crawling with spiders from some long forgotten but
|
|
somehow living nightmare. she heard her name called over and over
|
|
again in the far distance by a boy she had seen killed by a truck
|
|
on South Street next to the river. The cat was dancing to fiddle
|
|
music and insects were crawling all over her skin. Maggots came
|
|
humping from the spikes swelling to ripeness on the shimmering door
|
|
while down in the dark of the hallway, where the colours faded to
|
|
deep black., something dreadful was coming.</p>
|
|
<p>Her stretched senses reached and touched something alien and
|
|
scabrous.</p>
|
|
<p>She was still turning, trying to flee from the dark when her
|
|
reeling mind brushed against another and even although her thoughts
|
|
were whirling in a dreadful turbulence as the axons and dendrites
|
|
in her brain were sparked off in uncontrolled and uncontrollable
|
|
shivery pulses in the middle of her nightmare hallucination, she
|
|
still felt the cold and repellent touch of another mind.</p>
|
|
<p>She tried to scream and nothing happened. Inside her chest her
|
|
lungs felt filled with fire and her teeth ground together causing
|
|
sparks to leap from one surface to another. Her hair whipped like
|
|
tentacles and she began to fall in the dark.</p>
|
|
<p>Then a dreadful <em>jittering</em> thing came rushing at
|
|
her.</p>
|
|
</div>
|
|
</div>
|
|
</body>
|
|
</html>
|