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688 lines
36 KiB
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CHAPTER FIVE
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Jimmy Allison insisted on me joining him along at the Chandler on
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the west side of the harbour. As he pulled on his overcoat, he asked
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me how the work was going.
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‘I just can’t get into it,’ I explained as we strode along the road. A
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slight smirr of rain, more a heavy mist, was blowing in from the
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firth, and we bent our heads to keep it out of our eyes. The night
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was still warm as the day had been, so the fine spray was not
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unpleasant on our faces. ‘I just can’t seem to get a start on it. I’ll
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have to go into Levenford for a stack more paper. 'I`here’s enough
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crumpled in the basket to start a bonfire?
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‘I wouldn’t worry about it. Any author will tell you that books
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have a hard time being born.’
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‘It’s the conception, not the birth, I’m having difficulty with.
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Coitus is interruptus, you might say.’
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‘You’ll make it. Give yourself some time.’
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The Chandler is not like Holly’s bar. It’s more modern for a
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start, at least inside, although the building is easily as old as the
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Arden Inn. It’s been a sailors’ bar for decades, since the days when
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the deep-bellied fishing boats used to go out on the firth and up by
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the Mull of Kintyre after the herring. Now the sailors were the
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weekend sort, and the Chandler did a roaring trade in the summer.
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The bar was where the local boys, the men who worked on the
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boats and helped repair and refit the small craft, came to do their
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drinking. This was where my grandfather had spent a lot of the
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time when he was home from the sea, although to tell you the
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truth, he did a power of drinking at Holly’s bar as well. I imagine he
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got round most of the bars in the area, and everybody who was
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anybody in Arden knew old Nick Westford.
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The major was a short man with a moon face and sharp blue eyes
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and a thick head of iron—grey hair that was cut short and neatly
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parted.
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When I was introduced to him he shook my hand strongly and
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warmly and told me he’d heard a lot about me.
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‘All good, I assume,’ I said, trying to return his grip just as firmly
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and probably failing.
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‘ 59
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‘Well, I suppose so,’ he said, in a deep, lilting island accent, that
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pleasant slow speech that makes everybody think that the people
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of the islands are just as slow as they sound. Most of them find out
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too late. ‘I suppose so, if you can believe a word of anything this old
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storyteller says, which none of us do, at all.’
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I laughed along with Jimmy, and stuck up a round for the three
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of us. Both men had a taste for the dark malts, and I stuck to half
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pints.
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‘You’re not a whisky man yourself‘?’ the major asked.
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‘No, I don’t really like it. Just at weddings and funerals. That’s
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my stretch}
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‘Oh, it’s a pity that. I wouldn’t myself like to be drinking that
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stuff,’ he said, indicating my beer, ‘it’s just like cold tea.’
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The major was one of these slow—moving, slow—talking men who
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give an outward appearance of being placid, and maybe a bit soft.
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But he was as hard as nails. I discovered he’d been to Oxford
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University, then Aldershot and then almost every trouble zone
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you care to mention. According to Jimmy he’d a list of decorations
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as long as your arm. Another thing I discovered later was that his
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rank was really brigadier, but he’d been in one of the special
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regiments which nobody really knows anything about and was
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quite content with the rank everybody else seemed to think he had.
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‘I’ve been telling the lad he should think about writing a book
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about this place,’ Jimmy told him.
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‘Maybe he should at that,’ the major mused. ‘Then again,
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nobody would believe a word of it.’
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‘You mean the history?’ I asked.
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‘Aye, the history. ’ He nodded. ‘It’s as strange as anywhere. You
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know, my people came from here. I should have been born in
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Arden, but my father moved up to the islands when the fishing
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went bad, and that’s where I was born. But I’ve always thought of
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this place as home. When they pensioned me off, this is where I
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wanted to stay. But as Jimmy will tell you, it’s a strange place,’
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‘Donald’s been helping me with the Gaelic,’ Jimmy said. ‘It’s the
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one language I never picked up.’
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‘Aye, and it’s a beautiful tongue for the singing, the Gaelic. I’ll
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be going up to the islands in a week or so in the boat. Maybe you
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would like to come along with me and hear the singing for
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yourself? I’ve a nephew who’s getting married, and you know what
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the weddings are like. Probably last most of the week, I shouldn’t
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wonder}
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I told him I’d love to come. The idea of a sail up through the
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Crinan Canal and across the Hebrides sounded pretty good to me,
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60
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and I reckoned I’d enjoy sailing with the major. He and I took to
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each other at first sight.
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It must have been after midnight when the smart-looking owner
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of the Chandler — an Englishman, but none the worse for that —
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called time and we had to leave. We all went back to ]immy’s
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where he and the major polished off the bottle of malt the old man
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had broached before, and I had a can of beer.
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` Sometime in the early hours of the morning the major went
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home, walking steady as a rock despite what to me would have
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been enough to have me talking to the vitreous china again. I slept
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fully clothed on top of the spare bed and didn’t dream. In the
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morning I had no hangover and felt good. Jimmy woke me with a
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cup of tea and toast which went down a treat. He looked worse for
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wear. He had coffee. Thick and black.
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From the Kirkland Herald: 1906.
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Mystery of Missing Trawler
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Arden fishermen and the tugboat association from Greenock
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have discontinued their week—long search for the crew ofthe Herring
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Gull which went missing off Ardhmor Point last Tuesday.
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The Herring Gull, a Clyde-built trawler, disappeared in thick fog
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while netting for herring in the jirth with two other Arden boats, the
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Sea Spray and Otter, all three owned by the Arden Fishermen ’s
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Association.
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The mystery of the Herring Gull ’s disappearance is unexplained,
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the captains of both boats maintained that the three boats were
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fishing in calm water only three miles out from the home harbour in
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an unseasonal, but welcome shoal, when the Herring Gull drifted
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into a fog-bank.
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Such was the success of the catch that the absence of the Herring
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Gull was not noted by the other boats for more than an hour, and
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due to the calmness of the jirth, the alarm was not raised until six
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hours later when the boat failed to arrive to unload in Arden.
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Boatmen from north and south of the jfrth have spent many hours
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dragging the coves around Ardhmor, but no trace of survivors or
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their boats have been found.
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Association Chairman Mr Walter Wood, having taken advice
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from Sergeant Maclntyre of Levenford Station, has allowed his
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boats to discontinue the search.
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Mr Wood said he was unable to explain the mystery. He told the
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Post: ‘Captain Mellow and his crew have fished these waters for two
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decades without incident. .
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‘I can only assume that their vessel became lost in the fog and
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drifted on the firth into open water. 1 have no doubt whatsoever that
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it will be recovered in due course. The absence of wreckage gives us
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all hope that the captain and the seven members of the crew are safe
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and well. ’
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The Clyde Pilot, Mr]. J. Thomas, said that to his knowledge the
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I Herring Gull had neither been sighted, nor put into any of the
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western ports.
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‘And it never did show up,’ Jimmy Allison said as he took the old
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newspaper clipping out of my hand. ‘I heard an old story that
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months later they found bits and pieces of that boat all over the
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rock, hundreds of yards from the high-tide line. But there was
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nothing in the papers about that. There was too much going on
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here by then.’
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‘So when is this supposed to have happened?’
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‘Not supposed to. Did. In 1906, a vintage year for Arden. I was
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thinking about it last week when you were telling me about the
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sugar boat. I knew I remembered something similar}
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‘It’s hardly the same, though, is it? I mean, the Cassandra went
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down in a storm. Even then, it didn’t sink, just rolled over on a
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sandbank. And half the crew were none the worse for wear except
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a couple of cracked skulls,’ I said.
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‘For all we know, the crew of the fishing boat just took off for
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new fishing grounds. They were part of the Arden Association,
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weren’t they?’ Jimmy nodded and I went on. ‘So there was nothing
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to stop them taking off and starting somewhere else where they
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would get a full share of the catch.’
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‘That’s true enough. But there would have been word of it.
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Some rumour even. But they weren’t even sighted by anyone, and
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you know what a clannish lot those old fishermen were. Everybody
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knew everybody else’s business from the Minch down to the Irish
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Sea.
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‘That’s not the point,’ he continued. ‘The point is that they went
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missing off Ardhmor, and they were never seen again. That boat
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from the Cassandra went missing off Ardhmor, and that hasn’t
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been seen since, either.’
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‘But it’s only been a week.’
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‘Come off it, Nick,’ Jimmy said, putting the clipping down on a
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substantial pile of papers and old notes. ‘You know as well as I do
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that if a boat goes down anywhere on the firth there’s always some
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trace. I mean, it’s not the open sea with a clear run straight out into
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the Atlantic, is it? That boat disappeared. And I tell you it’s gone
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for good.’
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62
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‘What makes you think that?’
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‘Because it’s too like the first time. Or even that might not have
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been the first time for all I know. But it’s the same, and remember
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what I told you — it was 1906 and that was a bad year. The
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disappearance of the Herring Gull was just the first in a whole
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series of strange happenings in and around this town.’
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‘Like what?’
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‘I’ll tell you like what . . . next week, when I’ve got the whole lot
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looked out from this mess. Listen. I’ll do a deal with you. If they
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don’t find anything down at that rock by the weekend, which they
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won’t, you can buy me another bottle of malt and read all the notes
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I’ve got.’
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Somehow I knew he was going to win. On the following Sunday,
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I would have my nose buried in a mass of old and yellowing paper,
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culled from the old Post, the Herald and the big broadsheets from
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Glasgow.
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But it wasn’t just the fact that the boat from the Cassandra never
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turned up. Not a stick of the lifeboat was ever found. But there
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were one or two things that happened in the following days that
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made me think Jimmy Allison might have a point. I was just at the
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prologue to a story, and it wasn’t any fairy story either. I was just at
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the ‘once upon a time’ stage, not really interested, and not really
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interesting. It had to get to the big bad wolf bit before I would sit up
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and take a bit of notice.
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I was slowly sinking into a dream, the kind of fuzzy dream that
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was going to take a little hitch somewhere along the line and the
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rules to get bent right out of shape before I was going to plunge
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down into a black nightmare. You know the kind of dream I mean,
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where things just begin to change a little and you keep right on
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dreaming because it’s only a dream, and while things do look a
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little bit strange, it’s not yet time to wake up because you can
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handle it. So hey ho, on we go. At this stage, I reckon I didn’t even
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know the story had started, but it had, and I was in it and even then
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things were beginning to take their sideways hitch out of true, but
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only Jimmy Allison knew more than me. He’d been around longer.
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He’d been places and seen things. And right soon, I was going to be
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seeing some of those things. And worse.
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I didn’t give much of a thought to what had happened to the men
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on that old fishing boat that disappeared into the fog way back
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when my grandad was just a boy. Nor did I concern myself over
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much about the fate of the men from the lifeboat. At that time, it
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wasn’t a mystery. A tragedy, maybe, in newspaper terms, and .
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certainly a tragedy for the families of those men who were not
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63
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coming back.
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The reason I wasn’t dwelling on that- and my agreement with
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Jimmy — was that on the afternoon that I’d read the old clipping,
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the sun came out from behind a cloud and beamed down on me.
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Life took an upward flip and I was looking good, feeling jine.
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And the reason for that was that I met a girl.
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Not any old girl. A very special one.
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And in meeting her, all the prime characters were in place to get
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this story out of the prologue and into the main tract. In some ways
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it might have been better if I’d never met her, but I reckon it had to
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be. It was meant.
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She was standing at the side of the supermarket where the sun
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bounced off the yellow brick wall. Her arms were tanned brown
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and smooth and moving quickly as she threw the two rubber balls
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down to bounce them on the concrete and catch them on the
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upward rebound from the wall. I could hear the rhythmic child-j ive
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nonsense chanted in time to the sound of the bouncing balls. I was
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passing by the girl and had edged away just enough to avoid getting
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in her way when she mis-caught one of the balls and it bounced
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high over her head. I was just in the right place to reach out and
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snatch it out of the air.
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‘Good catch, mister,’ she said, in a high voice which had more
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than a hint of an East Coast American accent. She was maybe
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seven years old.
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‘No, it was a great catch,’ I said, turning away from the sun which
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was right in my eyes, to look at her.
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When I looked down, my heart gave a jolt, and suddenly I was a
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boy again. It was like walking into a time—warp, a memory so vivid
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that you can hear it and smell it.
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Barbara Foster squinted up at me, the hand with the ball
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shielding her eyes from the glare, and the other one outstretched
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for its companion. She was standing hip-shot in the same pair of
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faded jeans and white tee—shirt, wearing the same big smile and
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those pretty freckles over her snub nose.
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I had last seen her like that more than twenty years before, and
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there she was, ever the tomboy, my best pal in the whole world,
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and she’d stayed just the same.
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‘Barbara‘?’ I blurted out without thinking. If I had thought, I
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would have known it was utterly impossible, but just seeing her had
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thrown me right off balance.
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‘No, I’m Paddy,’ she said, smiling brightly. ‘Can I get my ball
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back mister?’ V
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I looked at the ball in my hand. It was just the same as the balls
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64
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you could buy in the ironmongers for sixpence then. Soft and
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spongy, a good bouncer, just made for small agile hands to juggle. I
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squeezed it in my hand, feeling the familiar give.
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‘Please?’ the girl said.
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‘Oh, sure, here,’ I said, and handed it over. She reached up and
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grasped it and threw it up in the air in a quick juggling motion. I’d
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seen her do that before too, except it hadn’t been her.
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‘You called me Barbara,’ she said, still grinning.
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‘Well, you look very much like somebody I used to know. She
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was called Barbara,’ I said, and smiled back at her. The
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resemblance, as they say in all books, good and bad, was uncanny.
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‘What did you say your name is?’
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‘Paddy. It’s for Patricia, but I hate that. It’s a cissie name.’
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‘Nothing wrong with Patricia,’ I said, ‘but Paddy’s nice. It suits
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you.’
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I bent down and extended my hand. ‘I’m Nicholas. But I hate
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that. It’s a cissie name too. I like Nick, but my friends call me
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Nicky.’
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The little girl smiled. We had something in common. She
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transferred the ball into the other hand which now held two of the
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sixpenny bouncers and took mine, shaking it manfully.
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‘Pleased to meetcha, Nicky.’
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I was still taken aback with her appearance. The resemblance
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was striking, and I was about to say something else when I heard a
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shout from behind one of the cars in the park.
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‘Paddy! Patricia. Come here at once,’ a woman’s voice came
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loud and sharp. I heard the click, click of heels on the concrete and
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turned to see a tall, fair-haired woman striding towards me.
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‘Paddy. What are you doing‘?’ she demanded, but she was
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looking at me, not the child. Her eyes were Hashing angrily.
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‘Nothing mummy. I was just saying hello.’
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The mother threw me another stinker of a look, and right then I
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felt at a loss for words. I could see how it looked. A strange man
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talking to a little pretty girl behind the supermarket.
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‘What have you been told about speaking to strangers,’ her
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mother said, grabbing her roughly by the arm and preparing to
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haul her off.
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‘I’m sorry. It was my fault entirely,’ I started to say.
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‘You bet, buster,’ she grated, and prepared to turn away.
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‘He called me Barbara, mummy. He said I looked like his
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friend}
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‘I’ll bet he did,’ the woman said in a stage whisper that made me
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feel about two inches high. Then she stopped in mid-stride. ‘He
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65
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called you what?’ she asked, and started to turn round, and in that
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moment everything fell right into place.
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Barbara Foster, the real Barbara Foster, turned her blue eyes on
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me, the hostility battling with uncertainty. She stared at my face in
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that intent way of someone with a glimmer of recognition, trying to
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I bring it into focus.
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‘I’m sorry Babs, it wasn’t Paddy’s fault. I made all the running. ’ I
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grinned, and even as I did so I realised how stupid that would look.
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‘For a minute, I kind of thought she was y0u.’
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‘Do I know you, mister?’ Her eyes weren’t so frosty now, but she
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wasn’t yet ready to be nice to the stranger who’d buttonholed her
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daughter.
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‘His name’s Nicholas, but he hates that,’ the little girl piped up.
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‘His friends call him Nicky,’ she said, matter of factly.
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‘Nicky.’ A statement.
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‘Nicky Ryan,’ I offered. ‘I know it’s been a long time, but I
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thought at least you would have rememberedf
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‘Nicky Ryan?’ A question. Then: ‘Nicky Ryan. Dear God,
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Nicky Ryan. I don’t believe it.’
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‘The one and only,’ I said. ‘The original one and only.’
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‘Only the lonely one and only,’ she said, and started to laugh,
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then stopped to think of what had come tripping off her tongue,
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our chant from way back then. She laughed again.
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‘It really is you, Nicky. Oh dear, it must be .... ’
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‘At least twenty years,’ I completed for her. She was still staring
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at my face, trying to see where the boy had gone.
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‘Well how are you?’ I said, offering my hand, which she took
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with a cool, firm one of her own and shook warmly.
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‘Great, just great. You’ve changed.’
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‘Now there’s a surprise. I was four feet tall the last time you saw
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me.’
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‘No, I mean, you’re not how I thought you’d be. God, I can’t
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believe meeting you after all these years. I didn’t think you lived
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here any more.’
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‘I don’t. Well, I do now. I mean I’ve just moved back again}
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‘Me too. Last week.’
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‘That’s a coincidence. So did I.’
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I looked her over. She was tall and slim and well shaped,
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obviously a woman who kept herself Ht. Her honey—blonde hair fell
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in waves to her shoulders, and her deep blue eyes sparkled in a face
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that was heart-shaped with a well—chiselled nose and a strong,
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feminine chin.
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‘You’ve changed too,’ I said, then looked at the girl. ‘But she’s
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66
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still the same. She’s exactly like you when you were her age. It gave
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me a jolt when I turned round the corner and saw her. I thought I’d
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gone back in time.’
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‘Well, I can’t deny maternity there,’ Barbara said, and ruffled
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her daughter’s tousled hair.
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I stepped back for a real look, at both of them. Barbara had
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changed indeed, as could only be expected in two decades, but
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there was still something of the girl I knew — the third one and only
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—— that brought a series of pictures right into my head, like fast-
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forward re—runs of old movies. The tomboy had evolved into a
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head-turner, and the new version was a clone of her mother.
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We both started to say something, and stopped to allow the
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other verbal right of way. Barbara laughed and I said: ‘Let’s go for
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a coffee}
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‘Coffee would be just great. There are one or two things I’ve got
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to pick up, but they can wait. Is there somewhere around here that
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does anything decent‘?’
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‘Your guess is as good as mine. Remember I’m the new boy
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here, but I reckon Mary Baker’s tearoom is still going strong. Let’s
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try there.’
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It wasn’t far along the main street and we walked in the
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sunshine, a little awkwardly asking questions of each other,
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framing them politely like two strangers — which in a sense we
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were. But there was a feeling of unreality about that because,
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despite the fact that Barbara and I had not set eyes on each other
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for nearly twenty years, there was a feeling between us that’s hard
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to explain. She and I and the other one and only had been as close
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as any three kids could be until something happened that blew it all
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apart.
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In Mary Baker’s back pantry, as the tearoom had been known
|
||
since anybody could remember, the coffee was thick and strong,
|
||
and the cream even thicker. Paddy ignored her mother’s warnings
|
||
over the sugar on the pastry, then Barbara ignored them too and
|
||
demolished one in a few big bites.
|
||
‘Mmm, they’re delicious,’ she said, or at least that’s a fair
|
||
translation of how it sounded through a mouthful of light Danish
|
||
pastry. ‘I’l1 put on p0unds,’ she added when she had washed it
|
||
down with the coffee. ‘I haven’t tasted one of these since God
|
||
knows when, and they’re still exactly the same.’ Over several cups
|
||
of coffee, we exchanged bits and pieces of life history, while Paddy
|
||
worked her way through a mountain of calories and listened
|
||
intently to every word we said. .
|
||
‘You’re that Nick Ryan? I must have read about you a million
|
||
67
|
||
|
||
j times.’
|
||
‘None other,’ I said.
|
||
‘The name never clicked. I mean I must have seen you on TV
|
||
and all, but I never thought for a minute.’
|
||
‘I wasn’t looking my best,’ I said. ‘Anyway, what about you?
|
||
What have you been up to for most of my life‘?’
|
||
I discovered that Barbara had grown up near Boston, in between
|
||
bouts of schooling in England which had helps; d merge the Scottish
|
||
and English accents into a well-rounded, pleasant one. She had
|
||
married at twenty, had had Paddy within a year and something
|
||
went wrong with her tubes and she couldn’t have any more —
|
||
another one and only, she said, nodding in her daughter’s
|
||
direction. Her husband, a doctor called Hartford, had been killed
|
||
in a car crash five years ago and when her father, who had been the
|
||
surgeon at Levenford General, retired, and decided to come back
|
||
to Arden, Barbara had followed him home.
|
||
‘I felt it was the best thing for Paddy. I mean, Arden’s a better
|
||
place for a girl than anywhere in the States. It was OK for me then,
|
||
but things have changed, and they’re getting worse.’
|
||
‘So what do you plan to do?’ I asked.
|
||
‘There’s no rush. John’s insurance — that’s my husband — his
|
||
insurance was pretty comprehensive, so everything’s OK there. I
|
||
was a qualified physiotherapist in the States, so I might go back to
|
||
that if the papers are worth anything here.’
|
||
Barbara told me her father had bought back the old family house
|
||
in Upper Arden and spent most of his time re—planning the
|
||
extensive gardens. Barbara had spent the past week just settling
|
||
into the old town. Paddy had fallen in love with the place
|
||
immediately, and her mother felt she had made a good move.
|
||
Sitting in Mary Baker’s tearoom brought back a whole stack of
|
||
memories one after another, that just came slotting into place like
|
||
records in a juke-box. The way she looked, the way she turned her
|
||
head, and even the way she sat would trigger off another far-off
|
||
hazy memory that would come zooming into focus like a delicious
|
||
aftertaste. We stayed there for almost two hours, until we couldn’t
|
||
face another coffee, and Paddy had got past the stage of being
|
||
interested in the pastries. Barbara said she would bring her
|
||
daughter down to visit me, and I agreed I’d go up to Upper Arden
|
||
and say hello to her father. He had never been that keen on me as a
|
||
youngster, but I expected him to have mellowed. We parted in the
|
||
car park, standing once again in the bright sunlight, and instead of
|
||
shaking my hand Barbara gave me a feather soft kiss on the cheek. V
|
||
As I walked away, I heard the little girl ask: ‘What’s a one and
|
||
68
|
||
|
||
only?’
|
||
I was feeling warm and light-hearted after my chance meeting
|
||
with Barbara. It didn’t last. While we’d been in the tearoom, an
|
||
ambulance had shot past on the main street, siren ululating
|
||
urgently. Just as I was heading towards the jeep, the town’s police
|
||
car screeched to a halt beside me. Murdo Morrison leaned out of
|
||
the open window, his big face red and sweaty looking.
|
||
‘Has that thing got a tow-bar?’ he asked, pointing at my wheels.
|
||
‘ said that it had and Murdo just said: ‘Right. Follow me. I need
|
||
you.’ He drove off and turned right at the car park entrance. I was
|
||
puzzled, but I jumped in the jeep right away and the engine roared
|
||
at the first turn of the key. I took off after him, along Main Street,
|
||
heading west, and right again half-way to Milligs. We got to the
|
||
end of the row of houses on Elm Street and Murdo, his blue light
|
||
still flashing wanly in the bright sunlight, took a left down a
|
||
tarmacked single track. We had gone about a quarter of a mile
|
||
when he stopped at a five-bar gate that gave on to a large pasture.
|
||
The ambulance was parked just outside the gate, and I could see
|
||
why. At the corner, where two hedgerows met at right angles, the
|
||
ground had been churned into mud by the cattle. From the tracks, I
|
||
could see that the ambulance had tried to get through it and failed.
|
||
Murdo leapt from his Panda and swung open the gate, his trousers
|
||
were slick with brown mud up to the knees, and he jammed the
|
||
heavy wooden spars against the hedge. He came dashing back and
|
||
opened the passenger door and hauled himself in.
|
||
‘Right through, Nick. It’s Andy Gillon. He’s under a tree, by
|
||
God. He’s in a terrible way, and the fire engine’s been called out to
|
||
Levenford.’
|
||
We hared across the field, scattering browsing cows to the corner
|
||
where the dark green of reeds showed that the land was marshy.
|
||
The four—wheel drive took me through that as easily as it had gone
|
||
through the mud at the gate, and as we neared the end of the field, I
|
||
could see why they needed my jeep.
|
||
A big oak tree had snapped off about three feet up from the
|
||
base, and underneath it, pinned into the mud, I could see a pair of
|
||
boots twitching and jerking. I hauled the Subaru into a tight turn
|
||
and Murdo and I got out. There were a couple of other men, one of
|
||
them kneeling beside the farmhand who was caught under the
|
||
deadfall, and an ambulanceman was holding a distraught woman
|
||
in the way that men do when they think that whatever the woman
|
||
wants to see is something she had better not.
|
||
Andy Gillon was conscious when I got there, but he was stuck V
|
||
fast under a ton of oak which had squished him into the mud.
|
||
69
|
||
|
||
Further along the edge of the field, I saw his bright red Leyland
|
||
tractor angled against the ground. It looked like the axle had
|
||
snapped.
|
||
Murdo started bellowing orders and organised a team to rig the
|
||
rope on to the jeep while he fixed up an ingenious lever and
|
||
fulcrum of logs, wedging them under the fallen oak. He lashed the
|
||
tow rope on to the biggest log and told me to take it away when he
|
||
gave me the call. The other farmhands and the ambulanceman
|
||
started putting their weight against their levers as I inched forward.
|
||
I had to hand it to Murdo. That big tree groaned and lifted, and
|
||
coupled with the pull of my wheels and the leverage of the straining
|
||
backs, it came up into the air, moved in an arc and crashed back to
|
||
earth a clear six feet away. I stopped the engine and hopped out of
|
||
the cab. The ambulanceman holding Andy Gillon’s wife let her go
|
||
and she came running over to where Doctor Brant was kneeling
|
||
over the still twitching man.
|
||
Then she let out a scream like I’d never heard before. It started
|
||
off high and went soaring upwards until it sounded like an
|
||
overheated jet engine. Then it just cut out and the woman toppled
|
||
straight back and fell on the marshy ground. She was out of it in a
|
||
dead faint. When I got up to where the doctor knelt, I almost
|
||
joined her. Andy Gillon was still alive, still conscious then. But the
|
||
look on his face showed that he knew it wasn’t going to be long.
|
||
He should have been alive. Maybe bruised and battered. Maybe
|
||
a couple of cracked ribs or even a strained spine. That’s what
|
||
should have happened when that old oak had come crashing down
|
||
and pinned him in the mud. Except that where Andy Gillon had
|
||
fallen, it wasn’t just mud. He’d been downed on to the only spot in
|
||
that whole acre of marshy land where a rock had been dumped.
|
||
And Andy had come between the rock and the tree. When that old
|
||
oak had been rolled away, half of Andy Gillon’s guts had come
|
||
away with it. The rest of them were like mashed meat, like the
|
||
drums of offal you see down at the slaughterhouse on a Tuesday
|
||
afternoon.
|
||
There was nothing left of him from the navel to his groin.
|
||
Nothing that hadn’t been put through a blender and scraped all
|
||
over the reeds he lay in.
|
||
I was nearly sick, with horror and disgust. I could feel the coffee
|
||
and pastries trying to make a bolt for it. I wanted to make a bolt for
|
||
1t.
|
||
You know what it’s like when you come across something that
|
||
shocks you rigid. Everything seems to go in slow motion. I .
|
||
remember clearly looking down at Mrs Gillon, who was lying there
|
||
70
|
||
|
||
in the marsh, all by herself, her eyes wide open but only showing
|
||
i the whites. Doc Brant turned away from the mess. His face had
|
||
gone the colour of putty. Murdo Morrison’s face was still red from
|
||
exhaustion. He stood like a statue, then, strangely, for the good
|
||
Presbyterian that he was, he brought his hand up and crossed
|
||
himself like a devout Catholic. A bunch of dung flies buzzed up in a
|
||
cloud from a still-steaming cowpat, and half a field away a cow was
|
||
lowing loudly. There was a buzzing in my ears that I think was just
|
||
internal pressure. Like everything had been stretched way beyond
|
||
its elasticity inside me. Then I looked down at Andy Gillon as he
|
||
lay there, his head facing right up, and his legs still twitching in
|
||
their boots although there was nothing much more than strips of
|
||
mashed rags holding them on to the rest of him. His eyes locked on
|
||
to mine, great wide, terror-filled dark eyes, rimmed with watery
|
||
blood that ran down each side of his face, and I looked into hell.
|
||
Andy Gillon’s gaze held on to mine and didn’t let go. We stared
|
||
into each other’s eyes, both of us in horror and fear. I didn’t know,
|
||
and I still don’t know, how much pain he was in, but there was no
|
||
mistaking that he knew what the score was. I could read it in his
|
||
eyes. His chest was working up and down in short, quick motions,
|
||
and it rasped in his throat and the movement made little gurgling
|
||
noises down where his belly had popped open and the glistening,
|
||
torn ropes were pulsing out blood and bile and God knows what
|
||
else. A white, jagged piece of bone, probably from his pulverised
|
||
pelvis, shone whitely through the red at his hips. And between
|
||
where his hipbones should have been there was nothing but a pulp.
|
||
The old oak trunk had been punctuated with bumps and burrs and
|
||
one of them had been in the right place at the wrong time and had
|
||
smashed everything that Andy Gillon had had between his legs
|
||
into an obscenity.
|
||
The crushed man seemed to look at me for ever, his eyes staring
|
||
right through me, right into the back of my head, as if there was
|
||
something important, some meaning, something that would
|
||
explain how he’d come to be lying with his guts draining into the
|
||
sphagnum and duckweed on a sunny day like today. His mouth was
|
||
moving and there was a sound coming out of those swollen lips
|
||
along with the trickle of blood. I moved in close to where Doc
|
||
Brant, the young resident at the Hermitage Cottage Hospital,
|
||
knelt beside him. His face was grey.
|
||
The doctor pulled his bag closer towards him and snapped open
|
||
the catch with a click and pulled out a little cylindrical bottle. He
|
||
jammed it into a silver syringe which he adroitly jabbed right into a ‘
|
||
vein in the man’s neck. The doctor looked sick.
|
||
71
|
||
|
||
I don’t know what I expected from that injection, but it didn’t
|
||
work quickly enough for me. Andy Gillon was still conscious and
|
||
as I hunched down closer to the doctor — I don’t even know why I
|
||
did that — I could hear the burbling whisper.
|
||
‘Jumped.’ The breath bubbled and rattled deep in his throat.
|
||
‘Jumped on me. Tree jumped.’ Like a hoarse, catching litany. He
|
||
was telling me. His eyes were bright and shockingly sane.
|
||
‘What did you give him?’ I said to the doctor. I
|
||
‘Morphine.’
|
||
‘Give him some more, will you?’
|
||
‘I gave him a lot. It should be working now.’
|
||
But the dying man, who knew he was dying, still locked me with
|
||
those terrible eyes that glittered in the sun.
|
||
‘Please, doc,’ I said, ‘ give him anything. Just put him out of this.’
|
||
The young man turned to me. There was a great streak of
|
||
bloodstained mud down the side of his face, and his expression was
|
||
torture.
|
||
‘I’ve given him enough. Do you understand'?
|
||
Gillon still stared at me and still dribbled the words out along
|
||
with the rest of the goo that was trickling out of both corners of his
|
||
mouth.
|
||
‘Tree. Jumped. Jumped.’
|
||
‘It’s not working,’ I said, and grabbed the doctor’s tweed lapel.
|
||
‘Put him out of it, will you? Please?’
|
||
‘There’s nothing else I can do. Nothing.’
|
||
‘Well I can,’ I told him and got to my feet and scrambled to the
|
||
bole of the tree where a tangle of broken branches was strewn. I
|
||
dragged out a heavy bough about {ive feet long and strode back,
|
||
squelching through the wet. I locked eyes with Andy Gillon again.
|
||
He was dying there in his field right in front of me. His insides were
|
||
squashed into the mud and his eyes were on mine and he was
|
||
asking me to do something. It was a plea I understood instinctively
|
||
and I agreed. I hefted the heavy branch right up over my head and
|
||
braced myself to swing it down with all my strength and Murdo
|
||
Morrison reached up and yanked it right out of my hand. He shook
|
||
his head slowly, then chucked my death—giver over the hedge.
|
||
Afterwards he never said a thing about it, and never charged me
|
||
with attempted murder or anything like that. Then he just looked
|
||
away, away from me , from the doctor, and the woman still out for a
|
||
very long count, and away from the man whose life was packing up
|
||
and moving out only two yards away.
|
||
I couldn’t not look. It was like a compulsion. I didn’t even know ,
|
||
the man. As far as I knew, I had never set eyes on him in my life
|
||
72
|
||
|
||
before. But here I was, attending at his death, and he was looking
|
||
at me as if I was the most important thing in his universe. He was
|
||
holding on to me for that big crossover, and his litany was for me.
|
||
The mumbling stopped suddenly, and the man gave a grunt. He
|
||
put his elbows down beside him and, still staring into my eyes, he
|
||
levered himself up a few inches, his body making a slight sucking
|
||
sound. With the movement, a whole gobbet of intestine blurped I
|
||
out of the mush below his ribs.
|
||
‘Jumped. It . . . jumped.’ Then a gout of thick blood mixed in
|
||
with anything else he was going to say and he slumped back. The
|
||
light went out of his eyes, and he was dead.
|
||
His dead eyes continued to stare at me for a long time until I
|
||
turned away.
|
||
Murdo got the ambulancemen over with their stretcher and one
|
||
of them vomited quickly and efficiently into the reeds when he saw
|
||
the mess, and wiped his mouth with the back of his hand and
|
||
carried on. They covered the body with a grey blanket and put it on
|
||
the green canvas of their stretcher while the doctor attended to the
|
||
still-unconscious woman.
|
||
Murdo Morrison came over to me, still shaking his head. He was
|
||
a big, tough man, but there was a glint of tears at the corner of his
|
||
eyes.
|
||
‘Terrible thing,’ he said, shaking his head. ‘Terrible.’
|
||
‘I’m sorry about that, Murdo. I don’t know why I did that. I
|
||
think I .... ’
|
||
‘I know,’ Murdo interrupted. ‘I know what you mean. But it’s
|
||
best to leave these things to the medical men.’ He clapped his big
|
||
hand on my shoulder in a fatherly way.
|
||
‘He said the tree jumped}
|
||
‘Oh, was that what it was‘?’ Murdo turned round and looked at
|
||
the bole of the old dead oak which stood on a mound of grass, the
|
||
result of centuries of old hedgerow. He and I looked back at where
|
||
the old tractor was down on its haunches forty yards away.
|
||
Through the grass you could see the still-flattened parallel lines
|
||
where its big treads had run. And there was another line, the last
|
||
passage of Andy Gillon where he had walked through the reeds
|
||
towards the place where his life had been squashed out of him. The
|
||
track followed a roughly straight, faint line, for the reeds were
|
||
already beginning to straighten into their original positions, but
|
||
you could make out his track, following the hedge, about twenty
|
||
feet away from the close cut bushes.
|
||
Murdo and I looked at each other, and back at the tracks. Then
|
||
simultaneously we looked at the spot where Andy Gillon had been
|
||
73
|
||
|
||
splattered.
|
||
The oak tree had broken off about two or three feet from the
|
||
ground. The rest of the massive trunk must have been twenty feet
|
||
long, knobbled and gnarled. Its outline was clearly imprinted on
|
||
the soft marsh where it had fallen. The outline started about five
|
||
yards from the base ofthe tree and continued out, past the red and
|
||
green and purple patch that looked like the bottom of a wine-
|
||
treader’s vat, and out a few yards more, pointing to the centre of
|
||
the Held where the brown and white cows were browsing
|
||
unconcernedly.
|
||
Murdo stared at that indentation for a long time, then he looked
|
||
back at me.
|
||
‘That’s strange,’ he said, through his teeth. ‘That’s very strange.
|
||
And there’s not a breath of wind.’
|
||
In my mind I could hear the dying man’s mumbled chant. ‘It
|
||
jumped. The tree jumped.’
|
||
There wasn’t a breath of wind, as Murdo said. Not there. Not in
|
||
that sunny field. But a cold breath went right through me , right into
|
||
my bones. Murdo’s face looked bleak.
|
||
And in Arden, a very bad summer began to happen.
|
||
74
|
||
|