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<title>Chapter 2</title>
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<h2>8</h2>
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<p>As Jack Fallon walked out of the coffee shop down the lane,
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Lorna Breck was on her lunch break from the children's library
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which stood on the corner of Strathleven Street, an old building
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built at the turn of the century with money from Andrew Carnegie's
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foundation. The children's section was half a landing up from the
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basement stack-rooms, a dungeon of a place unlike the bright and
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well-lit extension that had been built upstairs for adults. Lorna
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thought they should have added something for the children, but
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instead, they had to line up by the wrought iron gate at four
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o'clock until she came with the big bunch of keys to unlock the
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heavy old thing and let them down the narrow stone steps in single
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file.</p>
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<p>There was atmosphere in the old place, but it was musty and
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claustrophobic. She had persuaded Keith Conran, her boss to clear
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out a small store to let the children use it as a reading room. The
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negotiations for that little improvement had taken months, but she
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had eventually won. Her next fight was to get a fire door
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somewhere. The little children's library was a death trap, with
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only one narrow door in. Lorna kept a big extinguisher next to her
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desk just in case.</p>
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<p>It was two days since her terrifying experience at Gemma's
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party. The memory of it hung around her like the big black clouds
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now piling in from the west, heavy and sombre. She couldn't explain
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what had happened, and that frightened her. She could recollect
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nothing of what she'd said or done when she'd thrown the fit, as
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Cathy had described it, or whatever it was she'd had. She'd just
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opened her eyes with a terrible feeling of dread and a dreadful
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feeling of certainty.</p>
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<p>It was only afterwards that Gemma and Cathy had told her what
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she'd said. She recalled nothing. She'd read about things like
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that. It could mean anything. What scared her was that it might be
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the signs of a brain tumour, and that scared her a
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<em>lot.</em></p>
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<p>Lorna's mother had read tea-leaves at family parties and she had
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picked it up as she went along. She knew there was nothing in it,
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except that sometimes when she looked at the brown patterns, she
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got a little tickle of feeling, nothing more than a <em>shade</em>.
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It was fun. Or it had been. She had never, not <em>ever</em> had
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any real sensation of prescience.</p>
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<p>Under her sleeve, the strange blister itched. The swelling had
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died down within hours, leaving a tea-stain mark along her forearm.
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The downy hairs there were still curled, looking as though they'd
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been scorched. She couldn't remember any sensation of any pain no
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matter how she tried.</p>
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<p>The story in the newspaper made her cringe with embarrassment.
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Keith, known to all the children as Conran the librarian, had asked
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her about it and she avoided a direct answer. Some of the other
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girls who worked in the adult library tried to persuade her to read
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their palms and she'd abruptly refused. The thought of another
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episode made her recoil.</p>
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<p>Lorna was outside the grocer's shop by the bakery which at one
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time had been the cobbler's business run by old Hungry Sandy. She'd
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put her bag down on the ground while she counted the money in her
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purse. There was a skirt in Peggy Mason's shop which she'd had her
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eye on for two weeks and she was hoping it had been reduced, as
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much of Peggy's clothes were after they'd hung on the lines for a
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while. As she bent over the opened purse the numbness flowed over
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her.</p>
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<p>It was as if she'd slid without a sound, without a ripple, into
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a cold pool. The noise of the traffic in the street and the people
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passing by, the normal busy sounds of River Street just after
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noontime, faded away slowly, as if somebody had closed a door on
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them, leaving her inside a little personal bubble of space.</p>
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<p>A high pitched whine, like a summer insect, tickled deep inside
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her ears. She could hear the faint sound of blood pounding in
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there. Lorna felt her hand slowly clench. The snap-clip of her
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purse closed over with the sound of a dull footfall. A bus passed
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by on the street, its engine a deep almost inaudible hum. Somebody
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walked in front of her and looked at her, the passer-by a pale
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ghost moving with snail-like speed, like a body drifting in
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water.</p>
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<p>The whine in her ears became a buzz and underneath it Lorna
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heard the whispering chatter. It sounded at first like starlings on
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a roof, the way they gather in flocks, whirring in black
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constellations in the air before settling to argue amongst
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themselves. She turned to the left, so slowly it took an age. The
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chattering got louder, like words which she could not make out. The
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numbness spread down her arms and rippled over her ribs. She turned
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and saw herself reflected back from the grocer's window. Somebody
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had put up a small blackboard offering prices of apples. Lorna
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could see her face, a pale imitation, wraithlike inside the glass.
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Her mouth was half-open, her eyes wide. She tried to think and the
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thought would not come. She felt as if she was wading through
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treacle.</p>
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<p>Something spoke inside her head.</p>
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<p>"<em>I see you</em>."</p>
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<p>"What?" she tried to say. All she heard was a rumble deep in her
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chest.</p>
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<p>"<em>Eyes to see. Ears to hear."</em> The voice was the scratch
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of fingernails on rough stone.</p>
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<p>Lorna blinked. Inside the glass, her reflection did the same, a
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slow, puzzled blink that looked sleepy in shady mirroring.</p>
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<p>She saw her mouth open further. It was like watching someone
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from inside a dream. Something passed by on the street behind her
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and she saw the movement, then it was blotted out by a shadow in
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the blackboard, billowing in like a cloud. The glass wavered, or
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seemed to, and her reflection winked out. The chittering had faded
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inside her head, dwindled to a scratchy rustle. She dreamily felt
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as though he'd stepped out of the world, out of her <em>self</em>
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for a moment.</p>
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<p>The blackboard disappeared in rippling shadow, like the surface
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of a river pool deep in a forest. The oscillations jarred, hardened
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and then with a weird, dizzying <em>twist</em> they stopped and
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Lorna saw</p>
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<p><em>a street lamp</em>. Orange light fuzzed by a hard frost. She
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shivered, felt the cold. Someone was walking down a narrow alley.
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The sound of heels on flagstones. She recognised the place, or
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thought she did. At least it looked familiar. As she turned her
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head, the scene swung with the movement, a cinematic pan. The
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orange light faded away. Up above a window opened and a faint
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voice, unintelligible behind a clatter of pots and pans, called
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out. The footsteps came closer. Lorna heard the whimper of a baby
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crying, and in the waking dream, she turned, though she knew no
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muscle on her body moved. She was seeing this with her
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<em>mind.</em> A figure came walking towards her, passed by, hidden
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by shadows. A pale face turned to look curiously at her. It was a
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girl, a young woman. In her arms, a baby held tight, close to her
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shoulder. Lorna saw a look of surprise, maybe curiosity, then the
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woman was gone.</p>
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<p>A feeling of apprehension welled up inside her, bubbling like
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tar.</p>
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<p>Something was going to happen. She <em>knew</em> it. Something
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<em>bad</em>.</p>
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<p>The woman moved off along the alley, away from the light, turned
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beyond the hard stone corner of a building. From up above, Lorna
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heard a harsh scraping sound, a scuttling noise, like stones being
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rubbed together. She raised her head and the scene swung dizzily.
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Up on the wall, a shadow flicked with spidery speed, disappeared
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into a deeper shadow. The noise continued, an abrasive scrabble
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that continued into the shadow. It reached the corner, elongated
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and then wriggled round and out of sight.</p>
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<p>The anxiety twisted, tightened to sudden dread.</p>
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<p>Lorna went down the alley, seeing the buildings tilt with the
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odd <em>mental</em> movement, reached the corner, turned it...</p>
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<p>And the shadow came down from the wall.</p>
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<p>She heard herself scream, yet there was no sound. The woman was
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knocked to the ground by something that shot out from the shadow
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and struck her such a blow that she simply flopped. A dark shape
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reached and grabbed. There was a jumble of movement and then a
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piercing cry, mirrored by an even higher screech. The woman
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scrambled to her feet, her screech of terror and anger
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reverberating from the narrow walls of the alley. She ran at the
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shadow. Something reached out again and smashed into the side of
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her face. She dropped like a stone, but this time she did not get
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up again. A dark pool quickly spread out from under her head,
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casting no reflection. The shadow shrank back into the wall, oozed
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into deeper shade and seemed to flow upwards in a liquid
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wriggle.</p>
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<p>In a flickering moment, Lorna heard the sound of a baby crying,
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far above her head. She tried to look but she could see nothing.
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her eyes were drawn back down to the alley. The black bundle
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huddled on the ground. Just beyond it, the pool was widening on the
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frosted ground, oozing far enough now to catch the orange light of
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the next street lamp. In the numb bubble of observation, Lorna's
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eyes looked up again. The shadow was climbing quickly, again with
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that spidery speed. It swerved away from the edge of a window from
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which light described a solid rectangle, then moved upwards. It
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turned and Lorna got the impression of eyes looking at her from
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within the oily darkness. She felt her whole being shrink back and
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as she did, the thick, gloomy shape simply peeled off the wall
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above her. Something that looked like a head turned and two eyes
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caught the orange light. They whirled, altering the colour to
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something that looked sick and suppurating. Lorna's fear screeched
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inside her, a wire wound up to breaking point. The scuttling sound
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came louder. Something small and white flopped inside the shade,
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like a broken doll. Another something else, wet and warm,
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splattered close by her with a small smacking sound. She felt a big
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scream try to force itself out of her throat, then realised with
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utter panic that no sound would come.</p>
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<p>The thing, the shade, shadow, whatever it was came down the
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wall, impossibly fast, jointed yet liquid. It hit the ground,
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bounced and leapt towards her. A face from a nightmare, worse than
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<em>any</em> nightmare came looming up at her. A mouth opened and
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black spiked teeth glistened wetly.</p>
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<p>Such was Lorna's terror that the scream building up behind her
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locked throat broke through in a sudden explosion of noise. The
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bubble of numb horror burst around her and the shadowed thing
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winked out in an instant. The scream went on and on and on.</p>
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<p>The noise came from so close that Jack almost stumbled off the
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pavement as he walked quickly towards the street corner. It was
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high-pitched enough to vibrate the thick glass of the grocer's
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display window.</p>
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<p>It happened just as he was walking past the fruit shop, like an
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air-raid siren let off only inches from his ear, but higher than
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that, the sound of a stone saw cutting brick. As he jerked round, a
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slight girl came wheeling towards him, her face drained so white
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she looked like a corpse, except for the wide open mouth and the
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incredible noise that came out of it. She barged into him, half
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falling, eyes gaping and so startling grey they seemed blind. Her
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mouth was stretched wide enough for him to have counted her teeth
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if there had been time. She stumbled and began to fall. Jack
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reflexively reached and caught her, twisting himself to make sure
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she didn't sprawl to the ground, and in the same moment knocked an
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old woman's trolley to the pavement.</p>
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<p>The girl's scream stopped abruptly. Her face went completely
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slack and she sagged into him like a puppet with cut strings. All
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the strength just went from her and her knees buckled. Jack got a
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hand under her armpit and kept her upright, head swinging this way
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and that, looking for a place to let the girl sit, or lie down. The
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old woman whose trolley had been kicked to the far edge of the
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pavement retrieved a fallen turnip and a cabbage which had been
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inadvertently dribbled twenty feet down the road and then back
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again by passing feet, came up to him and squinted through rheumy
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eyes.</p>
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<p>"You want to watch where you're going son," she said
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indignantly, then added: "I hope your girl gets better."</p>
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<p>Jack nodded, putting an apology into the short movement.</p>
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<p>"Take her into the shop, son. They'll give her a glass of
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water."</p>
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<p>The girl was shivering against him, as if she was racked by a
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fever, but against him she felt cold. He braced himself, swung her
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up with an easy movement and elbowed his way past the gawpers into
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the shop. The door swung back and he carried her straight past the
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queue of people waiting with baskets of fruit and vegetables, all
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staring with the blank curiosity of people who know something has
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happened that they've missed.</p>
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<p>A woman behind the counter asked if she could help him. Jack
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said he needed a glass of water and a phone. He didn't stop, but
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continued through to the back of the shop. As expected, he found a
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sink cluttered with several cups. One or two of them were
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clean.</p>
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<p>There was a seat in the corner. Jack was considering whether to
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try to balance the girl on it when the blonde woman came through
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the narrow door.</p>
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<p>"What's the matter?" she asked brusquely.</p>
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<p>"I don't know. Something wrong with this girl."</p>
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<p>"What? She faint or something?"</p>
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<p>"Looks like it. Can you get a cup of water?"</p>
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<p>The woman bustled to the sink, letting the door swing behind
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her. It was her busy hour and it looked as if she could have done
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without the interruption, but she rinsed a glass quickly, let the
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water run for a while to let it get cold and turned towards
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Jack.</p>
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<p>"Well, put the wee thing down then," she said, her voice
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softening down. "Oh my, would you look at her colour. Is she
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expecting?"</p>
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<p>Jack shrugged. "Damned if I know. I never met her before."</p>
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<p>The shopkeeper gave him a quizzical look and Jack eased the girl
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down to the seat. She was beginning to come round a little, but her
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eyes still looked blind and dreamy, as if she was coming out of an
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anaesthetic.</p>
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<p>She gave a little hiccup and some colour same back into her
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cheeks. The woman handed Jack the cup and he held it up to the
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girl's lips.</p>
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<p>"Here," he said, "Take a drop."</p>
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<p>He tilted the glass and let some water dribble between her slack
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lips. Some dripped onto the girl's lap, but enough got into her
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mouth. The lips twitched and the girl's throat worked spasmodically
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as she swallowed, then coughed. She came awake almost immediately,
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yes blinking and watery, looking around, obviously completely
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bewildered.</p>
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<p>"Where....?" she started to say.</p>
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<p>"It's alright dear. You've just taken a bad turn. You'll be
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fine," the shopkeeper said. Satisfied that this was not a life and
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death emergency, she gave the girl a smile, turned, and pushed her
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way back into the shop.</p>
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<p>Jack held up the cup and the girl took another drink, this time
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deliberately. He kept tilting it as she demanded more and continued
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until she'd finished the lot. Her colour was coming back
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rapidly.</p>
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<p>"What happened?" she asked, rubbing her eyes.</p>
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<p>"I don't know. You let out a scream that would wake the dead and
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started to fall. I managed to catch you before you took a dive for
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the pavement. I had to carry you in here. Are you on any kind of
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pills?"</p>
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<p>"No," the girl said. She was looking down, eyebrows knotted in
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concentration. She still hadn't looked at Jack.</p>
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<p>"I don't know..." she started to say, paused, then changed
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direction. "Something happened. I saw something."</p>
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<p>"Like what?" Jack didn't have a clue what she was talking
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about.</p>
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<p>"It was in the dark. Something coming." Her brows knit further,
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then she shook her head. "Oh I don't know. I can't remember. I
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thought I saw an awful thing and it gave me a fright."</p>
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<p>"You sure you're not on something?"</p>
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<p>"No I'm sure," she said quickly and for the first time she
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raised her eyes. They were still as startling metallic grey as they
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had been outside the shop, but now they held expression. As soon as
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she looked at Jack she flinched back and let out a small gasp. Her
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hand jerked up towards her face.</p>
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<p>"What's wrong?" he asked immediately.</p>
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<p>The girl was staring at him. Her eyes were huge, winter pools in
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a stormy sea. Her mouth opened slowly. She looked terrified.</p>
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<p>"Are you going to faint again?" he asked.</p>
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<p>She shook her head dumbly, and her mouth closed again. Her eyes
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were scanning him as if searching for something. She looked
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absolutely horrified, or terrified, though he couldn't decide
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which. For a second he returned her gaze. Then she seemed to snap
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out of it.</p>
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<p>"I'm sorry," she said. "I thought I..." she stopped again. Jack
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wondered if she ever finished a sentence. "I don't know what I
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thought. Oh Christ, I don't know what's happening."</p>
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<p>"Do you want me to call a doctor? I can take you to the health
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centre if you like."</p>
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<p>"No thanks. I'll be fine."</p>
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<p>"You don't look that fine to me. Where do you stay?"</p>
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<p>"Clydeshore Avenue, across the bridge," Lorna said. "But I have
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to get back to work."</p>
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<p>"And where's that?" he insisted.</p>
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<p>"The library. Just round at Strathleven."</p>
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<p>"You sure you'll be alright?"</p>
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<p>The girl nodded. She brought both hands up in front of her face
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and breathed in deeply, still looking at Jack over the tips of her
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fingers. He didn't know whether it was him or not, but the way
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she'd looked at him at first made him feel he must have developed
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some gross disfigurement, like leprosy. Now she looked at him with
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something that looked very like fear.</p>
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<p>"Don't worry, he said. "I'm not going to hurt you. I'm a
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policeman."</p>
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<p>Lorna nodded. "I know. It's not that. Its..." she left another
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sentence hanging, then completed another. "Look. I have to go
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now."</p>
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<p>She got to her feet, stumbled a little. Jack reached out a hand
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and grabbed hers. As he did she jerked as if she'd been given a
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heavy jolt and her face snapped round towards him. Her big eyes had
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gone blind again, but this time they looked as if they were staring
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right inside him. She made another strangled little sound in her
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throat and pulled her hand away. As the contact broke, Jack felt a
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tiny physical <em>wrench</em>.</p>
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<p>She brushed past him, murmuring her thanks, pushed her way out
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through the door, then past the crowd of people waiting to buy
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vegetables and out into the street. Jack stood for a moment, slack
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jawed, wondering what on earth that had all been about. He followed
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her through, more slowly, his face a picture of puzzlement. By the
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time he got to the pavement she was gone. He looked over the heads
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of the passers by, quite easily because of his height, but there
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was no sign of her. He hadn't even asked the girl's name. All he
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could really recall about her were those fathomless grey eyes and
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the look of fear in them when she'd glanced up at him. Jack was
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sure he didn't look that scary. He shrugged and walked along River
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Street.</p>
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<hr />
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<p>Robbie Cattanach had said he'd met him in Mac's bar, which was a
|
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hole of a place as far as comfort was concerned and rough and ready
|
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as far as the regulars went, but it was close by and warm enough
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and the Guinness was poured slowly and allowed to stand awhile
|
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before Peter Hollinger, whose brother used to run the bar in Arden
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a few miles down the road, would set it down before a paying
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customer.</p>
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<p>The young pathologist was not in sight when Jack pushed his way
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through the crowd of lunchtime drinkers. There were a couple of
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teenagers playing darts in the corner. Jack recognised the set of
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their shoulders and their shocks of sandy hair as members of the
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ever expanding Buist clan. One of them nodded to Jack, and the big
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man gave him a wink. The younger generations were settling down, he
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thought, remembering his father with a warm and slightly painful
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glow.</p>
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<p>He ordered a pint and leaned his elbow on the bar, making sure
|
|
he missed a puddle of beer. Hollinger, a bear of a man who ran a
|
|
civilised, if occasionally boisterous bar - aided by his old
|
|
shillelagh which hung beside the bottles on the gantry - let the
|
|
black stout pour slow as tar.</p>
|
|
<p>Somebody came up behind Jack and clapped him on the shoulder. He
|
|
turned, expecting to see Robbie Cattenach.</p>
|
|
<p>"Well fan my brow if it isn't Black Jack Shelack."</p>
|
|
<p>Mickey Haggerty made an exaggerated brow-fanning motion. He
|
|
stuck his hand out and gave Jack a crushing handshake that was in
|
|
complete contrast to the small man's wiry frame.</p>
|
|
<p>"How's it hanging Jake? Long time gone blind."</p>
|
|
<p>Jack remembered from childhood, and broke into a delighted grin.
|
|
"Yeah. Long time no see right enough Mickey. How's yourself?"</p>
|
|
<p>"Fair to bloody awful, but we've not died a winter yet. Here,"
|
|
he said, indicating the pint Peter Hollinger was laying down with
|
|
magnificent reverence on the bar. "Let me get that."</p>
|
|
<p>"Best offer I've had in a wheen of days," Jack said, reverting
|
|
back to his childhood slang. "So, Apache Mick. You're getting more
|
|
like Jack Palance every time I see you."</p>
|
|
<p>"That's because I've had a hard life. I've a face that's worn
|
|
out three bodies. Not like you fellas who get cushy jobs and get
|
|
your names in the papers. The last time I got that I was up for
|
|
drunk and incapable. I admitted I was drunk, but I've never been
|
|
incapable. There's a dozen women of this fair town would swear to
|
|
that, but they huckled me for it anyway. You wouldn't do that Jake,
|
|
would you?"</p>
|
|
<p>"Not if I was drinking with you. I carried you home often enough
|
|
as I recall."</p>
|
|
<p>"That's 'cause I'm just a wee <em>toaty</em> fella," Mickey
|
|
agreed amiably. Jack took a deep swallow of his beer, knowing he
|
|
shouldn't but not caring much of a damn and felt a warm glow from
|
|
his chance meeting with an old friend from the old days.</p>
|
|
<p>"Must be a couple of years since you were last in here," Mickey
|
|
ventured.</p>
|
|
<p>"Yeah. About that." Jack agreed. "It hasn't changed much."</p>
|
|
<p>Mickey winked. He'd a cheerful, well used face with prominent
|
|
cheeks and a shock of boyish fair hair.</p>
|
|
<p>"Listen, I was sorry to hear about your wife, and all that. And
|
|
your girl. Fucking awful."</p>
|
|
<p>Jack nodded, keeping his face straight. He was getting used to
|
|
this by now. "Aye, sure was."</p>
|
|
<p>The two of them studied their pints for a moment of awkward
|
|
silence, then Mickey, irrepressible at any time, chimed in.</p>
|
|
<p>"Anyway, it's good to see you, Commanche, no matter what. Life
|
|
goes on, eh?"</p>
|
|
<p>Jack looked at him and felt a reluctant grin force its way
|
|
across his face. Life goes on. Yes, he thought, sometimes it does.
|
|
Sometimes it stops dead and sometimes going on is the hardest thing
|
|
to do.</p>
|
|
<p>"So you're looking for the nutter that killed the old
|
|
biddy?"</p>
|
|
<p>"Yea. Not an easy one."</p>
|
|
<p>"Well, I hope you catch the bastard. Nice old soul she was. My
|
|
mother used to go to her a few years back. She was spot on. Told
|
|
her she was coming in to money, and the next week she took the
|
|
roll-up at the bingo and came out with two grand. Bought me a new
|
|
suit, in case I did something stupid and got married, but I pawned
|
|
it and lost the money on a horse."</p>
|
|
<p>Jack laughed for the first time that day. It was typical of
|
|
Mickey. He'd been an engineer on merchant navy boats for years,
|
|
travelling round the world, bringing home exotic tales to tell in
|
|
Mac's bar and then he'd quit travelling. Now he drove a rubbish
|
|
dump truck, a position he claimed was ideally suited to him because
|
|
it came with absolutely no authority whatsoever, allowed him to
|
|
take a day off fishing whenever he liked, and paid enough to get
|
|
him from one weekend to the other most times. He was the most
|
|
irresponsible, but probably the most genuine fellow Jack knew. He
|
|
had two real hobbies. He played snooker to almost professional
|
|
level, but not seriously enough to want to make the big time, with
|
|
the added responsibility that would bring, and an abiding interest,
|
|
for some reason, in American Indian culture. he'd been like that
|
|
ever since he was a kid in Castlebank School, and nothing had
|
|
changed.</p>
|
|
<p>"So what's the score with old Marta then. They say she was dead
|
|
for a few days."</p>
|
|
<p>"Yes. A week past Saturday."</p>
|
|
<p>Mickey frowned.</p>
|
|
<p>"That was a bummer of a night. I nearly got drowned on River
|
|
Street coming out of here. Tide was backed up and coming up the
|
|
pends from Quay Street. You could have moored boats on the
|
|
pavement. I'd a fair drink in me, 'cause I'd just won a double on
|
|
two horses at Ayr. Blew the lot. It was too heavy to carry
|
|
home."</p>
|
|
<p>"You didn't see anything on your way home," Jack asked
|
|
casually.</p>
|
|
<p>"What's this, the third degree?"</p>
|
|
<p>"Save me taking you in for questioning," Jack shot back, and
|
|
Mickey laughed.</p>
|
|
<p>"Well, I saw two young fellas on bikes come up on the pavement.
|
|
Graham Friel's boy was one of them. I remember he nearly couped me
|
|
off my feet. The water was too deep round at the corner to get
|
|
through. Looked as if they were on powerboats by the wash they were
|
|
setting up."</p>
|
|
<p>Mickey closed his eyes, thinking. "I got a light off a bloke.
|
|
Shuggy Thomson. He'd a fair skinful in him. Could hardly walk. The
|
|
buses were diverted up College Street, so I had to go along to the
|
|
bridge, and it was bloody freezing."</p>
|
|
<p>He paused for a moment, frowning.</p>
|
|
<p>"Oh, here. Now I remember. Somebody passed be just by the old
|
|
shoe shop. I can't remember the man's name, but he's a good punter.
|
|
He was in the bookie's putting bets on the same day as me. Irish, I
|
|
think. He's had a bad couple of hits on the horses, I can tell you
|
|
that, but he keeps on putting the money down."</p>
|
|
<p>Mickey stopped again. "I crossed the road. Amazing what you can
|
|
remember when you try hard. I went down Brewery lane for a pee.
|
|
That was murder, I can tell you. The wind was blowing a gale, and
|
|
if you pee into the wind, you only get your own back."</p>
|
|
<p>Jack looked at him, puzzled, and a second later he caught
|
|
Mickey's drift and laughed again.</p>
|
|
<p>"That doesn't make me a suspect, does it?" Mickey asked, trying
|
|
to keep his face straight, but unable to conceal the mischief in
|
|
his eyes.</p>
|
|
<p>"Not yet. But I'll need a witness who saw you at home."</p>
|
|
<p>"That might be difficult, for I never got home. I stayed with a
|
|
lady. Her man's working on the rigs and isn't due back for two
|
|
months, and I'm sure as hell not giving her name, and don't you be
|
|
telling my sister either."</p>
|
|
<p>Jack grinned again, but stopped when Mickey's brow drew down
|
|
again in that furrow of concentration.</p>
|
|
<p>"Wait a minute. When I came up the lane I bumped into somebody.
|
|
he was coming in the opposite direction, heading down River Street.
|
|
Who was it now," he said, taking his chin between finger and
|
|
thumb.</p>
|
|
<p>"I know. It was yon minister, Simpson. You know the man. Big in
|
|
the masons. His mug is never out of the papers. Always looks as if
|
|
he's eating shit, he's that torn-faced."</p>
|
|
<p>"Can't say I do," Jack said.</p>
|
|
<p>"Aye. He was scooting along the road in a big rush." Mickey
|
|
stopped again. "Hold on. I stood and watched him. He never even
|
|
said sorry for nearly knocking me on the face. He went down River
|
|
Street and turned into Boat Pend."</p>
|
|
<p>Suddenly Jack was all attention.</p>
|
|
<p>"You sure? That was on the Saturday night?"</p>
|
|
<p>"Dead sure. I was pissed, but I never forget. You never know
|
|
when you'll need an alibi. It was definitely him. I remember
|
|
thinking what a toffee nosed bastard he was, and a bigot besides,
|
|
but he never even looked the road I was on. Man of God? He would
|
|
have left me lying in the gutter unless I was showing my left
|
|
leg."</p>
|
|
<p>"And this other man. The one from the betting shop. Did he go
|
|
anywhere near there?"</p>
|
|
<p>"He was heading that way, but I couldn't be sure. I'll remember
|
|
his name in a while."</p>
|
|
<p>He took a big swallow of his drink, finished his beer and set
|
|
the empty glass down on the bar. Jack offered him a refill, but
|
|
Mickey shook his head.</p>
|
|
<p>"Driving all day. But if you're back in tonight, I'll take all
|
|
you're prepared to buy."</p>
|
|
<p>He reached up and clapped Jack on the shoulder. "Hope you catch
|
|
the bastard Jake. Kick the shite out of them when you do."</p>
|
|
<p>Jack said he'd think about it. He'd been thinking about it for
|
|
the past few days. By the time he finished his own beer, Robbie
|
|
Cattanach hadn't appeared. Jack toyed with the idea of another,
|
|
then decided against it. What Mickey had told him was worth
|
|
following up. He left mac's bar, turned the corner at Market
|
|
Street, and headed up to the station.</p>
|
|
<p>Superintendent Ronald Cowie had left a message for him to come
|
|
straight up to his office. The senior officer was sitting behind
|
|
his desk and did not look up as Jack came in. Jack ignored the lack
|
|
of welcome and sat himself down on a chair on the near side of the
|
|
desk.</p>
|
|
<p>"I was hoping for a progress report," Cowie said.</p>
|
|
<p>"No progress so far," Jack replied. "You've got everything I
|
|
have."</p>
|
|
<p>"And that's not very much."</p>
|
|
<p>"You're right," Jack agreed, keeping his voice steady, refusing
|
|
to rise to it.</p>
|
|
<p>Cowie turned in his swivel seat and swung back again with a
|
|
handful of newspaper clippings.</p>
|
|
<p>"One killing and one abduction. It's all over the front pages.
|
|
It's been nearly a week and we've nothing to show for it."</p>
|
|
<p>"These things take time," Jack said. "What we have are two
|
|
separate incidents in different parts of the town. One a murder,
|
|
and the other a possible murder. We have no serious witnesses.
|
|
We've rounded up every peeping Tom and flasher. We've taken two
|
|
hundred fingerprints. We've had TV and newspaper appeals, and we've
|
|
been round a thousand doors asking questions. We just have to keep
|
|
on going. Something will show and then we can move."</p>
|
|
<p>"I don't see any sign of progress," Cowie said, running a paper
|
|
knife between his fingers, trying to look like a hard man, which
|
|
Jack knew he wasn't.</p>
|
|
<p>"There's not much, but I have a couple of things I have to check
|
|
out."</p>
|
|
<p>"And what's that?"</p>
|
|
<p>"Well, I've got one name of somebody seen in the area on the
|
|
night in question, and I'm hoping for another. They don't sound
|
|
like likely suspects, but if they were close to the scene, they
|
|
might have something to tell me."</p>
|
|
<p>"Who's the name?"</p>
|
|
<p>"A man called Simpson. He's a minister."</p>
|
|
<p>"What Bill Simpson?" From Castlebank Church?"</p>
|
|
<p>"That's the man."</p>
|
|
<p>"He's a friend of mine. A very good friend."</p>
|
|
<p>Jack didn't doubt it. As soon as Mickey Haggerty had mentioned
|
|
the masons, that connection had been an odds-on-certainty.</p>
|
|
<p>"He's also a church representative on the council. He's very
|
|
close to the police committee. Do you really think we should bother
|
|
him?"</p>
|
|
<p>Jack waved to the pile of press cuttings.</p>
|
|
<p>"I'll bother anybody if it gets me a result."</p>
|
|
<p>"Well, I want you to take it very easy with Bill Simpson."</p>
|
|
<p>"I'll try to get the handshake right," Jack said wearily.</p>
|
|
<p>"What's that?"</p>
|
|
<p>"You heard."</p>
|
|
<p>"I heard insubordination, that's what I heard."</p>
|
|
<p>"No you didn't. You asked for a progress report. I gave you what
|
|
I have. I'm keeping you abreast of the situation, which isn't very
|
|
much at the moment."</p>
|
|
<p>"I could have you taken off both of these cases, Fallon. Just
|
|
like <em>that</em>," he said, snapping his fingers.</p>
|
|
<p>Jack stood up, and put his hands on the table. His black hair
|
|
had fallen down over his brow. He towered over the seated man.</p>
|
|
<p>"Listen, Superintendent. You've not got your arse in Angus
|
|
McNicol's seat just yet. I don't give a flying fuck if you can take
|
|
me off this or not, but I don't think our boss would like it."</p>
|
|
<p>"I should have been in charge right from the start," Cowie said,
|
|
angrily.</p>
|
|
<p>"And have you wondered why you weren't?"</p>
|
|
<p>"You...." Cowie started to raise his voice. "Get <em>out</em> of
|
|
my office, or I'll put you on report."</p>
|
|
<p>"Yes. You do that. And let me get on with my job," Jack said,
|
|
giving the man a hard, black, and utterly contemptuous look. he
|
|
turned and stalked through the doorway, slamming the door behind
|
|
him.</p>
|
|
<p>Despite what he'd said to his immediate superior, Jack had
|
|
already decided to take it easy with Simpson. He went back down to
|
|
Cairn House with John McColl and they knocked on all the doors
|
|
again, asking the neighbours more questions. The young couple who
|
|
lived directly below Marta Herkik's flat were quite definite. There
|
|
had been noises on the Saturday night, around ten o'clock. They'd
|
|
been watching a video at the time, a space movie about an alien.
|
|
Jack recalled what Robbie Cattanach had said, and thought it was
|
|
appropriate. It was definitely the Saturday night, because that's
|
|
the only day either of them, both working in offices in Glasgow,
|
|
ever got the chance to hire movie cassettes from the video shop.
|
|
The girl, a plump, but pleasant faced young woman - they'd been
|
|
married for only three months - had gone to bed halfway through the
|
|
film because she'd found it too scary and too gruesome. She had
|
|
first heard the bumping noises from upstairs, but they'd soon
|
|
stopped. There had been people on the outside stairs earlier on in
|
|
the night, but that wasn't unusual. Marta Herkik often had visitors
|
|
who came to get their fortunes told, but nobody had seen anyone on
|
|
the stairs.</p>
|
|
<p>All of the neighbours told the same story, except for the lower
|
|
dwellers who hadn't heard the noises in Marta's rooms. None of them
|
|
had had any visitors themselves that night. Only one had gone out,
|
|
to pick up a Chinese meal from the take-away on the far side of the
|
|
bridge, but that was just after seven in the evening.</p>
|
|
<p>Jack left the building again, thinking. If the minister
|
|
<em>had</em> gone down Boat Pend, there were few other places he
|
|
could have been heading for. The alley went right down to the old
|
|
quayside, but it was unlikely he'd be going there, for the whole of
|
|
the harbour had been under a foot of water, thanks to the high tide
|
|
and the backing gale sweeping up the firth. There were no other
|
|
houses easily accessible from the covered alley. There was a
|
|
chandler's business attached to a fishing tackle shop, and the old
|
|
bakery further along the quayside which was still operating, but
|
|
wouldn't have opened until five in the morning. There was also the
|
|
Castlegate Bar, a water-rat dive where no minister would have been
|
|
seen dead.</p>
|
|
<p>No, he thought, it was possible, that Simpson had been heading
|
|
up the stairs to the old woman's flat.</p>
|
|
<p>And if he had, why had he, a man of god, been visiting a
|
|
medium?</p>
|
|
<p>Despite the possibility, it didn't seem likely.</p>
|
|
<p>Jack picked up his car from behind the newsagent's shop and
|
|
drove to the east side of town where the old buildings, sandstone
|
|
tenements and a few detached houses, gave on to a more modern
|
|
housing estate. The basalt rock where Levenford's castle fort had
|
|
perched since before the pyramids were built, loomed against the
|
|
darkening skyline as evening fell swiftly. The lights up on the
|
|
ramparts were haloed yellow in the hard frost thickening the
|
|
air.</p>
|
|
<p>William Simpson's wife Betty was small and silver-haired, though
|
|
Jack guessed she was a few years younger than she looked. When he
|
|
had introduced himself an odd tight expression flickered on her
|
|
face and then was gone. She invited him in and led him to the
|
|
living room at the back of the manse. She poured him tea from a
|
|
small china pot, a bird-like woman making fluttering motions. The
|
|
cup rattled a little on the saucer when she handed it over to him.
|
|
She did not appear overly nervous, but she gave Jack the impression
|
|
of a woman with something on her mind.</p>
|
|
<p>"It's just routine," Jack said encouragingly. "I was hoping to
|
|
speak to your husband."</p>
|
|
<p>"What about?"</p>
|
|
<p>"Oh, I'm hoping he can help me. In fact I'm rather counting on
|
|
the fact that he's got a good memory. I'm in charge of the
|
|
investigation into the death of Mrs Herkik. You'll probably have
|
|
read about it."</p>
|
|
<p>The minister's wife turned her lips down. "The psychic. I don't
|
|
agree with dabbling in that kind of thing," she said.</p>
|
|
<p>"Me neither," Jack agreed, quite untruthfully. He had no
|
|
thoughts one way or the other on the issue. Spiritualism and
|
|
fortune telling was all mumbo-jumbo to him, even established
|
|
churches fell into that category. "But I have to investigate, and
|
|
I'm hoping your husband can help me there."</p>
|
|
<p>"You think he had something to do with it?"</p>
|
|
<p>"Oh, no. It's just that somebody mentioned he might have been in
|
|
the vicinity at the time."</p>
|
|
<p>The woman frowned and shook her head, as if any connection
|
|
between a minister and a medium was out of the question.</p>
|
|
<p>"When was that?"</p>
|
|
<p>"A week past Saturday."</p>
|
|
<p>"No. Not possible," Mrs Simpson said immediately. "William
|
|
always does his sermon after dinner, then he works in his darkroom
|
|
most of the evening. Never comes out until late."</p>
|
|
<p>"You mean he wasn't even out of the house?"</p>
|
|
<p>"Not the house. His dark-room's in the church basement."</p>
|
|
<p>"I see," Jack said agreeably.</p>
|
|
<p>"But you can ask him yourself," the woman said, taking a small
|
|
sip of tea. "He's there now. He'll be in for his dinner any
|
|
minute."</p>
|
|
<p>Jack said that would be fine. Betty Simpson poured another cup
|
|
for each of them into small china cups and sipped delicately,
|
|
looking at the policeman over the rim. Upstairs, Jack heard
|
|
footsteps, then louder ones on the stairs he'd passed on his way to
|
|
the living room. The door opened. He'd expected the minister, but
|
|
it was a girl of seventeen or so, taller than her mother. She had
|
|
dark, plain glasses and frizzy hair. She looked at Jack
|
|
curiously.</p>
|
|
<p>"When's dinner," he asked. "I've got a study group tonight."</p>
|
|
<p>"Another half hour, Fiona. We're just waiting for your
|
|
father."</p>
|
|
<p>The girl nodded, non committally and went out of the room again.
|
|
He could hear her moving about in what he took to be the kitchen.
|
|
Betty Simpson looked at the clock on the wall, checked the time
|
|
against her watch, then called for her daughter again. The girl
|
|
leaned into the room a few moments later.</p>
|
|
<p>"Could you give your father a knock? He's in his darkroom."</p>
|
|
<p>Fiona pulled a face. Jack caught the expression and it struck
|
|
him this was not a completely loving household, but that could have
|
|
been said for half the homes he visited in the course of his
|
|
work.</p>
|
|
<p>"Always pottering about down there. He's in the camera club,"
|
|
she said, then added with a hint of dryness in her voice: "as well
|
|
as a few other things. He could have used the basement here, but he
|
|
said the boiler room was much better for developing. I suppose it
|
|
keeps him out from under my feet."</p>
|
|
<p>They talked on for a few minutes more when a piercing scream
|
|
launched Jack out of his seat. It wad the second one he'd heard
|
|
that day. This one was just as shattering as the first. He was at
|
|
the door before he even turned to look at the woman.</p>
|
|
<p>Her face had gone ashen. She was sitting stock still, with both
|
|
hands clenched in front of her. Her eyes were fixed and glittering
|
|
behind the half-moon glasses that had slid half-way down her nose,
|
|
and they gave her the look of someone who knew something she had
|
|
feared had just become a reality.</p>
|
|
<p>"Oh my God, what's he done to her," she said through gritted
|
|
teeth. Jack went through the doorway, almost knocking a coatstand
|
|
over in the hallway. The scream continued, sharp as glass. He was
|
|
round the side of the house when it stopped suddenly, then came
|
|
back in a series of high-pitched barks, the kind of noise a fox
|
|
makes when it is trapped in a den while the terriers growl and snap
|
|
outside.</p>
|
|
<p>He ran past the wrought iron gate before he realised where the
|
|
sound was coming from, stopped himself in mid stride by grabbing
|
|
one of the bars and swung himself around. Betty Simpson was coming
|
|
out of the house, her small frame outlined by the light in the
|
|
hallway. Both hands were now clamped up at her face. Jack skittered
|
|
down the stairs, shouldered the door open and found himself in the
|
|
basement under the church. The boiler threw off a lot of heat as it
|
|
rumbled and gurgled in the corner. Off to the left, beyond the
|
|
stack of organ pipes, a door in the wall lay open. The screeching
|
|
cries came from there. He made it in three steps, went straight in
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|
and saw William Simpson hanging from a beam, his toes only six
|
|
inches from the floor.</p>
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|
<p>Fiona Simpson was backed up against the wall. Her eyes were
|
|
bulging and pale behind the thick glasses. Her mouth was open so
|
|
wide her jaw looked as if it had sprung out of the hinges. Jack
|
|
moved forward, reached a head up to the man's swollen face and felt
|
|
under the chin for a pulse. There was nothing. The eyes were
|
|
staring and the tongue lolled, almost black. The body was quite
|
|
warm. He turned to the girl, blocking off the sight of her father
|
|
dangling from the low ceiling. He tried to take a hold of her hand,
|
|
but she snatched it away and then, quite surprisingly, started
|
|
beating at him with both fists. The blows were flabby and
|
|
ineffectual. Jack ignored them, and simply enfolded her in his
|
|
arms, and all the jerking life went out of her. She sagged against
|
|
him, her whole body shaking and then her knees gave way. Again, for
|
|
the second time that day, Jack lifted a girl off her feet and
|
|
walked. He managed to get both of them out of the room, hooking the
|
|
door shut with a foot, and then to the outside door and up the
|
|
stairs. Betty Simpson was hovering at the gate.</p>
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|
<p>"What's happened. What has he <em>done</em>."</p>
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|
<p>"Back to the house," Jack said, brushing past her, the girl
|
|
still flopped in his arms.</p>
|
|
<p>"But..." the woman started to say.</p>
|
|
<p>"Come on now. Do as I say. Get back to the house. <em>Now!"</em>
|
|
he shouted, more loudly and harshly than he should have. He carried
|
|
the girl to the manse, shouldered the door open again, walked
|
|
straight into the living room and laid her down on the chintzy
|
|
sofa. She flopped awkwardly, skirt rucked up over heavy
|
|
hockey-playing thighs. He didn't notice. Instead, he turned to the
|
|
girl's mother.</p>
|
|
<p>"Make sure she's alright. I have to use the phone."</p>
|
|
<p>"But what's happened?" the woman protested again.</p>
|
|
<p>"I don't know yet. Just tend to the girl. I'll get the
|
|
rest."</p>
|
|
<p>He gently eased her back into the living room. Found the phone
|
|
in the hallway and made two calls. In five minutes the first police
|
|
car arrived in the driveway of Castlebank Church Manse.</p>
|
|
<p>Within an hour the body of William Simpson had been cut down and
|
|
taken away, after all the photographs had been taken and the cellar
|
|
checked out by Ralph Slater and his team who were certainly earning
|
|
their pay over the past week or so. Jack Fallon had already been
|
|
summoned to Superintendent Cowie's office, and he knew why, but he
|
|
decided to let the man kick his heels for a while. What they'd
|
|
found in the cellar under the church gave him too much work to
|
|
do.</p>
|
|
<p>Jack spent another two hours talking to Simpson's widow. His
|
|
daughter was unfit for any questioning. She had remained hysterical
|
|
for half an hour before lapsing into a state of almost catatonic
|
|
shock. An hour after that, she'd come out of the stasis and started
|
|
screaming again. By this time Doctor Bell had arrived. he rolled up
|
|
the girl's sleeve and gave her something which took about forty
|
|
seconds to work and the girl's eyes rolled upwards and she fell
|
|
asleep. Betty Simpson said she needed no pills or potions.</p>
|
|
<p>After Jack had phoned the office and then the ambulance service,
|
|
he'd gone back own to the cellar to double check the man hanging
|
|
from the beam. His first assessment had been right. Simpson was as
|
|
dead as a door-post. Jack was badly disappointed that he hadn't
|
|
been able to question the man. He'd had a quick glimpse around the
|
|
cluttered room and his eyes immediately lighted on a number of
|
|
things that he knew would demand a lot of attention. This, he knew
|
|
in those few minutes, was no ordinary suicide. He'd gone back into
|
|
the house and told the woman to sit down beside her now silent and
|
|
shivering daughter, then he'd told her that her husband was
|
|
dead.</p>
|
|
<p>She'd gone stock still and then lowered herself very slowly onto
|
|
the chair.</p>
|
|
<p>It was hard to tell, but to Jack, the expression that had
|
|
flickered on her face was not one of shock, as he'd have expected,
|
|
but of relief.</p>
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