2015-07-15 12:51:41 +00:00
|
|
|
<?xml version="1.0" encoding="utf-8"?>
|
|
|
|
<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN"
|
|
|
|
"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd">
|
|
|
|
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en">
|
|
|
|
<head>
|
|
|
|
<meta name="generator" content=
|
|
|
|
"HTML Tidy for Windows (vers 14 February 2006), see www.w3.org" />
|
|
|
|
<title>Chapter 16</title>
|
|
|
|
<link rel="stylesheet" type="text/css" href="imperaWeb.css" />
|
|
|
|
<link rel="stylesheet" type=
|
|
|
|
"application/vnd.adobe-page-template+xml" href=
|
|
|
|
"page-template.xpgt" />
|
|
|
|
</head>
|
|
|
|
<body>
|
|
|
|
<div id="text">
|
|
|
|
<div class="section" id="xhtmldocuments">
|
|
|
|
<h2>16</h2>
|
|
|
|
<p>Jack's throat ached every time he tried to swallow. It was raw
|
|
|
|
and inflamed and felt as if it had been rasped with burr file. He
|
|
|
|
was in no mood for work, but of no mind to quit. Early in the
|
|
|
|
morning he'd expanded the search and called in the dogs. The big
|
|
|
|
Alsatians had hauled at their leashes, encouraged by the
|
|
|
|
dog-handlers and by the unwashed school shirt that Neil Kennedy had
|
|
|
|
worn the day before. Where the kids had played the previous night,
|
|
|
|
the footprints were obscured by the tracks of boys and men from the
|
|
|
|
search the night before. The late fall of snow in the evening had
|
|
|
|
covered the scent and made it difficult for the big panting dogs.
|
|
|
|
Their broad pads made crisp pug-marks in the virgin snow on the old
|
|
|
|
railway lines as they quartered back and forth, trying to pick up
|
|
|
|
the trail of the missing boy.</p>
|
|
|
|
<p>It was late in the morning, while Jack was drinking hot
|
|
|
|
blackcurrant to ease his throat and going over the interview
|
|
|
|
reports, trying to pick out some tiny fact from them that would
|
|
|
|
help in the hunt for the baby-killer, when John McColl came
|
|
|
|
stamping into the office. His feet left a trail of slushy droplets
|
|
|
|
on the worn carpet.</p>
|
|
|
|
<p>"Got another body for you," he announced. He looked cold.
|
|
|
|
"They've just fished a woman out of the river. Looks like a
|
|
|
|
swimmer."</p>
|
|
|
|
<p>"Great," Jack said, his voice sounded hard and gritty. "Just
|
|
|
|
what I need. Looks like the whole town wants to kill itself or get
|
|
|
|
itself killed. Got a name?"</p>
|
|
|
|
<p>"Nothing so far. She's covered in all sorts of shite from the
|
|
|
|
water. Nothing immediately visible. Looks to be in her forties. She
|
|
|
|
was hanging over a mooring rope twenty feet out from the quayside,
|
|
|
|
just up from the grain silo. Probably been there all night from the
|
|
|
|
state she was in."</p>
|
|
|
|
<p>"Suspicious?"</p>
|
|
|
|
<p>"Doesn't look like it," John said, angling himself closer to the
|
|
|
|
two-bar heater, still stamping his big feet.</p>
|
|
|
|
<p>"That'll make a change."</p>
|
|
|
|
<p>"Anything on the kid?"</p>
|
|
|
|
<p>"Nothing from the search last night. Christ John, we've had folk
|
|
|
|
in every school and warnings in every paper telling folk to keep
|
|
|
|
their kids in off the streets, and they never listen. Stupid woman
|
|
|
|
sent her son out to play so she could watch television. We should
|
|
|
|
lock the bitch up." Jack put down his cup, then grabbed it up again
|
|
|
|
as his throat reacted to the violence of his speech. He went into a
|
|
|
|
fit of coughing.</p>
|
|
|
|
<p>"Aye. maybe we should. But we'd have to lock up a thousand
|
|
|
|
others. And I dare say she won't be feeling too happy this
|
|
|
|
morning."</p>
|
|
|
|
<p>Jack waited until the coughing abated and took another sip of
|
|
|
|
the warm juice, letting it trickle down over the raw patches on the
|
|
|
|
lining of his throat.</p>
|
|
|
|
<p>"Oh, I suppose you're right. But it's a bloody tough lesson to
|
|
|
|
learn. See if we can get another bulletin on the radio this
|
|
|
|
afternoon, just to drive the message home. I don't want to see any
|
|
|
|
kids out of doors after dark."</p>
|
|
|
|
<p>"You reckon we'll get away with a curfew?"</p>
|
|
|
|
<p>"It's not a curfew John. Just scare the shit out of the
|
|
|
|
mothers."</p>
|
|
|
|
<p>"I don't reckon the Super will like it. He's getting a bit
|
|
|
|
paranoid about the coverage."</p>
|
|
|
|
<p>"Only because we're still in the dark. Once we get results,
|
|
|
|
he'll be elbowing folk out of the way to get in front of the
|
|
|
|
cameras."</p>
|
|
|
|
<p>Jack started coughing again. John McColl looked over at him.
|
|
|
|
"You should see the Doc about that. The last thing we need is you
|
|
|
|
laid up. With the boss off, that would leave us at the tender
|
|
|
|
mercies of Mr Cowie, and that..."</p>
|
|
|
|
<p>John's words trailed off as the door opened.</p>
|
|
|
|
<p>"Did I hear my name used in vain?" Ronald Cowie asked. He was
|
|
|
|
tooled up in his best uniform, the buttons gleaming on his
|
|
|
|
shoulder.</p>
|
|
|
|
<p>"Just saying I'm getting the paperwork ready for you on the
|
|
|
|
body."</p>
|
|
|
|
<p>"Oh? Which one's that?"</p>
|
|
|
|
<p>"Seems they fished a woman from the river this morning," Jack
|
|
|
|
said. "Suspected suicide. John's on it."</p>
|
|
|
|
<p>"I'd put that on the back burner. There's more important things
|
|
|
|
to worry about. I've been out to lunch with the Provost and
|
|
|
|
Councillor Graham. He's on the police committee. They're getting
|
|
|
|
very concerned over our lack of progress. The Chief Constable is
|
|
|
|
showing a similar concern. It was a source of great embarrassment
|
|
|
|
that I had very little to tell them."</p>
|
|
|
|
<p>"That's because there <em>is</em> very little," Jack said. John
|
|
|
|
shuffled from foot to foot, clearly wanting to be out of the
|
|
|
|
crossfire, but unwilling to get between his two superiors on the
|
|
|
|
way to the door.</p>
|
|
|
|
<p>"Yes. Quite. You don't seem to have made any progress. And in
|
|
|
|
view of Mr McNicol's absence, I've a mind to take over the handling
|
|
|
|
of this case. Personally."</p>
|
|
|
|
<p>Jack sat where he was, trying to keep his face straight. In
|
|
|
|
peripheral vision, he saw John McColl's jaw drop.</p>
|
|
|
|
<p>"Anything to say?" Cowie asked, one eyebrow raised.</p>
|
|
|
|
<p>"No," Jack said. "But it could set us back a day or two. Mr
|
|
|
|
McNicol's view was that I should have a few days more. There are
|
|
|
|
some lines of inquiry we are following up, and in view of the
|
|
|
|
Kennedy boy's disappearance I think it's only fair to suggest a
|
|
|
|
press and radio warning to parents. No doubt you'll want to make
|
|
|
|
that yourself."</p>
|
|
|
|
<p>He let that sink in, watching the obvious calculations going on
|
|
|
|
behind the man's eyes. Jack decided to help him with the
|
|
|
|
arithmetic.</p>
|
|
|
|
<p>"Naturally, the press will be keen to know what progress we are
|
|
|
|
making, and we'll have to assure them that every effort will be
|
|
|
|
made. As the man in charge, you can be sure of every assistance
|
|
|
|
from me, of course."</p>
|
|
|
|
<p>John McColl turned his body towards the fire, but not quickly
|
|
|
|
enough for Jack to miss the wide smile creasing his face.</p>
|
|
|
|
<p>Cowie coughed into his hand. His eyes swung right and left.
|
|
|
|
Talking to reporters was fine and dandy, as long as there was
|
|
|
|
capital to be made from it. But if the only news was no news, he
|
|
|
|
certainly didn't want to be the one associated with police
|
|
|
|
failure.</p>
|
|
|
|
<p>"No. I don't think that will be necessary. At this juncture," he
|
|
|
|
said. It was all he could do to keep from spluttering. "I had
|
|
|
|
already decided to give you another few days. But I have to warn
|
|
|
|
you that you'd better come up with something. I'll review the
|
|
|
|
situation as and when necessary. But believe me, I'll have no
|
|
|
|
hesitation in taking control if there's no progress. None
|
|
|
|
whatsoever."</p>
|
|
|
|
<p>"Understood," Jack said, nodding curtly. Cowie stared at him and
|
|
|
|
Jack let it simmer for a moment before he added very softly:
|
|
|
|
"Sir."</p>
|
|
|
|
<p>Again, his superior looked as if his face was about to explode.
|
|
|
|
Jack couldn't have cared less. The man had tried to cut him down in
|
|
|
|
front of John McColl, and he'd been forced to back down himself. He
|
|
|
|
deserved all he got. As he watched the retreating figure, Jack
|
|
|
|
thought back to something his father had told him when he was just
|
|
|
|
starting at the police college:</p>
|
|
|
|
<p><em>"Remember, there's always some jumped up arse promoted
|
|
|
|
beyond his capability. He's the one to watch, because he'll stand
|
|
|
|
on you to keep his head above water. Never give him anything to
|
|
|
|
hold on to."</em></p>
|
|
|
|
<p>Jack thought his old man's advice fitted this moment precisely.
|
|
|
|
He knew he'd have to step carefully or Cowie <em>would</em> move in
|
|
|
|
and take over, and that, he knew, would be the worst possible
|
|
|
|
scenario.</p>
|
|
|
|
<p>"You haven't made a friend there," John McColl said, trying to
|
|
|
|
keep the smile off his face.</p>
|
|
|
|
<p>"I don't make friends easily," Jack replied. "I've better things
|
|
|
|
to worry about. Or worse."</p>
|
|
|
|
<p>He looked down at the papers on his desk, brown furrowed in
|
|
|
|
thought. After a few moments he looked up, raised a hand to sweep
|
|
|
|
back the comma of black hair that had fallen down over his
|
|
|
|
brow.</p>
|
|
|
|
<p>"This woman in the river."</p>
|
|
|
|
<p>"Yes?"</p>
|
|
|
|
<p>"Dig a bit. Get me what you can, soon as you can."</p>
|
|
|
|
<p>"Sure. But I think it's just a suicide."</p>
|
|
|
|
<p>"Yes. So was Simpson, and we thought the Toner incident was a
|
|
|
|
suicide too. But there was plenty more to them than met the eye. As
|
|
|
|
of today, I want to hear about every death, when it happens, and
|
|
|
|
the full works on each."</p>
|
|
|
|
<p>John McColl looked at him, both eyebrows raised. Jack could read
|
|
|
|
his expression easily.</p>
|
|
|
|
<p>"Yes, I know. It sounds like clutching at straws and jumping at
|
|
|
|
shadows. But we can't afford to miss anything. Since the Herkik
|
|
|
|
killing, there's been something not right about this town. I don't
|
|
|
|
believe Simpson was the only one there. I've a feeling there was a
|
|
|
|
riot of a party that night. I'm trying to find someone who might
|
|
|
|
have been in the vicinity. We've got a tenuous connection between
|
|
|
|
Simpson and the Doyle baby. Another serious connection between
|
|
|
|
Toner and the Campbell child."</p>
|
|
|
|
<p>"You think there's a link?"</p>
|
|
|
|
<p>"I'm coming round to that feeling, though I don't want it
|
|
|
|
broadcast. Not yet." He stabbed at the thickening file with his
|
|
|
|
finger.</p>
|
|
|
|
<p>"Now we have a boy missing. Think about it. He was last seen
|
|
|
|
across at the stockyard on the other side of Station Street. The
|
|
|
|
yard carries on as far as the railway bridge over the river. And
|
|
|
|
today we fish a woman out on the same side five hundred yards
|
|
|
|
downstream."</p>
|
|
|
|
<p>Jack spoke in short bursts, taking a break between them to ease
|
|
|
|
the rasp in his throat. He took another sip of juice. It had gone
|
|
|
|
cold, but it helped.</p>
|
|
|
|
<p>"We can't afford to overlook anything. I've got a hunch, nothing
|
|
|
|
more, but the hairs on the back of my neck are beginning to crawl.
|
|
|
|
The connections are only loose threads, but any correlation,
|
|
|
|
anything at all, could be vital. That's why I want an ID on the
|
|
|
|
woman toot-sweet. Match her prints with those from the Herkik
|
|
|
|
place, Latta Court and Loch View, just in case."</p>
|
|
|
|
<p>"We're not looking for a woman, Chief," John stated. "That's for
|
|
|
|
certain, not unless she's an east German shot-putter."</p>
|
|
|
|
<p>"Not directly. I agree with you on that. I just want to see
|
|
|
|
where all the broken edges fit in. There's more going on in this
|
|
|
|
town than anybody would believe, probably including me. I want to
|
|
|
|
find out what was going on at the old woman's house, who was there,
|
|
|
|
and why. And I want to know where they've been since."</p>
|
|
|
|
<p>"What about Toner?"</p>
|
|
|
|
<p>"He wasn't there. The prints have been run through. But he was
|
|
|
|
up to something and he was covered in the Campbell kid's
|
|
|
|
blood."</p>
|
|
|
|
<p>"Can I ask why you're so sure that the old woman's case has
|
|
|
|
something to do with the others?"</p>
|
|
|
|
<p>"I'm not. That's the truth. I've just got a feeling about it. If
|
|
|
|
I'm wrong, I'll admit it, but until I know for sure, I don't want
|
|
|
|
to take anything for granted."</p>
|
|
|
|
<p>John nodded. He moved away from the heater. A faint smell of
|
|
|
|
damp clothes and singed cloth followed him to the door.</p>
|
|
|
|
<p>"I'll get you a name for the swimmer, hopefully by the end of
|
|
|
|
the day."</p>
|
|
|
|
<p>"I'd appreciate that," Jack said. His voice had gone hoarse.
|
|
|
|
"Oh, and another thing. See if Sorley Fitzpatrick will lend us a
|
|
|
|
Bronto today. The earlier the better."</p>
|
|
|
|
<p>"A what?"</p>
|
|
|
|
<p>"One of their snorkel trucks. They can lift a couple of men up
|
|
|
|
to roof level. If he can't spare it, check with the lighting
|
|
|
|
department."</p>
|
|
|
|
<p>"What for?"</p>
|
|
|
|
<p>"Yours is not to reason why, John," Jack said, but he said it
|
|
|
|
with a smile, even though the speaking was beginning to make his
|
|
|
|
throat really ache. "But I'll tell you." He motioned the Sergeant
|
|
|
|
across to the wall where a large-scale map of Levenford covered
|
|
|
|
most of the space.</p>
|
|
|
|
<p>He indicated the points marked by red pins.</p>
|
|
|
|
<p>"Herkik. Doyle. Toner."</p>
|
|
|
|
<p>"Yes?"</p>
|
|
|
|
<p>Four storeys. Ten storeys. Eleven storeys at least." Jack used
|
|
|
|
his forefinger to punctuate each sentence.</p>
|
|
|
|
<p>"Whoever he is, he likes high places."</p>
|
|
|
|
<p>"But Shona Campbell was killed on the ground," John
|
|
|
|
protested.</p>
|
|
|
|
<p>"Yes. I've been wondering about that. That's why I need the
|
|
|
|
snorkel. I want the whole roof area of Barley Cobble gone over. We
|
|
|
|
didn't find anything on the ground, and I just want to be sure. Can
|
|
|
|
you fix it?"</p>
|
|
|
|
<p>"Sure. I'll get on to it right away."</p>
|
|
|
|
<p>John closed the door behind him and Jack stood, staring at the
|
|
|
|
map for a few minutes. When he'd been speaking to McColl, something
|
|
|
|
had sparked in his mind, a connection half formed, that had
|
|
|
|
wriggled away even as he'd tried to grasp it.</p>
|
|
|
|
<p>"Must be working too hard," he said to himself. He swallowed and
|
|
|
|
felt as if a marble had lodged in his throat. Jack put a hand under
|
|
|
|
his jaw. The glands were swollen and tender and he knew they'd be
|
|
|
|
grape-sized by nightfall. He took an immediate decision, crossed to
|
|
|
|
his desk and picked up the phone. The woman at the health centre
|
|
|
|
told him she'd squeeze him in just before five.</p>
|
|
|
|
<p>Jack went back to the map, trying to resurrect the elusive
|
|
|
|
thought that had died before it had been properly conceived. It
|
|
|
|
wouldn't come, so he gave up. Instead, he went back to the phone
|
|
|
|
and requested a sub-aqua team from headquarters. He knew Cowie
|
|
|
|
would hate that, because of the attention it would bring, not to
|
|
|
|
mention the expense and the divers would hate it too, for the
|
|
|
|
river, at this time of the year would be freezing, filthy and
|
|
|
|
dangerous.</p>
|
|
|
|
<p>Some hours later, and several streets away, in the basement
|
|
|
|
store-room of the old library on Strathleven Street, Lorna Breck
|
|
|
|
sat hunched in a chair with her elbows on the table and her head in
|
|
|
|
her hands. In front of her, the words on a catalogue file swam in
|
|
|
|
and out of focus, and she had to concentrate hard to keep her
|
|
|
|
eyelids open. She was desperate for sleep yet terrified to give up
|
|
|
|
being awake because of the dreams that shunted in horrific
|
|
|
|
procession, nightmare locomotives roaring and screaming through the
|
|
|
|
dark.</p>
|
|
|
|
<p>They were coming constantly now, visions, dreams, illusions,
|
|
|
|
apparitions, hallucinations. Lorna did not know what to call them.
|
|
|
|
Like the terrible vision that had attacked and invaded her on River
|
|
|
|
Street when she'd looked into the grocer's window, they came, even
|
|
|
|
in sleep, preceded by the flat, oily smell of tomcats and a juicy
|
|
|
|
electrical hum in the bones of her head behind her ears. As always,
|
|
|
|
even in her sleep, she'd be aware of the dizzy numbness that stole
|
|
|
|
through her, making her feel leaden and strengthless.</p>
|
|
|
|
<p>She could not evade them, could not avoid them, until the fear
|
|
|
|
grew so great she would wake up, finding herself sitting bolt
|
|
|
|
upright with the bedclothes knotted around her, damp with her own
|
|
|
|
sweat, and she'd be gasping for a breath of clean air, black images
|
|
|
|
of creeping shadows and scuttering blackness dancing in front of
|
|
|
|
her eyes.</p>
|
|
|
|
<p>As she sat, trying to focus on the wavering print, she debated
|
|
|
|
what to do. Keith Conran, had taken her into his office and asked
|
|
|
|
if anything was wrong. She'd shaken her head, telling him she had
|
|
|
|
some sort of bug which she thought might work itself off. She
|
|
|
|
wasn't ready to tell <em>anybody</em> about the things she saw in
|
|
|
|
the night, and more frightening, in the daytime. He'd suggested she
|
|
|
|
should go and see Doctor Bell, but she'd told him she didn't feel
|
|
|
|
that bad. In fact she felt worse than she'd ever felt in her life,
|
|
|
|
but she couldn't explain to a doctor why she felt that way.</p>
|
|
|
|
<p>Lorna propped herself up and rubbed her eyes. They were red and
|
|
|
|
grittily sour. She'd been up since five in the morning, launched
|
|
|
|
from sleep by an image so terrible she'd rolled over and retched
|
|
|
|
helplessly and drily over the side of the bed, feeling the
|
|
|
|
convulsions twist and jerk the muscles of her belly.</p>
|
|
|
|
<p>She'd known it was coming. She'd sensed it and smelled it and
|
|
|
|
heard the sizzling hum in her head and the cold lethargy had stolen
|
|
|
|
into her muscles in a creeping paralysis and then, with a
|
|
|
|
bewildering <em>wrench</em> she was flipped out of a dream from
|
|
|
|
childhood where she'd been picking brambles with her mother on a
|
|
|
|
clear autumn day and slammed into darkness.</p>
|
|
|
|
<p>The cat smell faded and another scent, dry and musky and
|
|
|
|
slightly rancid came drifting over her. Birds. It was the smell of
|
|
|
|
birds, like chickens, cooped up in an old timber shed. She
|
|
|
|
remembered that smell from childhood and the days when she'd be out
|
|
|
|
every morning for the eggs, shooing the fluttering birds from their
|
|
|
|
boxes and rummaging in the half-light among the musty straw and
|
|
|
|
feathers and half-dried droppings. Similar, but not the same, maybe
|
|
|
|
another type of bird. The air also held the odour of dry-rot. She
|
|
|
|
was in a high place, looking down from an odd angle. She did not
|
|
|
|
know where it was.</p>
|
|
|
|
<p>Off to the left, in a dark corner, dim shafts of light speared
|
|
|
|
through holes - in the wall? the roof? - and showed a thick mist
|
|
|
|
oozing creepily like grey searching fingers round oddly slanted
|
|
|
|
beams. Something moaned nearby, off to the left. Close to the
|
|
|
|
sound, something fluttered, a grey ghost in the grey swirl.</p>
|
|
|
|
<p>Pigeons, Lorna realised. Already she was in the grip of the
|
|
|
|
dream and her heart was beginning to churn as the apprehension
|
|
|
|
mounted. The thought of the pigeons, moaning and burbling in the
|
|
|
|
dark, was somehow enormously frightening, though she did not know
|
|
|
|
why. The place she was in was cold and dark, criss-crossed by the
|
|
|
|
thick, mouldering beams.</p>
|
|
|
|
<p>Off in the distance, far below, she heard a squeak, mouse-like
|
|
|
|
in the dark, then a creak, as if a door had been opened. A small
|
|
|
|
silence followed, filling the hollows, then another sound, a
|
|
|
|
woman's voice, muffled by the distance. A higher response,
|
|
|
|
unintelligible, but obviously a question, a child's tones.</p>
|
|
|
|
<p>The apprehension changed, expanded and became fear. Lorna could
|
|
|
|
not move. She could not speak and inside the numbness that gripped
|
|
|
|
her muscles, she could feel nerves jitter and jump, screaming out
|
|
|
|
with her own need to scream a warning. It was a child.
|
|
|
|
<em>Another</em> child.</p>
|
|
|
|
<p>Her mind yammered. <em>Getawaygetaway</em>. <em>GO!</em>.</p>
|
|
|
|
<p>Down below, there was another murmur and a second high response.
|
|
|
|
Footsteps on broken glass, hollow treads on old stairs. More
|
|
|
|
voices, the child's hesitant sounds getting closer.</p>
|
|
|
|
<p><em>Up the stairs and please hurry.</em> This time the woman's
|
|
|
|
voice, rising in urgency, came clearly. At least the words were
|
|
|
|
clear, but in Lorna's ears, there was an odd double phasing sound,
|
|
|
|
a strange harshness underneath the words. It was as if someone
|
|
|
|
<em>else</em> had spoken at the same time. The words rang up the
|
|
|
|
deep stairwell towards her, reverberating from the peeling walls.
|
|
|
|
Lorna's heart kicked twice. The echoes seemed to separate the
|
|
|
|
woman's words from the underlying sound, and Lorna heard the other
|
|
|
|
voice, a deep guttural sound that was as much a snarl as anything,
|
|
|
|
but was still able to form words.</p>
|
|
|
|
<p>Her heart kicked again then seemed to stop dead in her chest.
|
|
|
|
Lorna gasped for air, but could not catch her breath.</p>
|
|
|
|
<p>Down below, the child said something. There was another sound,
|
|
|
|
like someone choking, a burbling, liquid <em>tearing</em> sound.
|
|
|
|
Inside her head, but seeming to come from a great distance, she
|
|
|
|
heard the scrapy whisper, almost unintelligible, jagged with
|
|
|
|
threat, and her mind recoiled.</p>
|
|
|
|
<p>From her vantage point high in the rafters, Lorna saw the gloom
|
|
|
|
of the stairwell instantly become black as night. Something slammed
|
|
|
|
against a wall and all light was blotted out.</p>
|
|
|
|
<p>There was a sudden thumping sound, a series of raps, like
|
|
|
|
someone knocking on the wall, followed by a savage slavering growl
|
|
|
|
and a small cry of surprise and fright. Right on its heels came a
|
|
|
|
scream of pain and terror, ricocheting up, soaring higher and
|
|
|
|
higher until it was almost beyond the range of hearing, before it
|
|
|
|
was abruptly cut off.</p>
|
|
|
|
<p>Lorna's eyes were still wide and her mouth wider as she panicked
|
|
|
|
for air. Down below, the blackness expanded, billowing up towards
|
|
|
|
her and the liquid snarl grew louder. She couldn't move. The shadow
|
|
|
|
rocketed upwards, jerking from wall to wall in a series of lurching
|
|
|
|
zig-zags, incredibly fast, appallingly menacing. It spurted up the
|
|
|
|
stairwell, a rippling piece of pure night, until it reached the
|
|
|
|
lower cross beams. Something small tumbled within the blackness.
|
|
|
|
She heard the crack as the small thing smacked against the bar with
|
|
|
|
the sound of a green twig breaking. A foul, foetid stink assailed
|
|
|
|
her and even in the dream she would have gagged if she'd been able
|
|
|
|
to breathe. As the darkness drew towards her, pistoning from one
|
|
|
|
perch to the other, she sensed the terrible <em>wrongness</em> of
|
|
|
|
it. Behind her, the pigeons huddling together for warmth in the
|
|
|
|
tight space where the roof beams slanted down to the wall, exploded
|
|
|
|
in a panic of fluttering. The black thing scuttered past her and
|
|
|
|
over the stench she got a hot metal whiff of blood. Something shot
|
|
|
|
out from the moving shape and a bird detonated in a whirling puff
|
|
|
|
of feathers and blood. Another came tumbling through the air
|
|
|
|
towards her and hit the rafter with a dead thud. The dark shape
|
|
|
|
turned towards her. It had no definition, but it emanated force and
|
|
|
|
badness and dreadful power. It sucked away all the faint light,
|
|
|
|
like a living black hole. Even though she could not see its shape,
|
|
|
|
she <em>knew</em> it had turned to face her, as she had in the
|
|
|
|
other dream on top of the building. Two eyes flicked open,
|
|
|
|
yellow-orange and poisonous as before, huge, protruberant,
|
|
|
|
<em>alien</em>, and utterly repugnant eyes, as blinkless as a
|
|
|
|
snake. They turned towards her, malignant and engulfing and looked
|
|
|
|
right into her. She felt the touch of that glance scrape across her
|
|
|
|
like a bane, and in that touch she felt the derision of baleful
|
|
|
|
glee.</p>
|
|
|
|
<p>The hunched shape sat there, glaring its malice, its breath a
|
|
|
|
gurgling rattle, then it moved slowly. The limp thing that hung
|
|
|
|
from it swung up and in the light of those poison eyes, she saw
|
|
|
|
what it held.</p>
|
|
|
|
<p>The little boy's head lolled. There was blood on his nose and
|
|
|
|
his cheek. Something dark dripped from his neck to splatter on the
|
|
|
|
beam where the thing crouched. A white feather tumbled lazily in
|
|
|
|
the air and settled on a splash where it stuck, trembling. The
|
|
|
|
boy's legs hung downwards, one of them queerly twisted. He had one
|
|
|
|
black shoe on one small foot. The other wore only a sock which had
|
|
|
|
been almost pulled off.</p>
|
|
|
|
<p>The shape shifted, rippled and held the broken child out towards
|
|
|
|
her, as if making an offering, a hunter displaying his kill. The
|
|
|
|
orange eyes expanded and Lorna was filled with a shivering sick
|
|
|
|
loathing. She tried to back away, but she was hemmed in by one of
|
|
|
|
the angled beams and her foot slipped from the timber. The thing
|
|
|
|
turned, moving like oil, rippling its way across the roof-void in a
|
|
|
|
series of undulations, so fast it was hard to follow. At the far
|
|
|
|
end of the space, grey mist was billowing in through rectangular
|
|
|
|
gap in the gable wall. The thing flicked towards it, an impossible
|
|
|
|
outline in the miasma, then it was gone. Lorna started to fall. She
|
|
|
|
twisted and the stairwell opened up to swallow her. She plummetted
|
|
|
|
downwards, unable to scream and the hard stone floor at the bottom
|
|
|
|
raced up as if to catch her half-way. Just before she hit she had
|
|
|
|
an image of her broken and bloodied body lying unfound during the
|
|
|
|
depths of winter.</p>
|
|
|
|
<p>And then she woke up, lungs screaming for breath, so scared, so
|
|
|
|
dreadfully overwhelmed with fear that her whole body was trembling
|
|
|
|
like a tuning fork. Then the nausea had thrown her to the edge of
|
|
|
|
her bed and her stomach had tried to turn itself inside out, as if
|
|
|
|
it could void her of the nightmare image by voiding itself. Nothing
|
|
|
|
had come out except a trickle of sour bile.</p>
|
|
|
|
<p>Now, in the silent basement of the library, Lorna still felt
|
|
|
|
sick, from lack of sleep, from the numb horror of the constant
|
|
|
|
dreams, and from the dreadful fear of what the dreams were showing
|
|
|
|
her. She shifted in her seat and brought her hands up to her eyes
|
|
|
|
and knuckled both of them, trying to wipe away the sourness under
|
|
|
|
her lids and failing. She bent to the figures on the register,
|
|
|
|
making an effort to concentrate, and failing at that too.</p>
|
|
|
|
<p>The stacked storeroom was almost silent. Keith Conran had been
|
|
|
|
working on the catalogues earlier in the afternoon, but he had gone
|
|
|
|
upstairs to the adult section for the monthly meeting. In another
|
|
|
|
hour, the schools would be coming out and the first trickle of
|
|
|
|
youngsters, less now that the nights were dark so early and because
|
|
|
|
of the warnings the police had spread throughout the classes, would
|
|
|
|
come clattering down the old stone steps to hand in their books and
|
|
|
|
have them stamped.</p>
|
|
|
|
<p>The old radiator on the wall, a heavy, cast-iron ribbed
|
|
|
|
monstrosity pinged and gurgled to itself as the antique heating
|
|
|
|
system pumped water that was not quite warm enough through the maze
|
|
|
|
of pipes that fed down through the ceiling. The faint hum of cars
|
|
|
|
and lorries passing on Strathleven Street occasionally punctuated
|
|
|
|
the wheeze of the heating system. On the far wall, the old clock
|
|
|
|
with its fat black hands ticked sonorously, one second at a time, a
|
|
|
|
sound that was so pervasive and so constant that Lorna had ceased
|
|
|
|
to hear it. Apart from these sounds and Lorna's own light
|
|
|
|
breathing, the basement was quiet.</p>
|
|
|
|
<p>She shook her head, feeling the short waves of chestnut hair
|
|
|
|
feather lightly against her cheeks, and drew her eyes down the
|
|
|
|
list, trying to match the delivery invoices against the books which
|
|
|
|
had been ordered months before from the catalogues. It was far from
|
|
|
|
easy. The words wriggled and wavered on the paper as she made the
|
|
|
|
effort to focus tired eyes and tried to ward off the memory of the
|
|
|
|
dreams. It was proving almost impossible, but she stuck with it,
|
|
|
|
doing her best to concentrate. It was the only thing that kept the
|
|
|
|
images at bay. She worked on for half an hour, making heavy weather
|
|
|
|
of a routine job which should have taken minutes.</p>
|
|
|
|
<p>The seconds ticked by, like slowly dripping water, counted by
|
|
|
|
the old wooden clock. It was half past three in the afternoon and
|
|
|
|
outside a heavy dusk was gathering under low clouds when Lorna
|
|
|
|
suddenly came completely awake.</p>
|
2015-09-10 00:34:32 +00:00
|
|
|
<p>Her head came up with a jerk and her eyes flicked wide open.
|
2015-07-15 12:51:41 +00:00
|
|
|
She felt her breath catch in her throat. A pulse tapped just under
|
|
|
|
the curve of her jaw.</p>
|
|
|
|
<p>The voice came again. A faint gurgling rattle.</p>
|
|
|
|
<p>The girl stiffened. She could feel the fine hairs on the back of
|
|
|
|
her neck creep in unison. Her skin felt tight and tingly.</p>
|
|
|
|
<p>"Who's there?" she called out softly. Her eyes were fixed on the
|
|
|
|
gloomy corner at the far end of the racks where the heating pipes
|
|
|
|
angled up the wall towards the roof. The faint sound had come from
|
|
|
|
there and as soon as it had impinged on her consciousness, Lorna
|
|
|
|
heard the rattling breath of the black thing in her dreams.</p>
|
|
|
|
<p>The sound came again, a little louder than before. Lorna shoved
|
|
|
|
herself back from the desk, fighting off the paralysis of instant
|
|
|
|
fright, eyes taking in the distance between the desk and the door
|
|
|
|
on the opposite side of the stacks. She had her back to the one
|
|
|
|
wall and would have to squeeze past the old storage heater to come
|
|
|
|
round the front and get to the heavy door which hung slightly ajar
|
|
|
|
on its brass hinges.</p>
|
|
|
|
<p>The sound came again, this time louder and a palpable sense of
|
|
|
|
<em>presence</em> locked into Lorna's perception. There was someone
|
|
|
|
in the shadows. Some <em>thing</em> in the gloom at the far end of
|
|
|
|
the narrow passage between the shelves and the dirty wall. She felt
|
|
|
|
her hands shake as adrenalin kicked into her bloodstream, knotting
|
|
|
|
her stomach and making every outline stand out in sharp
|
|
|
|
definition.</p>
|
|
|
|
<p>Just then,the old clock clicked on the half hour and a harsh
|
|
|
|
grinding noise of rusty gears and springs jarred the air.</p>
|
|
|
|
<p>Lorna's throat closed with an audible click and she started back
|
|
|
|
at the sound. The clock had never made a sound before, apart from
|
|
|
|
the monotonous tick. It was as if it had chosen that precise moment
|
|
|
|
to come awake.</p>
|
|
|
|
<p>The girl pushed herself back against the chair. The fine hairs
|
|
|
|
on her arms were now standing erect and the skin below them was
|
|
|
|
puckered into gooseflesh.</p>
|
|
|
|
<p>From down in the shadows, the guttural rattle sounded like an
|
|
|
|
animal in a den.</p>
|
|
|
|
<p>The clock chimed once and Lorna almost screamed. It was a low,
|
|
|
|
flat note that hung in the air for what seemed like seconds. It was
|
|
|
|
only the chime of an old wooden clock, but the sound, an ordinary,
|
|
|
|
almost commonplace sound (<em>although she had never heard the
|
|
|
|
clock chime before</em>) filled her with an intense and
|
|
|
|
inexplicable terror. The rubber grommets on the chair-legs juddered
|
|
|
|
as they scraped against the vinyl floor squares, caught, and the
|
|
|
|
seat toppled backwards. Hysteria fought for control as Lorna forced
|
|
|
|
herself past the heater, feeling the seam of her jeans catch on the
|
|
|
|
rough edge of the table. She crossed in front of the stack of books
|
|
|
|
when the door creaked loudly and slowly swung shut. The latch
|
|
|
|
clicked home. Lorna stopped, frozen in the act of taking a step.
|
|
|
|
Behind her ears, hot blood wheezed under increased pressure. Her
|
|
|
|
throat clicked again as she gasped drily for air.</p>
|
|
|
|
<p>Then the light dimmed. It happened so smoothly that at first
|
|
|
|
nothing seemed to be happening, then the bulb underneath the old
|
|
|
|
green shade seemed to bleed power away. The yellow light dopplered
|
|
|
|
down through orange to blood red in a sliding graduation. It took
|
|
|
|
less than two seconds, while Lorna's mind was still trying to take
|
|
|
|
in the enormous fact of the door slowly closing by itself.</p>
|
|
|
|
<p>In those two seconds, gloom engulfed the basement.</p>
|
|
|
|
<p>On the ceiling, the filament of the bare bulb was still clearly
|
|
|
|
visible, a red worm dangling in the dark, throwing off a weak
|
|
|
|
effulgence.</p>
|
|
|
|
<p>Lorna hiccupped. It made a strange little noise in the thick
|
|
|
|
air. Her legs felt as if they would give way under her flopping
|
|
|
|
weight and that thought was what made her manage to keep her feet.
|
|
|
|
The idea of lying down here in the dark, behind the closed door,
|
|
|
|
with something lying in wait in the now pitch-black corner was
|
|
|
|
enough to kick another jolt of adrenalin into her shaking muscles,
|
|
|
|
giving them just enough strength to stop her from sinking in a daze
|
|
|
|
to the hard floor.</p>
|
|
|
|
<p>Her hand found the desk and her nails scrabbled on the wooden
|
|
|
|
surface as she instinctively sought for purchase. The opaque glass
|
|
|
|
of the door let in a wan glow from the outer office. It seemed a
|
|
|
|
million miles away to the frozen girl who stood, terror-stricken,
|
|
|
|
mouth slackly agape, holding on to the desk for balance.</p>
|
|
|
|
<p>Off to the left, where the shadows jostled at the end of the
|
|
|
|
stacks, came another noise. This time it was not a rattle or a
|
|
|
|
growl, but a whimper. Lorna turned, eyes wide, and in the act of
|
|
|
|
turning, the narrow space between shelves and wall spun in her
|
|
|
|
vision, suddenly wheeling in a spiral. Vertigo flooded her with
|
|
|
|
sick nausea. For an instant, she could not feel her feet on the
|
|
|
|
floor. The looping sensation of falling lurched in her belly and
|
|
|
|
then Lorna was looking <em>down</em> into a black hole.</p>
|
|
|
|
<p>The darkness was absolute for several stretched out seconds,
|
|
|
|
then Lorna saw shape, and when she did, her heart scudded against
|
|
|
|
her ribs.</p>
|
|
|
|
<p>The boy she had seen in her dream was looking up at her. His
|
|
|
|
eyes were rolled up so far that she could only make out the whites.
|
|
|
|
There was a black splash on one cheek and a terrible gash on the
|
|
|
|
other. Something poked through the skin, peeling it back in wet
|
|
|
|
scraps. Even in her terror, Lorna felt herself lean forward, over
|
|
|
|
the black pit, trying to make out what she was seeing. Something
|
|
|
|
clicked inside her head and the thing sprang into focus. The little
|
|
|
|
boy was dangling from a curved spike which had pierced the flesh
|
|
|
|
under his jaw and come out through the side of his face. He was
|
|
|
|
suspended in the pit like an animal in a butcher's shop, mouth
|
|
|
|
forced into a wide gape by the drag of his own weight.</p>
|
|
|
|
<p>For another long second, Lorna was frozen by the horror of what
|
|
|
|
she was seeing. Beside the small boy, other shapes, even smaller,
|
|
|
|
dangled in the shaft, pathetic forlorn and limp. She tried to drag
|
|
|
|
her eyes away but could not make them negate what she was
|
|
|
|
seeing.</p>
|
|
|
|
<p>Then the boy's white eyes rolled down in their sockets. There
|
|
|
|
was an audible creak as his head turned two inches to the right so
|
|
|
|
that he was looking directly at her.</p>
|
|
|
|
<p>"<em>Elf ee,</em> ".</p>
|
|
|
|
<p>She heard the high strangled sound which gasped from the boy's
|
|
|
|
twisted mouth as it worked to form speech. The words were
|
|
|
|
unintelligible, but Lorna knew what they were saying.</p>
|
|
|
|
<p>"<em>..op it.</em>" An incoherent, yet eloquent appeal from a
|
|
|
|
small dead boy impaled and dangling in a black pit.</p>
|
|
|
|
<p>Help me! Stop it!</p>
|
|
|
|
<p>The sense was unmistakeable. In the midst of her fear, Lorna was
|
|
|
|
swamped with pity for the thin little thing and those helpless dead
|
|
|
|
things beside it. In the dark, despite the vertigo, she felt
|
|
|
|
herself take a step towards the pallid face which was looking up at
|
|
|
|
her, holding her with its dead eyes.</p>
|
|
|
|
<p>Then she heard the feral growl come rattling up from the depths.
|
|
|
|
Beyond and below the dangling figures, she sensed movement, eager
|
|
|
|
furtive motion in the black depths. Something was powering up
|
|
|
|
towards her. She sensed it with every cell in her body. The thing
|
|
|
|
was coming up the well, moving with that blurred speed. Her eyes
|
|
|
|
widened and in the distance, two yellow eyes flicked open and
|
|
|
|
glared, expanding like headlamps as they soared up to her.</p>
|
|
|
|
<p>Lorna snapped back from the edge. Panic burst inside her. Her
|
|
|
|
throat unlocked and she screamed so loudly the glass panel on the
|
|
|
|
door vibrated in sympathy. As soon as she screamed, the lights
|
|
|
|
abruptly came back on. Without conscious thought, Lorna sprang to
|
|
|
|
the door. Behind her, though the pit had popped out of existence
|
|
|
|
when the light flicked on, she could hear the scrabble of nails on
|
|
|
|
stone and the heavy, stuttered breathing of the thing in her
|
|
|
|
nightmares. The muscles down the length of her backbone twisted and
|
|
|
|
shrank in anticipation of a black, clawed hand reaching out to grab
|
|
|
|
and rend. She made it to the door. The handle slipped, twisted,
|
|
|
|
caught and opened. She threw herself out into the other room. A
|
|
|
|
dark shape came looming in front of her and Lorna shrieked again.
|
|
|
|
Two hands came up and grabbed her by both shoulders. She felt
|
|
|
|
herself turn as enormous fear erupted and everything started to
|
|
|
|
fade as her nerves finally gave up the fight. The blood drained
|
|
|
|
from her head and Lorna collapsed to the floor in a dead faint.</p>
|
|
|
|
<p>Five minutes later, she gradually came dizzily awake sitting in
|
|
|
|
Keith Conran's comfortable swivel seat. The librarian was patting
|
|
|
|
her face with a damp cloth. Beside him, Nelly Coyle, who was in her
|
|
|
|
late fifties and ran the reference section, clucked and fluttered
|
|
|
|
like a mother hen. They gave Lorna a <em>Hedex</em> tablet and a
|
|
|
|
drink of cold water, and a while later, though she maintained she
|
|
|
|
was feeling fine (which was as far from the truth as Lorna could
|
|
|
|
imagine) Keith insisted on driving her round to the health centre.
|
|
|
|
Between himself and Nelly, they suspected that she might be
|
|
|
|
pregnant, although neither mentioned their view. Lorna wouldn't
|
|
|
|
hear of her boss waiting until the receptionist could fit her in
|
|
|
|
and he left her seated, pale and shivering, in the waiting room
|
|
|
|
where she had nothing to do but think about what she had seen in
|
|
|
|
the darkness of the library basement.</p>
|
|
|
|
<p>In the other waiting room, Jack Fallon was flicking through a
|
|
|
|
tattered copy of Readers Digest, trying with difficulty to swallow,
|
|
|
|
and wondering who on earth was interested in what somebody's spleen
|
|
|
|
did.</p>
|
|
|
|
</div>
|
|
|
|
</div>
|
|
|
|
</body>
|
|
|
|
</html>
|