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<title>Chapter 29</title>
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<h2>29</h2>
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<p>It was after six when Jack left Lorna's house down on Clydeshore
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Avenue. By this time it was dark and flurries of snow were whirling
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in past the trees on the dark street, borne on a bitter north west
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wind. Jack pulled his collar up as he walked towards his car,
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feeling the ice crackle under his feet. When he got to the station,
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both Ralph Slater and Robbie Cattenach wanted a word with him. He
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went down to the mortuary, where the young doctor was becoming a
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familiar presence.</p>
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<p>"I'll have to transfer all of them to Lochend for a proper post
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mortem," he said briskly. Normally Robbie was a cocky young fellow
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with a mischievous sense of humour, but when he worked, he was all
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business.</p>
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<p>"But I have done a preliminary investigation. You've a girl of
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between fourteen and eighteen, a boy of about seven or eight, and
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three infants, two female, one boy. Ages range from approximately
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one to two years."</p>
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<p>"Cause of death?"</p>
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<p>"Far too early to say. There's an incredible amount of damage,
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but at first glance I would suggest most of it has taken place
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after death, and I mean <em>long</em> afterwards."</p>
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<p>The three tiny forms, stripped of their rotted clothes and the
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plastic sheets lay side by side, crosswise across one of the tiled
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blocks. The girl was spreadeagled on another. From ten feet away,
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Jack could see the devastating injuries on their bodies. The girl's
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one leg stuck out awkwardly. Her face was badly distorted where the
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spike had forced its way through her cheek. She was not as badly
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dried out and withered as the other small forms, but it was clear
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that in the cold and dry atmosphere of the chimney, her body had
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begun to lose moisture. It was lopsided and elongated. The ribs on
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the right side of her chest pushed up in corrugated lines, topped
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with a stiff flap of shrivelled skin which had once been a breast.
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On the other side, the ribs had been caved in, or pulled out, but
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Jack couldn't tell which.</p>
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<p>"Robbie, I've got a problem here. I only had reports of four
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children. We've got one too many here."</p>
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<p>"We've got five too many, Jack. One's more than enough."</p>
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<p>"You know what I mean. There's a child here who's unaccounted
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for. It must be one of the girls."</p>
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<p>Robbie walked across to the slab and Jack followed behind his
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flapping white coat.</p>
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<p>"Girl one. Approximately nine months."</p>
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<p>"That'll be Kelly Campbell. That's the one with the blood
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type."</p>
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<p>"Yes, I remember. The other is approximately two, going by the
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number of teeth."</p>
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<p>The little form was stretched out, head stiff and off to one
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side. A gaping hole just under the collar-bone showed where the
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hook had forced through the skin and then, in time, torn upwards
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with the weight of the small body's suspension. The child had been
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disembowelled. Inside its abdominal cavity, the spine was clearly
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delineated.</p>
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<p>"This one is in a more advanced state of decomposition than most
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of the others, except for the infant boy," Robbie said matter of
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factly. "At first glance, I would say this was one of the first."
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He lifted up a stick-like arm. Something dangled losely on the
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wrist. It was a small silver bangle. Robbie eased it off slowly and
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held it up.</p>
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<p>"This might help," he said, handing it to Jack who turned it
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round to let the light catch the surface. One word was engraved in
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an amateurish script.</p>
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<p>He turned to the phone and called through to the front counter.
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Sergeant Thomson came to the phone.</p>
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<p>"Bobby, look out the file on that fire on Murroch Road about
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three weeks back. Get me all the names of the victims."</p>
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<p>He stayed at the phone, tapping his foot impatiently. Finally
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the duty sergeant came back. Jack could hear the pages flick over
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while Bobby Thomson muttered to himself.</p>
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<p>"Got it. That was the Sunday night. Yes. One Patrick McCann,
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also dependents James, Brendan and Kerry. Tragic case sir. Mrs
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McCann took an overdose several days later. I can look up the
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details if you like."</p>
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<p>Jack told him it wouldn't be necessary. He made another call,
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this time asking for an outside line and got straight through to
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Sorley Fitzpatrick at the fire station.</p>
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<p>"Sure Jack," Sorley said agreeably. "I was there that night and
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most of the morning after. A lot of damage. Took the whole top
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storey and collapsed it down through the lower floors. Not a damned
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smoke alarm among them. You'd think people would learn."</p>
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<p>"What about the victims?"</p>
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<p>"All dead, I'm afraid. The heat was pretty fierce. We got some
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remains, about enough to fill a biscuit tin. Your folk identified
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the father and one of the kids. The other couldn't be positively
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identified, and we couldn't find the baby at all, but that's not
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surprising. Soft bones and baby teeth, they don't hold up too well
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if the temperature's high enough. It's rare, but I've seen it
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happen before. I estimated we got a complete disintegration on the
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baby, poor wee soul."</p>
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<p>There was nothing more to ask. Jack thanked him and placed the
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receiver down. Again Lorna Breck had been right. She'd seen the
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fire happen, from a quarter of a mile away, just when it was raging
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through the McCann house. She'd touched Agnes McCann and had gone
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into a trance, and that strange, nightmare gift of hers had
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transported her right into the house. Everybody had believed it had
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been a fire, pure and simple, but Lorna Breck knew it had not been,
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and now Jack Fallon knew it too.</p>
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<p>He held up the tiny silver bangle, a little hoop just big enough
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to slip over a baby's wrist and read the engraving again.
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<em>Kerry.</em> A child who was supposed to have died in a fire,
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had now turned up in the chimney of the old forge, found completely
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by accident because a brick had fallen down and nearly brained
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Bernie Maguire while he sat on the pan. Jack calculated backwards.
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The blaze at the McCann flat had come only two days after Timmy
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Doyle had been snatched from his pram, and William Simpson had died
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two days after that. He could have sent a team up to knock on all
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the doors with a picture of the minister to get conclusive proof
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that he had been in the vicinity at the time, but he immediately
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decided against that. He did not need it any more. The fact that
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Kerry McCann had been found with the other bodies was enough for
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him. If there had been any doubt left in his mind, then it was
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completely overwhelmed by the facts.</p>
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<p>He remembered the old quote, was it from Sherlock Holmes?
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<em>Whatever remains, no matter how improbable, must be the
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truth.</em></p>
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<p>However improbable, however <em>impossible</em>, was the idea
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that a group of people had gathered in the room at Cairn House and
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conjured up some kind of monster? It was the stuff of horror films,
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and bad horror films at that. In this day of computer games and
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video recorders and international conglomerates, where did a notion
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like that fit in? Yet it was also the day of ritualised rape and
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ethnic cleansing and death squads and innumerable evils that could
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make the world an annexe to hell.</p>
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<p>Whatever remained, however impossible, had to be the truth.</p>
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<p>And the truth was that something hideous scuttled in the dark in
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the high places of the ancient town of Levenford, something that
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had been brought up from another place in a strange and
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incomprehensible rite and given a kind of life. And it had rewarded
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those who had called it up with death.</p>
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<p>"I don't think we have to look any further," Jack said. "She's
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Kerry McCann, aged about two. We thought she'd died in a fire."</p>
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<p>"That's the one out in Corrieside?"</p>
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<p>Jack nodded. "They thought she'd been burned to a cinder."</p>
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<p>"Might have been better if she had," Robbie said. "I'm just
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looking at the damage to the bodies. These kids have been torn
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apart. Look here." He leaned across the stiff and withered form
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nearest him.</p>
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<p>"That's a bite there," he said, indicating a crater the width of
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a handspread just under the ribs. "But it looks more like a
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shark-bite. I'll do some sums and work out a radius, but you can
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take it from me that whatever did this has a mouth like a gin-trap,
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or it's somebody using some kind of tool. You can see there, where
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the flesh has been torn. The skin has been sliced in a bite and
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then ripped off. It's taken away the horn of the pelvis too, which
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indicates great crushing strength."</p>
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<p>He turned to the girl on the other table, sprawled in ungainly
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and grotesque stiffness.</p>
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<p>"The leg has been bitten off. I thought at first it was a tear,
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but if you look here," he quickly turned the body over. It kept its
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position, as if it was made from wood. "You've got the same type of
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injury. Powerful incision through the skin, then tearing to the
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underlying muscle and crushing of bone. Something bit in here then
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twisted, like a crocodile.</p>
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<p>"And if you look at her shoulder," Robbie shifted his position,
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"you'll see an odd thing."</p>
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<p>Jack looked. There was a great deal of damage on the girl's
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back. It meant nothing to him.</p>
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<p>"Bruising and lacerations. Consistent with being dragged along a
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rough surface. But there," he said pointing with his pen. "Two
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indentations, four inches apart. They've punctured the skin and
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muscle and left severe pressure bruises. They're exactly the same
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on the other side. That's how she was lifted."</p>
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<p>"And that's a bite?"</p>
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<p>"No," Robbie said flatly. "Definitely not a bite. It's a grip.
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Something grabbed her with extreme violence, enough to break her
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collar bone, and as far as I can see, put a hole right through her
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shoulder blade. The odd thing is, there are marks of only four
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digits. Like an owl?"</p>
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<p>"Go on," Jack said, unsure of what Robbie meant.</p>
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<p>"An owl sits with two claws and the front and two at the back.
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Ideal for perching and also for snatching prey."</p>
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<p>"So I should look for an owl?"</p>
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<p>"No. You should be looking for something with a handspan about a
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foot wide, with four claws on each."</p>
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<p>"So what do you recommend?"</p>
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<p>"Nothing on this earth," Robbie said with a grim smile.
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"Remember what I said when I examined Shona Campbell's body?
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Somebody had hit her with the strength of a bear?"</p>
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<p>He looked at the stiff, blackened shape lying on the table.</p>
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<p>"It certainly wasn't a bear. If you want to get something that's
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close, I would suggest the museum of natural history. The only
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thing I can imagine is one of the dinosaur raptors, and they've
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been dead for sixty million years."</p>
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<p>Jack left him making preparations to transfer the bodies to the
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lab at Lochend. It was too early to call in the parents of the dead
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children, though he knew he'd have to, all except Agnes McCann who
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had decided life without her family was not worth living, and Shona
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Campbell whose corpse was still in cold storage waiting for release
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by the sheriff. The identification of the bodies would be a
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nightmare for all concerned. What father would recognise his
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daughter, or mother her son, when they had been left hanging up
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like meat, bitten and chewed and mutilated?</p>
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<p>Ralph Slater had taken fragments of clothing from each of the
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bundles and had sent them to the central forensics lab for analysis
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along with fibres he'd collected at the scenes of the
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abductions.</p>
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<p>"I don't know what the hell's going on," he said in
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frustration.</p>
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<p>You and me both," Jack agreed with him, not telling the entire
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truth. Already he had made the mistake with Ronald Cowie, who had
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looked at him as if he was mad. Ralph was not ready to share the
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knowledge that Jack had.</p>
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<p>"So what next?"</p>
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<p>"I've got the extra manpower from head office. We go back over
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every scene. I want you to work with John McColl and try to get a
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central location. Work out a progress map for me, times, dates, the
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lot. And put in elevations as well. There must be a pattern."</p>
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<p>Even though he said it, Jack was not convinced there would be
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any pattern. His only hope, he realised, would be for Lorna Breck
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to use her special talent and see it in action again, and he would
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hope against hope that she recognised something in time. What he
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would do then, he hadn't a clue.</p>
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<p>"I don't know," Andy Toye said in answer to the question. Jack
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had managed to get him between lectures, but he would have hauled
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him out of one had it been necessary.</p>
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<p>"There's a lot of speculation of course, but no recent
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documentation. The old texts say how to summon a spirit, but then
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it's supposed to be confined within a container or by some other
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means. You could try holy water, or maybe a stake through the
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heart."</p>
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<p>"Like a vampire?"</p>
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<p>"I'm just taking a shot in the dark. I just don't know."</p>
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<p>"What about the instructions you read out? Something about a
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talisman or whatever?"</p>
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<p>"Wherefore, the magician must hold the ring in his face," Andy
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quoted from memory, "of pure iron or fine gold, or talisman blessed
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by consecrated hands and that will defend him."</p>
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<p>"Would something like that work?"</p>
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<p>"I don't know. Nobody does. You could give it a try, but don't
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come to me if it doesn't work."</p>
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<p>"I won't," Jack said, drily.</p>
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<p>"Can I take it you're beginning to take this seriously?" Andy
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asked.</p>
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<p>"I have to take it seriously. I've got eight murders so far and
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six suicides, plus two boys missing presumed dead. I've got a
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regular Armageddon on my hands down here, and the only clues I have
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are from a delirious seventeen-year-old who says he stuck a drill
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in its eye, and from a Highland girl who's got some kind of ESP."
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He paused to draw breath. "And I've got a pathologist friend who
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tells me I should be looking for a dinosaur with feet like an owl,
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the strength of a bear and a bite like a crocodile. Yes, I'm taking
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it seriously."</p>
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<p>"I think the girl's your best hope," Andy said. "I do think
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she's got a gift."</p>
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<p>Jack came down from his office and through the swing doors just
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as a commotion broke out right at the desk.</p>
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<p>Three uniformed officers were scuffling with a man who was bent
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over the front desk with an arm up his back. He was desperately
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kicking out in all directions. A lucky toe caught young Gordon
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Pirie right in the crotch and he went down like a sack of potatoes,
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hands jammed between his legs, groaning in pain.</p>
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<p>Jack continued walking. One of the other officers slammed the
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man down hard on the desk, making his head thump the polished
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surface. The fellow yelled, squirmed round and saw Jack.</p>
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<p>"You bastard," he bawled at the top of his voice. Two old ladies
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who had come in to report a lost purse shrank back, shaking their
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heads and tut-tutting in genteel disapproval.</p>
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<p>"You swine that you are," the man shouted. "You said you'd let
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me stay in the church."</p>
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<p>Jack stopped in mid stride and spun round just as one of the
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policemen clamped his hand round the man's throat and forced him
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back to the desk. Michael O'Day spluttered and struggled,
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displaying surprising strength despite his scarecrow build.</p>
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<p>"Promised me, you cheating lying shite," he screeched, feet
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still flailing. "Let go of me, you swines."</p>
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<p>"What's going on here?" Jack barked. Everything went quiet.</p>
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<p>"Bastard," Michael O'Day spat at him.</p>
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<p>"Hold on, you," Jack ordered. "And stay still." He walked up to
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the constable who was holding the skinny man in a death grip.
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O'Day's jacket was torn at the pocket and the collar of his shirt,
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already crumpled and dirty, was sticking up at an angle. A light
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dusting of snow was melting on his shoulders.</p>
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<p>"What's happening?" he asked again. "What's this man doing
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here?"</p>
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<p>"Superintendent Cowie told us to get him down from the church,"
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the policeman said. "He nearly took my head off with an iron bar.
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Damned maniac. He's in for it now."</p>
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<p>"Just hold on. Mr Cowie told you to arrest him?"</p>
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<p>"Yes sir. Breach of the peace and theft, but now he's up for
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resisting arrest and police assault."</p>
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<p>"You promised me, you lying swine," O'Day grated bitterly. He
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was struggling against the big policeman's grip and making no
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progress. One of his shoes came flying off and rolled under a
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chair.</p>
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<p>"Just wait here until I get to the bottom of it," Jack said.
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"And stay quiet, or I'll throw you in the cell myself."</p>
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<p>He staked off back the way he had come and shouldered his way
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through the swing door. At the Superintendent's office, he bulled
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his way in without knocking.</p>
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<p>"What's this all about?"</p>
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<p>Cowie looked up.</p>
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<p>"I beg your pardon?"</p>
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<p>"O'Day. You've had him arrested."</p>
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<p>"Of course I did. He was causing disorder, and according to you,
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he'd already admitted theft," Cowie said smugly. "We can't have
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people like that running around, and we can't have policemen making
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deals and condoning such actions, especially when they have more
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pressing and serious matters to attend to."</p>
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<p>"But I told him he could stay there."</p>
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<p>"I know you did, and I over-ruled you. Listen, Chief Inspector,
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I don't know what you're playing at. You came to me with a fairy
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tale about seances and devil-worship. Now I don't know about you,
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but that doesn't strike me as going by the book. I think you've
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overstepped the mark, and I've cut you down to size."</p>
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|
<p>"O'Day is crucial to my investigation," Jack said as calmly as
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|
he was able.</p>
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|
<p>"Oh really? A mad Irishman who thinks he's being chased by
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|
ghosts? Up in a church bell tower? I can hardly see how that
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|
figures in your investigation. I really don't know what sort of
|
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|
investigation you are conducting, but so far it's produced nothing
|
||
|
except delusion. Let's see, you've had how many murders? Eight so
|
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|
far? Nine? Half a dozen suicides. And what have you got? An
|
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|
Irishman who says he claims sanctuary and has you convinced he's
|
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|
been conjuring up devils."</p>
|
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|
<p>Cowie smirked. "Not the most impressive result of an
|
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|
investigation is it?"</p>
|
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|
<p>"But I need him," Jack protested, almost speechless with
|
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|
anger.</p>
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|
<p>"No, mister. You need to get results, and so far you've come up
|
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|
with big fat zero. You've made yourself look a fool, and by god,
|
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|
you won't make me look like one. You've gone over my head and I
|
||
|
don't like that."</p>
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|
<p>"I went by the book on that one. We need more men."</p>
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|
<p>"I make the decisions around here, and you'd do well not to
|
||
|
forget it. The Chief Superintendent, as far as I can gather, won't
|
||
|
be back, at least not for some time, and when he's gone, I'm in
|
||
|
command. You'd do well to remember that too. I want this place
|
||
|
running properly and that includes the murder investigation. So far
|
||
|
your attempts have been abysmal."</p>
|
||
|
<p>"I already told you I was following up a lead in connection with
|
||
|
O'Day, and I told you it was important to leave him where he was.
|
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|
At least he's talking."</p>
|
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|
<p>"Talking gibberish, yes. And if you believe a word of it, you're
|
||
|
a bigger fool than you're beginning to look. Now he's in our
|
||
|
custody and you can talk to him all you like, but I warn you,
|
||
|
<em>Chief Inspector</em>, I don't expect you to waste any more
|
||
|
time. You've got a madman out there, who as far as we know, has
|
||
|
killed eight people of this Burgh. I must stress to you as strongly
|
||
|
as I can that I am far from impressed with your lack of progress,
|
||
|
your attitude and your conduct of this operation. One more such
|
||
|
lapse, and you will be off this case. I have that authority, and by
|
||
|
God I'll use it."</p>
|
||
|
<p>He smiled up at Jack, favouring him with a triumphant, self
|
||
|
satisfied narrowing of his eyes.</p>
|
||
|
<p>"Now, if that's all, some of us have important work to do."</p>
|
||
|
<p>Jack spun on his heel and stalked out of the office.</p>
|
||
|
<p>The front office was empty, apart from the two old biddies who
|
||
|
were huddled together at the desk, giving a bored looking young
|
||
|
policeman their details. Bobby Thomson cocked his thumb in the
|
||
|
direction of the cells. Jack went downstairs, passing the mortuary
|
||
|
as he went. The wasted and mutilated bodies, covered with white
|
||
|
sheets, were being carried out of the rear door for the short trip
|
||
|
to Lochend and the pathology lab.</p>
|
||
|
<p>Michael O'Day was sitting in a corner, huddled up inside his
|
||
|
badly wrinkled coat, feet drawn up beside him on the low bench-cot
|
||
|
and arms hugged around his knees.</p>
|
||
|
<p>"Bastard," he hissed when the young turnkey opened the door and
|
||
|
let Jack inside.</p>
|
||
|
<p>"For what it's worth, I didn't agree to this. I had already told
|
||
|
them to let you stay where you were."</p>
|
||
|
<p>"You expect me to believe that? Eh? Listen, you, I'm a dead man.
|
||
|
You're looking at a corpse."</p>
|
||
|
<p>"You'll be safe enough in here," Jack said reassuringly, but it
|
||
|
didn't work.</p>
|
||
|
<p>"Safe? You think I'll be safe? Are you mad or what? I told those
|
||
|
cretins to leave me alone. The only place I was safe was in the
|
||
|
church. Now it'll come for me. I can hear it already."</p>
|
||
|
<p>The emaciated man cocked his head to the side, as if
|
||
|
listening.</p>
|
||
|
<p>"It's back in my head. I can hear it. You've killed me, don't
|
||
|
you see it? Jesus help me. It's going to come for me. It'll make me
|
||
|
do whatever it wants."</p>
|
||
|
<p>"No," Jack said, though even he knew he was on unsteady ground.
|
||
|
"We'll give you protection. I can't put you back in the church.
|
||
|
It's an order down from upstairs and I've got to go along with
|
||
|
it."</p>
|
||
|
<p>"Protection, is it? And what protected Janet Robinson? She
|
||
|
worked here, for god sake. Did that protect her? Listen, man, you
|
||
|
can't stop this thing. It's not human."</p>
|
||
|
<p>He stopped and cocked his head again.</p>
|
||
|
<p>"Fuck off, you bastard," he said, staring right at Jack , but
|
||
|
his eyes were focused much further away. "Get out of my fuckin'
|
||
|
head," he screeched.</p>
|
||
|
<p>All of a sudden, the man on the cot began to cry. His eyes were
|
||
|
still open, still wildly staring.</p>
|
||
|
<p>"It's coming for me," he wailed. "Oh, holy mother forgive me. I
|
||
|
didn't know."</p>
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|
</div>
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</div>
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</body>
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</html>
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