mirror of
https://gitlab.silvrtree.co.uk/martind2000/booksnew.git
synced 2025-02-15 18:09:16 +00:00
371 lines
20 KiB
Plaintext
371 lines
20 KiB
Plaintext
|
softly. The murmur went on in a sort of mantra for some time, a
|
|||
|
drone that was so low and monotonous it could have sent me to
|
|||
|
sleep, but then it started to get louder and I looked up at her to see
|
|||
|
that her eyes were half closed. She looked almost in a trance.
|
|||
|
Then her eyes snapped open and she looked straight at me.
|
|||
|
‘A long life, Nicky Ryan of the MacConnors and the MacBeths.
|
|||
|
A long life to you, and that means that I can sleep. Born on the
|
|||
|
midsummer and conceived on half—night day. A joining and a
|
|||
|
rejoining. A life to be saved and a life to be owed, a child of one and
|
|||
|
a man child awakes, a storm and a battle. There’s madness here,
|
|||
|
and slaughter and there’s hate but there is love. Hold on to the love
|
|||
|
for it is for you three and for ever, and greater than you know.’
|
|||
|
I didn’t understand a word of that.
|
|||
|
‘You cannot write yet. But you will. You fear for your talent, but
|
|||
|
you have it. It will come after the bad days are past. The Cu Saeng
|
|||
|
reaches out to you and the others. It saps the strength, it snares the
|
|||
|
will, it sends fear. But you will win. .
|
|||
|
‘Take care of the child. The man will grow. The woman will
|
|||
|
hurt .... ’
|
|||
|
Her voice trailed off and the fierce look which was drilling into
|
|||
|
the back of my eyes softened. She smiled again and her whole
|
|||
|
expression changed.
|
|||
|
‘The one and onlies?’ she laughed. ‘That was more true than you
|
|||
|
could have known. And I suppose you now know what a virginia
|
|||
|
is?’
|
|||
|
‘How the hell did you know that?’ I asked, astonished. That last
|
|||
|
statement, straight out of a ten year old’s memory, threw me right
|
|||
|
off balance.
|
|||
|
‘I told you before. It’s not how I know, but what I know. And
|
|||
|
that you’ve got to learn. That was just to teach you that you should
|
|||
|
maybe believe an ancient lady down in a hut at the point.’
|
|||
|
Then she laughed out loud at the expression on my face.
|
|||
|
So an old woman had told me a tale. An interesting and scary old
|
|||
|
tale. And then she’d looked into the bottom of a teacup and she’d
|
|||
|
come up with some sort of riddling prophecy and then she’d
|
|||
|
plucked a memory out of my childhood and a thought right out of
|
|||
|
my head. I liked the legend, like something out of Slaine MacRoth,
|
|||
|
my favourite strip cartoon Celtic hero. I couldn’t make head nor I
|
|||
|
tail of the riddle, or whatever it was, but the last two threw me, as
|
|||
|
you can imagine. I suppose that’s what they were meant to do. I’d
|
|||
|
gone down to the windy point to get some fresh air and clear out
|
|||
|
the cobwebs that were slowly filling my mind with self-doubt and
|
|||
|
I’d ended up just as off balance as before.
|
|||
|
99
|
|||
|
|
|||
|
When old Kitty MacBeth had laughed at my expression, she
|
|||
|
motioned me across to her and put her arm on my shoulder, using
|
|||
|
me as an extra crutch, and half beckoned, half shoved me to the
|
|||
|
door.
|
|||
|
‘Come on, I’ll show you something} she said, still having a great
|
|||
|
old giggle to herself. She reached behind the door into a bag
|
|||
|
hanging on a bent nail and pulled out what I thought was a piece of
|
|||
|
stiff canvas, and braced herself on my shoulder again. We went
|
|||
|
along the path that led to the big standing stone , slowly, while Kitty
|
|||
|
half skipped at my side. She placed herself in front of the monolith,
|
|||
|
on the south side where the salt-spray-laden wind had weathered
|
|||
|
the black face to a polished smoothness.
|
|||
|
‘The old folk knew a thing or two,’ she said. ‘Look here. It’s all
|
|||
|
smooth with thousands of hard years facing that firth. But you look
|
|||
|
at every tree you see. The moss and lichen grow on the north side,
|
|||
|
and on this point the winds never come from the north, only the
|
|||
|
south and west.
|
|||
|
‘Come round here,’ she said, gesturing me to follow as she did
|
|||
|
the crab walk round the other side of the basalt spine. ‘Look at
|
|||
|
this.’
|
|||
|
I looked. She was right. On the straight, slabbed north face of
|
|||
|
the stone, a thin sheen of lichen covered the flat surface.
|
|||
|
‘And look now,’ she said, taking the piece of canvas in her hand
|
|||
|
and folding it around her fingers. It cracked as she wadded the
|
|||
|
material.
|
|||
|
‘Dogiish skin. It’s as good as any sandpaper,’ she said, reaching
|
|||
|
up to scrape gently at the slick green covering. She did that for a
|
|||
|
few minutes, then took the skin away and rubbed with a wetted
|
|||
|
linger.
|
|||
|
On the surface, thin lines appeared, etched in the stone. It
|
|||
|
looked like some form of script, but what kind I couldn’t tell.
|
|||
|
The whole area, maybe the size of my hand, was completely
|
|||
|
covered in tightly drawn figures and letters which were etched in
|
|||
|
the stone and had been completely protected from the elements by
|
|||
|
the natural insulation.
|
|||
|
‘They told the whole story, but people forgot how to read it,’
|
|||
|
Kitty said. ‘They told what they did and why they did it, and they
|
|||
|
wrote down the way to send Cu Saeng back, but there was not
|
|||
|
enough people to do that, not enough of the right people, so it must A
|
|||
|
be killed.
|
|||
|
‘This part speaks in a riddle. It is a foretelling, and that’s why I’m
|
|||
|
showing it to you, Nicky Ryan.’
|
|||
|
‘Why, what does it say‘?’
|
|||
|
100
|
|||
|
|
|||
|
‘If I tell you, will you believe me?’ she asked.
|
|||
|
‘To tell you the truth, I don’t know. It all sounds a bit weird to
|
|||
|
me.’
|
|||
|
‘Ah yes. That’s the right word. It is your weird. And mine. But it
|
|||
|
will get through to you as time goes on, and I don’t think we have
|
|||
|
too much of that. You can’t avoid it, so I might as well tell you.’
|
|||
|
She lifted her hand and pointed out some lines. They could have
|
|||
|
been Greek or runes for all I knew.
|
|||
|
‘Yet come three, alone yet one, earth—day born. Awakens one
|
|||
|
who sleeps and strays, two return to iight the wrath. Sacred How
|
|||
|
and sacred grow and sacred stone to end the rule of Cu Saeng.’
|
|||
|
‘What does that mean?’ I asked, not entirely convinced that the
|
|||
|
old woman could actually read those scratches on the rock, or
|
|||
|
even, if she could read it, that she could understand it.
|
|||
|
‘Well it could have many meanings, but I think that you three,
|
|||
|
your one and onlies, fit the first part.’
|
|||
|
‘How come?’
|
|||
|
‘Because there are three of you. That’s easy enough. Alone yet
|
|||
|
one, only children, single children, but you were close enough then
|
|||
|
to be one, at least last time you did whatever you did on Ardhmor.
|
|||
|
And you’re all earth-day born. You on midsummer, the girl on the
|
|||
|
autumn equinox and the boy in spring.
|
|||
|
‘The chances of that happening in a small place like this are
|
|||
|
surely millions to one. Especially when you consider that you all
|
|||
|
have the blood of the MacConnors and the MacBeths in you,
|
|||
|
though a touch more diluted than I’d like, but it’s there.
|
|||
|
‘It has to be you, and the other two, and you have to watch the
|
|||
|
walls. The bad thing’s coming, for I can feel it, and I cannot watch
|
|||
|
the walls.
|
|||
|
‘Look at me. Broke my leg like a silly old fool down on the rocks.
|
|||
|
Hobbling around like a shore crab. Set it myself, but it takes so
|
|||
|
long, and we don’t have long.’
|
|||
|
She nodded across the bay to where Ardhmor sat squat. ‘I can’t
|
|||
|
get over there, and something’s happening that I can’t see. You
|
|||
|
have to be my eyes and hands now. It’s just like last time, when you
|
|||
|
were a boy. My mother was dying, and I was away from here. I
|
|||
|
came back on the night your grandfather was searching for you
|
|||
|
down at the rock. If I had not been away, maybe we could have I
|
|||
|
ended it then. And now, with this old crippled leg, I might as well
|
|||
|
not be here.’
|
|||
|
Kitty took one of my hands in hers and smiled again.
|
|||
|
‘Remember, a long life. You can believe that anyway, because I
|
|||
|
do. It means that you will beat this thing, although how you will do
|
|||
|
101
|
|||
|
|
|||
|
strike me as odd, although it’s not on the same side of the house as
|
|||
|
my bedroom or the kitchen. I padded through on my bare feet and
|
|||
|
my grandfather looked up from the rocking chair and smiled. His
|
|||
|
face was half in shadow and his old, big hands were curled around
|
|||
|
the smooth arm of the chair.
|
|||
|
I stood there, paralysed. Just as I started through the doorway,
|
|||
|
I’d taken a drink of the cold water and now it stuck somewhere
|
|||
|
between my throat and my stomach and seemed to want to move
|
|||
|
two ways at once.
|
|||
|
‘Come in, come in,’ the old man said. ‘Come in and sit yourself
|
|||
|
down.’
|
|||
|
He motioned me over to the armchair at the other side of the
|
|||
|
fireplace where the white coals had long fallen to dust since the last
|
|||
|
fire had been lit. I was rooted to the spot, which is a phrase I’ve
|
|||
|
always disliked, but it was nonetheless true. It was as if my whole
|
|||
|
body was clamped in a block of stone. My heart thudded wildly — I
|
|||
|
could hear it in my ears — and from way down in my stomach I could
|
|||
|
feel waves of panic layering up on top of each other, building up to
|
|||
|
one huge scream.
|
|||
|
That’s not what happened. My old grandfather’s eyes caught the
|
|||
|
moonlight, black and blue under his brows, and he gestured again
|
|||
|
to the easy chair. Some force took my feet and lifted them one by
|
|||
|
one off the floor where they’d been nailed down and walked me
|
|||
|
across the room and sat me down. I didn’t do it. It happened.
|
|||
|
‘Ah, Nicky boy, you’ve grown,’ he said in that big gravelly voice
|
|||
|
that I had often remembered with that warm jolt of affection. It
|
|||
|
now seemed to come from a million miles away, dry and cold.
|
|||
|
‘And you’ve come back to stay with me, eh? That’s good. Very
|
|||
|
good.’
|
|||
|
He nodded, almost contentedly and his eyes looked into the
|
|||
|
fireplace.
|
|||
|
‘But you’ve been a bad boy. A very bad boy. I’ve told you not to
|
|||
|
go down to the rock, and you went down there.’
|
|||
|
He paused and seemed to consider.
|
|||
|
‘I told you not to have anything to do with that old witch, but
|
|||
|
you’ve been speaking to her, haven’t you‘?’
|
|||
|
I sat and stared. No sound would come out of my throat. I could
|
|||
|
hardly breathe. .
|
|||
|
‘If you want to stay with me, you’ll have to be a good boy.’
|
|||
|
He raised his eyes from the fireplace and turned his head slowly
|
|||
|
round in my direction. I could hear his head turn on his neck, a dry
|
|||
|
sound like old hawsers taking up strain. And he grinned a huge
|
|||
|
grin. That wasn’t my grandfather. Of course it wasn’t my grand-
|
|||
|
103
|
|||
|
|
|||
|
father, for he’d been dead for years. But whatever this was, it
|
|||
|
wasn’t even him. My old grandfather laughed, or he smiled, or he
|
|||
|
roared. But he never grinned.
|
|||
|
I stared at the apparition. My eyes must have been opened so
|
|||
|
wide they were in danger of falling right out of my head.
|
|||
|
The grin widened until it showed an impossible array of teeth
|
|||
|
that were long and thin and blue in the unearthly light.
|
|||
|
‘You be a good boy,’ he hissed behind that row, ‘and I’ll let you
|
|||
|
stay with me.’
|
|||
|
He started to giggle and the skin started to flake off his face.
|
|||
|
Hee-hee-hee. High pitched. Mad. And the more he laughed, the
|
|||
|
more the skin shrivelled up like leather on an old boot and split
|
|||
|
down the seams of his face and inside his head seemed to swell. The
|
|||
|
eyes got bigger and paler and the noise of old twisted ropes tearing
|
|||
|
and twisting got louder. The rocking chair creaked as it swung back
|
|||
|
and forth as the thing that had looked like my grandfather swelled
|
|||
|
and split and giggled.
|
|||
|
Then the glass that I’d been holding in my right hand suddenly
|
|||
|
gave way in the pressure of my grip and a jagged edge went straight
|
|||
|
into my palm with such a force that blood just spouted out. That
|
|||
|
was enough to get my breath back and I let out a scream that must
|
|||
|
have been heard from the far side of the firth.
|
|||
|
I leapt out of the chair in terror and instinctively hurled the base
|
|||
|
of the glass and what remained of the water, plus, no doubt, a fair
|
|||
|
quantity of the blood that was pouring out of the gash in my hand,
|
|||
|
right at the thing in the chair.
|
|||
|
In slow motion I watched the glass tumble in the air, catching
|
|||
|
that light, and smash right into the writhing, giggling thing. It hit
|
|||
|
with a muffled thump, and then a crash as it struck through and into
|
|||
|
the turned risers at the back of the chair which tipped over with a
|
|||
|
thump. The thing just disappeared in front of my eyes as if it had
|
|||
|
never been there, leaving me in the middle of the fioor cursing in
|
|||
|
words that I thought I’d forgotten, a stream of invective that
|
|||
|
reverberated back at me from the walls until I stopped, gasping for
|
|||
|
breath, and sank back down into the chair.
|
|||
|
The light from the early morning sun awoke me through the
|
|||
|
space in the curtain that I’d meant to close the night before, and I
|
|||
|
suddenly jerked awake with the vision of that thing still in my head.
|
|||
|
Everyone has experienced that moment of awakening when a o
|
|||
|
dream disappears. I rolled over and out of bed, breathing deeply,
|
|||
|
still shuddering from the visual memory, and I crossed the room
|
|||
|
and opened the curtains fully to let as much daylight in as I could.
|
|||
|
As I did so, I felt a sharp stab of pain in my hand as it brushed
|
|||
|
104
|
|||
|
|
|||
|
against the curtain fabric. I looked down and there in the centre of
|
|||
|
the palm was a small, crescent shaped cut that was just beginning to
|
|||
|
scab over.
|
|||
|
Instantly I got a vision of the dream again but I shook it off. I’ve
|
|||
|
had falling dreams when I’ve ended up on the floor, or fire—engine
|
|||
|
dreams just when the alarm goes off. I couldn’t remember cutting
|
|||
|
myself, but that didn’t mean it hadn’t happened yesterday, maybe
|
|||
|
down at the point. I probably just hadn’t noticed it. By the time I
|
|||
|
got dressed and slunged my face with cold water, the shaky feeling
|
|||
|
was receding. The day looked Hne and fresh and I felt like frying up
|
|||
|
a good breakfast and then getting out into the fresh air and away
|
|||
|
from the house for a while. I’d fixed up with Barbara Foster to take
|
|||
|
her and Paddy across to Loch Lomondside for a picnic, so I
|
|||
|
thought after a stroll I’d go up to the shop to get whatever we’d
|
|||
|
need for a day out.
|
|||
|
In the kitchen I had the pan sizzling with good Belfast ham and I
|
|||
|
threw in some mushrooms and set a couple of eggs on to poach.
|
|||
|
The kettle boiled quickly and I had a cup of tea while I was cooking
|
|||
|
and another one while I ate. I felt a whole lot better after that.
|
|||
|
I took a third cup, which was quite strong and thick by the time
|
|||
|
I’d finished and cleaned up the kitchen leaving the plate to drain
|
|||
|
beside the sink, and carried it through to the sitting room.
|
|||
|
There I promptly dropped it on my foot, which would have been
|
|||
|
badly scalded if the tea hadn’t cooled down.
|
|||
|
For the rocking chair lay on its back at the far side of the room.
|
|||
|
And there was a broken glass and shards lying beside it.
|
|||
|
The burn from the tea was painful enough to make me cry out,
|
|||
|
which I suppose helped release the breath that was getting ready to
|
|||
|
back up in my lungs, but the pain quickly receded. All sorts of
|
|||
|
explanations began to line themselves up in my head, but before I
|
|||
|
could think of any of them a face loomed into the window frame so
|
|||
|
suddenly that I jumped backwards in fright.
|
|||
|
If I’d thought rationally, I suppose by this time I would have
|
|||
|
been getting a bit pissed off at the number of shocks my poor little
|
|||
|
thudding heart had been given in quick succession. But when the
|
|||
|
figure looming at the window lifted a black arm to cut off the
|
|||
|
reflection and peer into the room, I recognised Father Gerald
|
|||
|
O’Connor. He wasn’t wearing his motorcycle gear, but the normal B
|
|||
|
black suit and white collar. I motioned him around to the front
|
|||
|
door and he was standing there in the sunlight when I opened it.
|
|||
|
‘Sor1y if I gave you a fright,’ he said affably. ‘You look as if
|
|||
|
you’ve seen a ghost. What were you doing in there? A war dance?’
|
|||
|
‘No, I spilled some tea on my foot.’ We both looked down.
|
|||
|
105
|
|||
|
|
|||
|
There was a light red weal where the tea had splashed. It wouldn’t
|
|||
|
come to anything.
|
|||
|
‘Ah, tea. I’d love a cup,’ said the young priest, eagerly, inviting
|
|||
|
himself in. ‘I’ve been up since five o’clock this morning. I’m the
|
|||
|
duty man on the emergency service. I think I’ll get a siren and a
|
|||
|
flashing light.’
|
|||
|
‘What was the emergency?’
|
|||
|
‘Oh, nothing serious. Mrs Black found her father at the foot of
|
|||
|
the stairs and thought he’d had a heart attack. She decided he
|
|||
|
· needed extreme unction. What he needed was extreme black
|
|||
|
coffee and I suppose he’ll have an extreme hangover later this
|
|||
|
morning. And when you think of the voice his daughter’s got, you
|
|||
|
can expect he’ll wish he had died before the week’s out.
|
|||
|
‘What gets me is that she’s not even a Catholic, but that’s the
|
|||
|
third time she’s called me out in the past year for the old man.’
|
|||
|
I put the kettle on and the priest- he said I should call him Gerry
|
|||
|
— said he’d shoot his granny for a bacon sandwich, so I fired up the
|
|||
|
pan and put a couple of rashers in to sizzle.
|
|||
|
‘I just thought I’d drop by in the passing,’ he said. ‘I never got a
|
|||
|
chance to meet you up at Alan’s house the other day. I’m sorry if I
|
|||
|
gave you a fright. Most people are glad to see us. We’re on the
|
|||
|
good side, you know,’ he winked Conspiratorially.
|
|||
|
‘No, it wasn’t you,’ I said. ‘It was something else entirely}
|
|||
|
‘Why, what happened?’
|
|||
|
‘You wouldn’t believe it.’
|
|||
|
‘Try me. I’m a good listener. It’s all the hours we spend sitting in
|
|||
|
a little box.’
|
|||
|
I’m not a religious person, but strangely it seemed a relief to talk
|
|||
|
about it, even to a young priest who ran about on a racing Honda. I
|
|||
|
- sat there and told him about what had happened last night, and
|
|||
|
how I’d woken up thinking it had been a nightmare, and then come
|
|||
|
back down and seen the rocking chair lying in the corner. Just
|
|||
|
before the kettle boiled I took him through and showed him.
|
|||
|
‘What do you think? Am I going crazy?’
|
|||
|
‘Not at all,’ he said, smiling. ‘You’ve been sleepwalking. I used
|
|||
|
to do it all the time when I was small. My mother was worrying but
|
|||
|
my old man said as long as I didn’t pee the bed he didn’t mind.’
|
|||
|
‘I’ve never walked in my sleep before, and I’ve been getting bad
|
|||
|
dreams almost every night? `
|
|||
|
‘You’re probably tense. Are you worrying about anything?’
|
|||
|
‘Nothing that should make me feel like I’ve seen a ghost. I’ve not
|
|||
|
been feeling great, but what happened last night scared the hell out
|
|||
|
of me.’
|
|||
|
106
|
|||
|
|
|||
|
‘Well, that’s pretty normal. But I wouldn’t say you’re crazy. I’d
|
|||
|
just put it to the back of my mind ifI were you. Things always look
|
|||
|
different in the daytime.’
|
|||
|
I made the tea and fixed up the bacon sandwiches. He started
|
|||
|
eating them with obvious appetite.
|
|||
|
He took a gulp of tea to wash down a bite and said: ‘The world’s
|
|||
|
got a lot worse to throw at us than ghosts, you know.
|
|||
|
‘Look at that poor woman who killed her son and then took her
|
|||
|
own life. And there’s that farmer, Mr Gillon; you were there,
|
|||
|
weren’t you? If ghosts were all we had to worry about I’d be
|
|||
|
delighted.’
|
|||
|
‘That’s another thing,’ I said. ‘Those two accidents, I mean.
|
|||
|
What could have caused them?’
|
|||
|
‘Accidents happen. No rhyme nor reason. And we’ve just got to
|
|||
|
try to help after they do.’
|
|||
|
‘Have you ever thought that these accidents might not have been
|
|||
|
accidents?’
|
|||
|
‘How do you mean?’
|
|||
|
‘I don’t know. Not yet anyway. But I’ve got a funny feeling. Ever
|
|||
|
since I’ve come back to Arden, things haven’t gone right. Like
|
|||
|
those deaths. In a small place like this two freak accidents seem
|
|||
|
more than coincidence.’
|
|||
|
‘I could say something trite, like "The Lord giveth", but I
|
|||
|
won’t,’ Gerry said. ‘These things happen. I can’t explain them.
|
|||
|
Nobody can.’
|
|||
|
‘What if . . . ’ I said, but I stopped.
|
|||
|
‘What if what?’
|
|||
|
‘Nothing. I’m just a bit shook up. Shaken up, I should say. I’ve
|
|||
|
spent too long in the States.’
|
|||
|
‘You’re a bit too worldly wise for me to give parental advice,’ he
|
|||
|
said, ‘even though I am a priest. I know what I’m like after a
|
|||
|
nightmare. But at least we always wake up. I don’t believe in
|
|||
|
ghosts and ghouls. The Holy Ghost maybe, but that’s between me
|
|||
|
and him.’
|
|||
|
‘I can’t say I’m much of a believer,’ I confessed.
|
|||
|
‘Don’t worry about that. I’m not an evangelist. Even priests
|
|||
|
have their own doubts}
|
|||
|
‘So have journalists who aspire to be writers. Lots of them. Let’s j
|
|||
|
hope you’re right.’
|
|||
|
He finished his tea and we exchanged some chat as he was
|
|||
|
leaving.
|
|||
|
‘Will you be coming to the festival?’ he asked at the gate.
|
|||
|
‘I suppose so. Everybody else will be there}
|
|||
|
107
|
|||
|
|
|||
|
‘Yes, I’m looking forward to it. They’re getting things ready up
|
|||
|
at the seminary, so I’ll be kept busy with that for a day or so.
|
|||
|
Listen, why don’t you come up and see the place? You’d like it. I’m
|
|||
|
still amazed, being a city boy, how self-sufficient the old timers
|
|||
|
have got it. Been doing it for hundreds of years, I’m told.’
|
|||
|
I said I would come up sometime, and Gerry suggested
|
|||
|
Thursday — not having anything planned I agreed.
|
|||
|
108
|
|||
|
|
|||
|
|